[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540
LayoutResX: 960
LayoutResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Yu Gothic,46,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,-1,0,0,0,100,100,4,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:01.23,0:00:29.33,Default,,0,0,0,,{\pos(140,496)}♬～
Dialogue: 0,0:00:32.00,0:00:35.87,Default,,0,0,0,,{\pos(760,352)\c&H0000FFFF\fscx50\fscy50}つぼ
Dialogue: 0,0:00:32.00,0:00:35.87,Default,,0,0,0,,{\pos(380,406)\c&H0000FFFF}見れば見るほど{\fscx50}　{\fscx100}いい壺だな{\fscx50}。
Dialogue: 0,0:00:35.87,0:00:37.80,Default,,0,0,0,,{\pos(700,496)\fscx50}（{\fscx100}チャイム{\fscx50}）
Dialogue: 0,0:00:37.80,0:00:40.61,Default,,0,0,0,,{\pos(140,436)\c&H0000FFFF}は～い{\fscx50}。　{\fscx100}どうぞ！
Dialogue: 0,0:00:40.61,0:00:43.98,Default,,0,0,0,,{\pos(240,496)}お邪魔致します{\fscx50}。　{\fscx100}鑑定に参りました{\fscx50}。
Dialogue: 0,0:00:43.98,0:00:46.35,Default,,0,0,0,,{\pos(140,496)\c&H0000FFFF}あっ{\fscx50}　{\fscx100}どうも{\fscx50}。
Dialogue: 0,0:00:46.35,0:00:50.08,Default,,0,0,0,,{\pos(140,406)\c&H0000FFFF}妻がね{\fscx50}　{\fscx100}この壺を買い替えたいって
Dialogue: 0,0:00:46.35,0:00:50.08,Default,,0,0,0,,{\pos(160,466)\c&H0000FFFF}言うんですよ{\fscx50}。
Dialogue: 0,0:00:50.08,0:00:53.62,Default,,0,0,0,,{\pos(140,346)\c&H0000FFFF}でも{\fscx50}　{\fscx100}どうも{\fscx50}　{\fscx100}私
Dialogue: 0,0:00:50.08,0:00:53.62,Default,,0,0,0,,{\pos(160,406)\c&H0000FFFF}この壺が気に入ってましてね{\fscx50}。
Dialogue: 0,0:00:53.62,0:00:58.02,Default,,0,0,0,,{\pos(140,436)\c&H0000FFFF}あの{\fscx50}　{\fscx100}これ…
Dialogue: 0,0:00:53.62,0:00:58.02,Default,,0,0,0,,{\pos(160,496)\c&H0000FFFF}値打ちが分かればと思いまして{\fscx50}。
Dialogue: 0,0:00:58.02,0:01:03.03,Default,,0,0,0,,{\pos(300,496)}失礼しますね{\fscx50}。　{\fscx100}う～ん{\fscx50}　{\fscx100}どれどれ{\fscx50}。
Dialogue: 0,0:01:05.23,0:01:09.50,Default,,0,0,0,,{\pos(140,496)\c&H0000FFFF}あれ？{\fscx50}　{\fscx100}どこかで{\fscx50}　{\fscx100}お会いしました？
Dialogue: 0,0:01:09.50,0:01:13.91,Default,,0,0,0,,{\pos(600,442)\fscx50\fscy50}つむぎ
Dialogue: 0,0:01:09.50,0:01:13.91,Default,,0,0,0,,{\pos(300,496)}うわっ！{\fscx50}　{\fscx100}あれは紬？
Dialogue: 0,0:01:13.91,0:01:16.91,Default,,0,0,0,,{\pos(140,496)\c&H0000FFFF}ええ{\fscx50}　{\fscx100}あの…{\fscx50}　{\fscx100}今{\fscx50}　{\fscx100}虫干ししてるんです{\fscx50}。
Dialogue: 0,0:01:22.65,0:01:27.65,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}土地土地の風土を映す着物{\fscx50}　「{\fscx100}紬{\fscx50}」。
Dialogue: 0,0:01:31.69,0:01:38.50,Default,,0,0,0,,{\pos(180,346)\c&H00FFFF00}くず繭などを真綿にし{\fscx50}　{\fscx100}紡いだ糸で
Dialogue: 0,0:01:31.69,0:01:38.50,Default,,0,0,0,,{\pos(200,406)\c&H00FFFF00}野良着を作ったのが始まりです{\fscx50}。
Dialogue: 0,0:01:40.33,0:01:44.84,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}紬とは{\fscx50}　{\fscx100}染めた絹糸を織った布です{\fscx50}。
Dialogue: 0,0:01:46.51,0:01:52.01,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}その技は{\fscx50}　{\fscx100}農閑期の仕事として
Dialogue: 0,0:01:46.51,0:01:52.01,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}受け継がれてきました{\fscx50}。
Dialogue: 0,0:01:53.85,0:02:02.06,Default,,0,0,0,,{\pos(140,262)\c&H00FFFF00\fscx50\fscy50}つくばさん
Dialogue: 0,0:01:53.85,0:02:02.06,Default,,0,0,0,,{\pos(400,262)\c&H00FFFF00\fscx50\fscy50}ゆうき
Dialogue: 0,0:01:53.85,0:02:02.06,Default,,0,0,0,,{\pos(140,316)\c&H00FFFF00}筑波山の裾野{\fscx50}　{\fscx100}結城地方では{\fscx50}　{\fscx100}今も
Dialogue: 0,0:01:53.85,0:02:02.06,Default,,0,0,0,,{\pos(160,376)\c&H00FFFF00}真綿を手で紡いだ糸が織られています{\fscx50}。
Dialogue: 0,0:02:07.93,0:02:15.74,Default,,0,0,0,,{\pos(140,322)\c&H00FFFF00\fscx50\fscy50}あまみ
Dialogue: 0,0:02:07.93,0:02:15.74,Default,,0,0,0,,{\pos(140,376)\c&H00FFFF00}奄美大島では{\fscx50}　{\fscx100}奄美の自然を丸ごと{\fscx50}　{\fscx100}まとう
Dialogue: 0,0:02:07.93,0:02:15.74,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}泥で染めた大島紬{\fscx50}。
Dialogue: 0,0:02:31.05,0:02:39.46,Default,,0,0,0,,{\pos(440,262)\c&H00FFFF00\fscx50\fscy50}てんさん
Dialogue: 0,0:02:31.05,0:02:39.46,Default,,0,0,0,,{\pos(140,316)\c&H00FFFF00}長野では{\fscx50}　{\fscx100}希少な天蚕の繭が糸に紡がれ
