[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Yu Gothic,46,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,1,0,0,0,100,100,4,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:01:44.04,0:02:00.99,Default,,0000,0000,0000,,{\pos(172,497)}♪～
Dialogue: 0,0:02:00.99,0:02:03.82,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}（{\fscx100}雷田{\fscx50}）{\fscx100}う…{\fscx50}　{\fscx100}う～ん…{\fscx50}。
Dialogue: 0,0:02:03.82,0:02:07.49,Default,,0000,0000,0000,,{\pos(172,407)}先生{\fscx50}　{\fscx100}お願いですから話を…{\fscx50}。
Dialogue: 0,0:02:07.49,0:02:09.66,Default,,0000,0000,0000,,{\pos(172,407)}雷田さん！
Dialogue: 0,0:02:07.49,0:02:09.66,Default,,0000,0000,0000,,{\pos(612,497)}ふえ{\fscx50}！？
Dialogue: 0,0:02:09.66,0:02:13.00,Default,,0000,0000,0000,,{\pos(592,407)}何{\fscx50}　{\fscx100}何{\fscx50}！？
Dialogue: 0,0:02:09.66,0:02:13.00,Default,,0000,0000,0000,,{\pos(172,497)}帰りのお客さんの中に➡
Dialogue: 0,0:02:13.00,0:02:17.17,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}『{\fscx100}東京{\fscx50}ブレイド』{\fscx100}の{\fscx50}アビ{\fscx100}子先生が！
Dialogue: 0,0:02:13.00,0:02:17.17,Default,,0000,0000,0000,,{\pos(472,497)}えぇ{\fscx50}！？
Dialogue: 0,0:02:17.17,0:02:19.67,Default,,0000,0000,0000,,{\pos(392,407)}連れてきて！
Dialogue: 0,0:02:17.17,0:02:19.67,Default,,0000,0000,0000,,{\pos(172,497)}あっ{\fscx50}　{\fscx100}はい！
Dialogue: 0,0:02:19.67,0:02:21.88,Default,,0000,0000,0000,,{\pos(232,497)}おもてなし！{\fscx50}　{\fscx100}おもてなし！
Dialogue: 0,0:02:24.34,0:02:28.85,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}（{\fscx100}雷田{\fscx50}）{\fscx100}いや～{\fscx50}　{\fscx100}まさか先生に
Dialogue: 0,0:02:24.34,0:02:28.85,Default,,0000,0000,0000,,{\pos(272,497)}お越しいただけるとは{\fscx50}。
Dialogue: 0,0:02:28.85,0:02:33.52,Default,,0000,0000,0000,,{\pos(352,437)}言ってもらえれば
Dialogue: 0,0:02:28.85,0:02:33.52,Default,,0000,0000,0000,,{\pos(372,497)\fscx50}チケット{\fscx100}用意しましたのに{\fscx50}。
Dialogue: 0,0:02:33.52,0:02:35.52,Default,,0000,0000,0000,,{\pos(252,497)}うちの舞台{\fscx50}　{\fscx100}いかがでしたか？
Dialogue: 0,0:02:35.52,0:02:39.19,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（アビ{\fscx100}子{\fscx50}）{\fscx100}今の舞台って
Dialogue: 0,0:02:35.52,0:02:39.19,Default,,0000,0000,0000,,{\pos(212,497)}ああいう感じなんですね{\fscx50}。
Dialogue: 0,0:02:39.19,0:02:42.20,Default,,0000,0000,0000,,{\pos(172,497)}思ってたのと全然違いました{\fscx50}。
Dialogue: 0,0:02:42.20,0:02:45.70,Default,,0000,0000,0000,,{\pos(172,437)}脚本を書くうえで
Dialogue: 0,0:02:42.20,0:02:45.70,Default,,0000,0000,0000,,{\pos(192,497)}とても参考になりました{\fscx50}。
Dialogue: 0,0:02:45.70,0:02:48.70,Default,,0000,0000,0000,,{\pos(352,497)}そっ！{\fscx50}　{\fscx100}それは何よりで{\fscx50}。
Dialogue: 0,0:02:48.70,0:02:52.71,Default,,0000,0000,0000,,{\pos(292,437)}いやぁ{\fscx50}　{\fscx100}先生じきじきに
Dialogue: 0,0:02:48.70,0:02:52.71,Default,,0000,0000,0000,,{\pos(312,497)}書いていただけるなんて➡
Dialogue: 0,0:02:52.71,0:02:54.87,Default,,0000,0000,0000,,{\pos(472,497)}楽しみだな～！
Dialogue: 0,0:02:54.87,0:02:58.88,Default,,0000,0000,0000,,{\pos(292,437)}原作者{\fscx50}　{\fscx100}書き下ろしだったら
Dialogue: 0,0:02:54.87,0:02:58.88,Default,,0000,0000,0000,,{\pos(312,497)}現場のみんなも喜んで…{\fscx50}。
Dialogue: 0,0:02:58.88,0:03:03.68,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}(({\c&H0000FFFF}アクア：{\fscx100}でも{\fscx50}　{\fscx100}どうにかできるのは
Dialogue: 0,0:02:58.88,0:03:03.68,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF}雷田さんだけですよ{\c&H00FFFFFF})
Dialogue: 0,0:03:10.16,0:03:12.33,Default,,0000,0000,0000,,{\pos(692,407)}先生{\fscx50}。
Dialogue: 0,0:03:10.16,0:03:12.33,Default,,0000,0000,0000,,{\pos(252,497)}あっ{\fscx50}。
Dialogue: 0,0:03:12.33,0:03:15.83,Default,,0000,0000,0000,,{\pos(252,497)}腹割って{\fscx50}　{\fscx100}話{\fscx50}　{\fscx100}しませんか？
Dialogue: 0,0:03:15.83,0:03:19.17,Default,,0000,0000,0000,,{\pos(192,497)}僕は今{\fscx50}　{\fscx100}すごく弱い立場にいます{\fscx50}。
Dialogue: 0,0:03:19.17,0:03:22.50,Default,,0000,0000,0000,,{\pos(232,437)}今後も出版社との良好な関係を
Dialogue: 0,0:03:19.17,0:03:22.50,Default,,0000,0000,0000,,{\pos(492,497)}続けなければ➡
Dialogue: 0,0:03:22.50,0:03:24.50,Default,,0000,0000,0000,,{\pos(412,497)}仕事がもらえないし{\fscx50}。
Dialogue: 0,0:03:24.50,0:03:27.17,Default,,0000,0000,0000,,{\pos(412,77)}作家が持つ
Dialogue: 0,0:03:24.50,0:03:27.17,Default,,0000,0000,0000,,{\pos(432,137)}著作者人格権には➡
Dialogue: 0,0:03:27.17,0:03:29.18,Default,,0000,0000,0000,,{\pos(392,77)}同一性保持権ってのが
Dialogue: 0,0:03:27.17,0:03:29.18,Default,,0000,0000,0000,,{\pos(612,137)}あって➡
Dialogue: 0,0:03:29.18,0:03:31.18,Default,,0000,0000,0000,,{\pos(432,77)}先生の許可なしに➡
Dialogue: 0,0:03:31.18,0:03:34.35,Default,,0000,0000,0000,,{\pos(432,77)\fscx50}「{\fscx100}東{\fscx50}ブレ」{\fscx100}の舞台を
Dialogue: 0,0:03:31.18,0:03:34.35,Default,,0000,0000,0000,,{\pos(472,137)}やることは
Dialogue: 0,0:03:31.18,0:03:34.35,Default,,0000,0000,0000,,{\pos(492,197)}絶対にできない{\fscx50}。
Dialogue: 0,0:03:34.35,0:03:39.19,Default,,0000,0000,0000,,{\pos(192,437)}同一性保持権を行使するのは
Dialogue: 0,0:03:34.35,0:03:39.19,Default,,0000,0000,0000,,{\pos(212,497)}先生が持つ当然の権利なんです{\fscx50}。
Dialogue: 0,0:03:39.19,0:03:42.52,Default,,0000,0000,0000,,{\pos(312,437)}だからこそ
Dialogue: 0,0:03:39.19,0:03:42.52,Default,,0000,0000,0000,,{\pos(332,497)}頭に入れといてください{\fscx50}。
Dialogue: 0,0:03:42.52,0:03:45.36,Default,,0000,0000,0000,,{\pos(172,497)}先生が書いた脚本は{\fscx50}　マジ{\fscx100}の{\fscx50}マジ{\fscx100}で➡
Dialogue: 0,0:03:45.36,0:03:48.53,Default,,0000,0000,0000,,{\pos(232,437)}そのまま使う可能性がある
Dialogue: 0,0:03:45.36,0:03:48.53,Default,,0000,0000,0000,,{\pos(372,497)}ということを{\fscx50}。
Dialogue: 0,0:03:48.53,0:03:52.37,Default,,0000,0000,0000,,{\pos(372,383)\fscx50\fscy50}わたし
Dialogue: 0,0:03:48.53,0:03:52.37,Default,,0000,0000,0000,,{\pos(192,437)}それは…{\fscx50}　{\fscx100}私的には
Dialogue: 0,0:03:48.53,0:03:52.37,Default,,0000,0000,0000,,{\pos(212,497)}全然かまわないんですが{\fscx50}。
Dialogue: 0,0:03:52.37,0:03:54.70,Default,,0000,0000,0000,,{\pos(232,437)}いいえ
Dialogue: 0,0:03:52.37,0:03:54.70,Default,,0000,0000,0000,,{\pos(252,497)}ちゃんと考えてみてください{\fscx50}。
Dialogue: 0,0:03:54.70,0:03:58.54,Default,,0000,0000,0000,,{\pos(192,437)}今回は{\fscx50}　{\fscx100}もし先生の書いた脚本が
Dialogue: 0,0:03:54.70,0:03:58.54,Default,,0000,0000,0000,,{\pos(352,497)\fscx50}ヤバ{\fscx100}くても➡
Dialogue: 0,0:03:58.54,0:04:01.31,Default,,0000,0000,0000,,{\pos(312,437)}役者の稽古期間を
Dialogue: 0,0:03:58.54,0:04:01.31,Default,,0000,0000,0000,,{\pos(332,497)}確保するために➡
