[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Yu Gothic,46,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,1,0,0,0,100,100,4,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.00,0:00:07.11,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}ざわめき{\fscx50}）
Dialogue: 0,0:00:15.18,0:00:27.19,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:00:27.19,0:00:31.36,Default,,0000,0000,0000,,{\pos(252,497)}＜{\fscx50}　{\fscx100}かつて{\fscx50}　{\fscx100}大きな戦があった{\fscx50}。
Dialogue: 0,0:00:31.36,0:00:33.53,Default,,0000,0000,0000,,{\pos(292,497)}名だたる{\fscx50}　{\fscx100}つわものたちが➡
Dialogue: 0,0:00:33.53,0:00:37.70,Default,,0000,0000,0000,,{\pos(172,437)}おのが信念と野望を胸に
Dialogue: 0,0:00:33.53,0:00:37.70,Default,,0000,0000,0000,,{\pos(512,497)}争い続けたが➡
Dialogue: 0,0:00:37.70,0:00:41.04,Default,,0000,0000,0000,,{\pos(332,497)}その戦いに勝者はなく…{\fscx50}。
Dialogue: 0,0:00:41.04,0:00:44.88,Default,,0000,0000,0000,,{\pos(232,497)}世界の命運を決める{\fscx50}２１{\fscx100}の刀が➡
Dialogue: 0,0:00:44.88,0:00:48.38,Default,,0000,0000,0000,,{\pos(352,497)}極東の地に散らばった＞
Dialogue: 0,0:00:54.89,0:00:57.22,Default,,0000,0000,0000,,{\pos(492,497)}＜{\fscx50}　{\fscx100}この物語は➡
Dialogue: 0,0:00:57.22,0:01:03.66,Default,,0000,0000,0000,,{\pos(192,437)}ある男が一振りの刀を
Dialogue: 0,0:00:57.22,0:01:03.66,Default,,0000,0000,0000,,{\pos(332,497)}手にすることで{\fscx50}　{\fscx100}始まる＞
Dialogue: 0,0:01:03.66,0:02:42.36,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:02:42.36,0:02:56.08,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}拍手{\fscx50}）
Dialogue: 0,0:04:26.33,0:04:36.68,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:04:36.68,0:04:38.68,Default,,0000,0000,0000,,{\pos(572,497)\c&H0000FFFF}鞘姫…{\fscx50}。
Dialogue: 0,0:04:38.68,0:04:42.18,Default,,0000,0000,0000,,{\pos(472,497)}刀鬼…{\fscx50}。
Dialogue: 0,0:04:46.69,0:04:50.02,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF\fscx50}（アクア）{\fscx100}この物語は{\fscx50}フィクション{\fscx100}である{\fscx50}。
Dialogue: 0,0:04:50.02,0:04:58.03,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:04:58.03,0:05:01.03,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}そこまで{\fscx50}。　１０{\fscx100}分休憩する{\fscx50}。
Dialogue: 0,0:05:03.30,0:05:15.15,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:05:15.15,0:05:17.98,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}黒川{\fscx50}　{\fscx100}ちょっといいか？
Dialogue: 0,0:05:15.15,0:05:17.98,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}（{\fscx100}あかね{\fscx50}）{\fscx100}はい！
Dialogue: 0,0:05:17.98,0:05:24.49,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:05:29.00,0:05:33.00,Default,,0000,0000,0000,,{\pos(172,437)\c&H00FFFF00}《{\fscx50}ルビー：{\fscx100}新生Ｂ小町の{\fscx50}ファーストライブ{\fscx100}から
Dialogue: 0,0:05:29.00,0:05:33.00,Default,,0000,0000,0000,,{\pos(352,497)\c&H00FFFF00}季節は移ろい➡
Dialogue: 0,0:05:33.00,0:05:35.17,Default,,0000,0000,0000,,{\pos(292,497)\c&H00FFFF00}４か月がたちました{\fscx50}。
Dialogue: 0,0:05:35.17,0:05:39.17,Default,,0000,0000,0000,,{\pos(192,437)\c&H00FFFF00}そのあとも{\fscx50}　{\fscx100}私たちは
Dialogue: 0,0:05:35.17,0:05:39.17,Default,,0000,0000,0000,,{\pos(212,497)\c&H00FFFF00}何度か小さな{\fscx50}ライブ{\fscx100}を開いたり➡
Dialogue: 0,0:05:39.17,0:05:42.18,Default,,0000,0000,0000,,{\pos(232,407)\c&H00FFFF00}配信動画を
Dialogue: 0,0:05:39.17,0:05:42.18,Default,,0000,0000,0000,,{\pos(252,467)\c&H00FFFF00}定期的に{\fscx50}アップ{\fscx100}したりして➡
Dialogue: 0,0:05:42.18,0:05:45.18,Default,,0000,0000,0000,,{\pos(212,497)\c&H00FFFF00}少しずつ{\fscx50}　ファン{\fscx100}は増えています{\fscx50}。
Dialogue: 0,0:05:45.18,0:05:47.35,Default,,0000,0000,0000,,{\pos(272,497)\c&H00FFFF00}お兄ちゃんのほうは➡
Dialogue: 0,0:05:47.35,0:05:49.35,Default,,0000,0000,0000,,{\pos(212,437)\c&H00FFFF00}口では
Dialogue: 0,0:05:47.35,0:05:49.35,Default,,0000,0000,0000,,{\pos(232,497)\c&H00FFFF00}役者にならないと言いつつ➡
Dialogue: 0,0:05:49.35,0:05:51.52,Default,,0000,0000,0000,,{\pos(192,497)\c&H00FFFF00}いろいろ仕事を増やしていて➡
Dialogue: 0,0:05:51.52,0:05:55.36,Default,,0000,0000,0000,,{\pos(272,437)\c&H00FFFF00}正直{\fscx50}　{\fscx100}何を考えてるのか
Dialogue: 0,0:05:51.52,0:05:55.36,Default,,0000,0000,0000,,{\pos(292,497)\c&H00FFFF00}よくわかりません{\fscx50}。
Dialogue: 0,0:05:55.36,0:05:58.19,Default,,0000,0000,0000,,{\pos(292,437)\c&H00FFFF00}あっ{\fscx50}　{\fscx100}そうそう
Dialogue: 0,0:05:55.36,0:05:58.19,Default,,0000,0000,0000,,{\pos(312,497)\c&H00FFFF00}お兄ちゃんには今➡
Dialogue: 0,0:05:58.19,0:06:01.13,Default,,0000,0000,0000,,{\pos(272,497)\c&H00FFFF00}かわいい彼女がいます{\fscx50}。
Dialogue: 0,0:06:01.13,0:06:04.13,Default,,0000,0000,0000,,{\pos(172,497)\c&H00FFFF00}番組きっかけで{\fscx50}　{\fscx100}つきあい始めて➡
Dialogue: 0,0:06:04.13,0:06:09.80,Default,,0000,0000,0000,,{\pos(212,437)\c&H00FFFF00}今度{\fscx50}　{\fscx100}先輩が出る舞台でも
Dialogue: 0,0:06:04.13,0:06:09.80,Default,,0000,0000,0000,,{\pos(232,497)\c&H00FFFF00}共演するらしいんだけど…{\fscx50}。
Dialogue: 0,0:06:09.80,0:06:13.81,Default,,0000,0000,0000,,{\pos(212,437)\c&H00FFFF00}本人いわく
Dialogue: 0,0:06:09.80,0:06:13.81,Default,,0000,0000,0000,,{\pos(232,497)\c&H00FFFF00}仕事だけの恋人だそうです{\fscx50}。
Dialogue: 0,0:06:13.81,0:06:17.61,Default,,0000,0000,0000,,{\pos(212,497)\c&H00FFFF00\fscx50}クズ{\fscx100}男{\fscx50}。　{\fscx100}女の敵って思います》
Dialogue: 0,0:06:20.81,0:06:23.82,Default,,0000,0000,0000,,{\pos(292,497)\c&H00FFFF00}《私は今{\fscx50}　{\fscx100}順調です》
Dialogue: 0,0:06:26.32,0:06:30.32,Default,,0000,0000,0000,,{\pos(212,437)\c&H00FFFF00}《いつか{\fscx50}　ママ{\fscx100}の立てなかった
Dialogue: 0,0:06:26.32,0:06:30.32,Default,,0000,0000,0000,,{\pos(272,497)\c&H00FFFF00\fscx50}ドーム{\fscx100}の{\fscx50}ステージ{\fscx100}に立つ日まで➡
Dialogue: 0,0:06:30.32,0:06:33.53,Default,,0000,0000,0000,,{\pos(252,497)\c&H00FFFF00}一生懸命{\c&H00FFFFFF\fscx50}　{\c&H00FFFF00}アイドル{\fscx100}続けます》
Dialogue: 0,0:06:35.66,0:06:39.17,Default,,0000,0000,0000,,{\pos(192,497)\c&H00FFFF00}《見ててね{\fscx50}　ママ{\fscx100}》
Dialogue: 0,0:06:42.50,0:06:46.84,Default,,0000,0000,0000,,{\pos(212,437)\c&H0000FFFF}《発行部数{\fscx50}５，０００{\fscx100}万部を超える
Dialogue: 0,0:06:42.50,0:06:46.84,Default,,0000,0000,0000,,{\pos(272,497)\c&H0000FFFF}人気漫画{\fscx50}　『{\fscx100}東京{\fscx50}ブレイド』{\fscx100}は➡
Dialogue: 0,0:06:46.84,0:06:50.51,Default,,0000,0000,0000,,{\pos(252,437)\c&H0000FFFF}日本各地に存在する{\fscx50}チーム{\fscx100}が
Dialogue: 0,0:06:46.84,0:06:50.51,Default,,0000,0000,0000,,{\pos(312,497)\c&H0000FFFF}抗争を繰り広げ➡
Dialogue: 0,0:06:50.51,0:06:54.85,Default,,0000,0000,0000,,{\pos(192,437)\c&H0000FFFF}互いに友情や愛情を深めていく
Dialogue: 0,0:06:50.51,0:06:54.85,Default,,0000,0000,0000,,{\pos(332,497)\c&H0000FFFF}王道{\fscx50}バトルストーリー{\fscx100}だ{\fscx50}。
Dialogue: 0,0:06:54.85,0:06:59.19,Default,,0000,0000,0000,,{\pos(192,437)\c&H0000FFFF}有馬は主人公たちの
Dialogue: 0,0:06:54.85,0:06:59.19,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF\fscx50}「{\fscx100}新宿{\fscx50}クラスタ」{\fscx100}に所属していて➡
Dialogue: 0,0:06:59.19,0:07:01.95,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}あかねと俺たちが所属する
