[Script Info] ; Script generated by Aegisub 3.4.2 ; http://www.aegisub.org/ Title: Default Aegisub file ScriptType: v4.00+ WrapStyle: 0 ScaledBorderAndShadow: yes YCbCr Matrix: TV.601 PlayResX: 1920 PlayResY: 1036 [Aegisub Project Garbage] Audio File: Ghost.In.The.Shell.Stand.Alone.Complex.2nd.GIG.2004.E05.1080p.Laughing_Man_Fansubs.mkv Video File: Ghost.In.The.Shell.Stand.Alone.Complex.2nd.GIG.2004.E05.1080p.Laughing_Man_Fansubs.mkv Video AR Mode: 4 Video AR Value: 1.853282 Video Zoom Percent: 0.500000 Active Line: 279 Video Position: 25986 [V4+ Styles] Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding Style: Default,Arial,20,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,2,10,10,10,1 Style: Dialogue,Arial,50,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,4,2,10,10,10,1 Style: Main Dialogue,Arial,50,&H0000FFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,3,6,2,10,10,10,1 Style: Sign,Arial,26,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,2,10,10,10,1 Style: Note,Arial,40,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,8,10,10,30,1 Style: Sign - Copy,Arial,52,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,2,10,10,10,1 [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:00.00,0:00:06.50,Default,,0,0,800,,{\b1\4c&H0000FF&\fs40}LAUGHING MAN FANSUBS{\b0} Dialogue: 0,0:00:06.79,0:00:09.29,Dialogue,,0,0,900,,I'm a soldier - that means I'm Dialogue: 0,0:00:09.49,0:00:12.69,Dialogue,,0,0,900,,Both a defendant and the judge Dialogue: 0,0:00:13.09,0:00:18.09,Dialogue,,0,0,900,,I am standing on both ends of the flame Dialogue: 0,0:00:19.77,0:00:22.87,Dialogue,,0,0,900,,Rounding curves Dialogue: 0,0:00:23.07,0:00:25.77,Dialogue,,0,0,900,,Overtaking life and death, Dialogue: 0,0:00:26.77,0:00:31.67,Dialogue,,0,0,900,,I run and fight with false shadows Dialogue: 0,0:00:31.97,0:00:38.27,Dialogue,,0,0,900,,No matter how many threads of\Ndeception are woven together, Dialogue: 0,0:00:38.67,0:00:46.17,Dialogue,,0,0,900,,The truth shall illuminate\Nthe face of light Dialogue: 0,0:00:47.17,0:00:49.97,Dialogue,,0,0,900,,Save your tears for the day Dialogue: 0,0:00:50.27,0:00:53.27,Dialogue,,0,0,900,,When our pain is far behind Dialogue: 0,0:00:53.67,0:00:56.77,Dialogue,,0,0,900,,On your feet, come with me Dialogue: 0,0:00:56.57,0:00:59.77,Dialogue,,0,0,900,,We are soldiers stand or die Dialogue: 0,0:01:00.07,0:01:02.97,Dialogue,,0,0,900,,Save your fears, take your place Dialogue: 0,0:01:03.17,0:01:06.17,Dialogue,,0,0,900,,Save them for the judgement day Dialogue: 0,0:01:06.47,0:01:09.37,Dialogue,,0,0,900,,Fast and free, follow me Dialogue: 0,0:01:09.67,0:01:14.67,Dialogue,,0,0,900,,Time to make the sacrifice. Dialogue: 0,0:01:14.87,0:01:20.47,Dialogue,,0,0,900,,We rise or fall Dialogue: 0,0:01:36.08,0:01:40.38,Main Dialogue,,0,0,800,,{\i1}This afternoon, Prime Minister Kayabuki\Nmade an official visit to Dejima Camp,{\i0} Dialogue: 0,0:01:40.40,0:01:42.70,Main Dialogue,,0,0,800,,{\i1}the residential refugee sector in Kyuushuu.{\i0} Dialogue: 0,0:01:42.72,0:01:49.02,Main Dialogue,,0,0,800,,{\i1}This was her first visit after announcing the\Nrepeal of the Refugee Special Treatment Act.{\i0} Dialogue: 0,0:01:49.24,0:01:52.24,Main Dialogue,,0,0,800,,{\i1}Considering the fact that this\Ndecision was made prematurely,{\i0} Dialogue: 0,0:01:52.27,0:01:57.57,Main Dialogue,,0,0,800,,{\i1}without instituting any supplemental measures,{\i0} Dialogue: 0,0:01:57.59,0:01:59.69,Main Dialogue,,0,0,800,,{\i1}such as measures to account for the\Nrefugees' loss of support, and whether{\i0} Dialogue: 0,0:01:58.72,0:02:01.52,Default,,1500,0,900,,{\c&H0000FF&}{\fs45}{\i1\b1}Red Paint: DIE!!{\i0\b0} Dialogue: 0,0:01:58.72,0:02:01.52,Default,,0,850,900,,{\fs45}{\i1\b1}Sign: Promising a New Rebirth of Asia. \N February 18th, 2004. Japanese Government{\i0\b0} Dialogue: 0,0:01:59.72,0:02:01.42,Main Dialogue,,0,0,800,,{\i1}they will be granted Japanese citizenship,{\i0} Dialogue: 0,0:02:01.44,0:02:06.34,Main Dialogue,,0,0,750,,{\i1}the intensification of protest\Nfrom refugees is unavoidable.{\i0} Dialogue: 0,0:02:02.00,0:02:05.62,Sign,,0,1250,350,,{\fs52}{\b1\i1}Nagasaki{\b0\i0} Dialogue: 0,0:02:02.00,0:02:05.62,Sign,,200,0,250,,{\fs39}{\b1\i1}Prime Minister Makes Official Visit to Refugees' "Dejima Camp"{\b0\i0} Dialogue: 0,0:02:06.56,0:02:09.36,Main Dialogue,,0,0,750,,{\i1}We will now turn to business news.{\i0} Dialogue: 0,0:02:09.39,0:02:11.09,Main Dialogue,,0,0,750,,{\i1}According to an earlier report...