Dialogue: 0,0:04:01.31,0:04:03.64,Default,,0000,0000,0000,,{\pos(192,497)}そのまま通す可能性があります{\fscx50}。
Dialogue: 0,0:04:03.64,0:04:06.31,Default,,0000,0000,0000,,{\pos(192,497)}仮に天才小説家がいたとして➡
Dialogue: 0,0:04:06.31,0:04:10.48,Default,,0000,0000,0000,,{\pos(192,437)\fscx50}ソイツ{\fscx100}が初めて描いた漫画の{\fscx50}ネーム{\fscx100}が
Dialogue: 0,0:04:06.31,0:04:10.48,Default,,0000,0000,0000,,{\pos(272,497)\fscx50}１００{\fscx100}点になりますか？
Dialogue: 0,0:04:10.48,0:04:12.49,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（アビ{\fscx100}子{\fscx50}）{\fscx100}なるわけないです{\fscx50}。
Dialogue: 0,0:04:12.49,0:04:14.49,Default,,0000,0000,0000,,{\pos(312,497)}舞台脚本だって同じです！
Dialogue: 0,0:04:14.49,0:04:16.49,Default,,0000,0000,0000,,{\pos(352,497)}いくら天才漫画家でも➡
Dialogue: 0,0:04:16.49,0:04:18.99,Default,,0000,0000,0000,,{\pos(312,437)}いきなり最高の舞台脚本は
Dialogue: 0,0:04:16.49,0:04:18.99,Default,,0000,0000,0000,,{\pos(452,497)}書けないんです！
Dialogue: 0,0:04:20.99,0:04:23.00,Default,,0000,0000,0000,,{\pos(432,497)}もう一度言います{\fscx50}。
Dialogue: 0,0:04:23.00,0:04:25.67,Default,,0000,0000,0000,,{\pos(392,437)}先生が著作者人格権を
Dialogue: 0,0:04:23.00,0:04:25.67,Default,,0000,0000,0000,,{\pos(412,497)}振りかざすなら➡
Dialogue: 0,0:04:25.67,0:04:29.00,Default,,0000,0000,0000,,{\pos(192,437)}僕らは
Dialogue: 0,0:04:25.67,0:04:29.00,Default,,0000,0000,0000,,{\pos(212,497)}そのまま採用する可能性がある{\fscx50}。
Dialogue: 0,0:04:29.00,0:04:32.51,Default,,0000,0000,0000,,{\pos(372,437)}そこそこ{\fscx50}　グダグダ{\fscx100}な舞台に
Dialogue: 0,0:04:29.00,0:04:32.51,Default,,0000,0000,0000,,{\pos(472,497)}なるでしょうね{\fscx50}。
Dialogue: 0,0:04:32.51,0:04:34.51,Default,,0000,0000,0000,,{\pos(172,497)}脅してるんですか？
Dialogue: 0,0:04:34.51,0:04:37.68,Default,,0000,0000,0000,,{\pos(372,497)}お互いさまですからね{\fscx50}。
Dialogue: 0,0:04:37.68,0:04:40.51,Default,,0000,0000,0000,,{\pos(352,437)}これくらいの駆け引きは
Dialogue: 0,0:04:37.68,0:04:40.51,Default,,0000,0000,0000,,{\pos(452,497)}何度もしてます！
Dialogue: 0,0:04:40.51,0:04:42.52,Default,,0000,0000,0000,,{\pos(352,497)}僕は{\fscx50}　{\fscx100}舞台に関わる➡
Dialogue: 0,0:04:42.52,0:04:44.85,Default,,0000,0000,0000,,{\pos(332,437)\fscx50}１００{\fscx100}人以上の仕事を
Dialogue: 0,0:04:42.52,0:04:44.85,Default,,0000,0000,0000,,{\pos(352,497)}守らなきゃいけない！
Dialogue: 0,0:04:44.85,0:04:47.52,Default,,0000,0000,0000,,{\pos(172,437)}こっちは
Dialogue: 0,0:04:44.85,0:04:47.52,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}ジジイ{\fscx100}の{\fscx50}チン{\fscx100}…{\fscx50}　{\fscx100}の１本や２本➡
Dialogue: 0,0:04:47.52,0:04:49.52,Default,,0000,0000,0000,,{\pos(172,497)}…る覚悟で仕事してるんです！
Dialogue: 0,0:04:49.52,0:04:51.69,Default,,0000,0000,0000,,{\pos(172,497)}ううっ{\fscx50}！？　{\fscx100}汚らわしい…{\fscx50}。
Dialogue: 0,0:04:51.69,0:04:53.69,Default,,0000,0000,0000,,{\pos(172,497)}なんなんですか{\fscx50}　{\fscx100}それ…{\fscx50}。
Dialogue: 0,0:04:53.69,0:04:56.20,Default,,0000,0000,0000,,{\pos(172,497)}この舞台{\fscx50}　{\fscx100}見てくれたんですよね？
Dialogue: 0,0:04:56.20,0:04:59.70,Default,,0000,0000,0000,,{\pos(172,497)}今回の脚本は{\fscx50}　ＧＯＡ{\fscx100}くんのものです{\fscx50}。
Dialogue: 0,0:04:59.70,0:05:02.30,Default,,0000,0000,0000,,{\pos(572,407)}はっ！
Dialogue: 0,0:04:59.70,0:05:02.30,Default,,0000,0000,0000,,{\pos(552,497)}彼の仕事を➡
Dialogue: 0,0:05:02.30,0:05:04.50,Default,,0000,0000,0000,,{\pos(312,497)}信じてみてくれませんか？
Dialogue: 0,0:05:06.81,0:05:08.98,Default,,0000,0000,0000,,{\pos(352,497)\fscx50}(({\fscx100}頼子{\fscx50}：{\fscx100}歩み寄りなさい{\fscx50}。
Dialogue: 0,0:05:08.98,0:05:12.15,Default,,0000,0000,0000,,{\pos(252,497)\fscx50}メディアミックス{\fscx100}は他人との共同制作{\fscx50}。
Dialogue: 0,0:05:12.15,0:05:16.65,Default,,0000,0000,0000,,{\pos(272,437)}自分だけではできないことの
Dialogue: 0,0:05:12.15,0:05:16.65,Default,,0000,0000,0000,,{\pos(412,497)}集合体なんだから)
Dialogue: 0,0:05:20.15,0:05:25.16,Default,,0000,0000,0000,,{\pos(172,437)}わかりました{\fscx50}。
Dialogue: 0,0:05:20.15,0:05:25.16,Default,,0000,0000,0000,,{\pos(192,497)}私も{\fscx50}プロ{\fscx100}の仕事を信じます{\fscx50}。
Dialogue: 0,0:05:25.16,0:05:28.56,Default,,0000,0000,0000,,{\pos(312,497)}ただし{\fscx50}　{\fscx100}一つ条件が{\fscx50}。
Dialogue: 0,0:05:30.83,0:05:34.33,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}（ＧＯＡ）{\fscx100}なるほど{\fscx50}。
Dialogue: 0,0:05:30.83,0:05:34.33,Default,,0000,0000,0000,,{\pos(252,497)}こういう感じになりましたか{\fscx50}。
Dialogue: 0,0:05:36.34,0:05:39.51,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}クラウド{\fscx100}上の{\fscx50}テキストデータ{\fscx100}を{\fscx50}リアルタイム{\fscx100}で共有{\fscx50}。
Dialogue: 0,0:05:39.51,0:05:42.51,Default,,0000,0000,0000,,{\pos(252,437)}それを{\fscx50}　{\fscx100}この場で
Dialogue: 0,0:05:39.51,0:05:42.51,Default,,0000,0000,0000,,{\pos(272,497)\fscx50}アビ{\fscx100}子先生と{\fscx50}ＧＯＡ{\fscx100}くんが➡
Dialogue: 0,0:05:42.51,0:05:44.68,Default,,0000,0000,0000,,{\pos(232,497)}通話しながら修正していく{\fscx50}。
Dialogue: 0,0:05:44.68,0:05:49.18,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}[]{\fscx100}これが{\fscx50}　プロデューサー{\fscx100}として
Dialogue: 0,0:05:44.68,0:05:49.18,Default,,0000,0000,0000,,{\pos(232,497)}許容できる{\fscx50}　ギリギリ{\fscx100}の{\fscx50}ライン。
Dialogue: 0,0:05:49.18,0:05:53.02,Default,,0000,0000,0000,,{\pos(212,497)}じゃあ早速{\fscx50}　{\fscx100}始めましょうか{\fscx50}。
Dialogue: 0,0:05:53.02,0:05:57.02,Default,,0000,0000,0000,,{\pos(252,497)}わかりました{\fscx50}。　{\fscx100}お願いします{\fscx50}。
Dialogue: 0,0:05:57.02,0:05:59.13,Default,,0000,0000,0000,,{\pos(172,497)}では{\fscx50}　{\fscx100}１{\fscx50}ページ{\fscx100}目から{\fscx50}。
Dialogue: 0,0:06:01.13,0:06:04.13,Default,,0000,0000,0000,,{\pos(372,437)}《これをやると
Dialogue: 0,0:06:01.13,0:06:04.13,Default,,0000,0000,0000,,{\pos(432,497)}原作者と脚本家は➡
Dialogue: 0,0:06:04.13,0:06:07.97,Default,,0000,0000,0000,,{\pos(272,437)}仲よくなるか仲悪くなるかの
Dialogue: 0,0:06:04.13,0:06:07.97,Default,,0000,0000,0000,,{\pos(452,497)}どっちか{\fscx50}。
Dialogue: 0,0:06:07.97,0:06:10.14,Default,,0000,0000,0000,,{\pos(172,497)}こういうのが原因で{\fscx50}　{\fscx100}もめて➡
Dialogue: 0,0:06:10.14,0:06:12.47,Default,,0000,0000,0000,,{\pos(172,437)}企画が{\fscx50}　ポシャ{\fscx100}ることも
Dialogue: 0,0:06:10.14,0:06:12.47,Default,,0000,0000,0000,,{\pos(192,497)}多々あるから➡
Dialogue: 0,0:06:12.47,0:06:16.48,Default,,0000,0000,0000,,{\pos(172,437)}仲介屋の仕事としては
Dialogue: 0,0:06:12.47,0:06:16.48,Default,,0000,0000,0000,,{\pos(192,497)}下策もいいとこ{\fscx50}。
Dialogue: 0,0:06:16.48,0:06:20.31,Default,,0000,0000,0000,,{\pos(212,437)}でもまぁ{\fscx50}　{\fscx100}もうこれ以上
