[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540
LayoutResX: 960
LayoutResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,Yu Gothic,46,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,-1,0,0,0,100,100,4,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:01.23,0:00:30.83,Default,,0,0,0,,{\pos(140,496)}♬～
Dialogue: 0,0:00:30.83,0:00:33.73,Default,,0,0,0,,{\pos(280,436)\c&H0000FFFF}よし…{\fscx50}　{\fscx100}よし{\fscx50}　{\fscx100}いいね{\fscx50}　{\fscx100}これで{\fscx50}。
Dialogue: 0,0:00:38.91,0:00:41.81,Default,,0,0,0,,{\pos(360,436)\c&H0000FFFF}あ～{\fscx50}　{\fscx100}さて…{\fscx50}。
Dialogue: 0,0:00:41.81,0:00:44.44,Default,,0,0,0,,{\pos(240,406)\c&H00FFFF00}草刈さん{\fscx50}　{\fscx100}模様替えですか？
Dialogue: 0,0:00:44.44,0:00:49.42,Default,,0,0,0,,{\pos(140,346)\c&H0000FFFF}いやね{\fscx50}　{\fscx100}おうち時間{\fscx50}　{\fscx100}使ってね{\fscx50}　{\fscx100}障子の
Dialogue: 0,0:00:44.44,0:00:49.42,Default,,0,0,0,,{\pos(160,406)\c&H0000FFFF}張り替えでもしたら{\fscx50}　{\fscx100}どうです？ってね{\fscx50}。
Dialogue: 0,0:00:49.42,0:00:51.55,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}あ～{\fscx50}　{\fscx100}奥様に言われた…{\fscx50}。
Dialogue: 0,0:00:51.55,0:00:54.82,Default,,0,0,0,,{\pos(320,496)\c&H0000FFFF}そうそうそう{\fscx50}　{\fscx100}でね…{\fscx50}。
Dialogue: 0,0:00:54.82,0:00:59.33,Default,,0,0,0,,{\pos(620,442)\c&H0000FFFF\fscx50\fscy50}のり
Dialogue: 0,0:00:54.82,0:00:59.33,Default,,0,0,0,,{\pos(180,496)\c&H0000FFFF}障子紙でしょう{\fscx50}。　{\fscx100}それに糊{\fscx50}。　{\fscx100}ねっ{\fscx50}。
Dialogue: 0,0:00:59.33,0:01:02.33,Default,,0,0,0,,{\pos(620,436)\c&H0000FFFF}あれ？
Dialogue: 0,0:00:59.33,0:01:02.33,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}どうしたんですか？
Dialogue: 0,0:01:02.33,0:01:04.70,Default,,0,0,0,,{\pos(520,442)\c&H0000FFFF\fscx50\fscy50}はけ
Dialogue: 0,0:01:02.33,0:01:04.70,Default,,0,0,0,,{\pos(360,496)\c&H0000FFFF}あれ？{\fscx50}　{\fscx100}刷毛が…{\fscx50}。
Dialogue: 0,0:01:04.70,0:01:09.00,Default,,0,0,0,,{\pos(260,496)\c&H0000FFFF}あれ？{\fscx50}　{\fscx100}刷毛どうしたっけ？
Dialogue: 0,0:01:16.18,0:01:21.78,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}和紙に糊を塗っていく
Dialogue: 0,0:01:16.18,0:01:21.78,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}昔ながらの日本の刷毛{\fscx50}。
Dialogue: 0,0:01:23.92,0:01:27.72,Default,,0,0,0,,{\pos(380,496)\c&H00FFFF00}今{\fscx50}　{\fscx100}ひそかに人気の靴ブラシ{\fscx50}。
Dialogue: 0,0:01:33.13,0:01:36.43,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}メークには欠かせない化粧筆{\fscx50}。
Dialogue: 0,0:01:39.63,0:01:43.27,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}日本の筆{\fscx50}　{\fscx100}刷毛{\fscx50}　{\fscx100}ブラシ{\fscx50}。
Dialogue: 0,0:01:43.27,0:01:46.81,Default,,0,0,0,,{\pos(200,406)\c&H00FFFF00}用途に応じた大きさ{\fscx50}　{\fscx100}毛{\fscx50}　{\fscx100}形など➡
Dialogue: 0,0:01:46.81,0:01:51.21,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}実に{\fscx50}　{\fscx100}たくさんの種類があること
Dialogue: 0,0:01:46.81,0:01:51.21,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}ご存じですか？
Dialogue: 0,0:01:54.11,0:01:56.85,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}職人のこだわりが生み出す道具は➡
Dialogue: 0,0:01:56.85,0:02:02.36,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}今や世界が憧れる
Dialogue: 0,0:01:56.85,0:02:02.36,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}メード{\fscx50}・{\fscx100}イン{\fscx50}・{\fscx100}ジャパンの{\fscx50}　{\fscx100}すぐれもの{\fscx50}。
Dialogue: 0,0:02:05.36,0:02:12.50,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}巧みな技が隠された
Dialogue: 0,0:02:05.36,0:02:12.50,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}シンプルで美しき筆{\fscx50}　{\fscx100}刷毛{\fscx50}　{\fscx100}ブラシ{\fscx50}。
Dialogue: 0,0:02:12.50,0:02:16.00,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}その奥深き世界をご案内いたしましょう{\fscx50}。
Dialogue: 0,0:02:32.42,0:02:38.32,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}東京都内{\fscx50}　{\fscx100}室町時代から続く
Dialogue: 0,0:02:32.42,0:02:38.32,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}由緒あるお寺です{\fscx50}。
Dialogue: 0,0:02:43.96,0:02:46.83,Default,,0,0,0,,{\pos(600,496)\fscx50}（{\fscx100}読経{\fscx50}）
Dialogue: 0,0:02:46.83,0:02:50.54,Default,,0,0,0,,{\pos(500,382)\c&H00FFFF00\fscx50\fscy50}にしむら　こうどう
Dialogue: 0,0:02:46.83,0:02:50.54,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}お勤めをするのは西村宏堂さん{\fscx50}。