{\i0} Dialogue: 0,0:02:20.43,0:02:23.31,Sign - Copy,,0,0,875,,{\fs75}{\b1}Refugee Liberation Organisation{\b0} Dialogue: 0,0:02:20.43,0:02:23.31,Sign - Copy,,0,0,750,,{\fs75}{\b1}Revenge{\b0} Dialogue: 0,0:02:20.43,0:02:23.31,Sign - Copy,,0,0,165,,{\fs75}{\b1}Samurai{\b0} Dialogue: 0,0:02:23.83,0:02:27.77,Sign - Copy,,500,0,500,,{\b1}Those \N With a \N Motive{\b0} Dialogue: 0,0:02:31.54,0:02:36.74,Main Dialogue,,0,0,150,,Here is a copy of the note found in the bouquet that\Nthe Prime Minister received during her official visit. Dialogue: 0,0:02:36.96,0:02:38.76,Main Dialogue,,0,0,150,,The forensics results aren't in yet, Dialogue: 0,0:02:38.78,0:02:41.38,Main Dialogue,,0,0,150,,but they told us not to expect any\Nfingerprints or other personal traces. Dialogue: 0,0:02:41.69,0:02:44.39,Sign,,0,0,1000,,Refugee Liberation Dialogue: 0,0:02:42.42,0:02:46.29,Main Dialogue,,0,0,150,,A threat hinting at the possible\Nassassination of the Prime Minister? Dialogue: 0,0:02:47.35,0:02:48.63,Main Dialogue,,0,0,150,,What about these characters? Dialogue: 0,0:02:49.69,0:02:50.61,Main Dialogue,,0,0,150,,We don't know. Dialogue: 0,0:02:51.14,0:02:53.94,Main Dialogue,,0,0,150,,We thought you might know something about it. Dialogue: 0,0:02:54.40,0:02:58.46,Main Dialogue,,0,0,150,,As far as I can tell, it seems to be\Nsome sort of logo for the organisation. Dialogue: 0,0:02:58.78,0:03:05.26,Main Dialogue,,0,0,150,,Ah, yes. Pertaining to the instances of terrorism that\Noccurred after the takeover of the Chinese Embassy, Dialogue: 0,0:03:05.46,0:03:12.83,Main Dialogue,,0,0,150,,the National Police Agency alone has found seven\Nclaims of responsibility bearing that symbol. Dialogue: 0,0:03:13.37,0:03:17.38,Main Dialogue,,0,0,150,,Now we've found this assassination threat,\Nalong with a threat against the Nanyou Dialogue: 0,0:03:17.38,0:03:20.68,Main Dialogue,,0,0,150,,News Agency, in addition to those seven. Dialogue: 0,0:03:21.55,0:03:24.14,Main Dialogue,,0,0,150,,What connections are there\Namong those nine incidents? Dialogue: 0,0:03:24.82,0:03:26.79,Main Dialogue,,0,0,150,,None has been found thus far. Dialogue: 0,0:03:26.99,0:03:31.80,Main Dialogue,,0,0,150,,There may have been errors in communication among the\NPrefectural Police forces handling the individual cases. Dialogue: 0,0:03:31.80,0:03:37.27,Main Dialogue,,0,0,150,,However, the motives and ideological\Nbackgrounds of the perpetrators differ slightly, Dialogue: 0,0:03:37.47,0:03:42.26,Main Dialogue,,0,0,150,,not to mention the fact that all of the threats\Nimplied that the would-be terrorist was working alone. Dialogue: 0,0:03:42.53,0:03:45.96,Main Dialogue,,0,0,150,,We've just now noticed the\Nprevalence of this symbol, Dialogue: 0,0:03:46.06,0:03:49.97,Main Dialogue,,0,0,150,,and have hastily designated this chain of events\Nas a major wide-area case. Dialogue: 0,0:03:50.09,0:03:51.92,Main Dialogue,,0,0,150,,What of the possibility that some of\Nthe others might have been committed Dialogue: 0,0:03:51.92,0:03:53.09,Main Dialogue,,0,0,150,,by copycats mimicking the original for personal\Nreasons, or simply wishing to stir up the public? Dialogue: 0,0:03:53.46,0:03:55.40,Main Dialogue,,0,0,150,,That is impossible to believe, Dialogue: 0,0:03:55.50,0:04:00.17,Main Dialogue,,0,0,150,,Even within the police force,\Nonly a select few know about that symbol, Dialogue: 0,0:04:00.45,0:04:02.91,Main Dialogue,,0,0,150,,and we haven't told the media about it, either. Dialogue: 0,0:04:03.30,0:04:07.28,Main Dialogue,,0,0,150,,If that is true, then the remaining possibilities\Ninclude a single group instigating the series Dialogue: 0,0:04:07.38,0:04:10.03,Main Dialogue,,0,0,150,,of terrorist attacks and disguising itself by\Nusing individual, unrelated perpetrators... Dialogue: 0,0:04:10.42,0:04:16.52,Main Dialogue,,0,0,150,,Or, a Laughing Man-type case in which the individuals\Nare using some kind of information as a medium. Dialogue: 0,0:04:18.04,0:04:23.49,Main Dialogue,,0,0,150,,Well, either way, it's not in our best interest to have the\NPrime Minister prevented from carrying out her obligations. Dialogue: 0,0:04:23.52,0:04:25.25,Main Dialogue,,0,0,150,,How is the Prime Minister? Dialogue: 0,0:04:25.32,0:04:28.72,Main Dialogue,,0,0,150,,That was just a ruse to fool the media. Dialogue: 0,0:04:29.73,0:04:36.74,Main Dialogue,,0,0,150,,The Prime Minister wishes to prevent the\Nmedia from finding out about the threat. Dialogue: 0,0:04:37.32,0:04:39.77,Main Dialogue,,0,0,150,,This is where you and your men come in. Dialogue: 0,0:04:40.07,0:04:43.28,Main Dialogue,,0,0,150,,You mean, you want Section 9\Nto guard the Prime Minister? Dialogue: 0,0:04:43.76,0:04:44.85,Main Dialogue,,0,0,150,,You are perceptive. Dialogue: 0,0:04:45.79,0:04:49.51,Main Dialogue,,0,0,150,,Commissioner-General, could we have\Nthe original threatening document? Dialogue: 0,0:04:49.61,0:04:52.24,Main Dialogue,,0,0,150,,We will be in charge of finding the perpetrator. Dialogue: 0,0:04:52.35,0:04:55.83,Main Dialogue,,0,0,150,,Concentrate on guarding the Prime Minister. Dialogue: 0,0:04:56.25,0:05:01.09,Main Dialogue,,0,0,150,,Exercise discretion; the media\Nmust not get wind of this. Dialogue: 0,0:05:03.45,0:05:06.41,Main Dialogue,,0,0,150,,Major, we will rendezvous at\Nthe Prime Minister's residence. Dialogue: 0,0:05:18.36,0:05:22.70,Main Dialogue,,0,0,150,,In other words, they're telling\Nus to