[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540
LayoutResX: 960
LayoutResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,A-OTF Maru Folk Pro B,42,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,-1,0,0,0,100,100,0,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.20,0:00:30.63,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:00:30.63,0:00:37.30,Default,,0000,0000,0000,,{\pos(580,406)}⚟♬～{\fscx50}（{\fscx100}祭り囃子{\fscx50}）
Dialogue: 0,0:00:37.30,0:00:40.21,Default,,0000,0000,0000,,{\pos(580,406)}⚟♬～{\fscx50}（{\fscx100}祭り囃子{\fscx50}）
Dialogue: 0,0:00:37.30,0:00:40.21,Default,,0000,0000,0000,,{\pos(140,436)\c&H0000FFFF}あ～{\fscx50}　{\fscx100}やってる
Dialogue: 0,0:00:37.30,0:00:40.21,Default,,0000,0000,0000,,{\pos(160,496)\c&H0000FFFF}やってる～！
Dialogue: 0,0:00:40.21,0:00:45.81,Default,,0000,0000,0000,,{\pos(340,436)\c&H00FFFF00}お祭りですか？
Dialogue: 0,0:00:40.21,0:00:45.81,Default,,0000,0000,0000,,{\pos(140,496)\c&H0000FFFF}えっ？{\fscx50}　{\fscx100}そこのね鎮守様でね{\fscx50}。　{\fscx100}ふふふ{\fscx50}。
Dialogue: 0,0:00:45.81,0:00:48.52,Default,,0000,0000,0000,,{\pos(200,442)\c&H00FFFF00\fscx50\fscy50}くさかり
Dialogue: 0,0:00:45.81,0:00:48.52,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}草刈さん{\fscx50}　{\fscx100}お祭り男だったの？
Dialogue: 0,0:00:48.52,0:00:54.62,Default,,0000,0000,0000,,{\pos(400,442)\c&H0000FFFF\fscx50\fscy50}まさお
Dialogue: 0,0:00:48.52,0:00:54.62,Default,,0000,0000,0000,,{\pos(520,436)\c&H0000FFFF}えぇ？{\fscx50}　{\fscx100}これでも昔ね
Dialogue: 0,0:00:48.52,0:00:54.62,Default,,0000,0000,0000,,{\pos(200,496)\c&H0000FFFF}暴れ太鼓の正雄なんて呼ばれてたのよ{\fscx50}。
Dialogue: 0,0:00:56.26,0:01:00.13,Default,,0000,0000,0000,,{\pos(320,496)}⚟てぇへんだ{\fscx50}　{\fscx100}てぇへんだい！➡
Dialogue: 0,0:01:00.13,0:01:03.13,Default,,0000,0000,0000,,{\pos(380,496)}草刈さん{\fscx50}　{\fscx100}てぇへんだ！
Dialogue: 0,0:01:05.67,0:01:25.95,Default,,0000,0000,0000,,{\pos(280,442)\fscx50\fscy50}ぐれんげ
Dialogue: 0,0:01:05.67,0:01:25.95,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「{\fscx100}紅蓮華{\fscx50}」）
Dialogue: 0,0:01:25.95,0:01:29.29,Default,,0000,0000,0000,,{\pos(560,436)\c&H00FFFF00}今{\fscx50}　{\fscx100}和楽器が熱い！
Dialogue: 0,0:01:25.95,0:01:29.29,Default,,0000,0000,0000,,{\pos(620,496)}♬～{\fscx50}（「{\fscx100}紅蓮華{\fscx50}」）
Dialogue: 0,0:01:29.29,0:01:37.53,Default,,0000,0000,0000,,{\pos(620,496)}♬～{\fscx50}（「{\fscx100}紅蓮華{\fscx50}」）
Dialogue: 0,0:01:37.53,0:01:45.27,Default,,0000,0000,0000,,{\pos(140,406)\c&H00FFFF00}懐かしさと新しさが共存する響きに
Dialogue: 0,0:01:37.53,0:01:45.27,Default,,0000,0000,0000,,{\pos(140,466)\c&H00FFFF00}若いファンが増え続けています{\fscx50}。
Dialogue: 0,0:01:45.27,0:01:53.31,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「{\fscx100}紅蓮華{\fscx50}」）
Dialogue: 0,0:01:53.31,0:01:57.82,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}美しさと音色を追求した究極の姿は➡
Dialogue: 0,0:01:57.82,0:02:04.32,Default,,0000,0000,0000,,{\pos(180,406)\c&H00FFFF00}何代にもわたり
Dialogue: 0,0:01:57.82,0:02:04.32,Default,,0000,0000,0000,,{\pos(440,442)\c&H00FFFF00\fscx50\fscy50}たくみ