Dialogue: 0,0:06:16.48,0:06:20.31,Default,,0000,0000,0000,,{\pos(232,497)}悪くなることもないだろうし！
Dialogue: 0,0:06:20.31,0:06:23.65,Default,,0000,0000,0000,,{\pos(372,437)}失うものもないし
Dialogue: 0,0:06:20.31,0:06:23.65,Default,,0000,0000,0000,,{\pos(392,497)}好きに戦ってくれや！
Dialogue: 0,0:06:23.65,0:06:29.66,Default,,0000,0000,0000,,{\pos(312,437)}ただ{\fscx50}　{\fscx100}一つだけ
Dialogue: 0,0:06:23.65,0:06:29.66,Default,,0000,0000,0000,,{\pos(332,497)}恐れるべき懸念点はある{\fscx50}。
Dialogue: 0,0:06:29.66,0:06:35.66,Default,,0000,0000,0000,,{\pos(212,497)}さっ{\fscx50}　{\fscx100}鬼が出るか蛇が出るか》
Dialogue: 0,0:06:35.66,0:06:39.33,Default,,0000,0000,0000,,{\pos(272,437)\fscx50}ブレイド{\fscx100}が{\fscx50}　{\fscx100}ならず者を倒す{\fscx50}シーン{\fscx100}は
Dialogue: 0,0:06:35.66,0:06:39.33,Default,,0000,0000,0000,,{\pos(432,497)\fscx50}カット{\fscx100}していいです{\fscx50}。
Dialogue: 0,0:06:39.33,0:06:43.17,Default,,0000,0000,0000,,{\pos(192,437)}そのかわり
Dialogue: 0,0:06:39.33,0:06:43.17,Default,,0000,0000,0000,,{\pos(212,497)}そのあとの{\fscx50}ツルギ{\fscx100}との{\fscx50}バトル{\fscx100}の中で…{\fscx50}。
Dialogue: 0,0:06:43.17,0:06:47.17,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}[]ツルギ{\fscx100}が{\fscx50}ブレイド{\fscx100}の性格を
Dialogue: 0,0:06:43.17,0:06:47.17,Default,,0000,0000,0000,,{\pos(192,497)}理解できるような{\fscx50}セリフ{\fscx100}を足します{\fscx50}。
Dialogue: 0,0:06:47.17,0:06:49.84,Default,,0000,0000,0000,,{\pos(172,497)}それだと{\fscx50}　{\fscx100}だいぶ原作の展開から➡
Dialogue: 0,0:06:49.84,0:06:52.18,Default,,0000,0000,0000,,{\pos(192,407)}離れませんか？
Dialogue: 0,0:06:49.84,0:06:52.18,Default,,0000,0000,0000,,{\pos(532,497)\fscx50}[]{\fscx100}いいんです{\fscx50}。
Dialogue: 0,0:06:52.18,0:06:55.35,Default,,0000,0000,0000,,{\pos(312,497)}大事なのは{\fscx50}キャラ{\fscx100}の柱なので{\fscx50}。
Dialogue: 0,0:06:55.35,0:06:58.35,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}[]{\fscx100}そこさえ変わらなければ
Dialogue: 0,0:06:55.35,0:06:58.35,Default,,0000,0000,0000,,{\pos(332,497)}何やっても{\fscx50}オッケー。
Dialogue: 0,0:06:58.35,0:07:01.12,Default,,0000,0000,0000,,{\pos(232,497)}なるほど{\fscx50}。　{\fscx100}ちょっとずつ➡
Dialogue: 0,0:07:01.12,0:07:03.96,Default,,0000,0000,0000,,{\pos(312,437)}先生の許せる{\fscx50}ライン{\fscx100}が
Dialogue: 0,0:07:01.12,0:07:03.96,Default,,0000,0000,0000,,{\pos(332,497)}見えてきました{\fscx50}。
Dialogue: 0,0:07:03.96,0:07:06.79,Default,,0000,0000,0000,,{\pos(212,497)}だとしたら{\fscx50}　ブレイド{\fscx100}は{\fscx50}バトル{\fscx100}のあと➡
Dialogue: 0,0:07:06.79,0:07:10.30,Default,,0000,0000,0000,,{\pos(272,437)}刀を肩に置きながら{\fscx50}セリフ
Dialogue: 0,0:07:06.79,0:07:10.30,Default,,0000,0000,0000,,{\pos(292,497)}というのはどうです？
Dialogue: 0,0:07:10.30,0:07:14.30,Default,,0000,0000,0000,,{\pos(272,437)}あぁ{\fscx50}　{\fscx100}ありあり{\fscx50}。
Dialogue: 0,0:07:10.30,0:07:14.30,Default,,0000,0000,0000,,{\pos(292,497)}わかってるじゃないですか{\fscx50}。
Dialogue: 0,0:07:14.30,0:07:17.30,Default,,0000,0000,0000,,{\pos(172,497)}そしたら{\fscx50}　{\fscx100}ここはこういう感じで{\fscx50}。
Dialogue: 0,0:07:17.30,0:07:19.47,Default,,0000,0000,0000,,{\pos(452,497)\fscx50}[]{\fscx100}えっ{\fscx50}　{\fscx100}どうして？
Dialogue: 0,0:07:19.47,0:07:21.47,Default,,0000,0000,0000,,{\pos(192,437)}ちょっと舞台の仕組みが
Dialogue: 0,0:07:19.47,0:07:21.47,Default,,0000,0000,0000,,{\pos(252,497)}わからないと➡
Dialogue: 0,0:07:21.47,0:07:23.98,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}イメージ{\fscx100}しづらいかも
Dialogue: 0,0:07:21.47,0:07:23.98,Default,,0000,0000,0000,,{\pos(252,497)}しれないですが➡
Dialogue: 0,0:07:23.98,0:07:26.48,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}スクリーン{\fscx100}前を移動しながら
Dialogue: 0,0:07:23.98,0:07:26.48,Default,,0000,0000,0000,,{\pos(252,497)}会話のほうが➡
Dialogue: 0,0:07:26.48,0:07:29.82,Default,,0000,0000,0000,,{\pos(172,407)}旅感{\fscx50}　{\fscx100}出るはずなんで{\fscx50}。
Dialogue: 0,0:07:26.48,0:07:29.82,Default,,0000,0000,0000,,{\pos(572,497)\fscx50}[]{\fscx100}なるほど{\fscx50}。
Dialogue: 0,0:07:29.82,0:07:34.15,Default,,0000,0000,0000,,{\pos(272,347)}ありですね{\fscx50}。　{\fscx100}その引き出しは
Dialogue: 0,0:07:29.82,0:07:34.15,Default,,0000,0000,0000,,{\pos(412,407)}私にはないやつです{\fscx50}。
Dialogue: 0,0:07:34.15,0:07:36.32,Default,,0000,0000,0000,,{\pos(172,407)}まぁ{\fscx50}　{\fscx100}それで食ってるんで{\fscx50}。
Dialogue: 0,0:07:36.32,0:07:39.16,Default,,0000,0000,0000,,{\pos(172,347)}こう見えて
Dialogue: 0,0:07:36.32,0:07:39.16,Default,,0000,0000,0000,,{\pos(192,407)}結構売れっ子なんですよ？
Dialogue: 0,0:07:39.16,0:07:44.33,Default,,0000,0000,0000,,{\pos(312,437)}そういえば{\fscx50}　ＧＯＡ{\fscx100}さんが
Dialogue: 0,0:07:39.16,0:07:44.33,Default,,0000,0000,0000,,{\pos(332,497)}脚本書いた舞台見ました{\fscx50}。
Dialogue: 0,0:07:44.33,0:07:47.67,Default,,0000,0000,0000,,{\pos(372,497)\fscx50}[]{\fscx100}あ～{\fscx50}　{\fscx100}どうでした？
Dialogue: 0,0:07:47.67,0:07:52.84,Default,,0000,0000,0000,,{\pos(232,497)}その…{\fscx50}　{\fscx100}だいぶ好きでした{\fscx50}。
Dialogue: 0,0:07:52.84,0:07:57.51,Default,,0000,0000,0000,,{\pos(172,437)}はっ！{\fscx50}　アハハッ{\fscx100}！{\fscx50}　{\fscx100}ふだんは
Dialogue: 0,0:07:52.84,0:07:57.51,Default,,0000,0000,0000,,{\pos(192,497)}ああいうの書いてるんですよ！
Dialogue: 0,0:07:57.51,0:08:00.95,Default,,0000,0000,0000,,{\pos(252,437)\fscx50}[]「{\fscx100}東{\fscx50}ブレ」{\fscx100}の舞台でも
Dialogue: 0,0:07:57.51,0:08:00.95,Default,,0000,0000,0000,,{\pos(332,497)}あの感じ出してください{\fscx50}。
Dialogue: 0,0:08:00.95,0:08:04.28,Default,,0000,0000,0000,,{\pos(172,437)}いいんですか？{\fscx50}　{\fscx100}だいぶ雰囲気
Dialogue: 0,0:08:00.95,0:08:04.28,Default,,0000,0000,0000,,{\pos(192,497)}変わっちゃいますよ？
Dialogue: 0,0:08:04.28,0:08:06.29,Default,,0000,0000,0000,,{\pos(432,497)}いいです{\fscx50}　{\fscx100}いいです{\fscx50}。
Dialogue: 0,0:08:06.29,0:08:08.96,Default,,0000,0000,0000,,{\pos(232,437)}得意なことは
Dialogue: 0,0:08:06.29,0:08:08.96,Default,,0000,0000,0000,,{\pos(252,497)}どんどんやっていきましょう{\fscx50}。
Dialogue: 0,0:08:08.96,0:08:12.46,Default,,0000,0000,0000,,{\pos(172,437)}それじゃあ{\fscx50}　{\fscx100}ここも
Dialogue: 0,0:08:08.96,0:08:12.46,Default,,0000,0000,0000,,{\pos(192,497)}舞台効果で済ませちゃって{\fscx50}。
Dialogue: 0,0:08:12.46,0:08:14.46,Default,,0000,0000,0000,,{\pos(352,497)\fscx50}[]{\fscx100}ここも{\fscx50}カット。
Dialogue: 0,0:08:14.46,0:08:17.30,Default,,0000,0000,0000,,{\pos(212,407)}この{\fscx50}セリフ{\fscx100}も{\fscx50}カット{\fscx100}でいいですよね{\fscx50}。
Dialogue: 0,0:08:14.46,0:08:17.30,Default,,0000,0000,0000,,{\pos(392,497)\fscx50}[]ハハハッ。
Dialogue: 0,0:08:17.30,0:08:19.80,Default,,0000,0000,0000,,{\pos(352,437)}こっちも演技で