Dialogue: 0,0:06:59.19,0:07:01.95,Default,,0000,0000,0000,,{\pos(312,497)\c&H0000FFFF\fscx50}「{\fscx100}渋谷{\fscx50}クラスタ」{\fscx100}が➡
Dialogue: 0,0:07:01.95,0:07:04.12,Default,,0000,0000,0000,,{\pos(272,497)\c&H0000FFFF}敵として立ちはだかる{\fscx50}。
Dialogue: 0,0:07:04.12,0:07:08.80,Default,,0000,0000,0000,,{\pos(192,437)\c&H0000FFFF}今回の劇は{\fscx50}　{\fscx100}この２{\fscx50}チーム{\fscx100}が戦う
Dialogue: 0,0:07:04.12,0:07:08.80,Default,,0000,0000,0000,,{\pos(292,497)\c&H0000FFFF}渋谷抗争編を柱に➡
Dialogue: 0,0:07:08.80,0:07:11.13,Default,,0000,0000,0000,,{\pos(312,497)\c&H0000FFFF\fscx50}シナリオ{\fscx100}が展開する》
Dialogue: 0,0:07:11.13,0:07:14.30,Default,,0000,0000,0000,,{\pos(212,497)\c&H0000FFFF}有馬との共演は{\fscx50}ラスト{\fscx100}だけか…{\fscx50}。
Dialogue: 0,0:07:14.30,0:07:18.14,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}（{\fscx100}あかね{\fscx50}）{\fscx100}かなちゃんとの共演{\fscx50}シーン
Dialogue: 0,0:07:14.30,0:07:18.14,Default,,0000,0000,0000,,{\pos(472,497)}少なくて残念？
Dialogue: 0,0:07:18.14,0:07:20.31,Default,,0000,0000,0000,,{\pos(172,437)}かなちゃんと
Dialogue: 0,0:07:18.14,0:07:20.31,Default,,0000,0000,0000,,{\pos(192,497)}仲いいみたいだもんね{\fscx50}。
Dialogue: 0,0:07:20.31,0:07:22.81,Default,,0000,0000,0000,,{\pos(172,497)}顔合わせのときも一緒に来てたし{\fscx50}。
Dialogue: 0,0:07:22.81,0:07:24.81,Default,,0000,0000,0000,,{\pos(632,497)\c&H0000FFFF}いや{\fscx50}　{\fscx100}逆{\fscx50}。
Dialogue: 0,0:07:24.81,0:07:28.98,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF\fscx50}アイツ{\fscx100}は演技の話になると
Dialogue: 0,0:07:24.81,0:07:28.98,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}熱がこもりすぎて怖いからな{\fscx50}。
Dialogue: 0,0:07:28.98,0:07:31.15,Default,,0000,0000,0000,,{\pos(432,497)\c&H0000FFFF}出番{\fscx50}ズレ{\fscx100}てるほうが➡
Dialogue: 0,0:07:31.15,0:07:33.99,Default,,0000,0000,0000,,{\pos(212,437)\c&H0000FFFF\fscx50}グチグチ{\fscx100}言われる{\fscx50}タイミング{\fscx100}も少なそうで
Dialogue: 0,0:07:31.15,0:07:33.99,Default,,0000,0000,0000,,{\pos(532,497)\c&H0000FFFF}助かる{\fscx50}。
Dialogue: 0,0:07:33.99,0:07:35.99,Default,,0000,0000,0000,,{\pos(272,497)\fscx50}フッ　{\fscx100}そういう…{\fscx50}。
Dialogue: 0,0:07:35.99,0:07:38.32,Default,,0000,0000,0000,,{\pos(252,497)}でも{\fscx50}　{\fscx100}楽しくない？{\fscx50}　{\fscx100}演技の話{\fscx50}。
Dialogue: 0,0:07:38.32,0:07:41.99,Default,,0000,0000,0000,,{\pos(272,407)}私は無限にできちゃうなぁ{\fscx50}。
Dialogue: 0,0:07:38.32,0:07:41.99,Default,,0000,0000,0000,,{\pos(492,497)\c&H0000FFFF}勘弁してくれ{\fscx50}。
Dialogue: 0,0:07:41.99,0:07:45.67,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}それが通じるのは
Dialogue: 0,0:07:41.99,0:07:45.67,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}演技に情熱持ってる{\fscx50}ヤツ{\fscx100}だけだ{\fscx50}。
Dialogue: 0,0:07:45.67,0:07:48.50,Default,,0000,0000,0000,,{\pos(172,497)}情熱ないの？
Dialogue: 0,0:07:48.50,0:07:51.17,Default,,0000,0000,0000,,{\pos(652,497)\c&H0000FFFF}ないよ{\fscx50}。
Dialogue: 0,0:07:51.17,0:07:55.01,Default,,0000,0000,0000,,{\pos(212,437)\c&H0000FFFF}《舞台に立つ{\fscx50}ヤツ{\fscx100}は
Dialogue: 0,0:07:51.17,0:07:55.01,Default,,0000,0000,0000,,{\pos(272,497)\c&H0000FFFF}基本的に演技が好きで➡
Dialogue: 0,0:07:55.01,0:07:57.81,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF}演技に真摯な{\fscx50}ヤツ{\fscx100}ばかりだ》
Dialogue: 0,0:07:59.95,0:08:02.11,Default,,0000,0000,0000,,{\pos(372,497)\c&H0000FFFF}《俺は違う{\fscx50}。
Dialogue: 0,0:08:02.11,0:08:05.79,Default,,0000,0000,0000,,{\pos(192,437)\c&H0000FFFF}演技は
Dialogue: 0,0:08:02.11,0:08:05.79,Default,,0000,0000,0000,,{\pos(212,497)\c&H0000FFFF\fscx50}アイ{\fscx100}の真実に近づくための手段{\fscx50}。
Dialogue: 0,0:08:05.79,0:08:09.62,Default,,0000,0000,0000,,{\pos(212,497)\c&H0000FFFF\fscx50}「{\fscx100}劇団{\fscx50}ララライ」{\fscx100}代表{\fscx50}　{\fscx100}金田一敏郎{\fscx50}。
Dialogue: 0,0:08:09.62,0:08:13.46,Default,,0000,0000,0000,,{\pos(212,437)\c&H0000FFFF\fscx50}アイ{\fscx100}に{\c&H00FFFFFF\fscx50}　{\c&H0000FFFF\fscx100}なんらかの影響を与えた
Dialogue: 0,0:08:09.62,0:08:13.46,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF}可能性のある{\c&H00FFFFFF\fscx50}　{\c&H0000FFFF\fscx100}この男に➡
Dialogue: 0,0:08:13.46,0:08:16.46,Default,,0000,0000,0000,,{\pos(292,497)\c&H0000FFFF}近づくための手段》
Dialogue: 0,0:08:16.46,0:08:19.80,Default,,0000,0000,0000,,{\pos(372,407)\c&H0000FFFF}そろそろ休憩終わるぞ{\fscx50}。
Dialogue: 0,0:08:16.46,0:08:19.80,Default,,0000,0000,0000,,{\pos(232,497)}うん{\fscx50}。
Dialogue: 0,0:08:19.80,0:08:22.10,Default,,0000,0000,0000,,{\pos(172,497)}ちょっと待って{\fscx50}。
Dialogue: 0,0:08:27.97,0:08:29.98,Default,,0000,0000,0000,,{\pos(372,497)}行こ{\fscx50}。
Dialogue: 0,0:08:35.98,0:08:38.48,Default,,0000,0000,0000,,{\pos(312,437)\fscx50}（{\fscx100}朔夜{\fscx50}）{\fscx100}ずっと
Dialogue: 0,0:08:35.98,0:08:38.48,Default,,0000,0000,0000,,{\pos(352,497)}無法地帯だった新宿が➡
Dialogue: 0,0:08:38.48,0:08:41.49,Default,,0000,0000,0000,,{\pos(392,437)}一人の男によって
Dialogue: 0,0:08:38.48,0:08:41.49,Default,,0000,0000,0000,,{\pos(412,497)}統一されたようです{\fscx50}。
Dialogue: 0,0:08:41.49,0:08:43.82,Default,,0000,0000,0000,,{\pos(432,497)}名は{\fscx50}　{\fscx100}たしか{\fscx50}ブレイド{\fscx100}…{\fscx50}。
Dialogue: 0,0:08:43.82,0:08:45.99,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}船戸{\fscx50}）{\fscx100}ほう…{\fscx50}　{\fscx100}おもしろい{\fscx50}。
Dialogue: 0,0:08:45.99,0:08:48.66,Default,,0000,0000,0000,,{\pos(172,437)}ひとつ俺が
Dialogue: 0,0:08:45.99,0:08:48.66,Default,,0000,0000,0000,,{\pos(192,497)}どんな{\fscx50}ヤツ{\fscx100}か見てきてやろう{\fscx50}。
Dialogue: 0,0:08:48.66,0:08:51.00,Default,,0000,0000,0000,,{\pos(352,437)\fscx50}（{\fscx100}みた{\fscx50}）{\fscx100}考えなしに
Dialogue: 0,0:08:48.66,0:08:51.00,Default,,0000,0000,0000,,{\pos(392,497)}戦いを仕掛けようと➡
Dialogue: 0,0:08:51.00,0:08:53.00,Default,,0000,0000,0000,,{\pos(352,497)}しないでもらえますか？
Dialogue: 0,0:08:53.00,0:08:55.00,Default,,0000,0000,0000,,{\pos(372,497)\fscx50}（{\fscx100}朔夜{\fscx50}）{\fscx100}僕も同行して…{\fscx50}。
Dialogue: 0,0:08:55.00,0:08:57.17,Default,,0000,0000,0000,,{\pos(272,497)}今回{\fscx50}　{\fscx100}下手な子いないねぇ{\fscx50}。
Dialogue: 0,0:08:57.17,0:08:59.34,Default,,0000,0000,0000,,{\pos(372,437)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}私の盟刀は岩断{\fscx50}。
Dialogue: 0,0:08:57.17,0:08:59.34,Default,,0000,0000,0000,,{\pos(552,497)}盟刀には…{\fscx50}。
Dialogue: 0,0:08:59.34,0:09:01.61,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}雷田{\fscx50}）{\fscx100}芸歴の長い有馬ちゃんや➡
Dialogue: 0,0:09:01.61,0:09:04.94,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}ララライ{\fscx100}の面々が演技できるのは
Dialogue: 0,0:09:01.61,0:09:04.94,Default,,0000,0000,0000,,{\pos(192,497)}当たり前として…{\fscx50}。
Dialogue: 0,0:09:04.94,0:09:07.11,Default,,0000,0000,0000,,{\pos(212,167)\fscx50}メルト{\fscx100}くんも
Dialogue: 0,0:09:04.94,0:09:07.11,Default,,0000,0000,0000,,{\pos(232,227)\fscx50}「{\fscx100}今日あま{\fscx50}」{\fscx100}の演技見たとき➡
Dialogue: 0,0:09:07.11,0:09:10.45,Default,,0000,0000,0000,,{\pos(212,167)}どうなるかと思ったけど
Dialogue: 0,0:09:07.11,0:09:10.45,Default,,0000,0000,0000,,{\pos(232,227)}なかなか仕上げてきてるし{\fscx50}。
Dialogue: 0,0:09:10.45,0:09:13.29,Default,,0000,0000,0000,,{\pos(192,437)\fscx50}アクア{\fscx100}くんも