Dialogue: 0,0:02:31.05,0:02:39.46,Default,,0,0,0,,{\pos(160,376)\c&H00FFFF00}その輝きが紬に生かされています{\fscx50}。
Dialogue: 0,0:02:49.30,0:02:54.91,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}今日は{\fscx50}　{\fscx100}３つの土地の紬の魅力を
Dialogue: 0,0:02:49.30,0:02:54.91,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}ご紹介しましょう{\fscx50}。
Dialogue: 0,0:03:06.72,0:03:10.82,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}東京{\fscx50}・{\fscx100}赤坂にあるホテルの庭園{\fscx50}。
Dialogue: 0,0:03:13.03,0:03:19.17,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}こちら{\fscx50}　{\fscx100}本物
Dialogue: 0,0:03:13.03,0:03:19.17,Default,,0,0,0,,{\pos(480,442)\c&H00FFFF00\fscx50\fscy50}なかじま　せいのすけ
Dialogue: 0,0:03:13.03,0:03:19.17,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}古美術鑑定家の中島誠之助さん{\fscx50}。
Dialogue: 0,0:03:19.17,0:03:22.57,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}長年{\fscx50}　{\fscx100}紬を愛用しています{\fscx50}。
Dialogue: 0,0:04:00.27,0:04:06.28,Default,,0,0,0,,{\pos(460,382)\c&H00FFFF00\fscx50\fscy50}じょうとうく
Dialogue: 0,0:04:00.27,0:04:06.28,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}中島さんの{\fscx50}　{\fscx100}あの常套句も{\fscx50}　{\fscx100}そうした
Dialogue: 0,0:04:00.27,0:04:06.28,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}対話の中から生まれたといいます{\fscx50}。
Dialogue: 0,0:04:42.72,0:04:48.72,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}長い間{\fscx50}　{\fscx100}受け継がれてきた{\fscx50}　{\fscx100}いい仕事
Dialogue: 0,0:04:42.72,0:04:48.72,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}その現場を見てみましょう{\fscx50}。
Dialogue: 0,0:04:54.19,0:04:59.50,Default,,0,0,0,,{\pos(300,406)\c&H00FFFF00}茨城と栃木に{\fscx50}　{\fscx100}またがる
Dialogue: 0,0:04:54.19,0:04:59.50,Default,,0,0,0,,{\pos(340,442)\c&H00FFFF00\fscx50\fscy50}きぬがわ
Dialogue: 0,0:04:54.19,0:04:59.50,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}鬼怒川沿いの地域{\fscx50}。
Dialogue: 0,0:04:59.50,0:05:09.01,Default,,0,0,0,,{\pos(140,346)\c&H00FFFF00}鬼怒川は{\fscx50}　{\fscx100}かつて絹の川と呼ばれるほど
Dialogue: 0,0:04:59.50,0:05:09.01,Default,,0,0,0,,{\pos(160,406)\c&H00FFFF00}両岸には桑畑が広がる一大養蚕地でした{\fscx50}。
Dialogue: 0,0:05:11.24,0:05:14.98,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}江戸時代{\fscx50}　{\fscx100}ぜいたくが禁止された後も➡
Dialogue: 0,0:05:14.98,0:05:21.39,Default,,0,0,0,,{\pos(500,322)\c&H00FFFF00\fscx50\fscy50}けんろう
Dialogue: 0,0:05:14.98,0:05:21.39,Default,,0,0,0,,{\pos(220,376)\c&H00FFFF00}見た目が質素で堅牢な結城紬は
Dialogue: 0,0:05:14.98,0:05:21.39,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}武士や町人に好まれました{\fscx50}。
Dialogue: 0,0:05:26.36,0:05:32.67,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}最も愛されたのは
Dialogue: 0,0:05:26.36,0:05:32.67,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}その温かな着心地と肌触り{\fscx50}。
Dialogue: 0,0:05:35.77,0:05:42.08,Default,,0,0,0,,{\pos(200,406)\c&H00FFFF00\fscx50}１１４{\fscx100}年前から結城市で問屋業を営む
Dialogue: 0,0:05:35.77,0:05:42.08,Default,,0,0,0,,{\pos(220,442)\c&H00FFFF00\fscx50\fscy50}おくざわ　たけじ
Dialogue: 0,0:05:35.77,0:05:42.08,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}奥澤武治さんです{\fscx50}。
Dialogue: 0,0:05:50.18,0:05:52.29,Default,,0,0,0,,{\pos(240,436)}世界に類を見ない…
Dialogue: 0,0:06:21.08,0:06:28.65,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}繭は一体{\fscx50}　{\fscx100}姿形をどう変え
Dialogue: 0,0:06:21.08,0:06:28.65,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}紬へと生まれ変わるのでしょうか{\fscx50}。
Dialogue: 0,0:06:28.65,0:06:32.66,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}一つ目のツボは…
Dialogue: 0,0:06:40.13,0:06:44.44,Default,,0,0,0,,{\pos(600,442)\c&H00FFFF00\fscx50\fscy50}たくみ
Dialogue: 0,0:06:40.13,0:06:44.44,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}まず訪ねるのは{\fscx50}　{\fscx100}糸紡ぎの匠{\fscx50}。
Dialogue: 0,0:06:48.37,0:06:55.08,Default,,0,0,0,,{\pos(420,382)\c&H00FFFF00\fscx50\fscy50}うえの　　ちえ
Dialogue: 0,0:06:48.37,0:06:55.08,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}この道{\fscx50}５０{\fscx100}年の植野知恵さんは
Dialogue: 0,0:06:48.37,0:06:55.08,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}希代の名人といわれる存在です{\fscx50}。
