[Script Info]
; Script generated by pysubs2
; https://pypi.python.org/pypi/pysubs2
Title: Monogatari Series Second Season 13
ScriptType: v4.00+
WrapStyle: 0
ScaledBorderAndShadow: yes
YCbCr Matrix: TV.709
Last Style Storage: Otorimonogatari
Aegisub Video Zoom Percent: 0.625000
Aegisub Scroll Position: 0
Aegisub Active Line: 0
Aegisub Video Aspect Ratio: c1.777778
Scroll Position: 301
Active Line: 305
Video Zoom Percent: 1
Video File: ..\06\BDMV\STREAM\137.mkv
Video Aspect Ratio: c1.77778
Video Position: 26896
Aegisub Video Position: 58
Audio URI: ..\06\BDMV\STREAM\137.mkv

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Style: Century,Century,15.0,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100.0,100.0,0.0,0.0,1,0.0,0.0,2,15,15,15,1
Style: centugatari,Century,13.0,&H00000000,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100.0,100.0,0.0,0.0,1,0.0,0.0,5,15,15,15,1
Style: Black and Red,Iwata Mincho Old Pro-Fate B,15.0,&H00FFFFFF,&H000000FF,&H00000000,&H96000000,0,0,0,0,100.0,100.0,0.0,0.0,1,0.0,0.0,5,15,15,15,1
Style: Naoetsu,LHF Scriptana,17.0,&H00487B93,&H000000FF,&H00000000,&H52192225,-1,0,0,0,100.0,100.0,0.0,0.0,1,0.0,1.8,5,15,15,15,1
Style: NextTime,Baar Sophia,15.0,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,-1,0,0,0,100.0,100.0,0.0,0.0,1,0.0,0.0,2,15,15,15,1
Style: Default-ja,Arial,28.0,&H00FFFFFF,&H00FF0000,&H00000000,&H00000000,-1,0,0,0,100.0,100.0,0.0,0.0,1,1,0.0,8,10,10,10,0

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 1,0:00:02.39,0:00:02.44,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.44,0:00:02.48,Century,,0,0,0,,{\pos(960,799.71)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.48,0:00:02.52,Century,,0,0,0,,{\pos(960.15,799.81)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.52,0:00:02.56,Century,,0,0,0,,{\pos(959.71,799.87)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.56,0:00:02.60,Century,,0,0,0,,{\pos(960,799.9)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.60,0:00:02.64,Century,,0,0,0,,{\pos(960,799.88)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.64,0:00:02.69,Century,,0,0,0,,{\pos(960.03,799.82)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.69,0:00:02.73,Century,,0,0,0,,{\pos(960.1,799.71)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.73,0:00:02.77,Century,,0,0,0,,{\pos(959.73,800.08)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.77,0:00:02.81,Century,,0,0,0,,{\pos(959.68,799.79)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.81,0:00:02.85,Century,,0,0,0,,{\pos(959.58,799.79)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.85,0:00:02.89,Century,,0,0,0,,{\pos(959.77,799.85)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.89,0:00:02.94,Century,,0,0,0,,{\pos(959.59,799.94)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 1,0:00:02.94,0:00:02.98,Century,,0,0,0,,{\pos(959.82,799.93)\blur0.5\fscx100\fscy100}Animation Number 1
Dialogue: 0,0:00:04.23,0:00:04.40,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:00:04.23,0:00:04.40,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:00:05.40,0:00:05.56,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Blue Scene
Dialogue: 0,0:00:05.40,0:00:05.56,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:00:06.56,0:00:06.73,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Red Scene
Dialogue: 0,0:00:06.56,0:00:06.73,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:00:06.73,0:00:09.23,Default,,0,0,0,,All right, Sengoku. Sengoku Nadeko.
Dialogue: 0,0:00:06.98,0:00:09.15,Default-ja,,0,0,0,,（阿良々木(あららぎ)）いいか千石(せんごく)　千石撫子(なでこ)
Dialogue: 0,0:00:09.23,0:00:09.28,Black and Red,,0,0,0,,{\pos(960,390)\blur0.5\fscx192\fscy192}Sengoku Nadeko
Dialogue: 1,0:00:09.23,0:00:09.28,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 5
Dialogue: 0,0:00:09.28,0:00:09.32,Black and Red,,0,0,0,,{\pos(960.39,389.67)\blur0.5\fscx192\fscy192}Sengoku Nadeko
Dialogue: 1,0:00:09.28,0:00:09.32,Century,,0,0,0,,{\pos(960.39,799.67)\blur0.5\fscx100\fscy100}Animation Number 5
Dialogue: 0,0:00:09.32,0:00:09.36,Black and Red,,0,0,0,,{\pos(960.32,389.51)\blur0.5\fscx192\fscy192}Sengoku Nadeko
Dialogue: 1,0:00:09.32,0:00:09.36,Century,,0,0,0,,{\pos(960.32,799.51)\blur0.5\fscx100\fscy100}Animation Number 5
Dialogue: 0,0:00:10.36,0:00:15.07,Default,,0,0,0,,I won't do anything to you, so calm down. Okay? {period to comma between "you. So" -forks}
Dialogue: 0,0:00:10.65,0:00:12.61,Default-ja,,0,0,0,,僕は お前に何もしない
Dialogue: 0,0:00:12.86,0:00:14.99,Default-ja,,0,0,0,,だから冷静になれ　いいな？
Dialogue: 1,0:00:15.07,0:00:15.11,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.11,0:00:15.16,Century,,0,0,0,,{\pos(960.37,799.74)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.16,0:00:15.20,Century,,0,0,0,,{\pos(960.26,799.46)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.20,0:00:15.24,Century,,0,0,0,,{\pos(960.05,799.76)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.24,0:00:15.28,Century,,0,0,0,,{\pos(960.32,799.69)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.28,0:00:15.32,Century,,0,0,0,,{\pos(960.36,799.4)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.32,0:00:15.37,Century,,0,0,0,,{\pos(960.51,799.36)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.37,0:00:15.41,Century,,0,0,0,,{\pos(960.08,799.32)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.41,0:00:15.45,Century,,0,0,0,,{\pos(960.41,799.31)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 1,0:00:15.45,0:00:15.49,Century,,0,0,0,,{\pos(960.45,799.23)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 0,0:00:15.49,0:00:15.78,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Calm down?
Dialogue: 1,0:00:15.49,0:00:15.78,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 0,0:00:15.78,0:00:16.07,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Why such an unreasonable demand?
Dialogue: 1,0:00:15.78,0:00:16.07,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 7
Dialogue: 0,0:00:16.99,0:00:20.08,Default,,0,0,0,,Slowly put that thing down on the floor.
Dialogue: 0,0:00:17.11,0:00:19.99,Default-ja,,0,0,0,,ゆっくりと それを床に置くんだ
Dialogue: 0,0:00:20.08,0:00:25.67,Default,,0,0,0,,I-It's all right, Kuchinawa-san...
Dialogue: 0,0:00:21.08,0:00:21.33,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}My voice trembled
Dialogue: 1,0:00:21.08,0:00:21.33,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 14
Dialogue: 0,0:00:21.33,0:00:21.58,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}my tongue trembled,
Dialogue: 0,0:00:21.33,0:00:21.58,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 14
Dialogue: 0,0:00:21.58,0:00:21.83,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}and my lips trembled.
Dialogue: 1,0:00:21.58,0:00:21.83,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 14
Dialogue: 0,0:00:22.50,0:00:22.71,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:00:22.50,0:00:22.71,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:00:23.04,0:00:25.62,Default-ja,,0,0,0,,も… もういいよ クチナワさん
Dialogue: 0,0:00:26.21,0:00:28.59,Default,,0,0,0,,I-I don't care if he figures everything out!
Dialogue: 0,0:00:26.29,0:00:28.50,Default-ja,,0,0,0,,ぜ… 全部バレてもいいから
Dialogue: 0,0:00:29.96,0:00:30.00,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:29.96,0:00:30.00,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.00,0:00:30.05,Century,,0,0,0,,{\pos(960.32,419.79)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.00,0:00:30.05,Century,,0,0,0,,{\pos(960.32,799.79)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.05,0:00:30.09,Century,,0,0,0,,{\pos(960.23,419.63)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.05,0:00:30.09,Century,,0,0,0,,{\pos(960.23,799.63)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.09,0:00:30.13,Century,,0,0,0,,{\pos(959.99,420.02)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.09,0:00:30.13,Century,,0,0,0,,{\pos(959.99,800.02)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.13,0:00:30.17,Century,,0,0,0,,{\pos(960.25,419.95)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.13,0:00:30.17,Century,,0,0,0,,{\pos(960.25,799.95)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.17,0:00:30.21,Century,,0,0,0,,{\pos(960.28,419.74)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.17,0:00:30.21,Century,,0,0,0,,{\pos(960.28,799.74)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.21,0:00:30.26,Century,,0,0,0,,{\pos(960.41,419.79)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.21,0:00:30.26,Century,,0,0,0,,{\pos(960.41,799.79)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.26,0:00:30.30,Century,,0,0,0,,{\pos(959.96,419.81)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.26,0:00:30.30,Century,,0,0,0,,{\pos(959.96,799.81)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.30,0:00:30.38,Century,,0,0,0,,{\pos(960.31,419.82)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.30,0:00:30.38,Century,,0,0,0,,{\pos(960.31,799.82)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.38,0:00:30.42,Century,,0,0,0,,{\pos(960.35,419.78)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.38,0:00:30.42,Century,,0,0,0,,{\pos(960.35,799.78)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.42,0:00:30.46,Century,,0,0,0,,{\pos(960.44,419.58)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.42,0:00:30.46,Century,,0,0,0,,{\pos(960.44,799.58)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.46,0:00:30.51,Century,,0,0,0,,{\pos(960.13,419.96)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.46,0:00:30.51,Century,,0,0,0,,{\pos(960.13,799.96)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.51,0:00:30.55,Century,,0,0,0,,{\pos(959.97,419.68)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.51,0:00:30.55,Century,,0,0,0,,{\pos(959.97,799.68)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.55,0:00:30.59,Century,,0,0,0,,{\pos(959.9,419.67)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.55,0:00:30.59,Century,,0,0,0,,{\pos(959.9,799.67)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.59,0:00:30.63,Century,,0,0,0,,{\pos(960.2,419.69)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.59,0:00:30.63,Century,,0,0,0,,{\pos(960.2,799.69)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.63,0:00:30.67,Century,,0,0,0,,{\pos(959.99,419.84)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.63,0:00:30.67,Century,,0,0,0,,{\pos(959.99,799.84)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.67,0:00:30.71,Century,,0,0,0,,{\pos(960.32,419.85)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.67,0:00:30.71,Century,,0,0,0,,{\pos(960.32,799.85)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.71,0:00:30.76,Century,,0,0,0,,{\pos(960.18,419.95)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.71,0:00:30.76,Century,,0,0,0,,{\pos(960.18,799.95)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.76,0:00:30.80,Century,,0,0,0,,{\pos(959.93,419.9)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.76,0:00:30.80,Century,,0,0,0,,{\pos(959.93,799.9)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.80,0:00:30.84,Century,,0,0,0,,{\pos(959.9,419.59)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.80,0:00:30.84,Century,,0,0,0,,{\pos(959.9,799.59)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.84,0:00:30.88,Century,,0,0,0,,{\pos(960.56,419.93)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.84,0:00:30.88,Century,,0,0,0,,{\pos(960.56,799.93)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.88,0:00:30.92,Century,,0,0,0,,{\pos(960.09,420.11)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.88,0:00:30.92,Century,,0,0,0,,{\pos(960.09,800.11)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.92,0:00:30.96,Century,,0,0,0,,{\pos(960.12,419.87)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.92,0:00:30.96,Century,,0,0,0,,{\pos(960.12,799.87)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:30.96,0:00:31.01,Century,,0,0,0,,{\pos(960.13,419.61)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:30.96,0:00:31.01,Century,,0,0,0,,{\pos(960.13,799.61)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:31.01,0:00:31.05,Century,,0,0,0,,{\pos(960.16,419.89)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:31.01,0:00:31.05,Century,,0,0,0,,{\pos(960.16,799.89)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:31.05,0:00:31.09,Century,,0,0,0,,{\pos(960.25,419.8)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:31.05,0:00:31.09,Century,,0,0,0,,{\pos(960.25,799.8)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:31.09,0:00:31.13,Century,,0,0,0,,{\pos(959.91,419.8)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:31.09,0:00:31.13,Century,,0,0,0,,{\pos(959.91,799.8)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:31.13,0:00:31.17,Century,,0,0,0,,{\pos(960.11,419.58)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:31.13,0:00:31.17,Century,,0,0,0,,{\pos(960.11,799.58)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:31.17,0:00:31.21,Century,,0,0,0,,{\pos(960.11,419.86)\blur0.5\fscx160\fscy160}It had turned into a simple article.
Dialogue: 1,0:00:31.17,0:00:31.21,Century,,0,0,0,,{\pos(960.11,799.86)\blur0.5\fscx100\fscy100}Animation Number 18
Dialogue: 0,0:00:31.21,0:00:32.88,Default,,0,0,0,,Wh-Why?
Dialogue: 0,0:00:31.25,0:00:32.80,Default-ja,,0,0,0,,ど… どうして？
Dialogue: 0,0:00:32.88,0:00:35.51,Default,,0,0,0,,Sengoku, can you hear me?
Dialogue: 0,0:00:33.17,0:00:35.26,Default-ja,,0,0,0,,千石 聞こえてるか？
Dialogue: 0,0:00:35.51,0:00:37.35,Default,,0,0,0,,Listen up. Put that down.
Dialogue: 0,0:00:35.67,0:00:37.26,Default-ja,,0,0,0,,いいか　それを置くんだ
Dialogue: 0,0:00:39.35,0:00:41.60,Default,,0,0,0,,Put that talisman down on the floor.
Dialogue: 0,0:00:39.43,0:00:41.51,Default-ja,,0,0,0,,そのお札を床に置け
Dialogue: 0,0:00:42.02,0:00:43.31,Default,,0,0,0,,Talisman?
Dialogue: 0,0:00:42.31,0:00:43.22,Default-ja,,0,0,0,,（千石）\Nお札？
Dialogue: 0,0:00:44.94,0:00:46.44,Default,,0,0,0,,Sengoku! That's...
Dialogue: 0,0:00:45.06,0:00:46.35,Default-ja,,0,0,0,,千石 それは
Dialogue: 0,0:00:47.81,0:00:52.57,Default,,0,0,0,,That's more dangerous than you think. You can still turn back now.
Dialogue: 0,0:00:47.98,0:00:51.15,Default-ja,,0,0,0,,それは お前の思っている以上に\N危険なものなんだ
Dialogue: 0,0:00:51.36,0:00:52.48,Default-ja,,0,0,0,,今なら まだ引き返せる
Dialogue: 0,0:00:52.57,0:00:59.08,Default,,0,0,0,,B-But, Koyomi-oniichan... I-I have to do "something" with this. {any reason for the quotes on something? -forks} {albel: yeah, because it's obviously a particular "something". it's not that she doesn't know what to do with it. also it's quoted in LN too, probably for the same reason.}
Dialogue: 0,0:00:52.73,0:00:54.98,Default-ja,,0,0,0,,で… でも 暦おにいちゃん
Dialogue: 0,0:00:55.36,0:00:56.90,Default-ja,,0,0,0,,な… 撫子は
Dialogue: 0,0:00:56.99,0:00:58.99,Default-ja,,0,0,0,,これを\Nどうこうしなきゃいけないんだよ
Dialogue: 0,0:00:59.08,0:01:03.12,Default,,0,0,0,,Because, for me, it's atonement. {changed from "Because, to me, that's atonement." -forks}
Dialogue: 0,0:00:59.49,0:01:03.03,Default-ja,,0,0,0,,だって撫子にとって\Nそれは償いだから
Dialogue: 0,0:01:03.12,0:01:04.12,Default,,0,0,0,,Atonement?
Dialogue: 0,0:01:03.20,0:01:04.04,Default-ja,,0,0,0,,償い？
Dialogue: 0,0:01:04.12,0:01:07.54,Default,,0,0,0,,Y-Yes, atonement...
Dialogue: 0,0:01:04.37,0:01:07.25,Default-ja,,0,0,0,,う… うん　償い
Dialogue: 0,0:01:07.54,0:01:10.13,Default,,0,0,0,,I-I'm not the victim. I'm...
Dialogue: 0,0:01:07.62,0:01:10.04,Default-ja,,0,0,0,,ひ… 被害者じゃなくって\N撫子は…
Dialogue: 0,0:01:11.63,0:01:15.38,Default,,0,0,0,,Well, I am also the victim, but I'm the culprit too. {replaced all "wrongdoer" with "culprit" -forks} {albel: "well, although I'm the victim too, but I'm also the culprit"}
Dialogue: 0,0:01:11.75,0:01:15.30,Default-ja,,0,0,0,,被害者でもあるけれど\Nやっぱり加害者でもあって
Dialogue: 0,0:01:15.72,0:01:17.26,Default,,0,0,0,,I see.
Dialogue: 0,0:01:16.01,0:01:17.17,Default-ja,,0,0,0,,（阿良々木）そうか
Dialogue: 0,0:01:17.26,0:01:24.18,Default,,0,0,0,,I understand now that you've got a lot on your shoulders. Sorry, I didn't notice. {albel: more precisely, "Sorry I didn't notice it". haven't been noticing, maybe? anyway}{changed and re-ordered for consistency two lines down -forks}
Dialogue: 0,0:01:17.80,0:01:20.47,Default-ja,,0,0,0,,お前がいろいろ抱え込んでることは\N分かった
Dialogue: 0,0:01:21.14,0:01:23.89,Default-ja,,0,0,0,,悪かったな　気付いてやれなくて
Dialogue: 0,0:01:24.18,0:01:24.23,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.18,0:01:24.23,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.23,0:01:24.27,Century,,0,0,0,,{\pos(960.42,419.69)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.23,0:01:24.27,Century,,0,0,0,,{\pos(960.42,799.69)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.27,0:01:24.31,Century,,0,0,0,,{\pos(960.33,419.54)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.27,0:01:24.31,Century,,0,0,0,,{\pos(960.33,799.54)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.31,0:01:24.35,Century,,0,0,0,,{\pos(960.02,420.04)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.31,0:01:24.35,Century,,0,0,0,,{\pos(960.02,800.04)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.35,0:01:24.39,Century,,0,0,0,,{\pos(960.37,419.94)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.35,0:01:24.39,Century,,0,0,0,,{\pos(960.37,799.94)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.39,0:01:24.43,Century,,0,0,0,,{\pos(960.49,419.61)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.39,0:01:24.43,Century,,0,0,0,,{\pos(960.49,799.61)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.43,0:01:24.48,Century,,0,0,0,,{\pos(960.7,419.64)\blur0.5\fscx160\fscy160}Worry
Dialogue: 1,0:01:24.43,0:01:24.48,Century,,0,0,0,,{\pos(960.7,799.64)\blur0.5\fscx100\fscy100}Animation Number 38
Dialogue: 0,0:01:24.48,0:01:26.39,Default,,0,0,0,,I heard about what happened at school too. {albel: "about what happened in school"}
Dialogue: 0,0:01:24.85,0:01:26.31,Default-ja,,0,0,0,,学校でのことも聞いたよ
Dialogue: 0,0:01:27.15,0:01:29.69,Default,,0,0,0,,I didn't notice, sorry. {albel: he nearly identically repeats what was translated above as "Sorry I didn't see it". there's no "signs" and no "either". apparently it was added by HS so that nobody would think he speaks about seeing what happened in school. I suggest to rephrase stuff so that we won't need to pull some sort of "signs" out of ass.  maybe "sorry I didn't notice anything"}{tried to order it how he says it here too -forks}
Dialogue: 0,0:01:27.52,0:01:29.60,Default-ja,,0,0,0,,気付いてやれなくて悪かったな
Dialogue: 0,0:01:29.69,0:01:29.98,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}I didn't want you to notice.
Dialogue: 1,0:01:29.69,0:01:29.98,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 41
Dialogue: 0,0:01:29.98,0:01:30.27,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I wanted to be left alone.
Dialogue: 1,0:01:29.98,0:01:30.27,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 41
Dialogue: 0,0:01:30.27,0:01:30.57,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}It hurt to be seen as nothing but a cute girl.
Dialogue: 1,0:01:30.27,0:01:30.57,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 41
Dialogue: 0,0:01:30.57,0:01:31.69,Century,,0,0,0,,{\pos(115.5,583.5)\blur2\alpha&H60&\fscx34\fscy36\b1\c&H34424B&}Reference
Dialogue: 1,0:01:30.57,0:01:31.69,Century,,0,0,0,,{\pos(115.5,583.5)\blur0.5\fscx34\fscy36\b1\c&H34424B&}Reference
Dialogue: 0,0:01:30.57,0:01:31.69,Century,,0,0,0,,{\pos(195,638)\blur2\alpha&H60&\fscx28.6\fscy30.6\b1\c&H253038&}Reference
Dialogue: 1,0:01:30.57,0:01:31.69,Century,,0,0,0,,{\pos(195,638)\blur0.5\fscx28.6\fscy30.6\b1\c&H253038&}Reference
Dialogue: 0,0:01:30.57,0:01:31.69,Century,,0,0,0,,{\pos(232,367.5)\blur2\alpha&H60&\fscx61.2\fscy61.2\b1\c&H475866&\frz270}Reference
Dialogue: 1,0:01:30.57,0:01:31.69,Century,,0,0,0,,{\pos(232,367.5)\blur0.5\fscx61.2\fscy61.2\b1\c&H475866&\frz270}Reference
Dialogue: 0,0:01:31.69,0:01:33.03,Default,,0,0,0,,I'll apologize properly later. {albel: it's one sentence with the following phrase. missing "so" nuance. "I'll apologize properly, so... Sengoku, for now, please hand..." or "I'll apologize properly, so, firstly, Sengoku, please hand...". Meh. Don't know how to put the nuance back in there, so disregard it, it's not important.}
Dialogue: 0,0:01:31.94,0:01:32.94,Default-ja,,0,0,0,,ちゃんと謝るから
Dialogue: 0,0:01:34.53,0:01:38.36,Default,,0,0,0,,Sengoku, for now, please hand that talisman to me.
Dialogue: 0,0:01:34.69,0:01:38.28,Default-ja,,0,0,0,,千石 今は まず\Nそのお札を僕に渡してくれ
Dialogue: 1,0:01:38.36,0:01:38.41,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.41,0:01:38.45,Century,,0,0,0,,{\pos(960.39,799.74)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.45,0:01:38.49,Century,,0,0,0,,{\pos(960.32,799.56)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.49,0:01:38.53,Century,,0,0,0,,{\pos(960.04,800.01)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.53,0:01:38.57,Century,,0,0,0,,{\pos(960.37,799.92)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.57,0:01:38.61,Century,,0,0,0,,{\pos(960.44,799.66)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.61,0:01:38.66,Century,,0,0,0,,{\pos(960.58,799.67)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.66,0:01:38.70,Century,,0,0,0,,{\pos(960.15,799.66)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 1,0:01:38.70,0:01:38.74,Century,,0,0,0,,{\pos(960.44,799.77)\blur0.5\fscx100\fscy100}Animation Number 45
Dialogue: 0,0:01:40.91,0:01:41.87,Default,,0,0,0,,You...
Dialogue: 0,0:01:40.95,0:01:41.78,Default-ja,,0,0,0,,お前は…
Dialogue: 0,0:01:41.87,0:01:42.29,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}That's
Dialogue: 1,0:01:41.87,0:01:42.29,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 48
Dialogue: 0,0:01:42.29,0:01:43.04,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}what Koyomi said.
Dialogue: 1,0:01:42.29,0:01:43.04,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 48
Dialogue: 0,0:01:43.04,0:01:48.54,Default,,0,0,0,,You always look bothered like that when I talk to you.
Dialogue: 0,0:01:43.45,0:01:45.49,Default-ja,,0,0,0,,お前は いつもそんなふうに
Dialogue: 0,0:01:45.74,0:01:48.45,Default-ja,,0,0,0,,僕と話すとき\N迷惑そうにするんだよな
Dialogue: 0,0:01:49.54,0:01:52.09,Default,,0,0,0,,But, Sengoku, that talisman...
Dialogue: 0,0:01:49.75,0:01:52.00,Default-ja,,0,0,0,,だけど千石 そのお札だけは
Dialogue: 0,0:01:52.09,0:01:52.13,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.09,0:01:52.13,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:01:52.09,0:01:55.59,Default,,0,0,0,,How about you stop being so indirect? {"roundabout" to "indirect" -forks}
Dialogue: 0,0:01:52.13,0:01:52.17,Century,,0,0,0,,{\pos(959.88,480.02)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.13,0:01:52.17,Century,,0,0,0,,{\blur0.5\pos(959.88,800.02)}Animation Number 'none'
Dialogue: 0,0:01:52.13,0:01:54.50,Default-ja,,0,0,0,,（忍(しのぶ)）\Nまどろっこしいことは\Nやめにしたらどうじゃ
Dialogue: 0,0:01:52.17,0:01:52.21,Century,,0,0,0,,{\pos(959.99,479.54)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.17,0:01:52.21,Century,,0,0,0,,{\blur0.5\pos(959.99,799.54)}Animation Number 'none'
Dialogue: 0,0:01:52.21,0:01:52.25,Century,,0,0,0,,{\pos(959.87,480.07)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.21,0:01:52.25,Century,,0,0,0,,{\blur0.5\pos(959.87,800.07)}Animation Number 'none'
Dialogue: 0,0:01:52.25,0:01:52.30,Century,,0,0,0,,{\pos(959.76,480.09)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.25,0:01:52.30,Century,,0,0,0,,{\blur0.5\pos(959.76,800.09)}Animation Number 'none'
Dialogue: 0,0:01:52.30,0:01:52.34,Century,,0,0,0,,{\pos(959.81,479.94)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.30,0:01:52.34,Century,,0,0,0,,{\blur0.5\pos(959.81,799.94)}Animation Number 'none'
Dialogue: 0,0:01:52.34,0:01:52.38,Century,,0,0,0,,{\pos(960.44,480.2)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.34,0:01:52.38,Century,,0,0,0,,{\blur0.5\pos(960.44,800.2)}Animation Number 'none'
Dialogue: 0,0:01:52.38,0:01:52.42,Century,,0,0,0,,{\pos(959.89,479.93)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.38,0:01:52.42,Century,,0,0,0,,{\blur0.5\pos(959.89,799.93)}Animation Number 'none'
Dialogue: 0,0:01:52.42,0:01:52.46,Century,,0,0,0,,{\pos(960.18,479.9)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.42,0:01:52.46,Century,,0,0,0,,{\blur0.5\pos(960.18,799.9)}Animation Number 'none'
Dialogue: 0,0:01:52.46,0:01:52.50,Century,,0,0,0,,{\pos(960.18,480.2)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.46,0:01:52.50,Century,,0,0,0,,{\blur0.5\pos(960.18,800.2)}Animation Number 'none'
Dialogue: 0,0:01:52.50,0:01:52.55,Century,,0,0,0,,{\pos(959.86,479.58)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.50,0:01:52.55,Century,,0,0,0,,{\blur0.5\pos(959.86,799.58)}Animation Number 'none'
Dialogue: 0,0:01:52.55,0:01:52.59,Century,,0,0,0,,{\pos(959.98,479.81)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.55,0:01:52.59,Century,,0,0,0,,{\blur0.5\pos(959.98,799.81)}Animation Number 'none'
Dialogue: 0,0:01:52.59,0:01:52.63,Century,,0,0,0,,{\pos(960.1,480.01)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.59,0:01:52.63,Century,,0,0,0,,{\blur0.5\pos(960.1,800.01)}Animation Number 'none'
Dialogue: 0,0:01:52.63,0:01:52.67,Century,,0,0,0,,{\pos(959.91,479.98)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.63,0:01:52.67,Century,,0,0,0,,{\blur0.5\pos(959.91,799.98)}Animation Number 'none'
Dialogue: 0,0:01:52.67,0:01:52.71,Century,,0,0,0,,{\pos(959.73,479.76)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.67,0:01:52.71,Century,,0,0,0,,{\blur0.5\pos(959.73,799.76)}Animation Number 'none'
Dialogue: 0,0:01:52.71,0:01:52.75,Century,,0,0,0,,{\pos(960.1,479.75)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.71,0:01:52.75,Century,,0,0,0,,{\blur0.5\pos(960.1,799.75)}Animation Number 'none'
Dialogue: 0,0:01:52.75,0:01:52.80,Century,,0,0,0,,{\pos(960.02,479.97)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.75,0:01:52.80,Century,,0,0,0,,{\blur0.5\pos(960.02,799.97)}Animation Number 'none'
Dialogue: 0,0:01:52.80,0:01:52.84,Century,,0,0,0,,{\pos(960.03,479.93)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.80,0:01:52.84,Century,,0,0,0,,{\blur0.5\pos(960.03,799.93)}Animation Number 'none'
Dialogue: 0,0:01:52.84,0:01:52.88,Century,,0,0,0,,{\pos(959.99,480.04)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.84,0:01:52.88,Century,,0,0,0,,{\blur0.5\pos(959.99,800.04)}Animation Number 'none'
Dialogue: 0,0:01:52.88,0:01:52.92,Century,,0,0,0,,{\pos(960.48,480.15)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.88,0:01:52.92,Century,,0,0,0,,{\blur0.5\pos(960.48,800.15)}Animation Number 'none'
Dialogue: 0,0:01:52.92,0:01:52.96,Century,,0,0,0,,{\pos(959.88,480.09)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.92,0:01:52.96,Century,,0,0,0,,{\blur0.5\pos(959.88,800.09)}Animation Number 'none'
Dialogue: 0,0:01:52.96,0:01:53.00,Century,,0,0,0,,{\pos(960.18,479.85)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:52.96,0:01:53.00,Century,,0,0,0,,{\blur0.5\pos(960.18,799.85)}Animation Number 'none'
Dialogue: 0,0:01:53.00,0:01:53.05,Century,,0,0,0,,{\pos(959.66,479.95)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.00,0:01:53.05,Century,,0,0,0,,{\blur0.5\pos(959.66,799.95)}Animation Number 'none'
Dialogue: 0,0:01:53.05,0:01:53.09,Century,,0,0,0,,{\pos(960.12,480.35)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.05,0:01:53.09,Century,,0,0,0,,{\blur0.5\pos(960.12,800.35)}Animation Number 'none'
Dialogue: 0,0:01:53.09,0:01:53.13,Century,,0,0,0,,{\pos(960.14,480.35)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.09,0:01:53.13,Century,,0,0,0,,{\blur0.5\pos(960.14,800.35)}Animation Number 'none'
Dialogue: 0,0:01:53.13,0:01:53.17,Century,,0,0,0,,{\pos(959.83,480.34)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.13,0:01:53.17,Century,,0,0,0,,{\blur0.5\pos(959.83,800.34)}Animation Number 'none'
Dialogue: 0,0:01:53.17,0:01:53.21,Century,,0,0,0,,{\pos(960.54,480.14)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.17,0:01:53.21,Century,,0,0,0,,{\blur0.5\pos(960.54,800.14)}Animation Number 'none'
Dialogue: 0,0:01:53.21,0:01:53.25,Century,,0,0,0,,{\pos(959.95,479.89)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.21,0:01:53.25,Century,,0,0,0,,{\blur0.5\pos(959.95,799.89)}Animation Number 'none'
Dialogue: 0,0:01:53.25,0:01:53.30,Century,,0,0,0,,{\pos(959.93,480.15)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.25,0:01:53.30,Century,,0,0,0,,{\blur0.5\pos(959.93,800.15)}Animation Number 'none'
Dialogue: 0,0:01:53.30,0:01:53.34,Century,,0,0,0,,{\pos(960.04,479.92)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.30,0:01:53.34,Century,,0,0,0,,{\blur0.5\pos(960.04,799.92)}Animation Number 'none'
Dialogue: 0,0:01:53.34,0:01:53.38,Century,,0,0,0,,{\pos(959.92,480.18)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.34,0:01:53.38,Century,,0,0,0,,{\blur0.5\pos(959.92,800.18)}Animation Number 'none'
Dialogue: 0,0:01:53.38,0:01:53.42,Century,,0,0,0,,{\pos(960.65,480.21)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:53.42,0:01:53.46,Century,,0,0,0,,{\pos(960.31,480.21)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.42,0:01:53.46,Century,,0,0,0,,{\blur0.5\pos(960.31,800.21)}Animation Number 'none'
Dialogue: 0,0:01:53.46,0:01:53.50,Century,,0,0,0,,{\pos(960.32,479.93)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.46,0:01:53.50,Century,,0,0,0,,{\blur0.5\pos(960.32,799.93)}Animation Number 'none'
Dialogue: 0,0:01:53.50,0:01:53.55,Century,,0,0,0,,{\pos(959.8,480.55)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.50,0:01:53.55,Century,,0,0,0,,{\blur0.5\pos(959.8,800.55)}Animation Number 'none'
Dialogue: 0,0:01:53.55,0:01:53.59,Century,,0,0,0,,{\pos(960.06,480.3)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.55,0:01:53.59,Century,,0,0,0,,{\blur0.5\pos(960.06,800.3)}Animation Number 'none'
Dialogue: 0,0:01:53.59,0:01:53.63,Century,,0,0,0,,{\pos(960.37,480.22)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.59,0:01:53.63,Century,,0,0,0,,{\blur0.5\pos(960.37,800.22)}Animation Number 'none'
Dialogue: 0,0:01:53.63,0:01:53.67,Century,,0,0,0,,{\pos(959.74,480.11)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.63,0:01:53.67,Century,,0,0,0,,{\blur0.5\pos(959.74,800.11)}Animation Number 'none'
Dialogue: 0,0:01:53.67,0:01:53.71,Century,,0,0,0,,{\pos(960.12,480.33)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.67,0:01:53.71,Century,,0,0,0,,{\blur0.5\pos(960.12,800.33)}Animation Number 'none'
Dialogue: 0,0:01:53.71,0:01:53.76,Century,,0,0,0,,{\pos(960.46,480.58)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.71,0:01:53.76,Century,,0,0,0,,{\blur0.5\pos(960.46,800.58)}Animation Number 'none'
Dialogue: 0,0:01:53.76,0:01:53.80,Century,,0,0,0,,{\pos(960.1,480.31)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:53.80,0:01:53.84,Century,,0,0,0,,{\pos(960.01,480.3)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.80,0:01:53.84,Century,,0,0,0,,{\blur0.5\pos(960.01,800.3)}Animation Number 'none'
Dialogue: 0,0:01:53.84,0:01:53.88,Century,,0,0,0,,{\pos(959.86,480.3)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.84,0:01:53.88,Century,,0,0,0,,{\blur0.5\pos(959.86,800.3)}Animation Number 'none'
Dialogue: 0,0:01:53.88,0:01:53.92,Century,,0,0,0,,{\pos(959.84,480.59)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.88,0:01:53.92,Century,,0,0,0,,{\blur0.5\pos(959.84,800.59)}Animation Number 'none'
Dialogue: 0,0:01:53.92,0:01:53.96,Century,,0,0,0,,{\pos(959.95,480.27)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:53.92,0:01:53.96,Century,,0,0,0,,{\blur0.5\pos(959.95,800.27)}Animation Number 'none'
Dialogue: 0,0:01:53.96,0:01:54.01,Century,,0,0,0,,{\pos(959.95,480.23)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.01,0:01:54.05,Century,,0,0,0,,{\pos(960.15,480.29)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.01,0:01:54.05,Century,,0,0,0,,{\blur0.5\pos(960.15,800.29)}Animation Number 'none'
Dialogue: 0,0:01:54.05,0:01:54.09,Century,,0,0,0,,{\pos(959.8,480.54)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.05,0:01:54.09,Century,,0,0,0,,{\blur0.5\pos(959.8,800.54)}Animation Number 'none'
Dialogue: 0,0:01:54.09,0:01:54.13,Century,,0,0,0,,{\pos(960.45,480.26)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.09,0:01:54.13,Century,,0,0,0,,{\blur0.5\pos(960.45,800.26)}Animation Number 'none'
Dialogue: 0,0:01:54.13,0:01:54.17,Century,,0,0,0,,{\pos(960.1,480.26)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.13,0:01:54.17,Century,,0,0,0,,{\blur0.5\pos(960.1,800.26)}Animation Number 'none'
Dialogue: 0,0:01:54.17,0:01:54.21,Century,,0,0,0,,{\pos(960.23,480.42)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.26,0:01:54.30,Century,,0,0,0,,{\pos(960.33,480.26)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.30,0:01:54.34,Century,,0,0,0,,{\pos(959.66,480.26)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.38,0:01:54.42,Century,,0,0,0,,{\pos(960.27,480.28)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.42,0:01:54.46,Century,,0,0,0,,{\pos(960.41,480.29)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.46,0:01:54.51,Century,,0,0,0,,{\pos(960.17,480.33)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.46,0:01:54.51,Century,,0,0,0,,{\blur0.5\pos(960.17,800.33)}Animation Number 'none'
Dialogue: 0,0:01:54.51,0:01:54.55,Century,,0,0,0,,{\pos(960.2,480.06)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.51,0:01:54.55,Century,,0,0,0,,{\blur0.5\pos(960.2,800.06)}Animation Number 'none'
Dialogue: 0,0:01:54.55,0:01:54.59,Century,,0,0,0,,{\pos(960.43,480.26)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.55,0:01:54.59,Century,,0,0,0,,{\blur0.5\pos(960.43,800.26)}Animation Number 'none'
Dialogue: 0,0:01:54.59,0:01:54.63,Century,,0,0,0,,{\pos(960.43,480.23)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.59,0:01:54.63,Century,,0,0,0,,{\blur0.5\pos(960.43,800.23)}Animation Number 'none'
Dialogue: 0,0:01:54.59,0:01:55.50,Default-ja,,0,0,0,,お前様よ
Dialogue: 0,0:01:54.63,0:01:54.67,Century,,0,0,0,,{\pos(960.24,480.39)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.63,0:01:54.67,Century,,0,0,0,,{\blur0.5\pos(960.24,800.39)}Animation Number 'none'
Dialogue: 0,0:01:54.67,0:01:54.71,Century,,0,0,0,,{\pos(959.82,480.12)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.67,0:01:54.71,Century,,0,0,0,,{\blur0.5\pos(959.82,800.12)}Animation Number 'none'
Dialogue: 0,0:01:54.71,0:01:54.76,Century,,0,0,0,,{\pos(960.2,480.24)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.71,0:01:54.76,Century,,0,0,0,,{\blur0.5\pos(960.2,800.24)}Animation Number 'none'
Dialogue: 0,0:01:54.76,0:01:54.80,Century,,0,0,0,,{\pos(959.97,480.24)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:54.76,0:01:54.80,Century,,0,0,0,,{\blur0.5\pos(959.97,800.24)}Animation Number 'none'
Dialogue: 0,0:01:54.80,0:01:54.84,Century,,0,0,0,,{\pos(959.97,480.09)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.84,0:01:54.88,Century,,0,0,0,,{\pos(959.95,480.25)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:54.88,0:01:54.92,Century,,0,0,0,,{\pos(960.01,480.51)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:55.34,0:01:55.38,Century,,0,0,0,,{\pos(960.39,480.41)\blur0.5\fs52.5}Yellow Scene
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Dialogue: 0,0:01:55.42,0:01:55.47,Century,,0,0,0,,{\pos(960.09,480.1)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:55.42,0:01:55.47,Century,,0,0,0,,{\blur0.5\pos(960.09,800.1)}Animation Number 'none'
Dialogue: 0,0:01:55.47,0:01:55.51,Century,,0,0,0,,{\pos(960.23,480.22)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:55.47,0:01:55.51,Century,,0,0,0,,{\blur0.5\pos(960.23,800.22)}Animation Number 'none'
Dialogue: 0,0:01:55.51,0:01:55.55,Century,,0,0,0,,{\pos(960.08,479.97)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:55.51,0:01:55.55,Century,,0,0,0,,{\blur0.5\pos(960.08,799.97)}Animation Number 'none'
Dialogue: 0,0:01:55.55,0:01:55.59,Century,,0,0,0,,{\pos(960.38,480.34)\blur0.5\fs52.5}Yellow Scene
Dialogue: 0,0:01:55.55,0:01:55.59,Century,,0,0,0,,{\blur0.5\pos(960.38,800.34)}Animation Number 'none'
Dialogue: 0,0:01:55.59,0:02:00.47,Default,,0,0,0,,There's no need to worry over such an obstinate, spoiled brat.
Dialogue: 0,0:01:55.75,0:01:58.42,Default-ja,,0,0,0,,こんな分からず屋で\N甘えん坊のガキ
Dialogue: 0,0:01:58.51,0:02:00.42,Default-ja,,0,0,0,,気遣ってやる必要はないわい
Dialogue: 0,0:02:00.47,0:02:02.35,Default,,0,0,0,,All you have to do is punch her and snatch it. {albel: in this and many other shinobu sentences she uses "blah-blah (ii) jarou", i.e. "it's ok to just blah-blah, isn't it?" which is translated everywhere as "should just" or "all you have to" or not translated at all, but otherwise adds a lot of matter-of-factly uttered depreciation. just mentioning it if someone thinks it's a nuance worthy of preservation}
Dialogue: 0,0:02:00.51,0:02:02.26,Default-ja,,0,0,0,,ぶん殴って\N奪えばよいだけじゃろう
Dialogue: 0,0:02:02.35,0:02:02.60,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Red Scene
Dialogue: 0,0:02:02.35,0:02:02.60,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:02:03.51,0:02:08.98,Default,,0,0,0,,A girl like this, who knows nothing, should just be tossed aside. {added commas, but seems hinky still, check tl? -forks} {albel: yeah, well, it's a bit overloaded. "ucchatte" can be understood in several ways here. one is "defeat", another, more fitting but rare "slap into something spreading it over said something" .  together with "sono hen ni"  and "okeba"   it's "left laying defeated around here"  or,r, more graphically "should be left (laying) swatted around here". it's also a slight possibility that "sono hen ni" is used metaphorically to mean "it's about time to...", but I doubt it. Anyway, according to LN, the sentence is about abandoning her, not even bothering with explaining her where she went wrong after defeating her, and by this act giving her more excuse to feel herself the victim, which is supposedly what she wants.  "such a understanding-nothing girl should just be left blah-blah". lots of depreciation.}{i can't figure out how to/if i need to change this -forks}
Dialogue: 0,0:02:03.80,0:02:06.56,Default-ja,,0,0,0,,こんな何も分かっておらん小娘など
Dialogue: 0,0:02:06.64,0:02:08.93,Default-ja,,0,0,0,,その辺にうっちゃっておけば\Nよいんじゃよ
Dialogue: 0,0:02:08.98,0:02:13.78,Default,,0,0,0,,Pitiful and cute. It would be a mercy to let her continue being the victim. {added "a" between "It's mercy" -forks} {albel: a bit of accent on "mercy". "Letting her continue being the victim is/would be a mercy(as opposed to something else) to her"}
Dialogue: 0,0:02:09.02,0:02:10.81,Default-ja,,0,0,0,,かわいそうで かわいい
Dialogue: 0,0:02:10.89,0:02:13.69,Default-ja,,0,0,0,,被害者でい続けさせてやるのが\N情けじゃろう
Dialogue: 0,0:02:14.11,0:02:15.19,Default,,0,0,0,,Shinobu...
Dialogue: 0,0:02:14.27,0:02:15.11,Default-ja,,0,0,0,,忍…
Dialogue: 0,0:02:15.19,0:02:17.24,Default,,0,0,0,,A brat who's nothing but cute.
Dialogue: 0,0:02:15.36,0:02:17.15,Default-ja,,0,0,0,,（忍）かわいいだけのガキなんぞ
Dialogue: 0,0:02:17.24,0:02:17.82,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Cold words.
Dialogue: 1,0:02:17.24,0:02:17.82,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 65
Dialogue: 0,0:02:17.82,0:02:20.45,Default,,0,0,0,,A brat who only thinks of herself. {albel: what she really says here is "wagami ga kawaii dake", which is a bit hard to translate, but it's a refinement of the previous sentence "A brat who's nothing but cute in appearance only" and has nothing to "wagamama" or something else which could be translated as "thinking only of herself". BUT. In LN shinobu also speaks about how nadeko thinks only about herself   ,and without mentioning that nadeko's retort below would make less sense, so let's leave this sentence as it is.}{k}
Dialogue: 0,0:02:17.90,0:02:20.36,Default-ja,,0,0,0,,我が身がかわいいだけの\Nガキなんぞ
Dialogue: 0,0:02:20.45,0:02:24.79,Default,,0,0,0,,Just abandon her. Stop this philanthropism.
Dialogue: 0,0:02:20.70,0:02:22.61,Default-ja,,0,0,0,,見捨ててやればよいのじゃよ
Dialogue: 0,0:02:22.78,0:02:24.78,Default-ja,,0,0,0,,博愛主義も いいかげんにしろ
Dialogue: 0,0:02:24.79,0:02:28.25,Default,,0,0,0,,Crime should be punished. She should be taught that. {added "her" to "put in place" -forks} {albel: "She should (get to) realize that (i.e. that crime should be punished)". where "(get to) realize" is really "to have sinked deeply into one's mind"/"to understand thoroughly"}{couldn't really think of anything better -forks}
Dialogue: 0,0:02:24.87,0:02:26.16,Default-ja,,0,0,0,,罪には罰を
Dialogue: 0,0:02:26.24,0:02:28.16,Default-ja,,0,0,0,,こやつは思い知るべきなんじゃよ
Dialogue: 0,0:02:28.25,0:02:28.46,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Determined
Dialogue: 1,0:02:28.25,0:02:28.46,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 68
Dialogue: 0,0:02:28.46,0:02:28.75,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}like a snake.