Dialogue: 0,0:01:57.82,0:02:04.32,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}工夫を重ねた匠の技の結晶です{\fscx50}。
Dialogue: 0,0:02:08.26,0:02:12.93,Default,,0000,0000,0000,,{\pos(280,496)\c&H00FFFF00}和楽器は世界を魅了{\fscx50}。
Dialogue: 0,0:02:12.93,0:02:15.24,Default,,0000,0000,0000,,{\pos(340,496)\c&H00FFFF00}その例えは…{\fscx50}。
Dialogue: 0,0:02:18.84,0:02:22.61,Default,,0000,0000,0000,,{\pos(240,442)\fscx50\fscy50}しょう
Dialogue: 0,0:02:18.84,0:02:22.61,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}笙{\fscx50}）
Dialogue: 0,0:02:22.61,0:02:28.31,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00\fscx50}１，０００{\fscx100}年以上
Dialogue: 0,0:02:22.61,0:02:28.31,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}変わらぬ響きが表すものとは？
Dialogue: 0,0:02:34.22,0:02:42.23,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}不思議が{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}いっぱい{\fscx50}。
Dialogue: 0,0:02:34.22,0:02:42.23,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}知られざる和楽器の魅力をご紹介します{\fscx50}。
Dialogue: 0,0:02:45.80,0:02:53.01,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:02:55.14,0:03:01.75,Default,,0000,0000,0000,,{\pos(560,322)\c&H00FFFF00\fscx50\fscy50}あうん
Dialogue: 0,0:02:55.14,0:03:01.75,Default,,0000,0000,0000,,{\pos(140,376)\c&H00FFFF00}音合わせする時の極意{\fscx50}「{\fscx100}阿吽の呼吸{\fscx50}」{\fscx100}が
Dialogue: 0,0:02:55.14,0:03:01.75,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}その名の由来{\fscx50}。
Dialogue: 0,0:03:01.75,0:03:05.08,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00\fscx50}アウン・ジェイ・クラシック・オーケストラ{\fscx100}です{\fscx50}。
Dialogue: 0,0:03:05.08,0:03:10.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}腕利きの和楽器奏者７人が集まりました{\fscx50}。
Dialogue: 0,0:03:12.26,0:03:17.60,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}和楽器の種類は大きく３つ{\fscx50}。
Dialogue: 0,0:03:17.60,0:03:23.30,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}箏や三味線などの弦楽器
Dialogue: 0,0:03:17.60,0:03:23.30,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00\fscx50}「{\fscx100}弾きもの{\fscx50}」。
Dialogue: 0,0:03:24.94,0:03:30.24,Default,,0000,0000,0000,,{\pos(140,382)\c&H00FFFF00\fscx50\fscy50}しのぶえ
Dialogue: 0,0:03:24.94,0:03:30.24,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}篠笛や尺八などの管楽器
Dialogue: 0,0:03:24.94,0:03:30.24,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00\fscx50}「{\fscx100}吹きもの{\fscx50}」。
Dialogue: 0,0:03:35.28,0:03:40.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}太鼓や鼓などの打楽器
Dialogue: 0,0:03:35.28,0:03:40.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00\fscx50}「{\fscx100}打ちもの{\fscx50}」。
Dialogue: 0,0:03:43.02,0:03:51.30,Default,,0000,0000,0000,,{\pos(140,406)\c&H00FFFF00}和楽器の音色の特色を
Dialogue: 0,0:03:43.02,0:03:51.30,Default,,0000,0000,0000,,{\pos(360,442)\c&H00FFFF00\fscx50\fscy50}いしがきせいざん
Dialogue: 0,0:03:43.02,0:03:51.30,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}尺八奏者の石垣征山さんに聞きました{\fscx50}。
Dialogue: 0,0:03:51.30,0:03:54.30,Default,,0000,0000,0000,,{\pos(140,406)\fscx50}（{\fscx100}石垣{\fscx50}）{\fscx100}尺八は{\fscx50}　{\fscx100}その{\fscx50}　{\fscx100}いわゆる…