Dialogue: 0,0:08:17.30,0:08:19.80,Default,,0000,0000,0000,,{\pos(372,497)}どうにかなりますよね{\fscx50}。
Dialogue: 0,0:08:19.80,0:08:22.64,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}[]アハハ　{\fscx100}攻めてますね～{\fscx50}。
Dialogue: 0,0:08:22.64,0:08:26.31,Default,,0000,0000,0000,,{\pos(292,407)}ここも{\fscx50}カット{\fscx100}！
Dialogue: 0,0:08:22.64,0:08:26.31,Default,,0000,0000,0000,,{\pos(512,497)\fscx50}[]カット　カット{\fscx100}～！
Dialogue: 0,0:08:26.31,0:08:30.11,Default,,0000,0000,0000,,{\pos(552,407)\fscx50}アハハハハハハハハッ{\fscx100}！
Dialogue: 0,0:08:26.31,0:08:30.11,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}アハハハハハハハハッ{\fscx100}！
Dialogue: 0,0:08:36.15,0:08:39.82,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}ＧＯＡ{\fscx100}さんのおかげで
Dialogue: 0,0:08:36.15,0:08:39.82,Default,,0000,0000,0000,,{\pos(232,497)}かなりいい脚本になりました！
Dialogue: 0,0:08:39.82,0:08:43.32,Default,,0000,0000,0000,,{\pos(252,437)}役者さんが演じてる{\fscx50}シーン{\fscx100}が
Dialogue: 0,0:08:39.82,0:08:43.32,Default,,0000,0000,0000,,{\pos(272,497)}目に浮かぶようです！
Dialogue: 0,0:08:43.32,0:08:46.16,Default,,0000,0000,0000,,{\pos(352,497)}ええ{\fscx50}　{\fscx100}本当に{\fscx50}。
Dialogue: 0,0:08:46.16,0:08:50.50,Default,,0000,0000,0000,,{\pos(232,437)}先生{\fscx50}　{\fscx100}皆様
Dialogue: 0,0:08:46.16,0:08:50.50,Default,,0000,0000,0000,,{\pos(252,497)}朝までお疲れさまでした{\fscx50}。
Dialogue: 0,0:08:50.50,0:08:53.17,Default,,0000,0000,0000,,{\pos(332,467)}はい{\fscx50}　{\fscx100}お先に失礼します！
Dialogue: 0,0:08:53.17,0:08:55.57,Default,,0000,0000,0000,,{\pos(492,467)}失礼いたします{\fscx50}。
Dialogue: 0,0:08:57.50,0:09:00.94,Default,,0000,0000,0000,,{\pos(252,407)\fscx50}ＧＯＡ{\fscx100}くん…？
Dialogue: 0,0:08:57.50,0:09:00.94,Default,,0000,0000,0000,,{\pos(572,497)\fscx50}[]{\fscx100}いやぁ…{\fscx50}。
Dialogue: 0,0:09:00.94,0:09:03.61,Default,,0000,0000,0000,,{\pos(212,497)}なんか楽しくなっちゃって…{\fscx50}。
Dialogue: 0,0:09:03.61,0:09:06.78,Default,,0000,0000,0000,,{\pos(172,437)}《やっぱり
Dialogue: 0,0:09:03.61,0:09:06.78,Default,,0000,0000,0000,,{\pos(232,497)}危惧したとおりになった！
Dialogue: 0,0:09:06.78,0:09:08.78,Default,,0000,0000,0000,,{\pos(212,497)\fscx50}クリエイター{\fscx100}が団結すると➡
Dialogue: 0,0:09:08.78,0:09:11.62,Default,,0000,0000,0000,,{\pos(192,437)}とがった作品に
Dialogue: 0,0:09:08.78,0:09:11.62,Default,,0000,0000,0000,,{\pos(212,497)}なりがちなんだよなぁ！
Dialogue: 0,0:09:11.62,0:09:14.95,Default,,0000,0000,0000,,{\pos(172,497)}でも時間がないし{\fscx50}　{\fscx100}いくしかない{\fscx50}。
Dialogue: 0,0:09:14.95,0:09:19.29,Default,,0000,0000,0000,,{\pos(172,437)}これがうまく{\fscx50}ハマ{\fscx100}れば
Dialogue: 0,0:09:14.95,0:09:19.29,Default,,0000,0000,0000,,{\pos(192,497)}すごいものになるのもわかる！
Dialogue: 0,0:09:19.29,0:09:23.60,Default,,0000,0000,0000,,{\pos(232,497)\fscx50}クソ{\fscx100}～{\fscx50}　{\fscx100}新たな頭痛の種が…》
Dialogue: 0,0:09:26.80,0:09:31.14,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}まったく{\fscx50}　{\fscx100}とんでもない
Dialogue: 0,0:09:26.80,0:09:31.14,Default,,0000,0000,0000,,{\pos(212,497)}脚本が上がってきたわね{\fscx50}。
Dialogue: 0,0:09:31.14,0:09:33.97,Default,,0000,0000,0000,,{\pos(232,497)}説明{\fscx50}ゼリフ{\fscx100}が{\fscx50}　ゴリゴリ{\fscx100}削られて➡
Dialogue: 0,0:09:33.97,0:09:39.31,Default,,0000,0000,0000,,{\pos(212,437)}やたら動きだけで{\fscx50}　{\fscx100}どうにか
Dialogue: 0,0:09:33.97,0:09:39.31,Default,,0000,0000,0000,,{\pos(232,497)}しなきゃいけない{\fscx50}シーン{\fscx100}が多い{\fscx50}。
Dialogue: 0,0:09:39.31,0:09:44.15,Default,,0000,0000,0000,,{\pos(192,437)}役者の演技に全投げの
Dialogue: 0,0:09:39.31,0:09:44.15,Default,,0000,0000,0000,,{\pos(172,497)}とんでもない{\fscx50}　キラーパス{\fscx100}脚本じゃない{\fscx50}。
Dialogue: 0,0:09:44.15,0:09:48.15,Default,,0000,0000,0000,,{\pos(252,437)}失敗したら責任は全部
Dialogue: 0,0:09:44.15,0:09:48.15,Default,,0000,0000,0000,,{\pos(272,497)}こっちのせいってわけね{\fscx50}。
Dialogue: 0,0:09:48.15,0:09:51.32,Default,,0000,0000,0000,,{\pos(252,437)}だいぶ{\fscx50}　{\fscx100}むちゃぶりが
Dialogue: 0,0:09:48.15,0:09:51.32,Default,,0000,0000,0000,,{\pos(272,497)}すぎるんじゃないかしら{\fscx50}。
Dialogue: 0,0:09:51.32,0:09:55.83,Default,,0000,0000,0000,,{\pos(192,437)\fscx50}（{\fscx100}あかね{\fscx50}）{\fscx100}うんうん{\fscx50}　{\fscx100}これなら
Dialogue: 0,0:09:51.32,0:09:55.83,Default,,0000,0000,0000,,{\pos(232,497)\fscx50}[]{\fscx100}姫の解釈は私と合ってる！
Dialogue: 0,0:09:55.83,0:09:59.83,Default,,0000,0000,0000,,{\pos(172,437)}それどころか
Dialogue: 0,0:09:55.83,0:09:59.83,Default,,0000,0000,0000,,{\pos(192,497)}新しい一面も発見できる脚本で{\fscx50}。
Dialogue: 0,0:09:59.83,0:10:04.00,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}フフフフ{\fscx100}…{\fscx50}　{\fscx100}これは考察のしがいが
Dialogue: 0,0:09:59.83,0:10:04.00,Default,,0000,0000,0000,,{\pos(192,497)}ありそうだなぁ{\fscx50}。
Dialogue: 0,0:10:04.00,0:10:07.17,Default,,0000,0000,0000,,{\pos(172,497)}でも{\fscx50}　{\fscx100}これは{\fscx50}　{\fscx100}やるの難しいわよぉ{\fscx50}。
Dialogue: 0,0:10:07.17,0:10:09.34,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}（{\fscx100}姫川{\fscx50}）{\fscx100}俺は問題ない{\fscx50}。
Dialogue: 0,0:10:07.17,0:10:09.34,Default,,0000,0000,0000,,{\pos(292,497)\fscx50}（{\fscx100}あかね{\fscx50}／{\fscx100}かな{\fscx50}）{\fscx100}んっ！
Dialogue: 0,0:10:09.34,0:10:13.01,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}（{\fscx100}姫川{\fscx50}）{\fscx100}もともと{\fscx50}　{\fscx100}もの足りないと
Dialogue: 0,0:10:09.34,0:10:13.01,Default,,0000,0000,0000,,{\pos(292,497)}思ってたくらいだからな{\fscx50}。
Dialogue: 0,0:10:13.01,0:10:15.68,Default,,0000,0000,0000,,{\pos(332,437)\fscx50}（{\fscx100}化野{\fscx50}）{\fscx100}私は
Dialogue: 0,0:10:13.01,0:10:15.68,Default,,0000,0000,0000,,{\pos(372,497)}こっちのほうが得意～{\fscx50}。
Dialogue: 0,0:10:15.68,0:10:18.85,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（{\fscx100}吉冨{\fscx50}）{\fscx100}やっぱり演技は
Dialogue: 0,0:10:15.68,0:10:18.85,Default,,0000,0000,0000,,{\pos(212,497)}体で語って{\fscx50}ナンボ{\fscx100}でしょ！
Dialogue: 0,0:10:18.85,0:10:22.19,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（{\fscx100}林原{\fscx50}）ＧＯＡ{\fscx100}さんの脚本の{\fscx50}クセ
Dialogue: 0,0:10:18.85,0:10:22.19,Default,,0000,0000,0000,,{\pos(212,497)}出てるなぁ{\fscx50}。
Dialogue: 0,0:10:22.19,0:10:24.69,Default,,0000,0000,0000,,{\pos(392,437)\fscx50}（{\fscx100}船戸{\fscx50}）{\fscx100}まぁ{\fscx50}　{\fscx100}俺たちは
Dialogue: 0,0:10:22.19,0:10:24.69,Default,,0000,0000,0000,,{\pos(432,497)}あの人の{\fscx50}ホン{\fscx100}の舞台➡
Dialogue: 0,0:10:24.69,0:10:28.53,Default,,0000,0000,0000,,{\pos(192,437)}何度か出てて勘どころはわかるし