Dialogue: 0,0:02:54.51,0:02:59.41,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}実は{\fscx50}　{\fscx100}この方
Dialogue: 0,0:02:54.51,0:02:59.41,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}世界的なメークアップアーティスト{\fscx50}。
Dialogue: 0,0:03:04.32,0:03:11.32,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}ミス{\fscx50}・{\fscx100}ユニバース世界大会などで
Dialogue: 0,0:03:04.32,0:03:11.32,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}各国の代表を美しくメークしてきました{\fscx50}。
Dialogue: 0,0:03:15.50,0:03:21.30,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}そんな西村さんの仕事に
Dialogue: 0,0:03:15.50,0:03:21.30,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}欠かせないものが{\fscx50}「{\fscx100}化粧筆{\fscx50}」。
Dialogue: 0,0:03:42.59,0:03:46.83,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}西村さんのメークを見せてもらいました{\fscx50}。
Dialogue: 0,0:03:46.83,0:03:48.76,Default,,0,0,0,,{\pos(360,496)\c&H00FFFF00}モデルは…{\fscx50}。
Dialogue: 0,0:03:48.76,0:03:57.17,Default,,0,0,0,,{\pos(220,316)\c&H00FFFF00\fscx50}２０２０{\fscx100}ミス{\fscx50}・{\fscx100}ユニバース日本代表の
Dialogue: 0,0:03:48.76,0:03:57.17,Default,,0,0,0,,{\pos(240,352)\c&H00FFFF00\fscx50\fscy50}とちぎ
Dialogue: 0,0:03:48.76,0:03:57.17,Default,,0,0,0,,{\pos(340,352)\c&H00FFFF00\fscx50\fscy50}あい
Dialogue: 0,0:03:48.76,0:03:57.17,Default,,0,0,0,,{\pos(480,352)\c&H00FFFF00\fscx50\fscy50}はるみ
Dialogue: 0,0:03:48.76,0:03:57.17,Default,,0,0,0,,{\pos(240,406)\c&H00FFFF00}杤木{\fscx50}　{\fscx100}愛シャ{\fscx50}　{\fscx100}暖望さん{\fscx50}。
Dialogue: 0,0:03:57.17,0:04:05.28,Default,,0,0,0,,{\pos(140,436)}細かいところをメークするので
Dialogue: 0,0:03:57.17,0:04:05.28,Default,,0,0,0,,{\pos(160,496)}リスの{\c&H00FFFF00\fscx50}　{\c&H00FFFFFF\fscx100}この小さい毛を使ってます{\fscx50}。
Dialogue: 0,0:04:13.55,0:04:17.26,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}まずは目{\fscx50}　{\fscx100}アイメークから{\fscx50}。
Dialogue: 0,0:04:25.03,0:04:31.94,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}メークをする部分{\fscx50}　{\fscx100}化粧品の種類で
Dialogue: 0,0:04:25.03,0:04:31.94,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}筆を細かく使い分けていきます{\fscx50}。
Dialogue: 0,0:04:41.58,0:04:44.98,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}アイメークが終わってから
Dialogue: 0,0:04:41.58,0:04:44.98,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}ファンデーション{\fscx50}。
Dialogue: 0,0:04:49.92,0:04:57.23,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}自分の中で道理が通っていれば
Dialogue: 0,0:04:49.92,0:04:57.23,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}順番は関係ない{\fscx50}。　{\fscx100}それが西村流です{\fscx50}。
Dialogue: 0,0:04:59.43,0:05:06.04,Default,,0,0,0,,{\pos(140,436)}チークはちょっと大きめのブラシを使って
Dialogue: 0,0:04:59.43,0:05:06.04,Default,,0,0,0,,{\pos(160,496)}色をちょっと混ぜようかなと思います{\fscx50}。
Dialogue: 0,0:05:32.70,0:05:37.60,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}化粧筆を自在に操ったメークが完成です{\fscx50}。
Dialogue: 0,0:05:40.47,0:05:46.38,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}西村さんには
Dialogue: 0,0:05:40.47,0:05:46.38,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}お気に入りの化粧筆があります{\fscx50}。
Dialogue: 0,0:05:46.38,0:05:49.48,Default,,0,0,0,,{\pos(520,442)\c&H00FFFF00\fscx50\fscy50}くまの
Dialogue: 0,0:05:46.38,0:05:49.48,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}それは日本の{\fscx50}「{\fscx100}熊野筆{\fscx50}」。
Dialogue: 0,0:05:58.59,0:06:01.09,Default,,0,0,0,,{\pos(200,406)}ギコギコやってたりすると…
Dialogue: 0,0:06:17.94,0:06:22.95,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00\fscx50}「{\fscx100}筆{\fscx50}　{\fscx100}はけ{\fscx50}　{\fscx100}ブラシ{\fscx50}」{\fscx100}今日{\fscx50}　{\fscx100}一つ目のツボは…
Dialogue: 0,0:06:35.36,0:06:39.57,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}江戸時代から続く{\fscx50}　{\fscx100}筆作りの町です{\fscx50}。
Dialogue: 0,0:06:44.57,0:06:50.48,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}創業{\fscx50}１９７１{\fscx100}年の化粧筆専門の工房{\fscx50}。
Dialogue: 0,0:06:55.62,0:07:02.52,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}熊野の筆作りの技と{\fscx50}　{\fscx100}えりすぐりの
Dialogue: 0,0:06:55.62,0:07:02.52,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}素材から{\fscx50}　{\fscx100}化粧筆を製作しています{\fscx50}。
Dialogue: 0,0:07:07.93,0:07:14.73,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}希少価値のあるリスやヤギなど