Dialogue: 0,0:06:57.48,0:07:05.69,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}湯の中で繭を一つ一つ{\fscx50}　{\fscx100}ほぐしながら
Dialogue: 0,0:06:57.48,0:07:05.69,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}袋状に裏返し{\fscx50}　{\fscx100}片手に重ねていきます{\fscx50}。
Dialogue: 0,0:07:41.76,0:07:46.37,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}繭を５個分{\fscx50}　{\fscx100}重ねたら
Dialogue: 0,0:07:41.76,0:07:46.37,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}両手を八の字に動かし➡
Dialogue: 0,0:07:46.37,0:07:50.87,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}厚さが均一になるよう伸ばしていきます{\fscx50}。
Dialogue: 0,0:07:56.78,0:08:04.48,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}袋状にするのは{\fscx50}　{\fscx100}弾力のある上質な糸を
Dialogue: 0,0:07:56.78,0:08:04.48,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}とるための先人の知恵{\fscx50}。
Dialogue: 0,0:08:09.36,0:08:16.66,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00\fscx50}「{\fscx100}紬{\fscx50}」{\fscx100}の語源は{\fscx50}　{\fscx100}この真綿から糸を紡ぐ
Dialogue: 0,0:08:09.36,0:08:16.66,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}手作業に由来しています{\fscx50}。
Dialogue: 0,0:08:19.57,0:08:25.87,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}乾かした真綿を途切れないよう
Dialogue: 0,0:08:19.57,0:08:25.87,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}植野さんは紡いでいきます{\fscx50}。
Dialogue: 0,0:08:43.12,0:08:47.93,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}節は{\fscx50}　{\fscx100}後に
Dialogue: 0,0:08:43.12,0:08:47.93,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}糸が切れる原因にもなるからです{\fscx50}。
Dialogue: 0,0:08:50.46,0:08:53.07,Default,,0,0,0,,{\pos(460,442)\c&H00FFFF00\fscx50\fscy50}のり
Dialogue: 0,0:08:50.46,0:08:53.07,Default,,0,0,0,,{\pos(340,496)\c&H00FFFF00}唾液は糊の役目{\fscx50}。
Dialogue: 0,0:08:54.70,0:08:59.54,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}１着の紬に必要とされる
Dialogue: 0,0:08:54.70,0:08:59.54,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}およそ{\fscx50}２，０００{\fscx100}個の繭が➡
Dialogue: 0,0:08:59.54,0:09:05.75,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}匠の手を経て{\fscx50}　{\fscx100}１本の糸へと姿を変えます{\fscx50}。
Dialogue: 0,0:09:09.22,0:09:13.22,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}その長さ{\fscx50}　{\fscx100}およそ{\fscx50}３０{\fscx100}キロメートル{\fscx50}。
Dialogue: 0,0:09:13.22,0:09:16.72,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}３か月ほどの時間を費やします{\fscx50}。
Dialogue: 0,0:09:21.76,0:09:29.37,Default,,0,0,0,,{\pos(140,376)\c&H00FFFF00}結城紬を代表する模様
Dialogue: 0,0:09:21.76,0:09:29.37,Default,,0,0,0,,{\pos(680,382)\c&H00FFFF00\fscx50\fscy50}きっこう
Dialogue: 0,0:09:21.76,0:09:29.37,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}それは亀の甲羅をかたどった亀甲模様{\fscx50}。
Dialogue: 0,0:09:31.44,0:09:35.44,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}六角形の中に十字を描く亀甲模様は➡
Dialogue: 0,0:09:35.44,0:09:39.75,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}染め分けた糸を織り上げることで
Dialogue: 0,0:09:35.44,0:09:39.75,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}現れます{\fscx50}。
Dialogue: 0,0:09:42.05,0:09:45.45,Default,,0,0,0,,{\pos(240,442)\c&H00FFFF00\fscx50\fscy50}かすり
Dialogue: 0,0:09:42.05,0:09:45.45,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00\fscx50}「{\fscx100}絣{\fscx50}」{\fscx100}とも呼ばれる{\fscx50}　{\fscx100}この模様{\fscx50}。
Dialogue: 0,0:09:48.79,0:09:52.49,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}糸の染め分けにも匠の技が{\fscx50}。
Dialogue: 0,0:10:03.37,0:10:09.08,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}模様になる部分は{\fscx50}　{\fscx100}あらかじめ
Dialogue: 0,0:10:03.37,0:10:09.08,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}墨で印が付いています{\fscx50}。
Dialogue: 0,0:10:11.88,0:10:17.38,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}その印を寸分たがわず
Dialogue: 0,0:10:11.88,0:10:17.38,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}木綿糸で結んでいきます{\fscx50}。
Dialogue: 0,0:10:20.65,0:10:23.06,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}このあとの染める工程で➡