Dialogue: 0,0:09:10.45,0:09:13.29,Default,,0000,0000,0000,,{\pos(212,497)}舞台は初めてって聞いたけど➡
Dialogue: 0,0:09:13.29,0:09:15.29,Default,,0000,0000,0000,,{\pos(232,497)}周りが見えてて{\fscx50}　ソツ{\fscx100}がない{\fscx50}。
Dialogue: 0,0:09:15.29,0:09:20.13,Default,,0000,0000,0000,,{\pos(172,437)}鏑木は{\fscx50}　{\fscx100}よそに人を送るときは
Dialogue: 0,0:09:15.29,0:09:20.13,Default,,0000,0000,0000,,{\pos(192,497)}堅い人選するからな{\fscx50}。
Dialogue: 0,0:09:20.13,0:09:24.13,Default,,0000,0000,0000,,{\pos(172,437)}有馬ちゃんとあかねちゃんの
Dialogue: 0,0:09:20.13,0:09:24.13,Default,,0000,0000,0000,,{\pos(192,497)}同世代{\fscx50}　{\fscx100}新旧{\fscx50}　{\fscx100}若き天才対決も➡
Dialogue: 0,0:09:24.13,0:09:26.13,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}アツ{\fscx100}いよねぇ{\fscx50}。
Dialogue: 0,0:09:26.13,0:09:29.14,Default,,0000,0000,0000,,{\pos(172,497)}役に{\fscx50}　{\fscx100}どっぷり入り込む没入型と➡
Dialogue: 0,0:09:29.14,0:09:32.31,Default,,0000,0000,0000,,{\pos(212,437)}周りの演技をきれいに受ける
Dialogue: 0,0:09:29.14,0:09:32.31,Default,,0000,0000,0000,,{\pos(392,497)}適応型{\fscx50}。
Dialogue: 0,0:09:32.31,0:09:34.47,Default,,0000,0000,0000,,{\pos(332,497)}演じ方も対照的{\fscx50}。
Dialogue: 0,0:09:34.47,0:09:37.98,Default,,0000,0000,0000,,{\pos(192,437)}見た感じ{\fscx50}　{\fscx100}あかねちゃんのほうが
Dialogue: 0,0:09:34.47,0:09:37.98,Default,,0000,0000,0000,,{\pos(212,497)}一歩先{\fscx50}　{\fscx100}行ってる感じかなぁ{\fscx50}。
Dialogue: 0,0:09:37.98,0:09:41.15,Default,,0000,0000,0000,,{\pos(252,437)}有馬ちゃんも
Dialogue: 0,0:09:37.98,0:09:41.15,Default,,0000,0000,0000,,{\pos(272,497)}負けないでほしいなぁ{\fscx50}。
Dialogue: 0,0:09:41.15,0:09:43.98,Default,,0000,0000,0000,,{\pos(292,497)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}わからんよ{\fscx50}。
Dialogue: 0,0:09:43.98,0:09:47.99,Default,,0000,0000,0000,,{\pos(212,497)}この刀は田舎侍に過ぎた代物だ{\fscx50}。
Dialogue: 0,0:09:47.99,0:09:52.29,Default,,0000,0000,0000,,{\pos(292,437)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}うちには
Dialogue: 0,0:09:47.99,0:09:52.29,Default,,0000,0000,0000,,{\pos(332,497)}姫川がいるからな{\fscx50}。
Dialogue: 0,0:09:56.33,0:09:58.33,Default,,0000,0000,0000,,{\pos(372,497)}はっ…！
Dialogue: 0,0:10:02.00,0:10:04.17,Default,,0000,0000,0000,,{\pos(312,497)}あっ！
Dialogue: 0,0:10:04.17,0:10:06.17,Default,,0000,0000,0000,,{\pos(372,497)\fscx50}（{\fscx100}姫川{\fscx50}）{\fscx100}有馬…{\fscx50}　{\fscx100}だっけ？
Dialogue: 0,0:10:06.17,0:10:08.17,Default,,0000,0000,0000,,{\pos(412,497)}遠慮しないでいいよ{\fscx50}。
Dialogue: 0,0:10:10.84,0:10:12.85,Default,,0000,0000,0000,,{\pos(512,497)\fscx50}フッ。
Dialogue: 0,0:10:12.85,0:10:15.18,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}フンッ{\fscx100}！{\fscx50}　{\fscx100}私とやる気か！
Dialogue: 0,0:10:15.18,0:10:18.85,Default,,0000,0000,0000,,{\pos(252,437)\fscx50}（{\fscx100}姫川{\fscx50}）{\fscx100}話し合いで解決できる
Dialogue: 0,0:10:15.18,0:10:18.85,Default,,0000,0000,0000,,{\pos(292,497)}雰囲気じゃなさそうだしな{\fscx50}。
Dialogue: 0,0:10:18.85,0:10:22.69,Default,,0000,0000,0000,,{\pos(212,437)}強いほうが{\fscx50}　{\fscx100}刀の相棒になる{\fscx50}。
Dialogue: 0,0:10:18.85,0:10:22.69,Default,,0000,0000,0000,,{\pos(312,497)}それでどうだ？
Dialogue: 0,0:10:22.69,0:10:27.86,Default,,0000,0000,0000,,{\pos(252,437)\fscx50}（{\fscx100}かな{\fscx50}）ハハハハッ{\fscx100}！
Dialogue: 0,0:10:22.69,0:10:27.86,Default,,0000,0000,0000,,{\pos(292,497)}確かに{\fscx50}　{\fscx100}わかりやすい！
Dialogue: 0,0:10:27.86,0:10:31.53,Default,,0000,0000,0000,,{\pos(252,497)}死んでも文句言うなよ！
Dialogue: 0,0:10:31.53,0:10:34.53,Default,,0000,0000,0000,,{\pos(312,497)}そっちこそ{\fscx50}　{\fscx100}な！
Dialogue: 0,0:10:34.53,0:10:38.04,Default,,0000,0000,0000,,{\pos(212,497)\fscx50}（{\fscx100}かな{\fscx50}）ハハハハハッ{\fscx100}！{\fscx50}　{\fscx100}その程度か{\fscx50}！？
Dialogue: 0,0:10:38.04,0:10:40.04,Default,,0000,0000,0000,,{\pos(252,497)}まるで相手にならんな！
Dialogue: 0,0:10:40.04,0:10:42.88,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}（{\fscx100}姫川{\fscx50}）ゴチャゴチャ{\fscx100}ぬかしてんじゃ
Dialogue: 0,0:10:40.04,0:10:42.88,Default,,0000,0000,0000,,{\pos(432,497)}ねえ！
Dialogue: 0,0:10:42.88,0:10:45.21,Default,,0000,0000,0000,,{\pos(172,497)}どうした？{\fscx50}　{\fscx100}降参するか？
Dialogue: 0,0:10:45.21,0:10:47.71,Default,,0000,0000,0000,,{\pos(452,497)}くっ{\fscx50}　{\fscx100}なめた口を！
Dialogue: 0,0:10:47.71,0:10:50.22,Default,,0000,0000,0000,,{\pos(452,497)}これで{\fscx50}　{\fscx100}しまいだ！
Dialogue: 0,0:10:52.55,0:10:55.55,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}ハハハハッ{\fscx100}！
Dialogue: 0,0:10:52.55,0:10:55.55,Default,,0000,0000,0000,,{\pos(512,497)}何がおかしい{\fscx50}！？
Dialogue: 0,0:10:55.55,0:10:57.89,Default,,0000,0000,0000,,{\pos(172,497)}お前{\fscx50}　{\fscx100}強いな！
Dialogue: 0,0:10:57.89,0:11:01.66,Default,,0000,0000,0000,,{\pos(532,497)}はっ{\fscx50}　{\fscx100}離れろ！
Dialogue: 0,0:11:01.66,0:11:05.16,Default,,0000,0000,0000,,{\pos(572,497)\fscx50}ハァ　ハァ　ハァ{\fscx100}…{\fscx50}。
Dialogue: 0,0:11:05.16,0:11:07.57,Default,,0000,0000,0000,,{\pos(412,497)\fscx50}フフ{\fscx100}…{\fscx50}。
Dialogue: 0,0:11:09.50,0:11:11.84,Default,,0000,0000,0000,,{\pos(172,497)}有馬かな{\fscx50}　{\fscx100}このあと飯どう？
Dialogue: 0,0:11:11.84,0:11:16.01,Default,,0000,0000,0000,,{\pos(172,437)}いいわね{\fscx50}。　{\fscx100}私も聞きたいことが
Dialogue: 0,0:11:11.84,0:11:16.01,Default,,0000,0000,0000,,{\pos(272,497)}山ほどあるわ{\fscx50}。
Dialogue: 0,0:11:16.01,0:11:18.84,Default,,0000,0000,0000,,{\pos(252,407)\fscx50}メルト{\fscx100}も来なさい{\fscx50}。
Dialogue: 0,0:11:16.01,0:11:18.84,Default,,0000,0000,0000,,{\pos(572,497)}えっ{\fscx50}　{\fscx100}俺も？
Dialogue: 0,0:11:18.84,0:11:21.68,Default,,0000,0000,0000,,{\pos(372,437)}共演{\fscx50}シーン{\fscx100}が多いんだから
Dialogue: 0,0:11:18.84,0:11:21.68,Default,,0000,0000,0000,,{\pos(532,497)}当然でしょ{\fscx50}。
Dialogue: 0,0:11:21.68,0:11:26.69,Default,,0000,0000,0000,,{\pos(172,437)}《かなちゃん…{\fscx50}。
Dialogue: 0,0:11:21.68,0:11:26.69,Default,,0000,0000,0000,,{\pos(232,497)}少し前は{\fscx50}　サポート{\fscx100}優先で➡
Dialogue: 0,0:11:26.69,0:11:29.69,Default,,0000,0000,0000,,{\pos(172,437)}あんなに前に出る演技する子じゃ
Dialogue: 0,0:11:26.69,0:11:29.69,Default,,0000,0000,0000,,{\pos(192,497)}なかった…{\fscx50}。
Dialogue: 0,0:11:29.69,0:11:31.86,Default,,0000,0000,0000,,{\pos(172,497)}あんな身勝手な…{\fscx50}。
Dialogue: 0,0:11:31.86,0:11:36.36,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}「{\fscx100}私を見ろ{\fscx50}」{\fscx100}って演技が
Dialogue: 0,0:11:31.86,0:11:36.36,Default,,0000,0000,0000,,{\pos(172,497)}できる子じゃなかったのに…！》
Dialogue: 0,0:11:36.36,0:11:38.53,Default,,0000,0000,0000,,{\pos(212,497)}自信…？{\fscx50}　{\fscx100}覚悟…？
Dialogue: 0,0:11:38.53,0:11:41.20,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}アイドル{\fscx100}をやって{\fscx50}　{\fscx100}何かつかんだ？
Dialogue: 0,0:11:41.20,0:11:44.70,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}ララライ{\fscx100}も最近{\fscx50}　{\fscx100}停滞気味でよ…{\fscx50}。
Dialogue: 0,0:11:44.70,0:11:48.54,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}２．５{\fscx100}なんて受けたのも