Dialogue: 1,0:02:28.46,0:02:28.75,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 68
Dialogue: 0,0:02:28.75,0:02:29.04,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H2626D6&}Cold-blooded.
Dialogue: 1,0:02:28.75,0:02:29.04,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100\c&H3532CB&}Animation Number 68
Dialogue: 0,0:02:29.04,0:02:30.67,Default,,0,0,0,,Just like I was. {albel: literally "similarly to me". but anything goes, as long as it flows with the previous line}
Dialogue: 0,0:02:29.20,0:02:30.58,Default-ja,,0,0,0,,わし同様にな
Dialogue: 0,0:02:31.46,0:02:34.00,Default,,0,0,0,,S-Saying whatever you like... {doesn't make sense to 'murricans, we always speak as we like. maybe "B-being so frank..." or something? -forks} {albel: "being frank" in my head implies that what's being said is agreed to be true. More rejection is needed here. like "Blabbing" or "Running your mouth", dunno. the general idea is "Speaking all you like/whatever comes to your head/whatever suits you".}
Dialogue: 0,0:02:31.71,0:02:33.96,Default-ja,,0,0,0,,い… 言いたいことを
Dialogue: 0,0:02:35.00,0:02:38.88,Default,,0,0,0,,I-I'm not like that! W-Well, maybe I am... {albel: ok, this one and the next line are hard. even reading LN I can't fully make out what she tried to say here. But here is the clarifying context: she objects to that understanding of herself. i.e. that she's a understanding-nothing thinking-only-of-herself cute-only-in-appearance brat. What is not made clear enough here is that she thinks she did things not only for herself but also partly out of pity for poor helpless energyless kuchinawa-san. and she wants him to confirm that and that's why she calls up to him later.  hence it's not "That's not it", it's "No, I'm not like that. Well, maybe I am..."}{i tried -forks}
Dialogue: 0,0:02:35.04,0:02:36.50,Default-ja,,0,0,0,,ち… 違うもん！
Dialogue: 0,0:02:36.59,0:02:38.88,Default-ja,,0,0,0,,そ… そうかもしれないけれど
Dialogue: 0,0:02:38.88,0:02:41.72,Default,,0,0,0,,Yes, it's something I'm doing, reluctantly, for my own sake!
Dialogue: 0,0:02:38.96,0:02:41.67,Default-ja,,0,0,0,,自分のためで\Nしかたなくやってるだけだけど
Dialogue: 0,0:02:41.72,0:02:44.22,Default,,0,0,0,,I'm trying to atone for my own mistake. I'm trying to cover it up... {deception? check tl -forks} {albel: yeah, deception. maybe better to say "deceit". She likely refers to herself lying to K-o-chan about not being possessed and stuff in order to accomplish her goal. Also there was no need to lump atonement and deception into one with comma, those technically are separate sentences. She enumerates what she was/is doing, and how it's selfish and bad, in order to say "but <context from previous line>". Anyway "It's what I'm doing for my own sake (reference to selfisness/thinking about herself), having no (other) choice (ideally this should have been an adverb having-no-choice-ly). It's an atonement. It's a deceit."}
Dialogue: 0,0:02:41.76,0:02:44.18,Default-ja,,0,0,0,,償いだけど ごまかしだけど
Dialogue: 0,0:02:44.22,0:02:45.72,Default,,0,0,0,,But... But...
Dialogue: 0,0:02:44.26,0:02:45.64,Default-ja,,0,0,0,,でも でも…
Dialogue: 0,0:02:48.98,0:02:51.98,Default,,0,0,0,,S-Say something, Kuchinawa-san.
Dialogue: 0,0:02:49.27,0:02:51.89,Default-ja,,0,0,0,,な… 何か言ってよ クチナワさん
Dialogue: 0,0:02:51.98,0:02:55.48,Default,,0,0,0,,Don't stay quiet! Please, help me!
Dialogue: 0,0:02:52.39,0:02:55.40,Default-ja,,0,0,0,,黙ってないで\Nお願いだから撫子を助けてよ！
Dialogue: 0,0:02:56.11,0:02:56.94,Default-ja,,0,0,0,,撫子を…
Dialogue: 0,0:02:56.11,0:02:57.03,Default,,0,0,0,,Cover...
Dialogue: 0,0:02:57.03,0:02:57.36,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}You.
Dialogue: 1,0:02:57.03,0:02:57.36,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 77
Dialogue: 0,0:02:57.36,0:02:57.65,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Aren't you
Dialogue: 1,0:02:57.36,0:02:57.65,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 77
Dialogue: 0,0:02:57.65,0:02:58.03,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}a god?
Dialogue: 1,0:02:57.65,0:02:58.03,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 77
Dialogue: 0,0:03:00.45,0:03:02.28,Default,,0,0,0,,...for me.
Dialogue: 0,0:03:00.69,0:03:01.99,Default-ja,,0,0,0,,かばってよ
Dialogue: 0,0:03:02.28,0:03:05.12,Default,,0,0,0,,Won't you stop it already, bangs girl? {albel: more precisely something like, "won't you stop it already, bangs girl?"}
Dialogue: 0,0:03:02.53,0:03:05.07,Default-ja,,0,0,0,,（忍）いいかげんにせんか 前髪娘
Dialogue: 0,0:03:05.12,0:03:10.67,Default,,0,0,0,,Stop your persistent reliance on this "Kuchinawa-san," some god who has {\i1}not even been revived{\i0}... {albel: technically speaking, that's and the next line is one sentence. "Stop depending/relying on some not even yet revived god you call "Kuchinawa-san", and...".  in LN the "not-even-yet-revived" part is stressed. Since HS already introduced some quotation marks in speech that are only visible in LN, I guess it would be prudent if we highlight kuchinawa's nonexistence here too}
Dialogue: 0,0:03:05.16,0:03:08.49,Default-ja,,0,0,0,,“クチナワさん”などという\N復活もしておらん神様に
Dialogue: 0,0:03:08.87,0:03:10.62,Default-ja,,0,0,0,,いつまでも依存しておらんで
Dialogue: 0,0:03:10.67,0:03:13.38,Default,,0,0,0,,...and give us that talisman at once. {albel: just reminding that if you added "and..." in the previous line, this one probably needs to start from downcase.}
Dialogue: 0,0:03:10.70,0:03:13.16,Default-ja,,0,0,0,,さっさと その札をこっちによこせ
Dialogue: 0,0:03:13.38,0:03:17.76,Default,,0,0,0,,That magic talisman that Gaen Izuko entrusted my master with.
Dialogue: 0,0:03:13.46,0:03:16.17,Default-ja,,0,0,0,,我があるじ様が\N臥煙伊豆湖(がえんいずこ)から託された—
Dialogue: 0,0:03:16.25,0:03:17.67,Default-ja,,0,0,0,,そのまじないの札を
Dialogue: 0,0:03:17.76,0:03:19.76,Black and Red,,0,0,0,,{\pos(202.5,840)\blur2\alpha&H50&\c&H203740&\fscx27\fscy37}Reference
Dialogue: 1,0:03:17.76,0:03:19.76,Black and Red,,0,0,0,,{\pos(202.5,840)\blur0.5\c&H203740&\fscx27\fscy37}Reference
Dialogue: 0,0:03:17.76,0:03:19.76,Black and Red,,0,0,0,,{\pos(526.5,418.5)\blur2\alpha&H50&\c&H203740&\fscx19\fscy32}Reference
Dialogue: 1,0:03:17.76,0:03:19.76,Black and Red,,0,0,0,,{\pos(526.5,418.5)\blur0.5\c&H203740&\fscx19\fscy32}Reference
Dialogue: 0,0:03:17.76,0:03:19.76,Black and Red,,0,0,0,,{\pos(577.5,418.5)\blur2\alpha&H50&\c&H203740&\fscx19\fscy32}Reference
Dialogue: 1,0:03:17.76,0:03:19.76,Black and Red,,0,0,0,,{\pos(577.5,418.5)\blur0.5\c&H203740&\fscx19\fscy32}Reference
Dialogue: 0,0:03:19.76,0:03:19.80,Black and Red,,0,0,0,,{\pos(975,390)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:19.76,0:03:19.80,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:19.80,0:03:19.84,Black and Red,,0,0,0,,{\pos(975.35,389.85)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:19.80,0:03:19.84,Century,,0,0,0,,{\pos(960.35,799.85)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:19.84,0:03:19.88,Black and Red,,0,0,0,,{\pos(975.24,389.75)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:19.84,0:03:19.88,Century,,0,0,0,,{\pos(960.24,799.75)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:19.88,0:03:19.92,Black and Red,,0,0,0,,{\pos(975.05,390.03)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:19.88,0:03:19.92,Century,,0,0,0,,{\pos(960.05,800.03)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:19.92,0:03:19.97,Black and Red,,0,0,0,,{\pos(975.33,390)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:19.92,0:03:19.97,Century,,0,0,0,,{\pos(960.33,800)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:19.97,0:03:20.01,Black and Red,,0,0,0,,{\pos(975.39,389.84)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:19.97,0:03:20.01,Century,,0,0,0,,{\pos(960.39,799.84)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.01,0:03:20.05,Black and Red,,0,0,0,,{\pos(975.56,389.86)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.01,0:03:20.05,Century,,0,0,0,,{\pos(960.56,799.86)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.05,0:03:20.09,Black and Red,,0,0,0,,{\pos(975.17,389.85)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.05,0:03:20.09,Century,,0,0,0,,{\pos(960.17,799.85)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.09,0:03:20.13,Black and Red,,0,0,0,,{\pos(975.5,389.89)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.09,0:03:20.13,Century,,0,0,0,,{\pos(960.5,799.89)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.13,0:03:20.17,Black and Red,,0,0,0,,{\pos(975.53,389.88)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.13,0:03:20.17,Century,,0,0,0,,{\pos(960.53,799.88)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.17,0:03:20.22,Black and Red,,0,0,0,,{\pos(975.59,389.88)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.17,0:03:20.22,Century,,0,0,0,,{\pos(960.59,799.88)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.22,0:03:20.26,Black and Red,,0,0,0,,{\pos(975.67,389.78)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.22,0:03:20.26,Century,,0,0,0,,{\pos(960.67,799.78)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.26,0:03:20.30,Black and Red,,0,0,0,,{\pos(975.44,390.02)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.26,0:03:20.30,Century,,0,0,0,,{\pos(960.44,800.02)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.30,0:03:20.34,Black and Red,,0,0,0,,{\pos(975.28,389.83)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.30,0:03:20.34,Century,,0,0,0,,{\pos(960.28,799.83)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.34,0:03:20.38,Black and Red,,0,0,0,,{\pos(975.24,389.8)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.34,0:03:20.38,Century,,0,0,0,,{\pos(960.24,799.8)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.38,0:03:20.43,Black and Red,,0,0,0,,{\pos(975.5,389.82)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.38,0:03:20.43,Century,,0,0,0,,{\pos(960.5,799.82)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.43,0:03:20.47,Black and Red,,0,0,0,,{\pos(975.38,389.93)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.43,0:03:20.47,Century,,0,0,0,,{\pos(960.38,799.93)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.47,0:03:20.51,Black and Red,,0,0,0,,{\pos(975.65,389.94)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.47,0:03:20.51,Century,,0,0,0,,{\pos(960.65,799.94)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.51,0:03:20.55,Black and Red,,0,0,0,,{\pos(975.61,390.04)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.51,0:03:20.55,Century,,0,0,0,,{\pos(960.61,800.04)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.55,0:03:20.59,Black and Red,,0,0,0,,{\pos(975.36,389.99)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.55,0:03:20.59,Century,,0,0,0,,{\pos(960.36,799.99)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:20.59,0:03:20.63,Black and Red,,0,0,0,,{\pos(975.33,389.82)\blur0.5\fscx192\fscy192}Huh?
Dialogue: 1,0:03:20.59,0:03:20.63,Century,,0,0,0,,{\pos(960.33,799.82)\blur0.5\fscx100\fscy100}Animation Number 84
Dialogue: 0,0:03:21.38,0:03:24.14,Default,,0,0,0,,{\i1}Wrapped around my wrist was nothing more...{\i0} {albel: ugh, does "wrapped there" even work for bracelet-thingies?  巻き付く [まきつく] /(v5k) to twine around/  for a lack of good synonym. also see typeset at 3:23, it should be changed to use chosen verb respectively}{can't really think of anything better -forks}
Dialogue: 0,0:03:21.46,0:03:23.55,Default-ja,,0,0,0,,（千石）\Nそこに巻きついているのは
Dialogue: 0,0:03:23.64,0:03:24.14,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Curled around my wrist, possessing me, was—
Dialogue: 1,0:03:23.64,0:03:24.14,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 85
Dialogue: 0,0:03:23.72,0:03:26.68,Default-ja,,0,0,0,,ただの…\Nただの白いシュシュでした
Dialogue: 0,0:03:24.14,0:03:28.98,Default,,0,0,0,,{\i1}...than a plain white scrunchie. One that seems totally good for tying hair up with.{\i0} {albel: "A very easy-to-tie-hair-up-with one". kidding kidding. it's ok like it is now.}
Dialogue: 0,0:03:26.80,0:03:29.10,Default-ja,,0,0,0,,とても髪が結びやすそうな
Dialogue: 0,0:03:30.00,0:03:30.01,Century,,0,0,0,,{\pos(975,435)\blur4\fsp7.5\c&HFFFFFF&\fscx140\fscy135\bord0\3c&HDCD4FF&}Nadeko Medusa         Part Four
Dialogue: 1,0:03:30.00,0:03:30.01,Century,,0,0,0,,{\pos(975,435)\blur0.5\fsp7.5\c&HFFFFFF&\fscx140\fscy135}Nadeko Medusa         Part Four
Dialogue: 0,0:03:30.00,0:03:30.01,Century,,0,0,0,,{\pos(961.5,856.5)\fsp4.5\blur3\c&HFFFFFF&\fscx84\fscy84\bord0\3c&HDCD4FF&}Font used in the video: HGP Mincho B
Dialogue: 1,0:03:30.00,0:03:30.01,Century,,0,0,0,,{\pos(961.5,856.5)\fsp4.5\blur0.5\c&HFFFFFF&\fscx84\fscy84}Font used in the video: HGP Mincho B
Dialogue: 0,0:03:30.01,0:03:33.00,Century,,0,0,0,,{\pos(975,435)\blur4\fsp7.5\c&HFFFFFF&\fscx140\fscy135\bord0\3c&HDCD4FF&}Nadeko Medusa         Part Four
Dialogue: 1,0:03:30.01,0:03:33.00,Century,,0,0,0,,{\pos(975,435)\blur0.5\fsp7.5\c&HFFFFFF&\fscx140\fscy135}Nadeko Medusa         Part Four
Dialogue: 0,0:03:30.01,0:03:33.00,Century,,0,0,0,,{\pos(961.5,856.5)\fsp4.5\blur3\c&HFFFFFF&\fscx84\fscy84\bord0\3c&HDCD4FF&}Font used in the video: HGP Mincho B
Dialogue: 1,0:03:30.01,0:03:33.00,Century,,0,0,0,,{\pos(961.5,856.5)\fsp4.5\blur0.5\c&HFFFFFF&\fscx84\fscy84}Font used in the video: HGP Mincho B
Dialogue: 1,0:03:32.98,0:03:33.02,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.02,0:03:33.06,Century,,0,0,0,,{\pos(960.35,799.7)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.06,0:03:33.10,Century,,0,0,0,,{\pos(960.31,799.62)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.10,0:03:33.15,Century,,0,0,0,,{\pos(960.07,800.1)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.15,0:03:33.19,Century,,0,0,0,,{\pos(960.4,800.06)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.19,0:03:33.23,Century,,0,0,0,,{\pos(960.51,799.84)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.23,0:03:33.27,Century,,0,0,0,,{\pos(960.65,799.83)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.27,0:03:33.31,Century,,0,0,0,,{\pos(960.27,799.94)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.31,0:03:33.35,Century,,0,0,0,,{\pos(960.6,800)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.35,0:03:33.40,Century,,0,0,0,,{\pos(960.65,799.97)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.40,0:03:33.44,Century,,0,0,0,,{\pos(960.72,799.93)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.44,0:03:33.48,Century,,0,0,0,,{\pos(960.81,799.78)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.48,0:03:33.52,Century,,0,0,0,,{\pos(960.5,800.28)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.52,0:03:33.56,Century,,0,0,0,,{\pos(960.44,800.04)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.56,0:03:33.60,Century,,0,0,0,,{\pos(960.39,800.02)\blur0.5\fscx100\fscy100}Animation Number 87
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1086,188.5)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150}12
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1086,188.5)\blur1\c&HCBCDCB&\b1\fscx150\fscy150}12
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1242,227.5)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150}1
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1242,227.5)\blur1\c&HCBCDCB&\b1\fscx150\fscy150}1
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1330.5,310)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150\iclip(m 1299 269 l 1694 42 1209 333)}2
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1330.5,310)\blur1\c&HCBCDCB&\b1\fscx150\fscy150\iclip(m 1299 269 l 1694 42 1209 333)}2
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1375.5,437.5)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150\clip(740,339,1431,398)}3
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1375.5,437.5)\blur1\c&HCBCDCB&\b1\fscx150\fscy150\clip(740,339,1431,398)}3
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1375.5,437.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150\iclip(740,339,1431,398)}3
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1375.5,437.5)\blur1\c&H454747&\b1\fscx150\fscy150\iclip(740,339,1431,398)}3
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1330.5,572.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150}4
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1330.5,572.5)\blur1\c&H454747&\b1\fscx150\fscy150}4
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1234.5,665.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150}5
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1234.5,665.5)\blur1\c&H454747&\b1\fscx150\fscy150}5
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1083,719.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150}6
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(1083,719.5)\blur1\c&H454747&\b1\fscx150\fscy150}6
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(943.5,665.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150}7
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(943.5,665.5)\blur1\c&H454747&\b1\fscx150\fscy150}7
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(855,572.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150}8
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(855,572.5)\blur1\c&H454747&\b1\fscx150\fscy150}8
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(802.5,437.5)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150\clip(740,339,1431,398)}9
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(802.5,437.5)\blur1\c&HCBCDCB&\b1\fscx150\fscy150\clip(740,339,1431,398)}9
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(802.5,437.5)\blur3\alpha&H80&\c&H454747&\b1\fscx150\fscy150\iclip(740,339,1431,398)}9
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(802.5,437.5)\blur1\c&H454747&\b1\fscx150\fscy150\iclip(740,339,1431,398)}9
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(843.5,310)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150}10
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(843.5,310)\blur1\c&HCBCDCB&\b1\fscx150\fscy150}10
Dialogue: 1,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(950,227.5)\blur3\alpha&H80&\c&HCBCDCB&\b1\fscx150\fscy150}11
Dialogue: 2,0:03:33.60,0:03:34.86,Century,,0,0,0,,{\pos(950,227.5)\blur1\c&HCBCDCB&\b1\fscx150\fscy150}11
Dialogue: 0,0:03:36.23,0:03:38.99,Default,,0,0,0,,Shinobu, don't say things that'll agitate her.
Dialogue: 0,0:03:36.31,0:03:38.86,Default-ja,,0,0,0,,忍 刺激するようなことを言うな
Dialogue: 0,0:03:41.24,0:03:42.57,Default,,0,0,0,,Sengoku!
Dialogue: 0,0:03:41.24,0:03:42.07,Default-ja,,0,0,0,,千石！
Dialogue: 0,0:03:42.57,0:03:44.37,Default,,0,0,0,,Stop it, Sengoku! There's still time...
Dialogue: 0,0:03:42.74,0:03:44.32,Default-ja,,0,0,0,,やめろ千石！　まだ間にあ…
Dialogue: 0,0:03:44.45,0:03:45.16,Default,,0,0,0,,No there isn't! {albel: literally, "no, there isn't (time)"}
Dialogue: 0,0:03:44.45,0:03:45.28,Default-ja,,0,0,0,,（忍）合わんわ！
Dialogue: 0,0:03:45.70,0:03:48.62,Default,,0,0,0,,I have to eat her! It's already too late for her! {albel: more literally "(there's no other way but) eat (her). It's already too late for this woman". disregard at will.}
Dialogue: 0,0:03:45.74,0:03:46.74,Default-ja,,0,0,0,,食うしかない！
Dialogue: 0,0:03:46.87,0:03:48.49,Default-ja,,0,0,0,,この女は もう手遅れじゃ！
Dialogue: 0,0:03:48.62,0:03:48.66,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.62,0:03:48.66,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:03:48.62,0:03:51.00,Default,,0,0,0,,Th-The fact that it's too late... {albel: literally, together with the next line "As much as the fact that it's too late is something I understand better than anyone". "the most aware of" has more shouting potential, but it sounds to me as if it's a thing she knows best, not that she is the one who understands it best. but use it anyway, if you want.}
Dialogue: 0,0:03:48.66,0:03:48.70,Century,,0,0,0,,{\pos(959.79,480.01)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.66,0:03:48.70,Century,,0,0,0,,{\blur0.5\pos(959.79,800.01)}Animation Number 'none'
Dialogue: 0,0:03:48.70,0:03:48.74,Century,,0,0,0,,{\pos(959.99,479.4)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.70,0:03:48.74,Century,,0,0,0,,{\blur0.5\pos(959.99,799.4)}Animation Number 'none'
Dialogue: 0,0:03:48.74,0:03:48.79,Century,,0,0,0,,{\pos(959.94,480.08)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.74,0:03:48.79,Century,,0,0,0,,{\blur0.5\pos(959.94,800.08)}Animation Number 'none'
Dialogue: 0,0:03:48.79,0:03:48.83,Century,,0,0,0,,{\pos(959.85,480.06)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.79,0:03:48.83,Century,,0,0,0,,{\blur0.5\pos(959.85,800.06)}Animation Number 'none'
Dialogue: 0,0:03:48.83,0:03:48.87,Century,,0,0,0,,{\pos(959.92,479.77)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.83,0:03:48.87,Century,,0,0,0,,{\blur0.5\pos(959.92,799.77)}Animation Number 'none'
Dialogue: 0,0:03:48.87,0:03:48.91,Century,,0,0,0,,{\pos(960.46,480.13)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.87,0:03:48.91,Century,,0,0,0,,{\blur0.5\pos(960.46,800.13)}Animation Number 'none'
Dialogue: 0,0:03:48.91,0:03:48.95,Century,,0,0,0,,{\pos(959.97,479.75)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.91,0:03:48.95,Century,,0,0,0,,{\blur0.5\pos(959.97,799.75)}Animation Number 'none'
Dialogue: 0,0:03:48.95,0:03:49.00,Century,,0,0,0,,{\pos(960.33,479.74)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:48.95,0:03:49.00,Century,,0,0,0,,{\blur0.5\pos(960.33,799.74)}Animation Number 'none'
Dialogue: 0,0:03:49.00,0:03:49.04,Century,,0,0,0,,{\pos(960.43,480.09)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.00,0:03:49.04,Century,,0,0,0,,{\blur0.5\pos(960.43,800.09)}Animation Number 'none'
Dialogue: 0,0:03:49.04,0:03:49.08,Century,,0,0,0,,{\pos(960.12,479.3)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.04,0:03:49.08,Century,,0,0,0,,{\blur0.5\pos(960.12,799.3)}Animation Number 'none'
Dialogue: 0,0:03:49.08,0:03:49.12,Century,,0,0,0,,{\pos(960.27,479.53)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.08,0:03:49.12,Century,,0,0,0,,{\blur0.5\pos(960.27,799.53)}Animation Number 'none'
Dialogue: 0,0:03:49.08,0:03:50.87,Default-ja,,0,0,0,,（千石）\Nて…\N手遅れなことくらい
Dialogue: 0,0:03:49.12,0:03:49.16,Century,,0,0,0,,{\pos(960.39,479.75)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.12,0:03:49.16,Century,,0,0,0,,{\blur0.5\pos(960.39,799.75)}Animation Number 'none'
Dialogue: 0,0:03:49.16,0:03:49.20,Century,,0,0,0,,{\pos(960.18,479.71)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.16,0:03:49.20,Century,,0,0,0,,{\blur0.5\pos(960.18,799.71)}Animation Number 'none'
Dialogue: 0,0:03:49.20,0:03:49.25,Century,,0,0,0,,{\pos(959.95,479.28)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.20,0:03:49.25,Century,,0,0,0,,{\blur0.5\pos(959.95,799.28)}Animation Number 'none'
Dialogue: 0,0:03:49.25,0:03:49.29,Century,,0,0,0,,{\pos(960.4,479.31)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.25,0:03:49.29,Century,,0,0,0,,{\blur0.5\pos(960.4,799.31)}Animation Number 'none'
Dialogue: 0,0:03:49.29,0:03:49.33,Century,,0,0,0,,{\pos(960.36,479.62)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.29,0:03:49.33,Century,,0,0,0,,{\blur0.5\pos(960.36,799.62)}Animation Number 'none'
Dialogue: 0,0:03:49.33,0:03:49.37,Century,,0,0,0,,{\pos(960.36,479.59)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.33,0:03:49.37,Century,,0,0,0,,{\blur0.5\pos(960.36,799.59)}Animation Number 'none'
Dialogue: 0,0:03:49.37,0:03:49.41,Century,,0,0,0,,{\pos(960.36,479.63)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.37,0:03:49.41,Century,,0,0,0,,{\blur0.5\pos(960.36,799.63)}Animation Number 'none'
Dialogue: 0,0:03:49.41,0:03:49.45,Century,,0,0,0,,{\pos(960.8,479.85)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.41,0:03:49.45,Century,,0,0,0,,{\blur0.5\pos(960.8,799.85)}Animation Number 'none'
Dialogue: 0,0:03:49.45,0:03:49.50,Century,,0,0,0,,{\pos(960.19,479.78)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.45,0:03:49.50,Century,,0,0,0,,{\blur0.5\pos(960.19,799.78)}Animation Number 'none'
Dialogue: 0,0:03:49.50,0:03:49.54,Century,,0,0,0,,{\pos(960.62,479.35)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.50,0:03:49.54,Century,,0,0,0,,{\blur0.5\pos(960.62,799.35)}Animation Number 'none'
Dialogue: 0,0:03:49.54,0:03:49.58,Century,,0,0,0,,{\pos(960.07,479.47)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.54,0:03:49.58,Century,,0,0,0,,{\blur0.5\pos(960.07,799.47)}Animation Number 'none'
Dialogue: 0,0:03:49.58,0:03:49.62,Century,,0,0,0,,{\pos(960.58,480.03)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.58,0:03:49.62,Century,,0,0,0,,{\blur0.5\pos(960.58,800.03)}Animation Number 'none'
Dialogue: 0,0:03:49.62,0:03:49.66,Century,,0,0,0,,{\pos(960.62,479.99)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.62,0:03:49.66,Century,,0,0,0,,{\blur0.5\pos(960.62,799.99)}Animation Number 'none'
Dialogue: 0,0:03:49.66,0:03:49.70,Century,,0,0,0,,{\pos(960.14,479.86)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.66,0:03:49.70,Century,,0,0,0,,{\blur0.5\pos(960.14,799.86)}Animation Number 'none'
Dialogue: 0,0:03:49.70,0:03:49.75,Century,,0,0,0,,{\pos(961.05,479.75)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.70,0:03:49.75,Century,,0,0,0,,{\blur0.5\pos(961.05,799.75)}Animation Number 'none'
Dialogue: 0,0:03:49.75,0:03:49.79,Century,,0,0,0,,{\pos(960.49,479.38)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.75,0:03:49.79,Century,,0,0,0,,{\blur0.5\pos(960.49,799.38)}Animation Number 'none'
Dialogue: 0,0:03:49.79,0:03:49.83,Century,,0,0,0,,{\pos(960.44,479.67)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.79,0:03:49.83,Century,,0,0,0,,{\blur0.5\pos(960.44,799.67)}Animation Number 'none'
Dialogue: 0,0:03:49.83,0:03:49.87,Century,,0,0,0,,{\pos(960.71,479.37)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.83,0:03:49.87,Century,,0,0,0,,{\blur0.5\pos(960.71,799.37)}Animation Number 'none'
Dialogue: 0,0:03:49.87,0:03:49.91,Century,,0,0,0,,{\pos(960.48,479.58)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.87,0:03:49.91,Century,,0,0,0,,{\blur0.5\pos(960.48,799.58)}Animation Number 'none'
Dialogue: 0,0:03:49.91,0:03:49.95,Century,,0,0,0,,{\pos(961.35,479.66)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.91,0:03:49.95,Century,,0,0,0,,{\blur0.5\pos(961.35,799.66)}Animation Number 'none'
Dialogue: 0,0:03:49.95,0:03:50.00,Century,,0,0,0,,{\pos(961.01,479.65)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:49.95,0:03:50.00,Century,,0,0,0,,{\blur0.5\pos(961.01,799.65)}Animation Number 'none'
Dialogue: 0,0:03:50.00,0:03:50.04,Century,,0,0,0,,{\pos(961.05,479.33)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.00,0:03:50.04,Century,,0,0,0,,{\blur0.5\pos(961.05,799.33)}Animation Number 'none'
Dialogue: 0,0:03:50.04,0:03:50.08,Century,,0,0,0,,{\pos(960.37,480.11)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.04,0:03:50.08,Century,,0,0,0,,{\blur0.5\pos(960.37,800.11)}Animation Number 'none'
Dialogue: 0,0:03:50.08,0:03:50.12,Century,,0,0,0,,{\pos(960.76,479.78)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.08,0:03:50.12,Century,,0,0,0,,{\blur0.5\pos(960.76,799.78)}Animation Number 'none'
Dialogue: 0,0:03:50.12,0:03:50.16,Century,,0,0,0,,{\pos(960.76,479.79)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.12,0:03:50.16,Century,,0,0,0,,{\blur0.5\pos(960.76,799.79)}Animation Number 'none'
Dialogue: 0,0:03:50.16,0:03:50.20,Century,,0,0,0,,{\pos(960.63,479.84)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.16,0:03:50.20,Century,,0,0,0,,{\blur0.5\pos(960.63,799.84)}Animation Number 'none'
Dialogue: 0,0:03:50.20,0:03:50.25,Century,,0,0,0,,{\pos(960.79,479.15)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.20,0:03:50.25,Century,,0,0,0,,{\blur0.5\pos(960.79,799.15)}Animation Number 'none'
Dialogue: 0,0:03:50.25,0:03:50.29,Century,,0,0,0,,{\pos(960.66,479.88)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.25,0:03:50.29,Century,,0,0,0,,{\blur0.5\pos(960.66,799.88)}Animation Number 'none'
Dialogue: 0,0:03:50.29,0:03:50.33,Century,,0,0,0,,{\pos(960.59,479.88)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.29,0:03:50.33,Century,,0,0,0,,{\blur0.5\pos(960.59,799.88)}Animation Number 'none'
Dialogue: 0,0:03:50.33,0:03:50.37,Century,,0,0,0,,{\pos(960.63,479.61)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.33,0:03:50.37,Century,,0,0,0,,{\blur0.5\pos(960.63,799.61)}Animation Number 'none'
Dialogue: 0,0:03:50.37,0:03:50.41,Century,,0,0,0,,{\pos(961.2,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.37,0:03:50.41,Century,,0,0,0,,{\blur0.5\pos(961.2,799.96)}Animation Number 'none'
Dialogue: 0,0:03:50.41,0:03:50.46,Century,,0,0,0,,{\pos(960.71,479.59)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.41,0:03:50.46,Century,,0,0,0,,{\blur0.5\pos(960.71,799.59)}Animation Number 'none'
Dialogue: 0,0:03:50.46,0:03:50.50,Century,,0,0,0,,{\pos(961,479.57)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.46,0:03:50.50,Century,,0,0,0,,{\blur0.5\pos(961,799.57)}Animation Number 'none'
Dialogue: 0,0:03:50.50,0:03:50.54,Century,,0,0,0,,{\pos(961.05,479.93)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.50,0:03:50.54,Century,,0,0,0,,{\blur0.5\pos(961.05,799.93)}Animation Number 'none'
Dialogue: 0,0:03:50.54,0:03:50.58,Century,,0,0,0,,{\pos(960.69,479.17)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.54,0:03:50.58,Century,,0,0,0,,{\blur0.5\pos(960.69,799.17)}Animation Number 'none'
Dialogue: 0,0:03:50.58,0:03:50.62,Century,,0,0,0,,{\pos(960.84,479.39)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.58,0:03:50.62,Century,,0,0,0,,{\blur0.5\pos(960.84,799.39)}Animation Number 'none'
Dialogue: 0,0:03:50.62,0:03:50.66,Century,,0,0,0,,{\pos(960.97,479.59)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.62,0:03:50.66,Century,,0,0,0,,{\blur0.5\pos(960.97,799.59)}Animation Number 'none'
Dialogue: 0,0:03:50.66,0:03:50.71,Century,,0,0,0,,{\pos(960.74,479.59)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.66,0:03:50.71,Century,,0,0,0,,{\blur0.5\pos(960.74,799.59)}Animation Number 'none'
Dialogue: 0,0:03:50.71,0:03:50.75,Century,,0,0,0,,{\pos(960.47,479.19)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.71,0:03:50.75,Century,,0,0,0,,{\blur0.5\pos(960.47,799.19)}Animation Number 'none'
Dialogue: 0,0:03:50.75,0:03:50.79,Century,,0,0,0,,{\pos(961.02,479.23)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.75,0:03:50.79,Century,,0,0,0,,{\blur0.5\pos(961.02,799.23)}Animation Number 'none'
Dialogue: 0,0:03:50.79,0:03:50.83,Century,,0,0,0,,{\pos(960.95,479.57)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.79,0:03:50.83,Century,,0,0,0,,{\blur0.5\pos(960.95,799.57)}Animation Number 'none'
Dialogue: 0,0:03:50.83,0:03:50.87,Century,,0,0,0,,{\pos(960.95,479.51)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.83,0:03:50.87,Century,,0,0,0,,{\blur0.5\pos(960.95,799.51)}Animation Number 'none'
Dialogue: 0,0:03:50.87,0:03:50.91,Century,,0,0,0,,{\pos(960.87,479.63)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.87,0:03:50.91,Century,,0,0,0,,{\blur0.5\pos(960.87,799.63)}Animation Number 'none'
Dialogue: 0,0:03:50.91,0:03:50.96,Century,,0,0,0,,{\pos(961.4,479.75)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.91,0:03:50.96,Century,,0,0,0,,{\blur0.5\pos(961.4,799.75)}Animation Number 'none'
Dialogue: 0,0:03:50.96,0:03:51.00,Century,,0,0,0,,{\pos(960.74,479.68)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:03:50.96,0:03:51.00,Century,,0,0,0,,{\blur0.5\pos(960.74,799.68)}Animation Number 'none'
Dialogue: 0,0:03:53.33,0:03:57.25,Default,,0,0,0,,...is something {\i1}I{\i0} understand the most!
Dialogue: 0,0:03:53.50,0:03:56.13,Default-ja,,0,0,0,,私が いちばん分かってるよ！
Dialogue: 0,0:03:59.25,0:04:01.88,Default-ja,,0,0,0,,くっ この爬虫類(はちゅうるい)が！
Dialogue: 0,0:04:00.17,0:04:02.01,Default,,0,0,0,,Damn you, reptile! {albel: literally "That reptile" / "You (damned) reptile, you". current translation is good.}
Dialogue: 0,0:04:02.76,0:04:04.34,Default,,0,0,0,,Shinobu!
Dialogue: 0,0:04:02.76,0:04:03.59,Default-ja,,0,0,0,,忍！
Dialogue: 0,0:04:11.39,0:04:12.16,centugatari,,0,0,0,,{\pos(1003.5,505.5)\blur3\alpha&H80&\c&H746197&\frz356.4\fscx90\fscy90\1a&H00&}Right
Dialogue: 1,0:04:11.39,0:04:12.16,centugatari,,0,0,0,,{\pos(1003.5,505.5)\blur0.8\c&HFAFBF8&\frz356.4\fscx90\fscy90}Right
Dialogue: 0,0:04:12.16,0:04:12.27,centugatari,,0,0,0,,{\pos(1003.68,543.99)\blur3\alpha&H80&\c&H746197&\frz356.4\fscx90\fscy90\1a&H00&}Right
Dialogue: 1,0:04:12.16,0:04:12.27,centugatari,,0,0,0,,{\pos(1003.68,543.99)\blur0.8\c&HFAFBF8&\frz356.4\fscx90\fscy90}Right
Dialogue: 0,0:04:12.35,0:04:12.44,centugatari,,0,0,0,,{\pos(1002.92,571.275)\blur3\alpha&H80&\c&H746197&\frz356.4\fscx90\fscy90\1a&H00&}Right
Dialogue: 1,0:04:12.35,0:04:12.44,centugatari,,0,0,0,,{\pos(1002.92,571.275)\blur0.8\c&HFAFBF8&\frz356.4\fscx90\fscy90}Right
Dialogue: 0,0:04:12.44,0:04:12.54,centugatari,,0,0,0,,{\pos(1004.42,532.275)\blur3\alpha&H80&\c&H746197&\frz356.4\fscx90\fscy90\1a&H00&}Right
Dialogue: 1,0:04:12.44,0:04:12.54,centugatari,,0,0,0,,{\pos(1004.42,532.275)\blur0.8\c&HFAFBF8&\frz356.4\fscx90\fscy90}Right
Dialogue: 0,0:04:12.54,0:04:12.60,centugatari,,0,0,0,,{\pos(1005.11,504.975)\blur3\alpha&H80&\c&H746197&\frz356.4\fscx90\fscy90\1a&H00&}Right
Dialogue: 1,0:04:12.54,0:04:12.60,centugatari,,0,0,0,,{\pos(1005.11,504.975)\blur0.8\c&HFAFBF8&\frz356.4\fscx90\fscy90}Right
Dialogue: 0,0:04:13.44,0:04:14.52,Default,,0,0,0,,Why?
Dialogue: 0,0:04:13.56,0:04:14.39,Default-ja,,0,0,0,,（千石）なんで？
Dialogue: 0,0:04:15.77,0:04:19.78,Default,,0,0,0,,Why do you save Shinobu-san, Koyomi-oniichan?
Dialogue: 0,0:04:16.10,0:04:19.65,Default-ja,,0,0,0,,なんで忍さんは助けるの？\N暦おにいちゃん
Dialogue: 0,0:04:20.40,0:04:21.57,Default-ja,,0,0,0,,千石…
Dialogue: 0,0:04:20.44,0:04:21.69,Default,,0,0,0,,Sengoku...
Dialogue: 0,0:04:21.69,0:04:25.03,Default,,0,0,0,,Yet you didn't try to save me! {albel: literally "Even though you didn't save me". "try" and "at all" is not there, although it can probably be understood like that.}
Dialogue: 0,0:04:21.82,0:04:24.82,Default-ja,,0,0,0,,撫子のことは\N助けてくれなかったのに！
Dialogue: 0,0:04:25.74,0:04:27.24,Default,,0,0,0,,Koyomi-oniichan!
Dialogue: 0,0:04:25.74,0:04:27.07,Default-ja,,0,0,0,,暦おにいちゃん\N（突き刺す音）
Dialogue: 0,0:04:27.16,0:04:28.03,Default-ja,,0,0,0,,暦おにいちゃん
Dialogue: 0,0:04:27.24,0:04:28.62,Default,,0,0,0,,Koyomi-oniichan!
Dialogue: 0,0:04:28.58,0:04:29.74,Default-ja,,0,0,0,,暦おにいちゃん！
Dialogue: 0,0:04:28.62,0:04:29.87,Default,,0,0,0,,Koyomi-oniichan!
Dialogue: 0,0:04:29.87,0:04:31.41,Default,,0,0,0,,Koyomi-oniichan!
Dialogue: 0,0:04:30.04,0:04:32.54,Default-ja,,0,0,0,,暦おにいちゃん　暦おにいちゃん\N（突き刺す音）
Dialogue: 0,0:04:31.41,0:04:32.66,Default,,0,0,0,,Koyomi-oniichan!
Dialogue: 0,0:04:32.75,0:04:34.92,Default,,0,0,0,,Koyomi-oniichan!
Dialogue: 0,0:04:32.91,0:04:34.16,Default-ja,,0,0,0,,暦おにいちゃん！
Dialogue: 0,0:04:34.91,0:04:35.75,Default-ja,,0,0,0,,（阿良々木）うっ
Dialogue: 0,0:04:38.50,0:04:40.92,Default,,0,0,0,,Me too...
Dialogue: 0,0:04:38.50,0:04:39.34,Default-ja,,0,0,0,,（千石）撫子だって
Dialogue: 0,0:04:40.92,0:04:42.34,Default,,0,0,0,,Me too!
Dialogue: 0,0:04:40.96,0:04:43.55,Default-ja,,0,0,0,,撫子だって！　撫子だって！
Dialogue: 0,0:04:42.34,0:04:43.67,Default,,0,0,0,,Me too!
Dialogue: 0,0:04:44.01,0:04:44.92,Default-ja,,0,0,0,,（阿良々木）ああ…
Dialogue: 0,0:04:48.10,0:04:52.31,Default,,0,0,0,,Even though I love you too, Koyomi-oniichan! {albel: more precisely "Even though I love you too, Koyomi-oniichan". Maybe change all previous "Me too"/"+1"/"op sucks" to "Even though". but meh, that sucks. dunno how to make "Nadeko datte" translate identically in the previous lines and the start of this line}{mmgh, i don't know either... unless you're a weirdo, you don't speak in the 3rd person in english, else i'd suggest simply "Nadeko too" and "Nadeko too loves you, Koyomi-oniichan!" -forks}
Dialogue: 0,0:04:48.47,0:04:52.18,Default-ja,,0,0,0,,（千石）\N撫子だって\N暦おにいちゃんが大好きなのに！
Dialogue: 0,0:04:52.31,0:04:53.22,Default-ja,,0,0,0,,がは…
Dialogue: 1,0:04:56.15,0:04:56.19,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.19,0:04:56.23,Century,,0,0,0,,{\pos(960.21,799.93)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.23,0:04:56.27,Century,,0,0,0,,{\pos(960.32,799.8)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.27,0:04:56.31,Century,,0,0,0,,{\pos(960.44,799.78)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.31,0:04:56.35,Century,,0,0,0,,{\pos(960,799.79)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.35,0:04:56.44,Century,,0,0,0,,{\pos(960.32,799.83)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.44,0:04:56.48,Century,,0,0,0,,{\pos(960.36,799.75)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.48,0:04:56.52,Century,,0,0,0,,{\pos(960.45,799.57)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.52,0:04:56.56,Century,,0,0,0,,{\pos(960.2,799.99)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.56,0:04:56.60,Century,,0,0,0,,{\pos(960.09,799.57)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.60,0:04:56.65,Century,,0,0,0,,{\pos(960.01,799.61)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.65,0:04:56.69,Century,,0,0,0,,{\pos(960.24,799.63)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.69,0:04:56.73,Century,,0,0,0,,{\pos(960.08,799.84)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.73,0:04:56.77,Century,,0,0,0,,{\pos(960.3,799.81)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.77,0:04:56.81,Century,,0,0,0,,{\pos(960.26,799.9)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.81,0:04:56.85,Century,,0,0,0,,{\pos(960,799.81)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.85,0:04:56.90,Century,,0,0,0,,{\pos(959.98,799.47)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.90,0:04:56.94,Century,,0,0,0,,{\pos(960.56,799.7)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.94,0:04:56.98,Century,,0,0,0,,{\pos(960.12,800.02)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 1,0:04:56.98,0:04:57.02,Century,,0,0,0,,{\pos(960.13,799.54)\blur0.5\fscx100\fscy100}Animation Number 133
Dialogue: 0,0:05:01.90,0:05:02.74,Century,,0,0,0,,{\pos(945,390)\fsp7.5\blur0.5\c&H141B1A&\fscx187\fscy187\b1}2nd  of  November
Dialogue: 0,0:05:03.36,0:05:06.57,Default,,0,0,0,,And so the story returns to the beginning.
Dialogue: 0,0:05:03.40,0:05:06.15,Default-ja,,0,0,0,,（千石）\Nそして 物語は冒頭へと戻ります
Dialogue: 0,0:05:06.57,0:05:09.45,Default,,0,0,0,,Welcome back. Was it fun?
Dialogue: 0,0:05:06.65,0:05:09.07,Default-ja,,0,0,0,,おかえりなさい\N楽しかったですか？
Dialogue: 0,0:05:09.45,0:05:11.24,Default,,0,0,0,,That's good to hear.
Dialogue: 0,0:05:09.53,0:05:10.95,Default-ja,,0,0,0,,それは何より
Dialogue: 0,0:05:12.04,0:05:13.16,Default,,0,0,0,,I'm alone.
Dialogue: 0,0:05:12.20,0:05:13.04,Default-ja,,0,0,0,,独りです
Dialogue: 0,0:05:14.41,0:05:19.09,Default,,0,0,0,,I am overwhelmingly alone. I am the only one standing.
Dialogue: 0,0:05:14.70,0:05:16.50,Default-ja,,0,0,0,,圧倒的に独りです
Dialogue: 0,0:05:16.83,0:05:18.12,Default-ja,,0,0,0,,立っているのは撫子だけで
Dialogue: 0,0:05:19.09,0:05:21.34,Default,,0,0,0,,The other two have fallen.
Dialogue: 0,0:05:19.17,0:05:21.21,Default-ja,,0,0,0,,あとの２人は倒れています
Dialogue: 0,0:05:22.17,0:05:24.47,Default,,0,0,0,,It would've been better if they hadn't chased after me.
Dialogue: 0,0:05:22.21,0:05:24.34,Default-ja,,0,0,0,,追いかけてこなければ\Nよかったのに
Dialogue: 0,0:05:26.18,0:05:27.26,Default,,0,0,0,,Too weak.