Dialogue: 0,0:10:23.06,0:10:28.66,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}糸で結んだ部分は染まらずに
Dialogue: 0,0:10:23.06,0:10:28.66,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}模様として残るのです{\fscx50}。
Dialogue: 0,0:10:51.22,0:10:58.02,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}１着の紬に{\fscx50}　{\fscx100}くくられる数は
Dialogue: 0,0:10:51.22,0:10:58.02,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}多いもので{\fscx50}　１０{\fscx100}万か所に上ります{\fscx50}。
Dialogue: 0,0:11:04.20,0:11:11.60,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}染め分けられた糸を
Dialogue: 0,0:11:04.20,0:11:11.60,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}縦糸{\fscx50}　{\fscx100}横糸に張り{\fscx50}　{\fscx100}織り上げると…{\fscx50}。
Dialogue: 0,0:11:11.60,0:11:15.31,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}亀甲模様が浮かび上がります{\fscx50}。
Dialogue: 0,0:11:29.99,0:11:36.60,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}織り手の腰の微妙な動きで
Dialogue: 0,0:11:29.99,0:11:36.60,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}縦糸の張り具合が変わる地機織{\fscx50}。
Dialogue: 0,0:11:38.70,0:11:44.80,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}まさに人機一体となり
Dialogue: 0,0:11:38.70,0:11:44.80,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}糸は布に織り上げられていきます{\fscx50}。
Dialogue: 0,0:12:10.36,0:12:17.37,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}いにしえから伝わる手仕事は
Dialogue: 0,0:12:10.36,0:12:17.37,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}世界無形文化遺産にも登録されています{\fscx50}。
Dialogue: 0,0:12:20.61,0:12:28.21,Default,,0,0,0,,{\pos(240,376)\c&H00FFFF00}蚕の恵みを敬い{\fscx50}　{\fscx100}慈しむ営みが
Dialogue: 0,0:12:20.61,0:12:28.21,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}結城には息づいています{\fscx50}。
Dialogue: 0,0:12:35.62,0:12:38.52,Default,,0,0,0,,{\pos(380,496)}はあ～{\c&H00FFFF00\fscx50}　{\c&H00FFFFFF\fscx100}この紬は{\c&H00FFFF00\fscx50}　{\c&H00FFFFFF\fscx100}ご主人の？
Dialogue: 0,0:12:38.52,0:12:42.03,Default,,0,0,0,,{\pos(140,436)\c&H0000FFFF}いいえ{\fscx50}　{\fscx100}あの…
Dialogue: 0,0:12:38.52,0:12:42.03,Default,,0,0,0,,{\pos(160,496)\c&H0000FFFF}これ{\fscx50}　{\fscx100}あの…{\fscx50}　{\fscx100}祖父が着ていた紬で➡
Dialogue: 0,0:12:42.03,0:12:45.06,Default,,0,0,0,,{\pos(140,436)\c&H0000FFFF}あのね{\fscx50}　{\fscx100}古くて{\fscx50}　{\fscx100}どうしようかと
Dialogue: 0,0:12:42.03,0:12:45.06,Default,,0,0,0,,{\pos(160,496)\c&H0000FFFF}思ってたんですよ{\fscx50}。
Dialogue: 0,0:12:45.06,0:12:49.10,Default,,0,0,0,,{\pos(380,436)}あ～{\fscx50}　{\fscx100}何をおっしゃいますか{\fscx50}。
Dialogue: 0,0:12:45.06,0:12:49.10,Default,,0,0,0,,{\pos(400,496)}もう{\fscx50}　{\fscx100}実に美しい{\fscx50}。
Dialogue: 0,0:12:49.10,0:12:52.00,Default,,0,0,0,,{\pos(280,496)}いい仕事してますねえ{\fscx50}。
Dialogue: 0,0:12:52.00,0:12:54.01,Default,,0,0,0,,{\pos(140,496)\c&H0000FFFF}ええ…{\fscx50}。
Dialogue: 0,0:13:04.25,0:13:09.96,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}大島紬のふるさと{\fscx50}　{\fscx100}鹿児島県奄美大島{\fscx50}。
Dialogue: 0,0:13:11.69,0:13:18.50,Default,,0,0,0,,{\pos(160,382)\c&H00FFFF00\fscx50\fscy50}さいごう　たかもり
Dialogue: 0,0:13:11.69,0:13:18.50,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}西郷隆盛が３年の歳月を過ごした島
Dialogue: 0,0:13:11.69,0:13:18.50,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}としても知られています{\fscx50}。
Dialogue: 0,0:13:22.27,0:13:28.11,Default,,0,0,0,,{\pos(380,292)\c&H00FFFF00\fscx50\fscy50}せご
Dialogue: 0,0:13:22.27,0:13:28.11,Default,,0,0,0,,{\pos(140,346)\c&H00FFFF00}大河ドラマ{\fscx50}「{\fscx100}西郷どん{\fscx50}」{\fscx100}の
Dialogue: 0,0:13:22.27,0:13:28.11,Default,,0,0,0,,{\pos(580,382)\c&H00FFFF00\fscx50\fscy50}さと
Dialogue: 0,0:13:22.27,0:13:28.11,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}メインテーマを歌った{\fscx50}　{\fscx100}里アンナさんは➡
Dialogue: 0,0:13:28.11,0:13:31.41,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}奄美大島で生まれ育ちました{\fscx50}。
Dialogue: 0,0:13:45.39,0:13:51.20,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}里さんにとって
Dialogue: 0,0:13:45.39,0:13:51.20,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}大島紬は常に身近にありました{\fscx50}。