Dialogue: 0,0:10:24.69,0:10:28.53,Default,,0000,0000,0000,,{\pos(492,497)}問題ないけど{\fscx50}。
Dialogue: 0,0:10:28.53,0:10:33.53,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（{\fscx100}みた{\fscx50}）{\fscx100}劇団{\fscx50}ララライ{\fscx100}の真の{\fscx50}トップ{\fscx100}が誰か
Dialogue: 0,0:10:28.53,0:10:33.53,Default,,0000,0000,0000,,{\pos(212,497)}証明する{\fscx50}チャンス　{\fscx100}来たな{\fscx50}。
Dialogue: 0,0:10:33.53,0:10:38.04,Default,,0000,0000,0000,,{\pos(252,437)}《{\fscx50}ララライ{\fscx100}のみんなも
Dialogue: 0,0:10:33.53,0:10:38.04,Default,,0000,0000,0000,,{\pos(312,497)}新しい脚本に{\fscx50}ノリノリ。
Dialogue: 0,0:10:38.04,0:10:40.14,Default,,0000,0000,0000,,{\pos(352,497)}だけど…》
Dialogue: 0,0:10:42.21,0:10:46.71,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（メルト）マジ{\fscx100}かぁ{\fscx50}。
Dialogue: 0,0:10:42.21,0:10:46.71,Default,,0000,0000,0000,,{\pos(212,497)}こんなん{\fscx50}　{\fscx100}できる気しねえよ{\fscx50}。
Dialogue: 0,0:10:46.71,0:10:51.22,Default,,0000,0000,0000,,{\pos(212,437)}本番まで{\fscx50}　{\fscx100}あと半月
Dialogue: 0,0:10:46.71,0:10:51.22,Default,,0000,0000,0000,,{\pos(232,497)}間に合うのか{\fscx50}　{\fscx100}これ…{\fscx50}。
Dialogue: 0,0:10:51.22,0:10:55.39,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}アクア{\fscx100}にとっちゃ
Dialogue: 0,0:10:51.22,0:10:55.39,Default,,0000,0000,0000,,{\pos(192,497)}こんなの朝飯前なんだろうけど{\fscx50}。
Dialogue: 0,0:10:55.39,0:10:58.39,Default,,0000,0000,0000,,{\pos(332,407)\c&H0000FFFF\fscx50}（アクア）{\fscx100}いや{\fscx50}　{\fscx100}どうだろうな{\fscx50}。
Dialogue: 0,0:10:55.39,0:10:58.39,Default,,0000,0000,0000,,{\pos(272,497)}んっ？
Dialogue: 0,0:11:01.83,0:11:04.66,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}よ～し{\fscx50}　{\fscx100}始めるぞ！
Dialogue: 0,0:11:04.66,0:11:07.33,Default,,0000,0000,0000,,{\pos(292,497)}お前が新しい新宿の{\fscx50}アタマ{\fscx100}か！
Dialogue: 0,0:11:07.33,0:11:10.00,Default,,0000,0000,0000,,{\pos(272,497)}どれほどの器か試してやる！
Dialogue: 0,0:11:10.00,0:11:13.01,Default,,0000,0000,0000,,{\pos(192,497)}渋谷の{\fscx50}ヤツ{\fscx100}らを憎んで何が悪いの{\fscx50}！？
Dialogue: 0,0:11:13.01,0:11:16.51,Default,,0000,0000,0000,,{\pos(252,437)\fscx50}アイツ{\fscx100}らは
Dialogue: 0,0:11:13.01,0:11:16.51,Default,,0000,0000,0000,,{\pos(272,497)}私の親や兄弟を殺したのに！
Dialogue: 0,0:11:16.51,0:11:19.68,Default,,0000,0000,0000,,{\pos(212,497)}所詮{\fscx50}　{\fscx100}彼奴らは烏合の衆{\fscx50}。
Dialogue: 0,0:11:19.68,0:11:25.02,Default,,0000,0000,0000,,{\pos(172,437)}我らが敗れることなど
Dialogue: 0,0:11:19.68,0:11:25.02,Default,,0000,0000,0000,,{\pos(192,497)}万に一つ{\fscx50}　{\fscx100}いえ{\fscx50}　{\fscx100}極に一つも…{\fscx50}。
Dialogue: 0,0:11:25.02,0:11:28.32,Default,,0000,0000,0000,,{\pos(212,407)}百目{\fscx50}　{\fscx100}そこはもっと張っていい{\fscx50}。
Dialogue: 0,0:11:25.02,0:11:28.32,Default,,0000,0000,0000,,{\pos(232,497)}はい！
Dialogue: 0,0:11:32.69,0:11:34.69,Default,,0000,0000,0000,,{\pos(412,497)}刀鬼…{\fscx50}。
Dialogue: 0,0:11:34.69,0:11:36.70,Default,,0000,0000,0000,,{\pos(492,497)\c&H0000FFFF\fscx50}[]{\fscx100}姫…{\fscx50}。
Dialogue: 0,0:11:36.70,0:11:41.70,Default,,0000,0000,0000,,{\pos(332,437)\fscx50}ストップ。　{\fscx100}刀鬼{\fscx50}　{\fscx100}ここはお前の
Dialogue: 0,0:11:36.70,0:11:41.70,Default,,0000,0000,0000,,{\pos(412,497)}いちばんの見せ場だ{\fscx50}。
Dialogue: 0,0:11:41.70,0:11:43.87,Default,,0000,0000,0000,,{\pos(512,497)}もっと本気で{\fscx50}。
Dialogue: 0,0:11:43.87,0:11:46.21,Default,,0000,0000,0000,,{\pos(172,497)\c&H0000FFFF}すみません{\fscx50}。
Dialogue: 0,0:11:46.21,0:11:48.54,Default,,0000,0000,0000,,{\pos(212,497)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}この舞台の{\fscx50}クライマックス{\fscx100}➡
Dialogue: 0,0:11:48.54,0:11:52.38,Default,,0000,0000,0000,,{\pos(252,437)}戦闘のさなか
Dialogue: 0,0:11:48.54,0:11:52.38,Default,,0000,0000,0000,,{\pos(272,497)}重傷を負い{\fscx50}　{\fscx100}倒れた{\fscx50}[]{\fscx100}姫{\fscx50}。
Dialogue: 0,0:11:52.38,0:11:54.71,Default,,0000,0000,0000,,{\pos(352,497)}絶望する刀鬼{\fscx50}。
Dialogue: 0,0:11:54.71,0:11:58.38,Default,,0000,0000,0000,,{\pos(252,437)}だが{\fscx50}　{\fscx100}奇跡的に目覚めた{\fscx50}[]{\fscx100}姫を
Dialogue: 0,0:11:54.71,0:11:58.38,Default,,0000,0000,0000,,{\pos(572,497)}目にして➡
Dialogue: 0,0:11:58.38,0:12:00.99,Default,,0000,0000,0000,,{\pos(252,497)}刀鬼は{\fscx50}　{\fscx100}どういう感情を抱く？
Dialogue: 0,0:12:00.99,0:12:03.49,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF}不安からの解放➡
Dialogue: 0,0:12:03.49,0:12:07.49,Default,,0000,0000,0000,,{\pos(172,407)\c&H0000FFFF}強い喜びと希望{\c&H00FFFFFF\fscx50}　{\c&H0000FFFF\fscx100}でしょうね{\fscx50}。
Dialogue: 0,0:12:03.49,0:12:07.49,Default,,0000,0000,0000,,{\pos(652,497)}そうだ{\fscx50}。
Dialogue: 0,0:12:07.49,0:12:11.16,Default,,0000,0000,0000,,{\pos(192,437)}お前は確かに
Dialogue: 0,0:12:07.49,0:12:11.16,Default,,0000,0000,0000,,{\pos(212,497)}原作どおりの演技をしている{\fscx50}。
Dialogue: 0,0:12:11.16,0:12:14.67,Default,,0000,0000,0000,,{\pos(272,437)}が{\fscx50}　{\fscx100}舞台はもっと強く
Dialogue: 0,0:12:11.16,0:12:14.67,Default,,0000,0000,0000,,{\pos(292,497)}感情を出さなければ➡
Dialogue: 0,0:12:14.67,0:12:16.67,Default,,0000,0000,0000,,{\pos(332,497)}客席に届かない{\fscx50}。
Dialogue: 0,0:12:16.67,0:12:18.84,Default,,0000,0000,0000,,{\pos(272,497)}もっと感情を引き出せ{\fscx50}。
Dialogue: 0,0:12:18.84,0:12:22.51,Default,,0000,0000,0000,,{\pos(272,497)}ここは感情演技の{\fscx50}シーン{\fscx100}だ{\fscx50}。
Dialogue: 0,0:12:22.51,0:12:26.11,Default,,0000,0000,0000,,{\pos(572,407)}家族の敵！
Dialogue: 0,0:12:22.51,0:12:26.11,Default,,0000,0000,0000,,{\pos(332,497)}よし{\fscx50}　{\fscx100}それでいこう{\fscx50}。
Dialogue: 0,0:12:28.18,0:12:30.18,Default,,0000,0000,0000,,{\pos(232,497)}よいしょ{\fscx50}。
Dialogue: 0,0:12:30.18,0:12:33.69,Default,,0000,0000,0000,,{\pos(172,437)}まぁまぁ
Dialogue: 0,0:12:30.18,0:12:33.69,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}アクア{\fscx100}くんは舞台初挑戦だし➡
Dialogue: 0,0:12:33.69,0:12:35.69,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}バランス{\fscx100}わからないよね{\fscx50}。
Dialogue: 0,0:12:35.69,0:12:38.02,Default,,0000,0000,0000,,{\pos(172,437)}ちょっとずつ合わせていけば
Dialogue: 0,0:12:35.69,0:12:38.02,Default,,0000,0000,0000,,{\pos(272,497)}だいじょう…{\fscx50}。
Dialogue: 0,0:12:38.02,0:12:40.03,Default,,0000,0000,0000,,{\pos(312,497)}甘やかしちゃだめ{\fscx50}。
Dialogue: 0,0:12:40.03,0:12:43.36,Default,,0000,0000,0000,,{\pos(252,437)\fscx50}アクア　アンタ　{\fscx100}感情演技したこと
Dialogue: 0,0:12:40.03,0:12:43.36,Default,,0000,0000,0000,,{\pos(352,497)}ないでしょ？