Dialogue: 0,0:07:07.93,0:07:14.73,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}厳選された動物の毛が使われています{\fscx50}。
Dialogue: 0,0:07:20.94,0:07:26.05,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}ここでは筆先となる{\fscx50}「{\fscx100}穂先{\fscx50}」{\fscx100}を
Dialogue: 0,0:07:20.94,0:07:26.05,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}整えていきます{\fscx50}。
Dialogue: 0,0:07:28.55,0:07:34.75,Default,,0,0,0,,{\pos(160,406)\c&H00FFFF00}毛先のないものや傷んだ毛を
Dialogue: 0,0:07:28.55,0:07:34.75,Default,,0,0,0,,{\pos(480,442)\c&H00FFFF00\fscx50\fscy50}さかげ
Dialogue: 0,0:07:28.55,0:07:34.75,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}小刀で抜き取る{\fscx50}「{\fscx100}逆毛取り{\fscx50}」。
Dialogue: 0,0:07:39.06,0:07:43.70,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}化粧筆の要は{\fscx50}　{\fscx100}何と言っても{\fscx50}「{\fscx100}穂先{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:07:43.70,0:07:50.50,Default,,0,0,0,,{\pos(520,322)\c&H00FFFF00\fscx50\fscy50}たけもり　てっしゅう
Dialogue: 0,0:07:43.70,0:07:50.50,Default,,0,0,0,,{\pos(180,376)\c&H00FFFF00}この工房の創業者{\fscx50}　{\fscx100}竹森鉄舟さんが
Dialogue: 0,0:07:43.70,0:07:50.50,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}穂先の仕上げを担います{\fscx50}。
Dialogue: 0,0:07:53.37,0:08:00.88,Default,,0,0,0,,{\pos(440,382)\c&H00FFFF00\fscx50\fscy50}めんそう
Dialogue: 0,0:07:53.37,0:08:00.88,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}人形の顔を描く{\fscx50}「{\fscx100}面相筆{\fscx50}」{\fscx100}を作る家に生まれ
Dialogue: 0,0:07:53.37,0:08:00.88,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}父から{\fscx50}　{\fscx100}その技を受け継ぎました{\fscx50}。
Dialogue: 0,0:08:07.42,0:08:12.12,Default,,0,0,0,,{\pos(260,376)\c&H00FFFF00}鉄舟さんが行っているのは
Dialogue: 0,0:08:07.42,0:08:12.12,Default,,0,0,0,,{\pos(280,436)\c&H00FFFF00\fscx50}「{\fscx100}コマ入れ{\fscx50}」{\fscx100}という作業{\fscx50}。
Dialogue: 0,0:08:14.19,0:08:19.03,Default,,0,0,0,,{\pos(220,376)\c&H00FFFF00}逆毛取りを終えた穂先を
Dialogue: 0,0:08:14.19,0:08:19.03,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}中をくりぬいた{\fscx50}「{\fscx100}コマ{\fscx50}」{\fscx100}に入れ➡
Dialogue: 0,0:08:19.03,0:08:22.13,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}丸い形にしていきます{\fscx50}。
Dialogue: 0,0:08:27.44,0:08:32.65,Default,,0,0,0,,{\pos(420,436)\c&H00FFFF00}これが{\fscx50}　{\fscx100}コマ{\fscx50}。
Dialogue: 0,0:08:27.44,0:08:32.65,Default,,0,0,0,,{\pos(440,496)\c&H00FFFF00}いわば穂先の{\fscx50}「{\fscx100}木型{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:08:36.15,0:08:43.86,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}こうして{\fscx50}　{\fscx100}コマの中で丸くした穂先は
Dialogue: 0,0:08:36.15,0:08:43.86,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}それぞれが微妙に違う形をしています{\fscx50}。
Dialogue: 0,0:08:46.56,0:08:50.26,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}ここで熟練の技の出番{\fscx50}。
Dialogue: 0,0:08:53.37,0:08:55.80,Default,,0,0,0,,{\pos(340,352)\c&H00FFFF00\fscx50\fscy50}も
Dialogue: 0,0:08:53.37,0:08:55.80,Default,,0,0,0,,{\pos(320,406)\c&H00FFFF00\fscx50}「{\fscx100}揉み出し{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:08:55.80,0:09:00.91,Default,,0,0,0,,{\pos(220,346)\c&H00FFFF00}手のひらで揉み
Dialogue: 0,0:08:55.80,0:09:00.91,Default,,0,0,0,,{\pos(240,406)\c&H00FFFF00}穂先の形を作っていくのです{\fscx50}。
Dialogue: 0,0:09:10.95,0:09:17.66,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}揉む場所を変えるだけで
Dialogue: 0,0:09:10.95,0:09:17.66,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}穂先の形を自由に変えられるのだとか{\fscx50}。
Dialogue: 0,0:09:36.91,0:09:42.11,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}揉む場所を変えるだけで
Dialogue: 0,0:09:36.91,0:09:42.11,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}形が{\fscx50}　{\fscx100}まるで変わりました{\fscx50}。
Dialogue: 0,0:09:42.11,0:09:48.52,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}手のひらの感覚を頼りに
Dialogue: 0,0:09:42.11,0:09:48.52,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}穂先を整えていく{\fscx50}。　{\fscx100}職人技です{\fscx50}。
Dialogue: 0,0:10:21.89,0:10:24.79,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00\fscx50}「{\fscx100}かわいい{\fscx50}」　{\fscx100}大事です{\fscx50}。
Dialogue: 0,0:10:27.99,0:10:33.00,Default,,0,0,0,,{\pos(300,436)\c&H00FFFF00}繊細な肌触りを生み出す