babysit the Prime Minister. Dialogue: 0,0:05:28.91,0:05:31.97,Main Dialogue,,0,0,150,,So, what are your thoughts on this case, Chief? Dialogue: 0,0:05:32.68,0:05:36.92,Main Dialogue,,0,0,150,,We can't really shrug it off as a group\Nof copycat criminals flocking to a fad. Dialogue: 0,0:05:37.31,0:05:41.45,Main Dialogue,,0,0,150,,The warning basically denounced the Prime Minister for\Nhaving repealed the Refugee Special Treatment Act, Dialogue: 0,0:05:41.45,0:05:45.25,Main Dialogue,,0,0,150,,which was temporary legislation\Npromulgated by the previous regime. Dialogue: 0,0:05:45.49,0:05:50.42,Main Dialogue,,0,0,150,,After demanding that the Prime Minister put an\Nend to discrimination and release the refugees, Dialogue: 0,0:05:50.52,0:05:54.92,Main Dialogue,,0,0,150,,the author labelled the Prime Minister a traitor\Nto the people for not solving the refugee problem, Dialogue: 0,0:05:54.92,0:05:57.12,Main Dialogue,,0,0,150,,and stated he'd carry out her execution, right? Dialogue: 0,0:05:57.65,0:05:59.67,Main Dialogue,,0,0,150,,What he says doesn't make any sense! Dialogue: 0,0:06:00.21,0:06:04.11,Main Dialogue,,0,0,150,,Even if this series of events has been\Ncarried out by the same organisation... Dialogue: 0,0:06:04.21,0:06:06.51,Main Dialogue,,0,0,150,,it just doesn't seem to hit the mark. Dialogue: 0,0:06:07.96,0:06:11.74,Main Dialogue,,0,0,150,,Other than the fact that the same\Nmark has been used, I see your point. Dialogue: 0,0:06:11.84,0:06:16.22,Main Dialogue,,0,0,150,,Although we can't believe everything\Nthe Police Commissioner-General said, Dialogue: 0,0:06:16.77,0:06:21.04,Main Dialogue,,0,0,150,,insofar as multiple claims of\Nresponsibility bearing this mark exist, Dialogue: 0,0:06:21.04,0:06:23.74,Main Dialogue,,0,0,150,,we must take the possibility into account. Dialogue: 0,0:06:24.12,0:06:25.68,Main Dialogue,,0,0,150,,Stand Alone Complex... Dialogue: 0,0:06:29.27,0:06:32.61,Main Dialogue,,0,0,150,,This case {\i1}does{\i} share certain similarities\Nwith the Laughing Man case... Dialogue: 0,0:06:37.19,0:06:40.98,Main Dialogue,,0,0,150,,Our current objective is not to\Nspeculate on what lies behind the case. Dialogue: 0,0:06:41.19,0:06:43.65,Main Dialogue,,0,0,150,,Focus all of your efforts on\Nguarding the Prime Minister. Dialogue: 0,0:06:44.02,0:06:47.85,Main Dialogue,,0,0,150,,However, we will simultaneously conduct an\Ninvestigation of the warnings and the symbol, Dialogue: 0,0:06:48.33,0:06:50.56,Main Dialogue,,0,0,150,,to try to identify the organisation or\Nthe perpetrator behind these incidents. Dialogue: 0,0:06:52.33,0:06:55.94,Main Dialogue,,0,0,150,,Batou, Saitou, and Pazu; you will come\Nwith me to guard the Prime Minister. Dialogue: 0,0:06:56.26,0:07:00.12,Main Dialogue,,0,0,150,,Togusa, work on investigating the warning\Nand the mark with Ishikawa and Bomer. Dialogue: 0,0:07:00.50,0:07:01.50,Main Dialogue,,0,0,150,,Roger. Dialogue: 0,0:07:09.43,0:07:11.54,Main Dialogue,,0,0,850,,{\i1}Yesterday, Prime Minister Kayabuki took a\Nrespite from her responsibilities, Dialogue: 0,0:07:11.94,0:07:14.82,Main Dialogue,,0,0,850,,{\i1}but she looked well today and convened\Nan extraordinary cabinet meeting. Dialogue: 0,0:07:15.16,0:07:19.41,Main Dialogue,,0,0,850,,{\i1}Nonetheless, now that a budget committee\Nis set to convene in a few days, Dialogue: 0,0:07:19.51,0:07:21.36,Main Dialogue,,0,0,850,,{\i1}without any progress on the\Noutstanding refugee treatment issue, Dialogue: 0,0:07:21.46,0:07:23.53,Main Dialogue,,0,0,850,,{\i1}Japan's first female Prime Minister\Nhas already lost the Dialogue: 0,0:07:21.46,0:07:23.46,Sign,,0,0,150,,{\fs52}{\b1\i1}Headlines: Explanation for Visit - Increased Doubts Over Repeals Effectiveness \N Nanyou News Agency - Official Visit to Refugee Residential Sector\N 3,000,000 Refugees Nationwide, Where Will They Go? \N Visit to Refugee Camp - First Visit Since Repeal Became Official{\b0\i0} Dialogue: 0,0:07:23.53,0:07:26.21,Main Dialogue,,0,0,850,,{\i1}initial momentum she had when\Nthe new cabinet was launched.{\i0} Dialogue: 0,0:07:26.31,0:07:27.70,Main Dialogue,,0,0,850,,{\i1}She seems to be troubled of late...{\i0} Dialogue: 0,0:07:27.88,0:07:30.80,Main Dialogue,,0,0,150,,So, she has not responded to the warning. Dialogue: 0,0:07:32.21,0:07:37.55,Main Dialogue,,0,0,150,,Despite having claimed that you'd liberate the\Nrefugees, you show no sign of taking any steps. Dialogue: 0,0:07:38.01,0:07:41.36,Main Dialogue,,0,0,150,,It seems the burden of pursuing your\Nideals was too great for you to bear. Dialogue: 0,0:07:42.85,0:07:46.86,Main Dialogue,,0,0,150,,I will give you greater impetus by\Nimposing an appropriate sanction. Dialogue: 0,0:07:48.54,0:07:49.54,Main Dialogue,,0,0,150,,However... Dialogue: 0,0:07:51.13,0:07:53.88,Main Dialogue,,0,0,150,,I will only have one chance to see her in secret. Dialogue: 0,0:07:57.27,0:08:02.99,Main Dialogue,,0,0,150,,Now that I've risen, I cannot withdraw\Nuntil I have carried