Dialogue: 0,0:03:59.17,0:04:01.11,Default,,0000,0000,0000,,{\pos(180,406)}え～{\fscx50}　{\fscx100}まあ{\fscx50}　{\fscx100}例えば…{\fscx50}。
Dialogue: 0,0:04:01.11,0:04:04.24,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}尺八{\fscx50}）
Dialogue: 0,0:04:04.24,0:04:06.25,Default,,0000,0000,0000,,{\pos(220,436)}こういう…
Dialogue: 0,0:04:08.92,0:04:12.92,Default,,0000,0000,0000,,{\pos(140,406)}それを表現の一つとして
Dialogue: 0,0:04:08.92,0:04:12.92,Default,,0000,0000,0000,,{\pos(160,466)}確立させてきた楽器ですね{\fscx50}。
Dialogue: 0,0:04:16.26,0:04:20.66,Default,,0000,0000,0000,,{\pos(140,406)}顎を引いたり出したりすることによって
Dialogue: 0,0:04:16.26,0:04:20.66,Default,,0000,0000,0000,,{\pos(160,466)}音程感が変わるので{\fscx50}。
Dialogue: 0,0:04:20.66,0:04:28.77,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}尺八{\fscx50}）
Dialogue: 0,0:04:43.88,0:04:46.25,Default,,0000,0000,0000,,{\pos(240,406)}…楽器だなと思ってます{\fscx50}。
Dialogue: 0,0:04:46.25,0:04:49.62,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「オリエンタル・ジャーニー」）
Dialogue: 0,0:04:49.62,0:04:55.30,Default,,0000,0000,0000,,{\pos(220,376)\c&H00FFFF00}へぇ～{\fscx50}。　{\fscx100}ちょっと{\fscx50}　{\fscx100}もう一度
Dialogue: 0,0:04:49.62,0:04:55.30,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}聴いてみましょうか{\fscx50}。
Dialogue: 0,0:04:49.62,0:04:55.30,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「オリエンタル・ジャーニー」）
Dialogue: 0,0:04:55.30,0:05:27.76,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「オリエンタル・ジャーニー」）
Dialogue: 0,0:05:27.76,0:05:31.56,Default,,0000,0000,0000,,{\pos(520,382)\c&H00FFFF00\fscx50\fscy50}つぼ
Dialogue: 0,0:05:27.76,0:05:31.56,Default,,0000,0000,0000,,{\pos(300,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}最初の壺は…
Dialogue: 0,0:05:38.27,0:05:44.14,Default,,0000,0000,0000,,{\pos(280,382)\c&H00FFFF00\fscx50\fscy50}してんのうじ
Dialogue: 0,0:05:38.27,0:05:44.14,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}大阪の四天王寺{\fscx50}。
Dialogue: 0,0:05:38.27,0:05:44.14,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00\fscx50}１，４００{\fscx100}年以上前に建立された➡
Dialogue: 0,0:05:44.14,0:05:48.15,Default,,0000,0000,0000,,{\pos(140,382)\c&H00FFFF00\fscx50\fscy50}しょうとくたいし
Dialogue: 0,0:05:44.14,0:05:48.15,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}聖徳太子と
Dialogue: 0,0:05:44.14,0:05:48.15,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}ゆかりの深いお寺です{\fscx50}。
Dialogue: 0,0:05:50.28,0:05:58.16,Default,,0000,0000,0000,,{\pos(160,406)\c&H00FFFF00}旧暦の２月{\fscx50}２２{\fscx100}日{\fscx50}。
Dialogue: 0,0:05:50.28,0:05:58.16,Default,,0000,0000,0000,,{\pos(180,466)\c&H00FFFF00}聖徳太子の命日に奉納される雅楽{\fscx50}。
Dialogue: 0,0:05:58.16,0:06:06.77,Default,,0000,0000,0000,,{\pos(140,406)\c&H00FFFF00}雅楽は{\fscx50}　{\fscx100}大陸から伝わった楽器や音楽が
Dialogue: 0,0:05:58.16,0:06:06.77,Default,,0000,0000,0000,,{\pos(160,466)\c&H00FFFF00}日本独自の発展を遂げたもの{\fscx50}。
Dialogue: 0,0:06:06.77,0:06:11.90,Default,,0000,0000,0000,,{\pos(420,352)\c&H00FFFF00\fscx50\fscy50}れいめいき
Dialogue: 0,0:06:06.77,0:06:11.90,Default,,0000,0000,0000,,{\pos(200,406)\c&H00FFFF00}聖徳太子も{\fscx50}　{\fscx100}黎明期に