Dialogue: 0,0:10:27.99,0:10:33.00,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}こだわりの技です{\fscx50}。
Dialogue: 0,0:10:38.30,0:10:43.14,Default,,0,0,0,,{\pos(340,436)\c&H00FFFF00}厳選した素材を惜しみなく使い
Dialogue: 0,0:10:38.30,0:10:43.14,Default,,0,0,0,,{\pos(360,496)\c&H00FFFF00}技を極めた➡
Dialogue: 0,0:10:43.14,0:10:48.05,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}鉄舟さんの手による究極の化粧筆です{\fscx50}。
Dialogue: 0,0:10:52.28,0:10:57.66,Default,,0,0,0,,{\pos(260,436)\c&H0000FFFF}え～っとね{\fscx50}　{\fscx100}確か{\fscx50}　{\fscx100}この中に
Dialogue: 0,0:10:52.28,0:10:57.66,Default,,0,0,0,,{\pos(280,496)\c&H0000FFFF}入ってたとは思うんですけどね{\fscx50}。
Dialogue: 0,0:10:57.66,0:11:00.49,Default,,0,0,0,,{\pos(480,436)\c&H00FFFF00}刷毛ですか？
Dialogue: 0,0:10:57.66,0:11:00.49,Default,,0,0,0,,{\pos(220,496)\c&H0000FFFF}えっ？{\fscx50}　{\fscx100}ええ{\fscx50}　{\fscx100}ええ{\fscx50}。
Dialogue: 0,0:11:00.49,0:11:05.87,Default,,0,0,0,,{\pos(180,436)\c&H0000FFFF}確かにね
Dialogue: 0,0:11:00.49,0:11:05.87,Default,,0,0,0,,{\pos(200,496)\c&H0000FFFF}この中に入ってたと思うんですよ{\fscx50}。
Dialogue: 0,0:11:05.87,0:11:08.47,Default,,0,0,0,,{\pos(240,496)\c&H0000FFFF}おっ{\fscx50}　{\fscx100}あった{\fscx50}　{\fscx100}あった{\fscx50}　{\fscx100}あった{\fscx50}。
Dialogue: 0,0:11:08.47,0:11:10.97,Default,,0,0,0,,{\pos(240,496)\c&H0000FFFF}これこれ{\fscx50}　{\fscx100}これですよ！{\fscx50}　{\fscx100}うん{\fscx50}。
Dialogue: 0,0:11:27.32,0:11:31.32,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}ここに刷毛とブラシの老舗があります{\fscx50}。
Dialogue: 0,0:11:33.26,0:11:35.39,Default,,0,0,0,,{\pos(320,496)}いらっしゃいませ{\fscx50}。
Dialogue: 0,0:11:35.39,0:11:41.40,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}店で扱っている刷毛とブラシは
Dialogue: 0,0:11:35.39,0:11:41.40,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}およそ{\fscx50}８００{\fscx100}種という専門店です{\fscx50}。
Dialogue: 0,0:11:47.04,0:11:51.31,Default,,0,0,0,,{\pos(480,352)\c&H00FFFF00\fscx50\fscy50}はまだ　かつとし
Dialogue: 0,0:11:47.04,0:11:51.31,Default,,0,0,0,,{\pos(200,406)\c&H00FFFF00}十二代目当主の濱田捷利さんです{\fscx50}。
Dialogue: 0,0:11:51.31,0:11:55.05,Default,,0,0,0,,{\pos(240,406)\c&H00FFFF00}店の創業は{\fscx50}　{\fscx100}なんと江戸中期{\fscx50}。
Dialogue: 0,0:11:55.05,0:11:59.95,Default,,0,0,0,,{\pos(320,352)\c&H00FFFF00\fscx50\fscy50}よしむね
Dialogue: 0,0:11:55.05,0:11:59.95,Default,,0,0,0,,{\pos(140,406)\c&H00FFFF00}八代将軍{\fscx50}　{\fscx100}吉宗に屋号を賜ったのだとか{\fscx50}。
Dialogue: 0,0:12:02.79,0:12:08.56,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}用途に合わせて作られ
Dialogue: 0,0:12:02.79,0:12:08.56,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}使われてきた江戸の刷毛{\fscx50}。
Dialogue: 0,0:12:08.56,0:12:14.37,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}庶民から大奥まで{\fscx50}　{\fscx100}日常の
Dialogue: 0,0:12:08.56,0:12:14.37,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}さまざまな場面で使われていました{\fscx50}。
Dialogue: 0,0:12:35.29,0:12:41.09,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}これは漆を塗るための{\fscx50}「{\fscx100}漆刷毛{\fscx50}」。
Dialogue: 0,0:12:41.09,0:12:45.73,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}人の髪の毛{\fscx50}　{\fscx100}それも{\fscx50}　３０{\fscx100}年以上
Dialogue: 0,0:12:41.09,0:12:45.73,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}乾燥させた➡
Dialogue: 0,0:12:45.73,0:12:50.34,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}日本女性の髪の毛が最適だと
Dialogue: 0,0:12:45.73,0:12:50.34,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}言われていました{\fscx50}。
Dialogue: 0,0:12:55.41,0:12:59.01,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00\fscx50}「{\fscx100}江戸刷毛{\fscx50}」{\fscx100}と名付けられた
Dialogue: 0,0:12:55.41,0:12:59.01,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}刷毛もあります{\fscx50}。
Dialogue: 0,0:13:02.85,0:13:09.66,Default,,0,0,0,,{\pos(300,292)\c&H00FFFF00\fscx50\fscy50}びょうぶ
Dialogue: 0,0:13:02.85,0:13:09.66,Default,,0,0,0,,{\pos(140,346)\c&H00FFFF00}掛け軸や屏風{\fscx50}　{\fscx100}ふすまや障子などの表具に
Dialogue: 0,0:13:02.85,0:13:09.66,Default,,0,0,0,,{\pos(160,406)\c&H00FFFF00}糊を塗る{\fscx50}「{\fscx100}糊刷毛{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:13:14.23,0:13:19.73,Default,,0,0,0,,{\pos(260,352)\c&H00FFFF00\fscx50\fscy50}きょうほう
Dialogue: 0,0:13:14.23,0:13:19.73,Default,,0,0,0,,{\pos(640,352)\c&H00FFFF00\fscx50\fscy50}ばんきんすぎわいぶくろ