out my purpose. Dialogue: 0,0:08:04.75,0:08:06.31,Main Dialogue,,0,0,150,,If you rise without purpose, Dialogue: 0,0:08:07.13,0:08:09.09,Main Dialogue,,0,0,150,,your ideals will suffer defeat,\Nno matter what they may be, Dialogue: 0,0:08:10.05,0:08:11.45,Main Dialogue,,0,0,150,,and you will fall. Dialogue: 0,0:08:12.88,0:08:14.80,Main Dialogue,,0,0,150,,I am one with a motive... Dialogue: 0,0:08:16.26,0:08:19.16,Main Dialogue,,0,0,150,,The Individual Eleven. Dialogue: 0,0:08:32.50,0:08:34.40,Main Dialogue,,0,0,150,,So, there are now eight incidents in all... Dialogue: 0,0:08:34.60,0:08:37.24,Main Dialogue,,0,0,150,,You don't have to do that, Sir. Dialogue: 0,0:08:38.24,0:08:40.24,Main Dialogue,,0,0,150,,You caught me at a bad time. Dialogue: 0,0:08:41.18,0:08:43.68,Main Dialogue,,0,0,150,,But I do this because I like it. Dialogue: 0,0:08:44.78,0:08:47.78,Main Dialogue,,0,0,150,,By acquiring textual information, Dialogue: 0,0:08:44.00,0:08:46.79,Sign,,0,0,150,,{\fs52}{\b1\i1}Headline: Threat Sent to Nanyou News Agency{\b0\i0} Dialogue: 0,0:08:47.88,0:08:54.58,Main Dialogue,,0,0,150,,I am reinforcing my memory so that the most effective\Ninformation will come to mind at the crucial moment. Dialogue: 0,0:08:55.71,0:08:56.21,Main Dialogue,,0,0,150,,Well? Dialogue: 0,0:08:57.31,0:08:59.31,Main Dialogue,,0,0,150,,Information from the Secretariat, Sir. Dialogue: 0,0:09:00.80,0:09:01.60,Main Dialogue,,0,0,150,,Ah. Dialogue: 0,0:09:03.44,0:09:04.44,Main Dialogue,,0,0,150,,I see. Dialogue: 0,0:09:05.50,0:09:07.90,Main Dialogue,,0,0,150,,A strange new element has been introduced. Dialogue: 0,0:09:08.00,0:09:11.50,Main Dialogue,,0,0,150,,Assassination of the Prime Minister? How audacious. Dialogue: 0,0:09:12.00,0:09:14.30,Main Dialogue,,0,0,150,,Any idea as to what kind of person he is? Dialogue: 0,0:09:14.60,0:09:17.60,Main Dialogue,,0,0,150,,The police have\Nyet to determine his identity. Dialogue: 0,0:09:17.80,0:09:19.50,Main Dialogue,,0,0,150,,I am not surprised. Dialogue: 0,0:09:20.50,0:09:21.90,Main Dialogue,,0,0,150,,Who is guarding the Prime Minister? Dialogue: 0,0:09:22.40,0:09:24.20,Main Dialogue,,0,0,150,,It appears that Section 9 is in charge. Dialogue: 0,0:09:24.80,0:09:28.40,Main Dialogue,,0,0,150,,Section 9, eh?\NWell, they shouldn't have any problems. Dialogue: 0,0:09:28.40,0:09:30.80,Main Dialogue,,0,0,150,,It wouldn't do to have her\Nactually assassinated, after all. Dialogue: 0,0:09:31.50,0:09:34.90,Main Dialogue,,0,0,150,,All right, have one of our men keep\Nan eye on the Prime Minister as well. Dialogue: 0,0:09:35.30,0:09:38.50,Main Dialogue,,0,0,150,,Get visual confirmation of\Nthe one who made the warning. Dialogue: 0,0:09:38.60,0:09:40.80,Main Dialogue,,0,0,150,,If he seems about to fall into Section 9's hands. Dialogue: 0,0:09:40.90,0:09:43.60,Main Dialogue,,0,0,150,,let's take steps so that he'll come to us instead. Dialogue: 0,0:09:43.70,0:09:44.70,Main Dialogue,,0,0,150,,Understood. Dialogue: 0,0:09:55.91,0:09:59.31,Main Dialogue,,0,0,150,,Major, you don't seem really gung-ho about this. Dialogue: 0,0:09:59.91,0:10:01.81,Main Dialogue,,0,0,150,,I don't? Must be because I'm having my period. Dialogue: 0,0:10:03.31,0:10:04.84,Main Dialogue,,0,0,150,,Come on, cut the jokes. Dialogue: 0,0:10:05.31,0:10:07.35,Main Dialogue,,0,0,150,,You know, about the missions\Nwe've been getting lately... Dialogue: 0,0:10:07.95,0:10:11.85,Main Dialogue,,0,0,150,,We're supposed to be an organisation\Nthat takes the offensive. Dialogue: 0,0:10:12.15,0:10:15.15,Main Dialogue,,0,0,150,,Even though it's true that the\NPrime Minister has been threatened, Dialogue: 0,0:10:15.25,0:10:18.35,Main Dialogue,,0,0,150,,it's not much fun to be tied down like this. Dialogue: 0,0:10:18.45,0:10:19.85,Main Dialogue,,0,0,150,,Are you getting sick of it? Dialogue: 0,0:10:19.95,0:10:22.75,Main Dialogue,,0,0,150,,Well, I'm asking {\i1}you{\i} if you feel that way! Dialogue: 0,0:10:23.65,0:10:25.05,Main Dialogue,,0,0,150,,I wonder. Dialogue: 0,0:10:38.77,0:10:45.50,Main Dialogue,,0,0,150,,None of the previous organisations that were part of the\NRefugee Liberation Organisation have used this symbol. Dialogue: 0,0:10:46.50,0:10:50.10,Main Dialogue,,0,0,150,,Besides, who knows what these\Ncharacters actually say. Dialogue: 0,0:10:50.40,0:10:53.50,Main Dialogue,,0,0,150,,You'd think they'd at least have a\Nlegible name for their organisation. Dialogue: 0,0:10:53.50,0:11:00.00,Sign,,778,0,780,,{\fs60}{\b1}Refugee Liberation Organisation{\b0} Dialogue: 0,0:10:53.50,0:11:00.00,Sign,,778,0,650,,{\fs60}{\b1}Revenge{\b0} Dialogue: 0,0:10:53.50,0:11:00.00,Sign,,778,0,200,,{\fs60}{\b1}Samurai{\b0} Dialogue: 0,0:10:54.00,0:10:56.60,Main Dialogue,,0,0,150,,"Revenge", the infinity symbol, and "samurai"... Dialogue: 0,0:10:57.60,0:11:00.73,Main Dialogue,,0,0,150,,It does seem to imply some sort\Nof ideological background, but... Dialogue: 0,0:11:01.83,0:11:05.43,Main Dialogue,,0,0,150,,It could