Dialogue: 0,0:06:06.77,0:06:11.90,Default,,0000,0000,0000,,{\pos(220,466)\c&H00FFFF00}仏教に取り入れたのだとか{\fscx50}。
Dialogue: 0,0:06:11.90,0:06:15.91,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}その伝え方は独特です{\fscx50}。
Dialogue: 0,0:06:15.91,0:06:20.05,Default,,0000,0000,0000,,{\pos(440,466)\fscx50}（{\fscx100}小野{\fscx50}）{\fscx100}基本的には…
Dialogue: 0,0:06:20.05,0:06:24.25,Default,,0000,0000,0000,,{\pos(360,406)}…という形で
Dialogue: 0,0:06:20.05,0:06:24.25,Default,,0000,0000,0000,,{\pos(380,466)}雅楽は伝えられてきました{\fscx50}。
Dialogue: 0,0:06:24.25,0:06:26.92,Default,,0000,0000,0000,,{\pos(460,436)}で{\fscx50}　{\fscx100}その口伝のしかた
Dialogue: 0,0:06:24.25,0:06:26.92,Default,,0000,0000,0000,,{\pos(480,496)}っていうものも➡
Dialogue: 0,0:06:26.92,0:06:32.23,Default,,0000,0000,0000,,{\pos(440,352)\fscx50\fscy50}しょうが
Dialogue: 0,0:06:26.92,0:06:32.23,Default,,0000,0000,0000,,{\pos(640,352)\fscx50\fscy50}しょうか
Dialogue: 0,0:06:26.92,0:06:32.23,Default,,0000,0000,0000,,{\pos(740,352)\fscx50\fscy50}しょうが
Dialogue: 0,0:06:26.92,0:06:32.23,Default,,0000,0000,0000,,{\pos(440,406)}唱歌{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}まあ{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}唱歌{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}唱歌
Dialogue: 0,0:06:26.92,0:06:32.23,Default,,0000,0000,0000,,{\pos(460,466)}とも言いますけれど…
Dialogue: 0,0:06:35.06,0:06:49.28,Default,,0000,0000,0000,,{\pos(560,436)}♬{\fscx50}「{\fscx100}お～{\fscx50}　{\fscx100}ら～{\fscx50}　{\fscx100}ろ～
Dialogue: 0,0:06:35.06,0:06:49.28,Default,,0000,0000,0000,,{\pos(580,496)}お～{\fscx50}　{\fscx100}る～{\fscx50}　{\fscx100}ろ～{\fscx50}」
Dialogue: 0,0:06:49.28,0:06:55.62,Default,,0000,0000,0000,,{\pos(160,436)\fscx50}（{\fscx100}小野{\fscx50}）{\fscx100}それと同じように{\fscx50}　{\fscx100}そっくり
Dialogue: 0,0:06:49.28,0:06:55.62,Default,,0000,0000,0000,,{\pos(180,496)}同じように{\fscx50}　{\fscx100}まねて{\fscx50}　{\fscx100}生徒が歌うと{\fscx50}。
Dialogue: 0,0:06:55.62,0:07:08.19,Default,,0000,0000,0000,,{\pos(160,436)}♬{\fscx50}「{\fscx100}お～{\fscx50}　{\fscx100}ら～{\fscx50}　{\fscx100}ろ～
Dialogue: 0,0:06:55.62,0:07:08.19,Default,,0000,0000,0000,,{\pos(180,496)}お～{\fscx50}　{\fscx100}る～{\fscx50}　{\fscx100}ろ～{\fscx50}」
Dialogue: 0,0:07:08.19,0:07:11.20,Default,,0000,0000,0000,,{\pos(240,406)\fscx50}（{\fscx100}小野{\fscx50}）{\fscx100}そういう歌の中に…
Dialogue: 0,0:07:27.25,0:07:36.26,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:07:39.26,0:07:44.50,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}江戸時代から今も使われる譜面です{\fscx50}。
Dialogue: 0,0:07:44.50,0:07:49.47,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}記されているのは
Dialogue: 0,0:07:44.50,0:07:49.47,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}笛の穴の押さえ方や拍子だけ{\fscx50}。
Dialogue: 0,0:07:49.47,0:07:54.67,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}メロディーやニュアンスなどは
Dialogue: 0,0:07:49.47,0:07:54.67,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}すべて口伝です{\fscx50}。
Dialogue: 0,0:07:57.94,0:08:10.22,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「{\fscx100}越天楽{\fscx50}」）