Dialogue: 0,0:05:26.30,0:05:27.13,Default-ja,,0,0,0,,弱すぎ
Dialogue: 0,0:05:29.76,0:05:35.23,Default,,0,0,0,,What kind of story was this in the end, anyway? Well, Kuchinawa-san? {albel: does "what kind of story was this in the end anyway" sound ok even? "In the end/After all... What kind of story was this?". pity it doesn't blend well with the next sentence, because in LN she asked several questions in row last being "why did it end up like this?" and he responds with "it's all your fault"}{it works with that comma -forks}
Dialogue: 0,0:05:30.22,0:05:33.81,Default-ja,,0,0,0,,結局さ\Nこれって どういうお話だったの？
Dialogue: 0,0:05:34.06,0:05:35.10,Default-ja,,0,0,0,,ねえ クチナワさん
Dialogue: 0,0:05:35.56,0:05:41.48,Default,,0,0,0,,I've been saying it's all your fault, Nadeko-chan. Haven't I, huh?
Dialogue: 0,0:05:35.77,0:05:37.64,Default-ja,,0,0,0,,（クチナワ）だ〜から 撫子ちゃん
Dialogue: 0,0:05:37.73,0:05:40.44,Default-ja,,0,0,0,,お前が全部悪いんだって\N言ってんだろ？
Dialogue: 0,0:05:40.52,0:05:41.36,Default-ja,,0,0,0,,ああん？
Dialogue: 0,0:05:41.48,0:05:48.57,Default,,0,0,0,,Kuchinawa-san answers. Cynical as usual. As if he was picking a fight with me. {albel: it's a narration referring to previous sentence, so maybe "...answers kuchinawa-san". also the whole line is one long sentence. "Kuchinawa-san answers in his usual, cynical, as if picking up a fight tone"}
Dialogue: 0,0:05:41.82,0:05:44.98,Default-ja,,0,0,0,,（千石）\Nクチナワさんは答えます\Nいつものように
Dialogue: 0,0:05:45.11,0:05:48.49,Default-ja,,0,0,0,,シニカルな\Nまるで絡んでくるような口調で
Dialogue: 0,0:05:48.57,0:05:51.87,Default,,0,0,0,,No, "as usual" is a weird way of putting it. {and "a weird phrase to say" is a weird phrase to say too. -forks} {albel: well, literally "weird words (to say)". but really "No, "usual" is a strange thing to say"}
Dialogue: 0,0:05:48.70,0:05:51.74,Default-ja,,0,0,0,,ええ “いつもの”なんて\Nおかしな言葉です
Dialogue: 0,0:05:51.87,0:05:52.62,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Snake
Dialogue: 1,0:05:51.87,0:05:52.62,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:52.62,0:05:53.12,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}A white snake
Dialogue: 1,0:05:52.62,0:05:53.12,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 153
Dialogue: 0,0:05:52.62,0:06:00.38,Default,,0,0,0,,This aberration called "Kuchinawa-san" is a god that was revived just several hours ago when I ate that talisman.
Dialogue: 0,0:05:52.62,0:05:54.12,Default-ja,,0,0,0,,このクチナワさんという\N怪異は
Dialogue: 0,0:05:53.12,0:05:53.16,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.12,0:05:53.16,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.16,0:05:53.20,Century,,0,0,0,,{\pos(960.31,419.89)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.16,0:05:53.20,Century,,0,0,0,,{\pos(960.31,799.89)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.20,0:05:53.24,Century,,0,0,0,,{\pos(960.3,419.91)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.20,0:05:53.24,Century,,0,0,0,,{\pos(960.3,799.91)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.24,0:05:53.29,Century,,0,0,0,,{\pos(960.59,420.2)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.24,0:05:53.29,Century,,0,0,0,,{\pos(960.59,800.2)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.29,0:05:53.33,Century,,0,0,0,,{\pos(960.34,420.42)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.29,0:05:53.33,Century,,0,0,0,,{\pos(960.34,800.42)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.33,0:05:53.37,Century,,0,0,0,,{\pos(960.35,420.14)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.33,0:05:53.37,Century,,0,0,0,,{\pos(960.35,800.14)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.37,0:05:53.41,Century,,0,0,0,,{\pos(960.09,420.35)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.37,0:05:53.41,Century,,0,0,0,,{\pos(960.09,800.35)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.41,0:05:53.45,Century,,0,0,0,,{\pos(960.34,420.43)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.41,0:05:53.45,Century,,0,0,0,,{\pos(960.34,800.43)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.45,0:05:53.49,Century,,0,0,0,,{\pos(960.31,420.74)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.45,0:05:53.49,Century,,0,0,0,,{\pos(960.31,800.74)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.49,0:05:53.54,Century,,0,0,0,,{\pos(960.83,420.18)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.49,0:05:53.54,Century,,0,0,0,,{\pos(960.83,800.18)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.54,0:05:53.58,Century,,0,0,0,,{\pos(960.46,420.33)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.54,0:05:53.58,Century,,0,0,0,,{\pos(960.46,800.33)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.58,0:05:53.62,Century,,0,0,0,,{\pos(960.57,420.38)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.58,0:05:53.62,Century,,0,0,0,,{\pos(960.57,800.38)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.62,0:05:53.66,Century,,0,0,0,,{\pos(960.26,420.42)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.62,0:05:53.66,Century,,0,0,0,,{\pos(960.26,800.42)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.66,0:05:53.70,Century,,0,0,0,,{\pos(959.75,420.29)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.66,0:05:53.70,Century,,0,0,0,,{\pos(959.75,800.29)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.70,0:05:53.74,Century,,0,0,0,,{\pos(959.87,420.28)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.70,0:05:53.74,Century,,0,0,0,,{\pos(959.87,800.28)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.74,0:05:53.79,Century,,0,0,0,,{\pos(959.85,420.51)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.74,0:05:53.79,Century,,0,0,0,,{\pos(959.85,800.51)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.79,0:05:53.83,Century,,0,0,0,,{\pos(960.18,420.55)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.79,0:05:53.83,Century,,0,0,0,,{\pos(960.18,800.55)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.83,0:05:53.87,Century,,0,0,0,,{\pos(960.14,420.53)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.83,0:05:53.87,Century,,0,0,0,,{\pos(960.14,800.53)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.87,0:05:53.91,Century,,0,0,0,,{\pos(960.87,420.26)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.87,0:05:53.91,Century,,0,0,0,,{\pos(960.87,800.26)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.91,0:05:53.95,Century,,0,0,0,,{\pos(960.5,420.42)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.91,0:05:53.95,Century,,0,0,0,,{\pos(960.5,800.42)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:53.95,0:05:54.00,Century,,0,0,0,,{\pos(960.64,420.45)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:53.95,0:05:54.00,Century,,0,0,0,,{\pos(960.64,800.45)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.00,0:05:54.04,Century,,0,0,0,,{\pos(960.3,420.51)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:54.00,0:05:54.04,Century,,0,0,0,,{\pos(960.3,800.51)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.04,0:05:54.08,Century,,0,0,0,,{\pos(959.83,420.33)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:54.04,0:05:54.08,Century,,0,0,0,,{\pos(959.83,800.33)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.08,0:05:54.12,Century,,0,0,0,,{\pos(959.87,420.42)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:54.08,0:05:54.12,Century,,0,0,0,,{\pos(959.87,800.42)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.12,0:05:54.16,Century,,0,0,0,,{\pos(959.87,420.63)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:54.12,0:05:54.16,Century,,0,0,0,,{\pos(959.87,800.63)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.16,0:05:54.20,Century,,0,0,0,,{\pos(960.16,420.66)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:54.16,0:05:54.20,Century,,0,0,0,,{\pos(960.16,800.66)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.20,0:05:54.25,Century,,0,0,0,,{\pos(960.12,420.65)\blur0.5\fscx160\fscy160}The serpent
Dialogue: 1,0:05:54.20,0:05:54.25,Century,,0,0,0,,{\pos(960.12,800.65)\blur0.5\fscx100\fscy100}Animation Number 153
Dialogue: 0,0:05:54.41,0:05:56.08,Default-ja,,0,0,0,,つい何時間か前
Dialogue: 0,0:05:56.16,0:06:00.17,Default-ja,,0,0,0,,撫子が お札を食べた時間に\N復活した神様なのですから
Dialogue: 0,0:06:00.38,0:06:04.13,Default,,0,0,0,,Until just now, such an aberration had not existed. {albel: "ima no ima made" is usually translated "until just now", but w/e}
Dialogue: 0,0:06:00.42,0:06:04.17,Default-ja,,0,0,0,,そんな怪異は\N今の今まで存在しなかったのです
Dialogue: 0,0:06:04.63,0:06:08.22,Default,,0,0,0,,He didn't exist but within my heart. {albel: literally "he didn't exist anywhere but within my heart". this, previous, and the following sentence about existence of gods only in people would best sound similarly wrt negation, methinks, but w/e}
Dialogue: 0,0:06:04.75,0:06:08.26,Default-ja,,0,0,0,,撫子の心の中だけにしか\Nいなかったのです
Dialogue: 0,0:06:08.88,0:06:11.80,Default,,0,0,0,,That's essentially enough, though. {spliced for sense -forks} {albel: not really necessary. it's not "usually" there. it's "essentially"/"in the first place". And the next line didn't need to start with "for".  }
Dialogue: 0,0:06:08.93,0:06:11.80,Default-ja,,0,0,0,,（クチナワ）\Nそれで本来 十分なんだけどな
Dialogue: 0,0:06:11.80,0:06:18.39,Default,,0,0,0,,Aberrations—even gods—don't exist but within each individual in the first place.   {albel: "(So called) Aberrations, and gods too, (is a thing that) don't exist anywhere but within individuals in the first place". maybe use hyphens instead of commas.  and decide on use "exist only" vs "don't exist anywhere but".}{i got halfway there, dunno why i left it -forks}
Dialogue: 0,0:06:11.89,0:06:14.47,Default-ja,,0,0,0,,怪異ってのは それに神様ってのも
Dialogue: 0,0:06:14.56,0:06:18.14,Default-ja,,0,0,0,,そもそもは個人個人の中にしか\Nいねえもんなんだから
Dialogue: 0,0:06:18.39,0:06:24.44,Default,,0,0,0,,This image you forced onto me is enough of a faith already. {albel: meh, this is hard. "And this image/impression (of me) you forced on me is enough of a faith". meh. meaning is something like "this image of me in your head is already (qualified to be called/ enough of)  a religious belief   (strong reverence of me fucking enough to bring me back) in itself".}
Dialogue: 0,0:06:18.60,0:06:21.81,Default-ja,,0,0,0,,お前が俺様に押しつけた\Nこのイメージもまた
Dialogue: 0,0:06:21.90,0:06:24.02,Default-ja,,0,0,0,,十分な信仰になるんだから
Dialogue: 0,0:06:24.90,0:06:29.53,Default,,0,0,0,,Faith... In other words, I accidentally created the aberration "Kuchinawa-san"... {albel: taking in account previous sentence "worship" would be instead "faith" or some other word chosen there. "In other words, with/by that image I just arbitrarily(katte ni) accidentally(chatta) created in my mind an aberration called "Kuchinawa-san"?"}{i probably fucked this up, but i re-ordered it and tried to follow what you were saying -forks}
Dialogue: 0,0:06:25.07,0:06:26.40,Default-ja,,0,0,0,,（千石）信仰…
Dialogue: 0,0:06:26.48,0:06:29.40,Default-ja,,0,0,0,,つまり 撫子は\Nクチナワさんっていう怪異を
Dialogue: 0,0:06:29.49,0:06:30.53,Default-ja,,0,0,0,,そういうイメージで
Dialogue: 0,0:06:29.53,0:06:33.66,Default,,0,0,0,,...with just that arbitrary image I formed in my mind?
Dialogue: 0,0:06:30.61,0:06:33.53,Default-ja,,0,0,0,,心の中に勝手に作り上げちゃった\Nってことかな？
Dialogue: 0,0:06:33.66,0:06:40.00,Default,,0,0,0,,And thus you single-handedly revived a faith which perished long ago. {albel: "And thus you...". technically speaking, they talk about reviving a perished faith, not some eradicated creature. but somehow these concepts must be equalized here to make sense, even though it's the same 信仰 as before. dunno what to do. maybe we can compromise by using "worship" instead of "faith" everywhere, and saying "creature of worship" here like HS did... remind me, why am I needed even? oh wait, his main idea is that people's belief in itself is (enough for) aberration existence... good luck delivering that in english}
Dialogue: 0,0:06:33.87,0:06:37.04,Default-ja,,0,0,0,,（クチナワ）\Nそして そのまま\Nずっと昔に滅んでいた信仰を
Dialogue: 0,0:06:37.12,0:06:39.91,Default-ja,,0,0,0,,たった 一人で\N復興させちまったってことさ
Dialogue: 0,0:06:40.00,0:06:42.04,Default,,0,0,0,,Talk about an amazing delusion!
Dialogue: 0,0:06:40.00,0:06:41.92,Default-ja,,0,0,0,,いやいや 大した妄想だよ
Dialogue: 1,0:06:42.04,0:06:42.54,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Those words struck deep.
Dialogue: 1,0:06:42.04,0:06:42.54,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 161
Dialogue: 0,0:06:42.54,0:06:47.59,Default,,0,0,0,,Delusion... In other words, the Kuchinawa-san I thought was my partner... {albel: better use "in other words" again. at least it's the same "tsumari" as in the sentence at 6:24. also not "felt" but "thought", but w/e flows.}
Dialogue: 0,0:06:42.63,0:06:43.96,Default-ja,,0,0,0,,（千石）妄想…
Dialogue: 0,0:06:44.04,0:06:47.55,Default-ja,,0,0,0,,つまり撫子がパートナーだと\N思っていたクチナワさんは
Dialogue: 0,0:06:47.59,0:06:51.39,Default,,0,0,0,,...was really a hallucination, both visually and aurally?
Dialogue: 0,0:06:47.63,0:06:51.26,Default-ja,,0,0,0,,本当に幻覚で 本当に幻聴だった\Nってことなんだね
Dialogue: 0,0:06:51.39,0:06:52.14,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Pretending to hear the voice of God
Dialogue: 1,0:06:51.39,0:06:52.14,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:52.14,0:06:52.55,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}sounds like
Dialogue: 1,0:06:52.14,0:06:52.55,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.55,0:06:52.60,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.60,0:06:52.64,Century,,0,0,0,,{\pos(959.96,800.69)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.64,0:06:52.68,Century,,0,0,0,,{\pos(959.64,800.41)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.68,0:06:52.72,Century,,0,0,0,,{\pos(959.82,800.22)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.72,0:06:52.76,Century,,0,0,0,,{\pos(959.75,800.31)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.76,0:06:52.80,Century,,0,0,0,,{\pos(959.46,800.38)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.80,0:06:52.85,Century,,0,0,0,,{\pos(959.65,800.51)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.85,0:06:52.89,Century,,0,0,0,,{\pos(959.25,800.24)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.89,0:06:52.93,Century,,0,0,0,,{\pos(959.24,800.24)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.93,0:06:52.97,Century,,0,0,0,,{\pos(959.27,800.24)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:52.97,0:06:53.01,Century,,0,0,0,,{\pos(959.42,800.39)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.01,0:06:53.05,Century,,0,0,0,,{\pos(959.29,800.09)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.05,0:06:53.10,Century,,0,0,0,,{\pos(959.12,800.2)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.10,0:06:53.14,Century,,0,0,0,,{\pos(959.43,800.55)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.14,0:06:53.18,Century,,0,0,0,,{\pos(958.62,800.44)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.18,0:06:53.22,Century,,0,0,0,,{\pos(958.72,800.42)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.22,0:06:53.26,Century,,0,0,0,,{\pos(959.11,800.04)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.26,0:06:53.30,Century,,0,0,0,,{\pos(958.88,800.33)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.30,0:06:53.35,Century,,0,0,0,,{\pos(959.21,800.36)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 1,0:06:53.35,0:06:53.39,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.35,0:06:53.39,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.39,0:06:53.43,Century,,0,0,0,,{\pos(959.4,800)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.39,0:06:53.43,Century,,0,0,0,,{\pos(959.4,420)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.43,0:06:53.47,Century,,0,0,0,,{\pos(959.45,800)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.43,0:06:53.47,Century,,0,0,0,,{\pos(959.45,420)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.47,0:06:53.51,Century,,0,0,0,,{\pos(959.52,799.72)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.47,0:06:53.51,Century,,0,0,0,,{\pos(959.52,419.72)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.51,0:06:53.55,Century,,0,0,0,,{\pos(959.5,799.39)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.51,0:06:53.55,Century,,0,0,0,,{\pos(959.5,419.38)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.55,0:06:53.60,Century,,0,0,0,,{\pos(959.7,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.55,0:06:53.60,Century,,0,0,0,,{\pos(959.7,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.60,0:06:53.64,Century,,0,0,0,,{\pos(959.94,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.60,0:06:53.64,Century,,0,0,0,,{\pos(959.94,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.64,0:06:53.68,Century,,0,0,0,,{\pos(959.62,799.61)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.64,0:06:53.68,Century,,0,0,0,,{\pos(959.62,419.61)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.68,0:06:53.72,Century,,0,0,0,,{\pos(959.69,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.68,0:06:53.72,Century,,0,0,0,,{\pos(959.69,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.72,0:06:53.76,Century,,0,0,0,,{\pos(959.89,799.79)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.72,0:06:53.76,Century,,0,0,0,,{\pos(959.89,419.79)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.76,0:06:53.80,Century,,0,0,0,,{\pos(959.32,799.75)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.76,0:06:53.80,Century,,0,0,0,,{\pos(959.32,419.75)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.80,0:06:53.85,Century,,0,0,0,,{\pos(959.65,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.80,0:06:53.85,Century,,0,0,0,,{\pos(959.65,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.85,0:06:53.89,Century,,0,0,0,,{\pos(959.67,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.85,0:06:53.89,Century,,0,0,0,,{\pos(959.67,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.89,0:06:53.93,Century,,0,0,0,,{\pos(959.66,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.89,0:06:53.93,Century,,0,0,0,,{\pos(959.66,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.93,0:06:53.97,Century,,0,0,0,,{\pos(959.61,799.79)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.93,0:06:53.97,Century,,0,0,0,,{\pos(959.61,419.79)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:53.97,0:06:54.01,Century,,0,0,0,,{\pos(959.71,799.76)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:53.97,0:06:54.01,Century,,0,0,0,,{\pos(959.71,419.76)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.01,0:06:54.06,Century,,0,0,0,,{\pos(959.33,799.66)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.01,0:06:54.06,Century,,0,0,0,,{\pos(959.33,419.66)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.06,0:06:54.10,Century,,0,0,0,,{\pos(959.67,799.77)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.06,0:06:54.10,Century,,0,0,0,,{\pos(959.67,419.77)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.10,0:06:54.14,Century,,0,0,0,,{\pos(959.71,799.74)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.10,0:06:54.14,Century,,0,0,0,,{\pos(959.71,419.74)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.14,0:06:54.18,Century,,0,0,0,,{\pos(960.01,799.71)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.14,0:06:54.18,Century,,0,0,0,,{\pos(960.01,419.71)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.18,0:06:54.22,Century,,0,0,0,,{\pos(959.71,799.74)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.18,0:06:54.22,Century,,0,0,0,,{\pos(959.71,419.74)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.22,0:06:54.26,Century,,0,0,0,,{\pos(959.73,799.42)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.22,0:06:54.26,Century,,0,0,0,,{\pos(959.73,419.42)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.26,0:06:54.31,Century,,0,0,0,,{\pos(959.71,799.66)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.26,0:06:54.31,Century,,0,0,0,,{\pos(959.71,419.66)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 1,0:06:54.31,0:06:54.35,Century,,0,0,0,,{\pos(959.69,799.61)\blur0.5\fscx100\fscy100}Animation Number 162
Dialogue: 0,0:06:54.31,0:06:54.35,Century,,0,0,0,,{\pos(959.69,419.61)\blur0.5\fscx160\fscy160}I think I'm Joan of Arc.
Dialogue: 0,0:06:54.35,0:06:59.44,Default,,0,0,0,,Why I knew by touch, even though I couldn't see inside my shoe rack due to the angle...{meaning is unclear, also needs ellipsis work. also changed "shoebox" to "shoe cubby" -forks} {albel: Together with the next line it is "To understand by touch, not even being able to look inside my shoe cubby due to the angle, that it's a snake, and a white one at that, is atarimae no hanashi". need to translate "atarimae no hanashi" so that the noun for "hanashi" could be used in the following couple of sentences. I can only translate it here as "obvious/natural thing"}
Dialogue: 0,0:06:54.47,0:06:57.97,Default-ja,,0,0,0,,（千石）\N角度的に見えもしなかった\Nげた箱の中の感触を
Dialogue: 0,0:06:58.06,0:07:01.56,Default-ja,,0,0,0,,蛇だと分かったり\Nまた 白いと分かったりしたのも
Dialogue: 0,0:06:59.44,0:07:02.86,Default,,0,0,0,,...that it was a snake, and a white one at that, has an obvious explanation.
Dialogue: 0,0:07:01.64,0:07:02.73,Default-ja,,0,0,0,,当たり前の話でした
Dialogue: 0,0:07:03.52,0:07:08.11,Default,,0,0,0,,Because it was my own delusion; there's no way I wouldn't know. {albel: didn't? not wouldn't? i.e. "there's no way I wouldn't know/understand (that it was a white snake)}{wouldn't is correct -forks}
Dialogue: 0,0:07:03.65,0:07:06.36,Default-ja,,0,0,0,,だって 自分の妄想なんですから
Dialogue: 0,0:07:06.44,0:07:07.98,Default-ja,,0,0,0,,分からないはずもありません
Dialogue: 0,0:07:08.11,0:07:08.32,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:07:08.11,0:07:08.32,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:07:09.82,0:07:09.86,Century,,0,0,0,,{\pos(963,395)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:09.82,0:07:09.86,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:09.82,0:07:12.45,Default,,0,0,0,,This is all a rather silly tale. {albel: "somewhat silly hanashi, isn't it?"}
Dialogue: 0,0:07:09.86,0:07:09.90,Century,,0,0,0,,{\pos(963.35,394.86)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:09.86,0:07:09.90,Century,,0,0,0,,{\pos(960.35,799.86)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:09.86,0:07:11.70,Default-ja,,0,0,0,,なんだか\Nバカみたいな話ですね
Dialogue: 0,0:07:09.90,0:07:09.95,Century,,0,0,0,,{\pos(963.29,394.76)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:09.90,0:07:09.95,Century,,0,0,0,,{\pos(960.29,799.76)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:09.95,0:07:09.99,Century,,0,0,0,,{\pos(963.04,395.01)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:09.95,0:07:09.99,Century,,0,0,0,,{\pos(960.04,800.01)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:09.99,0:07:10.03,Century,,0,0,0,,{\pos(963.34,394.97)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:09.99,0:07:10.03,Century,,0,0,0,,{\pos(960.34,799.97)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.03,0:07:10.07,Century,,0,0,0,,{\pos(963.44,394.82)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.03,0:07:10.07,Century,,0,0,0,,{\pos(960.44,799.82)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.07,0:07:10.11,Century,,0,0,0,,{\pos(963.58,394.82)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.07,0:07:10.11,Century,,0,0,0,,{\pos(960.58,799.82)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.11,0:07:10.15,Century,,0,0,0,,{\pos(963.19,394.84)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.11,0:07:10.15,Century,,0,0,0,,{\pos(960.19,799.84)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.15,0:07:10.20,Century,,0,0,0,,{\pos(963.53,394.85)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.15,0:07:10.20,Century,,0,0,0,,{\pos(960.53,799.85)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.20,0:07:10.24,Century,,0,0,0,,{\pos(963.53,394.84)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.20,0:07:10.24,Century,,0,0,0,,{\pos(960.53,799.84)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.24,0:07:10.28,Century,,0,0,0,,{\pos(963.57,394.82)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.24,0:07:10.28,Century,,0,0,0,,{\pos(960.57,799.82)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.28,0:07:10.32,Century,,0,0,0,,{\pos(963.66,394.69)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.28,0:07:10.32,Century,,0,0,0,,{\pos(960.66,799.69)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.32,0:07:10.36,Century,,0,0,0,,{\pos(963.39,394.95)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.32,0:07:10.36,Century,,0,0,0,,{\pos(960.39,799.95)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.36,0:07:10.40,Century,,0,0,0,,{\pos(963.3,394.77)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.36,0:07:10.40,Century,,0,0,0,,{\pos(960.3,799.77)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.40,0:07:10.45,Century,,0,0,0,,{\pos(963.22,394.74)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.40,0:07:10.45,Century,,0,0,0,,{\pos(960.22,799.74)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.45,0:07:10.49,Century,,0,0,0,,{\pos(963.53,394.75)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.45,0:07:10.49,Century,,0,0,0,,{\pos(960.53,799.75)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.49,0:07:10.53,Century,,0,0,0,,{\pos(963.32,394.85)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.49,0:07:10.53,Century,,0,0,0,,{\pos(960.32,799.85)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.53,0:07:10.57,Century,,0,0,0,,{\pos(963.59,394.86)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.53,0:07:10.57,Century,,0,0,0,,{\pos(960.59,799.86)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.57,0:07:10.61,Century,,0,0,0,,{\pos(963.54,394.92)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.57,0:07:10.61,Century,,0,0,0,,{\pos(960.54,799.92)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.61,0:07:10.66,Century,,0,0,0,,{\pos(963.27,394.89)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.61,0:07:10.66,Century,,0,0,0,,{\pos(960.27,799.89)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.66,0:07:10.70,Century,,0,0,0,,{\pos(963.25,394.71)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.66,0:07:10.70,Century,,0,0,0,,{\pos(960.25,799.71)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.70,0:07:10.74,Century,,0,0,0,,{\pos(963.87,394.93)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.70,0:07:10.74,Century,,0,0,0,,{\pos(960.87,799.93)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.74,0:07:10.78,Century,,0,0,0,,{\pos(963.43,395.03)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.74,0:07:10.78,Century,,0,0,0,,{\pos(960.43,800.03)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.78,0:07:10.82,Century,,0,0,0,,{\pos(963.45,394.89)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.78,0:07:10.82,Century,,0,0,0,,{\pos(960.45,799.89)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.82,0:07:10.86,Century,,0,0,0,,{\pos(963.47,394.75)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.82,0:07:10.86,Century,,0,0,0,,{\pos(960.47,799.75)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.86,0:07:10.91,Century,,0,0,0,,{\pos(963.48,394.92)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.86,0:07:10.91,Century,,0,0,0,,{\pos(960.48,799.92)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.91,0:07:10.95,Century,,0,0,0,,{\pos(963.58,394.85)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.91,0:07:10.95,Century,,0,0,0,,{\pos(960.58,799.85)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.95,0:07:10.99,Century,,0,0,0,,{\pos(963.25,394.85)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.95,0:07:10.99,Century,,0,0,0,,{\pos(960.25,799.85)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:10.99,0:07:11.03,Century,,0,0,0,,{\pos(963.44,394.71)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:10.99,0:07:11.03,Century,,0,0,0,,{\pos(960.44,799.71)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.03,0:07:11.07,Century,,0,0,0,,{\pos(963.43,394.9)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.03,0:07:11.07,Century,,0,0,0,,{\pos(960.43,799.9)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.07,0:07:11.11,Century,,0,0,0,,{\pos(963.25,394.73)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.07,0:07:11.11,Century,,0,0,0,,{\pos(960.25,799.73)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.11,0:07:11.20,Century,,0,0,0,,{\pos(963.63,394.63)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.11,0:07:11.20,Century,,0,0,0,,{\pos(960.63,799.63)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.20,0:07:11.24,Century,,0,0,0,,{\pos(963.82,394.89)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.20,0:07:11.24,Century,,0,0,0,,{\pos(960.82,799.89)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.24,0:07:11.28,Century,,0,0,0,,{\pos(963.49,395.04)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.24,0:07:11.28,Century,,0,0,0,,{\pos(960.49,800.04)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.28,0:07:11.32,Century,,0,0,0,,{\pos(963.6,394.84)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.28,0:07:11.32,Century,,0,0,0,,{\pos(960.6,799.84)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.32,0:07:11.36,Century,,0,0,0,,{\pos(963.29,394.95)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.32,0:07:11.36,Century,,0,0,0,,{\pos(960.29,799.95)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.36,0:07:11.41,Century,,0,0,0,,{\pos(963.53,394.98)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.36,0:07:11.41,Century,,0,0,0,,{\pos(960.53,799.98)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.41,0:07:11.45,Century,,0,0,0,,{\pos(963.45,395.24)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.41,0:07:11.45,Century,,0,0,0,,{\pos(960.45,800.24)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.45,0:07:11.49,Century,,0,0,0,,{\pos(964.05,394.82)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.45,0:07:11.49,Century,,0,0,0,,{\pos(961.05,799.82)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.49,0:07:11.53,Century,,0,0,0,,{\pos(963.72,394.89)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.49,0:07:11.53,Century,,0,0,0,,{\pos(960.72,799.89)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.53,0:07:11.57,Century,,0,0,0,,{\pos(963.78,394.91)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.53,0:07:11.57,Century,,0,0,0,,{\pos(960.78,799.91)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.57,0:07:11.61,Century,,0,0,0,,{\pos(963.5,394.91)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.57,0:07:11.61,Century,,0,0,0,,{\pos(960.5,799.91)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.61,0:07:11.66,Century,,0,0,0,,{\pos(963,394.84)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.61,0:07:11.66,Century,,0,0,0,,{\pos(960,799.84)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.66,0:07:11.70,Century,,0,0,0,,{\pos(963.13,394.83)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.66,0:07:11.70,Century,,0,0,0,,{\pos(960.13,799.83)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.70,0:07:11.74,Century,,0,0,0,,{\pos(963.12,394.93)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.70,0:07:11.74,Century,,0,0,0,,{\pos(960.12,799.93)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.74,0:07:11.78,Century,,0,0,0,,{\pos(963.39,394.99)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.74,0:07:11.78,Century,,0,0,0,,{\pos(960.39,799.99)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.78,0:07:11.82,Century,,0,0,0,,{\pos(963.33,394.94)\blur0.5\fscx144\fscy144}The reason the white snakes only appeared from airtight containers,
Dialogue: 1,0:07:11.78,0:07:11.82,Century,,0,0,0,,{\pos(960.33,799.94)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.82,0:07:11.86,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:11.82,0:07:11.86,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.86,0:07:11.91,Century,,0,0,0,,{\pos(960.01,420.66)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:11.86,0:07:11.91,Century,,0,0,0,,{\pos(960.01,800.66)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.91,0:07:11.95,Century,,0,0,0,,{\pos(959.8,420.43)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:11.91,0:07:11.95,Century,,0,0,0,,{\pos(959.8,800.43)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.95,0:07:11.99,Century,,0,0,0,,{\pos(960.06,420.22)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:11.95,0:07:11.99,Century,,0,0,0,,{\pos(960.06,800.22)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:11.99,0:07:12.03,Century,,0,0,0,,{\pos(960.01,420.27)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:11.99,0:07:12.03,Century,,0,0,0,,{\pos(960.01,800.27)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.03,0:07:12.07,Century,,0,0,0,,{\pos(959.79,420.33)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.03,0:07:12.07,Century,,0,0,0,,{\pos(959.79,800.33)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.07,0:07:12.11,Century,,0,0,0,,{\pos(960.09,420.52)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.07,0:07:12.11,Century,,0,0,0,,{\pos(960.09,800.52)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.11,0:07:12.16,Century,,0,0,0,,{\pos(959.72,420.18)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.11,0:07:12.16,Century,,0,0,0,,{\pos(959.72,800.18)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.16,0:07:12.20,Century,,0,0,0,,{\pos(959.8,420.12)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.16,0:07:12.20,Century,,0,0,0,,{\pos(959.8,800.12)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.20,0:07:12.24,Century,,0,0,0,,{\pos(959.9,420.15)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.20,0:07:12.24,Century,,0,0,0,,{\pos(959.9,800.15)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.24,0:07:12.28,Century,,0,0,0,,{\pos(960.15,420.32)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.24,0:07:12.28,Century,,0,0,0,,{\pos(960.15,800.32)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.28,0:07:12.32,Century,,0,0,0,,{\pos(960.09,420)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.28,0:07:12.32,Century,,0,0,0,,{\pos(960.09,800)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.32,0:07:12.37,Century,,0,0,0,,{\pos(959.91,419.99)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.32,0:07:12.37,Century,,0,0,0,,{\pos(959.91,799.99)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.37,0:07:12.41,Century,,0,0,0,,{\pos(960.37,420.31)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.37,0:07:12.41,Century,,0,0,0,,{\pos(960.37,800.31)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.41,0:07:12.45,Century,,0,0,0,,{\pos(959.6,420.17)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.41,0:07:12.45,Century,,0,0,0,,{\pos(959.6,800.17)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.45,0:07:12.49,Century,,0,0,0,,{\pos(959.71,420.1)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.45,0:07:12.49,Century,,0,0,0,,{\pos(959.71,800.11)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.45,0:07:16.33,Default,,0,0,0,,No, not just a tale... this is an actual story. {albel: another "hanashi" plus contrast with "monogatari".}
Dialogue: 0,0:07:12.49,0:07:12.53,Century,,0,0,0,,{\pos(960.09,419.91)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.49,0:07:12.53,Century,,0,0,0,,{\pos(960.09,799.91)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.53,0:07:12.57,Century,,0,0,0,,{\pos(959.92,419.99)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.53,0:07:12.57,Century,,0,0,0,,{\pos(959.92,799.99)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.57,0:07:12.62,Century,,0,0,0,,{\pos(960.29,420.12)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.57,0:07:12.62,Century,,0,0,0,,{\pos(960.29,800.12)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.62,0:07:12.66,Century,,0,0,0,,{\pos(959.4,419.85)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.62,0:07:12.66,Century,,0,0,0,,{\pos(959.4,799.85)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.66,0:07:12.70,Century,,0,0,0,,{\pos(959.9,419.84)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.66,0:07:12.70,Century,,0,0,0,,{\pos(959.9,799.84)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.70,0:07:12.74,Century,,0,0,0,,{\pos(959.9,419.95)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.70,0:07:12.74,Century,,0,0,0,,{\pos(959.9,799.95)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.74,0:07:12.78,Century,,0,0,0,,{\pos(959.92,420.12)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.74,0:07:12.78,Century,,0,0,0,,{\pos(959.92,800.12)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.78,0:07:12.82,Century,,0,0,0,,{\pos(959.71,419.7)\blur0.5\fscx160\fscy160}and the reason the snake could not leave the shrine
Dialogue: 1,0:07:12.78,0:07:12.82,Century,,0,0,0,,{\pos(959.71,799.7)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.82,0:07:12.87,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:12.82,0:07:12.87,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.82,0:07:16.20,Default-ja,,0,0,0,,いえ 話じゃなくって\Nそれは物語で
Dialogue: 0,0:07:12.87,0:07:12.91,Century,,0,0,0,,{\pos(959.44,420)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:12.87,0:07:12.91,Century,,0,0,0,,{\pos(959.44,800)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.91,0:07:12.95,Century,,0,0,0,,{\pos(959.48,419.98)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:12.91,0:07:12.95,Century,,0,0,0,,{\pos(959.48,799.98)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.95,0:07:12.99,Century,,0,0,0,,{\pos(959.5,419.74)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:12.95,0:07:12.99,Century,,0,0,0,,{\pos(959.5,799.74)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:12.99,0:07:13.03,Century,,0,0,0,,{\pos(959.5,419.43)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:12.99,0:07:13.03,Century,,0,0,0,,{\pos(959.5,799.43)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.03,0:07:13.07,Century,,0,0,0,,{\pos(959.69,419.66)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.03,0:07:13.07,Century,,0,0,0,,{\pos(959.69,799.66)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.07,0:07:13.12,Century,,0,0,0,,{\pos(959.93,419.7)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.07,0:07:13.12,Century,,0,0,0,,{\pos(959.93,799.7)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.12,0:07:13.16,Century,,0,0,0,,{\pos(959.59,419.55)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.12,0:07:13.16,Century,,0,0,0,,{\pos(959.59,799.55)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.16,0:07:13.20,Century,,0,0,0,,{\pos(959.69,419.63)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.16,0:07:13.20,Century,,0,0,0,,{\pos(959.69,799.63)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.20,0:07:13.24,Century,,0,0,0,,{\pos(959.9,419.67)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.20,0:07:13.24,Century,,0,0,0,,{\pos(959.9,799.67)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.24,0:07:13.28,Century,,0,0,0,,{\pos(959.26,419.58)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.24,0:07:13.28,Century,,0,0,0,,{\pos(959.26,799.58)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.28,0:07:13.32,Century,,0,0,0,,{\pos(959.55,419.59)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.28,0:07:13.32,Century,,0,0,0,,{\pos(959.55,799.59)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.32,0:07:13.37,Century,,0,0,0,,{\pos(959.64,419.6)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.32,0:07:13.37,Century,,0,0,0,,{\pos(959.64,799.6)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.37,0:07:13.41,Century,,0,0,0,,{\pos(959.63,419.61)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.37,0:07:13.41,Century,,0,0,0,,{\pos(959.63,799.61)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.41,0:07:13.45,Century,,0,0,0,,{\pos(959.59,419.61)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.41,0:07:13.45,Century,,0,0,0,,{\pos(959.59,799.61)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.45,0:07:13.49,Century,,0,0,0,,{\pos(959.72,419.59)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.45,0:07:13.49,Century,,0,0,0,,{\pos(959.72,799.59)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.49,0:07:13.53,Century,,0,0,0,,{\pos(959.25,419.47)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.49,0:07:13.53,Century,,0,0,0,,{\pos(959.25,799.47)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.53,0:07:13.57,Century,,0,0,0,,{\pos(959.63,419.56)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.53,0:07:13.57,Century,,0,0,0,,{\pos(959.63,799.56)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.57,0:07:13.62,Century,,0,0,0,,{\pos(959.65,419.46)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.57,0:07:13.62,Century,,0,0,0,,{\pos(959.65,799.46)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.62,0:07:13.66,Century,,0,0,0,,{\pos(959.98,419.41)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.62,0:07:13.66,Century,,0,0,0,,{\pos(959.98,799.41)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.66,0:07:13.70,Century,,0,0,0,,{\pos(959.71,419.47)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.66,0:07:13.70,Century,,0,0,0,,{\pos(959.71,799.47)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.70,0:07:13.74,Century,,0,0,0,,{\pos(959.7,419.23)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.70,0:07:13.74,Century,,0,0,0,,{\pos(959.7,799.23)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.74,0:07:13.78,Century,,0,0,0,,{\pos(959.67,419.39)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.74,0:07:13.78,Century,,0,0,0,,{\pos(959.67,799.39)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.78,0:07:13.82,Century,,0,0,0,,{\pos(959.67,419.34)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.78,0:07:13.82,Century,,0,0,0,,{\pos(959.67,799.34)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.82,0:07:13.87,Century,,0,0,0,,{\pos(959.71,419.37)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.82,0:07:13.87,Century,,0,0,0,,{\pos(959.71,799.37)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.87,0:07:13.91,Century,,0,0,0,,{\pos(959.9,419.22)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.87,0:07:13.91,Century,,0,0,0,,{\pos(959.9,799.22)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.91,0:07:13.95,Century,,0,0,0,,{\pos(959.72,419.34)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.91,0:07:13.95,Century,,0,0,0,,{\pos(959.72,799.34)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.95,0:07:13.99,Century,,0,0,0,,{\pos(959.72,419.23)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.95,0:07:13.99,Century,,0,0,0,,{\pos(959.72,799.23)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:13.99,0:07:14.03,Century,,0,0,0,,{\pos(959.74,419.11)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:13.99,0:07:14.03,Century,,0,0,0,,{\pos(959.74,799.11)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.03,0:07:14.08,Century,,0,0,0,,{\pos(959.9,419.74)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.03,0:07:14.08,Century,,0,0,0,,{\pos(959.9,799.74)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.08,0:07:14.12,Century,,0,0,0,,{\pos(959.74,419.58)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.08,0:07:14.12,Century,,0,0,0,,{\pos(959.74,799.58)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.12,0:07:14.16,Century,,0,0,0,,{\pos(959.41,419.14)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.12,0:07:14.16,Century,,0,0,0,,{\pos(959.41,799.14)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.16,0:07:14.20,Century,,0,0,0,,{\pos(960.05,419.59)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.16,0:07:14.20,Century,,0,0,0,,{\pos(960.05,799.59)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.20,0:07:14.24,Century,,0,0,0,,{\pos(960.03,419.27)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.20,0:07:14.24,Century,,0,0,0,,{\pos(960.03,799.27)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.24,0:07:14.28,Century,,0,0,0,,{\pos(959.6,419.06)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.24,0:07:14.28,Century,,0,0,0,,{\pos(959.6,799.06)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.28,0:07:14.33,Century,,0,0,0,,{\pos(960.17,419.18)\blur0.5\fscx160\fscy160}were exceedingly simple.
Dialogue: 1,0:07:14.28,0:07:14.33,Century,,0,0,0,,{\pos(960.17,799.18)\blur0.5\fscx100\fscy100}Animation Number 167
Dialogue: 0,0:07:14.33,0:07:14.37,Century,,0,0,0,,{\pos(960,422.5)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.33,0:07:14.37,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.37,0:07:14.41,Century,,0,0,0,,{\pos(960.33,422.51)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.37,0:07:14.41,Century,,0,0,0,,{\pos(960.33,800.01)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.41,0:07:14.45,Century,,0,0,0,,{\pos(959.59,422.35)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.41,0:07:14.45,Century,,0,0,0,,{\pos(959.59,799.85)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.45,0:07:14.49,Century,,0,0,0,,{\pos(960.02,422.35)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.45,0:07:14.49,Century,,0,0,0,,{\pos(960.02,799.85)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.49,0:07:14.53,Century,,0,0,0,,{\pos(959.79,421.78)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.49,0:07:14.53,Century,,0,0,0,,{\pos(959.79,799.28)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.53,0:07:14.58,Century,,0,0,0,,{\pos(960.33,422.29)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.53,0:07:14.58,Century,,0,0,0,,{\pos(960.33,799.79)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.58,0:07:14.62,Century,,0,0,0,,{\pos(959.94,422.15)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.58,0:07:14.62,Century,,0,0,0,,{\pos(959.94,799.65)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.62,0:07:14.66,Century,,0,0,0,,{\pos(959.75,422.11)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.62,0:07:14.66,Century,,0,0,0,,{\pos(959.75,799.61)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.66,0:07:14.70,Century,,0,0,0,,{\pos(959.77,421.72)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.66,0:07:14.70,Century,,0,0,0,,{\pos(959.77,799.22)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.70,0:07:14.74,Century,,0,0,0,,{\pos(960.41,423.16)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.70,0:07:14.74,Century,,0,0,0,,{\pos(960.41,800.66)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.74,0:07:14.78,Century,,0,0,0,,{\pos(959.82,422.31)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.74,0:07:14.78,Century,,0,0,0,,{\pos(959.82,799.81)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.78,0:07:14.83,Century,,0,0,0,,{\pos(960.25,422.13)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.78,0:07:14.83,Century,,0,0,0,,{\pos(960.25,799.63)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.83,0:07:14.87,Century,,0,0,0,,{\pos(960.13,422.32)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.83,0:07:14.87,Century,,0,0,0,,{\pos(960.13,799.82)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.87,0:07:14.91,Century,,0,0,0,,{\pos(959.71,422.52)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.87,0:07:14.91,Century,,0,0,0,,{\pos(959.71,800.02)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.91,0:07:14.95,Century,,0,0,0,,{\pos(959.98,422.29)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.91,0:07:14.95,Century,,0,0,0,,{\pos(959.98,799.79)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.95,0:07:14.99,Century,,0,0,0,,{\pos(960.18,422.03)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.95,0:07:14.99,Century,,0,0,0,,{\pos(960.18,799.53)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:14.99,0:07:15.03,Century,,0,0,0,,{\pos(959.87,422.36)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:14.99,0:07:15.03,Century,,0,0,0,,{\pos(959.87,799.86)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.03,0:07:15.08,Century,,0,0,0,,{\pos(959.87,422)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.03,0:07:15.08,Century,,0,0,0,,{\pos(959.87,799.5)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.08,0:07:15.12,Century,,0,0,0,,{\pos(959.96,421.97)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.08,0:07:15.12,Century,,0,0,0,,{\pos(959.96,799.47)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.12,0:07:15.16,Century,,0,0,0,,{\pos(960.07,422.34)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.12,0:07:15.16,Century,,0,0,0,,{\pos(960.07,799.84)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.16,0:07:15.20,Century,,0,0,0,,{\pos(959.9,422.28)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.16,0:07:15.20,Century,,0,0,0,,{\pos(959.9,799.78)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.20,0:07:15.24,Century,,0,0,0,,{\pos(959.82,422.38)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.20,0:07:15.24,Century,,0,0,0,,{\pos(959.82,799.88)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.24,0:07:15.28,Century,,0,0,0,,{\pos(959.7,421.74)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.24,0:07:15.28,Century,,0,0,0,,{\pos(959.7,799.24)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.28,0:07:15.33,Century,,0,0,0,,{\pos(959.59,422.24)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.28,0:07:15.33,Century,,0,0,0,,{\pos(959.59,799.74)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.33,0:07:15.37,Century,,0,0,0,,{\pos(960.18,422.08)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.33,0:07:15.37,Century,,0,0,0,,{\pos(960.18,799.58)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.37,0:07:15.41,Century,,0,0,0,,{\pos(959.81,422.37)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.37,0:07:15.41,Century,,0,0,0,,{\pos(959.81,799.87)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.41,0:07:15.45,Century,,0,0,0,,{\pos(959.88,421.86)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.41,0:07:15.45,Century,,0,0,0,,{\pos(959.88,799.36)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.45,0:07:15.49,Century,,0,0,0,,{\pos(959.81,422.59)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.45,0:07:15.49,Century,,0,0,0,,{\pos(959.81,800.09)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.49,0:07:15.53,Century,,0,0,0,,{\pos(960.06,422.18)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.49,0:07:15.53,Century,,0,0,0,,{\pos(960.06,799.68)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.53,0:07:15.58,Century,,0,0,0,,{\pos(959.99,422.22)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.53,0:07:15.58,Century,,0,0,0,,{\pos(959.99,799.72)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.58,0:07:15.62,Century,,0,0,0,,{\pos(960.03,422.23)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.58,0:07:15.62,Century,,0,0,0,,{\pos(960.03,799.73)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.62,0:07:15.66,Century,,0,0,0,,{\pos(959.55,421.99)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.62,0:07:15.66,Century,,0,0,0,,{\pos(959.55,799.49)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.66,0:07:15.70,Century,,0,0,0,,{\pos(960.15,422.2)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.66,0:07:15.70,Century,,0,0,0,,{\pos(960.15,799.7)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.70,0:07:15.74,Century,,0,0,0,,{\pos(959.9,422.27)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.70,0:07:15.74,Century,,0,0,0,,{\pos(959.9,799.77)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.74,0:07:15.79,Century,,0,0,0,,{\pos(959.34,422.06)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.74,0:07:15.79,Century,,0,0,0,,{\pos(959.34,799.56)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.79,0:07:15.83,Century,,0,0,0,,{\pos(959.37,421.69)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.79,0:07:15.83,Century,,0,0,0,,{\pos(959.37,799.19)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.83,0:07:15.87,Century,,0,0,0,,{\pos(959.57,422.29)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.83,0:07:15.87,Century,,0,0,0,,{\pos(959.57,799.79)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.87,0:07:15.91,Century,,0,0,0,,{\pos(959.5,422.18)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.87,0:07:15.91,Century,,0,0,0,,{\pos(959.5,799.68)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.91,0:07:15.95,Century,,0,0,0,,{\pos(959.61,422.09)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.91,0:07:15.95,Century,,0,0,0,,{\pos(959.61,799.59)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.95,0:07:15.99,Century,,0,0,0,,{\pos(959.49,421.8)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.95,0:07:15.99,Century,,0,0,0,,{\pos(959.49,799.3)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:15.99,0:07:16.04,Century,,0,0,0,,{\pos(960.11,422.44)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:15.99,0:07:16.04,Century,,0,0,0,,{\pos(960.11,799.94)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.04,0:07:16.08,Century,,0,0,0,,{\pos(959.63,422.2)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.04,0:07:16.08,Century,,0,0,0,,{\pos(959.63,799.7)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.08,0:07:16.12,Century,,0,0,0,,{\pos(959.75,422.35)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.08,0:07:16.12,Century,,0,0,0,,{\pos(959.75,799.85)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.12,0:07:16.16,Century,,0,0,0,,{\pos(959.74,422.43)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.12,0:07:16.16,Century,,0,0,0,,{\pos(959.74,799.93)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.16,0:07:16.20,Century,,0,0,0,,{\pos(960.08,421.97)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.16,0:07:16.20,Century,,0,0,0,,{\pos(960.08,799.47)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.20,0:07:16.24,Century,,0,0,0,,{\pos(960.24,422.69)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.20,0:07:16.24,Century,,0,0,0,,{\pos(960.24,800.19)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.24,0:07:16.29,Century,,0,0,0,,{\pos(959.6,422.04)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.24,0:07:16.29,Century,,0,0,0,,{\pos(959.6,799.54)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.29,0:07:16.33,Century,,0,0,0,,{\pos(960,421.93)\blur0.5\fscx160\fscy160\c&H2526DE&}Otherwise the coherence of my delusion would have fallen apart.