be that it's just\Nutilising existing motifs... Dialogue: 0,0:11:06.03,0:11:06.83,Main Dialogue,,0,0,150,,As in? Dialogue: 0,0:11:07.13,0:11:08.53,Main Dialogue,,0,0,150,,Hmm, let me think... Dialogue: 0,0:11:09.93,0:11:12.53,Main Dialogue,,0,0,150,,For example, works of literature by\Ninfluential figures in the past... Dialogue: 0,0:11:12.63,0:11:14.73,Main Dialogue,,0,0,150,,titles of plays and movies... Dialogue: 0,0:11:14.83,0:11:19.13,Main Dialogue,,0,0,150,,and trademarks representing individuals\Nand organisations in historical events... Dialogue: 0,0:11:19.33,0:11:20.53,Main Dialogue,,0,0,150,,I see. Dialogue: 0,0:11:29.19,0:11:30.59,Main Dialogue,,0,0,150,,Yup, found it. Dialogue: 0,0:11:30.69,0:11:34.09,Main Dialogue,,0,0,150,,This symbol is apparently read,\N"The Individual Eleven." Dialogue: 0,0:11:34.19,0:11:37.99,Main Dialogue,,0,0,150,,It seems to be the title of a collection of\Ntheories on revolution written half a century ago. Dialogue: 0,0:11:38.09,0:11:39.09,Main Dialogue,,0,0,150,,Put it on this screen. Dialogue: 0,0:11:39.09,0:11:48.59,Sign,,0,0,750,,{\fs52}{\b1}Document Title: "Nations and Revolutions A Detailed Examination \N- A Collection of Preliminary Theories on Revolution by Patrick Sylvestre"{\b0} Dialogue: 0,0:11:40.56,0:11:42.66,Main Dialogue,,0,0,150,,It was written by Patrick Sylvestre. Dialogue: 0,0:11:42.76,0:11:46.86,Main Dialogue,,0,0,150,,The title is "Nations and Revolutions A Detailed Examination\N- A Collection of Preliminary Theories on Revolution." Dialogue: 0,0:11:47.16,0:11:48.66,Main Dialogue,,0,0,150,,I've read this before. Dialogue: 0,0:11:49.16,0:11:50.76,Main Dialogue,,0,0,150,,A collection of theories on revolution? Dialogue: 0,0:11:50.96,0:11:54.96,Main Dialogue,,0,0,150,,At the time, the work wasn't\Nconsidered particularly noteworthy. Dialogue: 0,0:11:55.46,0:11:56.76,Main Dialogue,,0,0,150,,"The Rise of the Third Estate," Dialogue: 0,0:11:56.86,0:11:58.56,Main Dialogue,,0,0,150,,"The Departure from Domination," Dialogue: 0,0:11:58.66,0:12:00.16,Main Dialogue,,0,0,150,,"The End of Imperial Dynasties," Dialogue: 0,0:12:00.26,0:12:01.76,Main Dialogue,,0,0,150,,"The Search for Socialism," Dialogue: 0,0:12:01.86,0:12:04.86,Main Dialogue,,0,0,150,,"The Night before Rapture," Dialogue: 0,0:12:05.13,0:12:06.43,Main Dialogue,,0,0,150,,"Separation from God," Dialogue: 0,0:12:06.73,0:12:08.13,Main Dialogue,,0,0,150,,"Castro and Guevara," Dialogue: 0,0:12:08.73,0:12:10.03,Main Dialogue,,0,0,150,,"Twelve Years of Nihilism," Dialogue: 0,0:12:10.13,0:12:12.33,Main Dialogue,,0,0,150,,"Return to Principle," Dialogue: 0,0:12:12.53,0:12:14.63,Main Dialogue,,0,0,150,,and "The May Revolution," the actual\Nrevolution which he personally experienced Dialogue: 0,0:12:14.73,0:12:17.63,Main Dialogue,,0,0,150,,and which sparked his dream of\Nbecoming the leader of a revolution. Dialogue: 0,0:12:17.73,0:12:22.43,Main Dialogue,,0,0,150,,These ten articles comprise this collection\Nof his early theories on revolution. Dialogue: 0,0:12:22.73,0:12:26.93,Main Dialogue,,0,0,150,,However, there is a theory that an\Nunpublished eleventh article also exists, Dialogue: 0,0:12:27.13,0:12:29.03,Main Dialogue,,0,0,150,,and that got shelved because the author\Nfelt that the incident discussed, Dialogue: 0,0:12:29.13,0:12:31.13,Main Dialogue,,0,0,150,,which occurred in Japan, was not a revolution. Dialogue: 0,0:12:31.53,0:12:36.23,Main Dialogue,,0,0,150,,That mysterious article appears to have\Nbeen titled "The Individual Eleven." Dialogue: 0,0:12:36.73,0:12:39.93,Main Dialogue,,0,0,150,,But there is no evidence that\Nthe article was ever published. Dialogue: 0,0:12:40.43,0:12:43.43,Main Dialogue,,0,0,150,,Yeah. Even this information is basically just\Na theory that was espoused by certain obsessive Dialogue: 0,0:12:43.48,0:12:46.63,Main Dialogue,,0,0,150,,fans of the author and posted on the net. Dialogue: 0,0:12:47.05,0:12:53.38,Main Dialogue,,0,0,150,,What we can't dismiss is the fact that these\Nobsessive fans are all zealous particularists. Dialogue: 0,0:12:53.44,0:12:56.14,Main Dialogue,,0,0,150,,So, a scripture for the individualists... Dialogue: 0,0:12:57.94,0:12:59.04,Main Dialogue,,0,0,150,,Now I remember! Dialogue: 0,0:12:59.59,0:13:00.59,Main Dialogue,,0,0,150,,This symbol... Dialogue: 0,0:13:00.69,0:13:04.89,Main Dialogue,,0,0,150,,Remember when the GSDF helicopter went out of\Ncontrol and we investigated the dead pilot's home? Dialogue: 0,0:13:04.99,0:13:05.49,Main Dialogue,,0,0,150,,Yeah. Dialogue: 0,0:13:05.59,0:13:09.29,Main Dialogue,,0,0,150,,I saw a memo with this symbol on it in his room. Dialogue: 0,0:13:05.59,0:13:07.59,Sign,,0,0,825,,{\fs52\b1}Refugee Liberation Organisation{\b0} Dialogue: 0,0:13:11.19,0:13:16.19,Main Dialogue,,0,0,150,,Plus, if I recall correctly, didn't the ones who\Noccupied the Chinese Embassy also name themselves... Dialogue: 0,0:13:16.59,0:13:18.59,Main Dialogue,,0,0,150,,the Individual Eleven. Dialogue: 