Dialogue: 0,0:14:20.03,0:14:25.63,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}この日{\fscx50}　{\fscx100}着ているのも
Dialogue: 0,0:14:20.03,0:14:25.63,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}祖母から受け継いだ大島紬{\fscx50}。
Dialogue: 0,0:14:47.12,0:14:54.83,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}泥染めとは{\fscx50}　{\fscx100}島の泥を染料として
Dialogue: 0,0:14:47.12,0:14:54.83,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}黒く染めた大島紬のこと{\fscx50}。
Dialogue: 0,0:15:24.89,0:15:32.60,Default,,0,0,0,,{\pos(140,376)\c&H00FFFF00}機織りをする祖母の傍らで
Dialogue: 0,0:15:24.89,0:15:32.60,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}祖父に手ほどきを受けた{\fscx50}「{\fscx100}糸繰り節{\fscx50}」。
Dialogue: 0,0:15:32.60,0:15:38.80,Default,,0,0,0,,{\pos(360,322)\c&H00FFFF00\fscx50\fscy50}さつま
Dialogue: 0,0:15:32.60,0:15:38.80,Default,,0,0,0,,{\pos(140,376)\c&H00FFFF00}歌の歴史は{\fscx50}　{\fscx100}薩摩藩の支配下にあった頃に
Dialogue: 0,0:15:32.60,0:15:38.80,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}遡ると言われています{\fscx50}。
Dialogue: 0,0:16:04.63,0:16:11.44,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}江戸時代{\fscx50}　{\fscx100}大島紬は税として納める
Dialogue: 0,0:16:04.63,0:16:11.44,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}貴重な絹織物でした{\fscx50}。
Dialogue: 0,0:16:15.98,0:16:22.68,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}着ることを禁じられていた島民が
Dialogue: 0,0:16:15.98,0:16:22.68,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}持っていた紬を田んぼに隠したところ➡
Dialogue: 0,0:16:22.68,0:16:27.89,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}黒く染まったのが始まりと
Dialogue: 0,0:16:22.68,0:16:27.89,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}語り継がれています{\fscx50}。
Dialogue: 0,0:16:42.03,0:16:44.44,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}二つ目のツボは…
Dialogue: 0,0:16:50.48,0:16:56.28,Default,,0,0,0,,{\pos(200,406)\c&H00FFFF00}こちらは大島紬の伝統的な柄
Dialogue: 0,0:16:50.48,0:16:56.28,Default,,0,0,0,,{\pos(220,442)\c&H00FFFF00\fscx50\fscy50}たつごう
Dialogue: 0,0:16:50.48,0:16:56.28,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}龍郷柄の図案{\fscx50}。
Dialogue: 0,0:16:58.22,0:17:02.45,Default,,0,0,0,,{\pos(260,382)\c&H00FFFF00\fscx50\fscy50}そてつ
Dialogue: 0,0:16:58.22,0:17:02.45,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}蘇鉄やハブなどの模様は
Dialogue: 0,0:16:58.22,0:17:02.45,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}点のように細かく➡
Dialogue: 0,0:17:02.45,0:17:06.56,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}染め分けられた糸がつながり
Dialogue: 0,0:17:02.45,0:17:06.56,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}柄となります{\fscx50}。
Dialogue: 0,0:17:11.10,0:17:14.70,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}全て{\fscx50}　{\fscx100}絹糸で織られる大島紬{\fscx50}。
Dialogue: 0,0:17:19.81,0:17:27.95,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}柄を施すには{\fscx50}　{\fscx100}まず白く染め残す部分を
Dialogue: 0,0:17:19.81,0:17:27.95,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}木綿糸で締め込みます{\fscx50}。
Dialogue: 0,0:17:27.95,0:17:32.05,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}そうすることで{\fscx50}　{\fscx100}いったん{\fscx50}　{\fscx100}布状にします{\fscx50}。
Dialogue: 0,0:17:46.77,0:17:52.57,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}こうして精緻な柄を出す準備を経て
Dialogue: 0,0:17:46.77,0:17:52.57,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}染めの作業へ{\fscx50}。
Dialogue: 0,0:17:55.47,0:18:01.28,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}泥染めは泥の前に{\fscx50}　{\fscx100}もう一つ
Dialogue: 0,0:17:55.47,0:18:01.28,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}自然の力を借ります{\fscx50}。
Dialogue: 0,0:18:04.18,0:18:09.49,Default,,0,0,0,,{\pos(200,382)\c&H00FFFF00\fscx50\fscy50}しゃりんばい
Dialogue: 0,0:18:04.18,0:18:09.49,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}車輪梅と呼ばれる木材から
Dialogue: 0,0:18:04.18,0:18:09.49,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}抽出した液で染めるのです{\fscx50}。
Dialogue: 0,0:18:33.78,0:18:40.29,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}木材にするのは{\fscx50}　{\fscx100}島に自生する