Dialogue: 0,0:07:16.29,0:07:16.33,Century,,0,0,0,,{\pos(960,799.43)\blur0.5\fscx100\fscy100\c&H3537CB&}Animation Number 167
Dialogue: 0,0:07:16.33,0:07:23.29,Default,,0,0,0,,Well still, with that you actually revived a god, me, so you're really something. {"But, well, you actually revived a god, me, like this, so you're really something." the number of commas is too damn high! probably needs tlc though -forks} {albel: both translations are ok to me, if by "like this" you mean "revived like this" not "god like this", which is apparently the case. I also suggest "with that" or "by that"}{gut -forks}
Dialogue: 0,0:07:16.58,0:07:19.20,Default-ja,,0,0,0,,（クチナワ）\Nいや でも それで実際 神様
Dialogue: 0,0:07:19.29,0:07:23.04,Default-ja,,0,0,0,,俺様を復活させちまったんだから\N大したもんだがな
Dialogue: 0,0:07:23.29,0:07:23.33,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.29,0:07:23.33,centugatari,,0,0,0,,{\pos(960,375)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.33,0:07:23.38,Century,,0,0,0,,{\pos(960.35,799.71)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.33,0:07:23.38,centugatari,,0,0,0,,{\pos(960.35,374.71)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.38,0:07:23.42,Century,,0,0,0,,{\pos(960.29,799.52)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.38,0:07:23.42,centugatari,,0,0,0,,{\pos(960.29,374.52)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.42,0:07:23.46,Century,,0,0,0,,{\pos(960.01,800.01)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.42,0:07:23.46,centugatari,,0,0,0,,{\pos(960.01,375.01)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.46,0:07:23.50,Century,,0,0,0,,{\pos(960.32,799.89)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.46,0:07:23.50,centugatari,,0,0,0,,{\pos(960.32,374.89)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.50,0:07:23.54,Century,,0,0,0,,{\pos(960.42,799.61)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.50,0:07:23.54,centugatari,,0,0,0,,{\pos(960.42,374.61)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.54,0:07:23.58,Century,,0,0,0,,{\pos(960.59,799.66)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.54,0:07:23.58,centugatari,,0,0,0,,{\pos(960.59,374.66)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.58,0:07:23.63,Century,,0,0,0,,{\pos(960.12,799.65)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.58,0:07:23.63,centugatari,,0,0,0,,{\pos(960.12,374.65)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.63,0:07:23.67,Century,,0,0,0,,{\pos(960.48,799.68)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.63,0:07:23.67,centugatari,,0,0,0,,{\pos(960.48,374.68)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.67,0:07:23.71,Century,,0,0,0,,{\pos(960.49,799.68)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.67,0:07:23.71,centugatari,,0,0,0,,{\pos(960.49,374.68)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.71,0:07:23.75,Century,,0,0,0,,{\pos(960.55,799.63)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.71,0:07:23.75,centugatari,,0,0,0,,{\pos(960.55,374.63)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.75,0:07:23.79,Century,,0,0,0,,{\pos(960.67,799.45)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.75,0:07:23.79,centugatari,,0,0,0,,{\pos(960.67,374.45)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.79,0:07:23.83,Century,,0,0,0,,{\pos(960.32,799.87)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.79,0:07:23.83,centugatari,,0,0,0,,{\pos(960.32,374.87)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.83,0:07:23.88,Century,,0,0,0,,{\pos(960.22,799.53)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.83,0:07:23.88,centugatari,,0,0,0,,{\pos(960.22,374.53)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.88,0:07:23.92,Century,,0,0,0,,{\pos(960.13,799.51)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.88,0:07:23.92,centugatari,,0,0,0,,{\pos(960.13,374.51)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.92,0:07:23.96,Century,,0,0,0,,{\pos(960.4,799.54)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.92,0:07:23.96,centugatari,,0,0,0,,{\pos(960.4,374.54)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:23.96,0:07:24.00,Century,,0,0,0,,{\pos(960.22,799.68)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:23.96,0:07:24.00,centugatari,,0,0,0,,{\pos(960.22,374.68)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.00,0:07:24.04,Century,,0,0,0,,{\pos(960.51,799.67)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.00,0:07:24.04,centugatari,,0,0,0,,{\pos(960.51,374.67)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.04,0:07:24.09,Century,,0,0,0,,{\pos(960.45,799.82)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.04,0:07:24.09,centugatari,,0,0,0,,{\pos(960.45,374.82)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.09,0:07:24.13,Century,,0,0,0,,{\pos(960.17,799.75)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.09,0:07:24.13,centugatari,,0,0,0,,{\pos(960.17,374.75)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.13,0:07:24.17,Century,,0,0,0,,{\pos(960.14,799.4)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.13,0:07:24.17,centugatari,,0,0,0,,{\pos(960.14,374.4)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.17,0:07:24.21,Century,,0,0,0,,{\pos(960.77,799.75)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.17,0:07:24.21,centugatari,,0,0,0,,{\pos(960.77,374.75)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.21,0:07:24.25,Century,,0,0,0,,{\pos(960.28,800.03)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.21,0:07:24.25,centugatari,,0,0,0,,{\pos(960.28,375.03)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.25,0:07:24.29,Century,,0,0,0,,{\pos(960.3,799.69)\blur0.5\fscx100\fscy100}Animation Number 168
Dialogue: 0,0:07:24.25,0:07:24.29,centugatari,,0,0,0,,{\pos(960.3,374.69)\blur0.5\fscx168\fscy168\c&HFFFFFF&}Snake                Snake                Snake
Dialogue: 0,0:07:24.50,0:07:30.55,Default,,0,0,0,,Nadeko, to summarize, for that purpose, you fabricated a story. {albel: there's no "just". also maybe yoda-shift accent onto "fabricated" and go "for that purpose you fabricated a story"}
Dialogue: 0,0:07:24.63,0:07:25.79,Default-ja,,0,0,0,,撫子ちゃん
Dialogue: 0,0:07:25.88,0:07:30.42,Default-ja,,0,0,0,,要するには そのためにお前は\N物語を捏造(ねつぞう)したってことだ
Dialogue: 0,0:07:31.13,0:07:33.68,Default,,0,0,0,,Fabricated a story...
Dialogue: 0,0:07:31.30,0:07:33.38,Default-ja,,0,0,0,,（千石）物語の捏造
Dialogue: 0,0:07:33.68,0:07:39.06,Default,,0,0,0,,The real Nadeko-chan had been living a life that had no prospect of becoming an actual story. {albel: another mention of "life with no story-like quality", how did we translate it the last couple of times? also "living" here is modified by "zatto", which probably would be best understood as "cursorily" here. also missing "just/only" nuance. i.e. all she did was cursorily living blah-blah.}{rectified}
Dialogue: 0,0:07:33.76,0:07:36.80,Default-ja,,0,0,0,,（クチナワ）\N本当の撫子ちゃんは\N物語性のない日常を
Dialogue: 0,0:07:36.89,0:07:38.93,Default-ja,,0,0,0,,ずっと生きていただけだ
Dialogue: 0,0:07:39.02,0:07:43.39,Default-ja,,0,0,0,,現実逃避が得意な撫子ちゃんの\N最大の現実逃避って感じかな
Dialogue: 0,0:07:39.06,0:07:43.52,Default,,0,0,0,,As one adept at escaping reality, this was your biggest escape.
Dialogue: 0,0:07:43.90,0:07:44.73,Default-ja,,0,0,0,,（千石）でも
Dialogue: 0,0:07:43.90,0:07:44.86,Default,,0,0,0,,But...
Dialogue: 0,0:07:44.86,0:07:45.23,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Vain Struggle
Dialogue: 1,0:07:44.86,0:07:45.23,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 177
Dialogue: 0,0:07:45.23,0:07:49.32,Default,,0,0,0,,You say that the Kuchinawa-san up to now was just my delusion, but... {albel: there's no "everything". just plain "(if we're to consider the idea that) you until now was my fantasy..." maybe throw in "To say" if it means the stuff in braces and/or improves the flow }
Dialogue: 0,0:07:45.40,0:07:49.03,Default-ja,,0,0,0,,今までのクチナワさんが\N撫子の妄想って言うには
Dialogue: 0,0:07:49.19,0:07:50.03,Default-ja,,0,0,0,,クチナワさんは
Dialogue: 0,0:07:49.32,0:07:52.24,Default,,0,0,0,,You knew things I didn't, Kuchinawa-san.
Dialogue: 0,0:07:50.11,0:07:52.11,Default-ja,,0,0,0,,撫子の知らないことも\N知っていたよね
Dialogue: 0,0:07:52.57,0:07:54.99,Default-ja,,0,0,0,,（クチナワ）\Nしゃしゃっ そりゃ〜 無理無理
Dialogue: 0,0:07:53.28,0:08:01.08,Default,,0,0,0,,Impossible, just impossible. It was your delusion, so at that time I didn't possess any knowledge you didn't. {albel: "me at that time" instead of "I". and maybe use "possess" instead of "have". also "it was your fantasy" not "it is your fantasy"}{trimmed off "That's" at the beginning, unneeded and keeps it to 2 lines instead of 3 -forks}
Dialogue: 0,0:07:55.07,0:07:56.91,Default-ja,,0,0,0,,撫子ちゃんの妄想なんだから
Dialogue: 0,0:07:56.99,0:08:00.95,Default-ja,,0,0,0,,撫子ちゃん以上の知識なんて\N当時の俺様は持っていなかったさ
Dialogue: 0,0:08:01.08,0:08:03.87,Default,,0,0,0,,Th-Then how...
Dialogue: 0,0:08:01.29,0:08:03.75,Default-ja,,0,0,0,,（千石）じゃ… じゃあ どうして
Dialogue: 0,0:08:03.87,0:08:06.54,Default,,0,0,0,,You're just forgetting it all. {albel: maybe "are forgetting"? like continuous action implying she's forcefully keeping her memories blocked?}
Dialogue: 0,0:08:03.96,0:08:06.42,Default-ja,,0,0,0,,（クチナワ）\N撫子ちゃんが忘れているだけだよ
Dialogue: 0,0:08:06.50,0:08:07.50,Default-ja,,0,0,0,,６月んときに
Dialogue: 0,0:08:06.54,0:08:12.72,Default,,0,0,0,,In June, you were reading at the bookstore, in order to undo the charm placed on you... {albel: some stuff omitted for irrelevance, I guess. like "reading (while standing without buying)". maybe throw in "in order to" before "undo" and "placed" before "on you", because I like long stuff... wait, that didn't sound right}{yeah man, sounds good}
Dialogue: 0,0:08:07.59,0:08:09.80,Default-ja,,0,0,0,,撫子ちゃんは\N自分にかけられたおまじないを
Dialogue: 0,0:08:09.88,0:08:11.17,Default-ja,,0,0,0,,解きほぐすために
Dialogue: 0,0:08:11.26,0:08:12.51,Default-ja,,0,0,0,,本屋で立ち読みをして
Dialogue: 0,0:08:12.59,0:08:15.76,Default-ja,,0,0,0,,それなりに専門知識を\N身につけちゃ いるんだよ
Dialogue: 0,0:08:12.72,0:08:15.89,Default,,0,0,0,,...thus you have gained some specialized knowledge. {albel: "and thus you have obtained/acquired some specialized knowledge"}
Dialogue: 0,0:08:15.89,0:08:16.60,Century,,0,0,0,,{\pos(963,365)\blur0.5\fscx160\fscy160}Human memory knows no true oblivion.
Dialogue: 1,0:08:15.89,0:08:16.60,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 181
Dialogue: 0,0:08:16.60,0:08:16.93,Century,,0,0,0,,{\an4\pos(387,315)\blur0.5\fscx160\fscy160}No matter how hard we try to forget, everything remains in our mind.
Dialogue: 1,0:08:16.60,0:08:16.93,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 181
Dialogue: 0,0:08:16.93,0:08:17.51,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}We are not meant to forget our sins.
Dialogue: 1,0:08:16.93,0:08:17.51,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 181
Dialogue: 0,0:08:18.10,0:08:20.73,Default,,0,0,0,,I'm pretty confused about all this.
Dialogue: 0,0:08:18.22,0:08:20.89,Default-ja,,0,0,0,,いろいろ混乱しちゃってるんだけど
Dialogue: 0,0:08:22.14,0:08:27.15,Default,,0,0,0,,Can you tell me, Kuchinawa-san? What happened for things to end up like this? {added Kuchinawa-san -forks} {albel: add a comma too} {oh you, ty}
Dialogue: 0,0:08:22.35,0:08:24.39,Default-ja,,0,0,0,,教えてくれる？　クチナワさん
Dialogue: 0,0:08:24.52,0:08:27.02,Default-ja,,0,0,0,,何があって\Nこういうことになったの？
Dialogue: 0,0:08:27.15,0:08:27.65,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}After so much
Dialogue: 1,0:08:27.15,0:08:27.65,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:27.15,0:08:29.65,Default,,0,0,0,,It's clear to you, right, Kuchinawa-san..? {added Kuchinawa-san -forks} {albel: literally "it(what happened from previous sentence) is known/clear to kuchinawa-san". this is obviously ugly and I don't suggest to use that, but the point is, the next couple of lines are connected to this one, e.g. "it's clear to kuchinawa-san", "to the current kuchinawa-san", "to the really revived not my fantasy kuchinawa-san". try putting that into proper english}
Dialogue: 0,0:08:27.40,0:08:29.52,Default-ja,,0,0,0,,分かるんでしょ？\Nクチナワさんには
Dialogue: 0,0:08:27.65,0:08:28.40,Century,,0,0,0,,{\pos(960,330)\blur0.5\fscx160\fscy160\c&H1E272C&}I was done running away from reality.
Dialogue: 1,0:08:27.65,0:08:28.40,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 185
Dialogue: 1,0:08:28.40,0:08:28.44,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.44,0:08:28.48,Century,,0,0,0,,{\pos(960.4,799.77)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.48,0:08:28.52,Century,,0,0,0,,{\pos(960.38,799.78)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.52,0:08:28.57,Century,,0,0,0,,{\pos(960.64,800.22)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.57,0:08:28.61,Century,,0,0,0,,{\pos(960.25,800.56)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.61,0:08:28.65,Century,,0,0,0,,{\pos(960.32,800.19)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.65,0:08:28.69,Century,,0,0,0,,{\pos(960.04,800.42)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.69,0:08:28.73,Century,,0,0,0,,{\pos(960.25,800.59)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 1,0:08:28.73,0:08:28.77,Century,,0,0,0,,{\pos(960.24,800.96)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:28.77,0:08:28.82,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:28.77,0:08:28.82,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:28.82,0:08:28.86,Century,,0,0,0,,{\pos(959.7,420.06)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:28.82,0:08:28.86,Century,,0,0,0,,{\pos(959.7,800.06)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:28.86,0:08:28.90,Century,,0,0,0,,{\pos(959.69,420.12)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:28.86,0:08:28.90,Century,,0,0,0,,{\pos(959.69,800.12)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:28.90,0:08:28.94,Century,,0,0,0,,{\pos(959.25,420.3)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:28.90,0:08:28.94,Century,,0,0,0,,{\pos(959.25,800.3)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:28.94,0:08:28.98,Century,,0,0,0,,{\pos(958.85,419.99)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:28.94,0:08:28.98,Century,,0,0,0,,{\pos(958.85,799.99)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:28.98,0:08:29.02,Century,,0,0,0,,{\pos(958.85,420.03)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:28.98,0:08:29.02,Century,,0,0,0,,{\pos(958.85,800.03)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.02,0:08:29.07,Century,,0,0,0,,{\pos(958.9,420.3)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.02,0:08:29.07,Century,,0,0,0,,{\pos(958.9,800.3)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.07,0:08:29.11,Century,,0,0,0,,{\pos(959.08,420.35)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.07,0:08:29.11,Century,,0,0,0,,{\pos(959.08,800.35)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.11,0:08:29.15,Century,,0,0,0,,{\pos(959,420.36)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.11,0:08:29.15,Century,,0,0,0,,{\pos(959,800.36)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.15,0:08:29.19,Century,,0,0,0,,{\pos(959.41,419.7)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.15,0:08:29.19,Century,,0,0,0,,{\pos(959.41,799.7)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.19,0:08:29.23,Century,,0,0,0,,{\pos(959.38,420.38)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.19,0:08:29.23,Century,,0,0,0,,{\pos(959.38,800.38)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.23,0:08:29.28,Century,,0,0,0,,{\pos(959.07,420.31)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.23,0:08:29.28,Century,,0,0,0,,{\pos(959.07,800.31)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.28,0:08:29.32,Century,,0,0,0,,{\pos(959.39,419.97)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.28,0:08:29.32,Century,,0,0,0,,{\pos(959.39,799.97)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.32,0:08:29.36,Century,,0,0,0,,{\pos(959.26,419.99)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.32,0:08:29.36,Century,,0,0,0,,{\pos(959.26,799.99)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.36,0:08:29.40,Century,,0,0,0,,{\pos(959.04,420.13)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.36,0:08:29.40,Century,,0,0,0,,{\pos(959.04,800.13)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.40,0:08:29.44,Century,,0,0,0,,{\pos(959.36,420.32)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.40,0:08:29.44,Century,,0,0,0,,{\pos(959.36,800.32)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.44,0:08:29.48,Century,,0,0,0,,{\pos(958.96,419.94)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.44,0:08:29.48,Century,,0,0,0,,{\pos(958.96,799.94)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.48,0:08:29.53,Century,,0,0,0,,{\pos(959,419.94)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.48,0:08:29.53,Century,,0,0,0,,{\pos(959,799.94)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.53,0:08:29.57,Century,,0,0,0,,{\pos(959.06,419.93)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.53,0:08:29.57,Century,,0,0,0,,{\pos(959.06,799.93)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.57,0:08:29.61,Century,,0,0,0,,{\pos(959.28,420.27)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.57,0:08:29.61,Century,,0,0,0,,{\pos(959.28,800.27)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:29.61,0:08:29.65,Century,,0,0,0,,{\pos(959.04,419.88)\blur0.5\fscx160\fscy160}There was no need to run away anymore either.
Dialogue: 1,0:08:29.61,0:08:29.65,Century,,0,0,0,,{\pos(959.04,799.88)\blur0.5\fscx100\fscy100}Animation Number 185
Dialogue: 0,0:08:30.03,0:08:32.15,Default,,0,0,0,,To the current Kuchinawa-san... {added Kuchinawa-san -forks}
Dialogue: 0,0:08:30.28,0:08:32.03,Default-ja,,0,0,0,,（千石）\N今の クチナワさんには
Dialogue: 0,0:08:32.15,0:08:36.66,Default,,0,0,0,,The not-Nadeko's-delusion, really-revived Kuchinawa-san.
Dialogue: 0,0:08:32.49,0:08:36.53,Default-ja,,0,0,0,,撫子の妄想ではない\N本当に復活したクチナワさんには
Dialogue: 0,0:08:37.37,0:08:41.75,Default,,0,0,0,,But that's exactly why I think this conversation is utterly stupid. {albel: missing "exactly" nuance. "that's exactly why", disregard at will}
Dialogue: 0,0:08:37.49,0:08:38.95,Default-ja,,0,0,0,,でも だからこそ
Dialogue: 0,0:08:39.03,0:08:41.62,Default-ja,,0,0,0,,こんな会話は\Nバカバカしいともいえます
Dialogue: 0,0:08:41.75,0:08:45.62,Default,,0,0,0,,Because the present Kuchinawa-san and I are on equal ground. {albel: "Because present kuchinawa-san is an equal to me". not sure about "an". maybe he just equals to her. but it doesn't seem to be a verb here, although it would may made more sense in the context}
Dialogue: 0,0:08:41.83,0:08:45.50,Default-ja,,0,0,0,,だって今のクチナワさんは\N撫子とイコールなんですから
Dialogue: 0,0:08:45.62,0:08:49.67,Default,,0,0,0,,Because he surpassed delusion and possession, and became equal. {albel: literally "Because He's fantasy-surpassed dependency-surpassed sameness/equality". Did it make sense? I guess not. Anyway, like in surrounding sentences, it starts with "Because", because she enumerates reasons for her talking to herself being stupid. Also, not sure that after just mentioning "surpassing possession" it would become immediately obvious that it wasn't him who was possessed. the japanese word used generally means "dependency" and "possession" only when referring to spirits. you see where it comes from. maybe throw in "being" to make sense of it. e.g. "Because he surpassed being fantasy and possession, and became equal with me".}
Dialogue: 0,0:08:45.62,0:08:49.54,Default-ja,,0,0,0,,妄想を超えた 憑依(ひょうい)を超えた\N同一なのですから
Dialogue: 0,0:08:49.67,0:08:56.80,Default,,0,0,0,,Because he revived from that talisman, which I swallowed whole, turning my body into the god's container.
Dialogue: 0,0:08:50.04,0:08:52.63,Default-ja,,0,0,0,,あのお札に封じられていた\Nクチナワさんは
Dialogue: 0,0:08:52.96,0:08:56.68,Default-ja,,0,0,0,,それを丸呑(まるの)みにした撫子を依代(よりしろ)に\N復活したのですから
Dialogue: 0,0:08:56.80,0:09:00.18,Default,,0,0,0,,Because Kuchinawa-san is me, Nadeko. {albel: last "Because"}
Dialogue: 0,0:08:57.22,0:09:00.05,Default-ja,,0,0,0,,クチナワさんは撫子なのですから
Dialogue: 0,0:09:01.85,0:09:06.85,Default,,0,0,0,,So from here on it's just something like a monologue. As usual. {albel: "mere" is in wrong place. "it's just something like monologue".}
Dialogue: 0,0:09:02.02,0:09:05.81,Default-ja,,0,0,0,,だから ここから先は\Nただの独り言のようなものなのです
Dialogue: 0,0:09:05.89,0:09:06.73,Default-ja,,0,0,0,,恒例の
Dialogue: 0,0:09:06.85,0:09:07.35,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5\c&H000000&}White Scene
Dialogue: 0,0:09:06.85,0:09:07.35,Century,,0,0,0,,{\blur0.5\pos(960,800)\c&H000000&}Animation Number 'none'
Dialogue: 0,0:09:07.35,0:09:13.19,Default,,0,0,0,,I wonder if my delusion started when I saw the white snake in the shoe rack? {changed "shoebox" to "shoe cubby", someone come up with a better wording maybe? -forks} {albel: "That means" is kind of right translation but only in LN context, where there was some other intermediate text. But here it's a missing reference and this sentence also has wondering nuance, so I suggest replacing it with "I wonder if my fantasy...", to start a new topic which it is.} {albel: PS. maybe "shoe shelf" or "shoe rack"?}{i like shoe rack better -forks}
Dialogue: 0,0:09:07.65,0:09:10.40,Default-ja,,0,0,0,,あの げた箱で\N白い蛇を見たときから
Dialogue: 0,0:09:10.48,0:09:13.07,Default-ja,,0,0,0,,妄想は始まっていたって\Nことなのかな？
Dialogue: 0,0:09:13.19,0:09:18.07,Default,,0,0,0,,Not quite. It was around the beginning of the month before last.
Dialogue: 0,0:09:13.19,0:09:14.94,Default-ja,,0,0,0,,（クチナワ）少し違うかな
Dialogue: 0,0:09:15.03,0:09:17.95,Default-ja,,0,0,0,,最初っつうなら\N先々月の頭くらいだよ
Dialogue: 0,0:09:18.07,0:09:21.12,Default,,0,0,0,,Two months ago... When September began?
Dialogue: 0,0:09:18.16,0:09:20.99,Default-ja,,0,0,0,,（千石）先々月… ９月の頭って
Dialogue: 0,0:09:21.12,0:09:21.70,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}When September began,
Dialogue: 1,0:09:21.12,0:09:21.70,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 199
Dialogue: 0,0:09:22.70,0:09:26.87,Default,,0,0,0,,When you found out Koyomi-oniichan had a girlfriend.
Dialogue: 0,0:09:22.91,0:09:26.75,Default-ja,,0,0,0,,（クチナワ）\N暦おにいちゃんに恋人がいるって\N分かったころのことだな
Dialogue: 0,0:09:26.83,0:09:30.59,Default-ja,,0,0,0,,恋人と仲むつまじく歩く\N暦おにいちゃんを目撃したとき
Dialogue: 0,0:09:26.87,0:09:31.84,Default,,0,0,0,,When you saw him walking with his girlfriend in a very amiable manner.
Dialogue: 0,0:09:31.84,0:09:34.92,Default,,0,0,0,,That is "the beginning" for you.
Dialogue: 0,0:09:31.96,0:09:34.46,Default-ja,,0,0,0,,それが\N撫子ちゃんにとっての始まりだ
Dialogue: 0,0:09:34.55,0:09:35.38,Default-ja,,0,0,0,,いや
Dialogue: 0,0:09:34.92,0:09:35.51,Default,,0,0,0,,No...
Dialogue: 0,0:09:36.63,0:09:37.89,Default,,0,0,0,,...rather, "the end." {albel: "(should I rather say) the end". maybe put the in quotes too. and go "that is "the beginning" for you", "No", "(Should I rather say) "the end"". oh well, disregard at will}{seems like 'should i rather say "the end"' is too long for 'owari ga na" maybe. -forks}
Dialogue: 0,0:09:36.76,0:09:37.76,Default-ja,,0,0,0,,終わりかな
Dialogue: 0,0:09:37.89,0:09:37.93,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:37.89,0:09:37.93,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:37.93,0:09:37.97,Century,,0,0,0,,{\pos(960.42,419.66)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:37.93,0:09:37.97,Century,,0,0,0,,{\pos(960.42,799.66)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:37.97,0:09:38.01,Century,,0,0,0,,{\pos(960.34,419.49)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:37.97,0:09:38.01,Century,,0,0,0,,{\pos(960.34,799.49)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.01,0:09:38.05,Century,,0,0,0,,{\pos(960.04,419.99)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.01,0:09:38.05,Century,,0,0,0,,{\pos(960.04,799.99)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.05,0:09:38.09,Century,,0,0,0,,{\pos(960.38,419.85)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.05,0:09:38.09,Century,,0,0,0,,{\pos(960.38,799.85)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.09,0:09:38.14,Century,,0,0,0,,{\pos(960.47,419.52)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.09,0:09:38.14,Century,,0,0,0,,{\pos(960.47,799.52)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.14,0:09:38.18,Century,,0,0,0,,{\pos(960.65,419.52)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.14,0:09:38.18,Century,,0,0,0,,{\pos(960.65,799.52)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.18,0:09:38.22,Century,,0,0,0,,{\pos(960.19,419.56)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.18,0:09:38.22,Century,,0,0,0,,{\pos(960.19,799.56)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.22,0:09:38.26,Century,,0,0,0,,{\pos(960.55,419.56)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.22,0:09:38.26,Century,,0,0,0,,{\pos(960.55,799.56)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.26,0:09:38.30,Century,,0,0,0,,{\pos(960.57,419.53)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.26,0:09:38.30,Century,,0,0,0,,{\pos(960.57,799.53)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.30,0:09:38.34,Century,,0,0,0,,{\pos(960.66,419.44)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.30,0:09:38.34,Century,,0,0,0,,{\pos(960.66,799.44)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.34,0:09:38.39,Century,,0,0,0,,{\pos(960.75,419.21)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.34,0:09:38.39,Century,,0,0,0,,{\pos(960.75,799.21)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.39,0:09:38.43,Century,,0,0,0,,{\pos(960.43,419.69)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.39,0:09:38.43,Century,,0,0,0,,{\pos(960.43,799.69)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.43,0:09:38.47,Century,,0,0,0,,{\pos(960.39,419.31)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.43,0:09:38.47,Century,,0,0,0,,{\pos(960.39,799.31)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.47,0:09:38.51,Century,,0,0,0,,{\pos(960.23,419.29)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.47,0:09:38.51,Century,,0,0,0,,{\pos(960.23,799.29)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:38.51,0:09:38.55,Century,,0,0,0,,{\pos(960.56,419.27)\blur0.5\fscx160\fscy160\c&H1E272C&}The end.
Dialogue: 1,0:09:38.51,0:09:38.55,Century,,0,0,0,,{\pos(960.56,799.27)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 205
Dialogue: 0,0:09:39.55,0:09:48.35,Default,,0,0,0,,Just like what your friend did to you, Nadeko-chan. You just got jealous of her. Of that girlfriend.
Dialogue: 0,0:09:39.76,0:09:40.89,Default-ja,,0,0,0,,撫子ちゃんは
Dialogue: 0,0:09:40.97,0:09:43.93,Default-ja,,0,0,0,,撫子ちゃんの友達が\N撫子ちゃんに対してそうしたように
Dialogue: 0,0:09:44.43,0:09:46.39,Default-ja,,0,0,0,,妬んじまっただけのことさ
Dialogue: 0,0:09:46.48,0:09:48.23,Default-ja,,0,0,0,,その恋人ちゃんのことをよ
Dialogue: 0,0:09:48.35,0:09:48.40,Century,,0,0,0,,{\pos(970.5,340)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.35,0:09:48.40,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388,427)}Animation Number 208
Dialogue: 0,0:09:48.40,0:09:48.44,Century,,0,0,0,,{\pos(970.95,339.89)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.40,0:09:48.44,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.45,426.89)}Animation Number 208
Dialogue: 0,0:09:48.44,0:09:48.48,Century,,0,0,0,,{\pos(970.91,339.69)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.44,0:09:48.48,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.41,426.69)}Animation Number 208
Dialogue: 0,0:09:48.48,0:09:48.52,Century,,0,0,0,,{\pos(970.69,340.08)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.48,0:09:48.52,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.19,427.08)}Animation Number 208
Dialogue: 0,0:09:48.52,0:09:48.56,Century,,0,0,0,,{\pos(971.12,340.05)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.52,0:09:48.56,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.62,427.05)}Animation Number 208
Dialogue: 0,0:09:48.56,0:09:48.60,Century,,0,0,0,,{\pos(971.26,339.86)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.56,0:09:48.60,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.76,426.86)}Animation Number 208
Dialogue: 0,0:09:48.60,0:09:48.65,Century,,0,0,0,,{\pos(971.41,339.87)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.60,0:09:48.65,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.91,426.87)}Animation Number 208
Dialogue: 0,0:09:48.65,0:09:48.69,Century,,0,0,0,,{\pos(971.07,339.88)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.65,0:09:48.69,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.57,426.88)}Animation Number 208
Dialogue: 0,0:09:48.69,0:09:48.73,Century,,0,0,0,,{\pos(971.42,340)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.69,0:09:48.73,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.92,427)}Animation Number 208
Dialogue: 0,0:09:48.73,0:09:48.77,Century,,0,0,0,,{\pos(971.46,340.02)\blur0.5\fscx160\fscy160}Jealousy.
Dialogue: 0,0:09:48.73,0:09:48.77,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(388.96,427.02)}Animation Number 208
Dialogue: 0,0:09:48.77,0:09:49.19,Century,,0,0,0,,{\pos(970.5,340)\blur0.5\fscx160\fscy160}Envy.
Dialogue: 0,0:09:48.77,0:09:49.19,Century,,0,0,0,,{\pos(383,425)\blur0.5\fscx100\fscy100}Animation Number 208
Dialogue: 0,0:09:49.19,0:09:52.57,Default,,0,0,0,,And so, what did I do?
Dialogue: 0,0:09:49.27,0:09:52.52,Default-ja,,0,0,0,,（千石）\Nそれで…\Nそれで撫子はどうしたの？
Dialogue: 0,0:09:52.57,0:09:58.03,Default,,0,0,0,,You had the same idea as that friend of yours. You know what that is, huh? {albel: maybe "you had the same idea as that friend of yours". then the next line can became a full echo and be "The same idea?"}
Dialogue: 0,0:09:52.61,0:09:55.78,Default-ja,,0,0,0,,（クチナワ）\Nそのお友達と おんなじことを\N考えただけだよ
Dialogue: 0,0:09:55.86,0:09:57.86,Default-ja,,0,0,0,,分かるだろ？　ああん？
Dialogue: 0,0:09:58.03,0:09:59.70,Default,,0,0,0,,The same idea?
Dialogue: 0,0:09:58.03,0:09:59.57,Default-ja,,0,0,0,,（千石）おんなじことって？
Dialogue: 0,0:09:59.70,0:10:00.70,Default,,0,0,0,,In other words.
Dialogue: 0,0:09:59.74,0:10:00.57,Default-ja,,0,0,0,,（クチナワ）つまり…
Dialogue: 0,0:10:01.83,0:10:03.70,Default,,0,0,0,,You prayed to a god.
Dialogue: 0,0:10:02.16,0:10:03.58,Default-ja,,0,0,0,,神様に祈ったんだ
Dialogue: 0,0:10:04.37,0:10:05.70,Default,,0,0,0,,To a god?
Dialogue: 0,0:10:04.58,0:10:05.58,Default-ja,,0,0,0,,神様に？
Dialogue: 0,0:10:05.70,0:10:08.71,Naoetsu,,0,0,0,,{\blur1\4c&HC28762&\4a&H00&\xshad-1.5\fscx144\fscy93\c&H813A19&\pos(822,695.4)}Purity in Spirit
Dialogue: 0,0:10:05.70,0:10:09.50,Default,,0,0,0,,Once you found out he had a girlfriend...
Dialogue: 0,0:10:05.91,0:10:09.33,Default-ja,,0,0,0,,（クチナワ）\N暦おにいちゃんに恋人がいるという\N事実を知って以来
Dialogue: 0,0:10:09.42,0:10:11.33,Default-ja,,0,0,0,,暇を見つけては 撫子ちゃんは
Dialogue: 0,0:10:09.50,0:10:15.46,Default,,0,0,0,,...you came to pray at this shrine whenever you had time. You don't remember any of it?
Dialogue: 0,0:10:11.54,0:10:13.34,Default-ja,,0,0,0,,この神社にお参りに来ていたんだぜ
Dialogue: 0,0:10:13.80,0:10:15.34,Default-ja,,0,0,0,,全く覚えてないのか？
Dialogue: 0,0:10:16.34,0:10:20.30,Default,,0,0,0,,I don't. In other words, the Hundred Worships ritual?
Dialogue: 0,0:10:16.46,0:10:17.63,Default-ja,,0,0,0,,（千石）覚えてない
Dialogue: 0,0:10:17.72,0:10:20.22,Default-ja,,0,0,0,,つまり\Nお百度参りをしたってこと？
Dialogue: 0,0:10:20.30,0:10:22.72,Default,,0,0,0,,Though you haven't made so many as a hundred trips. {albel: no "yet" and missing "sasuga ni" nuance. "well, as much as a whole hundred trips you haven't made."}
Dialogue: 0,0:10:20.30,0:10:22.55,Default-ja,,0,0,0,,（クチナワ）\Nさすがに100回は来てねえけどな
Dialogue: 0,0:10:24.47,0:10:28.81,Default,,0,0,0,,"Simply praying to a god... this probably won't work." {albel: not "credibility". "certainty of realization".}
Dialogue: 0,0:10:24.72,0:10:28.73,Default-ja,,0,0,0,,神様に祈るだけだなんて\N本当ならば確実性が低い
Dialogue: 0,0:10:28.81,0:10:32.19,Default,,0,0,0,,That's how everyone likely thinks. But not you, right? {albel: well "should" is not exactly right word here. hazu means a high expectation that thing is like stated. e.g. "that's how everyone likely/probably thinks".}
Dialogue: 0,0:10:28.81,0:10:29.89,Default-ja,,0,0,0,,そう思うはずだ
Dialogue: 0,0:10:29.98,0:10:32.06,Default-ja,,0,0,0,,だけど 撫子ちゃんは違うだろう？
Dialogue: 0,0:10:32.19,0:10:38.45,Default,,0,0,0,,Because in June, here in this shrine, you broke the magic charm placed on you by your friend.
Dialogue: 0,0:10:32.52,0:10:34.90,Default-ja,,0,0,0,,撫子ちゃんは６月に この神社で
Dialogue: 0,0:10:34.98,0:10:38.32,Default-ja,,0,0,0,,友達からかけられたおまじないを\N祓(はら)ったんだから
Dialogue: 0,0:10:38.45,0:10:44.37,Default,,0,0,0,,"Meet an aberration and you'll be pulled in to them." Is that what that meant? {albel: maybe add quotes around the meet phrase, b/c it's a citation of aloha-guy. and maybe change to "meant", respectively}
Dialogue: 0,0:10:38.99,0:10:41.07,Default-ja,,0,0,0,,（千石）\N怪異に会えば怪異に引かれる
Dialogue: 0,0:10:41.20,0:10:41.62,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Pulled in
Dialogue: 1,0:10:41.20,0:10:41.62,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 222
Dialogue: 0,0:10:41.61,0:10:44.24,Default-ja,,0,0,0,,それは\Nそういう意味なのでしょうか？
Dialogue: 0,0:10:44.37,0:10:49.50,Default,,0,0,0,,In other words, because I got to know of aberrations, I've come to believe in them.
Dialogue: 0,0:10:44.74,0:10:46.91,Default-ja,,0,0,0,,つまり 怪異を知ることで
Dialogue: 0,0:10:46.99,0:10:49.37,Default-ja,,0,0,0,,怪異を信じることに\Nなってしまうという…
Dialogue: 0,0:10:49.50,0:10:49.54,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.50,0:10:49.54,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.54,0:10:49.58,Century,,0,0,0,,{\pos(960.38,419.74)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.54,0:10:49.58,Century,,0,0,0,,{\pos(960.38,799.74)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.58,0:10:49.62,Century,,0,0,0,,{\pos(960.29,419.55)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.58,0:10:49.62,Century,,0,0,0,,{\pos(960.29,799.55)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.62,0:10:49.67,Century,,0,0,0,,{\pos(960,420.02)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.62,0:10:49.67,Century,,0,0,0,,{\pos(960,800.02)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.67,0:10:49.71,Century,,0,0,0,,{\pos(960.3,419.96)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.67,0:10:49.71,Century,,0,0,0,,{\pos(960.3,799.96)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.71,0:10:49.75,Century,,0,0,0,,{\pos(960.37,419.7)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.71,0:10:49.75,Century,,0,0,0,,{\pos(960.37,799.7)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.75,0:10:49.79,Century,,0,0,0,,{\pos(960.58,419.68)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.75,0:10:49.79,Century,,0,0,0,,{\pos(960.58,799.68)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.79,0:10:49.83,Century,,0,0,0,,{\pos(960.09,419.72)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.79,0:10:49.83,Century,,0,0,0,,{\pos(960.09,799.72)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.83,0:10:49.87,Century,,0,0,0,,{\pos(960.45,419.72)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.83,0:10:49.87,Century,,0,0,0,,{\pos(960.45,799.72)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.87,0:10:49.92,Century,,0,0,0,,{\pos(960.45,419.69)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.87,0:10:49.92,Century,,0,0,0,,{\pos(960.45,799.69)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.92,0:10:49.96,Century,,0,0,0,,{\pos(960.56,419.67)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.92,0:10:49.96,Century,,0,0,0,,{\pos(960.56,799.67)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:49.96,0:10:50.00,Century,,0,0,0,,{\pos(960.61,419.46)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:49.96,0:10:50.00,Century,,0,0,0,,{\pos(960.61,799.46)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.00,0:10:50.04,Century,,0,0,0,,{\pos(960.28,419.97)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.00,0:10:50.04,Century,,0,0,0,,{\pos(960.28,799.97)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.04,0:10:50.08,Century,,0,0,0,,{\pos(960.2,419.64)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.04,0:10:50.08,Century,,0,0,0,,{\pos(960.2,799.64)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.08,0:10:50.12,Century,,0,0,0,,{\pos(960.08,419.66)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.08,0:10:50.12,Century,,0,0,0,,{\pos(960.08,799.66)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.12,0:10:50.17,Century,,0,0,0,,{\pos(960.42,419.66)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.12,0:10:50.17,Century,,0,0,0,,{\pos(960.42,799.66)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.17,0:10:50.21,Century,,0,0,0,,{\pos(960.2,419.77)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.17,0:10:50.21,Century,,0,0,0,,{\pos(960.2,799.77)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.21,0:10:50.25,Century,,0,0,0,,{\pos(960.44,419.84)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.21,0:10:50.25,Century,,0,0,0,,{\pos(960.44,799.84)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.25,0:10:50.29,Century,,0,0,0,,{\pos(960.36,419.94)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.25,0:10:50.29,Century,,0,0,0,,{\pos(960.36,799.94)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.29,0:10:50.33,Century,,0,0,0,,{\pos(960.12,419.92)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.29,0:10:50.33,Century,,0,0,0,,{\pos(960.12,799.92)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.33,0:10:50.37,Century,,0,0,0,,{\pos(960.09,419.66)\blur0.5\fscx160\fscy160}by a snake.
Dialogue: 1,0:10:50.33,0:10:50.37,Century,,0,0,0,,{\pos(960.09,799.66)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.37,0:10:50.42,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.37,0:10:50.42,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.37,0:10:55.88,Default,,0,0,0,,I see. The fact that praying to a god worked was something I learned back then.