0,0:13:17.00,0:13:18.60,Sign,,0,0,900,,{\fs52}{\b1\i1}Headline: Terrorists Name Themselves "The Individual Eleven"{\b0\i0} Dialogue: 0,0:13:19.27,0:13:21.27,Sign,,0,0,700,,{\fs52}{\b1\i1}"Individual Eleven"{\b0\i0} Dialogue: 0,0:13:21.89,0:13:22.79,Main Dialogue,,0,0,150,,Major! Dialogue: 0,0:13:22.99,0:13:25.19,Main Dialogue,,0,0,150,,I see. That's very interesting, Dialogue: 0,0:13:25.69,0:13:29.09,Main Dialogue,,0,0,150,,but that alone won't lead to\Nthe identity of the perpetrator. Dialogue: 0,0:13:29.39,0:13:32.39,Main Dialogue,,0,0,150,,Besides, I'm sure the police know that much. Dialogue: 0,0:13:32.69,0:13:36.89,Main Dialogue,,0,0,150,,Dig deeper - I don't care how small the leads are. Dialogue: 0,0:13:36.99,0:13:39.89,Main Dialogue,,0,0,150,,Find something that will clinch\Nthe identity of the perpetrator. Dialogue: 0,0:13:39.99,0:13:40.89,Main Dialogue,,0,0,150,,Understood. Dialogue: 0,0:13:42.49,0:13:44.19,Main Dialogue,,0,0,150,,Please check the box's contents. Dialogue: 0,0:13:53.58,0:13:56.18,Main Dialogue,,0,0,150,,A message from a comrade who has awakened... Dialogue: 0,0:13:56.88,0:13:58.98,Main Dialogue,,0,0,150,,Think over its meaning. Dialogue: 0,0:14:02.20,0:14:05.00,Main Dialogue,,0,0,150,,The scripture of my struggle,\N"The Individual Eleven"... Dialogue: 0,0:14:05.30,0:14:07.20,Main Dialogue,,0,0,150,,Why is it a great work? Dialogue: 0,0:14:08.00,0:14:14.50,Main Dialogue,,0,0,150,,That is because he discussed the true nature of the\N515 Incident in Japan by contrasting it with Noh. Dialogue: 0,0:14:08.00,0:14:14.50,Note,,0,0,0,,Note: Noh is traditional Japanese Theatre Dialogue: 0,0:14:15.60,0:14:20.30,Main Dialogue,,0,0,150,,Noh was the only art accepted by\Nsamurai during the Warring States Era Dialogue: 0,0:14:20.60,0:14:22.70,Main Dialogue,,0,0,150,,when they scorned performance arts in general. Dialogue: 0,0:14:23.40,0:14:26.60,Main Dialogue,,0,0,150,,While most performance arts were merely\Nrepetitions of predetermined acts, Dialogue: 0,0:14:27.00,0:14:31.60,Main Dialogue,,0,0,150,,Noh theatre alone designated each\Nperformance as a singular event. Dialogue: 0,0:14:32.40,0:14:37.50,Main Dialogue,,0,0,150,,They respected Noh because the mental\Nprocesses invested in the performance were Dialogue: 0,0:14:37.60,0:14:42.90,Main Dialogue,,0,0,150,,considered to be very similar\Nto those involved in reality. Dialogue: 0,0:14:44.56,0:14:48.06,Main Dialogue,,0,0,150,,If one were to end one's singular\Nexistence as the leader of a revolution, Dialogue: 0,0:14:48.36,0:14:50.76,Main Dialogue,,0,0,150,,one's life would be elevated to the sublime. Dialogue: 0,0:14:51.96,0:14:56.66,Main Dialogue,,0,0,150,,Death brings closure to the hero's\Nlife and gives birth to eternity. Dialogue: 0,0:14:57.76,0:15:04.36,Main Dialogue,,0,0,150,,This is what Sylvestre wrote\Nin "The Individual Eleven." Dialogue: 0,0:15:08.98,0:15:10.28,Main Dialogue,,0,0,150,,I'll suggest that to them. Dialogue: 0,0:15:10.38,0:15:11.38,Main Dialogue,,0,0,150,,Understood. Dialogue: 0,0:15:11.68,0:15:12.98,Main Dialogue,,0,0,150,,Chief Aramaki. Dialogue: 0,0:15:14.71,0:15:16.81,Main Dialogue,,0,0,150,,About tomorrow's schedule... Dialogue: 0,0:15:17.71,0:15:19.81,Main Dialogue,,0,0,150,,There is no need for any concern. Dialogue: 0,0:15:19.91,0:15:24.21,Main Dialogue,,0,0,150,,We will escort you in such a way that\Nour presence will be unobtrusive. Dialogue: 0,0:15:24.51,0:15:25.51,Main Dialogue,,0,0,150,,Thank you. Dialogue: 0,0:15:26.94,0:15:29.84,Main Dialogue,,0,0,150,,I'm sorry to ask this of you\Nwhen it's a personal affair... Dialogue: 0,0:15:33.44,0:15:34.44,Main Dialogue,,0,0,150,,Come in. Dialogue: 0,0:15:37.52,0:15:38.52,Main Dialogue,,0,0,150,,Chief. Dialogue: 0,0:15:38.74,0:15:39.74,Main Dialogue,,0,0,150,,What is it? Dialogue: 0,0:15:43.42,0:15:47.72,Main Dialogue,,0,0,150,,This was apparently delivered along with letters and\Npackages that were addressed to the Prime Minister. Dialogue: 0,0:15:47.72,0:15:48.72,Main Dialogue,,0,0,150,,What is it? Dialogue: 0,0:15:49.13,0:15:51.53,Main Dialogue,,0,0,150,,I believe it would be best if\Nyou don't see what's inside. Dialogue: 0,0:15:52.33,0:15:55.33,Main Dialogue,,0,0,150,,Unnecessary concern will lead\Nto discrimination against women. Dialogue: 0,0:16:00.86,0:16:01.96,Main Dialogue,,0,0,150,,It's no good. Dialogue: 0,0:16:03.10,0:16:05.44,Main Dialogue,,0,0,150,,I can't find anything on the\Nactual content of the article Dialogue: 0,0:16:06.14,0:16:08.84,Main Dialogue,,0,0,150,,What about the incident that was\Nsaid to be discussed in the article? Dialogue: 0,0:16:09.24,0:16:12.83,Main Dialogue,,0,0,150,,On May 15th, 1932, youth officers from the\NNavy, who were caught up in the middle Dialogue: 0,0:16:13.03,0:16:16.73,Main Dialogue,,0,0,150,,of a national reorganisation movement, Dialogue: 0,0:16:16.83,0:16:22.93,Main Dialogue,,0,0,150,,officer candidates from the Army,\Nand farmers rose in rebellion. Dialogue: 