Dialogue: 0,0:18:33.78,0:18:40.29,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}樹齢{\fscx50}１０{\fscx100}年以上の車輪梅{\fscx50}。
Dialogue: 0,0:18:41.95,0:18:49.76,Default,,0,0,0,,{\pos(140,196)\c&H00FFFF00}雨風にさらされ{\fscx50}　{\fscx100}厳しい環境で育つほど
Dialogue: 0,0:18:41.95,0:18:49.76,Default,,0,0,0,,{\pos(160,256)\c&H00FFFF00}タンニンが多く含まれるといいます{\fscx50}。
Dialogue: 0,0:18:53.17,0:18:58.37,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}車輪梅を細かく砕き
Dialogue: 0,0:18:53.17,0:18:58.37,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}２日間{\fscx50}　{\fscx100}煮出していきます{\fscx50}。
Dialogue: 0,0:19:10.58,0:19:16.59,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}１週間{\fscx50}　{\fscx100}寝かせ{\fscx50}　{\fscx100}発酵させた抽出液に
Dialogue: 0,0:19:10.58,0:19:16.59,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}布をつけます{\fscx50}。
Dialogue: 0,0:19:21.29,0:19:26.70,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}染まり具合を見ながら
Dialogue: 0,0:19:21.29,0:19:26.70,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}何度も繰り返し{\fscx50}　{\fscx100}もみ込みます{\fscx50}。
Dialogue: 0,0:19:47.79,0:19:51.79,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}鮮やかな赤土色に染まりました{\fscx50}。
Dialogue: 0,0:19:54.56,0:19:59.26,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}そして{\fscx50}　{\fscx100}切り立った山裾に位置する泥田へ{\fscx50}。
Dialogue: 0,0:20:00.97,0:20:06.67,Default,,0,0,0,,{\pos(200,382)\c&H00FFFF00\fscx50\fscy50}ひご
Dialogue: 0,0:20:00.97,0:20:06.67,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}肥後さんが{\fscx50}　５０{\fscx100}年来通う{\fscx50}　{\fscx100}この泥田は
Dialogue: 0,0:20:00.97,0:20:06.67,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}鉄分が豊富です{\fscx50}。
Dialogue: 0,0:20:08.57,0:20:12.88,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}泥の中に含まれる鉄に
Dialogue: 0,0:20:08.57,0:20:12.88,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}タンニンが反応することで➡
Dialogue: 0,0:20:12.88,0:20:16.38,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}布は黒く変化していきます{\fscx50}。
Dialogue: 0,0:20:44.54,0:20:49.51,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}車輪梅と泥に染める
Dialogue: 0,0:20:44.54,0:20:49.51,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}一連の作業を何度も繰り返し➡
Dialogue: 0,0:20:49.51,0:20:54.22,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}肥後さんは艶のある黒を追い求めます{\fscx50}。
Dialogue: 0,0:21:09.30,0:21:11.60,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}清流が泥を流すと➡
Dialogue: 0,0:21:11.60,0:21:17.81,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}布が命を宿したかのように
Dialogue: 0,0:21:11.60,0:21:17.81,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}漆黒の艶が現れます{\fscx50}。
Dialogue: 0,0:21:37.20,0:21:41.80,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}自然と人が織り成した{\fscx50}　{\fscx100}偶然のたまもの{\fscx50}。
Dialogue: 0,0:21:44.34,0:21:52.64,Default,,0,0,0,,{\pos(140,376)\c&H00FFFF00}大島紬の黒は{\fscx50}　{\fscx100}島の人々の誇りを象徴する
Dialogue: 0,0:21:44.34,0:21:52.64,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}宝の絹織物です{\fscx50}。
Dialogue: 0,0:21:58.32,0:22:01.95,Default,,0,0,0,,{\pos(320,496)}着れば着るほど{\c&H00FFFF00\fscx50}　{\c&H00FFFFFF\fscx100}なじむのが紬！
Dialogue: 0,0:22:01.95,0:22:05.26,Default,,0,0,0,,{\pos(220,436)}是非お召しになったら{\fscx50}　{\fscx100}いかがですか{\fscx50}。
Dialogue: 0,0:22:01.95,0:22:05.26,Default,,0,0,0,,{\pos(240,496)}お似合いになるはずです{\fscx50}。
Dialogue: 0,0:22:05.26,0:22:07.69,Default,,0,0,0,,{\pos(560,436)}では{\fscx50}　{\fscx100}私は{\fscx50}　{\fscx100}これで{\fscx50}。
Dialogue: 0,0:22:05.26,0:22:07.69,Default,,0,0,0,,{\pos(140,496)\c&H0000FFFF}えっ{\fscx50}　{\fscx100}えっ{\fscx50}　{\fscx100}先生{\fscx50}　{\fscx100}あの…{\fscx50}。
Dialogue: 0,0:22:07.69,0:22:11.56,Default,,0,0,0,,{\pos(140,436)\c&H0000FFFF}壺のほうは{\fscx50}　{\fscx100}いかがでしょうか？
Dialogue: 0,0:22:07.69,0:22:11.56,Default,,0,0,0,,{\pos(160,496)\c&H0000FFFF}是非{\fscx50}　{\fscx100}高い値段を付けてほしい{\fscx50}。
Dialogue: 0,0:22:11.56,0:22:16.40,Default,,0,0,0,,{\pos(140,436)\c&H0000FFFF}妻に取り替えられたら{\fscx50}　{\fscx100}これ…
Dialogue: 0,0:22:11.56,0:22:16.40,Default,,0,0,0,,{\pos(160,496)\c&H0000FFFF}困るんですよ{\fscx50}。