Dialogue: 0,0:12:43.36,0:12:47.20,Default,,0000,0000,0000,,{\pos(192,497)}演技って結局{\fscx50}　{\fscx100}人格が出るのよね{\fscx50}。
Dialogue: 0,0:12:47.20,0:12:50.70,Default,,0000,0000,0000,,{\pos(392,437)\fscx50}アクア{\fscx100}は{\fscx50}　{\fscx100}ふだんから
Dialogue: 0,0:12:47.20,0:12:50.70,Default,,0000,0000,0000,,{\pos(412,497)}感情を表に出さない{\fscx50}。
Dialogue: 0,0:12:50.70,0:12:53.54,Default,,0000,0000,0000,,{\pos(172,497)}だから演技にも感情が出てこない{\fscx50}。
Dialogue: 0,0:12:53.54,0:12:55.54,Default,,0000,0000,0000,,{\pos(392,497)}どこかで見た見本を➡
Dialogue: 0,0:12:55.54,0:12:58.71,Default,,0000,0000,0000,,{\pos(232,437)}見本どおりに再現することしか
Dialogue: 0,0:12:55.54,0:12:58.71,Default,,0000,0000,0000,,{\pos(452,497)}してきてない{\fscx50}。
Dialogue: 0,0:12:58.71,0:13:03.48,Default,,0000,0000,0000,,{\pos(332,407)}これは{\fscx50}　アクア{\fscx100}の性質の問題{\fscx50}。
Dialogue: 0,0:12:58.71,0:13:03.48,Default,,0000,0000,0000,,{\pos(192,497)}わかったようなこと言うんだね{\fscx50}。
Dialogue: 0,0:13:03.48,0:13:06.15,Default,,0000,0000,0000,,{\pos(172,257)}そりゃそうよ～{\fscx50}。　{\fscx100}この中で{\fscx50}アクア{\fscx100}と➡
Dialogue: 0,0:13:06.15,0:13:08.65,Default,,0000,0000,0000,,{\pos(172,257)}いちばんつきあい長いの私だし？
Dialogue: 0,0:13:06.15,0:13:08.65,Default,,0000,0000,0000,,{\pos(232,347)}なっ！
Dialogue: 0,0:13:08.65,0:13:11.99,Default,,0000,0000,0000,,{\pos(172,437)}そりゃもう{\fscx50}　{\fscx100}ち～っちゃい頃からの
Dialogue: 0,0:13:08.65,0:13:11.99,Default,,0000,0000,0000,,{\pos(532,497)}知り合いだし{\fscx50}。
Dialogue: 0,0:13:11.99,0:13:14.66,Default,,0000,0000,0000,,{\pos(232,497)}実質{\fscx50}　{\fscx100}幼なじみみたいな？
Dialogue: 0,0:13:14.66,0:13:17.66,Default,,0000,0000,0000,,{\pos(232,437)}最近知り合った
Dialogue: 0,0:13:14.66,0:13:17.66,Default,,0000,0000,0000,,{\pos(252,497)}どこぞの{\fscx50}ビジネス{\fscx100}彼女とは➡
Dialogue: 0,0:13:17.66,0:13:21.17,Default,,0000,0000,0000,,{\pos(332,407)}話が違うのよ{\fscx50}。
Dialogue: 0,0:13:17.66,0:13:21.17,Default,,0000,0000,0000,,{\pos(172,497)}む～っ{\fscx50}。
Dialogue: 0,0:13:21.17,0:13:24.67,Default,,0000,0000,0000,,{\pos(172,497)\c&H0000FFFF}いうて{\fscx50}　{\fscx100}再会したの{\fscx50}　{\fscx100}ここ最近だろ{\fscx50}。
Dialogue: 0,0:13:27.01,0:13:29.51,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}《だけど…{\fscx50}　{\fscx100}わかってる{\fscx50}。
Dialogue: 0,0:13:29.51,0:13:32.34,Default,,0000,0000,0000,,{\pos(172,497)\c&H0000FFFF}有馬の言うことは{\fscx50}　{\fscx100}すべて正しい{\fscx50}。
Dialogue: 0,0:13:32.34,0:13:35.35,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}俺は感情演技ができない{\fscx50}。
Dialogue: 0,0:13:35.35,0:13:38.52,Default,,0000,0000,0000,,{\pos(272,437)\c&H0000FFFF}感情を高ぶらせ
Dialogue: 0,0:13:35.35,0:13:38.52,Default,,0000,0000,0000,,{\pos(292,497)\c&H0000FFFF}涙を流す演技なんて➡
Dialogue: 0,0:13:38.52,0:13:40.62,Default,,0000,0000,0000,,{\pos(332,497)\c&H0000FFFF}もってのほか》
Dialogue: 0,0:13:42.86,0:13:44.86,Default,,0000,0000,0000,,{\pos(412,497)}《言い過ぎたかも…{\fscx50}。
Dialogue: 0,0:13:44.86,0:13:48.19,Default,,0000,0000,0000,,{\pos(252,497)}でも{\fscx50}　{\fscx100}私が言わなきゃ誰も…》
Dialogue: 0,0:13:48.19,0:13:50.70,Default,,0000,0000,0000,,{\pos(172,437)\c&H0000FFFF}有馬は{\fscx50}　{\fscx100}どうやって
Dialogue: 0,0:13:48.19,0:13:50.70,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF}泣き演技をしてるんだ？
Dialogue: 0,0:13:50.70,0:13:52.70,Default,,0000,0000,0000,,{\pos(632,497)}はぁ！
Dialogue: 0,0:13:52.70,0:13:57.70,Default,,0000,0000,0000,,{\pos(212,437)}ん～{\fscx50}　{\fscx100}感情泣きとか体泣きとか
Dialogue: 0,0:13:52.70,0:13:57.70,Default,,0000,0000,0000,,{\pos(232,497)}手法はいろいろあるけど➡
Dialogue: 0,0:13:57.70,0:14:01.14,Default,,0000,0000,0000,,{\pos(352,437)}子役の世界で
Dialogue: 0,0:13:57.70,0:14:01.14,Default,,0000,0000,0000,,{\pos(372,497)}よく使われてるのは…{\fscx50}。
Dialogue: 0,0:14:01.14,0:14:03.14,Default,,0000,0000,0000,,{\pos(392,497)\fscx50}アクア{\fscx100}くん{\fscx50}。
Dialogue: 0,0:14:03.14,0:14:06.85,Default,,0000,0000,0000,,{\pos(212,437)}もし{\fscx50}　{\fscx100}お母さんが死んじゃったら
Dialogue: 0,0:14:03.14,0:14:06.85,Default,,0000,0000,0000,,{\pos(572,497)}どうする？
Dialogue: 0,0:14:10.15,0:14:12.15,Default,,0000,0000,0000,,{\pos(532,497)}ってやつ～？
Dialogue: 0,0:14:12.15,0:14:15.65,Default,,0000,0000,0000,,{\pos(232,437)}目の前のものを大切なものだと
Dialogue: 0,0:14:12.15,0:14:15.65,Default,,0000,0000,0000,,{\pos(332,497)}思い込んで泣く手法ね{\fscx50}。
Dialogue: 0,0:14:15.65,0:14:18.99,Default,,0000,0000,0000,,{\pos(252,437)}今回の場合
Dialogue: 0,0:14:15.65,0:14:18.99,Default,,0000,0000,0000,,{\pos(272,497)}刀鬼は生きてる{\fscx50}[]{\fscx100}姫を見て➡
Dialogue: 0,0:14:18.99,0:14:21.33,Default,,0000,0000,0000,,{\pos(272,497)}喜びに包まれるわけだから➡
Dialogue: 0,0:14:21.33,0:14:23.66,Default,,0000,0000,0000,,{\pos(332,437)}まぁ{\fscx50}　{\fscx100}うれしかったことを
Dialogue: 0,0:14:21.33,0:14:23.66,Default,,0000,0000,0000,,{\pos(452,497)}思い出しながら➡
Dialogue: 0,0:14:23.66,0:14:26.33,Default,,0000,0000,0000,,{\pos(372,497)}演技すればいいわけよ{\fscx50}。
Dialogue: 0,0:14:26.33,0:14:31.14,Default,,0000,0000,0000,,{\pos(192,437)\fscx50}アンタ{\fscx100}だって{\fscx50}　{\fscx100}うれしかったことの
Dialogue: 0,0:14:26.33,0:14:31.14,Default,,0000,0000,0000,,{\pos(232,497)}一つや二つ{\fscx50}　{\fscx100}あるでしょ？
Dialogue: 0,0:14:33.84,0:14:36.51,Default,,0000,0000,0000,,{\pos(552,407)\fscx50}フンッ　{\fscx100}はぁっ！
Dialogue: 0,0:14:33.84,0:14:36.51,Default,,0000,0000,0000,,{\pos(412,497)}くっ{\fscx50}。
Dialogue: 0,0:14:36.51,0:14:38.51,Default,,0000,0000,0000,,{\pos(372,497)}そこをどけ{\fscx50}　ツルギ{\fscx100}！
Dialogue: 0,0:14:38.51,0:14:41.01,Default,,0000,0000,0000,,{\pos(192,497)}無策で渋谷に乗り込むつもりか？
Dialogue: 0,0:14:41.01,0:14:43.85,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}ブレイド{\fscx100}以下の{\fscx50}　イノシシ{\fscx100}侍だな！
Dialogue: 0,0:14:43.85,0:14:47.19,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}ここは常に相手の裏を
Dialogue: 0,0:14:43.85,0:14:47.19,Default,,0000,0000,0000,,{\pos(372,497)}かいてやる意識でいい{\fscx50}。
Dialogue: 0,0:14:47.19,0:14:49.19,Default,,0000,0000,0000,,{\pos(532,497)}わかりました{\fscx50}。
Dialogue: 0,0:14:51.19,0:14:54.39,Default,,0000,0000,0000,,{\pos(212,497)\c&H0000FFFF}《うれしかったときの{\fscx50}　{\fscx100}記憶…》
Dialogue: 0,0:14:58.53,0:15:38.50,Default,,0000,0000,0000,,{\pos(172,497)}♪～
Dialogue: 0,0:15:38.50,0:15:41.11,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}((ゴロー：{\fscx100}楽しんでるんじゃねえよ)
Dialogue: 0,0:15:44.68,0:15:46.85,Default,,0000,0000,0000,,{\pos(392,497)\c&H0000FFFF}あっ…！
Dialogue: 0,0:15:46.85,0:15:48.85,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}((ゴロー：{\fscx100}忘れるな{\fscx50}。