Dialogue: 0,0:13:14.23,0:13:19.73,Default,,0,0,0,,{\pos(180,406)\c&H00FFFF00}江戸享保年間に書かれた{\fscx50}「{\fscx100}万金産業袋{\fscx50}」。
Dialogue: 0,0:13:21.70,0:13:27.31,Default,,0,0,0,,{\pos(200,196)\c&H00FFFF00}日用品などのよしあしを
Dialogue: 0,0:13:21.70,0:13:27.31,Default,,0,0,0,,{\pos(220,256)\c&H00FFFF00}解説したものです{\fscx50}。　{\fscx100}その中に…{\fscx50}。
Dialogue: 0,0:13:30.38,0:13:34.28,Default,,0,0,0,,{\pos(580,436)\c&H00FFFF00}当時の暮らしには
Dialogue: 0,0:13:30.38,0:13:34.28,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}欠かせないものだったんですね{\fscx50}。
Dialogue: 0,0:13:41.69,0:13:44.59,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}江戸刷毛とは{\fscx50}　{\fscx100}どういうものか{\fscx50}。
Dialogue: 0,0:13:44.59,0:13:47.99,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}老舗の表具師を訪ねました{\fscx50}。
Dialogue: 0,0:13:51.83,0:14:00.64,Default,,0,0,0,,{\pos(160,322)\c&H00FFFF00\fscx50\fscy50}いなさき
Dialogue: 0,0:13:51.83,0:14:00.64,Default,,0,0,0,,{\pos(160,376)\c&H00FFFF00}稲崎さんのご先祖は{\fscx50}　{\fscx100}江戸城への出入りと
Dialogue: 0,0:13:51.83,0:14:00.64,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}名字帯刀を許された表具師の筆頭格{\fscx50}。
Dialogue: 0,0:14:11.65,0:14:16.46,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}表具師が糊を塗るのに使う{\fscx50}　{\fscx100}糊刷毛です{\fscx50}。
Dialogue: 0,0:14:20.86,0:14:25.36,Default,,0,0,0,,{\pos(300,436)\c&H00FFFF00}表具に使う刷毛は他にも
Dialogue: 0,0:14:20.86,0:14:25.36,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}たくさんあります{\fscx50}。
Dialogue: 0,0:14:27.07,0:14:31.57,Default,,0,0,0,,{\pos(280,436)\c&H00FFFF00}貼った和紙をしっかり{\fscx50}　{\fscx100}なでつける
Dialogue: 0,0:14:27.07,0:14:31.57,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00\fscx50}「{\fscx100}なぜ刷毛{\fscx50}」。
Dialogue: 0,0:14:36.28,0:14:39.18,Default,,0,0,0,,{\pos(340,496)\c&H00FFFF00}こちらは{\fscx50}「{\fscx100}打ち刷毛{\fscx50}」。
Dialogue: 0,0:14:39.18,0:14:45.18,Default,,0,0,0,,{\pos(300,436)\c&H00FFFF00}たたくことで和紙の繊維が絡まり
Dialogue: 0,0:14:39.18,0:14:45.18,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}強く貼り付くといいます{\fscx50}。
Dialogue: 0,0:14:50.52,0:14:55.23,Default,,0,0,0,,{\pos(380,436)\c&H00FFFF00}細かいところに糊をつける
Dialogue: 0,0:14:50.52,0:14:55.23,Default,,0,0,0,,{\pos(400,496)\c&H00FFFF00\fscx50}「{\fscx100}切り継ぎ刷毛{\fscx50}」。
Dialogue: 0,0:15:00.20,0:15:02.30,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}よい江戸刷毛とは？
Dialogue: 0,0:15:07.11,0:15:11.18,Default,,0,0,0,,{\pos(200,376)}わずか{\fscx50}　{\fscx100}この{\fscx50}　{\fscx100}さっき{\fscx50}　チョンチョンチョン{\fscx100}と
Dialogue: 0,0:15:07.11,0:15:11.18,Default,,0,0,0,,{\pos(220,436)}つけましたけれども➡
Dialogue: 0,0:15:11.18,0:15:13.11,Default,,0,0,0,,{\pos(300,496)}ミリでいけば３ミり➡
Dialogue: 0,0:15:13.11,0:15:19.82,Default,,0,0,0,,{\pos(700,382)\fscx50\fscy50}ぶ
Dialogue: 0,0:15:13.11,0:15:19.82,Default,,0,0,0,,{\pos(180,436)}私たちの言い方でいくと約１分を
Dialogue: 0,0:15:13.11,0:15:19.82,Default,,0,0,0,,{\pos(200,496)}つけていくわけですけれども…
Dialogue: 0,0:15:34.93,0:15:39.77,Default,,0,0,0,,{\pos(140,346)}適当なコシが{\fscx50}。　{\fscx100}強すぎてもいけないし
Dialogue: 0,0:15:34.93,0:15:39.77,Default,,0,0,0,,{\pos(160,406)}弱すぎてもいけないという➡
Dialogue: 0,0:15:39.77,0:15:43.48,Default,,0,0,0,,{\pos(220,436)}コシの強さというのが
Dialogue: 0,0:15:39.77,0:15:43.48,Default,,0,0,0,,{\pos(240,496)}一番大事になってきますよね{\fscx50}。
Dialogue: 0,0:15:47.81,0:15:55.12,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}毛先に糊をつけた時{\fscx50}　{\fscx100}一直線にそろうのが
Dialogue: 0,0:15:47.81,0:15:55.12,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}よい江戸刷毛{\fscx50}。
Dialogue: 0,0:15:58.92,0:16:01.23,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}二つ目のツボは…
Dialogue: 0,0:16:10.84,0:16:16.64,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今も変わらぬ技で{\fscx50}　{\fscx100}江戸刷毛を作り続ける
Dialogue: 0,0:16:10.84,0:16:16.64,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}親子がいます{\fscx50}。
Dialogue: 0,0:16:19.55,0:16:24.35,Default,,0,0,0,,{\pos(320,382)\c&H00FFFF00\fscx50\fscy50}しげみ
Dialogue: 0,0:16:19.55,0:16:24.35,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}田中重己さん{\fscx50}。　{\fscx100}この道{\fscx50}６４{\fscx100}年{\fscx50}。
Dialogue: 0,0:16:27.69,0:16:31.29,Default,,0,0,0,,{\pos(360,442)\c&H00FFFF00\fscx50\fscy50}こうへい
Dialogue: 0,0:16:27.69,0:16:31.29,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}息子の田中宏平さん{\fscx50}。