Dialogue: 0,0:11:44.70,0:11:48.54,Default,,0000,0000,0000,,{\pos(192,497)}外部からの{\fscx50}キャスト{\fscx100}引き受けたのも➡
Dialogue: 0,0:11:48.54,0:11:51.88,Default,,0000,0000,0000,,{\pos(172,437)}何かしらの刺激が必要だと
Dialogue: 0,0:11:48.54,0:11:51.88,Default,,0000,0000,0000,,{\pos(232,497)}思ったからだ{\fscx50}。
Dialogue: 0,0:11:51.88,0:11:55.21,Default,,0000,0000,0000,,{\pos(272,437)}どいつもこいつも
Dialogue: 0,0:11:51.88,0:11:55.21,Default,,0000,0000,0000,,{\pos(292,497)}負けず嫌いだからよ{\fscx50}。
Dialogue: 0,0:11:55.21,0:11:59.05,Default,,0000,0000,0000,,{\pos(232,437)}あんなの見せられて
Dialogue: 0,0:11:55.21,0:11:59.05,Default,,0000,0000,0000,,{\pos(252,497)}何も思わねえわけがない{\fscx50}。
Dialogue: 0,0:11:59.05,0:12:01.32,Default,,0000,0000,0000,,{\pos(312,497)\fscx50}アレ{\fscx100}と{\fscx50}　{\fscx100}どう戦うか➡
Dialogue: 0,0:12:01.32,0:12:04.16,Default,,0000,0000,0000,,{\pos(232,437)}必死になって
Dialogue: 0,0:12:01.32,0:12:04.16,Default,,0000,0000,0000,,{\pos(252,497)}考えちまうもんなんだよ{\fscx50}。
Dialogue: 0,0:12:04.16,0:12:07.36,Default,,0000,0000,0000,,{\pos(392,497)}役者なら{\fscx50}。
Dialogue: 0,0:12:11.50,0:12:22.17,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:12:22.17,0:12:24.84,Default,,0000,0000,0000,,{\pos(232,437)}《あかね{\fscx50}：{\fscx100}舞台は
Dialogue: 0,0:12:22.17,0:12:24.84,Default,,0000,0000,0000,,{\pos(292,497)}だいたい１か月程度の➡
Dialogue: 0,0:12:24.84,0:12:27.01,Default,,0000,0000,0000,,{\pos(292,497)}稽古期間を設けます{\fscx50}。
Dialogue: 0,0:12:27.01,0:12:30.35,Default,,0000,0000,0000,,{\pos(172,497)}昼ごろ集合の夜解散で６～７時間{\fscx50}。
Dialogue: 0,0:12:30.35,0:12:34.52,Default,,0000,0000,0000,,{\pos(232,437)}忙しい人も多いので
Dialogue: 0,0:12:30.35,0:12:34.52,Default,,0000,0000,0000,,{\pos(252,497)}あまり全員集まれません{\fscx50}。
Dialogue: 0,0:12:34.52,0:12:37.02,Default,,0000,0000,0000,,{\pos(232,497)}特に主演級は{\fscx50}　{\fscx100}他の仕事で➡
Dialogue: 0,0:12:37.02,0:12:39.53,Default,,0000,0000,0000,,{\pos(232,317)}稽古に参加できないことも
Dialogue: 0,0:12:37.02,0:12:39.53,Default,,0000,0000,0000,,{\pos(372,377)}多々あり➡
Dialogue: 0,0:12:39.53,0:12:44.86,Default,,0000,0000,0000,,{\pos(192,317)}稽古場代役{\fscx50}　スタンドイン{\fscx100}を雇うことも
Dialogue: 0,0:12:39.53,0:12:44.86,Default,,0000,0000,0000,,{\pos(292,377)}少なくありません{\fscx50}。
Dialogue: 0,0:12:44.86,0:12:47.70,Default,,0000,0000,0000,,{\pos(172,497)}でも{\fscx50}　{\fscx100}演劇人は演劇が好きなので➡
Dialogue: 0,0:12:47.70,0:12:50.90,Default,,0000,0000,0000,,{\pos(172,437)}夜だけでも参加しようという人も
Dialogue: 0,0:12:47.70,0:12:50.90,Default,,0000,0000,0000,,{\pos(392,497)}多いです》
Dialogue: 0,0:12:54.87,0:12:57.04,Default,,0000,0000,0000,,{\pos(372,497)}有馬{\fscx50}　{\fscx100}ちょっといいか？
Dialogue: 0,0:12:57.04,0:13:00.15,Default,,0000,0000,0000,,{\pos(312,407)}何？
Dialogue: 0,0:12:57.04,0:13:00.15,Default,,0000,0000,0000,,{\pos(372,497)}ここ{\fscx50}　{\fscx100}なんて読むんだ？
Dialogue: 0,0:13:00.15,0:13:02.15,Default,,0000,0000,0000,,{\pos(292,317)\fscx50}「{\fscx100}さきもり{\fscx50}」。
Dialogue: 0,0:13:00.15,0:13:02.15,Default,,0000,0000,0000,,{\pos(532,407)}なるほど{\fscx50}。
Dialogue: 0,0:13:02.15,0:13:04.48,Default,,0000,0000,0000,,{\pos(172,437)}えっ！{\fscx50}　{\fscx100}これ{\fscx50}　「{\fscx100}ぼうじん{\fscx50}」{\fscx100}だと
Dialogue: 0,0:13:02.15,0:13:04.48,Default,,0000,0000,0000,,{\pos(192,497)}思ってた{\fscx50}。
Dialogue: 0,0:13:04.48,0:13:07.99,Default,,0000,0000,0000,,{\pos(172,197)}有馬{\fscx50}　{\fscx100}賢いな！
Dialogue: 0,0:13:04.48,0:13:07.99,Default,,0000,0000,0000,,{\pos(192,287)}はぁ…{\fscx50}。　{\fscx100}これくらい普通でしょ{\fscx50}。
Dialogue: 0,0:13:07.99,0:13:11.16,Default,,0000,0000,0000,,{\pos(232,437)}演劇の人って{\fscx50}　{\fscx100}なんで
Dialogue: 0,0:13:07.99,0:13:11.16,Default,,0000,0000,0000,,{\pos(252,497)}漢字読めない人多いの…？
Dialogue: 0,0:13:11.16,0:13:13.49,Default,,0000,0000,0000,,{\pos(192,497)}もう少し本とか読んだらどう？
Dialogue: 0,0:13:13.49,0:13:16.16,Default,,0000,0000,0000,,{\pos(292,437)}本とか{\fscx50}　{\fscx100}ちまちましてるのは
Dialogue: 0,0:13:13.49,0:13:16.16,Default,,0000,0000,0000,,{\pos(612,497)}苦手だ{\fscx50}。
Dialogue: 0,0:13:16.16,0:13:18.83,Default,,0000,0000,0000,,{\pos(412,407)}俺は映像しか見ない{\fscx50}。
Dialogue: 0,0:13:16.16,0:13:18.83,Default,,0000,0000,0000,,{\pos(172,497)}あ～{\fscx50}　{\fscx100}わかる{\fscx50}。
Dialogue: 0,0:13:18.83,0:13:22.00,Default,,0000,0000,0000,,{\pos(172,407)}俺は漫画しか読まねっす{\fscx50}。
Dialogue: 0,0:13:18.83,0:13:22.00,Default,,0000,0000,0000,,{\pos(312,497)}演劇{\fscx50}バカ{\fscx100}はいいけど…{\fscx50}。
Dialogue: 0,0:13:22.00,0:13:24.00,Default,,0000,0000,0000,,{\pos(172,497)}《あかね{\fscx50}：{\fscx100}３日目ともなると➡
Dialogue: 0,0:13:24.00,0:13:26.34,Default,,0000,0000,0000,,{\pos(172,437)}稽古場で{\fscx50}グループ{\fscx100}が
Dialogue: 0,0:13:24.00,0:13:26.34,Default,,0000,0000,0000,,{\pos(192,497)}出来上がっています{\fscx50}。
Dialogue: 0,0:13:26.34,0:13:29.84,Default,,0000,0000,0000,,{\pos(392,497)}主演{\fscx50}グループ。
Dialogue: 0,0:13:29.84,0:13:33.35,Default,,0000,0000,0000,,{\pos(232,497)\fscx50}ララライグループ{\fscx100}に{\fscx50}　{\fscx100}ちょい役{\fscx50}グループ。
Dialogue: 0,0:13:33.35,0:13:36.18,Default,,0000,0000,0000,,{\pos(392,497)}それと…{\fscx50}。
Dialogue: 0,0:13:36.18,0:13:40.19,Default,,0000,0000,0000,,{\pos(272,497)}私の彼氏{\fscx50}　{\fscx100}孤立してるなぁ…{\fscx50}。
Dialogue: 0,0:13:40.19,0:13:43.86,Default,,0000,0000,0000,,{\pos(352,437)}あまり人となじむの
Dialogue: 0,0:13:40.19,0:13:43.86,Default,,0000,0000,0000,,{\pos(372,497)}得意じゃないのかな…{\fscx50}。
Dialogue: 0,0:13:43.86,0:13:48.36,Default,,0000,0000,0000,,{\pos(412,437)}あふれ出る陰の{\fscx50}オーラ{\fscx100}が
Dialogue: 0,0:13:43.86,0:13:48.36,Default,,0000,0000,0000,,{\pos(472,497)}すごいもんな…{\fscx50}。
Dialogue: 0,0:13:48.36,0:13:50.86,Default,,0000,0000,0000,,{\pos(432,497)}ちょっと親近感》
Dialogue: 0,0:13:53.20,0:13:55.20,Default,,0000,0000,0000,,{\pos(172,497)}あっ！
Dialogue: 0,0:13:59.71,0:14:02.14,Default,,0000,0000,0000,,{\pos(172,497)}かなちゃんのこと見てるの？
Dialogue: 0,0:14:02.14,0:14:05.14,Default,,0000,0000,0000,,{\pos(612,407)\c&H0000FFFF}ああ{\fscx50}。
Dialogue: 0,0:14:02.14,0:14:05.14,Default,,0000,0000,0000,,{\pos(172,497)}んっ！{\fscx50}　「{\fscx100}ああ{\fscx50}」{\fscx100}って…{\fscx50}。
Dialogue: 0,0:14:05.14,0:14:07.15,Default,,0000,0000,0000,,{\pos(312,497)}一応{\fscx50}　{\fscx100}私…{\fscx50}。
Dialogue: 0,0:14:07.15,0:14:11.32,Default,,0000,0000,0000,,{\pos(292,437)\c&H0000FFFF}有馬は周囲の{\fscx50}レベル{\fscx100}に合わせて
Dialogue: 0,0:14:07.15,0:14:11.32,Default,,0000,0000,0000,,{\pos(392,497)\c&H0000FFFF}演技をする癖がある{\fscx50}。
Dialogue: 0,0:14:11.32,0:14:14.32,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}それは過去
Dialogue: 0,0:14:11.32,0:14:14.32,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}自己顕示欲の強い演技で➡
Dialogue: 0,0:14:14.32,0:14:16.32,Default,,0000,0000,0000,,{\pos(272,497)\c&H0000FFFF}仕事を失った有馬が➡
Dialogue: 0,0:14:16.32,0:14:20.49,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}この業界で生き残るための
Dialogue: 0,0:14:16.32,0:14:20.49,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}戦略なのかもしれない{\fscx50}。
Dialogue: 0,0:14:20.49,0:14:25.66,Default,,0000,0000,0000,,{\pos(172,437)\c&H0000FFFF}今まで{\fscx50}　パッ{\fscx100}としない役者に囲まれて