Dialogue: 0,0:15:48.85,0:15:51.55,Default,,0000,0000,0000,,{\pos(292,497)}お前は救えなかった{\fscx50}。
Dialogue: 0,0:15:53.69,0:15:56.09,Default,,0000,0000,0000,,{\pos(332,497)}お前に{\fscx50}　{\fscx100}そんな権利は…)
Dialogue: 0,0:15:59.53,0:16:02.80,Default,,0000,0000,0000,,{\pos(392,497)\c&H0000FFFF}うっ…！
Dialogue: 0,0:16:02.80,0:16:05.80,Default,,0000,0000,0000,,{\pos(312,407)\fscx50}アクア！？
Dialogue: 0,0:16:02.80,0:16:05.80,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}アクア{\fscx100}くん{\fscx50}！？
Dialogue: 0,0:16:05.80,0:16:08.47,Default,,0000,0000,0000,,{\pos(352,437)}おい{\fscx50}　{\fscx100}なんだ{\fscx50}　{\fscx100}どうした？
Dialogue: 0,0:16:08.47,0:16:13.14,Default,,0000,0000,0000,,{\pos(352,437)\c&H0000FFFF}大丈夫です{\fscx50}。
Dialogue: 0,0:16:08.47,0:16:13.14,Default,,0000,0000,0000,,{\pos(372,497)\c&H0000FFFF}ただの立ちくらみです{\fscx50}。
Dialogue: 0,0:16:13.14,0:16:15.98,Default,,0000,0000,0000,,{\pos(172,437)\c&H0000FFFF}落ち着くまで
Dialogue: 0,0:16:13.14,0:16:15.98,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF}ちょっと休んできます{\fscx50}。
Dialogue: 0,0:16:15.98,0:16:19.08,Default,,0000,0000,0000,,{\pos(172,497)\c&H0000FFFF\fscx50}ハァ{\fscx100}…{\fscx50}　ハァ{\fscx100}…{\fscx50}。
Dialogue: 0,0:16:24.82,0:16:27.65,Default,,0000,0000,0000,,{\pos(672,407)}貧血？
Dialogue: 0,0:16:24.82,0:16:27.65,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}朔夜{\fscx50}）{\fscx100}二日酔いじゃね～の？
Dialogue: 0,0:16:27.65,0:16:29.99,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（{\fscx100}化野{\fscx50}）{\fscx100}金田一さんじゃ
Dialogue: 0,0:16:27.65,0:16:29.99,Default,,0000,0000,0000,,{\pos(212,497)}ないんだから{\fscx50}。
Dialogue: 0,0:16:29.99,0:16:32.32,Default,,0000,0000,0000,,{\pos(172,497)}彼はまだ高校生よ{\fscx50}。
Dialogue: 0,0:16:32.32,0:16:35.66,Default,,0000,0000,0000,,{\pos(252,497)}あかね{\fscx50}　{\fscx100}彼女だろ{\fscx50}。
Dialogue: 0,0:16:35.66,0:16:37.66,Default,,0000,0000,0000,,{\pos(172,497)}そばにいてやんなって{\fscx50}。
Dialogue: 0,0:16:37.66,0:16:39.87,Default,,0000,0000,0000,,{\pos(532,497)}はい{\fscx50}。
Dialogue: 0,0:16:43.50,0:16:46.51,Default,,0000,0000,0000,,{\pos(412,497)}便利な設定{\fscx50}。
Dialogue: 0,0:16:46.51,0:16:52.85,Default,,0000,0000,0000,,{\pos(492,497)\c&H0000FFFF\fscx50}ハァ{\fscx100}…{\fscx50}　ハァ{\fscx100}…{\fscx50}　ハァ{\fscx100}…{\fscx50}。
Dialogue: 0,0:16:52.85,0:16:57.18,Default,,0000,0000,0000,,{\pos(172,407)}はい{\fscx50}　{\fscx100}お水{\fscx50}。
Dialogue: 0,0:16:52.85,0:16:57.18,Default,,0000,0000,0000,,{\pos(572,497)\c&H0000FFFF}ありがとう{\fscx50}。
Dialogue: 0,0:16:57.18,0:16:59.18,Default,,0000,0000,0000,,{\pos(612,497)\c&H0000FFFF}ふぅ…{\fscx50}。
Dialogue: 0,0:17:01.12,0:17:05.96,Default,,0000,0000,0000,,{\pos(172,497)}《発汗{\fscx50}　{\fscx100}ふらつき{\fscx50}　パニック{\fscx100}発作かな》
Dialogue: 0,0:17:05.96,0:17:09.96,Default,,0000,0000,0000,,{\pos(232,437)}顔{\fscx50}　{\fscx100}真っ青だよ{\fscx50}。
Dialogue: 0,0:17:05.96,0:17:09.96,Default,,0000,0000,0000,,{\pos(252,497)}ちょっと横になったほうが…{\fscx50}。
Dialogue: 0,0:17:09.96,0:17:12.80,Default,,0000,0000,0000,,{\pos(212,497)}家の人に連絡して迎えにきて…{\fscx50}。
Dialogue: 0,0:17:12.80,0:17:17.14,Default,,0000,0000,0000,,{\pos(172,497)\c&H0000FFFF}やめろ{\fscx50}。　{\fscx100}妹には知られたくない{\fscx50}。
Dialogue: 0,0:17:17.14,0:17:20.81,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF\fscx50}アイツ{\fscx100}はもう{\fscx50}　{\fscx100}前を見てる…{\fscx50}。
Dialogue: 0,0:17:20.81,0:17:23.81,Default,,0000,0000,0000,,{\pos(252,437)\c&H0000FFFF}余計なことを
Dialogue: 0,0:17:20.81,0:17:23.81,Default,,0000,0000,0000,,{\pos(272,497)\c&H0000FFFF}思い出させたくない…{\fscx50}。
Dialogue: 0,0:17:23.81,0:17:28.51,Default,,0000,0000,0000,,{\pos(232,437)}えっ？{\fscx50}　{\fscx100}でも{\fscx50}　{\fscx100}誰かに
Dialogue: 0,0:17:23.81,0:17:28.51,Default,,0000,0000,0000,,{\pos(252,497)}迎えにきてもらったほうが…{\fscx50}。
Dialogue: 0,0:17:30.48,0:17:33.82,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF}だったら…{\fscx50}。
Dialogue: 0,0:17:33.82,0:17:36.32,Default,,0000,0000,0000,,{\pos(212,497)\fscx50}（{\fscx100}泰志{\fscx50}）{\fscx100}ん…{\fscx50}。
Dialogue: 0,0:17:36.32,0:17:39.83,Default,,0000,0000,0000,,{\pos(172,437)}いや{\fscx50}　{\fscx100}俺は
Dialogue: 0,0:17:36.32,0:17:39.83,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}コイツ{\fscx100}の{\fscx50}パパ{\fscx100}じゃねえんだがな{\fscx50}。
Dialogue: 0,0:17:39.83,0:17:42.83,Default,,0000,0000,0000,,{\pos(272,497)}ったく…{\fscx50}。
Dialogue: 0,0:17:45.50,0:17:48.00,Default,,0000,0000,0000,,{\pos(212,497)}え～っと{\fscx50}　{\fscx100}君は…{\fscx50}。
Dialogue: 0,0:17:48.00,0:17:50.80,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}アクア{\fscx100}の彼女かなんか？
Dialogue: 0,0:17:48.00,0:17:50.80,Default,,0000,0000,0000,,{\pos(412,497)}うっ…{\fscx50}。
Dialogue: 0,0:17:53.17,0:17:57.51,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}マジ{\fscx100}か…{\fscx50}。　{\fscx100}俺はてっきり…{\fscx50}。
Dialogue: 0,0:17:57.51,0:17:59.68,Default,,0000,0000,0000,,{\pos(312,497)}ふ～ん{\fscx50}。
Dialogue: 0,0:17:59.68,0:18:03.58,Default,,0000,0000,0000,,{\pos(172,437)}俺の知らないところでは
Dialogue: 0,0:17:59.68,0:18:03.58,Default,,0000,0000,0000,,{\pos(192,497)}やることはやってんのか{\fscx50}。
Dialogue: 0,0:18:06.45,0:18:10.62,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（タバコ{\fscx100}を吸って吐く音{\fscx50}）
Dialogue: 0,0:18:10.62,0:18:13.79,Default,,0000,0000,0000,,{\pos(292,437)}ごめんなさい
Dialogue: 0,0:18:10.62,0:18:13.79,Default,,0000,0000,0000,,{\pos(312,497)}突然{\fscx50}　{\fscx100}押しかけてしまって{\fscx50}。
Dialogue: 0,0:18:13.79,0:18:18.46,Default,,0000,0000,0000,,{\pos(172,437)}いやいい{\fscx50}。　アイツ{\fscx100}の事情知ってるのは
Dialogue: 0,0:18:13.79,0:18:18.46,Default,,0000,0000,0000,,{\pos(192,497)}俺くらいだしな{\fscx50}。
Dialogue: 0,0:18:18.46,0:18:21.47,Default,,0000,0000,0000,,{\pos(172,497)}別に初めてのことじゃないしよ{\fscx50}。
Dialogue: 0,0:18:21.47,0:18:24.27,Default,,0000,0000,0000,,{\pos(392,437)}前にも{\fscx50}　{\fscx100}こういうこと
Dialogue: 0,0:18:21.47,0:18:24.27,Default,,0000,0000,0000,,{\pos(412,497)}あったんですか？
Dialogue: 0,0:18:29.98,0:18:34.15,Default,,0000,0000,0000,,{\pos(412,437)}まぁ{\fscx50}　{\fscx100}彼女っつうなら
Dialogue: 0,0:18:29.98,0:18:34.15,Default,,0000,0000,0000,,{\pos(492,497)}話してもいいか{\fscx50}。
Dialogue: 0,0:18:34.15,0:18:38.48,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}アイツ{\fscx100}は昔{\fscx50}　{\fscx100}それはひどい事件に
Dialogue: 0,0:18:34.15,0:18:38.48,Default,,0000,0000,0000,,{\pos(332,497)}巻き込まれてな{\fscx50}。