Dialogue: 0,0:22:16.40,0:22:19.77,Default,,0,0,0,,{\pos(200,436)}私の尊敬する先生が
Dialogue: 0,0:22:16.40,0:22:19.77,Default,,0,0,0,,{\pos(220,496)}おっしゃっていたんですけれどもね➡
Dialogue: 0,0:22:19.77,0:22:24.48,Default,,0,0,0,,{\pos(140,436)}人が{\fscx50}「{\fscx100}美しい{\fscx50}」{\fscx100}と言ったものを
Dialogue: 0,0:22:19.77,0:22:24.48,Default,,0,0,0,,{\pos(160,496)\fscx50}「{\fscx100}美しい{\fscx50}」{\fscx100}と言うのは{\fscx50}　{\fscx100}誰にでもできます{\fscx50}。
Dialogue: 0,0:22:24.48,0:22:27.95,Default,,0,0,0,,{\pos(300,436)}でも全く分からないものの中から
Dialogue: 0,0:22:24.48,0:22:27.95,Default,,0,0,0,,{\pos(320,496)}美を見つけだすという➡
Dialogue: 0,0:22:27.95,0:22:31.48,Default,,0,0,0,,{\pos(440,496)}あなた{\fscx50}　{\fscx100}もう{\fscx50}　{\fscx100}すばらしい{\fscx50}。
Dialogue: 0,0:22:31.48,0:22:34.69,Default,,0,0,0,,{\pos(260,496)}紬も壺も{\fscx50}　{\fscx100}大切になさってください{\fscx50}。
Dialogue: 0,0:22:46.73,0:22:50.94,Default,,0,0,0,,{\pos(600,382)\c&H00FFFF00\fscx50\fscy50}あづみの
Dialogue: 0,0:22:46.73,0:22:50.94,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}北アルプスの麓{\fscx50}　{\fscx100}長野県安曇野には➡
Dialogue: 0,0:22:50.94,0:22:55.34,Default,,0,0,0,,{\pos(180,376)\c&H00FFFF00\fscx50}「{\fscx100}絹のダイヤモンド{\fscx50}」{\fscx100}と呼ばれる糸が
Dialogue: 0,0:22:50.94,0:22:55.34,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}あります{\fscx50}。
Dialogue: 0,0:23:00.61,0:23:06.52,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}天蚕や山繭と呼ばれる繭から
Dialogue: 0,0:23:00.61,0:23:06.52,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}とられた希少な糸{\fscx50}。
Dialogue: 0,0:23:09.32,0:23:13.93,Default,,0,0,0,,{\pos(300,382)\c&H00FFFF00\fscx50\fscy50}もえぎ
Dialogue: 0,0:23:09.32,0:23:13.93,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}天然の萌黄色と光沢が特徴です{\fscx50}。
Dialogue: 0,0:23:19.46,0:23:26.57,Default,,0,0,0,,{\pos(140,406)\c&H00FFFF00}日本在来種の天蚕は{\fscx50}　{\fscx100}クヌギの葉を食べ
Dialogue: 0,0:23:19.46,0:23:26.57,Default,,0,0,0,,{\pos(160,466)\c&H00FFFF00}緑の繭を作ります{\fscx50}。
Dialogue: 0,0:23:36.25,0:23:40.69,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}温かく伸縮性に富む天蚕の糸を紡ぎ➡
Dialogue: 0,0:23:40.69,0:23:44.89,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}農家の人たちは
Dialogue: 0,0:23:40.69,0:23:44.89,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}ふだん着に織り込んできました{\fscx50}。
Dialogue: 0,0:23:53.27,0:24:01.87,Default,,0,0,0,,{\pos(360,382)\c&H00FFFF00\fscx50\fscy50}ありあけやま
Dialogue: 0,0:23:53.27,0:24:01.87,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}北アルプス{\fscx50}　{\fscx100}有明山の麓のクヌギ林で
Dialogue: 0,0:23:53.27,0:24:01.87,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}天蚕は地域の人たちに守られています{\fscx50}。
Dialogue: 0,0:24:04.34,0:24:08.31,Default,,0,0,0,,{\pos(240,406)\c&H00FFFF00}安曇野で生まれ育った
Dialogue: 0,0:24:04.34,0:24:08.31,Default,,0,0,0,,{\pos(280,442)\c&H00FFFF00\fscx50\fscy50}たぐち　ただし
Dialogue: 0,0:24:04.34,0:24:08.31,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}田口忠志さんにとって➡
Dialogue: 0,0:24:08.31,0:24:12.22,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}クヌギ林は遊び場でした{\fscx50}。
Dialogue: 0,0:24:22.39,0:24:29.23,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}江戸時代{\fscx50}　{\fscx100}農家の人たちは
Dialogue: 0,0:24:22.39,0:24:29.23,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}保温性と輝きを備えた天蚕を育て➡
Dialogue: 0,0:24:29.23,0:24:34.77,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}糸をとり{\fscx50}　{\fscx100}機織りを始めました{\fscx50}。
Dialogue: 0,0:24:34.77,0:24:44.48,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}全国的に価値が認められた天蚕の糸は
Dialogue: 0,0:24:34.77,0:24:44.48,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}明治{\fscx50}３０{\fscx100}年代に最盛期を迎えます{\fscx50}。
Dialogue: 0,0:24:44.48,0:24:50.69,Default,,0,0,0,,{\pos(320,406)\c&H00FFFF00}しかし{\fscx50}　{\fscx100}そのさなか
Dialogue: 0,0:24:44.48,0:24:50.69,Default,,0,0,0,,{\pos(500,442)\c&H00FFFF00\fscx50\fscy50}ほたか
Dialogue: 0,0:24:44.48,0:24:50.69,Default,,0,0,0,,{\pos(340,496)\c&H00FFFF00}安曇野{\fscx50}　{\fscx100}穂高の広大な山林が➡
Dialogue: 0,0:24:50.69,0:24:54.99,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}陸軍の演習地として開墾されます{\fscx50}。