Dialogue: 0,0:14:20.49,0:14:25.66,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF\fscx50}パッ{\fscx100}としない演技をしていた{\fscx50}。
Dialogue: 0,0:14:25.66,0:14:31.50,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}だが{\fscx50}　{\fscx100}今回そばにいるのは
Dialogue: 0,0:14:25.66,0:14:31.50,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF\fscx50}ララライ{\fscx100}の看板役者{\fscx50}　{\fscx100}姫川大輝{\fscx50}。
Dialogue: 0,0:14:31.50,0:14:35.17,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF}その{\fscx50}レベル{\fscx100}に合わせてくるなら…{\fscx50}。
Dialogue: 0,0:14:35.17,0:14:37.84,Default,,0000,0000,0000,,{\pos(212,497)\c&H0000FFFF}あかね{\fscx50}　{\fscx100}有馬に勝ちたいんだろ？
Dialogue: 0,0:14:37.84,0:14:41.85,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF}このままじゃ負けるぞ{\fscx50}　{\fscx100}大差でな{\fscx50}。
Dialogue: 0,0:14:48.19,0:14:51.02,Default,,0000,0000,0000,,{\pos(372,437)\c&H0000FFFF}怒るなら怒れよ{\fscx50}。
Dialogue: 0,0:14:48.19,0:14:51.02,Default,,0000,0000,0000,,{\pos(392,497)\c&H0000FFFF}感情表現{\fscx50}　{\fscx100}子どもか…{\fscx50}。
Dialogue: 0,0:14:51.02,0:14:53.36,Default,,0000,0000,0000,,{\pos(172,497)}人の心配してる場合？
Dialogue: 0,0:14:53.36,0:14:56.03,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}アクア{\fscx100}くんだって{\fscx50}　{\fscx100}このままじゃ…{\fscx50}。
Dialogue: 0,0:14:53.36,0:14:56.03,Default,,0000,0000,0000,,{\pos(372,497)\c&H0000FFFF}俺は最初から➡
Dialogue: 0,0:14:56.03,0:14:58.36,Default,,0000,0000,0000,,{\pos(332,407)\c&H0000FFFF}勝とうなんて思ってない{\fscx50}。
Dialogue: 0,0:14:56.03,0:14:58.36,Default,,0000,0000,0000,,{\pos(232,497)}ん…{\fscx50}。
Dialogue: 0,0:14:58.36,0:15:02.07,Default,,0000,0000,0000,,{\pos(312,437)\c&H0000FFFF}才能ある{\fscx50}ヤツ{\fscx100}に勝てるなんて
Dialogue: 0,0:14:58.36,0:15:02.07,Default,,0000,0000,0000,,{\pos(492,497)\c&H0000FFFF}思ってないよ{\fscx50}。
Dialogue: 0,0:15:08.31,0:15:14.81,Default,,0000,0000,0000,,{\pos(232,437)}新宿の連中を…{\fscx50}　{\fscx100}全員…
Dialogue: 0,0:15:08.31,0:15:14.81,Default,,0000,0000,0000,,{\pos(252,497)}皆殺しにしてやりなさい{\fscx50}。
Dialogue: 0,0:15:14.81,0:15:18.15,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}黒川{\fscx50}　{\fscx100}そこの演技は
Dialogue: 0,0:15:14.81,0:15:18.15,Default,,0000,0000,0000,,{\pos(272,497)}もう少し強めでいい{\fscx50}。
Dialogue: 0,0:15:18.15,0:15:22.15,Default,,0000,0000,0000,,{\pos(252,407)}周りの{\fscx50}テンション{\fscx100}に合わせて{\fscx50}。
Dialogue: 0,0:15:18.15,0:15:22.15,Default,,0000,0000,0000,,{\pos(352,497)}わかりました{\fscx50}。
Dialogue: 0,0:15:22.15,0:15:27.16,Default,,0000,0000,0000,,{\pos(272,437)}《強め…{\fscx50}　{\fscx100}強めの演技…
Dialogue: 0,0:15:22.15,0:15:27.16,Default,,0000,0000,0000,,{\pos(372,497)}こうかな…》
Dialogue: 0,0:15:29.16,0:15:33.67,Default,,0000,0000,0000,,{\pos(172,437)}新宿の連中を！
Dialogue: 0,0:15:29.16,0:15:33.67,Default,,0000,0000,0000,,{\pos(192,497)}全員{\fscx50}　{\fscx100}皆殺しにしてやりなさい！
Dialogue: 0,0:15:33.67,0:15:36.34,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}（{\fscx100}金田一{\fscx50}）オーケー。　{\fscx100}その感じでいこう{\fscx50}。
Dialogue: 0,0:15:33.67,0:15:36.34,Default,,0000,0000,0000,,{\pos(432,497)}え…{\fscx50}。
Dialogue: 0,0:15:36.34,0:15:40.01,Default,,0000,0000,0000,,{\pos(172,407)\fscx50}（{\fscx100}金田一{\fscx50}）{\fscx100}次{\fscx50}　{\fscx100}場転で新宿{\fscx50}　{\fscx100}有馬から{\fscx50}。
Dialogue: 0,0:15:36.34,0:15:40.01,Default,,0000,0000,0000,,{\pos(352,497)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}は～い{\fscx50}。
Dialogue: 0,0:15:40.01,0:15:43.51,Default,,0000,0000,0000,,{\pos(252,497)\fscx50}（{\fscx100}あかね{\fscx50}）{\fscx100}今のでいいんだ…{\fscx50}。
Dialogue: 0,0:15:43.51,0:15:45.68,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}えっと
Dialogue: 0,0:15:43.51,0:15:45.68,Default,,0000,0000,0000,,{\pos(272,497)}渋谷ってどっちだっけ？
Dialogue: 0,0:15:45.68,0:15:48.85,Default,,0000,0000,0000,,{\pos(192,407)\fscx50}（{\fscx100}姫川{\fscx50}）{\fscx100}行ったことないのか？
Dialogue: 0,0:15:45.68,0:15:48.85,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}そっ{\fscx50}　{\fscx100}そんなわけないだろ！
Dialogue: 0,0:15:48.85,0:15:50.85,Default,,0000,0000,0000,,{\pos(192,497)}何度も行ってる{\fscx50}。　バカ{\fscx100}にするな！
Dialogue: 0,0:15:50.85,0:15:53.85,Default,,0000,0000,0000,,{\pos(272,437)\fscx50}（メルト）{\fscx100}怪しいぞ{\fscx50}。
Dialogue: 0,0:15:50.85,0:15:53.85,Default,,0000,0000,0000,,{\pos(312,497)\fscx50}コイツ　{\fscx100}時々なまるしな{\fscx50}。
Dialogue: 0,0:15:53.85,0:15:56.02,Default,,0000,0000,0000,,{\pos(232,437)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}えっ{\fscx50}！？　{\fscx100}なまってた？
Dialogue: 0,0:15:53.85,0:15:56.02,Default,,0000,0000,0000,,{\pos(412,497)}いつ？
Dialogue: 0,0:15:56.02,0:15:59.53,Default,,0000,0000,0000,,{\pos(192,437)\fscx50}（{\fscx100}姫川{\fscx50}）{\fscx100}気付いてなかったのか？
Dialogue: 0,0:15:56.02,0:15:59.53,Default,,0000,0000,0000,,{\pos(232,497)}最初に会ったときからだぞ{\fscx50}。
Dialogue: 0,0:15:59.53,0:16:01.63,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}（{\fscx100}かな{\fscx50}）{\fscx100}えぇ～！
Dialogue: 0,0:16:01.63,0:16:06.13,Default,,0000,0000,0000,,{\pos(172,437)}《あかね{\fscx50}：{\fscx100}今回の舞台
Dialogue: 0,0:16:01.63,0:16:06.13,Default,,0000,0000,0000,,{\pos(192,497)}私は立ち上がりが少し悪かった{\fscx50}。
Dialogue: 0,0:16:06.13,0:16:09.64,Default,,0000,0000,0000,,{\pos(252,497)}原因は{\fscx50}　{\fscx100}この脚本にある{\fscx50}。
Dialogue: 0,0:16:09.64,0:16:14.81,Default,,0000,0000,0000,,{\pos(172,437)}私の演じる鞘姫は
Dialogue: 0,0:16:09.64,0:16:14.81,Default,,0000,0000,0000,,{\pos(192,497)}原作でも{\fscx50}　{\fscx100}あまり出番が多くない{\fscx50}。
Dialogue: 0,0:16:14.81,0:16:18.48,Default,,0000,0000,0000,,{\pos(252,437)}最初は刀鬼の{\fscx50}ヒロイン{\fscx100}として
Dialogue: 0,0:16:14.81,0:16:18.48,Default,,0000,0000,0000,,{\pos(272,497)}登場してたものの➡
Dialogue: 0,0:16:18.48,0:16:22.15,Default,,0000,0000,0000,,{\pos(292,437)}敵役だった{\fscx50}ツルギ{\fscx100}との
Dialogue: 0,0:16:18.48,0:16:22.15,Default,,0000,0000,0000,,{\pos(312,497)\fscx50}カップリング{\fscx100}人気が上昇{\fscx50}。
Dialogue: 0,0:16:22.15,0:16:26.32,Default,,0000,0000,0000,,{\pos(232,437)}刀鬼の相方としての出番を
Dialogue: 0,0:16:22.15,0:16:26.32,Default,,0000,0000,0000,,{\pos(292,497)}食われる結果となる{\fscx50}。
Dialogue: 0,0:16:26.32,0:16:31.16,Default,,0000,0000,0000,,{\pos(172,497)}いわゆる{\fscx50}　{\fscx100}負け{\fscx50}ヒロイン{\fscx100}というやつだ{\fscx50}。
Dialogue: 0,0:16:31.16,0:16:33.83,Default,,0000,0000,0000,,{\pos(192,437)}原作最新話では
Dialogue: 0,0:16:31.16,0:16:33.83,Default,,0000,0000,0000,,{\pos(212,497)}いいなずけ設定も➡
Dialogue: 0,0:16:33.83,0:16:37.33,Default,,0000,0000,0000,,{\pos(172,437)}ほとんど死に設定になってる
Dialogue: 0,0:16:33.83,0:16:37.33,Default,,0000,0000,0000,,{\pos(252,497)}不遇の{\fscx50}キャラクター{\fscx100}》
Dialogue: 0,0:16:37.33,0:16:40.17,Default,,0000,0000,0000,,{\pos(172,497)}男の人は{\fscx50}　ツルギ{\fscx100}みたいな➡
Dialogue: 0,0:16:40.17,0:16:43.50,Default,,0000,0000,0000,,{\pos(172,437)}表情豊かで生き生きした子が
Dialogue: 0,0:16:40.17,0:16:43.50,Default,,0000,0000,0000,,{\pos(192,497)}好きなんだよね…{\fscx50}。
Dialogue: 0,0:16:43.50,0:16:45.50,Default,,0000,0000,0000,,{\pos(312,497)\fscx50}フッハッ　{\fscx100}そうだね～{\fscx50}。