0,0:16:23.53,0:16:27.83,Main Dialogue,,0,0,150,,The leaders assassinated the then Prime Minister. Dialogue: 0,0:16:27.93,0:16:32.73,Main Dialogue,,0,0,150,,As a result, Japan was thrust\Ninto an era of military control. Dialogue: 0,0:16:33.83,0:16:37.83,Main Dialogue,,0,0,150,,Well, there is no doubt that the officers\Ncommitted heinous acts of terrorism, Dialogue: 0,0:16:37.93,0:16:43.03,Main Dialogue,,0,0,150,,but the phenomenon that followed the incidents\Nsymbolises the entire affair's significance. Dialogue: 0,0:16:43.73,0:16:47.13,Main Dialogue,,0,0,150,,After the Prime Minister's assassination,\Nthe eleven youth officers from the Army who had Dialogue: 0,0:16:47.23,0:16:50.63,Main Dialogue,,0,0,150,,participated in the rebellion\Nwere tried in military court. Dialogue: 0,0:16:51.33,0:16:54.33,Main Dialogue,,0,0,150,,Their trial began to move in a strange direction. Dialogue: 0,0:16:55.33,0:16:57.73,Main Dialogue,,0,0,150,,These youths, who had just turned 20, Dialogue: 0,0:16:57.83,0:17:02.53,Main Dialogue,,0,0,150,,refused legal defence on the basis of their\Nbeliefs, prepared themselves for a death sentence, Dialogue: 0,0:17:02.73,0:17:04.93,Main Dialogue,,0,0,150,,and tearfully began to give their statements. Dialogue: 0,0:17:05.23,0:17:12.01,Main Dialogue,,0,0,150,,And then, the judge, the military officers in\Nthe prosecution, the press, and the spectators Dialogue: 0,0:17:12.01,0:17:15.60,Main Dialogue,,0,0,150,,empathised with them and also began to cry. Dialogue: 0,0:17:16.50,0:17:20.30,Main Dialogue,,0,0,150,,Furthermore, a commutation movement,\Nwhich only began to form near the end of the trial, Dialogue: 0,0:17:20.40,0:17:24.10,Main Dialogue,,0,0,150,,became a mass movement after the closing arguments. Dialogue: 0,0:17:24.40,0:17:27.70,Main Dialogue,,0,0,150,,By September 19th,\Nwhen the verdict was handed down, Dialogue: 0,0:17:27.80,0:17:30.40,Main Dialogue,,0,0,150,,there were 350,000 petitions. Dialogue: 0,0:17:30.50,0:17:35.00,Main Dialogue,,0,0,150,,And by some strange twist of fate, eleven severed\Nfingers, the same number as that of the defendants, Dialogue: 0,0:17:35.10,0:17:37.70,Main Dialogue,,0,0,150,,were brought into the court room. Dialogue: 0,0:17:37.90,0:17:41.80,Main Dialogue,,0,0,150,,Public opinion, which had been leaning toward\Nultranationalism, had apparently reached a peak. Dialogue: 0,0:17:42.90,0:17:46.80,Main Dialogue,,0,0,150,,After the Prime Minister was assassinated\Nby these eleven youth officers, Dialogue: 0,0:17:47.20,0:17:50.50,Main Dialogue,,0,0,150,,there was a resurgence in nationalism\Nthat glorified them as heroes. Dialogue: 0,0:17:51.30,0:17:54.70,Main Dialogue,,0,0,150,,The article was left by an author who\Nwas entranced by this chain of events. Dialogue: 0,0:17:56.10,0:18:01.70,Main Dialogue,,0,0,150,,I have a feeling that the author must have strongly\Nidentified with the defendants as he was writing the article. Dialogue: 0,0:17:59.93,0:18:02.33,Sign,,0,1600,495,,{\fs52}{\b1\i0}May Revolution{\b1} Dialogue: 0,0:18:02.65,0:18:04.35,Sign,,0,0,880,,{\fs65}{\b1}Refugee Liberation Organisation{\b1} Dialogue: 0,0:18:06.82,0:18:08.32,Main Dialogue,,0,0,150,,They're not real. Dialogue: 0,0:18:09.53,0:18:12.93,Main Dialogue,,0,0,150,,These must have been severed from\Ndiscarded cybernetic body parts. Dialogue: 0,0:18:15.11,0:18:19.21,Main Dialogue,,0,0,150,,Togusa, eleven severed fingers were\Ndelivered to the Prime Minister's Residence. Dialogue: 0,0:18:19.31,0:18:20.51,Main Dialogue,,0,0,150,,Find out where these come from. Dialogue: 0,0:18:20.81,0:18:22.71,Main Dialogue,,0,0,150,,Eleven... fingers?! Dialogue: 0,0:18:23.82,0:18:27.62,Main Dialogue,,0,0,150,,Major, we were continuing with\Nour investigation of the article, Dialogue: 0,0:18:27.72,0:18:31.52,Main Dialogue,,0,0,150,,and we just found details from the 515\NIncident that involved eleven severed fingers. Dialogue: 0,0:18:32.82,0:18:34.22,Main Dialogue,,0,0,150,,There's something here. Dialogue: 0,0:18:49.34,0:18:51.14,Main Dialogue,,0,0,150,,I'm glad it arrived in time. Dialogue: 0,0:18:51.24,0:18:56.34,Main Dialogue,,0,0,150,,Many of the devotees who come\Nhere treasure that painting. Dialogue: 0,0:18:57.74,0:18:58.74,Main Dialogue,,0,0,150,,That's good. Dialogue: 0,0:19:15.69,0:19:19.39,Main Dialogue,,0,0,150,,Hey, hey, so Zen meditation is more significant Dialogue: 0,0:19:19.49,0:19:23.19,Main Dialogue,,0,0,150,,as a means of freeing one's karma from\Nworldly thoughts than as a religion, right? Dialogue: 0,0:19:23.79,0:19:28.79,Main Dialogue,,0,0,150,,For us, maybe that's equivalent to\Ndeleting accumulated data in our cache. Dialogue: 0,0:19:28.99,0:19:31.49,Main Dialogue,,0,0,150,,And add synchronisation to that, maybe. Dialogue: 0,0:19:31.79,0:19:36.39,Main Dialogue,,0,0,150,,Then, if we connect to people in Zen\Nmeditation, maybe we can download enlightenment! Dialogue: 0,0:19:36.59,0:19:36.89,Main Dialogue,,0,0,150,,Yeah! Dialogue: 0,0:19:58.74,0:20:00.44,Main Dialogue,,0,0,150,,The situation is normal around here. Dialogue: 0,0:20:00.74,0:20:03.14,Main Dialogue,,0,0,150,,In any case, what a selfish Prime Minister. Dialogue: 0,0:20:03.24,0:20:06.64,Main Dialogue,,0,0,150,,She's being targeted and she wants to\Ndo Zen meditation? What's up with that? Dialogue: 0,0:20:07.54,0:20:11.74,Main Dialogue,,0,0,150,,Not to mention that we can't enter the main building...