Dialogue: 0,0:24:54.99,0:24:58.10,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}天蚕は姿を消しました{\fscx50}。
Dialogue: 0,0:25:00.57,0:25:08.47,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}戦後{\fscx50}　{\fscx100}僅かに残ったクヌギを
Dialogue: 0,0:25:00.57,0:25:08.47,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}育てることから再開した天蚕の糸づくり{\fscx50}。
Dialogue: 0,0:25:10.84,0:25:18.05,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今{\fscx50}　{\fscx100}田口さんたちは{\fscx50}　{\fscx100}昔ながらの方法で
Dialogue: 0,0:25:10.84,0:25:18.05,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}天蚕の糸を紡いでいます{\fscx50}。
Dialogue: 0,0:25:36.80,0:25:45.11,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}人がクヌギを守り
Dialogue: 0,0:25:36.80,0:25:45.11,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}クヌギは萌黄色の糸を育む{\fscx50}　{\fscx100}豊かな連環{\fscx50}。
Dialogue: 0,0:25:49.78,0:25:52.18,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}三つ目のツボは…
Dialogue: 0,0:26:00.43,0:26:05.30,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}天蚕の糸が織り込まれた紬です{\fscx50}。
Dialogue: 0,0:26:05.30,0:26:12.04,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}僅かしかできない天蚕の糸は
Dialogue: 0,0:26:05.30,0:26:12.04,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}装飾として使われます{\fscx50}。
Dialogue: 0,0:26:12.04,0:26:19.95,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}早朝{\fscx50}　{\fscx100}藍や{\fscx50}　{\fscx100}あかね色に染まる空にさし昇る
Dialogue: 0,0:26:12.04,0:26:19.95,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}一筋の朝日{\fscx50}。
Dialogue: 0,0:26:22.45,0:26:25.75,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}天蚕の糸で表現されています{\fscx50}。
Dialogue: 0,0:26:32.99,0:26:36.70,Default,,0,0,0,,{\pos(300,442)\c&H00FFFF00\fscx50\fscy50}すいれん
Dialogue: 0,0:26:32.99,0:26:36.70,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00}睡蓮を思わせる一枚{\fscx50}。
Dialogue: 0,0:26:36.70,0:26:43.70,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}ヨモギなど草木染めの糸で織った紬に
Dialogue: 0,0:26:36.70,0:26:43.70,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}天蚕の糸が生かされています{\fscx50}。
Dialogue: 0,0:27:08.23,0:27:16.63,Default,,0,0,0,,{\pos(160,406)\c&H00FFFF00}松本で{\fscx50}４５{\fscx100}年{\fscx50}　{\fscx100}地元の草木で染めた糸で
Dialogue: 0,0:27:08.23,0:27:16.63,Default,,0,0,0,,{\pos(460,442)\c&H00FFFF00\fscx50\fscy50}たけい　とよこ
Dialogue: 0,0:27:08.23,0:27:16.63,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}紬を織ってきた武井豊子さん{\fscx50}。
Dialogue: 0,0:27:21.27,0:27:27.28,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}天蚕が持つ天然の色と輝きを
Dialogue: 0,0:27:21.27,0:27:27.28,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}帯に織り込んでいます{\fscx50}。
Dialogue: 0,0:27:30.68,0:27:35.39,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}不思議で神秘に満ちた天蚕の輝き{\fscx50}。
Dialogue: 0,0:27:41.46,0:27:47.27,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}縦糸をすくいながら
Dialogue: 0,0:27:41.46,0:27:47.27,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}絵を描くように織り上げていきます{\fscx50}。
Dialogue: 0,0:27:57.11,0:28:03.21,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}天蚕の輝きで
Dialogue: 0,0:27:57.11,0:28:03.21,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}川面の澄んだ美しさを表します{\fscx50}。
Dialogue: 0,0:28:28.37,0:28:34.91,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}いのちの光を糸に宿し{\fscx50}　{\fscx100}風景を織る営み{\fscx50}。
Dialogue: 0,0:28:34.91,0:28:41.22,Default,,0,0,0,,{\pos(240,376)\c&H00FFFF00}紬には{\fscx50}　{\fscx100}自然を敬う
Dialogue: 0,0:28:34.91,0:28:41.22,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}日本人の心が生きています{\fscx50}。
Dialogue: 0,0:28:44.29,0:28:48.69,Default,,0,0,0,,{\pos(220,346)\c&H0000FFFF}確かに{\fscx50}　{\fscx100}こうやって着てみると
Dialogue: 0,0:28:44.29,0:28:48.69,Default,,0,0,0,,{\pos(240,406)\c&H0000FFFF}いいもんですね{\fscx50}。
Dialogue: 0,0:28:50.40,0:28:54.87,Default,,0,0,0,,{\pos(200,406)\c&H0000FFFF}祖父の代から私の代まで{\fscx50}　{\fscx100}ねえ{\fscx50}。
Dialogue: 0,0:28:54.87,0:28:57.27,Default,,0,0,0,,{\pos(280,406)\c&H0000FFFF}いい仕事してますねえ{\fscx50}。