Dialogue: 0,0:18:38.48,0:18:42.82,Default,,0000,0000,0000,,{\pos(272,437)}昔のことを思い出すと
Dialogue: 0,0:18:38.48,0:18:42.82,Default,,0000,0000,0000,,{\pos(292,497)}たまに{\fscx50}　{\fscx100}ああなるんだ{\fscx50}。
Dialogue: 0,0:18:42.82,0:18:48.83,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}ＰＴＳＤ{\fscx100}…{\fscx50}。　{\fscx100}心的外傷の
Dialogue: 0,0:18:42.82,0:18:48.83,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}フラッシュバック{\fscx100}ってことですか？
Dialogue: 0,0:18:48.83,0:18:53.00,Default,,0000,0000,0000,,{\pos(232,437)}んだ{\fscx50}。　{\fscx100}長いこと
Dialogue: 0,0:18:48.83,0:18:53.00,Default,,0000,0000,0000,,{\pos(252,497)\fscx50}カウンセリング{\fscx100}も受けてたんだが➡
Dialogue: 0,0:18:53.00,0:18:56.67,Default,,0000,0000,0000,,{\pos(172,437)}あんまり家族に
Dialogue: 0,0:18:53.00,0:18:56.67,Default,,0000,0000,0000,,{\pos(192,497)}心配かけたくなかったんだろな{\fscx50}。
Dialogue: 0,0:18:56.67,0:18:59.94,Default,,0000,0000,0000,,{\pos(172,497)}完治したふりしてよぉ{\fscx50}。
Dialogue: 0,0:18:59.94,0:19:03.61,Default,,0000,0000,0000,,{\pos(192,497)}《まぁ{\fscx50}　{\fscx100}そりゃ忘れられねえよな{\fscx50}。
Dialogue: 0,0:19:03.61,0:19:07.95,Default,,0000,0000,0000,,{\pos(212,437)}俺ですら
Dialogue: 0,0:19:03.61,0:19:07.95,Default,,0000,0000,0000,,{\pos(232,497)}多少は引きずってるんだから》
Dialogue: 0,0:19:07.95,0:19:11.62,Default,,0000,0000,0000,,{\pos(172,437)}俺は仕事してっから
Dialogue: 0,0:19:07.95,0:19:11.62,Default,,0000,0000,0000,,{\pos(192,497)}様子見ててやってくれ{\fscx50}。
Dialogue: 0,0:19:11.62,0:19:13.62,Default,,0000,0000,0000,,{\pos(512,497)}はい{\fscx50}。
Dialogue: 0,0:19:20.79,0:19:26.50,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}苦しそうな寝息{\fscx50}）
Dialogue: 0,0:19:30.47,0:19:35.14,Default,,0000,0000,0000,,{\pos(172,437)\c&H0000FFFF}《鼻を突く{\fscx50}　{\fscx100}さびた金物のような
Dialogue: 0,0:19:30.47,0:19:35.14,Default,,0000,0000,0000,,{\pos(352,497)\c&H0000FFFF}血の匂いが➡
Dialogue: 0,0:19:35.14,0:19:37.64,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}どうしても忘れられない{\fscx50}。
Dialogue: 0,0:19:37.64,0:19:41.15,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}少しずつ冷たくなっていく
Dialogue: 0,0:19:37.64,0:19:41.15,Default,,0000,0000,0000,,{\pos(332,497)\c&H0000FFFF}手の感触が➡
Dialogue: 0,0:19:41.15,0:19:44.15,Default,,0000,0000,0000,,{\pos(212,497)\c&H0000FFFF}いつまでも頭から離れない》
Dialogue: 0,0:19:46.15,0:19:49.82,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}((ゴロー：{\fscx100}お前が
Dialogue: 0,0:19:46.15,0:19:49.82,Default,,0000,0000,0000,,{\pos(232,497)}もっと注意していれば…{\fscx50}。
Dialogue: 0,0:19:49.82,0:19:52.82,Default,,0000,0000,0000,,{\pos(172,497)}身を張って守っていれば…)
Dialogue: 0,0:19:55.16,0:19:59.83,Default,,0000,0000,0000,,{\pos(452,497)\c&H0000FFFF\fscx50}ア{\fscx100}…{\fscx50}　アイ{\fscx100}…{\fscx50}。
Dialogue: 0,0:19:59.83,0:20:02.67,Default,,0000,0000,0000,,{\pos(492,497)\fscx50}アイ{\fscx100}…{\fscx50}。
Dialogue: 0,0:20:02.67,0:20:07.51,Default,,0000,0000,0000,,{\pos(252,437)\fscx50}アクア{\fscx100}くんが信奉する
Dialogue: 0,0:20:02.67,0:20:07.51,Default,,0000,0000,0000,,{\pos(292,497)\fscx50}１４{\fscx100}年前に亡くなった{\fscx50}アイドル{\fscx100}…{\fscx50}。
Dialogue: 0,0:20:07.51,0:20:10.51,Default,,0000,0000,0000,,{\pos(192,467)\fscx50}アイ{\fscx100}は{\fscx50}アクア{\fscx100}くんと同じ事務所で…{\fscx50}。
Dialogue: 0,0:20:10.51,0:20:16.01,Default,,0000,0000,0000,,{\pos(192,377)}同じく{\fscx50}アイドル{\fscx100}活動をしている妹は
Dialogue: 0,0:20:10.51,0:20:16.01,Default,,0000,0000,0000,,{\pos(292,437)}Ｂ小町を復活させた{\fscx50}。
Dialogue: 0,0:20:16.01,0:20:19.52,Default,,0000,0000,0000,,{\pos(272,497)}兄妹ともども{\fscx50}　アイ{\fscx100}に強い執着{\fscx50}。
Dialogue: 0,0:20:19.52,0:20:21.52,Default,,0000,0000,0000,,{\pos(372,497)}心的外傷{\fscx50}。
Dialogue: 0,0:20:21.52,0:20:24.52,Default,,0000,0000,0000,,{\pos(172,437)}星野{\fscx50}アクア{\fscx100}が
Dialogue: 0,0:20:21.52,0:20:24.52,Default,,0000,0000,0000,,{\pos(192,497)}子どもの頃に巻き込まれた事件{\fscx50}。
Dialogue: 0,0:20:24.52,0:20:27.53,Default,,0000,0000,0000,,{\pos(252,497)\fscx50}カウンセリング。　アイ{\fscx100}の殺人事件{\fscx50}。
Dialogue: 0,0:20:27.53,0:20:29.53,Default,,0000,0000,0000,,{\pos(332,497)}複数犯の可能性{\fscx50}。
Dialogue: 0,0:20:29.53,0:20:33.20,Default,,0000,0000,0000,,{\pos(192,437)}同居している苺{\fscx50}プロ{\fscx100}代表の名前は
Dialogue: 0,0:20:29.53,0:20:33.20,Default,,0000,0000,0000,,{\pos(372,497)}斉藤{\fscx50}ミヤコ。
Dialogue: 0,0:20:33.20,0:20:36.37,Default,,0000,0000,0000,,{\pos(272,497)}養子と里親{\fscx50}。　{\fscx100}実の父親{\fscx50}。
Dialogue: 0,0:20:36.37,0:20:39.54,Default,,0000,0000,0000,,{\pos(212,497)}兄妹が星野姓を使用する理由{\fscx50}。
Dialogue: 0,0:20:39.54,0:20:44.38,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}アイ{\fscx100}の名字は公表されていない{\fscx50}。
Dialogue: 0,0:20:44.38,0:20:48.58,Default,,0000,0000,0000,,{\pos(272,437)\fscx50}((アイ{\fscx100}には実は隠し子がいる…
Dialogue: 0,0:20:44.38,0:20:48.58,Default,,0000,0000,0000,,{\pos(652,497)}とか)
Dialogue: 0,0:20:52.88,0:20:58.09,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF\fscx50}ア{\fscx100}…{\fscx50}　ア{\fscx100}…{\fscx50}　アイ{\fscx100}…{\fscx50}。
Dialogue: 0,0:21:11.00,0:21:13.17,Default,,0000,0000,0000,,{\pos(512,497)\c&H0000FFFF}あかね{\fscx50}。
Dialogue: 0,0:21:13.17,0:21:15.84,Default,,0000,0000,0000,,{\pos(352,497)\c&H0000FFFF}どうして泣いてるんだ？
Dialogue: 0,0:21:15.84,0:21:19.68,Default,,0000,0000,0000,,{\pos(172,497)}ちょっとね{\fscx50}　{\fscx100}怖い想像しちゃった{\fscx50}。
Dialogue: 0,0:21:19.68,0:21:25.35,Default,,0000,0000,0000,,{\pos(172,437)}もし{\fscx50}　{\fscx100}そうだったらって考えたら
Dialogue: 0,0:21:19.68,0:21:25.35,Default,,0000,0000,0000,,{\pos(372,497)}悲しくて{\fscx50}。
Dialogue: 0,0:21:25.35,0:21:30.16,Default,,0000,0000,0000,,{\pos(172,437)}誰にも言えずに
Dialogue: 0,0:21:25.35,0:21:30.16,Default,,0000,0000,0000,,{\pos(192,497)}孤独だっただろうなって{\fscx50}。
Dialogue: 0,0:21:36.70,0:21:42.20,Default,,0000,0000,0000,,{\pos(252,437)}私は{\fscx50}　{\fscx100}何があっても
Dialogue: 0,0:21:36.70,0:21:42.20,Default,,0000,0000,0000,,{\pos(272,497)\fscx50}アクア{\fscx100}くんの味方だよ{\fscx50}。
Dialogue: 0,0:21:42.20,0:21:48.04,Default,,0000,0000,0000,,{\pos(272,437)}つらいことは
Dialogue: 0,0:21:42.20,0:21:48.04,Default,,0000,0000,0000,,{\pos(292,497)}一緒に抱えてあげるからね{\fscx50}。
Dialogue: 0,0:21:48.04,0:21:50.38,Default,,0000,0000,0000,,{\pos(352,497)\c&H0000FFFF}なんの話だよ{\fscx50}。
Dialogue: 0,0:21:50.38,0:21:57.08,Default,,0000,0000,0000,,{\pos(172,497)}ううん{\fscx50}　{\fscx100}私が考えた{\fscx50}　{\fscx100}設定の話{\fscx50}。
Dialogue: 0,0:22:04.99,0:22:19.60,Default,,0000,0000,0000,,{\pos(172,497)}♪～