Dialogue: 0,0:16:35.93,0:16:43.27,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}江戸の表具師が使った当時のままの姿で
Dialogue: 0,0:16:35.93,0:16:43.27,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}今も使われる江戸刷毛{\fscx50}。
Dialogue: 0,0:16:43.27,0:16:48.57,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}田中さんが作る刷毛は
Dialogue: 0,0:16:43.27,0:16:48.57,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}国宝の修復にも使われています{\fscx50}。
Dialogue: 0,0:16:51.98,0:17:00.09,Default,,0,0,0,,{\pos(420,352)\c&H00FFFF00\fscx50\fscy50}あづち
Dialogue: 0,0:16:51.98,0:17:00.09,Default,,0,0,0,,{\pos(140,406)\c&H00FFFF00}その国宝とは{\fscx50}　{\fscx100}安土桃山時代の絵師
Dialogue: 0,0:16:51.98,0:17:00.09,Default,,0,0,0,,{\pos(160,442)\c&H00FFFF00\fscx50\fscy50}かのう　えいとく
Dialogue: 0,0:16:51.98,0:17:00.09,Default,,0,0,0,,{\pos(440,442)\c&H00FFFF00\fscx50\fscy50}ひのき
Dialogue: 0,0:16:51.98,0:17:00.09,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}狩野永徳による檜図屏風{\fscx50}。
Dialogue: 0,0:17:02.99,0:17:11.40,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}経年劣化によって{\fscx50}　{\fscx100}絵の具が剥落したため
Dialogue: 0,0:17:02.99,0:17:11.40,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00\fscx50}１８{\fscx100}か月かけて修復が行われました{\fscx50}。
Dialogue: 0,0:17:15.20,0:17:20.11,Default,,0,0,0,,{\pos(280,436)\c&H00FFFF00}その時に使われたのが
Dialogue: 0,0:17:15.20,0:17:20.11,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00}田中さんの刷毛でした{\fscx50}。
Dialogue: 0,0:17:29.35,0:17:33.95,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}これが田中さんの作った糊刷毛{\fscx50}。
Dialogue: 0,0:17:36.22,0:17:43.33,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}刷毛{\fscx50}５０{\fscx100}本分に使う毛の下処理だけで
Dialogue: 0,0:17:36.22,0:17:43.33,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}およそ２か月もかかります{\fscx50}。
Dialogue: 0,0:18:09.89,0:18:13.69,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}糊刷毛に使う毛は{\fscx50}　{\fscx100}馬の尻尾{\fscx50}。
Dialogue: 0,0:18:20.10,0:18:24.70,Default,,0,0,0,,{\pos(260,442)\c&H00FFFF00\fscx50\fscy50}さきぞろ
Dialogue: 0,0:18:20.10,0:18:24.70,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00\fscx50}「{\fscx100}先揃え{\fscx50}」。　{\fscx100}毛先を揃える作業です{\fscx50}。
Dialogue: 0,0:18:32.44,0:18:38.25,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}右手で毛先を持ち
Dialogue: 0,0:18:32.44,0:18:38.25,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}丁寧に引き出し{\fscx50}　{\fscx100}揃えていきます{\fscx50}。
Dialogue: 0,0:18:43.76,0:18:47.66,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}刷毛にとって{\fscx50}　{\fscx100}毛先は命{\fscx50}。
Dialogue: 0,0:18:50.66,0:18:58.47,Default,,0,0,0,,{\pos(140,376)\c&H00FFFF00}さらに逆毛や毛先のないものを
Dialogue: 0,0:18:50.66,0:18:58.47,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}小刀で取り除く{\fscx50}「{\fscx100}すれ取り{\fscx50}」{\fscx100}を行います{\fscx50}。
Dialogue: 0,0:19:06.08,0:19:08.91,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}毛先を一直線に揃えることで➡
Dialogue: 0,0:19:08.91,0:19:13.52,Default,,0,0,0,,{\pos(200,436)\c&H00FFFF00}糊を均等に{\fscx50}　{\fscx100}和紙につけることが
Dialogue: 0,0:19:08.91,0:19:13.52,Default,,0,0,0,,{\pos(220,496)\c&H00FFFF00}できるのです{\fscx50}。
Dialogue: 0,0:19:18.96,0:19:23.06,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}まさに刷毛作りの真骨頂{\fscx50}。
Dialogue: 0,0:19:28.73,0:19:31.64,Default,,0,0,0,,{\pos(360,496)\c&H00FFFF00}そして仕上げ{\fscx50}。
Dialogue: 0,0:19:45.12,0:19:50.22,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}檜の板を三味線の糸で{\fscx50}　{\fscx100}とじていきます{\fscx50}。
Dialogue: 0,0:20:12.95,0:20:20.75,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}余分なものは一切なく{\fscx50}　{\fscx100}ただただ
Dialogue: 0,0:20:12.95,0:20:20.75,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}仕事をするためだけに作られた姿{\fscx50}。
Dialogue: 0,0:20:24.32,0:20:31.43,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}丁寧な仕事が生み出した
Dialogue: 0,0:20:24.32,0:20:31.43,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}江戸のよきものが{\fscx50}　{\fscx100}ここにありました{\fscx50}。
Dialogue: 0,0:20:43.31,0:20:46.91,Default,,0,0,0,,{\pos(420,496)\fscx50}（{\fscx100}鼻歌{\fscx50}）
Dialogue: 0,0:20:56.52,0:20:58.52,Default,,0,0,0,,{\pos(300,496)\c&H0000FFFF}ん？
Dialogue: 0,0:21:00.89,0:21:03.93,Default,,0,0,0,,{\pos(300,436)\c&H0000FFFF}あ？