Dialogue: 0,0:16:45.50,0:16:48.84,Default,,0000,0000,0000,,{\pos(232,437)}原作でも{\fscx50}　{\fscx100}そっちに
Dialogue: 0,0:16:45.50,0:16:48.84,Default,,0000,0000,0000,,{\pos(252,497)}かじ切ってる感じあるよね～{\fscx50}。
Dialogue: 0,0:16:48.84,0:16:53.85,Default,,0000,0000,0000,,{\pos(172,437)}《あかね{\fscx50}：{\fscx100}おとなしくしてると
Dialogue: 0,0:16:48.84,0:16:53.85,Default,,0000,0000,0000,,{\pos(192,497)}こういう子に全部持ってかれる{\fscx50}。
Dialogue: 0,0:16:53.85,0:16:56.85,Default,,0000,0000,0000,,{\pos(292,437)}鞘姫の出番が少ない
Dialogue: 0,0:16:53.85,0:16:56.85,Default,,0000,0000,0000,,{\pos(312,497)}ということは➡
Dialogue: 0,0:16:56.85,0:16:59.69,Default,,0000,0000,0000,,{\pos(272,437)\fscx50}キャラ{\fscx100}分析の素材が少ない
Dialogue: 0,0:16:56.85,0:16:59.69,Default,,0000,0000,0000,,{\pos(352,497)}ということ…{\fscx50}。
Dialogue: 0,0:16:59.69,0:17:02.29,Default,,0000,0000,0000,,{\pos(212,497)}妄想で欠けた{\fscx50}ピース{\fscx100}を補完して➡
Dialogue: 0,0:17:02.29,0:17:05.12,Default,,0000,0000,0000,,{\pos(172,437)}自分の中で
Dialogue: 0,0:17:02.29,0:17:05.12,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}キャラ{\fscx100}をつくり上げなきゃいけない{\fscx50}。
Dialogue: 0,0:17:05.12,0:17:12.30,Default,,0000,0000,0000,,{\pos(172,437)}ただ{\fscx50}　{\fscx100}私の{\fscx50}キャラ{\fscx100}解釈と脚本の解釈は
Dialogue: 0,0:17:05.12,0:17:12.30,Default,,0000,0000,0000,,{\pos(192,497)}だいぶ食い違ってるようだった{\fscx50}。
Dialogue: 0,0:17:12.30,0:17:15.30,Default,,0000,0000,0000,,{\pos(252,497)}というか{\fscx50}　{\fscx100}原作とだいぶ違う！
Dialogue: 0,0:17:15.30,0:17:18.14,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}メチャクチャ{\fscx100}記号的な{\fscx50}キャラ{\fscx100}にされてる！
Dialogue: 0,0:17:18.14,0:17:21.14,Default,,0000,0000,0000,,{\pos(272,437)}本来{\fscx50}　{\fscx100}姫は内気で
Dialogue: 0,0:17:18.14,0:17:21.14,Default,,0000,0000,0000,,{\pos(292,497)}人をあやめることに➡
Dialogue: 0,0:17:21.14,0:17:23.64,Default,,0000,0000,0000,,{\pos(292,437)}葛藤を抱いていた
Dialogue: 0,0:17:21.14,0:17:23.64,Default,,0000,0000,0000,,{\pos(312,497)}優しい子なのに…{\fscx50}。
Dialogue: 0,0:17:23.64,0:17:26.48,Default,,0000,0000,0000,,{\pos(212,497)}舞台の尺を省略するために➡
Dialogue: 0,0:17:26.48,0:17:29.31,Default,,0000,0000,0000,,{\pos(252,437)}だいぶ戦いに
Dialogue: 0,0:17:26.48,0:17:29.31,Default,,0000,0000,0000,,{\pos(272,497)}前のめりになっている！
Dialogue: 0,0:17:29.31,0:17:32.82,Default,,0000,0000,0000,,{\pos(232,437)}これじゃ
Dialogue: 0,0:17:29.31,0:17:32.82,Default,,0000,0000,0000,,{\pos(252,497)}殺りく大好きな{\fscx50}クレイジー{\fscx100}だよ{\fscx50}。
Dialogue: 0,0:17:32.82,0:17:36.66,Default,,0000,0000,0000,,{\pos(192,437)}漫画を演劇という
Dialogue: 0,0:17:32.82,0:17:36.66,Default,,0000,0000,0000,,{\pos(212,497)}違う{\fscx50}メディア{\fscx100}に落とし込むために➡
Dialogue: 0,0:17:36.66,0:17:39.16,Default,,0000,0000,0000,,{\pos(252,437)}多少の変更は
Dialogue: 0,0:17:36.66,0:17:39.16,Default,,0000,0000,0000,,{\pos(272,497)}しかたないとしても…{\fscx50}。
Dialogue: 0,0:17:39.16,0:17:42.49,Default,,0000,0000,0000,,{\pos(192,437)}脚本家に
Dialogue: 0,0:17:39.16,0:17:42.49,Default,,0000,0000,0000,,{\pos(212,497)}あまりにも便利に使われてる{\fscx50}。
Dialogue: 0,0:17:42.49,0:17:44.66,Default,,0000,0000,0000,,{\pos(292,497)}ふびんだよ{\fscx50}　{\fscx100}鞘姫…{\fscx50}。
Dialogue: 0,0:17:44.66,0:17:50.50,Default,,0000,0000,0000,,{\pos(172,437)}原作でも不遇なのに
Dialogue: 0,0:17:44.66,0:17:50.50,Default,,0000,0000,0000,,{\pos(192,497)}舞台でも{\fscx50}　{\fscx100}こんな扱いだなんて…{\fscx50}。
Dialogue: 0,0:17:50.50,0:17:53.17,Default,,0000,0000,0000,,{\pos(352,497)}私は好きだよ{\fscx50}。
Dialogue: 0,0:17:53.17,0:17:55.67,Default,,0000,0000,0000,,{\pos(232,497)}でも{\fscx50}　{\fscx100}しょうがないよね…{\fscx50}。
Dialogue: 0,0:17:55.67,0:17:59.51,Default,,0000,0000,0000,,{\pos(192,437)}原作の先生が
Dialogue: 0,0:17:55.67,0:17:59.51,Default,,0000,0000,0000,,{\pos(212,497)}これで{\fscx50}オーケー{\fscx100}出したんだもん…{\fscx50}。
Dialogue: 0,0:17:59.51,0:18:02.11,Default,,0000,0000,0000,,{\pos(232,497)}これでやるしかないんだ》
Dialogue: 0,0:18:07.95,0:18:09.96,Default,,0000,0000,0000,,{\pos(172,497)}やっほ！{\fscx50}　{\fscx100}来ましたよっと{\fscx50}。
Dialogue: 0,0:18:09.96,0:18:12.12,Default,,0000,0000,0000,,{\pos(332,497)}おう{\fscx50}　ＧＯＡ　{\fscx100}調子はどうだ？
Dialogue: 0,0:18:12.12,0:18:15.29,Default,,0000,0000,0000,,{\pos(212,497)}別件の脚本{\fscx50}　スケジュール{\fscx100}が{\fscx50}　ガタガタ{\fscx100}でね{\fscx50}。
Dialogue: 0,0:18:15.29,0:18:18.80,Default,,0000,0000,0000,,{\pos(192,437)}朝までに修正よこせとか言われて
Dialogue: 0,0:18:15.29,0:18:18.80,Default,,0000,0000,0000,,{\pos(532,497)}大変だったよ{\fscx50}。
Dialogue: 0,0:18:18.80,0:18:22.80,Default,,0000,0000,0000,,{\pos(352,407)\c&H0000FFFF}脚本の{\fscx50}ＧＯＡ{\fscx100}さん来てるな{\fscx50}。
Dialogue: 0,0:18:18.80,0:18:22.80,Default,,0000,0000,0000,,{\pos(512,497)}うん{\fscx50}。
Dialogue: 0,0:18:22.80,0:18:27.14,Default,,0000,0000,0000,,{\pos(192,437)\c&H0000FFFF}今日は原作者も来るらしいから
Dialogue: 0,0:18:22.80,0:18:27.14,Default,,0000,0000,0000,,{\pos(332,497)\c&H0000FFFF}挨拶がてらかな{\fscx50}。
Dialogue: 0,0:18:27.14,0:18:31.81,Default,,0000,0000,0000,,{\pos(172,407)}ねぇ{\fscx50}　{\fscx100}この脚本て{\fscx50}　{\fscx100}どう思う？
Dialogue: 0,0:18:27.14,0:18:31.81,Default,,0000,0000,0000,,{\pos(552,497)\c&H0000FFFF}んっ？
Dialogue: 0,0:18:31.81,0:18:34.15,Default,,0000,0000,0000,,{\pos(172,497)}ちょっと原作とは違うでしょ？
Dialogue: 0,0:18:34.15,0:18:36.82,Default,,0000,0000,0000,,{\pos(412,497)\c&H0000FFFF}ああ{\fscx50}。　{\fscx100}でも{\fscx50}　{\fscx100}わりと➡
Dialogue: 0,0:18:36.82,0:18:39.82,Default,,0000,0000,0000,,{\pos(212,407)\c&H0000FFFF}原作に準拠した脚本だと思うぞ{\fscx50}。
Dialogue: 0,0:18:36.82,0:18:39.82,Default,,0000,0000,0000,,{\pos(472,497)}え…！
Dialogue: 0,0:18:39.82,0:18:43.99,Default,,0000,0000,0000,,{\pos(172,437)\c&H0000FFFF}俺が前に出た{\fscx50}ドラマ{\fscx100}の脚本に比べたら
Dialogue: 0,0:18:39.82,0:18:43.99,Default,,0000,0000,0000,,{\pos(192,497)\c&H0000FFFF\fscx50}９０{\fscx100}倍は{\fscx50}マシ。
Dialogue: 0,0:18:43.99,0:18:46.66,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}「{\fscx100}今日あま{\fscx50}」{\fscx100}は
Dialogue: 0,0:18:43.99,0:18:46.66,Default,,0000,0000,0000,,{\pos(212,497)}ひどかったもんね…{\fscx50}。
Dialogue: 0,0:18:46.66,0:18:50.00,Default,,0000,0000,0000,,{\pos(232,437)\c&H0000FFFF}気になるところがあるなら
Dialogue: 0,0:18:46.66,0:18:50.00,Default,,0000,0000,0000,,{\pos(252,497)\c&H0000FFFF}直接聞いたらどうだ？
Dialogue: 0,0:18:50.00,0:18:54.50,Default,,0000,0000,0000,,{\pos(172,437)}だめだよ！{\fscx50}　{\fscx100}演技の指導は
Dialogue: 0,0:18:50.00,0:18:54.50,Default,,0000,0000,0000,,{\pos(192,497)}演出家から受けるもの…{\fscx50}。
Dialogue: 0,0:18:54.50,0:18:56.50,Default,,0000,0000,0000,,{\pos(172,437)}多くの人に
Dialogue: 0,0:18:54.50,0:18:56.50,Default,,0000,0000,0000,,{\pos(192,497)}ああだこうだ言われたら➡
Dialogue: 0,0:18:56.50,0:18:58.50,Default,,0000,0000,0000,,{\pos(192,497)}役者も混乱するでしょ？
Dialogue: 0,0:18:58.50,0:19:01.27,Default,,0000,0000,0000,,{\pos(172,437)}他の役者と
Dialogue: 0,0:18:58.50,0:19:01.27,Default,,0000,0000,0000,,{\pos(192,497)}演技のだめ出しし合うのも➡
Dialogue: 0,0:19:01.27,0:19:03.94,Default,,0000,0000,0000,,{\pos(172,437)}金田一さんは
Dialogue: 0,0:19:01.27,0:19:03.94,Default,,0000,0000,0000,,{\pos(192,497)}よしとしてないくらいだし{\fscx50}。