Dialogue: 0,0:10:50.37,0:10:51.21,Default-ja,,0,0,0,,（千石）\Nそっか
Dialogue: 0,0:10:50.42,0:10:50.46,Century,,0,0,0,,{\pos(960.3,420)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.42,0:10:50.46,Century,,0,0,0,,{\pos(960.3,800)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.46,0:10:50.50,Century,,0,0,0,,{\pos(960.08,420.4)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.46,0:10:50.50,Century,,0,0,0,,{\pos(960.08,800.4)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.50,0:10:50.54,Century,,0,0,0,,{\pos(960.74,419.67)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.50,0:10:50.54,Century,,0,0,0,,{\pos(960.74,799.67)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.54,0:10:50.58,Century,,0,0,0,,{\pos(960.41,419.86)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.54,0:10:50.58,Century,,0,0,0,,{\pos(960.41,799.86)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.58,0:10:50.62,Century,,0,0,0,,{\pos(960.43,419.82)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.58,0:10:50.62,Century,,0,0,0,,{\pos(960.43,799.82)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.62,0:10:50.67,Century,,0,0,0,,{\pos(960.26,419.9)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.62,0:10:50.67,Century,,0,0,0,,{\pos(960.26,799.9)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.67,0:10:50.71,Century,,0,0,0,,{\pos(959.68,419.72)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.67,0:10:50.71,Century,,0,0,0,,{\pos(959.68,799.72)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.71,0:10:50.75,Century,,0,0,0,,{\pos(959.87,419.7)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.71,0:10:50.75,Century,,0,0,0,,{\pos(959.87,799.7)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.75,0:10:50.79,Century,,0,0,0,,{\pos(959.89,419.93)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.75,0:10:50.79,Century,,0,0,0,,{\pos(959.89,799.93)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.79,0:10:50.83,Century,,0,0,0,,{\pos(960.04,419.97)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.79,0:10:50.83,Century,,0,0,0,,{\pos(960.04,799.97)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.83,0:10:50.88,Century,,0,0,0,,{\pos(960.02,419.88)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.83,0:10:50.88,Century,,0,0,0,,{\pos(960.02,799.88)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.88,0:10:50.92,Century,,0,0,0,,{\pos(960.35,419.4)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.88,0:10:50.92,Century,,0,0,0,,{\pos(960.35,799.4)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.92,0:10:50.96,Century,,0,0,0,,{\pos(960.32,419.94)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.92,0:10:50.96,Century,,0,0,0,,{\pos(960.32,799.94)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:50.96,0:10:51.00,Century,,0,0,0,,{\pos(960.04,419.87)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:50.96,0:10:51.00,Century,,0,0,0,,{\pos(960.04,799.87)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.00,0:10:51.04,Century,,0,0,0,,{\pos(960.36,419.53)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.00,0:10:51.04,Century,,0,0,0,,{\pos(960.36,799.53)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.04,0:10:51.08,Century,,0,0,0,,{\pos(960.35,419.56)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.04,0:10:51.08,Century,,0,0,0,,{\pos(960.35,799.56)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.08,0:10:51.13,Century,,0,0,0,,{\pos(960.13,419.77)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.08,0:10:51.13,Century,,0,0,0,,{\pos(960.13,799.77)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.13,0:10:51.17,Century,,0,0,0,,{\pos(960.4,419.82)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.13,0:10:51.17,Century,,0,0,0,,{\pos(960.4,799.82)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.17,0:10:51.21,Century,,0,0,0,,{\pos(960.09,419.51)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.17,0:10:51.21,Century,,0,0,0,,{\pos(960.09,799.51)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.21,0:10:51.25,Century,,0,0,0,,{\pos(960.13,419.5)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.21,0:10:51.25,Century,,0,0,0,,{\pos(960.13,799.5)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.25,0:10:51.29,Century,,0,0,0,,{\pos(960.28,419.51)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.25,0:10:51.29,Century,,0,0,0,,{\pos(960.28,799.51)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.29,0:10:51.33,Century,,0,0,0,,{\pos(960.41,419.58)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.29,0:10:51.33,Century,,0,0,0,,{\pos(960.41,799.58)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.33,0:10:51.38,Century,,0,0,0,,{\pos(960.39,419.44)\blur0.5\fscx160\fscy160}By a poisonous snake.
Dialogue: 1,0:10:51.33,0:10:51.38,Century,,0,0,0,,{\pos(960.39,799.44)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.38,0:10:52.13,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Got bitten
Dialogue: 1,0:10:51.38,0:10:52.13,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:51.54,0:10:53.38,Default-ja,,0,0,0,,神頼みが\N有効であることを
Dialogue: 0,0:10:52.13,0:10:52.17,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.13,0:10:52.17,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.17,0:10:52.21,Century,,0,0,0,,{\pos(960.35,420)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.17,0:10:52.21,Century,,0,0,0,,{\pos(960.35,800)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.21,0:10:52.25,Century,,0,0,0,,{\pos(959.57,419.9)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.21,0:10:52.25,Century,,0,0,0,,{\pos(959.57,799.9)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.25,0:10:52.29,Century,,0,0,0,,{\pos(960.03,419.91)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.25,0:10:52.29,Century,,0,0,0,,{\pos(960.03,799.91)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.29,0:10:52.33,Century,,0,0,0,,{\pos(959.71,419.55)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.29,0:10:52.33,Century,,0,0,0,,{\pos(959.71,799.55)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.33,0:10:52.38,Century,,0,0,0,,{\pos(960.35,419.9)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.33,0:10:52.38,Century,,0,0,0,,{\pos(960.35,799.9)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.38,0:10:52.42,Century,,0,0,0,,{\pos(959.96,419.76)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.38,0:10:52.42,Century,,0,0,0,,{\pos(959.96,799.76)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.42,0:10:52.46,Century,,0,0,0,,{\pos(959.76,419.75)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.42,0:10:52.46,Century,,0,0,0,,{\pos(959.76,799.75)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.46,0:10:52.50,Century,,0,0,0,,{\pos(959.75,419.53)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.46,0:10:52.50,Century,,0,0,0,,{\pos(959.75,799.53)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.50,0:10:52.54,Century,,0,0,0,,{\pos(960.47,420.73)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.50,0:10:52.54,Century,,0,0,0,,{\pos(960.47,800.73)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.54,0:10:52.59,Century,,0,0,0,,{\pos(959.82,420.11)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.54,0:10:52.59,Century,,0,0,0,,{\pos(959.82,800.11)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.59,0:10:52.63,Century,,0,0,0,,{\pos(960.25,420.03)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.59,0:10:52.63,Century,,0,0,0,,{\pos(960.25,800.03)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.63,0:10:52.67,Century,,0,0,0,,{\pos(960.13,420.12)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.63,0:10:52.67,Century,,0,0,0,,{\pos(960.13,800.12)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.67,0:10:52.71,Century,,0,0,0,,{\pos(959.76,420.22)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.67,0:10:52.71,Century,,0,0,0,,{\pos(959.76,800.22)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.71,0:10:52.75,Century,,0,0,0,,{\pos(959.98,420.12)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.71,0:10:52.75,Century,,0,0,0,,{\pos(959.98,800.12)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.75,0:10:52.79,Century,,0,0,0,,{\pos(960.17,419.97)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.75,0:10:52.79,Century,,0,0,0,,{\pos(960.17,799.97)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.79,0:10:52.84,Century,,0,0,0,,{\pos(959.9,420.15)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.79,0:10:52.84,Century,,0,0,0,,{\pos(959.9,800.15)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.84,0:10:52.88,Century,,0,0,0,,{\pos(959.88,419.9)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.84,0:10:52.88,Century,,0,0,0,,{\pos(959.88,799.9)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.88,0:10:52.92,Century,,0,0,0,,{\pos(960,419.9)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.88,0:10:52.92,Century,,0,0,0,,{\pos(960,799.9)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.92,0:10:52.96,Century,,0,0,0,,{\pos(960.13,420.16)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.92,0:10:52.96,Century,,0,0,0,,{\pos(960.13,800.16)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:52.96,0:10:53.00,Century,,0,0,0,,{\pos(959.94,420.1)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:52.96,0:10:53.00,Century,,0,0,0,,{\pos(959.94,800.1)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.00,0:10:53.04,Century,,0,0,0,,{\pos(959.89,420.16)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.00,0:10:53.04,Century,,0,0,0,,{\pos(959.89,800.16)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.04,0:10:53.09,Century,,0,0,0,,{\pos(959.74,419.73)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.04,0:10:53.09,Century,,0,0,0,,{\pos(959.74,799.73)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.09,0:10:53.13,Century,,0,0,0,,{\pos(959.67,420.06)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.09,0:10:53.13,Century,,0,0,0,,{\pos(959.67,800.06)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.13,0:10:53.17,Century,,0,0,0,,{\pos(960.21,420.02)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.13,0:10:53.17,Century,,0,0,0,,{\pos(960.21,800.02)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.17,0:10:53.21,Century,,0,0,0,,{\pos(959.94,420.14)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.17,0:10:53.21,Century,,0,0,0,,{\pos(959.94,800.14)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.21,0:10:53.25,Century,,0,0,0,,{\pos(959.93,419.81)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.21,0:10:53.25,Century,,0,0,0,,{\pos(959.93,799.81)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.25,0:10:53.29,Century,,0,0,0,,{\pos(959.95,420.31)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.25,0:10:53.29,Century,,0,0,0,,{\pos(959.95,800.31)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.29,0:10:53.34,Century,,0,0,0,,{\pos(960.14,420.06)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.29,0:10:53.34,Century,,0,0,0,,{\pos(960.14,800.06)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.34,0:10:53.38,Century,,0,0,0,,{\pos(960.05,420.08)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.34,0:10:53.38,Century,,0,0,0,,{\pos(960.05,800.08)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.38,0:10:53.42,Century,,0,0,0,,{\pos(960.13,420.09)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.38,0:10:53.42,Century,,0,0,0,,{\pos(960.13,800.09)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.42,0:10:53.46,Century,,0,0,0,,{\pos(959.6,419.94)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.42,0:10:53.46,Century,,0,0,0,,{\pos(959.6,799.94)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.46,0:10:53.50,Century,,0,0,0,,{\pos(960.19,420.08)\blur0.5\fscx160\fscy160}God-bidden
Dialogue: 1,0:10:53.46,0:10:53.50,Century,,0,0,0,,{\pos(960.19,800.08)\blur0.5\fscx100\fscy100}Animation Number 225
Dialogue: 0,0:10:53.79,0:10:55.75,Default-ja,,0,0,0,,撫子は あのとき知っちゃったんだ
Dialogue: 0,0:10:55.88,0:11:01.05,Default,,0,0,0,,But even if that's the case, there would be no meaning for me to do such a thing {\i1}here{\i0}.
Dialogue: 0,0:10:56.21,0:10:58.80,Default-ja,,0,0,0,,でも たとえ そうだったとしても
Dialogue: 0,0:10:58.88,0:11:00.93,Default-ja,,0,0,0,,ここでしても\N意味はないはずだよね
Dialogue: 0,0:11:01.05,0:11:01.51,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I mean, this shrine
Dialogue: 1,0:11:01.05,0:11:01.51,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 229
Dialogue: 0,0:11:01.51,0:11:01.55,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.51,0:11:01.55,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.55,0:11:01.59,Century,,0,0,0,,{\pos(960.38,419.71)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.55,0:11:01.59,Century,,0,0,0,,{\pos(960.38,799.71)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.59,0:11:01.64,Century,,0,0,0,,{\pos(960.31,419.51)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.59,0:11:01.64,Century,,0,0,0,,{\pos(960.31,799.51)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.64,0:11:01.68,Century,,0,0,0,,{\pos(960.05,419.99)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.64,0:11:01.68,Century,,0,0,0,,{\pos(960.05,799.99)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.68,0:11:01.72,Century,,0,0,0,,{\pos(960.36,419.88)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.68,0:11:01.72,Century,,0,0,0,,{\pos(960.36,799.88)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.72,0:11:01.76,Century,,0,0,0,,{\pos(960.49,419.58)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.72,0:11:01.76,Century,,0,0,0,,{\pos(960.49,799.58)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.76,0:11:01.80,Century,,0,0,0,,{\pos(960.6,419.61)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.76,0:11:01.80,Century,,0,0,0,,{\pos(960.6,799.61)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.80,0:11:01.84,Century,,0,0,0,,{\pos(960.18,419.64)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.80,0:11:01.84,Century,,0,0,0,,{\pos(960.18,799.64)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.84,0:11:01.93,Century,,0,0,0,,{\pos(960.54,419.66)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.84,0:11:01.93,Century,,0,0,0,,{\pos(960.54,799.66)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.93,0:11:01.97,Century,,0,0,0,,{\pos(960.61,419.6)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.93,0:11:01.97,Century,,0,0,0,,{\pos(960.61,799.6)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:01.97,0:11:02.01,Century,,0,0,0,,{\pos(960.7,419.38)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:01.97,0:11:02.01,Century,,0,0,0,,{\pos(960.7,799.38)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.01,0:11:02.05,Century,,0,0,0,,{\pos(960.41,419.84)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.01,0:11:02.05,Century,,0,0,0,,{\pos(960.41,799.84)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.05,0:11:02.09,Century,,0,0,0,,{\pos(960.28,419.49)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.05,0:11:02.09,Century,,0,0,0,,{\pos(960.28,799.49)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.09,0:11:02.14,Century,,0,0,0,,{\pos(960.23,419.49)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.09,0:11:02.14,Century,,0,0,0,,{\pos(960.23,799.49)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.14,0:11:02.18,Century,,0,0,0,,{\pos(960.53,419.46)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.14,0:11:02.18,Century,,0,0,0,,{\pos(960.53,799.46)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.18,0:11:02.22,Century,,0,0,0,,{\pos(960.36,419.64)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.18,0:11:02.22,Century,,0,0,0,,{\pos(960.36,799.64)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.22,0:11:02.26,Century,,0,0,0,,{\pos(960.62,419.64)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.22,0:11:02.26,Century,,0,0,0,,{\pos(960.62,799.64)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.26,0:11:02.30,Century,,0,0,0,,{\pos(960.56,419.79)\blur0.5\fscx160\fscy160\c&H2524D1&}was abandoned.
Dialogue: 0,0:11:02.26,0:11:02.30,Century,,0,0,0,,{\pos(960.56,799.79)\blur0.5\fscx100\fscy100\c&H2524D1&}Animation Number 230
Dialogue: 0,0:11:02.30,0:11:06.93,Default,,0,0,0,,A shrine that exhausted its faith, because there were no gods residing here. {albel: another worship which is really "faith". we need to discuss what term to choose considering all its previous uses. also missing "because" on "there was no god (residing here)"}
Dialogue: 0,0:11:02.43,0:11:04.55,Default-ja,,0,0,0,,（千石）\N信仰を失った神社
Dialogue: 0,0:11:04.76,0:11:06.81,Default-ja,,0,0,0,,神様なんて いなかったんですから
Dialogue: 0,0:11:06.93,0:11:13.56,Default,,0,0,0,,Right. That morning, this fact was pointed out to you by that girl, Oshino Ougi.
Dialogue: 0,0:11:07.06,0:11:09.27,Default-ja,,0,0,0,,（クチナワ）\Nそう　それを 撫子ちゃんは
Dialogue: 0,0:11:09.35,0:11:12.10,Default-ja,,0,0,0,,忍野扇(おしのおうぎ)という女から指摘された
Dialogue: 0,0:11:12.19,0:11:13.44,Default-ja,,0,0,0,,あの日の朝
Dialogue: 0,0:11:15.07,0:11:15.48,Century,,0,0,0,,{\pos(945,390)\fsp7.5\blur0.5\c&H141B1A&\fscx187\fscy187\b1}30th of October
Dialogue: 0,0:11:17.03,0:11:19.07,Default,,0,0,0,,By the way, Nadeko-chan.
Dialogue: 0,0:11:17.19,0:11:18.86,Default-ja,,0,0,0,,（扇）そういえば 撫子ちゃん
Dialogue: 0,0:11:19.07,0:11:24.20,Default,,0,0,0,,I happen to spot you often. And you seem to frequent that shrine. {albel: maybe "spot" instead of "see" (remember koyomi-oniichan and his women?)}
Dialogue: 0,0:11:19.07,0:11:21.15,Default-ja,,0,0,0,,たまたま よく見かけるんだけれど
Dialogue: 0,0:11:21.24,0:11:24.16,Default-ja,,0,0,0,,あの神社に\N足しげく通っているみたいだけれど
Dialogue: 0,0:11:24.20,0:11:27.12,Default,,0,0,0,,And I don't know what you're praying for...
Dialogue: 0,0:11:24.24,0:11:26.83,Default-ja,,0,0,0,,何をお願いしてるのか\N知らないけれど
Dialogue: 0,0:11:27.12,0:11:28.12,Default,,0,0,0,,But it's useless.
Dialogue: 0,0:11:27.16,0:11:27.99,Default-ja,,0,0,0,,ムダだよ
Dialogue: 0,0:11:29.25,0:11:33.42,Default,,0,0,0,,That shrine doesn't have a god. Didn't you know? {albel: maybe reverse the relationship, to reflect how it's in japanese. "There's no god in that shrine" . also "Didn't you know?" may sound better. }
Dialogue: 0,0:11:29.50,0:11:30.62,Default-ja,,0,0,0,,知らなかったの？
Dialogue: 0,0:11:30.71,0:11:33.12,Default-ja,,0,0,0,,あの神社には\N神様はいないんだから
Dialogue: 0,0:11:33.42,0:11:38.51,Default,,0,0,0,,If the {\i1}vessel{\i0} were returned, it would be a different story. And by the way, that object... {albel: more sensibly "it would be a different story" .  also missing "by the way" in "And by the way,, that object"}
Dialogue: 0,0:11:33.50,0:11:36.50,Default-ja,,0,0,0,,まあ ご神体が戻れば\N別なんだろうけどさ
Dialogue: 0,0:11:36.67,0:11:38.38,Default-ja,,0,0,0,,ちなみに そのご神体は
Dialogue: 0,0:11:38.51,0:11:41.38,Default,,0,0,0,,...is in Araragi-senpai's hands now.
Dialogue: 0,0:11:38.75,0:11:41.26,Default-ja,,0,0,0,,今 阿良々木先輩が持っているよ
Dialogue: 0,0:11:41.38,0:11:46.22,Default,,0,0,0,,Gaen Izuko-san entrusted him with it. Mere months ago. {albel: maybe simply "entrusted to him" instead of "trusted to hold on to it".}
Dialogue: 0,0:11:41.63,0:11:44.18,Default-ja,,0,0,0,,臥煙伊豆湖さんが 彼に預けたんだ
Dialogue: 0,0:11:44.26,0:11:46.01,Default-ja,,0,0,0,,つい数か月前にね
Dialogue: 0,0:11:46.22,0:11:48.89,Default,,0,0,0,,It's somewhere in the Araragi residence, maybe? {albel: not really "sure". for the whole talk ougi is saying stuff "I wonder"/"I dunno"/"right?", i.e. feigns ignorance and doubt, and seeking reassurance from listener, while spewing completely correct information. So her "sure"s should probably be converted to "likely". "It's somewhere in the Araragi residence, maybe?"}
Dialogue: 0,0:11:46.26,0:11:48.76,Default-ja,,0,0,0,,阿良々木家のどこかに\Nあるんじゃないのかな
Dialogue: 0,0:11:48.89,0:11:48.93,Century,,0,0,0,,{\an6\pos(1606.5,328.5)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:48.89,0:11:48.93,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:48.93,0:11:48.97,Century,,0,0,0,,{\an6\pos(1606.89,328.21)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:48.93,0:11:48.97,Century,,0,0,0,,{\pos(963.39,799.71)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:48.97,0:11:49.02,Century,,0,0,0,,{\an6\pos(1606.8,328.04)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:48.97,0:11:49.02,Century,,0,0,0,,{\pos(963.3,799.54)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.02,0:11:49.06,Century,,0,0,0,,{\an6\pos(1606.51,328.5)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.02,0:11:49.06,Century,,0,0,0,,{\pos(963.01,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.06,0:11:49.10,Century,,0,0,0,,{\an6\pos(1606.84,328.42)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.06,0:11:49.10,Century,,0,0,0,,{\pos(963.34,799.92)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.10,0:11:49.14,Century,,0,0,0,,{\an6\pos(1606.92,328.12)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.10,0:11:49.14,Century,,0,0,0,,{\pos(963.42,799.62)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.14,0:11:49.18,Century,,0,0,0,,{\an6\pos(1607.09,328.14)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.14,0:11:49.18,Century,,0,0,0,,{\pos(963.59,799.64)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.18,0:11:49.22,Century,,0,0,0,,{\an6\pos(1606.63,328.16)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.18,0:11:49.22,Century,,0,0,0,,{\pos(963.13,799.66)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.22,0:11:49.27,Century,,0,0,0,,{\an6\pos(1606.98,328.19)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.22,0:11:49.27,Century,,0,0,0,,{\pos(963.48,799.69)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.27,0:11:49.31,Century,,0,0,0,,{\an6\pos(1606.99,328.19)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.27,0:11:49.31,Century,,0,0,0,,{\pos(963.49,799.69)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.31,0:11:49.35,Century,,0,0,0,,{\an6\pos(1607.09,328.05)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.31,0:11:49.35,Century,,0,0,0,,{\pos(963.59,799.55)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.35,0:11:49.39,Century,,0,0,0,,{\an6\pos(1607.2,327.89)\blur0.5\fscx128\fscy128\c&H1E272C&}Knowing him, he probably just squirreled it away \N\Nsomewhere simple.
Dialogue: 1,0:11:49.35,0:11:49.39,Century,,0,0,0,,{\pos(963.7,799.39)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 242
Dialogue: 0,0:11:49.39,0:11:49.81,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Somewhere simple
Dialogue: 1,0:11:49.39,0:11:49.81,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 242
Dialogue: 0,0:11:49.81,0:11:54.31,Default,,0,0,0,,If that god were revived... The seal broken...
Dialogue: 0,0:11:50.02,0:11:52.27,Default-ja,,0,0,0,,その神様が復活すれば
Dialogue: 0,0:11:52.52,0:11:54.10,Default-ja,,0,0,0,,封印が解かれれば
Dialogue: 0,0:11:54.31,0:11:58.73,Default,,0,0,0,,I'm sure it could easily grant your wish, Nadeko-chan.
Dialogue: 0,0:11:54.35,0:11:58.57,Default-ja,,0,0,0,,きっと撫子ちゃんの願い事くらい\N簡単にかなえてくれるだろうな
Dialogue: 0,0:11:58.73,0:11:59.90,Default,,0,0,0,,No, really.
Dialogue: 0,0:11:58.82,0:11:59.78,Default-ja,,0,0,0,,いや 本当に
Dialogue: 0,0:12:01.32,0:12:01.61,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:12:01.32,0:12:01.61,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:12:01.61,0:12:04.99,Default,,0,0,0,,How to break the seal? I wouldn't know. {from "I don't know how." -forks} {albel: literally "something like that I don't know". maybe "hell if I know!". but disregard at will.}
Dialogue: 0,0:12:01.69,0:12:04.86,Default-ja,,0,0,0,,封印の解き方？\Nそんなこと知らないよ
Dialogue: 0,0:12:05.74,0:12:11.62,Default,,0,0,0,,Since it's a snake god, maybe you should grab some snake slithering around and get it to swallow it whole? {this needs some sort of direct object, like "...to swallow it whole." or "...to swallow the talisman whole." etc. still would be a poor sentence, needs work -forks} {albel: well, the general idea is like that a) grab one of doze snakes (living) in the vicinty b) make it swallow the vessel whole c) since we're talking about a snake god, maybe it would/I wonder if that will be enough d) ... e) profit}
Dialogue: 0,0:12:05.95,0:12:07.49,Default-ja,,0,0,0,,蛇の神様だけに
Dialogue: 0,0:12:07.58,0:12:08.53,Default-ja,,0,0,0,,その辺の蛇にでも
Dialogue: 0,0:12:08.62,0:12:11.25,Default-ja,,0,0,0,,お札を丸呑みさせれば\Nいいんじゃないのかな？
Dialogue: 0,0:12:11.62,0:12:16.75,Default,,0,0,0,,And that tasteless scrunchie was also something you got from that high school girl... {albel: "And that tasteless scrunchie also was something that you received from that high-school girl, as a "sign of (making) acquaintance".}
Dialogue: 0,0:12:11.79,0:12:13.75,Default-ja,,0,0,0,,（クチナワ）\N趣味の悪いシュシュってのも
Dialogue: 0,0:12:13.83,0:12:16.67,Default-ja,,0,0,0,,あの日の朝\N“お近づきの印に”っつって
Dialogue: 0,0:12:16.75,0:12:21.92,Default,,0,0,0,,...as a "sign of making acquaintance." If you had that "deep of a conversation"... {albel: I suggest moving deep conversation part to the line below and sign of aquaintance part to the line above. these belong to completely separate sentences, and I don't like how they ended up united in this line. HS probably just split it this uglily to make oneliners.}
Dialogue: 0,0:12:16.75,0:12:19.46,Default-ja,,0,0,0,,あの女子高生からもらったんだぜ
Dialogue: 0,0:12:19.55,0:12:21.80,Default-ja,,0,0,0,,それだけ話し込んでいたなら…
Dialogue: 0,0:12:21.92,0:12:24.43,Default,,0,0,0,,...it would make sense that time would fly. {albel: "Having had this "deep of a conversation" no surprize that time flew.". my english fails me here. anyway,  any expression would do in place of "no surprize"/"it would make sense"/etc. The quotes around "deep conversation" originate from LN, not sure what they wanted to highlight there, it could have been just translated by "having been so deeply in coversation" without any quotes, but maybe they hint at ougi "talking her in" (that's another way one can intuitively understand the verb). the actual verb used there actually means "to be entranced to occurring talk as much as to forget about time passing", in case anyone wondered}
Dialogue: 0,0:12:22.01,0:12:24.30,Default-ja,,0,0,0,,（千石）\N時間がたつのも早いわけですね
Dialogue: 0,0:12:25.68,0:12:31.77,Default,,0,0,0,,And with that as the catalyst, I had started the fabrication of a story.
Dialogue: 0,0:12:26.05,0:12:28.55,Default-ja,,0,0,0,,（千石）\Nそして それをきっかけに 撫子は
Dialogue: 0,0:12:28.64,0:12:31.64,Default-ja,,0,0,0,,物語の捏造を\N開始したってことなんだ
Dialogue: 0,0:12:32.98,0:12:40.32,Default,,0,0,0,,Atonement for killing the snakes... Even things like that were merely believable excuses for me. {"just likely" to "likely just" -forks} {albel: well it's really the first way around.  maybe use "merely" , e.g. "Even things like that were merely/nothing more than likely excuses for me, right?"}
Dialogue: 0,0:12:33.27,0:12:35.52,Default-ja,,0,0,0,,蛇を殺した償いとか
Dialogue: 0,0:12:35.65,0:12:37.56,Default-ja,,0,0,0,,そんなことさえ\N撫子にとっては
Dialogue: 0,0:12:37.65,0:12:40.19,Default-ja,,0,0,0,,もっともらしい言い訳に\N過ぎなかったんだね
Dialogue: 0,0:12:40.32,0:12:40.36,Century,,0,0,0,,{\pos(960,450)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.32,0:12:40.36,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.36,0:12:40.40,Century,,0,0,0,,{\pos(960.39,449.71)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.36,0:12:40.40,Century,,0,0,0,,{\pos(960.39,799.71)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.40,0:12:40.44,Century,,0,0,0,,{\pos(960.3,449.55)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.40,0:12:40.44,Century,,0,0,0,,{\pos(960.3,799.55)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.44,0:12:40.48,Century,,0,0,0,,{\pos(960,450.02)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.44,0:12:40.48,Century,,0,0,0,,{\pos(960,800.02)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.48,0:12:40.53,Century,,0,0,0,,{\pos(960.34,449.95)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.48,0:12:40.53,Century,,0,0,0,,{\pos(960.34,799.95)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.53,0:12:40.57,Century,,0,0,0,,{\pos(960.46,449.61)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.53,0:12:40.57,Century,,0,0,0,,{\pos(960.46,799.61)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.57,0:12:40.61,Century,,0,0,0,,{\pos(960.63,449.65)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.57,0:12:40.61,Century,,0,0,0,,{\pos(960.63,799.65)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.61,0:12:40.65,Century,,0,0,0,,{\pos(960.08,449.69)\blur0.5\fscx128\fscy128}Feelings of Guilt
Dialogue: 1,0:12:40.61,0:12:40.65,Century,,0,0,0,,{\pos(960.08,799.69)\blur0.5\fscx100\fscy100}Animation Number 258
Dialogue: 0,0:12:40.65,0:12:48.24,Default,,0,0,0,,A story I created to find a talisman, Kuchinawa-san's {\i1}vessel{\i0}, in Koyomi-oniichan's room.   {albel: word order yeah baby here we go. "A story I created to find a talisman, Kuchinawa-san's vessel, in Koyomi-oniichan's room", maybe? maybe using hyphens instead of commas. well, disregard at will.}
Dialogue: 0,0:12:41.15,0:12:44.40,Default-ja,,0,0,0,,撫子が\N暦おにいちゃんの部屋にあるお札を
Dialogue: 0,0:12:44.49,0:12:48.12,Default-ja,,0,0,0,,クチナワさんの神体を探すために\N作り上げた物語
Dialogue: 0,0:12:48.24,0:12:48.28,Century,,0,0,0,,{\pos(960,450)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.24,0:12:48.28,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.28,0:12:48.33,Century,,0,0,0,,{\pos(960.39,449.69)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.28,0:12:48.33,Century,,0,0,0,,{\pos(960.39,799.69)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.33,0:12:48.37,Century,,0,0,0,,{\pos(960.3,449.52)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.33,0:12:48.37,Century,,0,0,0,,{\pos(960.3,799.52)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.37,0:12:48.41,Century,,0,0,0,,{\pos(960.01,450)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.37,0:12:48.41,Century,,0,0,0,,{\pos(960.01,800)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.41,0:12:48.45,Century,,0,0,0,,{\pos(960.33,449.91)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.41,0:12:48.45,Century,,0,0,0,,{\pos(960.33,799.91)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.45,0:12:48.49,Century,,0,0,0,,{\pos(960.43,449.64)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.45,0:12:48.49,Century,,0,0,0,,{\pos(960.43,799.64)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.49,0:12:48.53,Century,,0,0,0,,{\pos(960.64,449.67)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.49,0:12:48.53,Century,,0,0,0,,{\pos(960.64,799.67)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.53,0:12:48.58,Century,,0,0,0,,{\pos(960.12,449.67)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.53,0:12:48.58,Century,,0,0,0,,{\pos(960.12,799.67)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.58,0:12:48.62,Century,,0,0,0,,{\pos(960.45,449.77)\blur0.5\fscx128\fscy128}Excuses
Dialogue: 1,0:12:48.58,0:12:48.62,Century,,0,0,0,,{\pos(960.45,799.77)\blur0.5\fscx100\fscy100}Animation Number 260
Dialogue: 0,0:12:48.62,0:12:52.20,Default,,0,0,0,,For the sake of that I used even my own sins. {albel: well, in japanese the "even" is on "my sins" not on "used". i.e. "For (the sake of) that I used even my own sins". but disregard if it sounds ugly.}
Dialogue: 0,0:12:48.91,0:12:52.08,Default-ja,,0,0,0,,（千石）\Nそんなことのために\N自分の罪さえ利用した
Dialogue: 0,0:12:52.20,0:12:52.25,Century,,0,0,0,,{\pos(960,450)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.20,0:12:52.25,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.25,0:12:52.29,Century,,0,0,0,,{\pos(960.42,449.68)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.25,0:12:52.29,Century,,0,0,0,,{\pos(960.42,799.68)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.29,0:12:52.33,Century,,0,0,0,,{\pos(960.31,449.52)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.29,0:12:52.33,Century,,0,0,0,,{\pos(960.31,799.52)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.33,0:12:52.37,Century,,0,0,0,,{\pos(960,449.97)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.33,0:12:52.37,Century,,0,0,0,,{\pos(960,799.97)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.37,0:12:52.41,Century,,0,0,0,,{\pos(960.32,449.87)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.37,0:12:52.41,Century,,0,0,0,,{\pos(960.32,799.87)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.41,0:12:52.45,Century,,0,0,0,,{\pos(960.41,449.55)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.41,0:12:52.45,Century,,0,0,0,,{\pos(960.41,799.55)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.45,0:12:52.50,Century,,0,0,0,,{\pos(960.54,449.58)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.45,0:12:52.50,Century,,0,0,0,,{\pos(960.54,799.58)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.50,0:12:52.54,Century,,0,0,0,,{\pos(960.06,449.57)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.50,0:12:52.54,Century,,0,0,0,,{\pos(960.06,799.57)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.54,0:12:52.58,Century,,0,0,0,,{\pos(960.38,449.64)\blur0.5\fscx128\fscy128}Delusion
Dialogue: 1,0:12:52.54,0:12:52.58,Century,,0,0,0,,{\pos(960.38,799.64)\blur0.5\fscx100\fscy100}Animation Number 261
Dialogue: 0,0:12:52.58,0:12:58.46,Default,,0,0,0,,For the sake of my own selfish wishes, I tried to revive a god. {albel: "For (the sake of) my own selfish wishes I tried/attempted to revive a god". maybe will sound better if you changed word order in previous line }
Dialogue: 0,0:12:52.75,0:12:56.21,Default-ja,,0,0,0,,自分の…\N自分勝手な願いをかなえるために
Dialogue: 0,0:12:56.29,0:12:58.33,Default-ja,,0,0,0,,神様を復活させようとした
Dialogue: 0,0:12:58.46,0:12:58.50,Century,,0,0,0,,{\pos(960,450)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.46,0:12:58.50,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.50,0:12:58.54,Century,,0,0,0,,{\pos(960.42,449.72)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.50,0:12:58.54,Century,,0,0,0,,{\pos(960.42,799.72)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.54,0:12:58.59,Century,,0,0,0,,{\pos(960.31,449.51)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.54,0:12:58.59,Century,,0,0,0,,{\pos(960.31,799.51)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.59,0:12:58.63,Century,,0,0,0,,{\pos(960.02,449.98)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.59,0:12:58.63,Century,,0,0,0,,{\pos(960.02,799.98)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.63,0:12:58.67,Century,,0,0,0,,{\pos(960.34,449.87)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.63,0:12:58.67,Century,,0,0,0,,{\pos(960.34,799.87)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.67,0:12:58.71,Century,,0,0,0,,{\pos(960.45,449.58)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.67,0:12:58.71,Century,,0,0,0,,{\pos(960.45,799.58)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.71,0:12:58.75,Century,,0,0,0,,{\pos(960.62,449.6)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.71,0:12:58.75,Century,,0,0,0,,{\pos(960.62,799.6)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.75,0:12:58.79,Century,,0,0,0,,{\pos(960.16,449.64)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.75,0:12:58.79,Century,,0,0,0,,{\pos(960.16,799.64)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.79,0:12:58.84,Century,,0,0,0,,{\pos(960.48,449.7)\blur0.5\fscx128\fscy128}Fabrication
Dialogue: 1,0:12:58.79,0:12:58.84,Century,,0,0,0,,{\pos(960.48,799.7)\blur0.5\fscx100\fscy100}Animation Number 263
Dialogue: 0,0:12:58.84,0:13:03.72,Default,,0,0,0,,For the sake of reviving a god, I fabricated the god's voice. {albel: "For (the sake of) reviving a god, I fabricated the god's voice".}
Dialogue: 0,0:12:59.21,0:13:01.34,Default-ja,,0,0,0,,神様を復活させるために
Dialogue: 0,0:13:01.59,0:13:03.59,Default-ja,,0,0,0,,神様の声を偽造した
Dialogue: 0,0:13:03.72,0:13:03.76,Century,,0,0,0,,{\pos(960,450)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.72,0:13:03.76,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:03.76,0:13:03.80,Century,,0,0,0,,{\pos(960.4,449.74)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.76,0:13:03.80,Century,,0,0,0,,{\pos(960.4,799.74)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:03.80,0:13:03.84,Century,,0,0,0,,{\pos(960.3,449.54)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.80,0:13:03.84,Century,,0,0,0,,{\pos(960.3,799.54)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:03.84,0:13:03.88,Century,,0,0,0,,{\pos(960.01,450.02)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.84,0:13:03.88,Century,,0,0,0,,{\pos(960.01,800.02)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:03.88,0:13:03.92,Century,,0,0,0,,{\pos(960.32,449.92)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.88,0:13:03.92,Century,,0,0,0,,{\pos(960.32,799.92)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:03.92,0:13:03.97,Century,,0,0,0,,{\pos(960.4,449.63)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.92,0:13:03.97,Century,,0,0,0,,{\pos(960.4,799.63)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:03.97,0:13:04.01,Century,,0,0,0,,{\pos(960.54,449.72)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:03.97,0:13:04.01,Century,,0,0,0,,{\pos(960.54,799.72)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:04.01,0:13:04.05,Century,,0,0,0,,{\pos(960.05,449.68)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:04.01,0:13:04.05,Century,,0,0,0,,{\pos(960.05,799.68)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:04.05,0:13:04.09,Century,,0,0,0,,{\pos(960.36,449.85)\blur0.5\fscx128\fscy128}Nothing but Lies
Dialogue: 1,0:13:04.05,0:13:04.09,Century,,0,0,0,,{\pos(960.36,799.85)\blur0.5\fscx100\fscy100}Animation Number 266
Dialogue: 0,0:13:04.09,0:13:08.51,Default,,0,0,0,,I wasn't just simply hallucinating. I was looking away from reality. {albel: "Not just was I looking at illusion/hallucination, I was looking away from reality (of her selfish wishes, etc)". meh, sounds bad, disregard.}
Dialogue: 0,0:13:04.51,0:13:06.05,Default-ja,,0,0,0,,幻覚を見ていた以上に
Dialogue: 0,0:13:06.72,0:13:08.39,Default-ja,,0,0,0,,現実を見ていなかった\N（突き刺す音）
Dialogue: 0,0:13:09.55,0:13:12.56,Default-ja,,0,0,0,,自分が作り上げた物語を囮(おとり)に\N（突き刺す音）
Dialogue: 0,0:13:09.56,0:13:12.68,Default,,0,0,0,,Using the story I created as a decoy... {albel: technically it's the same sentence as the next line, maybe ellipsis?} {albel: PS. take the typeset at 13:12 into consideration}
Dialogue: 0,0:13:12.68,0:13:12.73,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.68,0:13:12.73,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.73,0:13:12.77,Century,,0,0,0,,{\pos(960.38,419.76)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.73,0:13:12.77,Century,,0,0,0,,{\pos(963.38,799.76)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.77,0:13:12.81,Century,,0,0,0,,{\pos(960.22,419.58)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.77,0:13:12.81,Century,,0,0,0,,{\pos(963.22,799.58)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.81,0:13:12.85,Century,,0,0,0,,{\pos(959.92,420.06)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.81,0:13:12.85,Century,,0,0,0,,{\pos(962.92,800.06)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.85,0:13:12.89,Century,,0,0,0,,{\pos(960.2,419.98)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.85,0:13:12.89,Century,,0,0,0,,{\pos(963.2,799.98)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.89,0:13:12.93,Century,,0,0,0,,{\pos(960.32,419.71)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.89,0:13:12.93,Century,,0,0,0,,{\pos(963.32,799.71)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.93,0:13:12.98,Century,,0,0,0,,{\pos(960.48,419.76)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.93,0:13:12.98,Century,,0,0,0,,{\pos(963.48,799.76)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:12.98,0:13:13.02,Century,,0,0,0,,{\pos(959.94,419.8)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:12.98,0:13:13.02,Century,,0,0,0,,{\pos(962.94,799.8)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.02,0:13:13.06,Century,,0,0,0,,{\pos(960.28,419.91)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.02,0:13:13.06,Century,,0,0,0,,{\pos(963.28,799.91)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.06,0:13:13.10,Century,,0,0,0,,{\pos(960.32,419.91)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.06,0:13:13.10,Century,,0,0,0,,{\pos(963.32,799.91)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.10,0:13:13.14,Century,,0,0,0,,{\pos(960.46,419.85)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.10,0:13:13.14,Century,,0,0,0,,{\pos(963.46,799.85)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.14,0:13:13.18,Century,,0,0,0,,{\pos(960.51,419.69)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.14,0:13:13.18,Century,,0,0,0,,{\pos(963.51,799.69)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.18,0:13:13.23,Century,,0,0,0,,{\pos(959.82,420.26)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.18,0:13:13.23,Century,,0,0,0,,{\pos(962.82,800.26)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.23,0:13:13.27,Century,,0,0,0,,{\pos(960.2,420.01)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.23,0:13:13.27,Century,,0,0,0,,{\pos(963.2,800.01)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.27,0:13:13.31,Century,,0,0,0,,{\pos(960.04,419.82)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.27,0:13:13.31,Century,,0,0,0,,{\pos(963.04,799.82)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.31,0:13:13.35,Century,,0,0,0,,{\pos(959.7,420.32)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.31,0:13:13.35,Century,,0,0,0,,{\pos(962.7,800.32)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.35,0:13:13.39,Century,,0,0,0,,{\pos(960.03,420.23)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.35,0:13:13.39,Century,,0,0,0,,{\pos(963.03,800.23)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.39,0:13:13.43,Century,,0,0,0,,{\pos(960.16,419.94)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.39,0:13:13.43,Century,,0,0,0,,{\pos(963.16,799.94)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.43,0:13:13.48,Century,,0,0,0,,{\pos(960.29,420)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.43,0:13:13.48,Century,,0,0,0,,{\pos(963.29,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.48,0:13:13.52,Century,,0,0,0,,{\pos(959.74,420.02)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.48,0:13:13.52,Century,,0,0,0,,{\pos(962.74,800.02)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.52,0:13:13.56,Century,,0,0,0,,{\pos(960.12,420.11)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.52,0:13:13.56,Century,,0,0,0,,{\pos(963.12,800.11)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.56,0:13:13.60,Century,,0,0,0,,{\pos(960.17,420.09)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.56,0:13:13.60,Century,,0,0,0,,{\pos(963.17,800.09)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.60,0:13:13.64,Century,,0,0,0,,{\pos(960.28,419.98)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.60,0:13:13.64,Century,,0,0,0,,{\pos(963.28,799.98)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.64,0:13:13.68,Century,,0,0,0,,{\pos(960.38,419.83)\blur0.5\fscx160\fscy160\c&H1E272C&adjust to dialogue}as a decoy
Dialogue: 1,0:13:13.64,0:13:13.68,Century,,0,0,0,,{\pos(963.38,799.83)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 271
Dialogue: 0,0:13:13.68,0:13:17.44,Default,,0,0,0,,...behind the scenes, I was plotting the god's reinstatement.
Dialogue: 0,0:13:13.89,0:13:17.31,Default-ja,,0,0,0,,その裏で\N神様の復権を画策していた
Dialogue: 0,0:13:18.11,0:13:22.90,Default,,0,0,0,,But how'd you unlock the door to Koyomi-oniichan's house from inside? {albel: in reality, this sentence only makes sense if it's not about "I" but about "you (kuchinawa-san)", and it's asked in the same manner as some of the previous sentences about kuchinawa-san, so I guess that's it. Anyway, it was him who crawled under the door and supposedly opened it from the inside to let her in. So now we have a choice. either reformulate "I" to "you", or change "inside" to "outside"}
Dialogue: 0,0:13:18.23,0:13:20.48,Default-ja,,0,0,0,,でも\N暦おにいちゃんの家の
Dialogue: 0,0:13:20.57,0:13:22.78,Default-ja,,0,0,0,,玄関の鍵を\N内側から開けたのは？
Dialogue: 0,0:13:22.90,0:13:25.15,Default,,0,0,0,,In reality, you just used a key.
Dialogue: 0,0:13:23.19,0:13:25.03,Default-ja,,0,0,0,,（クチナワ）\Nリアルに鍵を使っただけだよ
Dialogue: 0,0:13:25.74,0:13:29.66,Default,,0,0,0,,Why do you think you left the house the night before in a way your parents would notice... {albel: it's one sentence with the next line. "Why do you think you arranged leaving your house the night before in a way your parents would notice/discover, so that this information would reach Tsukihi-chan and Koyomi-oniichan?"}
Dialogue: 0,0:13:25.90,0:13:29.53,Default-ja,,0,0,0,,前日 わざと\Nご両親に見つかるように家を出て
Dialogue: 0,0:13:29.66,0:13:35.75,Default,,0,0,0,,...so this information would reach Tsukihi and Koyomi-oniichan?
Dialogue: 0,0:13:29.66,0:13:32.83,Default-ja,,0,0,0,,月火ちゃんや暦おにいちゃんに\Nその情報が伝わるように
Dialogue: 0,0:13:32.95,0:13:34.62,Default-ja,,0,0,0,,取り計らったのは何のためだ？
Dialogue: 0,0:13:35.75,0:13:40.50,Default,,0,0,0,,So you could enter the Araragi residence and "borrow" a key, of course. {albel: heh, the "pilfer" here is actually polite humble verb for "borrow", but w/e. also "darou ga" nuance maybe can be conveyed with "of course" or "what else"}
Dialogue: 0,0:13:35.83,0:13:40.38,Default-ja,,0,0,0,,阿良々木家の中に入って\N鍵を拝借するためだろうが
Dialogue: 0,0:13:40.50,0:13:46.88,Default,,0,0,0,,Though, being that calculating and committing not only breaking and entering, but larceny as well...
Dialogue: 0,0:13:40.67,0:13:43.13,Default-ja,,0,0,0,,（千石）\Nもっとも そこまで計算ずくで
Dialogue: 0,0:13:43.21,0:13:46.80,Default-ja,,0,0,0,,家宅侵入どころか\N窃盗の罪さえ犯しながらも
Dialogue: 0,0:13:46.88,0:13:50.51,Default,,0,0,0,,Koyomi-oniichan and Shinobu-san found me out regardless. {albel: maybe "I still (i.e. despite planning and not stopping at anything) got found out/discovered by..." for better english flow, even though "still" is not really there.}
Dialogue: 0,0:13:46.88,0:13:50.39,Default-ja,,0,0,0,,暦おにいちゃんと忍さんに\N見つかってしまったわけですけれど
Dialogue: 0,0:13:50.80,0:13:54.02,Default,,0,0,0,,It seems I'm not fit to be a thief. {albel: "It seems I'm not fit to be a thief"}
Dialogue: 0,0:13:51.05,0:13:53.89,Default-ja,,0,0,0,,撫子は\N泥棒には向いていないんでしょうね
Dialogue: 0,0:13:54.02,0:13:56.06,Default,,0,0,0,,I'm not fit for anything. {why is (muite) here? -forks} {albel: because there's a play of words with the typeset at 13:57. also, maybe translate it as "fit" everywhere. E.g. "I'm not fit for anything."  just remember to keep it consistent among the lines below}
Dialogue: 0,0:13:54.22,0:13:55.93,Default-ja,,0,0,0,,何にも向いていないのでしょう
Dialogue: 0,0:13:57.44,0:13:57.73,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Because I always averted my eyes.