Dialogue: 0,0:21:00.89,0:21:03.93,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}えっ{\fscx50}　{\fscx100}どうしたんですか？
Dialogue: 0,0:21:03.93,0:21:09.60,Default,,0,0,0,,{\pos(200,496)\c&H0000FFFF}えっ{\fscx50}　{\fscx100}これ…{\fscx50}　{\fscx100}下の段からかな？
Dialogue: 0,0:21:09.60,0:21:12.97,Default,,0,0,0,,{\pos(240,496)\c&H0000FFFF}それとも{\fscx50}　{\fscx100}これ{\fscx50}　{\fscx100}上の段から？
Dialogue: 0,0:21:12.97,0:21:15.17,Default,,0,0,0,,{\pos(180,496)\c&H0000FFFF}え？{\fscx50}　{\fscx100}これ{\fscx50}　{\fscx100}どっちからだっけね…{\fscx50}。
Dialogue: 0,0:21:26.52,0:21:31.22,Default,,0,0,0,,{\pos(520,442)\c&H00FFFF00\fscx50\fscy50}せんば
Dialogue: 0,0:21:26.52,0:21:31.22,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}大阪{\fscx50}。　{\fscx100}かつて船場といわれた辺り{\fscx50}。
Dialogue: 0,0:21:33.63,0:21:39.63,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}靴ブラシがブームの今{\fscx50}　{\fscx100}マニアにとって
Dialogue: 0,0:21:33.63,0:21:39.63,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}垂ぜんのお店があります{\fscx50}。
Dialogue: 0,0:21:43.70,0:21:50.81,Default,,0,0,0,,{\pos(160,406)\c&H00FFFF00\fscx50}２０１８{\fscx100}年{\fscx50}「{\fscx100}靴磨き日本選手権{\fscx50}」{\fscx100}で優勝した
Dialogue: 0,0:21:43.70,0:21:50.81,Default,,0,0,0,,{\pos(180,442)\c&H00FFFF00\fscx50\fscy50}いしみ
Dialogue: 0,0:21:43.70,0:21:50.81,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}石見さんのお店{\fscx50}。
Dialogue: 0,0:21:53.41,0:21:56.42,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}プロの靴磨きを見せてもらいました{\fscx50}。
Dialogue: 0,0:22:02.69,0:22:07.29,Default,,0,0,0,,{\pos(280,436)\c&H00FFFF00}まず馬毛のブラシで
Dialogue: 0,0:22:02.69,0:22:07.29,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00}丁寧に汚れを取ります{\fscx50}。
Dialogue: 0,0:22:13.07,0:22:17.70,Default,,0,0,0,,{\pos(280,436)\c&H00FFFF00}表面に残る古い油や
Dialogue: 0,0:22:13.07,0:22:17.70,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00}ろうを取り除いたあと➡
Dialogue: 0,0:22:17.70,0:22:20.01,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}クリームを塗っていきます{\fscx50}。
Dialogue: 0,0:22:25.18,0:22:29.05,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}次に使うのが{\fscx50}　{\fscx100}豚毛のブラシ{\fscx50}。
Dialogue: 0,0:22:29.05,0:22:33.39,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}コシがあって硬い豚毛は
Dialogue: 0,0:22:29.05,0:22:33.39,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}クリームを均一に伸ばし➡
Dialogue: 0,0:22:33.39,0:22:36.69,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}靴を輝かせることができます{\fscx50}。
Dialogue: 0,0:22:42.63,0:22:49.84,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}修業中{\fscx50}　{\fscx100}石見さんは３年で
Dialogue: 0,0:22:42.63,0:22:49.84,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}実に２万足を超える靴を磨いたとか{\fscx50}。
Dialogue: 0,0:22:56.17,0:22:59.61,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}最後に使うブラシがヤギ{\fscx50}。
Dialogue: 0,0:22:59.61,0:23:03.45,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}ワックスを{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}少しの水を含ませた
Dialogue: 0,0:22:59.61,0:23:03.45,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}ヤギのブラシで➡
Dialogue: 0,0:23:03.45,0:23:06.55,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}靴全体に行き渡らせます{\fscx50}。
Dialogue: 0,0:23:19.90,0:23:23.10,Default,,0,0,0,,{\pos(320,496)}これで終わりです{\fscx50}。
Dialogue: 0,0:23:23.10,0:23:27.81,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}一足にかかる時間は{\fscx50}　４０{\fscx100}分から１時間{\fscx50}。
Dialogue: 0,0:23:37.48,0:23:40.79,Default,,0,0,0,,{\pos(320,496)\c&H00FFFF00}つま先は{\fscx50}　{\fscx100}まるで鏡{\fscx50}。
Dialogue: 0,0:23:44.26,0:23:47.86,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}石見さんにとって{\fscx50}　{\fscx100}靴ブラシとは？
Dialogue: 0,0:23:58.74,0:24:00.94,Default,,0,0,0,,{\pos(400,496)}靴ブラシ…{\fscx50}。
Dialogue: 0,0:24:03.91,0:24:09.92,Default,,0,0,0,,{\pos(140,436)}道具は道具ですけど{\fscx50}　{\fscx100}やはり{\fscx50}　{\fscx100}その何か…
Dialogue: 0,0:24:30.70,0:24:33.21,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}三つ目のツボは…
Dialogue: 0,0:24:42.81,0:24:48.62,Default,,0,0,0,,{\pos(260,442)\c&H00FFFF00\fscx50\fscy50}かめいど
Dialogue: 0,0:24:42.81,0:24:48.62,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}東京{\fscx50}・{\fscx100}亀戸{\fscx50}。　{\fscx100}下町の住宅街の奥{\fscx50}。
Dialogue: 0,0:24:54.73,0:24:59.73,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}ここは{\fscx50}　{\fscx100}オーダーメードの靴ブラシを作る