Dialogue: 0,0:08:10.22,0:08:15.90,Default,,0000,0000,0000,,{\pos(180,376)\c&H00FFFF00}雅楽は{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}世界最古のオーケストラ
Dialogue: 0,0:08:10.22,0:08:15.90,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}といわれます{\fscx50}。
Dialogue: 0,0:08:10.22,0:08:15.90,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「{\fscx100}越天楽{\fscx50}」）
Dialogue: 0,0:08:15.90,0:08:19.27,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}しかし{\fscx50}　{\fscx100}そこに指揮者はいません{\fscx50}。
Dialogue: 0,0:08:15.90,0:08:19.27,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「{\fscx100}越天楽{\fscx50}」）
Dialogue: 0,0:08:19.27,0:08:25.17,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}互いの音を合わせてゆくのにも秘密が…{\fscx50}。
Dialogue: 0,0:08:19.27,0:08:25.17,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（「{\fscx100}越天楽{\fscx50}」）
Dialogue: 0,0:08:31.94,0:08:36.95,Default,,0000,0000,0000,,{\pos(200,436)\fscx50}（{\fscx100}小野{\fscx50}）{\fscx100}笛から楽団全体に
Dialogue: 0,0:08:31.94,0:08:36.95,Default,,0000,0000,0000,,{\pos(220,496)}あるいは笙から楽団全体に…
Dialogue: 0,0:08:45.93,0:09:07.21,Default,,0000,0000,0000,,{\pos(620,496)}♬～{\fscx50}（「{\fscx100}越天楽{\fscx50}」）
Dialogue: 0,0:09:10.12,0:09:13.09,Default,,0000,0000,0000,,{\pos(300,436)}草刈さん{\fscx50}　{\fscx100}助けてくれよ！
Dialogue: 0,0:09:10.12,0:09:13.09,Default,,0000,0000,0000,,{\pos(260,496)\c&H0000FFFF}えっ？{\fscx50}　{\fscx100}どうしたの？
Dialogue: 0,0:09:13.09,0:09:16.89,Default,,0000,0000,0000,,{\pos(520,382)\fscx50\fscy50}けえ
Dialogue: 0,0:09:13.09,0:09:16.89,Default,,0000,0000,0000,,{\pos(240,436)}借りてた太鼓が帰っちまった！
Dialogue: 0,0:09:13.09,0:09:16.89,Default,,0000,0000,0000,,{\pos(360,496)\c&H0000FFFF}えっ{\fscx50}！？
Dialogue: 0,0:09:16.89,0:09:23.23,Default,,0000,0000,0000,,{\pos(140,436)}蔵に太鼓あったよな{\fscx50}！？　{\fscx100}貸してくれよ！
Dialogue: 0,0:09:16.89,0:09:23.23,Default,,0000,0000,0000,,{\pos(200,496)\c&H0000FFFF}えっ…{\fscx50}　{\fscx100}まあ{\fscx50}　{\fscx100}いいけど…{\fscx50}。
Dialogue: 0,0:09:23.23,0:09:28.10,Default,,0000,0000,0000,,{\pos(160,436)}ありがてぇ{\fscx50}。　{\fscx100}皆さん{\fscx50}　{\fscx100}太鼓は大丈夫です！
Dialogue: 0,0:09:23.23,0:09:28.10,Default,,0000,0000,0000,,{\pos(480,496)\fscx50}（{\fscx100}２人{\fscx50}）{\fscx100}お～！
Dialogue: 0,0:09:28.10,0:09:32.57,Default,,0000,0000,0000,,{\pos(680,436)}では{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}失礼{\fscx50}。
Dialogue: 0,0:09:28.10,0:09:32.57,Default,,0000,0000,0000,,{\pos(140,496)\c&H0000FFFF}えっ？{\fscx50}　{\fscx100}あっ{\fscx50}　{\fscx100}ねえ{\fscx50}　{\fscx100}ちょっと…！
Dialogue: 0,0:09:32.57,0:09:37.24,Default,,0000,0000,0000,,{\pos(340,436)\c&H0000FFFF}ね…{\fscx50}　{\fscx100}え…{\fscx50}　{\fscx100}ちょっと{\fscx50}！？
Dialogue: 0,0:09:32.57,0:09:37.24,Default,,0000,0000,0000,,{\pos(140,496)\fscx50}（{\fscx100}走り行く足音{\fscx50}）
Dialogue: 0,0:09:37.24,0:09:44.25,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:09:45.92,0:09:50.22,Default,,0000,0000,0000,,{\pos(520,442)\c&H00FFFF00\fscx50\fscy50}きづがわ
Dialogue: 0,0:09:45.92,0:09:50.22,Default,,0000,0000,0000,,{\pos(360,496)\c&H00FFFF00}京都府{\fscx50}　{\fscx100}木津川市{\fscx50}。