Dialogue: 1,0:13:57.44,0:13:57.73,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 281
Dialogue: 0,0:13:57.73,0:14:03.61,Default,,0,0,0,,No, no... You properly revived me, so you're fit... {albel: again, "fit" for consistency. also, there's really no "were able" and "like this", but maybe it's good for the flow. literally, "no no, you properly revived me, so you're fit"}
Dialogue: 0,0:13:58.73,0:14:02.06,Default-ja,,0,0,0,,撫子ちゃんは ちゃんと\N俺様を復活させてくれたんだから
Dialogue: 0,0:14:02.15,0:14:03.44,Default-ja,,0,0,0,,向いているぜ
Dialogue: 0,0:14:03.61,0:14:05.69,Default,,0,0,0,,Fit for what? {albel: "fit to" for consistency }{fit for is more betterer -forks}
Dialogue: 0,0:14:03.73,0:14:05.57,Default-ja,,0,0,0,,（千石）向いているって何に？
Dialogue: 0,0:14:06.61,0:14:07.86,Default,,0,0,0,,A god. {maybe "godhood" to flow better with previous lines? -forks} {albel: in line with "fit to be a thief" above,  I suggest "To be a god"}{it works now -forks}
Dialogue: 0,0:14:06.74,0:14:07.74,Default-ja,,0,0,0,,（クチナワ）神様に
Dialogue: 0,0:14:09.78,0:14:13.99,Default,,0,0,0,,Jokes aside, you are a god now, Nadeko-chan.
Dialogue: 0,0:14:09.86,0:14:11.07,Default-ja,,0,0,0,,冗談抜きで
Dialogue: 0,0:14:11.16,0:14:13.95,Default-ja,,0,0,0,,今や神様なんだぜ 撫子ちゃんは
Dialogue: 0,0:14:13.99,0:14:21.88,Default,,0,0,0,,You revived me from my vessel, that talisman, turning your body into the god's container.
Dialogue: 0,0:14:14.04,0:14:16.83,Default-ja,,0,0,0,,神体である あのお札に\N封じられていた俺様を
Dialogue: 0,0:14:16.91,0:14:19.00,Default-ja,,0,0,0,,こうして\N復活させてくれたんだから
Dialogue: 0,0:14:19.42,0:14:21.46,Default-ja,,0,0,0,,撫子ちゃんの体を依代にな
Dialogue: 0,0:14:20.79,0:14:21.29,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}Perhaps
Dialogue: 1,0:14:20.79,0:14:21.29,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 288
Dialogue: 0,0:14:21.29,0:14:21.59,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx128\fscy128}the moral of the story was that we should work by ourselves
Dialogue: 1,0:14:21.29,0:14:21.59,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:21.59,0:14:21.88,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}to make our wishes come true.
Dialogue: 1,0:14:21.59,0:14:21.88,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:21.88,0:14:21.92,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:21.88,0:14:21.92,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:21.92,0:14:21.96,Century,,0,0,0,,{\pos(959.66,419.99)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:21.92,0:14:21.96,Century,,0,0,0,,{\pos(959.66,799.99)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:21.96,0:14:22.00,Century,,0,0,0,,{\pos(959.78,419.84)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:21.96,0:14:22.00,Century,,0,0,0,,{\pos(959.78,799.84)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.00,0:14:22.04,Century,,0,0,0,,{\pos(959.76,420.04)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.00,0:14:22.04,Century,,0,0,0,,{\pos(959.76,800.04)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.04,0:14:22.09,Century,,0,0,0,,{\pos(959.58,419.91)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.04,0:14:22.09,Century,,0,0,0,,{\pos(959.58,799.91)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.09,0:14:22.13,Century,,0,0,0,,{\pos(959.95,419.75)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.09,0:14:22.13,Century,,0,0,0,,{\pos(959.95,799.75)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.13,0:14:22.17,Century,,0,0,0,,{\pos(959.95,419.74)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.13,0:14:22.17,Century,,0,0,0,,{\pos(959.95,799.74)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.17,0:14:22.21,Century,,0,0,0,,{\pos(960.15,420.02)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.17,0:14:22.21,Century,,0,0,0,,{\pos(960.15,800.02)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.21,0:14:22.25,Century,,0,0,0,,{\pos(959.85,420.3)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.21,0:14:22.25,Century,,0,0,0,,{\pos(959.85,800.3)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.25,0:14:22.29,Century,,0,0,0,,{\pos(959.93,420.01)\blur0.5\fscx160\fscy160}You shouldn't rely on God.
Dialogue: 1,0:14:22.25,0:14:22.29,Century,,0,0,0,,{\pos(959.93,800.01)\blur0.5\fscx100\fscy100}Animation Number 288
Dialogue: 0,0:14:22.29,0:14:27.80,Default,,0,0,0,,I have been very conveniently listening to or ignoring what others say... {albel: meh, utter fail. firstly it's all past continuous tense.  and  secondly, it's one sentence with the next two lines. "I have been awfully conveniently listening or not listening to what other had to say, twisting reality, fooling myself."  }
Dialogue: 0,0:14:22.42,0:14:24.96,Default-ja,,0,0,0,,（千石）撫子は随分と都合よく
Dialogue: 0,0:14:25.05,0:14:27.67,Default-ja,,0,0,0,,人の話を聞いていたり\N聞いていなかったり
Dialogue: 0,0:14:27.80,0:14:29.80,Default,,0,0,0,,...twisting reality...
Dialogue: 0,0:14:28.17,0:14:29.68,Default-ja,,0,0,0,,真実を ねじ曲げたり
Dialogue: 0,0:14:29.80,0:14:32.85,Default,,0,0,0,,...and fooling myself.
Dialogue: 0,0:14:30.26,0:14:32.55,Default-ja,,0,0,0,,自分をだましたりしてたんだね
Dialogue: 0,0:14:32.85,0:14:34.85,Default,,0,0,0,,Well, everyone is like that though. {albel: something like "well, everyone is like that, though".}
Dialogue: 0,0:14:32.89,0:14:34.72,Default-ja,,0,0,0,,（クチナワ）誰でも そうだけどな
Dialogue: 0,0:14:34.85,0:14:36.60,Default,,0,0,0,,But it couldn't be helped, right? {albel: "but it couldn't be helped, right?". it's how it's translated in the following typesets. and it also would look more like "But it can't be helped right?" when nadeko will start talking bout killing kochan.}
Dialogue: 0,0:14:35.18,0:14:36.47,Default-ja,,0,0,0,,（千石）でも しかたないよね
Dialogue: 0,0:14:36.60,0:14:36.85,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}It is what it is.
Dialogue: 1,0:14:36.60,0:14:37.10,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 293
Dialogue: 0,0:14:36.85,0:14:37.10,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Nothing could be done.
Dialogue: 0,0:14:37.10,0:14:37.48,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}It couldn't have ended any other way.
Dialogue: 1,0:14:37.10,0:14:37.48,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 293
Dialogue: 0,0:14:37.48,0:14:42.69,Default,,0,0,0,,Everyone thinks about themselves. It's just that I was like that too. {albel: not sure if in english "like them" makes it immediately understandable that it's "like that too"/"like everyone else too"}
Dialogue: 0,0:14:37.56,0:14:39.77,Default-ja,,0,0,0,,自分は かわいいよ 誰だって
Dialogue: 0,0:14:40.10,0:14:42.15,Default-ja,,0,0,0,,撫子もそうだったってだけ
Dialogue: 0,0:14:42.69,0:14:44.78,Default,,0,0,0,,...By playing the victim, huh? {albel: not sure if that ellipsis is not best used in the beginning of the sentence. e.g. "...by playing the victim, huh."}
Dialogue: 0,0:14:42.73,0:14:44.40,Default-ja,,0,0,0,,（クチナワ）被害者ぶってな
Dialogue: 0,0:14:45.90,0:14:50.78,Default,,0,0,0,,Victims and culprits can easily swap places. {"A" and "his" to "the" -forks} {albel: I never got our usage of the with victim and culprit. For all japanese cares here it could be "Victims and culprits", oh well, don't see anything wrong with this.}{victims and culprits seems to actually fit better -forks}
Dialogue: 0,0:14:46.07,0:14:50.36,Default-ja,,0,0,0,,被害者と加害者なんぞ\N簡単に入れ替わるわ
Dialogue: 0,0:14:50.78,0:14:53.87,Default,,0,0,0,,It's all about the standpoint and circumstances. {albel: maybe use better synonyms.  立場 [たちば] /(n) standpoint/position/situation/(P)/     状況 [じょうきょう] /(n,adj-no) state of affairs (around you)/situation/circumstances/(P)/   though it's pretty ok the way it is already}
Dialogue: 0,0:14:50.82,0:14:53.70,Default-ja,,0,0,0,,立場と状況 それだけじゃ
Dialogue: 0,0:14:53.87,0:14:59.04,Default,,0,0,0,,Seeing the culprit as important... Seeing the victim as important... They're all the same thing. {albel: sorry, I couldn't get what they mean by 被害者重視 when they used it in other episodes, and I can't get it now. it's either explained somewhere deep in LN(unlikely) or some relatively popular japanese term associated with some social campaign or something(likely). normally this would warrant a TL Note, but I can't do anything about it for now. maybe when it comes to batch...}
Dialogue: 0,0:14:53.99,0:14:56.41,Default-ja,,0,0,0,,加害者重視じゃとか\N被害者重視じゃとか
Dialogue: 0,0:14:56.99,0:14:58.91,Default-ja,,0,0,0,,そんなのは全て同じことで
Dialogue: 0,0:14:59.75,0:14:59.92,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I
Dialogue: 1,0:14:59.75,0:14:59.92,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 298
Dialogue: 0,0:14:59.92,0:15:00.08,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}said nothing
Dialogue: 1,0:14:59.92,0:15:00.08,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 298
Dialogue: 0,0:15:00.08,0:15:00.33,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}and only struck her.
Dialogue: 0,0:15:00.08,0:15:00.33,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 298
Dialogue: 0,0:15:02.29,0:15:03.50,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I was quiet.
Dialogue: 1,0:15:02.29,0:15:03.50,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 299
Dialogue: 0,0:15:03.50,0:15:07.71,Default,,0,0,0,,Um, is there anything else I don't understand yet? {albel: strictly speaking "don't understand (yet)"}
Dialogue: 0,0:15:03.63,0:15:04.79,Default-ja,,0,0,0,,えっと
Dialogue: 0,0:15:04.96,0:15:08.01,Default-ja,,0,0,0,,あと分からないことって\N何かあったっけ？
Dialogue: 0,0:15:08.59,0:15:14.30,Default,,0,0,0,,Oh, right. When Koyomi-oniichan returned while I was rummaging about...
Dialogue: 0,0:15:08.80,0:15:10.05,Default-ja,,0,0,0,,ああ そうだ
Dialogue: 0,0:15:10.17,0:15:12.59,Default-ja,,0,0,0,,そもそも\Nどうして暦おにいちゃんの部屋を
Dialogue: 0,0:15:12.68,0:15:14.30,Default-ja,,0,0,0,,物色しているところに
Dialogue: 0,0:15:14.30,0:15:17.89,Default,,0,0,0,,...it was such good timing. How'd he do it the first place? If only he hadn't... {albel:  "if only he hadn't...". also, synonym offerings for "searching"  物色 [ぶっしょく] /(n,vs) (1) looking for a particular person or thing/searching high and low/hunting for/rummaging/scouring (a place) looking for (something)/(2) picking out/singling out/}{i re-ordered this, because you hear "timing" in eigo here, hope it jives -forks}
Dialogue: 0,0:15:14.39,0:15:16.35,Default-ja,,0,0,0,,タイミングよく帰ってきたのかな？
Dialogue: 0,0:15:16.43,0:15:17.85,Default-ja,,0,0,0,,それさえ なければ…
Dialogue: 0,0:15:17.89,0:15:20.64,Default,,0,0,0,,Just a coincidence maybe?
Dialogue: 0,0:15:17.93,0:15:20.60,Default-ja,,0,0,0,,（クチナワ）\N案外\Nただの偶然だったんじゃねえのか？
Dialogue: 0,0:15:20.64,0:15:23.90,Default,,0,0,0,,Like, "he just came home and happened to run into you." {albel: the "like" there is kind of quote. "Like, he just came home and accidentally found you". synonym offerings for "found": 鉢合せ [はちあわせ] /(n,vs) (1) bumping of heads/(2) running into/coming across/encountering/ }
Dialogue: 0,0:15:20.69,0:15:23.77,Default-ja,,0,0,0,,家に帰ったら\Nたまたま鉢合わせしちまったとかよ
Dialogue: 0,0:15:24.94,0:15:26.15,Default,,0,0,0,,S-
Dialogue: 0,0:15:26.57,0:15:29.03,Default,,0,0,0,,Such a convenient way of thinking. {albel: "P-Pretty convenient way of thinking you have there, haven't you?"/ "What a convenient way to think about it" / "Convenient way to think about it, innit?". translate however, as long as the sarcasm is delivered. don't forget to change previous line so that it starts with the same sound.}
Dialogue: 0,0:15:26.82,0:15:28.90,Default-ja,,0,0,0,,都合のいい発想じゃのう
Dialogue: 0,0:15:29.03,0:15:29.07,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.03,0:15:29.07,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.07,0:15:29.11,Century,,0,0,0,,{\pos(960.36,419.68)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.07,0:15:29.11,Century,,0,0,0,,{\pos(960.36,799.68)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.11,0:15:29.15,Century,,0,0,0,,{\pos(960.32,419.43)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.11,0:15:29.15,Century,,0,0,0,,{\pos(960.32,799.43)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.15,0:15:29.19,Century,,0,0,0,,{\pos(960.01,420.01)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.15,0:15:29.19,Century,,0,0,0,,{\pos(960.01,800.01)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.19,0:15:29.24,Century,,0,0,0,,{\pos(960.33,419.81)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.19,0:15:29.24,Century,,0,0,0,,{\pos(960.33,799.81)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.24,0:15:29.28,Century,,0,0,0,,{\pos(960.41,419.65)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.24,0:15:29.28,Century,,0,0,0,,{\pos(960.41,799.65)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.28,0:15:29.32,Century,,0,0,0,,{\pos(960.69,419.6)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.28,0:15:29.32,Century,,0,0,0,,{\pos(960.69,799.6)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.32,0:15:29.36,Century,,0,0,0,,{\pos(960.05,419.62)\blur0.5\fscx160\fscy160}Like a little girl...
Dialogue: 1,0:15:29.32,0:15:29.36,Century,,0,0,0,,{\pos(960.05,799.62)\blur0.5\fscx100\fscy100}Animation Number 303
Dialogue: 0,0:15:29.36,0:15:35.62,Default,,0,0,0,,That wouldn't explain why my nocturnal self was able to stay active during daylight hours.
Dialogue: 0,0:15:29.57,0:15:30.61,Default-ja,,0,0,0,,それでは
Dialogue: 0,0:15:30.70,0:15:33.78,Default-ja,,0,0,0,,夜行性のわしが\N昼間から活動しておった理由の
Dialogue: 0,0:15:33.86,0:15:35.49,Default-ja,,0,0,0,,説明には なるまいに
Dialogue: 0,0:15:37.20,0:15:40.58,Default,,0,0,0,,That niece pretender has one up on me.
Dialogue: 0,0:15:37.41,0:15:40.79,Default-ja,,0,0,0,,してやられたわい\Nあの姪御(めいご)気取りに
Dialogue: 0,0:15:41.25,0:15:45.21,Default,,0,0,0,,Finally I can hear what that scrunchie says. {albel: "Finally the words of that scrunchie became hearable to me too". editor is to make it into good english. current translation is not bad either.}
Dialogue: 0,0:15:41.50,0:15:42.42,Default-ja,,0,0,0,,ようやく わしにも
Dialogue: 0,0:15:42.50,0:15:45.08,Default-ja,,0,0,0,,そのシュシュの言葉が\N聞こえるようになったが
Dialogue: 0,0:15:45.54,0:15:49.80,Default,,0,0,0,,But to think, everything was to her arrangement, huh? {albel: meh, a hard one. firstly, she's kind of asking herself, like "so, everything was her arrangement, huh?". but I dunno, how to put it into good english, while preserving "but". maybe "But to think that everything...". Secondly, it's really really ambiguous whom shinobu is talking about. it could equally be kuchinawa, nadeko, and ougi. paranoia urges me to use first or third, but having no other evidence but "niece pretender" in context, I assume it's just nadeko. if a genderless pronoun could be used instead of "her", we could have had preserved the ambiguity, but oh well.}{it's totally ougi-from-the-future}
Dialogue: 0,0:15:45.79,0:15:48.55,Default-ja,,0,0,0,,しかし 全ては\Nヤツの計らいというわけか
Dialogue: 0,0:15:49.80,0:15:49.84,Century,,0,0,0,,{\pos(967.5,337.5)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:49.80,0:15:49.84,Century,,0,0,0,,{\pos(967.5,501.5)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:49.80,0:15:49.84,Century,,0,0,0,,{\pos(967.5,604.5)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:49.80,0:15:49.84,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:49.84,0:15:49.88,Century,,0,0,0,,{\pos(967.8,337.3)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:49.84,0:15:49.88,Century,,0,0,0,,{\pos(967.8,501.3)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:49.84,0:15:49.88,Century,,0,0,0,,{\pos(967.8,604.3)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:49.84,0:15:49.88,Century,,0,0,0,,{\pos(960.3,799.8)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:49.88,0:15:49.92,Century,,0,0,0,,{\pos(967.7,337.18)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:49.88,0:15:49.92,Century,,0,0,0,,{\pos(967.7,501.18)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:49.88,0:15:49.92,Century,,0,0,0,,{\pos(967.7,604.18)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:49.88,0:15:49.92,Century,,0,0,0,,{\pos(960.2,799.68)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:49.92,0:15:49.97,Century,,0,0,0,,{\pos(967.49,337.53)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:49.92,0:15:49.97,Century,,0,0,0,,{\pos(967.49,501.53)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:49.92,0:15:49.97,Century,,0,0,0,,{\pos(967.49,604.53)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:49.92,0:15:49.97,Century,,0,0,0,,{\pos(959.99,800.03)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:49.97,0:15:50.01,Century,,0,0,0,,{\pos(967.73,337.45)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:49.97,0:15:50.01,Century,,0,0,0,,{\pos(967.73,501.45)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:49.97,0:15:50.01,Century,,0,0,0,,{\pos(967.73,604.45)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:49.97,0:15:50.01,Century,,0,0,0,,{\pos(960.23,799.95)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.01,0:15:50.05,Century,,0,0,0,,{\pos(967.82,337.29)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.01,0:15:50.05,Century,,0,0,0,,{\pos(967.82,501.29)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.01,0:15:50.05,Century,,0,0,0,,{\pos(967.82,604.29)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.01,0:15:50.05,Century,,0,0,0,,{\pos(960.32,799.79)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.05,0:15:50.09,Century,,0,0,0,,{\pos(967.9,337.31)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.05,0:15:50.09,Century,,0,0,0,,{\pos(967.9,501.31)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.05,0:15:50.09,Century,,0,0,0,,{\pos(967.9,604.31)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.05,0:15:50.09,Century,,0,0,0,,{\pos(960.4,799.81)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.09,0:15:50.13,Century,,0,0,0,,{\pos(967.55,337.32)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.09,0:15:50.13,Century,,0,0,0,,{\pos(967.55,501.32)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.09,0:15:50.13,Century,,0,0,0,,{\pos(967.55,604.32)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.09,0:15:50.13,Century,,0,0,0,,{\pos(960.05,799.82)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.13,0:15:50.17,Century,,0,0,0,,{\pos(967.9,337.32)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.13,0:15:50.17,Century,,0,0,0,,{\pos(967.9,501.32)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.13,0:15:50.17,Century,,0,0,0,,{\pos(967.9,604.32)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.13,0:15:50.17,Century,,0,0,0,,{\pos(960.4,799.82)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.17,0:15:50.22,Century,,0,0,0,,{\pos(967.9,337.33)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.17,0:15:50.22,Century,,0,0,0,,{\pos(967.9,501.33)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.17,0:15:50.22,Century,,0,0,0,,{\pos(967.9,604.33)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.17,0:15:50.22,Century,,0,0,0,,{\pos(960.4,799.83)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.22,0:15:50.26,Century,,0,0,0,,{\pos(967.91,337.32)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.22,0:15:50.26,Century,,0,0,0,,{\pos(967.91,501.32)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.22,0:15:50.26,Century,,0,0,0,,{\pos(967.91,604.32)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.22,0:15:50.26,Century,,0,0,0,,{\pos(960.41,799.82)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.26,0:15:50.30,Century,,0,0,0,,{\pos(968,337.19)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.26,0:15:50.30,Century,,0,0,0,,{\pos(968,501.19)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.26,0:15:50.30,Century,,0,0,0,,{\pos(968,604.19)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.26,0:15:50.30,Century,,0,0,0,,{\pos(960.5,799.69)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.30,0:15:50.34,Century,,0,0,0,,{\pos(967.78,337.47)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.30,0:15:50.34,Century,,0,0,0,,{\pos(967.78,501.47)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.30,0:15:50.34,Century,,0,0,0,,{\pos(967.78,604.47)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.30,0:15:50.34,Century,,0,0,0,,{\pos(960.28,799.97)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.34,0:15:50.38,Century,,0,0,0,,{\pos(967.66,337.29)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.34,0:15:50.38,Century,,0,0,0,,{\pos(967.66,501.29)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.34,0:15:50.38,Century,,0,0,0,,{\pos(967.66,604.29)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.34,0:15:50.38,Century,,0,0,0,,{\pos(960.16,799.79)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.38,0:15:50.42,Century,,0,0,0,,{\pos(967.6,337.22)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.38,0:15:50.42,Century,,0,0,0,,{\pos(967.6,501.22)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.38,0:15:50.42,Century,,0,0,0,,{\pos(967.6,604.22)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.38,0:15:50.42,Century,,0,0,0,,{\pos(960.1,799.72)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.42,0:15:50.47,Century,,0,0,0,,{\pos(967.81,337.3)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.42,0:15:50.47,Century,,0,0,0,,{\pos(967.81,501.3)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.42,0:15:50.47,Century,,0,0,0,,{\pos(967.81,604.3)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.42,0:15:50.47,Century,,0,0,0,,{\pos(960.31,799.8)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.47,0:15:50.51,Century,,0,0,0,,{\pos(967.66,337.34)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.47,0:15:50.51,Century,,0,0,0,,{\pos(967.66,501.34)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.47,0:15:50.51,Century,,0,0,0,,{\pos(967.66,604.34)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.47,0:15:50.51,Century,,0,0,0,,{\pos(960.16,799.84)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:50.51,0:15:50.55,Century,,0,0,0,,{\pos(967.91,337.36)\blur0.5\fscx128\fscy128}I silenced her.
Dialogue: 0,0:15:50.51,0:15:50.55,Century,,0,0,0,,{\pos(967.91,501.36)\blur0.5\fscx102.4\fscy102.4}Huh?
Dialogue: 0,0:15:50.51,0:15:50.55,Century,,0,0,0,,{\pos(967.91,604.36)\blur0.5\fscx128\fscy128}That's weird.                            She's still moving.
Dialogue: 1,0:15:50.51,0:15:50.55,Century,,0,0,0,,{\pos(960.41,799.86)\blur0.5\fscx100\fscy100}Animation Number 307
Dialogue: 0,0:15:52.72,0:15:52.76,Century,,0,0,0,,{\pos(963,390)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.72,0:15:52.76,Century,,0,0,0,,{\pos(946.29,570)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.72,0:15:52.76,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:52.76,0:15:52.80,Century,,0,0,0,,{\pos(963.33,389.79)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.76,0:15:52.80,Century,,0,0,0,,{\pos(946.62,569.79)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.76,0:15:52.80,Century,,0,0,0,,{\pos(960.33,799.79)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:52.80,0:15:52.84,Century,,0,0,0,,{\pos(963.23,389.67)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.80,0:15:52.84,Century,,0,0,0,,{\pos(946.52,569.67)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.80,0:15:52.84,Century,,0,0,0,,{\pos(960.23,799.67)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:52.84,0:15:52.89,Century,,0,0,0,,{\pos(962.98,390.05)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.84,0:15:52.89,Century,,0,0,0,,{\pos(946.26,570.05)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.84,0:15:52.89,Century,,0,0,0,,{\pos(959.98,800.05)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:52.89,0:15:52.93,Century,,0,0,0,,{\pos(963.25,389.97)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.89,0:15:52.93,Century,,0,0,0,,{\pos(946.54,569.97)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.89,0:15:52.93,Century,,0,0,0,,{\pos(960.25,799.97)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:52.93,0:15:52.97,Century,,0,0,0,,{\pos(963.33,389.78)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.93,0:15:52.97,Century,,0,0,0,,{\pos(946.61,569.78)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.93,0:15:52.97,Century,,0,0,0,,{\pos(960.33,799.78)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:52.97,0:15:53.01,Century,,0,0,0,,{\pos(963.45,389.79)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:52.97,0:15:53.01,Century,,0,0,0,,{\pos(946.74,569.79)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:52.97,0:15:53.01,Century,,0,0,0,,{\pos(960.45,799.79)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:53.01,0:15:53.05,Century,,0,0,0,,{\pos(963.02,389.8)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:53.01,0:15:53.05,Century,,0,0,0,,{\pos(946.31,569.8)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:53.01,0:15:53.05,Century,,0,0,0,,{\pos(960.02,799.8)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:53.05,0:15:53.09,Century,,0,0,0,,{\pos(963.36,389.83)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:53.05,0:15:53.09,Century,,0,0,0,,{\pos(946.65,569.83)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:53.05,0:15:53.09,Century,,0,0,0,,{\pos(960.36,799.83)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:53.09,0:15:53.14,Century,,0,0,0,,{\pos(963.37,389.84)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:53.09,0:15:53.14,Century,,0,0,0,,{\pos(946.65,569.84)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:53.09,0:15:53.14,Century,,0,0,0,,{\pos(960.37,799.84)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:53.14,0:15:53.18,Century,,0,0,0,,{\pos(963.44,389.76)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:53.14,0:15:53.18,Century,,0,0,0,,{\pos(946.73,569.76)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:53.14,0:15:53.18,Century,,0,0,0,,{\pos(960.44,799.76)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:53.18,0:15:53.22,Century,,0,0,0,,{\pos(963.5,389.66)\blur0.5\fscx115.2\fscy115.2\b1}Guess I have to fix that.
Dialogue: 0,0:15:53.18,0:15:53.22,Century,,0,0,0,,{\pos(946.78,569.66)\blur0.5\fscx115.2\fscy115.2\b1}Slash.       Slash.       Slash.       Slash.       Slash.       Slash.
Dialogue: 0,0:15:53.18,0:15:53.22,Century,,0,0,0,,{\pos(960.5,799.66)\blur0.5\fscx100\fscy100}Animation Number 308
Dialogue: 0,0:15:56.97,0:15:57.47,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}She stopped moving. She stopped moving.
Dialogue: 1,0:15:56.97,0:15:57.47,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 309
Dialogue: 0,0:15:57.47,0:15:59.81,Default,,0,0,0,,Oh well, it doesn't matter.
Dialogue: 0,0:15:57.72,0:15:59.89,Default-ja,,0,0,0,,（千石）まあいいか どうでも
Dialogue: 0,0:16:00.85,0:16:01.14,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:16:00.85,0:16:01.14,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:16:01.69,0:16:04.65,Default,,0,0,0,,Let's go kill Koyomi-oniichan.
Dialogue: 0,0:16:01.85,0:16:04.52,Default-ja,,0,0,0,,じゃあ 殺そうか 暦おにいちゃんを
Dialogue: 0,0:16:04.65,0:16:04.94,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Red Scene
Dialogue: 0,0:16:04.65,0:16:04.94,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:16:04.94,0:16:09.82,Default,,0,0,0,,Huh? Is that all right? Isn't that mistaking the means for the end?
Dialogue: 0,0:16:05.06,0:16:06.94,Default-ja,,0,0,0,,（クチナワ）ああん？　いいのかよ
Dialogue: 0,0:16:07.02,0:16:09.82,Default-ja,,0,0,0,,そりゃあ 本末転倒って\Nやつじゃねえのか？
Dialogue: 0,0:16:09.82,0:16:12.53,Default,,0,0,0,,But it can't be helped, right? {albel: add "But" maybe}
Dialogue: 0,0:16:09.90,0:16:12.49,Default-ja,,0,0,0,,（千石）\Nう〜ん だって しょうがなくない？
Dialogue: 0,0:16:12.53,0:16:17.70,Default,,0,0,0,,If he stays alive, Koyomi-oniichan will keep making girlfriends and lovers.
Dialogue: 0,0:16:12.57,0:16:14.36,Default-ja,,0,0,0,,生きてたら 暦おにいちゃん
Dialogue: 0,0:16:14.45,0:16:17.62,Default-ja,,0,0,0,,どうせまた\N彼女とか恋人とかつくるだろうし
Dialogue: 0,0:16:17.70,0:16:19.95,Default,,0,0,0,,It'd be exhausting to be heartbroken each time.
Dialogue: 0,0:16:17.70,0:16:19.83,Default-ja,,0,0,0,,そのたび失恋するのもしんどいよ
Dialogue: 0,0:16:21.33,0:16:21.37,Century,,0,0,0,,{\an4\pos(282,315)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.33,0:16:21.37,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.37,0:16:21.41,Century,,0,0,0,,{\an4\pos(282.34,314.82)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.37,0:16:21.41,Century,,0,0,0,,{\pos(960.34,799.82)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.41,0:16:21.46,Century,,0,0,0,,{\an4\pos(282.23,314.68)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.41,0:16:21.46,Century,,0,0,0,,{\pos(960.23,799.68)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.46,0:16:21.50,Century,,0,0,0,,{\an4\pos(282.01,315.02)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.46,0:16:21.50,Century,,0,0,0,,{\pos(960.01,800.02)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.50,0:16:21.54,Century,,0,0,0,,{\an4\pos(282.27,314.96)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.50,0:16:21.54,Century,,0,0,0,,{\pos(960.27,799.96)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.54,0:16:21.58,Century,,0,0,0,,{\an4\pos(282.34,314.76)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.54,0:16:21.58,Century,,0,0,0,,{\pos(960.34,799.76)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.58,0:16:21.62,Century,,0,0,0,,{\an4\pos(282.52,314.78)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.58,0:16:21.62,Century,,0,0,0,,{\pos(960.52,799.78)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.62,0:16:21.66,Century,,0,0,0,,{\an4\pos(282.09,314.79)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.62,0:16:21.66,Century,,0,0,0,,{\pos(960.09,799.79)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.66,0:16:21.71,Century,,0,0,0,,{\an4\pos(282.4,314.84)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.66,0:16:21.71,Century,,0,0,0,,{\pos(960.4,799.84)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.71,0:16:21.75,Century,,0,0,0,,{\an4\pos(282.43,314.83)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.71,0:16:21.75,Century,,0,0,0,,{\pos(960.43,799.83)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.75,0:16:21.79,Century,,0,0,0,,{\an4\pos(282.5,314.79)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.75,0:16:21.79,Century,,0,0,0,,{\pos(960.5,799.79)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.79,0:16:21.83,Century,,0,0,0,,{\an4\pos(282.59,314.65)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.79,0:16:21.83,Century,,0,0,0,,{\pos(960.59,799.65)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.83,0:16:21.87,Century,,0,0,0,,{\an4\pos(282.3,314.97)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.83,0:16:21.87,Century,,0,0,0,,{\pos(960.3,799.97)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.87,0:16:21.91,Century,,0,0,0,,{\an4\pos(282.22,314.72)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.87,0:16:21.91,Century,,0,0,0,,{\pos(960.22,799.72)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.91,0:16:21.96,Century,,0,0,0,,{\an4\pos(282.1,314.7)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.91,0:16:21.96,Century,,0,0,0,,{\pos(960.1,799.7)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:21.96,0:16:22.00,Century,,0,0,0,,{\an4\pos(282.36,314.75)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:21.96,0:16:22.00,Century,,0,0,0,,{\pos(960.36,799.75)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.00,0:16:22.04,Century,,0,0,0,,{\an4\pos(282.17,314.87)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.00,0:16:22.04,Century,,0,0,0,,{\pos(960.17,799.87)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.04,0:16:22.08,Century,,0,0,0,,{\an4\pos(282.46,314.86)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.04,0:16:22.08,Century,,0,0,0,,{\pos(960.46,799.86)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.08,0:16:22.12,Century,,0,0,0,,{\an4\pos(282.43,314.96)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.08,0:16:22.12,Century,,0,0,0,,{\pos(960.43,799.96)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.12,0:16:22.16,Century,,0,0,0,,{\an4\pos(282.16,314.89)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.12,0:16:22.16,Century,,0,0,0,,{\pos(960.16,799.89)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.16,0:16:22.21,Century,,0,0,0,,{\an4\pos(282.1,314.68)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.16,0:16:22.21,Century,,0,0,0,,{\pos(960.1,799.68)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.21,0:16:22.25,Century,,0,0,0,,{\an4\pos(282.74,314.95)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.21,0:16:22.25,Century,,0,0,0,,{\pos(960.74,799.95)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.25,0:16:22.29,Century,,0,0,0,,{\an4\pos(282.31,315.11)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.25,0:16:22.29,Century,,0,0,0,,{\pos(960.31,800.11)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.29,0:16:22.33,Century,,0,0,0,,{\an4\pos(282.31,314.88)\blur0.5\fscx144\fscy144}Of course, his girlfriend, being his girlfriend, would soon be deceased...
Dialogue: 1,0:16:22.29,0:16:22.33,Century,,0,0,0,,{\pos(960.31,799.88)\blur0.5\fscx100\fscy100}Animation Number 313
Dialogue: 0,0:16:22.33,0:16:25.67,Default,,0,0,0,,If I mean to have an unrequited love...
Dialogue: 0,0:16:22.46,0:16:25.62,Default-ja,,0,0,0,,絶対にかなわない恋をし続けるって\N意味なら
Dialogue: 0,0:16:25.67,0:16:29.80,Default,,0,0,0,,...it'd be a lot more romantic if he were dead, wouldn't it? {albel: add the reaffirming questioning maybe. "wouldn't it?" or "don't you think?"}
Dialogue: 0,0:16:25.71,0:16:28.13,Default-ja,,0,0,0,,暦おにいちゃんに\N死んでてもらうほうが
Dialogue: 0,0:16:28.21,0:16:29.67,Default-ja,,0,0,0,,ずっとロマンチックじゃない？
Dialogue: 0,0:16:29.80,0:16:30.67,Century,,0,0,0,,{\pos(963,395)\blur0.5\fscx144\fscy144}Likewise, I didn't want to make more trouble for him than I already had.
Dialogue: 1,0:16:29.80,0:16:30.67,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 314
Dialogue: 0,0:16:30.67,0:16:34.26,Default,,0,0,0,,So your insanity is already at that level...
Dialogue: 0,0:16:30.84,0:16:34.13,Default-ja,,0,0,0,,（クチナワ）\Nもう そのレベルで狂ってんだな\Nお前は
Dialogue: 0,0:16:35.76,0:16:36.80,Default,,0,0,0,,It can't be helped.
Dialogue: 0,0:16:35.84,0:16:36.68,Default-ja,,0,0,0,,（千石）しかたないよ
Dialogue: 0,0:16:37.85,0:16:40.22,Default,,0,0,0,,Since Nadeko is an aberration...
Dialogue: 0,0:16:38.01,0:16:40.10,Default-ja,,0,0,0,,撫子は怪異なんだから
Dialogue: 0,0:16:40.77,0:16:43.85,Default,,0,0,0,,But that's "Nadeko," {albel: to be precise "But that's "nadeko", not "me"!". I'm not sure what author tries to say with that. the "watashi" vs "nadeko" distinction became 2deep4me and even LN can't help me. So, we can leave current translation , I guess.}{she is embracing her nadeko-kuchinawa-kami self over the old nadeko}
Dialogue: 0,0:16:40.89,0:16:43.85,Default-ja,,0,0,0,,だけど それは撫子であって
Dialogue: 0,0:16:44.23,0:16:45.98,Default,,0,0,0,,Not "me"!
Dialogue: 0,0:16:44.64,0:16:45.85,Default-ja,,0,0,0,,私じゃない！
Dialogue: 0,0:16:48.00,0:16:49.50,Century,,0,0,0,,{\pos(960.38,480.34)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:16:48.00,0:16:49.50,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:16:57.12,0:16:57.37,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Looking at the call,
Dialogue: 1,0:16:57.12,0:16:57.37,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 332
Dialogue: 0,0:16:57.37,0:16:57.87,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I changed my mind.
Dialogue: 1,0:16:57.37,0:16:57.87,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 332
Dialogue: 0,0:16:57.87,0:16:58.37,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H2121DC&}I felt strange.
Dialogue: 0,0:16:57.87,0:16:58.37,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100\c&H5656CF&}Animation Number 332
Dialogue: 0,0:16:58.87,0:17:01.33,Default,,0,0,0,,Hello, Sengoku Nadeko here.
Dialogue: 0,0:16:59.03,0:17:01.20,Default-ja,,0,0,0,,もしもし 千石撫子です
Dialogue: 0,0:17:01.33,0:17:04.08,Default,,0,0,0,,Hello, Senjougahara Hitagi here.
Dialogue: 0,0:17:01.70,0:17:03.95,Default-ja,,0,0,0,,（電話:戦場ヶ原(せんじょうがはら)）\Nもしもし 戦場ヶ原ひたぎです
Dialogue: 0,0:17:04.58,0:17:05.21,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I'd heard the name before.
Dialogue: 1,0:17:04.58,0:17:05.21,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 335
Dialogue: 0,0:17:05.21,0:17:09.09,Default,,0,0,0,,Good day, Sengoku-san. Is my guy still alive? {albel: hello overload. considering that before it were phone greetings, and here it's "good day", maybe we should reflect that}
Dialogue: 0,0:17:05.46,0:17:07.08,Default-ja,,0,0,0,,こんにちは 千石さん
Dialogue: 0,0:17:07.21,0:17:08.96,Default-ja,,0,0,0,,私の男は まだ生きている？
Dialogue: 0,0:17:10.46,0:17:12.97,Default,,0,0,0,,For now. Barely.
Dialogue: 0,0:17:10.92,0:17:12.84,Default-ja,,0,0,0,,（千石）今のところは ギリギリ
Dialogue: 0,0:17:12.97,0:17:13.47,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Of course I had.
Dialogue: 1,0:17:12.97,0:17:13.47,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 338
Dialogue: 0,0:17:13.47,0:17:17.22,Default,,0,0,0,,I see. Good. Looks like I barely made it in time.
Dialogue: 0,0:17:13.71,0:17:15.13,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nそう　よかった
Dialogue: 0,0:17:15.22,0:17:17.09,Default-ja,,0,0,0,,ギリギリ間に合ったというわけね
Dialogue: 0,0:17:18.35,0:17:21.22,Default,,0,0,0,,Sengoku-san, let's make a deal.
Dialogue: 0,0:17:18.51,0:17:21.10,Default-ja,,0,0,0,,千石さん\N私と取り引きしましょうよ
Dialogue: 0,0:17:21.22,0:17:22.60,Default,,0,0,0,,A deal?
Dialogue: 0,0:17:21.60,0:17:22.47,Default-ja,,0,0,0,,取り引き？
Dialogue: 0,0:17:22.60,0:17:29.73,Default,,0,0,0,,You can kill me, so can you spare Araragi-kun? And if she's still alive, spare Shinobu-san too.
Dialogue: 0,0:17:23.02,0:17:24.43,Default-ja,,0,0,0,,（電話:戦場ヶ原）\N私を殺していいから
Dialogue: 0,0:17:24.52,0:17:26.64,Default-ja,,0,0,0,,阿良々木君は\N助けてあげてくれない？
Dialogue: 0,0:17:26.73,0:17:29.61,Default-ja,,0,0,0,,まだ生きているようなら\N忍さんも助けてあげて
Dialogue: 0,0:17:29.73,0:17:30.23,Century,,0,0,0,,{\pos(960,297.5)\blur0.5\fscx128\fscy128\c&H1E272C&}I wondered what Senjougahara could be thinking about.
Dialogue: 1,0:17:29.73,0:17:30.23,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 344
Dialogue: 0,0:17:30.23,0:17:30.73,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I quickly stopped wondering.
Dialogue: 1,0:17:30.23,0:17:30.73,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.73,0:17:30.77,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.73,0:17:30.77,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.77,0:17:30.82,Century,,0,0,0,,{\pos(960.36,419.82)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.77,0:17:30.82,Century,,0,0,0,,{\pos(960.36,799.82)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.82,0:17:30.86,Century,,0,0,0,,{\pos(960.34,419.83)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.82,0:17:30.86,Century,,0,0,0,,{\pos(960.34,799.83)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.86,0:17:30.90,Century,,0,0,0,,{\pos(960.62,420.19)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.86,0:17:30.90,Century,,0,0,0,,{\pos(960.62,800.19)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.90,0:17:30.94,Century,,0,0,0,,{\pos(960.28,420.46)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.90,0:17:30.94,Century,,0,0,0,,{\pos(960.28,800.46)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.94,0:17:30.98,Century,,0,0,0,,{\pos(960.29,420.21)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.94,0:17:30.98,Century,,0,0,0,,{\pos(960.29,800.21)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:30.98,0:17:31.02,Century,,0,0,0,,{\pos(959.98,420.39)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:30.98,0:17:31.02,Century,,0,0,0,,{\pos(959.98,800.39)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.02,0:17:31.07,Century,,0,0,0,,{\pos(960.21,420.5)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.02,0:17:31.07,Century,,0,0,0,,{\pos(960.21,800.5)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.07,0:17:31.11,Century,,0,0,0,,{\pos(960.16,420.8)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.07,0:17:31.11,Century,,0,0,0,,{\pos(960.16,800.8)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.11,0:17:31.15,Century,,0,0,0,,{\pos(960.66,420.26)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.11,0:17:31.15,Century,,0,0,0,,{\pos(960.66,800.26)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.15,0:17:31.19,Century,,0,0,0,,{\pos(960.35,420.36)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.15,0:17:31.19,Century,,0,0,0,,{\pos(960.35,800.36)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.19,0:17:31.23,Century,,0,0,0,,{\pos(960.4,420.38)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.19,0:17:31.23,Century,,0,0,0,,{\pos(960.4,800.38)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.23,0:17:31.28,Century,,0,0,0,,{\pos(960.1,420.47)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.23,0:17:31.28,Century,,0,0,0,,{\pos(960.1,800.47)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.27,0:17:32.11,Default-ja,,0,0,0,,（千石）ダメ
Dialogue: 0,0:17:31.28,0:17:31.32,Century,,0,0,0,,{\pos(959.54,420.34)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.28,0:17:31.32,Century,,0,0,0,,{\pos(959.54,800.34)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.32,0:17:31.36,Century,,0,0,0,,{\pos(959.62,420.33)\blur0.5\fscx160\fscy160}I didn't care.
Dialogue: 1,0:17:31.32,0:17:31.36,Century,,0,0,0,,{\pos(959.62,800.33)\blur0.5\fscx100\fscy100}Animation Number 344
Dialogue: 0,0:17:31.36,0:17:32.23,Default,,0,0,0,,Can't.
Dialogue: 0,0:17:33.24,0:17:38.66,Default,,0,0,0,,I'll kill Koyomi-oniichan and you too. Shinobu-san as well.
Dialogue: 0,0:17:33.61,0:17:36.82,Default-ja,,0,0,0,,暦おにいちゃんは殺すし\Nあなたも殺すよ
Dialogue: 0,0:17:36.90,0:17:38.45,Default-ja,,0,0,0,,忍さんも殺すし
Dialogue: 0,0:17:38.57,0:17:40.45,Default-ja,,0,0,0,,最初から そのつもりなんだから
Dialogue: 0,0:17:38.66,0:17:42.49,Default,,0,0,0,,I planned to from the start, so I can't make a deal like that.
Dialogue: 0,0:17:40.53,0:17:42.37,Default-ja,,0,0,0,,そんなの取り引きにならないもの
Dialogue: 0,0:17:42.49,0:17:46.12,Default,,0,0,0,,Oh, that's a shame. It can't be helped, then. {albel: maybe "can't be helped, then"}
Dialogue: 0,0:17:42.91,0:17:46.00,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nそう それは残念だわ\Nしかたないわね
Dialogue: 0,0:17:46.12,0:17:50.00,Default,,0,0,0,,Then I'll give you some advice as someone with more life experience.
Dialogue: 0,0:17:46.16,0:17:49.88,Default-ja,,0,0,0,,だったら ここから先は\N人生の先輩としてのアドバイス
Dialogue: 0,0:17:50.00,0:17:54.88,Default,,0,0,0,,You should think hard about the order in which you kill those three, which includes me.
Dialogue: 0,0:17:50.25,0:17:51.59,Default-ja,,0,0,0,,私を含めた その３人
Dialogue: 0,0:17:52.09,0:17:54.76,Default-ja,,0,0,0,,殺す順番は\Nちゃんと考えたほうがいいわよ
Dialogue: 0,0:17:55.51,0:17:59.64,Default,,0,0,0,,You absolutely can't kill Araragi-kun before Shinobu-san.