Dialogue: 0,0:24:54.73,0:24:59.73,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}工房です{\fscx50}。
Dialogue: 0,0:25:24.09,0:25:29.46,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}毛の種類や長さ{\fscx50}　{\fscx100}持ち手の大きさや形
Dialogue: 0,0:25:24.09,0:25:29.46,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}色など➡
Dialogue: 0,0:25:29.46,0:25:33.67,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}使う人の注文に応じて組み合わせます{\fscx50}。
Dialogue: 0,0:25:41.71,0:25:47.61,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}寺沢さんが作るブラシの毛は
Dialogue: 0,0:25:41.71,0:25:47.61,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00}なんと{\fscx50}　{\fscx100}全て手植え{\fscx50}。
Dialogue: 0,0:25:52.12,0:25:57.52,Default,,0,0,0,,{\pos(220,436)\c&H00FFFF00}先代の父から受け継いだ
Dialogue: 0,0:25:52.12,0:25:57.52,Default,,0,0,0,,{\pos(240,496)\c&H00FFFF00\fscx50}「{\fscx100}手植えブラシ{\fscx50}」{\fscx100}の技法です{\fscx50}。
Dialogue: 0,0:26:00.83,0:26:07.27,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}大切なことの一つが{\fscx50}　{\fscx100}毛を植える穴の形{\fscx50}。
Dialogue: 0,0:26:07.27,0:26:12.87,Default,,0,0,0,,{\pos(280,436)\c&H00FFFF00}表は大きく{\fscx50}　{\fscx100}裏は小さく
Dialogue: 0,0:26:07.27,0:26:12.87,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00}穴を開けていきます{\fscx50}。
Dialogue: 0,0:26:12.87,0:26:19.08,Default,,0,0,0,,{\pos(140,436)\c&H00FFFF00}大きい穴から二つ折りにした毛の束を入れ
Dialogue: 0,0:26:12.87,0:26:19.08,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}裏から留めるためです{\fscx50}。
Dialogue: 0,0:26:22.55,0:26:26.35,Default,,0,0,0,,{\pos(140,496)\c&H00FFFF00}こうすることで{\fscx50}　{\fscx100}毛が抜けにくくなります{\fscx50}。
Dialogue: 0,0:26:30.32,0:26:33.73,Default,,0,0,0,,{\pos(300,496)\c&H00FFFF00}使うのは専用の工具{\fscx50}。
Dialogue: 0,0:26:42.57,0:26:45.27,Default,,0,0,0,,{\pos(360,496)\c&H00FFFF00}そして手植え{\fscx50}。
Dialogue: 0,0:26:49.87,0:26:55.68,Default,,0,0,0,,{\pos(260,436)\c&H00FFFF00}小さな穴のほうから
Dialogue: 0,0:26:49.87,0:26:55.68,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}ステンレスの針金を通し➡
Dialogue: 0,0:26:55.68,0:27:02.29,Default,,0,0,0,,{\pos(160,436)\c&H00FFFF00}指で毛の束をつまみ{\fscx50}　{\fscx100}針金で引っかけ
Dialogue: 0,0:26:55.68,0:27:02.29,Default,,0,0,0,,{\pos(180,496)\c&H00FFFF00}引っ張って留める{\fscx50}。
Dialogue: 0,0:27:19.34,0:27:23.88,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}はかりを使うわけではなく
Dialogue: 0,0:27:19.34,0:27:23.88,Default,,0,0,0,,{\pos(260,496)\c&H00FFFF00}寺沢さんの指先は➡
Dialogue: 0,0:27:23.88,0:27:28.48,Default,,0,0,0,,{\pos(160,496)\c&H00FFFF00}正確に同じ量の毛を植えていきます{\fscx50}。
Dialogue: 0,0:27:38.46,0:27:41.56,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}最後に毛先を揃えます{\fscx50}。
Dialogue: 0,0:28:01.61,0:28:03.72,Default,,0,0,0,,{\pos(300,496)}はい{\c&H00FFFF00\fscx50}　{\c&H00FFFFFF\fscx100}出来上がりました{\fscx50}。
Dialogue: 0,0:28:06.75,0:28:13.06,Default,,0,0,0,,{\pos(180,436)\c&H00FFFF00}ブラシの毛先が{\fscx50}　{\fscx100}まるで木の板から
Dialogue: 0,0:28:06.75,0:28:13.06,Default,,0,0,0,,{\pos(200,496)\c&H00FFFF00}自然に生えてきたようです{\fscx50}。
Dialogue: 0,0:28:15.89,0:28:20.67,Default,,0,0,0,,{\pos(280,376)\c&H00FFFF00}靴の輝きを引き立てる
Dialogue: 0,0:28:15.89,0:28:20.67,Default,,0,0,0,,{\pos(300,436)\c&H00FFFF00}極上のパートナー{\fscx50}。
Dialogue: 0,0:28:20.67,0:28:24.57,Default,,0,0,0,,{\pos(240,436)\c&H00FFFF00}今日も紳士の足元を彩ります{\fscx50}。
Dialogue: 0,0:28:30.34,0:28:32.28,Default,,0,0,0,,{\pos(280,496)\c&H00FFFF00}きれいに貼れましたね{\fscx50}。
Dialogue: 0,0:28:32.28,0:28:36.58,Default,,0,0,0,,{\pos(220,436)\c&H0000FFFF}そうでしょう？
Dialogue: 0,0:28:32.28,0:28:36.58,Default,,0,0,0,,{\pos(240,496)\c&H0000FFFF}我ながら{\fscx50}　{\fscx100}よくできました{\fscx50}。
Dialogue: 0,0:28:36.58,0:28:38.58,Default,,0,0,0,,{\pos(200,496)\c&H0000FFFF}あれ？
Dialogue: 0,0:28:42.29,0:28:48.66,Default,,0,0,0,,{\pos(280,346)\c&H0000FFFF}次は靴磨きですね{\fscx50}。
Dialogue: 0,0:28:42.29,0:28:48.66,Default,,0,0,0,,{\pos(300,406)\c&H0000FFFF}ええ{\fscx50}　{\fscx100}何でも磨きますよ{\fscx50}。
Dialogue: 0,0:28:48.66,0:28:53.26,Default,,0,0,0,,{\pos(180,406)\c&H0000FFFF}しかし{\fscx50}　{\fscx100}これ…{\fscx50}。
Dialogue: 0,0:28:53.26,0:28:55.20,Default,,0,0,0,,{\pos(200,406)\c&H0000FFFF}これ{\fscx50}　{\fscx100}どう磨こう？
Dialogue: 0,0:28:55.20,0:28:57.20,Default,,0,0,0,,{\pos(440,496)\c&H00FFFF00}さあ…{\fscx50}。