Dialogue: 0,0:19:03.94,0:19:07.28,Default,,0000,0000,0000,,{\pos(572,497)\c&H0000FFFF}ふ～ん{\fscx50}。
Dialogue: 0,0:19:07.28,0:19:09.45,Default,,0000,0000,0000,,{\pos(272,497)\fscx50}スマッシュヘブン{\fscx100}の公演は来れそう？
Dialogue: 0,0:19:09.45,0:19:12.28,Default,,0000,0000,0000,,{\pos(232,407)}まだ席{\fscx50}　{\fscx100}用意できると思うけど{\fscx50}。
Dialogue: 0,0:19:09.45,0:19:12.28,Default,,0000,0000,0000,,{\pos(292,497)}ああ{\fscx50}。
Dialogue: 0,0:19:12.28,0:19:16.79,Default,,0000,0000,0000,,{\pos(212,437)\c&H0000FFFF}すみません{\fscx50}　{\fscx100}黒川が脚本について
Dialogue: 0,0:19:12.28,0:19:16.79,Default,,0000,0000,0000,,{\pos(232,497)\c&H0000FFFF}質問があるみたいなのですが{\fscx50}。
Dialogue: 0,0:19:16.79,0:19:18.79,Default,,0000,0000,0000,,{\pos(472,497)}んっ！
Dialogue: 0,0:19:18.79,0:19:21.46,Default,,0000,0000,0000,,{\pos(252,437)\c&H0000FFFF}演出の金田一さんの意見も
Dialogue: 0,0:19:18.79,0:19:21.46,Default,,0000,0000,0000,,{\pos(272,497)\c&H0000FFFF}踏まえて{\fscx50}　{\fscx100}お伺いできたら…{\fscx50}。
Dialogue: 0,0:19:21.46,0:19:24.13,Default,,0000,0000,0000,,{\pos(432,497)}ちょっと{\fscx50}　アクア{\fscx100}くん！
Dialogue: 0,0:19:24.13,0:19:28.97,Default,,0000,0000,0000,,{\pos(172,407)\c&H0000FFFF}２人同時に聞けば筋は通るだろ？
Dialogue: 0,0:19:24.13,0:19:28.97,Default,,0000,0000,0000,,{\pos(392,497)}それは{\fscx50}　{\fscx100}そうだけど…{\fscx50}。
Dialogue: 0,0:19:28.97,0:19:31.97,Default,,0000,0000,0000,,{\pos(452,407)}んっ？{\fscx50}　{\fscx100}なになに？
Dialogue: 0,0:19:28.97,0:19:31.97,Default,,0000,0000,0000,,{\pos(312,497)}言ってみろ{\fscx50}　{\fscx100}黒川{\fscx50}。
Dialogue: 0,0:19:31.97,0:19:37.64,Default,,0000,0000,0000,,{\pos(212,437)}あの…{\fscx50}　{\fscx100}鞘姫の{\fscx50}キャラクター{\fscx100}なのですが
Dialogue: 0,0:19:31.97,0:19:37.64,Default,,0000,0000,0000,,{\pos(412,497)}なんて言うか…{\fscx50}。
Dialogue: 0,0:19:37.64,0:19:41.48,Default,,0000,0000,0000,,{\pos(252,437)}脚本からだと
Dialogue: 0,0:19:37.64,0:19:41.48,Default,,0000,0000,0000,,{\pos(272,497)\fscx50}キャラ{\fscx100}が少し理解できなくて…{\fscx50}。
Dialogue: 0,0:19:41.48,0:19:43.82,Default,,0000,0000,0000,,{\pos(392,497)}この意図というか…{\fscx50}。
Dialogue: 0,0:19:43.82,0:19:47.15,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（ＧＯＡ）{\fscx100}ああ{\fscx50}　{\fscx100}原作より
Dialogue: 0,0:19:43.82,0:19:47.15,Default,,0000,0000,0000,,{\pos(212,497)}だいぶ好戦的な感じだしね{\fscx50}。
Dialogue: 0,0:19:47.15,0:19:51.16,Default,,0000,0000,0000,,{\pos(232,437)}あっ！{\fscx50}　{\fscx100}そうなんです！
Dialogue: 0,0:19:47.15,0:19:51.16,Default,,0000,0000,0000,,{\pos(252,497)}原作だと{\fscx50}　{\fscx100}もっと葛藤が…！
Dialogue: 0,0:19:51.16,0:19:54.66,Default,,0000,0000,0000,,{\pos(172,497)}まあね{\fscx50}　{\fscx100}そこは僕も{\fscx50}　{\fscx100}かなり悩んだ{\fscx50}。
Dialogue: 0,0:19:54.66,0:19:58.66,Default,,0000,0000,0000,,{\pos(172,437)}ただ{\fscx50}　{\fscx100}その葛藤を
Dialogue: 0,0:19:54.66,0:19:58.66,Default,,0000,0000,0000,,{\pos(192,497)}演劇という{\fscx50}メディア{\fscx100}に変換したとき➡
Dialogue: 0,0:19:58.66,0:20:02.33,Default,,0000,0000,0000,,{\pos(172,437)}できないことはないんだけど
Dialogue: 0,0:19:58.66,0:20:02.33,Default,,0000,0000,0000,,{\pos(192,497)}やや尺をとり過ぎてしまう{\fscx50}。
Dialogue: 0,0:20:02.33,0:20:06.17,Default,,0000,0000,0000,,{\pos(172,377)}漫画では
Dialogue: 0,0:20:02.33,0:20:06.17,Default,,0000,0000,0000,,{\pos(192,437)}大{\fscx50}ゴマ{\fscx100}の表情一つで語れた心情を➡
Dialogue: 0,0:20:06.17,0:20:09.17,Default,,0000,0000,0000,,{\pos(172,377)}板の上から
Dialogue: 0,0:20:06.17,0:20:09.17,Default,,0000,0000,0000,,{\pos(192,437)}遠い席のお客に伝えるためには➡
Dialogue: 0,0:20:09.17,0:20:12.01,Default,,0000,0000,0000,,{\pos(172,437)}それなりに長い演技が必要になる{\fscx50}。
Dialogue: 0,0:20:12.01,0:20:14.68,Default,,0000,0000,0000,,{\pos(212,497)}ただでさえ登場人物が多く➡
Dialogue: 0,0:20:14.68,0:20:17.52,Default,,0000,0000,0000,,{\pos(232,437)}さまざまな思惑が錯そうする
Dialogue: 0,0:20:14.68,0:20:17.52,Default,,0000,0000,0000,,{\pos(372,497)}群像劇を➡
Dialogue: 0,0:20:17.52,0:20:20.19,Default,,0000,0000,0000,,{\pos(292,437)}２時間程度の尺に
Dialogue: 0,0:20:17.52,0:20:20.19,Default,,0000,0000,0000,,{\pos(312,497)}入れ込むとなると➡
Dialogue: 0,0:20:20.19,0:20:22.52,Default,,0000,0000,0000,,{\pos(232,497)\fscx50}シンプル{\fscx100}に整理する必要がある{\fscx50}。
Dialogue: 0,0:20:22.52,0:20:25.52,Default,,0000,0000,0000,,{\pos(192,437)}じゃないと
Dialogue: 0,0:20:22.52,0:20:25.52,Default,,0000,0000,0000,,{\pos(212,497)}すべての{\fscx50}シーン{\fscx100}が散漫になるし➡
Dialogue: 0,0:20:25.52,0:20:29.19,Default,,0000,0000,0000,,{\pos(232,437)}お客に伝わりづらい作品に
Dialogue: 0,0:20:25.52,0:20:29.19,Default,,0000,0000,0000,,{\pos(332,497)}なってしまう{\fscx50}。
Dialogue: 0,0:20:29.19,0:20:33.53,Default,,0000,0000,0000,,{\pos(192,437)}すべて原作どおりにするなら
Dialogue: 0,0:20:29.19,0:20:33.53,Default,,0000,0000,0000,,{\pos(212,497)}脚本家という職業はいらない{\fscx50}。
Dialogue: 0,0:20:33.53,0:20:35.70,Default,,0000,0000,0000,,{\pos(292,437)}盛り上げるところを
Dialogue: 0,0:20:33.53,0:20:35.70,Default,,0000,0000,0000,,{\pos(312,497)}しっかり定めて➡
Dialogue: 0,0:20:35.70,0:20:38.37,Default,,0000,0000,0000,,{\pos(252,497)}要素を取捨選択していく{\fscx50}。
Dialogue: 0,0:20:38.37,0:20:41.04,Default,,0000,0000,0000,,{\pos(312,497)}僕も原作の{\fscx50}ファン{\fscx100}だからさ～{\fscx50}。
Dialogue: 0,0:20:41.04,0:20:43.71,Default,,0000,0000,0000,,{\pos(232,437)}あんまり
Dialogue: 0,0:20:41.04,0:20:43.71,Default,,0000,0000,0000,,{\pos(252,497)}手を入れたくないんだけどね{\fscx50}。
Dialogue: 0,0:20:43.71,0:20:47.71,Default,,0000,0000,0000,,{\pos(192,437)}そういう汚れ役も{\fscx50}　{\fscx100}僕の
Dialogue: 0,0:20:43.71,0:20:47.71,Default,,0000,0000,0000,,{\pos(212,497)}仕事のうちだと思ってるからさ{\fscx50}。
Dialogue: 0,0:20:47.71,0:20:50.72,Default,,0000,0000,0000,,{\pos(252,437)}といっても
Dialogue: 0,0:20:47.71,0:20:50.72,Default,,0000,0000,0000,,{\pos(272,497)}演じるのは黒川さんだから➡
Dialogue: 0,0:20:50.72,0:20:53.55,Default,,0000,0000,0000,,{\pos(232,437)}引っ掛かってる部分があるなら
Dialogue: 0,0:20:50.72,0:20:53.55,Default,,0000,0000,0000,,{\pos(412,497)}今からでも直すよ？
Dialogue: 0,0:20:53.55,0:20:55.55,Default,,0000,0000,0000,,{\pos(272,497)}甘やかすな{\fscx50}。
Dialogue: 0,0:20:55.55,0:20:58.89,Default,,0000,0000,0000,,{\pos(252,437)}俺も原作は
Dialogue: 0,0:20:55.55,0:20:58.89,Default,,0000,0000,0000,,{\pos(272,497)}最初の何巻かは読んだが➡
Dialogue: 0,0:20:58.89,0:21:02.66,Default,,0000,0000,0000,,{\pos(172,497)}鞘姫の心情を入れれば{\fscx50}　ノイズ{\fscx100}になる{\fscx50}。
Dialogue: 0,0:21:02.66,0:21:04.83,Default,,0000,0000,0000,,{\pos(192,377)}いっそ活発な{\fscx50}キャラ{\fscx100}にしたことで➡
Dialogue: 0,0:21:04.83,0:21:06.83,Default,,0000,0000,0000,,{\pos(252,377)}対立構造が{\fscx50}シンプル{\fscx100}になり➡
Dialogue: 0,0:21:06.83,0:21:08.83,Default,,0000,0000,0000,,{\pos(192,377)}見せたい部分をわかりやすく➡
Dialogue: 0,0:21:08.83,0:21:10.84,Default,,0000,0000,0000,,{\pos(252,377)}見せることができている{\fscx50}。
Dialogue: 0,0:21:10.84,0:21:13.01,Default,,0000,0000,0000,,{\pos(272,347)}作家として{\fscx50}　{\fscx100}この判断は
Dialogue: 0,0:21:10.84,0:21:13.01,Default,,0000,0000,0000,,{\pos(332,407)}間違っていない{\fscx50}。
Dialogue: 0,0:21:13.01,0:21:15.01,Default,,0000,0000,0000,,{\pos(332,347)}だから採用した{\fscx50}。
Dialogue: 0,0:21:15.01,0:21:20.01,Default,,0000,0000,0000,,{\pos(192,437)}この舞台において{\fscx50}　{\fscx100}お前の役割は