Dialogue: 0,0:17:55.80,0:17:58.01,Default-ja,,0,0,0,,（電話:戦場ヶ原）\N阿良々木君を\N忍さんより先に殺したら
Dialogue: 0,0:17:58.09,0:17:59.39,Default-ja,,0,0,0,,絶対にダメ
Dialogue: 0,0:17:59.64,0:18:03.10,Default,,0,0,0,,If you do, her link to him will be broken...
Dialogue: 0,0:17:59.68,0:18:03.10,Default-ja,,0,0,0,,そうすると忍さんは\N阿良々木君とのリンクが切れて
Dialogue: 0,0:18:03.10,0:18:10.27,Default,,0,0,0,,...and she'll regain her original powers as a legendary vampire. She'll eat up someone like you in no time.
Dialogue: 0,0:18:03.18,0:18:06.60,Default-ja,,0,0,0,,元の伝説の吸血鬼としての力を\N取り戻すから
Dialogue: 0,0:18:06.98,0:18:07.89,Default-ja,,0,0,0,,あなたなんか
Dialogue: 0,0:18:07.98,0:18:10.15,Default-ja,,0,0,0,,あっという間に\N食べられてしまうわよ
Dialogue: 0,0:18:10.27,0:18:14.03,Default,,0,0,0,,Yeah, you're right. Got it. {albel: maybe "Got it" instead of "I understand".}
Dialogue: 0,0:18:10.69,0:18:13.90,Default-ja,,0,0,0,,（千石）\Nそう… そうだね　分かった
Dialogue: 0,0:18:14.03,0:18:14.32,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}She was right.
Dialogue: 1,0:18:14.03,0:18:14.32,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 353
Dialogue: 0,0:18:14.32,0:18:14.94,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Thank your for your advice—
Dialogue: 1,0:18:14.32,0:18:14.94,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 353
Dialogue: 0,0:18:14.94,0:18:19.41,Default,,0,0,0,,And before that, you should kill me first and foremost.
Dialogue: 0,0:18:15.07,0:18:16.61,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nそして それより先に
Dialogue: 0,0:18:16.69,0:18:19.28,Default-ja,,0,0,0,,私を\N最初に殺しておいたほうがいいわ
Dialogue: 0,0:18:19.41,0:18:20.53,Default-ja,,0,0,0,,でないと 私
Dialogue: 0,0:18:19.41,0:18:21.70,Default,,0,0,0,,Or not only will I kill you...
Dialogue: 1,0:18:19.41,0:18:21.70,Century,,0,0,0,,{\fax-0.15\fsp3\blur3\alpha&H80&\c&HB2BDBF&\fscx71\fscy66\frz10.19\pos(477,177.9)}February, 1919
Dialogue: 2,0:18:19.41,0:18:21.70,Century,,0,0,0,,{\fax-0.15\fsp3\blur1\c&H69696A&\fscx71\fscy66\frz10.19\pos(477,177.9)}Febru{\c&H8B8B8B&}ary,{\c&H69696A&} 1919
Dialogue: 1,0:18:19.41,0:18:21.70,Century,,0,0,0,,{\pos(406.5,457.5)\fax-0.2\fry-3\fsp3\blur3\alpha&H80&\fscx64\fscy64\c&H41494B&\b1\frz11.96}Donor
Dialogue: 2,0:18:19.41,0:18:21.70,Century,,0,0,0,,{\pos(406.5,457.5)\fax-0.2\fry-3\fsp3\blur1\fscx64\fscy64\c&H54595B&\b1\frz11.96}Donor
Dialogue: 0,0:18:20.61,0:18:23.41,Default-ja,,0,0,0,,あなただけでなく\Nみんな殺しちゃうから
Dialogue: 0,0:18:21.70,0:18:23.54,Black and Red,,0,0,0,,{\pos(964.5,537)\blur0.5\fscx160\fscy160}Extermination
Dialogue: 0,0:18:21.70,0:18:23.54,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(383,350)}Animation Number 355
Dialogue: 0,0:18:22.03,0:18:23.54,Default,,0,0,0,,...I'll kill everyone.
Dialogue: 0,0:18:23.54,0:18:25.66,Default,,0,0,0,,E-Everyone?
Dialogue: 0,0:18:23.87,0:18:25.54,Default-ja,,0,0,0,,（千石）み… みんなって？
Dialogue: 0,0:18:25.66,0:18:29.46,Default,,0,0,0,,Everyone, yes. Don't take the venting of my anger lightly.
Dialogue: 0,0:18:25.79,0:18:27.25,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nみんなは みんなよ
Dialogue: 0,0:18:27.33,0:18:29.33,Default-ja,,0,0,0,,私の八つ当たりをなめないでよね
Dialogue: 0,0:18:30.46,0:18:40.09,Default,,0,0,0,,All right. Then the order I should kill in is: you first, then Shinobu-san, and Koyomi-oniichan last, right? {changed from "All right. Then the order I should kill is you first, then Shinobu-san, and Koyomi-oniichan last." -forks} {albel: well, their translation is more literal, but your rewording is ok. maybe throw in confirming "right?" in the end.}
Dialogue: 0,0:18:30.79,0:18:31.83,Default-ja,,0,0,0,,（千石）分かった
Dialogue: 0,0:18:31.92,0:18:34.38,Default-ja,,0,0,0,,じゃあ 殺す順番は あなたから
Dialogue: 0,0:18:34.80,0:18:36.17,Default-ja,,0,0,0,,次いで忍さん
Dialogue: 0,0:18:36.30,0:18:39.59,Default-ja,,0,0,0,,そして 最後に\N暦おにいちゃんにすればいいんだね
Dialogue: 0,0:18:40.09,0:18:41.09,Default,,0,0,0,,Thanks.
Dialogue: 0,0:18:40.13,0:18:40.97,Default-ja,,0,0,0,,ありがとう
Dialogue: 0,0:18:41.09,0:18:41.43,Century,,0,0,0,,{\an4\pos(547.5,324)\blur0.5\fscx144\fscy144\c&H1E272C&}You have to thank the people \Nwho are nice to you.
Dialogue: 1,0:18:41.09,0:18:41.43,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 359
Dialogue: 0,0:18:41.43,0:18:41.76,Century,,0,0,0,,{\pos(963,375)\blur0.5\fscx160\fscy160}People who are nice to me are nice people.
Dialogue: 1,0:18:41.43,0:18:41.76,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 359
Dialogue: 0,0:18:41.76,0:18:46.98,Default,,0,0,0,,You don't need to thank me. But in return, Sengoku-san, can I ask you one favor?
Dialogue: 0,0:18:41.89,0:18:43.10,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nお礼はいいわ
Dialogue: 0,0:18:43.18,0:18:44.72,Default-ja,,0,0,0,,そのかわり 千石さん
Dialogue: 0,0:18:44.81,0:18:46.85,Default-ja,,0,0,0,,１つ お願い事を\N聞いてくれないかしら
Dialogue: 0,0:18:48.23,0:18:53.57,Default,,0,0,0,,You are now a god that should be worshipped. The owner of that shrine.
Dialogue: 0,0:18:48.23,0:18:53.57,Naoetsu,,0,0,0,,{\blur1.2\frx0\fry8\fscx118\fscy99\c&H3E4344&\4c&H808788&\4a&H00&\xshad-0.75\yshad0.9\pos(827.4,705.3)}Purity in Spirit
Dialogue: 0,0:18:48.23,0:18:53.57,Naoetsu,,0,0,0,,{\blur1.2\frx0\fry8\fscx118\fscy99\c&H3B4245&\4c&H808788&\4a&H00&\xshad-0.75\yshad0.9\pos(825.9,706.8)}Purity in Spirit
Dialogue: 0,0:18:48.31,0:18:51.60,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nあなたは\N今や信仰されるべき神様なのだから
Dialogue: 0,0:18:51.69,0:18:53.44,Default-ja,,0,0,0,,その神社の主なのだから
Dialogue: 0,0:18:53.57,0:18:57.44,Default,,0,0,0,,I think you can listen to the general populace's wishes, like mine, right?
Dialogue: 0,0:18:53.61,0:18:57.32,Default-ja,,0,0,0,,私のような民草のお願い事を\N聞いてくれてもいいんじゃない？
Dialogue: 0,0:18:59.20,0:19:01.20,Default,,0,0,0,,I'll listen, but no more.
Dialogue: 0,0:18:59.65,0:19:01.07,Default-ja,,0,0,0,,聞くだけ聞いてあげる
Dialogue: 0,0:19:01.20,0:19:01.70,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Curiosity piqued.
Dialogue: 1,0:19:01.20,0:19:01.70,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 364
Dialogue: 0,0:19:01.70,0:19:08.71,Default,,0,0,0,,You can kill us in that order. But before you do, can you give us a little bit of time?
Dialogue: 0,0:19:01.99,0:19:05.41,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nその順番で\N千石さんは私たちを殺していい
Dialogue: 0,0:19:05.49,0:19:08.58,Default-ja,,0,0,0,,だけど その前に\N少しだけ時間をくれないかしら
Dialogue: 0,0:19:08.71,0:19:09.83,Default,,0,0,0,,Time?
Dialogue: 0,0:19:08.87,0:19:09.71,Default-ja,,0,0,0,,（千石）時間？
Dialogue: 0,0:19:09.83,0:19:11.06,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Now that you're an aberration,
Dialogue: 1,0:19:09.83,0:19:11.06,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:09.83,0:19:13.84,Default,,0,0,0,,Like a day, two days, a week, a month...
Dialogue: 0,0:19:10.08,0:19:11.83,Default-ja,,0,0,0,,（電話･･戦場ヶ原）\N１日とか ２日とか
Dialogue: 0,0:19:11.04,0:19:11.08,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.04,0:19:11.08,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.08,0:19:11.12,Century,,0,0,0,,{\pos(959.86,419.85)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.08,0:19:11.12,Century,,0,0,0,,{\pos(959.86,799.85)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.12,0:19:11.17,Century,,0,0,0,,{\pos(960.18,419.75)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.12,0:19:11.17,Century,,0,0,0,,{\pos(960.18,799.75)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.17,0:19:11.21,Century,,0,0,0,,{\pos(960.17,419.76)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.17,0:19:11.21,Century,,0,0,0,,{\pos(960.17,799.76)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.21,0:19:11.25,Century,,0,0,0,,{\pos(960.42,420.02)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.21,0:19:11.25,Century,,0,0,0,,{\pos(960.42,800.02)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.25,0:19:11.29,Century,,0,0,0,,{\pos(960.16,420.17)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.25,0:19:11.29,Century,,0,0,0,,{\pos(960.16,800.17)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.29,0:19:11.33,Century,,0,0,0,,{\pos(960.19,419.95)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.29,0:19:11.33,Century,,0,0,0,,{\pos(960.19,799.95)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.33,0:19:11.38,Century,,0,0,0,,{\pos(959.92,420.06)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.33,0:19:11.38,Century,,0,0,0,,{\pos(959.92,800.06)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.38,0:19:11.42,Century,,0,0,0,,{\pos(960.19,420.14)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.38,0:19:11.42,Century,,0,0,0,,{\pos(960.19,800.14)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.42,0:19:11.46,Century,,0,0,0,,{\pos(960.12,420.39)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.42,0:19:11.46,Century,,0,0,0,,{\pos(960.12,800.39)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.46,0:19:11.50,Century,,0,0,0,,{\pos(960.69,419.9)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.46,0:19:11.50,Century,,0,0,0,,{\pos(960.69,799.9)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.50,0:19:11.54,Century,,0,0,0,,{\pos(960.38,420.01)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.50,0:19:11.54,Century,,0,0,0,,{\pos(960.38,800.01)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.54,0:19:11.58,Century,,0,0,0,,{\pos(960.44,420.03)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.54,0:19:11.58,Century,,0,0,0,,{\pos(960.44,800.03)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.58,0:19:11.63,Century,,0,0,0,,{\pos(960.12,420.05)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.58,0:19:11.63,Century,,0,0,0,,{\pos(960.12,800.05)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.63,0:19:11.67,Century,,0,0,0,,{\pos(959.59,419.92)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.63,0:19:11.67,Century,,0,0,0,,{\pos(959.59,799.92)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.67,0:19:11.71,Century,,0,0,0,,{\pos(959.7,419.97)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.67,0:19:11.71,Century,,0,0,0,,{\pos(959.7,799.97)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.71,0:19:11.75,Century,,0,0,0,,{\pos(959.71,420.07)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.71,0:19:11.75,Century,,0,0,0,,{\pos(959.71,800.07)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.75,0:19:11.79,Century,,0,0,0,,{\pos(959.96,420.14)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.75,0:19:11.79,Century,,0,0,0,,{\pos(959.96,800.14)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.79,0:19:11.83,Century,,0,0,0,,{\pos(959.93,420.1)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.79,0:19:11.83,Century,,0,0,0,,{\pos(959.93,800.1)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.83,0:19:11.88,Century,,0,0,0,,{\pos(960.17,419.63)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.83,0:19:11.88,Century,,0,0,0,,{\pos(960.17,799.63)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.88,0:19:11.92,Century,,0,0,0,,{\pos(960.2,420.15)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.88,0:19:11.92,Century,,0,0,0,,{\pos(960.2,800.15)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.92,0:19:11.96,Century,,0,0,0,,{\pos(959.94,420.07)\blur0.5\fscx160\fscy160}won't you live forever,
Dialogue: 1,0:19:11.92,0:19:11.96,Century,,0,0,0,,{\pos(959.94,800.07)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:11.98,0:19:13.02,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}as long as
Dialogue: 1,0:19:11.98,0:19:13.02,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 367
Dialogue: 0,0:19:12.00,0:19:13.71,Default-ja,,0,0,0,,１週間とか １か月とか
Dialogue: 0,0:19:13.02,0:19:13.84,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&HB927C0&}people worship you?
Dialogue: 0,0:19:13.02,0:19:13.84,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100\c&HB927C0&}Animation Number 367
Dialogue: 0,0:19:14.50,0:19:15.88,Default,,0,0,0,,...or six months.
Dialogue: 0,0:19:14.67,0:19:15.75,Default-ja,,0,0,0,,半年とか
Dialogue: 0,0:19:15.88,0:19:16.13,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}"Half a year,"
Dialogue: 1,0:19:15.88,0:19:16.13,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 369
Dialogue: 0,0:19:16.13,0:19:16.76,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}was where I felt a difference in her voice.
Dialogue: 1,0:19:16.13,0:19:16.76,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 369
Dialogue: 0,0:19:17.13,0:19:21.01,Default,,0,0,0,,It shouldn't matter if your intent to kill is true.
Dialogue: 0,0:19:17.21,0:19:18.92,Default-ja,,0,0,0,,別に かまわないはずよ
Dialogue: 0,0:19:19.01,0:19:21.09,Default-ja,,0,0,0,,あなたの殺意が本物ならね
Dialogue: 0,0:19:21.01,0:19:25.01,Default,,0,0,0,,If those are your true feelings, and not fleeting ones, you should be able to wait.  {albel: to be precise "if that's your true feelings not fleeting ones", but w/e}
Dialogue: 0,0:19:21.18,0:19:24.97,Default-ja,,0,0,0,,一時(いっとき)の気持ちではなく\N本物の気持ちなら待てるはずよ
Dialogue: 0,0:19:25.56,0:19:29.02,Default,,0,0,0,,Six months? What happens in six months?
Dialogue: 0,0:19:25.68,0:19:28.89,Default-ja,,0,0,0,,（千石）\N半年… 半年後に何があるの？
Dialogue: 0,0:19:29.02,0:19:30.77,Default,,0,0,0,,Graduation.
Dialogue: 0,0:19:29.43,0:19:30.64,Default-ja,,0,0,0,,（電話:戦場ヶ原）\N卒業式
Dialogue: 0,0:19:31.23,0:19:33.44,Default,,0,0,0,,Graduation?
Dialogue: 0,0:19:31.44,0:19:33.40,Default-ja,,0,0,0,,（千石）卒業式って…
Dialogue: 0,0:19:40.03,0:19:43.99,Default,,0,0,0,,All right! Then I'll wait six months.
Dialogue: 0,0:19:40.32,0:19:43.91,Default-ja,,0,0,0,,分かった　じゃあ 半年待ったげる
Dialogue: 0,0:19:43.99,0:19:46.16,Default,,0,0,0,,I see. Thank you very much.
Dialogue: 0,0:19:43.99,0:19:46.03,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nそう　ありがとうございます
Dialogue: 0,0:19:47.04,0:19:51.87,Default,,0,0,0,,Six months. Or more precisely, until graduation day...
Dialogue: 0,0:19:47.33,0:19:51.66,Default-ja,,0,0,0,,（千石）\N半年 正確には卒業式の日までだよ
Dialogue: 0,0:19:51.87,0:19:58.42,Default,,0,0,0,,After graduation, I'd like you to come straight to North Shirahebi Shrine. I'll be waiting there.
Dialogue: 0,0:19:51.87,0:19:53.17,Default-ja,,0,0,0,,卒業式が終わったら
Dialogue: 0,0:19:53.25,0:19:56.42,Default-ja,,0,0,0,,その足で\N北白蛇(きたしらへび)神社に来てちょうだい
Dialogue: 0,0:19:56.50,0:19:58.05,Default-ja,,0,0,0,,そこで待ってるから
Dialogue: 0,0:19:58.38,0:20:00.42,Default-ja,,0,0,0,,その半年は 戦場ヶ原さん
Dialogue: 0,0:19:58.42,0:20:03.05,Default,,0,0,0,,You should refrain from holding hands and such with Koyomi-oniichan until then.
Dialogue: 0,0:20:00.51,0:20:02.93,Default-ja,,0,0,0,,暦おにいちゃんと\N手をつないだりしないでね
Dialogue: 0,0:20:03.05,0:20:03.64,Default,,0,0,0,,Oh.
Dialogue: 0,0:20:03.05,0:20:03.64,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}On the other end of the line,
Dialogue: 1,0:20:03.05,0:20:03.64,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 381
Dialogue: 0,0:20:03.26,0:20:04.09,Default-ja,,0,0,0,,（電話･･戦場ヶ原）\Nあら
Dialogue: 0,0:20:03.64,0:20:04.45,Century,,0,0,0,,{\pos(963,365)\blur0.5\fscx160\fscy160}I felt like Senjougahara was smiling.
Dialogue: 1,0:20:03.64,0:20:04.45,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 381
Dialogue: 0,0:20:04.43,0:20:06.68,Default,,0,0,0,,If that isn't half-killing a snake... {albel: maybe a TL Note?   蛇の生殺し [へびのなまごろし] /(exp) state of uncertainty/limbo/leaving unfinished with the intention of inflicting suffering/dragging out tortuously/half-killing a snake/}
Dialogue: 0,0:20:04.43,0:20:06.55,Default-ja,,0,0,0,,それは\Nとんだ蛇の生殺しね
Dialogue: 0,0:20:06.68,0:20:07.68,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}It was no laughing matter.
Dialogue: 1,0:20:06.68,0:20:07.68,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 383
Dialogue: 0,0:20:07.68,0:20:09.14,Default,,0,0,0,,If...
Dialogue: 0,0:20:08.01,0:20:09.06,Default-ja,,0,0,0,,（千石）もしも…
Dialogue: 0,0:20:10.93,0:20:18.19,Default,,0,0,0,,If we had met under different circumstances, maybe we'd have been able to become friends.
Dialogue: 0,0:20:11.27,0:20:13.89,Default-ja,,0,0,0,,もしも違う形で出会っていれば
Dialogue: 0,0:20:14.35,0:20:18.07,Default-ja,,0,0,0,,撫子と戦場ヶ原さんは\N友達になれたかもしれないね
Dialogue: 0,0:20:18.19,0:20:20.11,Default,,0,0,0,,No, that would never happen.
Dialogue: 0,0:20:18.32,0:20:19.98,Default-ja,,0,0,0,,（電話:戦場ヶ原）\Nいや それはない
Dialogue: 0,0:20:21.36,0:20:28.49,Default,,0,0,0,,Sorry, but I hate cute brats like you more than my former self, Sengoku Nadeko-san. {albel: maybe just "than my former self"}
Dialogue: 0,0:20:21.65,0:20:22.70,Default-ja,,0,0,0,,悪いけれど
Dialogue: 0,0:20:22.78,0:20:25.07,Default-ja,,0,0,0,,私は\Nあなたのような かわいいガキが
Dialogue: 0,0:20:25.16,0:20:27.20,Default-ja,,0,0,0,,昔の自分より嫌いなのよ
Dialogue: 0,0:20:27.28,0:20:28.37,Default-ja,,0,0,0,,千石撫子さん
Dialogue: 1,0:20:39.02,0:20:39.03,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.05,0:20:39.09,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.09,0:20:39.13,Century,,0,0,0,,{\pos(959.9,799.92)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.13,0:20:39.17,Century,,0,0,0,,{\pos(959.69,800.18)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.17,0:20:39.21,Century,,0,0,0,,{\pos(960,800.15)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.21,0:20:39.25,Century,,0,0,0,,{\pos(960.03,799.94)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.25,0:20:39.30,Century,,0,0,0,,{\pos(960.2,799.96)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.30,0:20:39.34,Century,,0,0,0,,{\pos(959.75,799.96)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.34,0:20:39.38,Century,,0,0,0,,{\pos(960.14,799.99)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.38,0:20:39.42,Century,,0,0,0,,{\pos(960.15,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.42,0:20:39.46,Century,,0,0,0,,{\pos(960.18,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.46,0:20:39.50,Century,,0,0,0,,{\pos(960.29,799.89)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.50,0:20:39.55,Century,,0,0,0,,{\pos(959.98,800.18)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.55,0:20:39.59,Century,,0,0,0,,{\pos(959.9,799.95)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.59,0:20:39.63,Century,,0,0,0,,{\pos(959.88,799.93)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.63,0:20:39.67,Century,,0,0,0,,{\pos(960.05,799.98)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.67,0:20:39.71,Century,,0,0,0,,{\pos(959.88,800.02)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.71,0:20:39.75,Century,,0,0,0,,{\pos(960.2,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.75,0:20:39.80,Century,,0,0,0,,{\pos(960.18,800.02)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.80,0:20:39.84,Century,,0,0,0,,{\pos(959.87,800.07)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 1,0:20:39.84,0:20:39.88,Century,,0,0,0,,{\pos(959.9,799.8)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:39.88,0:20:39.92,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:39.88,0:20:39.92,Century,,0,0,0,,{\pos(963,800)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:39.92,0:20:39.96,Century,,0,0,0,,{\pos(960.41,419.73)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:39.92,0:20:39.96,Century,,0,0,0,,{\pos(963.41,799.73)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:39.96,0:20:40.01,Century,,0,0,0,,{\pos(960.29,419.54)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:39.96,0:20:40.01,Century,,0,0,0,,{\pos(963.29,799.54)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.01,0:20:40.05,Century,,0,0,0,,{\pos(960.01,420.04)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.01,0:20:40.05,Century,,0,0,0,,{\pos(963.01,800.04)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.05,0:20:40.09,Century,,0,0,0,,{\pos(960.33,419.94)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.05,0:20:40.09,Century,,0,0,0,,{\pos(963.33,799.94)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.09,0:20:40.13,Century,,0,0,0,,{\pos(960.44,419.65)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.09,0:20:40.13,Century,,0,0,0,,{\pos(963.44,799.65)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.13,0:20:40.17,Century,,0,0,0,,{\pos(960.6,419.69)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.13,0:20:40.17,Century,,0,0,0,,{\pos(963.6,799.69)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.17,0:20:40.21,Century,,0,0,0,,{\pos(960.15,419.72)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.17,0:20:40.21,Century,,0,0,0,,{\pos(963.15,799.72)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.21,0:20:40.26,Century,,0,0,0,,{\pos(960.52,419.75)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.21,0:20:40.26,Century,,0,0,0,,{\pos(963.52,799.75)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.26,0:20:40.30,Century,,0,0,0,,{\pos(960.53,419.75)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.26,0:20:40.30,Century,,0,0,0,,{\pos(963.53,799.75)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.30,0:20:40.34,Century,,0,0,0,,{\pos(960.63,419.64)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.30,0:20:40.34,Century,,0,0,0,,{\pos(963.63,799.64)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.34,0:20:40.38,Century,,0,0,0,,{\pos(960.75,419.49)\blur0.5\fscx160\fscy160\c&H1E272C&}No timeskip. Sorry.
Dialogue: 1,0:20:40.34,0:20:40.38,Century,,0,0,0,,{\pos(963.75,799.49)\blur0.5\fscx100\fscy100\c&H1E272C&}Animation Number 396
Dialogue: 0,0:20:40.38,0:20:40.42,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.38,0:20:40.42,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.42,0:20:40.46,Century,,0,0,0,,{\pos(959.67,419.99)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.42,0:20:40.46,Century,,0,0,0,,{\pos(959.67,799.99)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.46,0:20:40.51,Century,,0,0,0,,{\pos(959.67,419.72)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.46,0:20:40.51,Century,,0,0,0,,{\pos(959.67,799.72)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.51,0:20:40.55,Century,,0,0,0,,{\pos(960.39,420.01)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.51,0:20:40.55,Century,,0,0,0,,{\pos(960.39,800.01)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.55,0:20:40.59,Century,,0,0,0,,{\pos(959.9,420.15)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.55,0:20:40.59,Century,,0,0,0,,{\pos(959.9,800.15)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.59,0:20:40.63,Century,,0,0,0,,{\pos(959.94,419.95)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.59,0:20:40.63,Century,,0,0,0,,{\pos(959.94,799.95)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.63,0:20:40.67,Century,,0,0,0,,{\pos(959.99,419.78)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.63,0:20:40.67,Century,,0,0,0,,{\pos(959.99,799.78)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.67,0:20:40.71,Century,,0,0,0,,{\pos(960.01,420.02)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.67,0:20:40.71,Century,,0,0,0,,{\pos(960.01,800.02)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.71,0:20:40.76,Century,,0,0,0,,{\pos(960.08,419.95)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.71,0:20:40.76,Century,,0,0,0,,{\pos(960.08,799.95)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.76,0:20:40.80,Century,,0,0,0,,{\pos(959.74,419.96)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.76,0:20:40.80,Century,,0,0,0,,{\pos(959.74,799.96)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.80,0:20:40.84,Century,,0,0,0,,{\pos(959.98,419.75)\blur0.5\fscx160\fscy160}No spoilers either.
Dialogue: 1,0:20:40.80,0:20:40.84,Century,,0,0,0,,{\pos(959.98,799.75)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.84,0:20:40.88,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:40.84,0:20:40.88,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.88,0:20:40.92,Century,,0,0,0,,{\pos(960.25,420.03)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:40.88,0:20:40.92,Century,,0,0,0,,{\pos(960.25,800.03)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.92,0:20:40.96,Century,,0,0,0,,{\pos(960.18,420.35)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:40.92,0:20:40.96,Century,,0,0,0,,{\pos(960.18,800.35)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:40.96,0:20:41.01,Century,,0,0,0,,{\pos(960.77,419.78)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:40.96,0:20:41.01,Century,,0,0,0,,{\pos(960.77,799.78)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.01,0:20:41.05,Century,,0,0,0,,{\pos(960.41,419.89)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.01,0:20:41.05,Century,,0,0,0,,{\pos(960.41,799.89)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.05,0:20:41.09,Century,,0,0,0,,{\pos(960.52,419.92)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.05,0:20:41.09,Century,,0,0,0,,{\pos(960.52,799.92)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.09,0:20:41.13,Century,,0,0,0,,{\pos(960.27,419.93)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.09,0:20:41.13,Century,,0,0,0,,{\pos(960.27,799.93)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.13,0:20:41.17,Century,,0,0,0,,{\pos(959.75,419.8)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.13,0:20:41.17,Century,,0,0,0,,{\pos(959.75,799.8)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.17,0:20:41.21,Century,,0,0,0,,{\pos(959.84,419.8)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.17,0:20:41.21,Century,,0,0,0,,{\pos(959.84,799.8)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.21,0:20:41.26,Century,,0,0,0,,{\pos(959.84,420.03)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.21,0:20:41.26,Century,,0,0,0,,{\pos(959.84,800.03)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.26,0:20:41.30,Century,,0,0,0,,{\pos(960.13,420.1)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.26,0:20:41.30,Century,,0,0,0,,{\pos(960.13,800.1)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.30,0:20:41.34,Century,,0,0,0,,{\pos(960.11,420.09)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.30,0:20:41.34,Century,,0,0,0,,{\pos(960.11,800.09)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.34,0:20:41.38,Century,,0,0,0,,{\pos(960.34,419.5)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.34,0:20:41.38,Century,,0,0,0,,{\pos(960.34,799.5)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.38,0:20:41.42,Century,,0,0,0,,{\pos(960.34,420.14)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.38,0:20:41.42,Century,,0,0,0,,{\pos(960.34,800.14)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:41.42,0:20:41.47,Century,,0,0,0,,{\pos(960.08,419.98)\blur0.5\fscx160\fscy160}Isn't the story over anyway?
Dialogue: 1,0:20:41.42,0:20:41.47,Century,,0,0,0,,{\pos(960.08,799.98)\blur0.5\fscx100\fscy100}Animation Number 396
Dialogue: 0,0:20:44.09,0:20:47.10,Default,,0,0,0,,Sengoku Nadeko has become a god.
Dialogue: 0,0:20:44.30,0:20:46.89,Default-ja,,0,0,0,,（千石）\N千石撫子は神様になりました
Dialogue: 0,0:20:47.10,0:20:48.60,Default,,0,0,0,,That is all.
Dialogue: 0,0:20:47.22,0:20:48.26,Default-ja,,0,0,0,,以上です
Dialogue: 0,0:20:48.60,0:20:52.60,Default,,0,0,0,,This is a story that could've ended with that one line.
Dialogue: 0,0:20:49.06,0:20:52.39,Default-ja,,0,0,0,,本当は その１行で\N終わってよかったような話なのです
Dialogue: 0,0:20:52.89,0:20:59.36,Default,,0,0,0,,That said, this story shouldn't be like the snakes I killed in the past. It wouldn't be polite to end it chopped. {albel: "That said, (since) this story not being the snakes I killed in the past, it wouldn't be polite to end it up chopped like that".  hope you at least get the idea. i.e. there's no need nor would it be polite to end this story chopped. where polite is  愛想 [あいそう] /(n) civility/courtesy/compliments/sociability/graces/(P)/}
Dialogue: 0,0:20:52.98,0:20:56.06,Default-ja,,0,0,0,,とはいえ\N昔殺した蛇でもあるまいし
Dialogue: 0,0:20:56.15,0:20:58.23,Default-ja,,0,0,0,,ぶつ切りで\N話を終わらせてしまうのも
Dialogue: 0,0:20:58.32,0:20:59.15,Default-ja,,0,0,0,,愛想がないので
Dialogue: 0,0:20:59.36,0:21:04.61,Default,,0,0,0,,So instead of an epilogue, I'll give an episode preview to wrap up.
Dialogue: 0,0:20:59.86,0:21:01.32,Default-ja,,0,0,0,,エピローグの代わりに
Dialogue: 0,0:21:01.40,0:21:04.36,Default-ja,,0,0,0,,予告編でも述べて\N締めることにしましょうか
Dialogue: 0,0:21:04.61,0:21:05.86,Default,,0,0,0,,Preview!
Dialogue: 0,0:21:04.61,0:21:05.86,Century,,0,0,0,,{\pos(972,325)\blur0.5\fscx160\fscy160}Preview.
Dialogue: 0,0:21:04.61,0:21:05.86,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(383,462)}Animation Number 405
Dialogue: 0,0:21:04.70,0:21:05.66,Default-ja,,0,0,0,,予告編！
Dialogue: 0,0:21:05.86,0:21:05.91,centugatari,,0,0,0,,{\pos(994.5,388.5)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:05.86,0:21:05.91,centugatari,,0,0,0,,{\pos(994.5,388.5)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:05.91,0:21:05.95,centugatari,,0,0,0,,{\pos(994.425,387.285)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:05.91,0:21:05.95,centugatari,,0,0,0,,{\pos(994.425,387.285)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:05.95,0:21:05.99,centugatari,,0,0,0,,{\pos(994.725,386.97)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:05.95,0:21:05.99,centugatari,,0,0,0,,{\pos(994.725,386.97)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:05.99,0:21:06.03,centugatari,,0,0,0,,{\pos(994.245,387.3)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:05.99,0:21:06.03,centugatari,,0,0,0,,{\pos(994.245,387.3)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.03,0:21:06.07,centugatari,,0,0,0,,{\pos(994.515,388.5)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.03,0:21:06.07,centugatari,,0,0,0,,{\pos(994.515,388.5)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.07,0:21:06.11,centugatari,,0,0,0,,{\pos(995.82,388.62)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.07,0:21:06.11,centugatari,,0,0,0,,{\pos(995.82,388.62)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.11,0:21:06.16,centugatari,,0,0,0,,{\pos(994.035,389.04)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.11,0:21:06.16,centugatari,,0,0,0,,{\pos(994.035,389.04)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.16,0:21:06.20,centugatari,,0,0,0,,{\pos(992.955,389.22)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.16,0:21:06.20,centugatari,,0,0,0,,{\pos(992.955,389.22)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.20,0:21:06.24,centugatari,,0,0,0,,{\pos(994.215,388.395)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.20,0:21:06.24,centugatari,,0,0,0,,{\pos(994.215,388.395)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.24,0:21:06.28,centugatari,,0,0,0,,{\pos(993.99,388.395)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.24,0:21:06.28,centugatari,,0,0,0,,{\pos(993.99,388.395)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.28,0:21:06.32,centugatari,,0,0,0,,{\pos(994.65,388.035)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.28,0:21:06.32,centugatari,,0,0,0,,{\pos(994.65,388.035)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.32,0:21:06.36,centugatari,,0,0,0,,{\pos(994.5,388.245)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.32,0:21:06.36,centugatari,,0,0,0,,{\pos(994.5,388.245)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.36,0:21:06.41,centugatari,,0,0,0,,{\pos(995.025,389.205)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.36,0:21:06.41,centugatari,,0,0,0,,{\pos(995.025,389.205)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.41,0:21:06.45,centugatari,,0,0,0,,{\pos(995.415,387.975)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.41,0:21:06.45,centugatari,,0,0,0,,{\pos(995.415,387.975)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.45,0:21:06.49,centugatari,,0,0,0,,{\pos(994.815,386.97)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.45,0:21:06.49,centugatari,,0,0,0,,{\pos(994.815,386.97)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.49,0:21:06.53,centugatari,,0,0,0,,{\pos(994.71,387.315)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.49,0:21:06.53,centugatari,,0,0,0,,{\pos(994.71,387.315)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.53,0:21:06.57,centugatari,,0,0,0,,{\pos(994.38,387.75)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.53,0:21:06.57,centugatari,,0,0,0,,{\pos(994.38,387.75)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.57,0:21:06.62,centugatari,,0,0,0,,{\pos(993.78,387.765)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.57,0:21:06.62,centugatari,,0,0,0,,{\pos(993.78,387.765)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.62,0:21:06.66,centugatari,,0,0,0,,{\pos(993.27,387.48)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.62,0:21:06.66,centugatari,,0,0,0,,{\pos(993.27,387.48)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.66,0:21:06.70,centugatari,,0,0,0,,{\pos(994.395,387.27)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.66,0:21:06.70,centugatari,,0,0,0,,{\pos(994.395,387.27)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.70,0:21:06.74,centugatari,,0,0,0,,{\pos(993.66,387.345)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.70,0:21:06.74,centugatari,,0,0,0,,{\pos(993.66,387.345)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.74,0:21:06.78,centugatari,,0,0,0,,{\pos(993.72,388.32)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.74,0:21:06.78,centugatari,,0,0,0,,{\pos(993.72,388.32)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.78,0:21:06.82,centugatari,,0,0,0,,{\pos(994.455,387.84)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.78,0:21:06.82,centugatari,,0,0,0,,{\pos(994.455,387.84)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.82,0:21:06.87,centugatari,,0,0,0,,{\pos(993.975,386.955)\blur6\alpha&H40&\c&HEEEFEE&}Five
Dialogue: 1,0:21:06.82,0:21:06.87,centugatari,,0,0,0,,{\pos(993.975,386.955)\blur0.8\c&HD2D5D3&}Five
Dialogue: 0,0:21:06.87,0:21:06.91,centugatari,,0,0,0,,{\pos(922.5,679.5)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:06.87,0:21:06.91,centugatari,,0,0,0,,{\pos(922.5,679.5)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:06.91,0:21:06.95,centugatari,,0,0,0,,{\pos(922.425,679.125)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:06.91,0:21:06.95,centugatari,,0,0,0,,{\pos(922.425,679.125)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:06.95,0:21:06.99,centugatari,,0,0,0,,{\pos(923.01,679.515)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:06.95,0:21:06.99,centugatari,,0,0,0,,{\pos(923.01,679.515)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:06.99,0:21:07.03,centugatari,,0,0,0,,{\pos(923.25,679.47)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:06.99,0:21:07.03,centugatari,,0,0,0,,{\pos(923.25,679.47)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.03,0:21:07.07,centugatari,,0,0,0,,{\pos(923.385,678.69)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.03,0:21:07.07,centugatari,,0,0,0,,{\pos(923.385,678.69)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.07,0:21:07.12,centugatari,,0,0,0,,{\pos(923.31,678.795)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.07,0:21:07.12,centugatari,,0,0,0,,{\pos(923.31,678.795)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.12,0:21:07.16,centugatari,,0,0,0,,{\pos(922.425,678.135)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.12,0:21:07.16,centugatari,,0,0,0,,{\pos(922.425,678.135)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.16,0:21:07.20,centugatari,,0,0,0,,{\pos(923.07,678.345)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.16,0:21:07.20,centugatari,,0,0,0,,{\pos(923.07,678.345)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.20,0:21:07.24,centugatari,,0,0,0,,{\pos(922.455,678.885)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.20,0:21:07.24,centugatari,,0,0,0,,{\pos(922.455,678.885)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.24,0:21:07.28,centugatari,,0,0,0,,{\pos(922.155,679.47)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.24,0:21:07.28,centugatari,,0,0,0,,{\pos(922.155,679.47)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.28,0:21:07.32,centugatari,,0,0,0,,{\pos(922.665,679.725)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.28,0:21:07.32,centugatari,,0,0,0,,{\pos(922.665,679.725)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.32,0:21:07.37,centugatari,,0,0,0,,{\pos(922.2,679.77)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.32,0:21:07.37,centugatari,,0,0,0,,{\pos(922.2,679.77)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.37,0:21:07.41,centugatari,,0,0,0,,{\pos(922.62,679.785)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.37,0:21:07.41,centugatari,,0,0,0,,{\pos(922.62,679.785)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.41,0:21:07.45,centugatari,,0,0,0,,{\pos(922.29,679.41)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.41,0:21:07.45,centugatari,,0,0,0,,{\pos(922.29,679.41)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.45,0:21:07.49,centugatari,,0,0,0,,{\pos(921.735,679.8)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.45,0:21:07.49,centugatari,,0,0,0,,{\pos(921.735,679.8)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.49,0:21:07.53,centugatari,,0,0,0,,{\pos(922.35,678.825)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.49,0:21:07.53,centugatari,,0,0,0,,{\pos(922.35,678.825)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.53,0:21:07.57,centugatari,,0,0,0,,{\pos(922.005,678.525)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.53,0:21:07.57,centugatari,,0,0,0,,{\pos(922.005,678.525)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.57,0:21:07.62,centugatari,,0,0,0,,{\pos(922.305,679.245)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.57,0:21:07.62,centugatari,,0,0,0,,{\pos(922.305,679.245)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.62,0:21:07.66,centugatari,,0,0,0,,{\pos(922.35,678.645)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.62,0:21:07.66,centugatari,,0,0,0,,{\pos(922.35,678.645)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.66,0:21:07.70,centugatari,,0,0,0,,{\pos(922.665,678.42)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.66,0:21:07.70,centugatari,,0,0,0,,{\pos(922.665,678.42)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.70,0:21:07.74,centugatari,,0,0,0,,{\pos(921.735,678.09)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.70,0:21:07.74,centugatari,,0,0,0,,{\pos(921.735,678.09)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.74,0:21:07.78,centugatari,,0,0,0,,{\pos(922.65,678.51)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.74,0:21:07.78,centugatari,,0,0,0,,{\pos(922.65,678.51)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.78,0:21:07.82,centugatari,,0,0,0,,{\pos(923.73,679.185)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.78,0:21:07.82,centugatari,,0,0,0,,{\pos(923.73,679.185)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.82,0:21:07.87,centugatari,,0,0,0,,{\pos(923.43,678.855)\blur6\alpha&H40&\c&HEEEFEE&}Four
Dialogue: 1,0:21:07.82,0:21:07.87,centugatari,,0,0,0,,{\pos(923.43,678.855)\blur0.8\c&HC2C6C3&}Four
Dialogue: 0,0:21:07.87,0:21:07.91,centugatari,,0,0,0,,{\pos(1026,694.5)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:07.87,0:21:07.91,centugatari,,0,0,0,,{\pos(1026,694.5)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:07.91,0:21:07.95,centugatari,,0,0,0,,{\pos(1025.22,693.9)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:07.91,0:21:07.95,centugatari,,0,0,0,,{\pos(1025.22,693.9)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:07.95,0:21:07.99,centugatari,,0,0,0,,{\pos(1025.73,693.765)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:07.95,0:21:07.99,centugatari,,0,0,0,,{\pos(1025.73,693.765)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:07.99,0:21:08.03,centugatari,,0,0,0,,{\pos(1025.93,693.93)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:07.99,0:21:08.03,centugatari,,0,0,0,,{\pos(1025.93,693.93)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.03,0:21:08.07,centugatari,,0,0,0,,{\pos(1025.88,694.125)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.03,0:21:08.07,centugatari,,0,0,0,,{\pos(1025.88,694.125)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.07,0:21:08.12,centugatari,,0,0,0,,{\pos(1026.12,695.01)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.07,0:21:08.12,centugatari,,0,0,0,,{\pos(1026.12,695.01)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.12,0:21:08.16,centugatari,,0,0,0,,{\pos(1024.77,695.265)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.12,0:21:08.16,centugatari,,0,0,0,,{\pos(1024.77,695.265)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.16,0:21:08.20,centugatari,,0,0,0,,{\pos(1024.71,695.73)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.16,0:21:08.20,centugatari,,0,0,0,,{\pos(1024.71,695.73)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.20,0:21:08.24,centugatari,,0,0,0,,{\pos(1024.69,694.68)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.20,0:21:08.24,centugatari,,0,0,0,,{\pos(1024.69,694.68)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.24,0:21:08.28,centugatari,,0,0,0,,{\pos(1024.69,693.945)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.24,0:21:08.28,centugatari,,0,0,0,,{\pos(1024.69,693.945)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.28,0:21:08.33,centugatari,,0,0,0,,{\pos(1024.92,693.84)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.28,0:21:08.33,centugatari,,0,0,0,,{\pos(1024.92,693.84)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.33,0:21:08.37,centugatari,,0,0,0,,{\pos(1024.88,693.87)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.33,0:21:08.37,centugatari,,0,0,0,,{\pos(1024.88,693.87)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.37,0:21:08.41,centugatari,,0,0,0,,{\pos(1024.92,694.44)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.37,0:21:08.41,centugatari,,0,0,0,,{\pos(1024.92,694.44)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.41,0:21:08.45,centugatari,,0,0,0,,{\pos(1024.92,694.71)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.41,0:21:08.45,centugatari,,0,0,0,,{\pos(1024.92,694.71)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.45,0:21:08.49,centugatari,,0,0,0,,{\pos(1025.81,695.1)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.45,0:21:08.49,centugatari,,0,0,0,,{\pos(1025.81,695.1)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.49,0:21:08.53,centugatari,,0,0,0,,{\pos(1025.64,695.04)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.49,0:21:08.53,centugatari,,0,0,0,,{\pos(1025.64,695.04)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.53,0:21:08.58,centugatari,,0,0,0,,{\pos(1025.31,695.055)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.53,0:21:08.58,centugatari,,0,0,0,,{\pos(1025.31,695.055)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.58,0:21:08.62,centugatari,,0,0,0,,{\pos(1025.25,695.565)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.58,0:21:08.62,centugatari,,0,0,0,,{\pos(1025.25,695.565)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.62,0:21:08.66,centugatari,,0,0,0,,{\pos(1025,695.49)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.62,0:21:08.66,centugatari,,0,0,0,,{\pos(1025,695.49)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.66,0:21:08.70,centugatari,,0,0,0,,{\pos(1025,695.79)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.66,0:21:08.70,centugatari,,0,0,0,,{\pos(1025,695.79)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.70,0:21:08.74,centugatari,,0,0,0,,{\pos(1024.21,695.73)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.70,0:21:08.74,centugatari,,0,0,0,,{\pos(1024.21,695.73)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.74,0:21:08.78,centugatari,,0,0,0,,{\pos(1024.08,695.76)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.74,0:21:08.78,centugatari,,0,0,0,,{\pos(1024.08,695.76)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.78,0:21:08.83,centugatari,,0,0,0,,{\pos(1024.51,695.535)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.78,0:21:08.83,centugatari,,0,0,0,,{\pos(1024.51,695.535)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.83,0:21:08.87,centugatari,,0,0,0,,{\pos(1024.59,694.53)\blur6\alpha&H40&\c&HEEEFEE&\frz30.42}Three
Dialogue: 1,0:21:08.83,0:21:08.87,centugatari,,0,0,0,,{\pos(1024.59,694.53)\blur0.8\c&HDDE1DE&\frz30.42}Three
Dialogue: 0,0:21:08.87,0:21:08.91,centugatari,,0,0,0,,{\pos(1099.5,480)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:08.87,0:21:08.91,centugatari,,0,0,0,,{\pos(1099.5,480)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:08.91,0:21:08.95,centugatari,,0,0,0,,{\pos(1099.02,479.175)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:08.91,0:21:08.95,centugatari,,0,0,0,,{\pos(1099.02,479.175)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:08.95,0:21:08.99,centugatari,,0,0,0,,{\pos(1099.26,478.8)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:08.95,0:21:08.99,centugatari,,0,0,0,,{\pos(1099.26,478.8)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:08.99,0:21:09.03,centugatari,,0,0,0,,{\pos(1099.11,478.995)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:08.99,0:21:09.03,centugatari,,0,0,0,,{\pos(1099.11,478.995)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.03,0:21:09.08,centugatari,,0,0,0,,{\pos(1098.41,479.58)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.03,0:21:09.08,centugatari,,0,0,0,,{\pos(1098.41,479.58)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.08,0:21:09.12,centugatari,,0,0,0,,{\pos(1098.53,479.805)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.08,0:21:09.12,centugatari,,0,0,0,,{\pos(1098.53,479.805)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.12,0:21:09.16,centugatari,,0,0,0,,{\pos(1098.12,479.475)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.12,0:21:09.16,centugatari,,0,0,0,,{\pos(1098.12,479.475)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.16,0:21:09.20,centugatari,,0,0,0,,{\pos(1098.89,480.255)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.16,0:21:09.20,centugatari,,0,0,0,,{\pos(1098.89,480.255)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.20,0:21:09.24,centugatari,,0,0,0,,{\pos(1098.84,479.805)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.20,0:21:09.24,centugatari,,0,0,0,,{\pos(1098.84,479.805)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.24,0:21:09.28,centugatari,,0,0,0,,{\pos(1098.66,479.79)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.24,0:21:09.28,centugatari,,0,0,0,,{\pos(1098.66,479.79)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.28,0:21:09.33,centugatari,,0,0,0,,{\pos(1099.13,480.51)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.28,0:21:09.33,centugatari,,0,0,0,,{\pos(1099.13,480.51)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.33,0:21:09.37,centugatari,,0,0,0,,{\pos(1098.19,480.855)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.33,0:21:09.37,centugatari,,0,0,0,,{\pos(1098.19,480.855)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.37,0:21:09.41,centugatari,,0,0,0,,{\pos(1097.93,480.18)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.37,0:21:09.41,centugatari,,0,0,0,,{\pos(1097.93,480.18)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.41,0:21:09.45,centugatari,,0,0,0,,{\pos(1097.76,479.37)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.41,0:21:09.45,centugatari,,0,0,0,,{\pos(1097.76,479.37)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.45,0:21:09.49,centugatari,,0,0,0,,{\pos(1097.79,480.42)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.45,0:21:09.49,centugatari,,0,0,0,,{\pos(1097.79,480.42)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.49,0:21:09.53,centugatari,,0,0,0,,{\pos(1098.53,480.915)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.49,0:21:09.53,centugatari,,0,0,0,,{\pos(1098.53,480.915)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.53,0:21:09.58,centugatari,,0,0,0,,{\pos(1098.86,479.835)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.53,0:21:09.58,centugatari,,0,0,0,,{\pos(1098.86,479.835)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.58,0:21:09.62,centugatari,,0,0,0,,{\pos(1099.44,479.25)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.58,0:21:09.62,centugatari,,0,0,0,,{\pos(1099.44,479.25)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.62,0:21:09.66,centugatari,,0,0,0,,{\pos(1098,479.19)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.62,0:21:09.66,centugatari,,0,0,0,,{\pos(1098,479.19)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.66,0:21:09.70,centugatari,,0,0,0,,{\pos(1097.7,479.805)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.66,0:21:09.70,centugatari,,0,0,0,,{\pos(1097.7,479.805)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.70,0:21:09.74,centugatari,,0,0,0,,{\pos(1097.94,479.73)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.70,0:21:09.74,centugatari,,0,0,0,,{\pos(1097.94,479.73)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.74,0:21:09.78,centugatari,,0,0,0,,{\pos(1098.78,480.615)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.74,0:21:09.78,centugatari,,0,0,0,,{\pos(1098.78,480.615)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.78,0:21:09.83,centugatari,,0,0,0,,{\pos(1099.1,480.27)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.78,0:21:09.83,centugatari,,0,0,0,,{\pos(1099.1,480.27)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:09.83,0:21:09.87,centugatari,,0,0,0,,{\pos(1098.63,479.13)\blur6\alpha&H40&\c&HEEEFEE&}Two
Dialogue: 1,0:21:09.83,0:21:09.87,centugatari,,0,0,0,,{\pos(1098.63,479.13)\blur0.8\c&HDADDDB&}Two
Dialogue: 0,0:21:10.74,0:21:16.37,Default,,0,0,0,,Some day in March, six months later... Graduation day for the private Naoetsu High School.