\NWe can't be held responsible if anything happens. Dialogue: 0,0:20:12.84,0:20:15.84,Main Dialogue,,0,0,150,,In her own way, maybe she\Nunderstands the situation she's in. Dialogue: 0,0:20:16.54,0:20:19.44,Main Dialogue,,0,0,150,,She wanted to practise Zen meditation\Nprecisely because she's in this predicament. Dialogue: 0,0:20:19.84,0:20:23.24,Main Dialogue,,0,0,150,,That's why she acquiesced to the unofficial\Nuse of visual interceptors, right? Dialogue: 0,0:20:23.94,0:20:25.84,Main Dialogue,,0,0,150,,Well, I respect her courage, Dialogue: 0,0:20:26.34,0:20:29.04,Main Dialogue,,0,0,150,,but if you're the only one\Nwho's getting the data feed... Dialogue: 0,0:21:11.79,0:21:13.59,Main Dialogue,,0,0,150,,Justice is with me. Dialogue: 0,0:21:15.19,0:21:15.89,Main Dialogue,,0,0,150,,Elimination! Dialogue: 0,0:21:31.33,0:21:32.43,Main Dialogue,,0,0,150,,It's useless. Dialogue: 0,0:21:32.53,0:21:33.53,Main Dialogue,,0,0,150,,You're surrounded. Dialogue: 0,0:21:52.62,0:21:53.32,Main Dialogue,,0,0,150,,Tachikoma! Dialogue: 0,0:22:14.64,0:22:15.94,Main Dialogue,,0,0,150,,I'm fine. Dialogue: 0,0:22:22.84,0:22:24.84,Main Dialogue,,0,0,150,,That was a heavily augmented cyborg. Dialogue: 0,0:22:25.24,0:22:28.44,Main Dialogue,,0,0,150,,Start off by investigating military personnel. Dialogue: 0,0:22:28.94,0:22:30.74,Main Dialogue,,0,0,150,,I'm sorry. Dialogue: 0,0:22:31.04,0:22:33.84,Main Dialogue,,0,0,150,,If you and your team weren't\Nhere, I would've been... Dialogue: 0,0:22:34.24,0:22:35.44,Main Dialogue,,0,0,150,,I wonder. Dialogue: 0,0:22:36.04,0:22:39.24,Main Dialogue,,0,0,150,,Perhaps it was just that he\Ndidn't really mean to kill you. Dialogue: 0,0:23:08.26,0:23:11.05,Main Dialogue,,0,0,150,,Finding out a galaxy Dialogue: 0,0:23:11.06,0:23:14.53,Main Dialogue,,0,0,150,,of planets and stars within me. Dialogue: 0,0:23:15.20,0:23:17.72,Main Dialogue,,0,0,150,,Listening to each of them Dialogue: 0,0:23:17.73,0:23:20.93,Main Dialogue,,0,0,150,,and singing the same silent melody. Dialogue: 0,0:23:21.70,0:23:24.30,Main Dialogue,,0,0,150,,I've never seen such beauty Dialogue: 0,0:23:25.69,0:23:28.49,Main Dialogue,,0,0,150,,in possibility... Dialogue: 0,0:23:28.98,0:23:32.83,Main Dialogue,,0,0,150,,No smack of doubt or fear. Dialogue: 0,0:23:33.56,0:23:35.06,Main Dialogue,,0,0,150,,(Wake up) Dialogue: 0,0:23:35.16,0:23:37.16,Main Dialogue,,0,0,150,,I hear a voice. Dialogue: 0,0:23:35.99,0:23:39.39,Main Dialogue,,0,0,150,,(And show the light) Dialogue: 0,0:23:37.75,0:23:40.26,Main Dialogue,,0,0,150,,hear a voice calling out to me. Dialogue: 0,0:23:40.27,0:23:41.44,Main Dialogue,,0,0,150,,(Wake up) Dialogue: 0,0:23:41.93,0:23:43.73,Main Dialogue,,0,0,150,,I see inside Dialogue: 0,0:23:42.13,0:23:46.33,Main Dialogue,,0,0,150,,(Our time is now) Dialogue: 0,0:23:44.26,0:23:45.86,Main Dialogue,,0,0,150,,see the light now ever holding me. Dialogue: 0,0:23:47.81,0:23:49.12,Main Dialogue,,0,0,150,,All the truth, Dialogue: 0,0:23:49.51,0:23:51.51,Main Dialogue,,0,0,150,,All I need, Dialogue: 0,0:23:49.50,0:23:50.10,Main Dialogue,,0,0,150,,(All the truth) Dialogue: 0,0:23:50.98,0:23:53.51,Main Dialogue,,0,0,150,,to make all this reality. Dialogue: 0,0:23:53.60,0:23:54.66,Main Dialogue,,0,0,150,,(it's inside) Dialogue: 0,0:23:55.86,0:23:57.87,Main Dialogue,,0,0,150,,The beauty within the shell. Dialogue: 0,0:23:57.87,0:23:58.84,Main Dialogue,,0,0,150,,(deep within the shell) Dialogue: 0,0:23:59.29,0:24:00.21,Main Dialogue,,0,0,150,,(within the shell) Dialogue: 0,0:24:00.27,0:24:01.73,Main Dialogue,,0,0,150,,(Wake up) Dialogue: 0,0:24:01.85,0:24:03.77,Main Dialogue,,0,0,150,,I hear a voice Dialogue: 0,0:24:02.77,0:24:04.10,Main Dialogue,,0,0,150,,(And show the light) Dialogue: 0,0:24:04.25,0:24:07.15,Main Dialogue,,0,0,150,,hear a voice calling out to me. Dialogue: 0,0:24:06.86,0:24:08.07,Main Dialogue,,0,0,150,,(Wake up) Dialogue: 0,0:24:08.83,0:24:12.93,Main Dialogue,,0,0,150,,(the time is now) Dialogue: 0,0:24:09.23,0:24:10.43,Main Dialogue,,0,0,150,,I see inside, Dialogue: 0,0:24:10.89,0:24:13.62,Main Dialogue,,0,0,150,,see the light now ever holding me. Dialogue: 0,0:24:14.37,0:24:15.75,Main Dialogue,,0,0,150,,All the truth, Dialogue: 0,0:24:15.67,0:24:16.57,Main Dialogue,,0,0,150,,(All the truth) Dialogue: 0,0:24:17.92,0:24:20.42,Main Dialogue,,0,0,150,,to make all this reality, Dialogue: 0,0:24:20.38,0:24:21.35,Main Dialogue,,0,0,150,,it's inside Dialogue: 0,0:24:22.77,0:24:26.13,Main Dialogue,,0,0,150,,right here within the shell.