Dialogue: 0,0:21:15.01,0:21:20.01,Default,,0000,0000,0000,,{\pos(172,497)}心情の深さを見せることじゃない{\fscx50}。
Dialogue: 0,0:21:20.01,0:21:22.68,Default,,0000,0000,0000,,{\pos(172,437)}人物たちの対立を
Dialogue: 0,0:21:20.01,0:21:22.68,Default,,0000,0000,0000,,{\pos(192,497)}わかりやすく見せる➡
Dialogue: 0,0:21:22.68,0:21:26.18,Default,,0000,0000,0000,,{\pos(172,437)}舞台装置としての
Dialogue: 0,0:21:22.68,0:21:26.18,Default,,0000,0000,0000,,{\pos(192,497)}説得力なんじゃないか？
Dialogue: 0,0:21:26.18,0:21:30.19,Default,,0000,0000,0000,,{\pos(172,407)\c&H0000FFFF}だそうだけど{\fscx50}　{\fscx100}納得できたか？
Dialogue: 0,0:21:26.18,0:21:30.19,Default,,0000,0000,0000,,{\pos(692,497)}うん{\fscx50}。
Dialogue: 0,0:21:34.53,0:21:38.20,Default,,0000,0000,0000,,{\pos(272,497)}わかりやすくかぁ…{\fscx50}　{\fscx100}すぅ…{\fscx50}。
Dialogue: 0,0:21:38.20,0:21:40.37,Default,,0000,0000,0000,,{\pos(252,497)\fscx50}（{\fscx100}雷田{\fscx50}）{\fscx100}は～い{\fscx50}　{\fscx100}お疲れ～！
Dialogue: 0,0:21:40.37,0:21:42.87,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}スペシャルゲスト{\fscx100}がお越しです！
Dialogue: 0,0:21:42.87,0:21:46.20,Default,,0000,0000,0000,,{\pos(172,497)\fscx50}（アビ{\fscx100}子{\fscx50}）{\fscx100}あ…{\fscx50}　{\fscx100}えと…{\fscx50}　{\fscx100}こんにちは…{\fscx50}。
Dialogue: 0,0:21:46.20,0:21:49.21,Default,,0000,0000,0000,,{\pos(172,377)\fscx50}『{\fscx100}東京{\fscx50}ブレイド』{\fscx100}作者の{\fscx50}アビ{\fscx100}子先生！
Dialogue: 0,0:21:49.21,0:21:52.04,Default,,0000,0000,0000,,{\pos(172,377)}と{\fscx50}　{\fscx100}付き添いの吉祥寺と申します{\fscx50}。
Dialogue: 0,0:21:52.04,0:21:54.55,Default,,0000,0000,0000,,{\pos(212,497)}吉祥寺先生{\fscx50}　{\fscx100}お久しぶりです！
Dialogue: 0,0:21:54.55,0:21:58.22,Default,,0000,0000,0000,,{\pos(252,437)}有馬さん！{\fscx50}　「{\fscx100}今日あま{\fscx50}」{\fscx100}の
Dialogue: 0,0:21:54.55,0:21:58.22,Default,,0000,0000,0000,,{\pos(272,497)}打ち上げ以来ですね！
Dialogue: 0,0:21:58.22,0:22:00.65,Default,,0000,0000,0000,,{\pos(192,497)\fscx50}アクア{\fscx100}さんも{\fscx50}　{\fscx100}またお会いできて➡
Dialogue: 0,0:22:00.65,0:22:02.65,Default,,0000,0000,0000,,{\pos(172,407)}うれしいです{\fscx50}。
Dialogue: 0,0:22:00.65,0:22:02.65,Default,,0000,0000,0000,,{\pos(612,497)\c&H0000FFFF}光栄です{\fscx50}。
Dialogue: 0,0:22:02.65,0:22:04.66,Default,,0000,0000,0000,,{\pos(312,497)}先生{\fscx50}　{\fscx100}おひさっす！
Dialogue: 0,0:22:04.66,0:22:07.33,Default,,0000,0000,0000,,{\pos(372,497)}あっ{\fscx50}。　{\fscx100}ども{\fscx50}。
Dialogue: 0,0:22:07.33,0:22:10.33,Default,,0000,0000,0000,,{\pos(172,317)}わかっちゃいるけど
Dialogue: 0,0:22:07.33,0:22:10.33,Default,,0000,0000,0000,,{\pos(192,377)}やや塩対応だな…{\fscx50}。
Dialogue: 0,0:22:10.33,0:22:13.67,Default,,0000,0000,0000,,{\pos(272,317)\c&H0000FFFF}そりゃ{\fscx50}　{\fscx100}お前{\fscx50}　「{\fscx100}今日あま{\fscx50}」{\fscx100}では
Dialogue: 0,0:22:10.33,0:22:13.67,Default,,0000,0000,0000,,{\pos(432,377)\c&H0000FFFF\fscx50}メチャクチャ{\fscx100}してたしな{\fscx50}。
Dialogue: 0,0:22:13.67,0:22:17.17,Default,,0000,0000,0000,,{\pos(312,317)\c&H0000FFFF}原作者からしたら
Dialogue: 0,0:22:13.67,0:22:17.17,Default,,0000,0000,0000,,{\pos(332,377)\c&H0000FFFF}親の敵みたいなもんだろ{\fscx50}。
Dialogue: 0,0:22:17.17,0:22:19.34,Default,,0000,0000,0000,,{\pos(172,377)}まあな…{\fscx50}。
Dialogue: 0,0:22:19.34,0:22:22.34,Default,,0000,0000,0000,,{\pos(432,497)}先生{\fscx50}　{\fscx100}はじめまして{\fscx50}。
Dialogue: 0,0:22:24.34,0:22:27.51,Default,,0000,0000,0000,,{\pos(272,497)}ほら先生{\fscx50}　{\fscx100}ちゃんと挨拶して{\fscx50}。
Dialogue: 0,0:22:27.51,0:22:31.18,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}イ{\fscx100}…{\fscx50}　イケメン{\fscx100}と美女は
Dialogue: 0,0:22:27.51,0:22:31.18,Default,,0000,0000,0000,,{\pos(192,497)}目を合わせただけで{\fscx50}　テンパ{\fscx100}る…{\fscx50}。
Dialogue: 0,0:22:31.18,0:22:33.19,Default,,0000,0000,0000,,{\pos(172,497)}まぁ{\fscx50}　{\fscx100}わかるけど{\fscx50}。
Dialogue: 0,0:22:33.19,0:22:35.85,Default,,0000,0000,0000,,{\pos(172,437)\fscx50}（{\fscx100}雷田{\fscx50}）フフ{\fscx100}…
Dialogue: 0,0:22:33.19,0:22:35.85,Default,,0000,0000,0000,,{\pos(212,497)}ゆっくり見学なさってください{\fscx50}。
Dialogue: 0,0:22:35.85,0:22:39.02,Default,,0000,0000,0000,,{\pos(212,497)\fscx50}（{\fscx100}頼子{\fscx50}）{\fscx100}ありがとうございます{\fscx50}。
Dialogue: 0,0:22:39.02,0:22:44.03,Default,,0000,0000,0000,,{\pos(172,497)}♬～
Dialogue: 0,0:22:44.03,0:22:46.70,Default,,0000,0000,0000,,{\pos(332,497)\fscx50}（アビ{\fscx100}子{\fscx50}）{\fscx100}わぁ～…{\fscx50}。
Dialogue: 0,0:22:46.70,0:22:48.87,Default,,0000,0000,0000,,{\pos(192,497)}どうですか{\fscx50}　{\fscx100}先生{\fscx50}。
Dialogue: 0,0:22:48.87,0:22:51.37,Default,,0000,0000,0000,,{\pos(432,497)}みんな{\fscx50}　{\fscx100}演技{\fscx50}　{\fscx100}上手{\fscx50}。
Dialogue: 0,0:22:51.37,0:22:54.04,Default,,0000,0000,0000,,{\pos(272,497)}いい舞台にできると思う{\fscx50}。
Dialogue: 0,0:22:54.04,0:22:58.71,Default,,0000,0000,0000,,{\pos(172,437)}そりゃ{\fscx50}　ララライ{\fscx100}は
Dialogue: 0,0:22:54.04,0:22:58.71,Default,,0000,0000,0000,,{\pos(192,497)}一流の役者しかいませんから！
Dialogue: 0,0:22:58.71,0:23:03.32,Default,,0000,0000,0000,,{\pos(172,437)}みんなきっと{\fscx50}　{\fscx100}たくさん
Dialogue: 0,0:22:58.71,0:23:03.32,Default,,0000,0000,0000,,{\pos(192,497)}練習してくれてるんですよね{\fscx50}。
Dialogue: 0,0:23:03.32,0:23:06.32,Default,,0000,0000,0000,,{\pos(272,437)}先生{\fscx50}　{\fscx100}舞台のときは
Dialogue: 0,0:23:03.32,0:23:06.32,Default,,0000,0000,0000,,{\pos(292,497)}練習じゃなくて➡
Dialogue: 0,0:23:06.32,0:23:08.32,Default,,0000,0000,0000,,{\pos(172,497)}稽古って言ったほうがいいですよ{\fscx50}。
Dialogue: 0,0:23:08.32,0:23:11.16,Default,,0000,0000,0000,,{\pos(212,437)\fscx50}（アビ{\fscx100}子{\fscx50}）{\fscx100}あっ{\fscx50}　{\fscx100}そうなんですか？
Dialogue: 0,0:23:08.32,0:23:11.16,Default,,0000,0000,0000,,{\pos(352,497)}すみません{\fscx50}。
Dialogue: 0,0:23:11.16,0:23:13.99,Default,,0000,0000,0000,,{\pos(272,497)}私{\fscx50}　{\fscx100}何も知らなくて…{\fscx50}。
Dialogue: 0,0:23:13.99,0:23:18.33,Default,,0000,0000,0000,,{\pos(172,497)}すごいな…{\fscx50}　{\fscx100}私にはできない…{\fscx50}。
Dialogue: 0,0:23:18.33,0:23:23.00,Default,,0000,0000,0000,,{\pos(252,497)}だからこそ{\fscx50}　{\fscx100}あれですよね…{\fscx50}。
Dialogue: 0,0:23:23.00,0:23:26.30,Default,,0000,0000,0000,,{\pos(172,497)}私が言わなきゃですよね…{\fscx50}。
Dialogue: 0,0:23:29.34,0:23:34.51,Default,,0000,0000,0000,,{\pos(172,437)}脚本って…
Dialogue: 0,0:23:29.34,0:23:34.51,Default,,0000,0000,0000,,{\pos(192,497)}今からでも直してもらえますか？
Dialogue: 0,0:23:34.51,0:23:36.52,Default,,0000,0000,0000,,{\pos(292,407)}んんっ{\fscx50}！？
Dialogue: 0,0:23:34.51,0:23:36.52,Default,,0000,0000,0000,,{\pos(612,497)}あっ{\fscx50}！？
Dialogue: 0,0:23:36.52,0:23:39.02,Default,,0000,0000,0000,,{\pos(272,437)\fscx50}（{\fscx100}雷田{\fscx50}）{\fscx100}もちろんですが
Dialogue: 0,0:23:36.52,0:23:39.02,Default,,0000,0000,0000,,{\pos(312,497)}どの辺りを…？
Dialogue: 0,0:23:39.02,0:23:41.69,Default,,0000,0000,0000,,{\pos(212,497)\fscx50}（アビ{\fscx100}子{\fscx50}）{\fscx100}どの辺りっていうか…{\fscx50}。
Dialogue: 0,0:23:41.69,0:23:43.86,Default,,0000,0000,0000,,{\pos(412,497)}その…{\fscx50}。
Dialogue: 0,0:23:43.86,0:23:45.86,Default,,0000,0000,0000,,{\pos(432,497)}全部？