Dialogue: 0,0:21:10.99,0:21:13.21,Default-ja,,0,0,0,,半年後の３月某日
Dialogue: 0,0:21:13.37,0:21:16.17,Default-ja,,0,0,0,,私立直江津(なおえつ)高校の卒業式の日
Dialogue: 0,0:21:18.13,0:21:21.63,Default,,0,0,0,,I was on the grounds of North Shirahebi Shrine.
Dialogue: 0,0:21:18.38,0:21:21.42,Default-ja,,0,0,0,,撫子は北白蛇神社の境内にいました
Dialogue: 0,0:21:24.01,0:21:27.68,Default,,0,0,0,,You can see my face clearly from the front.
Dialogue: 0,0:21:24.30,0:21:27.47,Default-ja,,0,0,0,,撫子の顔は\N正面からはっきり見えています
Dialogue: 0,0:21:28.14,0:21:34.39,Default,,0,0,0,,This meant I had my eyes fixed on what was in front of me. I had no intention of hiding.
Dialogue: 0,0:21:28.18,0:21:29.43,Default-ja,,0,0,0,,それは すなわち
Dialogue: 0,0:21:29.51,0:21:32.10,Default-ja,,0,0,0,,正面を見据えている\Nということでもあります
Dialogue: 0,0:21:32.81,0:21:34.27,Default-ja,,0,0,0,,隠す気はないです
Dialogue: 0,0:21:34.35,0:21:36.56,Default-ja,,0,0,0,,なぜなら千石撫子にとって
Dialogue: 0,0:21:34.39,0:21:39.94,Default,,0,0,0,,Because this day was the day for Sengoku Nadeko to say farewell to her human self.
Dialogue: 0,0:21:36.69,0:21:39.73,Default-ja,,0,0,0,,この日こそが\N人間との決別の日なのですから
Dialogue: 0,0:21:40.07,0:21:40.48,Black and Red,,0,0,0,,{\pos(966,537)\blur0.5\fscx160\fscy160}Farewell
Dialogue: 0,0:21:40.07,0:21:40.48,Century,,0,0,0,,{\blur0.5\fscx100\fscy100\pos(383,400)}Animation Number 418
Dialogue: 0,0:21:40.48,0:21:44.07,Default,,0,0,0,,The last day to see things with my own eyes. {albel: maybe to throw in "my own eyes". if anyone cares, in LN there's some talk about her not needing to look with eyes, because she has thermal vision organs lol. but just for this day she decided to show her face and watch things up front with her own eyes, and make it like for teh last time. well w/e}
Dialogue: 0,0:21:40.52,0:21:41.98,Default-ja,,0,0,0,,目で ものを見るのも
Dialogue: 0,0:21:42.61,0:21:43.86,Default-ja,,0,0,0,,この日が最後
Dialogue: 0,0:21:44.07,0:21:51.08,Default,,0,0,0,,Yes, yes, I at least want to have this strong of a resolve, while lying in wait... {albel: yes yes, at least I want to have this strong of a resolve while waiting/laying in wait..."}
Dialogue: 0,0:21:45.32,0:21:47.74,Default-ja,,0,0,0,,少なくとも\Nそれくらいの強い決意を持って
Dialogue: 0,0:21:48.16,0:21:50.87,Default-ja,,0,0,0,,撫子には\N待ち構えていてほしいものです
Dialogue: 0,0:21:51.08,0:21:52.04,Default,,0,0,0,,...for them.
Dialogue: 0,0:21:51.08,0:21:52.04,Default-ja,,0,0,0,,彼らを
Dialogue: 0,0:21:52.58,0:21:54.20,Default,,0,0,0,,Araragi Koyomi.
Dialogue: 0,0:21:52.70,0:21:54.00,Default-ja,,0,0,0,,阿良々木暦
Dialogue: 0,0:21:54.20,0:21:55.83,Default,,0,0,0,,Oshino Shinobu.
Dialogue: 0,0:21:54.45,0:21:55.62,Default-ja,,0,0,0,,忍野忍
Dialogue: 0,0:21:55.83,0:21:57.50,Default,,0,0,0,,Senjougahara Hitagi.
Dialogue: 0,0:21:56.08,0:21:57.29,Default-ja,,0,0,0,,戦場ヶ原ひたぎ
Dialogue: 0,0:21:57.71,0:21:58.75,Default,,0,0,0,,And...
Dialogue: 0,0:21:57.71,0:21:58.54,Default-ja,,0,0,0,,そして…
Dialogue: 0,0:21:58.75,0:21:59.08,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}You can't call it a promise,
Dialogue: 1,0:21:58.75,0:21:59.08,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 439
Dialogue: 0,0:21:59.08,0:21:59.42,Century,,0,0,0,,{\pos(960,420)\blur0.5\fscx160\fscy160}but behind those three
Dialogue: 1,0:21:59.08,0:21:59.42,Century,,0,0,0,,{\pos(960,800)\blur0.5\fscx100\fscy100}Animation Number 439
Dialogue: 0,0:21:59.42,0:22:05.51,Default,,0,0,0,,If Kanbaru-san or Hanekawa-san were there, that'd be perfect. That would be the entire cast!
Dialogue: 0,0:21:59.50,0:22:02.50,Default-ja,,0,0,0,,神原(かんばる)さんや羽川(はねかわ)さんが\Nいてくれたりしたら
Dialogue: 0,0:22:02.59,0:22:03.80,Default-ja,,0,0,0,,最高ですね
Dialogue: 0,0:22:03.88,0:22:05.30,Default-ja,,0,0,0,,フルキャストじゃないですか
Dialogue: 0,0:22:05.80,0:22:08.51,Default,,0,0,0,,As the last boss, it'd be the best thing that could happen for me. {albel: real meaning is "as a last boss I couldn't wish for more"/"it's the happiest thing that can happen to me as the last boss" (being honored by being opposed by full cast and whatnot). formulate that however you want. ps, ugh, they use "can't wish for more" several lines later. disregard at will, not really important}
Dialogue: 0,0:22:06.01,0:22:08.30,Default-ja,,0,0,0,,ラスボス冥利(みょうり)に尽きる\Nというものです
Dialogue: 0,0:22:09.55,0:22:11.26,Default-ja,,0,0,0,,もっとも その全員がかりでも
Dialogue: 0,0:22:09.64,0:22:14.98,Default,,0,0,0,,Of course, even with all of them there, I feel there's no way I'd lose.
Dialogue: 0,0:22:11.76,0:22:14.77,Default-ja,,0,0,0,,撫子は\Nちっとも負ける気がしませんけれど
Dialogue: 0,0:22:14.98,0:22:22.36,Default,,0,0,0,,And if the final battle could begin with this signature phrase from me, I couldn't wish for anything more.  {albel: synonym offering: signature phrase?}
Dialogue: 0,0:22:15.23,0:22:17.94,Default-ja,,0,0,0,,そして 撫子の\Nこんな決めゼリフと共に
Dialogue: 0,0:22:18.02,0:22:20.06,Default-ja,,0,0,0,,最後の戦いが始まれば
Dialogue: 0,0:22:20.15,0:22:22.11,Default-ja,,0,0,0,,それ以上のことは\Nないでしょう
Dialogue: 0,0:22:21.38,0:22:22.38,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Red Scene
Dialogue: 0,0:22:21.38,0:22:22.38,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:22:22.36,0:22:26.99,Default,,0,0,0,,"Welcome, Koyomi-oniichan. I'll show you some love." {albel: well, the real verb has double meaning,  可愛がる [かわいがる] /(v5r) (1) to love/to be affectionate/to favor/to favour/to be partial to/(2) to torment/to tease/to be rough with/(P)/.    but "I'll show you some love" kind of delivers it, I guess, nice work, HS}
Dialogue: 0,0:22:22.73,0:22:24.53,Default-ja,,0,0,0,,ようこそ 暦おにいちゃん
Dialogue: 0,0:22:25.03,0:22:26.65,Default-ja,,0,0,0,,かわいがってあげるね
Dialogue: 0,0:22:29.49,0:22:35.00,Default,,0,0,0,,And the romantic comedy will start. The final showdown, in all sorts of ways! {albel: more precisely something like, "decisive battle in all sorts of meanings", but w/e}
Dialogue: 0,0:22:29.78,0:22:31.87,Default-ja,,0,0,0,,（千石）\Nそしてラブコメの時間です
Dialogue: 0,0:22:32.45,0:22:34.58,Default-ja,,0,0,0,,あらゆる意味で最終決戦
Dialogue: 0,0:22:35.00,0:22:35.04,Century,,0,0,0,,{\pos(960,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.00,0:22:35.04,Century,,0,0,0,,{\blur0.5\pos(960,800)}Animation Number 'none'
Dialogue: 0,0:22:35.00,0:22:37.91,Default,,0,0,0,,{\i1}Kami{\i0}ng soon. As expected from a {\i1}kami{\i0}. {albel: this play of words is a bit too subtle to translate. while HS is right that "dake ni" can be interpreted as "as expected from" at times, as well as some other meanings, it can also be pretty much straightforwardly "to the god only". so maybe they meant the stuff mentioned above like romantic comedy to the god only, and everyone else is in for being shoved as bloody corpses into donation box, etc etc. but w/e. guess it works the way it is now) }{2 subtl3 5 me}
Dialogue: 0,0:22:35.04,0:22:35.08,Century,,0,0,0,,{\pos(959.81,480.04)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.04,0:22:35.08,Century,,0,0,0,,{\blur0.5\pos(959.81,800.05)}Animation Number 'none'
Dialogue: 0,0:22:35.08,0:22:35.12,Century,,0,0,0,,{\pos(960.04,479.42)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.08,0:22:35.12,Century,,0,0,0,,{\blur0.5\pos(960.04,799.42)}Animation Number 'none'
Dialogue: 0,0:22:35.12,0:22:35.16,Century,,0,0,0,,{\pos(959.88,480.09)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.12,0:22:35.16,Century,,0,0,0,,{\blur0.5\pos(959.88,800.09)}Animation Number 'none'
Dialogue: 0,0:22:35.16,0:22:35.20,Century,,0,0,0,,{\pos(959.81,480.12)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.16,0:22:35.20,Century,,0,0,0,,{\blur0.5\pos(959.81,800.12)}Animation Number 'none'
Dialogue: 0,0:22:35.16,0:22:36.62,Default-ja,,0,0,0,,カミングスーン
Dialogue: 0,0:22:35.20,0:22:35.25,Century,,0,0,0,,{\pos(959.87,479.79)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.20,0:22:35.25,Century,,0,0,0,,{\blur0.5\pos(959.87,799.79)}Animation Number 'none'
Dialogue: 0,0:22:35.25,0:22:35.29,Century,,0,0,0,,{\pos(960.5,480.18)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.25,0:22:35.29,Century,,0,0,0,,{\blur0.5\pos(960.5,800.18)}Animation Number 'none'
Dialogue: 0,0:22:35.29,0:22:35.33,Century,,0,0,0,,{\pos(959.92,479.81)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.29,0:22:35.33,Century,,0,0,0,,{\blur0.5\pos(959.92,799.81)}Animation Number 'none'
Dialogue: 0,0:22:35.33,0:22:35.37,Century,,0,0,0,,{\pos(960.29,479.81)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.33,0:22:35.37,Century,,0,0,0,,{\blur0.5\pos(960.29,799.81)}Animation Number 'none'
Dialogue: 0,0:22:35.37,0:22:35.41,Century,,0,0,0,,{\pos(960.41,480.18)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.37,0:22:35.41,Century,,0,0,0,,{\blur0.5\pos(960.41,800.18)}Animation Number 'none'
Dialogue: 0,0:22:35.41,0:22:35.45,Century,,0,0,0,,{\pos(960.02,479.42)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.41,0:22:35.45,Century,,0,0,0,,{\blur0.5\pos(960.02,799.42)}Animation Number 'none'
Dialogue: 0,0:22:35.45,0:22:35.50,Century,,0,0,0,,{\pos(960.19,479.66)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.45,0:22:35.50,Century,,0,0,0,,{\blur0.5\pos(960.19,799.66)}Animation Number 'none'
Dialogue: 0,0:22:35.50,0:22:35.54,Century,,0,0,0,,{\pos(960.33,479.89)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.50,0:22:35.54,Century,,0,0,0,,{\blur0.5\pos(960.33,799.89)}Animation Number 'none'
Dialogue: 0,0:22:35.54,0:22:35.58,Century,,0,0,0,,{\pos(960.14,479.87)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.54,0:22:35.58,Century,,0,0,0,,{\blur0.5\pos(960.14,799.87)}Animation Number 'none'
Dialogue: 0,0:22:35.58,0:22:35.62,Century,,0,0,0,,{\pos(959.9,479.43)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.58,0:22:35.62,Century,,0,0,0,,{\blur0.5\pos(959.9,799.43)}Animation Number 'none'
Dialogue: 0,0:22:35.62,0:22:35.66,Century,,0,0,0,,{\pos(960.34,479.46)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.62,0:22:35.66,Century,,0,0,0,,{\blur0.5\pos(960.34,799.46)}Animation Number 'none'
Dialogue: 0,0:22:35.66,0:22:35.70,Century,,0,0,0,,{\pos(960.32,479.78)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.66,0:22:35.70,Century,,0,0,0,,{\blur0.5\pos(960.32,799.78)}Animation Number 'none'
Dialogue: 0,0:22:35.70,0:22:35.75,Century,,0,0,0,,{\pos(960.32,479.76)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.70,0:22:35.75,Century,,0,0,0,,{\blur0.5\pos(960.32,799.76)}Animation Number 'none'
Dialogue: 0,0:22:35.75,0:22:35.79,Century,,0,0,0,,{\pos(960.25,479.87)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.75,0:22:35.79,Century,,0,0,0,,{\blur0.5\pos(960.25,799.87)}Animation Number 'none'
Dialogue: 0,0:22:35.79,0:22:35.83,Century,,0,0,0,,{\pos(960.79,480.03)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.79,0:22:35.83,Century,,0,0,0,,{\blur0.5\pos(960.79,800.03)}Animation Number 'none'
Dialogue: 0,0:22:35.83,0:22:35.87,Century,,0,0,0,,{\pos(960.16,479.94)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.83,0:22:35.87,Century,,0,0,0,,{\blur0.5\pos(960.16,799.94)}Animation Number 'none'
Dialogue: 0,0:22:35.87,0:22:35.91,Century,,0,0,0,,{\pos(960.62,479.51)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.87,0:22:35.91,Century,,0,0,0,,{\blur0.5\pos(960.62,799.51)}Animation Number 'none'
Dialogue: 0,0:22:35.91,0:22:35.95,Century,,0,0,0,,{\pos(960.03,479.7)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.91,0:22:35.95,Century,,0,0,0,,{\blur0.5\pos(960.03,799.7)}Animation Number 'none'
Dialogue: 0,0:22:35.95,0:22:36.00,Century,,0,0,0,,{\pos(960.48,480.26)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:35.95,0:22:36.00,Century,,0,0,0,,{\blur0.5\pos(960.48,800.26)}Animation Number 'none'
Dialogue: 0,0:22:36.00,0:22:36.04,Century,,0,0,0,,{\pos(960.53,480.2)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.00,0:22:36.04,Century,,0,0,0,,{\blur0.5\pos(960.53,800.2)}Animation Number 'none'
Dialogue: 0,0:22:36.04,0:22:36.08,Century,,0,0,0,,{\pos(960.1,480.1)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.04,0:22:36.08,Century,,0,0,0,,{\blur0.5\pos(960.1,800.1)}Animation Number 'none'
Dialogue: 0,0:22:36.08,0:22:36.12,Century,,0,0,0,,{\pos(961.01,479.93)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.08,0:22:36.12,Century,,0,0,0,,{\blur0.5\pos(961.01,799.93)}Animation Number 'none'
Dialogue: 0,0:22:36.12,0:22:36.16,Century,,0,0,0,,{\pos(960.42,479.56)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.12,0:22:36.16,Century,,0,0,0,,{\blur0.5\pos(960.42,799.56)}Animation Number 'none'
Dialogue: 0,0:22:36.16,0:22:36.20,Century,,0,0,0,,{\pos(960.36,479.91)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.16,0:22:36.20,Century,,0,0,0,,{\blur0.5\pos(960.36,799.91)}Animation Number 'none'
Dialogue: 0,0:22:36.20,0:22:36.25,Century,,0,0,0,,{\pos(960.55,479.54)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.20,0:22:36.25,Century,,0,0,0,,{\blur0.5\pos(960.55,799.54)}Animation Number 'none'
Dialogue: 0,0:22:36.25,0:22:36.29,Century,,0,0,0,,{\pos(960.34,479.83)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.25,0:22:36.29,Century,,0,0,0,,{\blur0.5\pos(960.34,799.83)}Animation Number 'none'
Dialogue: 0,0:22:36.29,0:22:36.33,Century,,0,0,0,,{\pos(961.2,479.9)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.29,0:22:36.33,Century,,0,0,0,,{\blur0.5\pos(961.2,799.9)}Animation Number 'none'
Dialogue: 0,0:22:36.33,0:22:36.37,Century,,0,0,0,,{\pos(960.85,479.89)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.33,0:22:36.37,Century,,0,0,0,,{\blur0.5\pos(960.85,799.89)}Animation Number 'none'
Dialogue: 0,0:22:36.37,0:22:36.41,Century,,0,0,0,,{\pos(960.86,479.54)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.37,0:22:36.41,Century,,0,0,0,,{\blur0.5\pos(960.86,799.54)}Animation Number 'none'
Dialogue: 0,0:22:36.41,0:22:36.45,Century,,0,0,0,,{\pos(960.18,480.31)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.41,0:22:36.45,Century,,0,0,0,,{\blur0.5\pos(960.18,800.31)}Animation Number 'none'
Dialogue: 0,0:22:36.45,0:22:36.50,Century,,0,0,0,,{\pos(960.62,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.45,0:22:36.50,Century,,0,0,0,,{\blur0.5\pos(960.62,799.96)}Animation Number 'none'
Dialogue: 0,0:22:36.50,0:22:36.54,Century,,0,0,0,,{\pos(960.89,479.89)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.50,0:22:36.54,Century,,0,0,0,,{\blur0.5\pos(960.89,799.89)}Animation Number 'none'
Dialogue: 0,0:22:36.54,0:22:36.58,Century,,0,0,0,,{\pos(960.21,479.77)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.54,0:22:36.58,Century,,0,0,0,,{\blur0.5\pos(960.21,799.77)}Animation Number 'none'
Dialogue: 0,0:22:36.58,0:22:36.62,Century,,0,0,0,,{\pos(960.63,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.58,0:22:36.62,Century,,0,0,0,,{\blur0.5\pos(960.63,800)}Animation Number 'none'
Dialogue: 0,0:22:36.62,0:22:36.66,Century,,0,0,0,,{\pos(961.01,480.37)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.62,0:22:36.66,Century,,0,0,0,,{\blur0.5\pos(961.01,800.37)}Animation Number 'none'
Dialogue: 0,0:22:36.66,0:22:36.71,Century,,0,0,0,,{\pos(960.72,480.08)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.66,0:22:36.71,Century,,0,0,0,,{\blur0.5\pos(960.72,800.08)}Animation Number 'none'
Dialogue: 0,0:22:36.71,0:22:36.75,Century,,0,0,0,,{\pos(960.65,480.03)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.71,0:22:36.75,Century,,0,0,0,,{\blur0.5\pos(960.65,800.03)}Animation Number 'none'
Dialogue: 0,0:22:36.71,0:22:37.83,Default-ja,,0,0,0,,神だけに
Dialogue: 0,0:22:36.75,0:22:36.79,Century,,0,0,0,,{\pos(960.38,480.03)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.75,0:22:36.79,Century,,0,0,0,,{\blur0.5\pos(960.38,800.03)}Animation Number 'none'
Dialogue: 0,0:22:36.79,0:22:36.83,Century,,0,0,0,,{\pos(960.38,480.4)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.79,0:22:36.83,Century,,0,0,0,,{\blur0.5\pos(960.38,800.4)}Animation Number 'none'
Dialogue: 0,0:22:36.83,0:22:36.87,Century,,0,0,0,,{\pos(960.57,480.04)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.83,0:22:36.87,Century,,0,0,0,,{\blur0.5\pos(960.57,800.04)}Animation Number 'none'
Dialogue: 0,0:22:36.87,0:22:36.91,Century,,0,0,0,,{\pos(960.5,479.86)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.87,0:22:36.91,Century,,0,0,0,,{\blur0.5\pos(960.5,799.86)}Animation Number 'none'
Dialogue: 0,0:22:36.91,0:22:36.96,Century,,0,0,0,,{\pos(960.77,480.08)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.91,0:22:36.96,Century,,0,0,0,,{\blur0.5\pos(960.77,800.08)}Animation Number 'none'
Dialogue: 0,0:22:36.96,0:22:37.00,Century,,0,0,0,,{\pos(960.43,480.44)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:36.96,0:22:37.00,Century,,0,0,0,,{\blur0.5\pos(960.43,800.44)}Animation Number 'none'
Dialogue: 0,0:22:37.00,0:22:37.04,Century,,0,0,0,,{\pos(961.09,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.00,0:22:37.04,Century,,0,0,0,,{\blur0.5\pos(961.09,800)}Animation Number 'none'
Dialogue: 0,0:22:37.04,0:22:37.08,Century,,0,0,0,,{\pos(960.75,480.05)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.04,0:22:37.08,Century,,0,0,0,,{\blur0.5\pos(960.75,800.05)}Animation Number 'none'
Dialogue: 0,0:22:37.08,0:22:37.12,Century,,0,0,0,,{\pos(960.82,480.15)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.08,0:22:37.12,Century,,0,0,0,,{\blur0.5\pos(960.82,800.15)}Animation Number 'none'
Dialogue: 0,0:22:37.12,0:22:37.21,Century,,0,0,0,,{\pos(961.01,480)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.12,0:22:37.21,Century,,0,0,0,,{\blur0.5\pos(961.01,800)}Animation Number 'none'
Dialogue: 0,0:22:37.21,0:22:37.25,Century,,0,0,0,,{\pos(960.29,479.91)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.21,0:22:37.25,Century,,0,0,0,,{\blur0.5\pos(960.29,799.91)}Animation Number 'none'
Dialogue: 0,0:22:37.25,0:22:37.29,Century,,0,0,0,,{\pos(961.01,480.01)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.25,0:22:37.29,Century,,0,0,0,,{\blur0.5\pos(961.01,800.01)}Animation Number 'none'
Dialogue: 0,0:22:37.29,0:22:37.33,Century,,0,0,0,,{\pos(960.84,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.29,0:22:37.33,Century,,0,0,0,,{\blur0.5\pos(960.84,799.96)}Animation Number 'none'
Dialogue: 0,0:22:37.33,0:22:37.37,Century,,0,0,0,,{\pos(961.1,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.33,0:22:37.37,Century,,0,0,0,,{\blur0.5\pos(961.1,799.96)}Animation Number 'none'
Dialogue: 0,0:22:37.37,0:22:37.41,Century,,0,0,0,,{\pos(960.81,480.02)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.37,0:22:37.41,Century,,0,0,0,,{\blur0.5\pos(960.81,800.02)}Animation Number 'none'
Dialogue: 0,0:22:37.41,0:22:37.46,Century,,0,0,0,,{\pos(960.86,479.7)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.41,0:22:37.46,Century,,0,0,0,,{\blur0.5\pos(960.86,799.7)}Animation Number 'none'
Dialogue: 0,0:22:37.46,0:22:37.50,Century,,0,0,0,,{\pos(961.11,479.88)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.46,0:22:37.50,Century,,0,0,0,,{\blur0.5\pos(961.11,799.88)}Animation Number 'none'
Dialogue: 0,0:22:37.50,0:22:37.54,Century,,0,0,0,,{\pos(961.11,479.84)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.50,0:22:37.54,Century,,0,0,0,,{\blur0.5\pos(961.11,799.84)}Animation Number 'none'
Dialogue: 0,0:22:37.54,0:22:37.58,Century,,0,0,0,,{\pos(960.88,480.15)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.54,0:22:37.58,Century,,0,0,0,,{\blur0.5\pos(960.88,800.15)}Animation Number 'none'
Dialogue: 0,0:22:37.58,0:22:37.62,Century,,0,0,0,,{\pos(960.37,479.76)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.58,0:22:37.62,Century,,0,0,0,,{\blur0.5\pos(960.37,799.76)}Animation Number 'none'
Dialogue: 0,0:22:37.62,0:22:37.66,Century,,0,0,0,,{\pos(960.87,479.92)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.62,0:22:37.66,Century,,0,0,0,,{\blur0.5\pos(960.87,799.92)}Animation Number 'none'
Dialogue: 0,0:22:37.66,0:22:37.71,Century,,0,0,0,,{\pos(960.66,479.89)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.66,0:22:37.71,Century,,0,0,0,,{\blur0.5\pos(960.66,799.89)}Animation Number 'none'
Dialogue: 0,0:22:37.71,0:22:37.75,Century,,0,0,0,,{\pos(960.71,479.8)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.71,0:22:37.75,Century,,0,0,0,,{\blur0.5\pos(960.71,799.8)}Animation Number 'none'
Dialogue: 0,0:22:37.75,0:22:37.79,Century,,0,0,0,,{\pos(960.72,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.75,0:22:37.79,Century,,0,0,0,,{\blur0.5\pos(960.72,799.96)}Animation Number 'none'
Dialogue: 0,0:22:37.79,0:22:37.83,Century,,0,0,0,,{\pos(960.84,480.22)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.79,0:22:37.83,Century,,0,0,0,,{\blur0.5\pos(960.84,800.22)}Animation Number 'none'
Dialogue: 0,0:22:37.83,0:22:37.87,Century,,0,0,0,,{\pos(960.72,479.59)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.83,0:22:37.87,Century,,0,0,0,,{\blur0.5\pos(960.72,799.59)}Animation Number 'none'
Dialogue: 0,0:22:37.87,0:22:37.91,Century,,0,0,0,,{\pos(960.59,479.65)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.87,0:22:37.91,Century,,0,0,0,,{\blur0.5\pos(960.59,799.65)}Animation Number 'none'
Dialogue: 0,0:22:37.91,0:22:37.96,Century,,0,0,0,,{\pos(960.98,480.02)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.91,0:22:37.96,Century,,0,0,0,,{\blur0.5\pos(960.98,800.02)}Animation Number 'none'
Dialogue: 0,0:22:37.96,0:22:38.00,Century,,0,0,0,,{\pos(960.59,480.07)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:37.96,0:22:38.00,Century,,0,0,0,,{\blur0.5\pos(960.59,800.07)}Animation Number 'none'
Dialogue: 0,0:22:38.00,0:22:38.04,Century,,0,0,0,,{\pos(961.29,480.24)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.00,0:22:38.04,Century,,0,0,0,,{\blur0.5\pos(961.29,800.24)}Animation Number 'none'
Dialogue: 0,0:22:38.04,0:22:38.08,Century,,0,0,0,,{\pos(960.61,480.03)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.04,0:22:38.08,Century,,0,0,0,,{\blur0.5\pos(960.61,800.03)}Animation Number 'none'
Dialogue: 0,0:22:38.08,0:22:38.12,Century,,0,0,0,,{\pos(960.95,480.05)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.08,0:22:38.12,Century,,0,0,0,,{\blur0.5\pos(960.95,800.05)}Animation Number 'none'
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Dialogue: 0,0:22:38.16,0:22:38.21,Century,,0,0,0,,{\blur0.5\pos(960.75,799.78)}Animation Number 'none'
Dialogue: 0,0:22:38.21,0:22:38.25,Century,,0,0,0,,{\pos(960.85,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.21,0:22:38.25,Century,,0,0,0,,{\blur0.5\pos(960.85,799.96)}Animation Number 'none'
Dialogue: 0,0:22:38.25,0:22:38.29,Century,,0,0,0,,{\pos(961.17,480.12)\blur0.5\fs52.5}Black Scene
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Dialogue: 0,0:22:38.37,0:22:38.42,Century,,0,0,0,,{\pos(960.94,479.81)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.37,0:22:38.42,Century,,0,0,0,,{\blur0.5\pos(960.94,799.81)}Animation Number 'none'
Dialogue: 0,0:22:38.42,0:22:38.46,Century,,0,0,0,,{\pos(960.85,479.48)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.42,0:22:38.46,Century,,0,0,0,,{\blur0.5\pos(960.85,799.48)}Animation Number 'none'
Dialogue: 0,0:22:38.46,0:22:38.50,Century,,0,0,0,,{\pos(961.25,479.96)\blur0.5\fs52.5}Black Scene
Dialogue: 0,0:22:38.46,0:22:38.50,Century,,0,0,0,,{\blur0.5\pos(961.25,799.96)}Animation Number 'none'
Dialogue: 0,0:22:38.50,0:22:38.73,Century,,0,0,0,,{\blur0.25\pos(970,232.5)\c&H925F5F&}Otorimonogatari
Dialogue: 0,0:22:38.50,0:22:38.73,Century,,0,0,0,,{\blur0.25\c&H925F5F&\fsp1\pos(970,529)}Snake God
Dialogue: 0,0:22:38.50,0:22:38.73,Century,,0,0,0,,{\blur0.25\c&H925F5F&\pos(970,780)}Nadeko Medusa, Part Four
Dialogue: 0,0:22:38.73,0:22:40.02,NextTime,,0,0,0,,{\blur0.25\pos(960,780)}CONTINUED NEXT TIME
Dialogue: 10,0:22:40.02,0:22:40.04,Century,,0,0,0,,{\fs54\pos(960,108)}{0:00, 豫告}Preview
Dialogue: 10,0:22:40.02,0:22:40.04,Century,,0,0,0,,{\pos(960,490.5)}{0:00, 音聲原稿＊西尾維新}Dialogue Script - Nisio Isin
Dialogue: 10,0:22:40.02,0:22:40.04,Century,,0,0,0,,{\pos(960,825.75)}{0:00, 肆齣漫畫＊針玉ヒロキ}4-Koma Illustrations - Haritama Hiroki
Dialogue: 10,0:22:40.04,0:22:40.75,Century,,0,0,0,,{\pos(960,490.5)}{0:00, 音聲原稿＊西尾維新}Dialogue Script - Nisio Isin
Dialogue: 10,0:22:40.04,0:22:40.75,Century,,0,0,0,,{\pos(960,825.75)}{0:00, 肆齣漫畫＊針玉ヒロキ}4-Koma Illustrations - Haritama Hiroki
Dialogue: 10,0:22:40.04,0:23:32.00,Century,,0,0,0,,{\fs54\pos(960,108)}{0:00, 豫告}Preview
Dialogue: 0,0:22:40.62,0:22:41.40,Default,,0,0,0,,Karen here!
Dialogue: 0,0:22:40.67,0:22:42.17,Default-ja,,0,0,0,,（火憐(かれん)）火憐だぜ\N（月火）月火だよ
Dialogue: 10,0:22:40.75,0:22:41.56,Century,,0,0,0,,{\c&H5A8F11&\pos(822,262)}Karen here!
Dialogue: 0,0:22:41.40,0:22:42.38,Default,,0,0,0,,And Tsukihi!
Dialogue: 10,0:22:41.56,0:22:42.38,Century,,0,0,0,,{\c&H9289ED&\pos(1090,267)}I'm Tsukihi!
Dialogue: 0,0:22:42.29,0:22:44.09,Default-ja,,0,0,0,,（火憐･月火）\N２人合わせて\Nファイヤーシスターズ！
Dialogue: 0,0:22:42.38,0:22:44.30,Default,,0,0,0,,Together, we're the Fire Sisters!
Dialogue: 10,0:22:42.38,0:22:44.31,Century,,0,0,0,,{\pos(960,311)\c&H49B078&}We're the Fire Sisters!!
Dialogue: 10,0:22:42.38,0:22:44.31,Century,,0,0,0,,{\c&H49B078&\fs52\pos(960,655)}Decoy
Dialogue: 0,0:22:44.30,0:22:46.74,Default,,0,0,0,,Otorimonogatari has now reached its end.
Dialogue: 10,0:22:44.31,0:22:53.20,Century,,0,0,0,,{\c&H5A8F11&\an1\fs42\pos(511,258)}Are you finally going to\Nconfess to our brother?
Dialogue: 0,0:22:44.71,0:22:46.51,Default-ja,,0,0,0,,（月火）\Nいや〜 終わったね\N囮(おとり)物語
Dialogue: 0,0:22:46.59,0:22:47.63,Default-ja,,0,0,0,,めでたし めでたし
Dialogue: 0,0:22:46.74,0:22:49.10,Default,,0,0,0,,They lived happily ever after, all is well that ends well...
Dialogue: 0,0:22:47.72,0:22:48.88,Default-ja,,0,0,0,,終わり良ければ全てよし
Dialogue: 0,0:22:48.97,0:22:50.18,Default-ja,,0,0,0,,（火憐）\N少しは責任を感じろ
Dialogue: 0,0:22:49.10,0:22:50.36,Default,,0,0,0,,Please show at least a little concern.
Dialogue: 0,0:22:50.26,0:22:51.89,Default-ja,,0,0,0,,（月火）\N自分の無責任を\N感じています
Dialogue: 0,0:22:50.36,0:22:52.06,Default,,0,0,0,,Behold my unwavering detachment.
Dialogue: 0,0:22:51.97,0:22:52.80,Default-ja,,0,0,0,,（火憐）\N予告編クイズ！
Dialogue: 0,0:22:52.06,0:22:52.96,Default,,0,0,0,,Preview Quiz!
Dialogue: 0,0:22:52.89,0:22:53.72,Default-ja,,0,0,0,,（月火）\Nクイズ！
Dialogue: 0,0:22:52.96,0:22:53.64,Default,,0,0,0,,Quiz!
Dialogue: 10,0:22:53.20,0:23:02.04,Century,,0,0,0,,{\c&H9289ED&\an1\pos(276,849)}You're going to convey\Nyour feelings through\Na love meal?!
Dialogue: 10,0:22:53.20,0:23:02.04,Century,,0,0,0,,{\c&H9289ED&\an1\fs32\pos(712,183)}Nadeko will do her best!
Dialogue: 0,0:22:53.64,0:22:54.84,Default,,0,0,0,,About toothbrushes...
Dialogue: 0,0:22:53.81,0:22:54.68,Default-ja,,0,0,0,,（火憐）\N歯ブラシって\Nあるじゃん？
Dialogue: 0,0:22:54.76,0:22:56.14,Default-ja,,0,0,0,,（月火）\N歯ブラシの話？\Nするの？
Dialogue: 0,0:22:54.84,0:22:56.32,Default,,0,0,0,,Toothbrushes, seriously?
Dialogue: 0,0:22:56.22,0:22:57.06,Default-ja,,0,0,0,,（火憐）\Nこないだ兄ちゃんと
Dialogue: 0,0:22:56.32,0:22:58.52,Default,,0,0,0,,I had a discussion with our brother about them some time ago.
Dialogue: 0,0:22:57.14,0:22:58.35,Default-ja,,0,0,0,,そんな話に\Nなったんだけど
Dialogue: 0,0:22:58.44,0:23:00.77,Default-ja,,0,0,0,,物体を洗い\Nそして磨くという工程を
Dialogue: 0,0:22:58.52,0:23:03.90,Default,,0,0,0,,Polishing shiny objects with only a brush can be quite the ordeal.
Dialogue: 0,0:23:00.85,0:23:02.31,Default-ja,,0,0,0,,ブラシだけで\Nやるってことが
Dialogue: 10,0:23:02.04,0:23:10.88,Century,,0,0,0,,{\c&H49B078&\fs42\pos(952,181)}Sengoku Nadeko Quality Product: Albino Snake and it's included note
Dialogue: 10,0:23:02.04,0:23:10.88,Century,,0,0,0,,{\c&H49B078&\fs36\pos(1041,369)}Note
Dialogue: 10,0:23:02.04,0:23:10.88,Century,,0,0,0,,{\c&H49B078&\fs48\pos(1444,411)}Eh! How'd it turn out like this?
Dialogue: 10,0:23:02.04,0:23:10.88,Century,,0,0,0,,{\c&H49B078&\fs42\pos(463,447)}Even though I gave it my all!
Dialogue: 0,0:23:02.40,0:23:03.32,Default-ja,,0,0,0,,思えば あるかね？
Dialogue: 0,0:23:03.40,0:23:04.48,Default-ja,,0,0,0,,（月火）\Nん？　どういう意味？
Dialogue: 0,0:23:03.90,0:23:04.66,Default,,0,0,0,,What do you mean?
Dialogue: 0,0:23:04.57,0:23:05.40,Default-ja,,0,0,0,,（火憐）\Nいや だから
Dialogue: 0,0:23:04.66,0:23:07.70,Default,,0,0,0,,See, usually you'd be using a sponge or cloth to perform the finishing touch and get that shiny aspect.
Dialogue: 0,0:23:05.48,0:23:06.94,Default-ja,,0,0,0,,スポンジ的なものや\N布的なもので
Dialogue: 0,0:23:07.03,0:23:08.82,Default-ja,,0,0,0,,キュキュキュって\N磨いて仕上げてこそ
Dialogue: 0,0:23:07.70,0:23:09.90,Default,,0,0,0,,What if this applied to tooth brushing too?
Dialogue: 0,0:23:08.90,0:23:09.74,Default-ja,,0,0,0,,歯磨きだろ？
Dialogue: 0,0:23:09.82,0:23:11.07,Default-ja,,0,0,0,,（月火）\Nなるほど なるほど\Nで？
Dialogue: 0,0:23:09.90,0:23:11.26,Default,,0,0,0,,I see, I see. So what?
Dialogue: 10,0:23:10.88,0:23:19.73,Century,,0,0,0,,{\c&H5A8F11&\fs42\pos(1483,348)}Sengoku's cooking!\N I'll eat it all!
Dialogue: 10,0:23:10.88,0:23:19.73,Century,,0,0,0,,{\c&H5A8F11&\fs36\pos(513,261)}Thank you, Koyomi-oniichan.
Dialogue: 10,0:23:10.88,0:23:19.73,Century,,0,0,0,,{\c&H5A8F11&\fs52\pos(957,792)}Onii-chan, you're so wonderful!
Dialogue: 0,0:23:11.16,0:23:12.62,Default-ja,,0,0,0,,（火憐）\Nこないだ兄ちゃんと\N試してみた
Dialogue: 0,0:23:11.26,0:23:15.26,Default,,0,0,0,,So I had him try that on me, thoroughly wiping each tooth one by one.
Dialogue: 0,0:23:12.70,0:23:15.08,Default-ja,,0,0,0,,歯を１本１本\N丁寧にぬぐってもらった
Dialogue: 0,0:23:15.16,0:23:17.20,Default-ja,,0,0,0,,いや〜 かなりの\Nピカピカになるぜ
Dialogue: 0,0:23:15.26,0:23:18.84,Default,,0,0,0,,I have to say, my smile had never been so sparkling. Tooth wiping rocks!
Dialogue: 0,0:23:17.29,0:23:18.58,Default-ja,,0,0,0,,悪くねえぞ　歯ぬぐい！
Dialogue: 0,0:23:18.66,0:23:19.50,Default-ja,,0,0,0,,（月火）\N歯ぬぐい？
Dialogue: 0,0:23:18.84,0:23:19.71,Default,,0,0,0,,Tooth wiping?!
Dialogue: 0,0:23:19.71,0:23:22.12,Default,,0,0,0,,Next time! Onimonogatari Episode 1!
Dialogue: 10,0:23:19.73,0:23:23.10,Century,,0,0,0,,{\pos(960,258.75)}{0:27, 次囘}Next Time
Dialogue: 10,0:23:19.73,0:23:23.10,Century,,0,0,0,,{\pos(960,814.5)}{0:27, かれんビー}Shinobu Time Part 1
Dialogue: 0,0:23:20.04,0:23:21.96,Default-ja,,0,0,0,,（火憐･月火）\N次回「鬼(おに)物語」第１話
Dialogue: 0,0:23:22.04,0:23:23.46,Default-ja,,0,0,0,,「しのぶタイム\N其ノ壹(そのいち)」
Dialogue: 0,0:23:22.12,0:23:23.62,Default,,0,0,0,,Shinobu Time, Part 1.
Dialogue: 10,0:23:23.10,0:23:32.00,Century,,0,0,0,,{\c&H9289ED&\fs42\pos(1084,229)}He says he'll need until \Nthe graduation ceremony to recover...
Dialogue: 0,0:23:23.59,0:23:25.75,Default-ja,,0,0,0,,（火憐）\Nまったく兄ちゃんは\N妹に手をかけてくれるぜ
Dialogue: 0,0:23:23.62,0:23:26.16,Default,,0,0,0,,Seriously though, he really loves laying his hands on his little sisters.
Dialogue: 0,0:23:25.84,0:23:26.55,Default-ja,,0,0,0,,（月火）\Nお兄ちゃんを
Dialogue: 0,0:23:26.16,0:23:28.30,Default,,0,0,0,,And I'd love to lay one of mine on him.
Dialogue: 0,0:23:26.63,0:23:28.47,Default-ja,,0,0,0,,手にかけたく\Nなってくるな〜