Dialogue: 0,0:09:52.59,0:09:59.67,Default,,0000,0000,0000,,{\pos(180,382)\c&H00FFFF00\fscx50\fscy50}たにだ　なおみち
Dialogue: 0,0:09:52.59,0:09:59.67,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}谷田直道さんは{\fscx50}　{\fscx100}雅楽で使われる
Dialogue: 0,0:09:52.59,0:09:59.67,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00\fscx50}「{\fscx100}吹きもの{\fscx50}」{\fscx100}を手がける職人{\fscx50}。
Dialogue: 0,0:09:59.67,0:10:06.54,Default,,0000,0000,0000,,{\pos(380,382)\c&H00FFFF00\fscx50\fscy50}ひちりき
Dialogue: 0,0:09:59.67,0:10:06.54,Default,,0000,0000,0000,,{\pos(500,382)\c&H00FFFF00\fscx50\fscy50}りゅうてき
Dialogue: 0,0:09:59.67,0:10:06.54,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}家族で{\fscx50}　{\fscx100}篳篥や{\fscx50}　{\fscx100}龍笛など
Dialogue: 0,0:09:59.67,0:10:06.54,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}雅楽の笛を作っています{\fscx50}。
Dialogue: 0,0:10:06.54,0:10:12.14,Default,,0000,0000,0000,,{\pos(560,412)\c&H00FFFF00\fscx50\fscy50}すすだけ
Dialogue: 0,0:10:06.54,0:10:12.14,Default,,0000,0000,0000,,{\pos(140,466)\c&H00FFFF00}これは篳篥になる素材{\fscx50}　{\fscx100}煤竹です{\fscx50}。
Dialogue: 0,0:10:32.30,0:10:40.31,Default,,0000,0000,0000,,{\pos(540,382)\c&H00FFFF00\fscx50\fscy50}いろり
Dialogue: 0,0:10:32.30,0:10:40.31,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}煤竹とは{\fscx50}　{\fscx100}古民家の囲炉裏の煙で
Dialogue: 0,0:10:32.30,0:10:40.31,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}何十年も{\fscx50}　{\fscx100}いぶされた竹のこと{\fscx50}。
Dialogue: 0,0:10:42.31,0:10:48.31,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}篳篥の本体は
Dialogue: 0,0:10:42.31,0:10:48.31,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}煤竹でないと{\fscx50}　{\fscx100}だめなのだとか…{\fscx50}。
Dialogue: 0,0:10:52.32,0:10:55.99,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}煙の成分が奥まで浸透すると➡
Dialogue: 0,0:10:55.99,0:11:01.99,Default,,0000,0000,0000,,{\pos(520,436)\c&H00FFFF00}竹は{\fscx50}　{\fscx100}しなやかで堅く
Dialogue: 0,0:10:55.99,0:11:01.99,Default,,0000,0000,0000,,{\pos(400,496)\c&H00FFFF00}割れにくい性質になります{\fscx50}。
Dialogue: 0,0:11:07.60,0:11:14.31,Default,,0000,0000,0000,,{\pos(160,406)\fscx50}（{\fscx100}谷田{\fscx50}）{\fscx100}質のいい竹ほど
Dialogue: 0,0:11:07.60,0:11:14.31,Default,,0000,0000,0000,,{\pos(300,442)\fscx50\fscy50}すす
Dialogue: 0,0:11:07.60,0:11:14.31,Default,,0000,0000,0000,,{\pos(180,496)}中まで煤が{\fscx50}　{\fscx100}しっかり入ってます{\fscx50}。
Dialogue: 0,0:11:22.15,0:11:30.16,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}小刀を使って煤竹の表面を削り
Dialogue: 0,0:11:22.15,0:11:30.16,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}丹念に穴を開けていきます{\fscx50}。
Dialogue: 0,0:11:31.82,0:11:35.29,Default,,0000,0000,0000,,{\pos(280,496)\c&H00FFFF00}内側に{\fscx50}　{\fscx100}漆を塗ります{\fscx50}。
Dialogue: 0,0:11:35.29,0:11:38.63,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}漆の厚みで笛の内径を変えて➡
Dialogue: 0,0:11:38.63,0:11:42.64,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}音の高さを調整していくのです{\fscx50}。
Dialogue: 0,0:11:44.97,0:11:51.28,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}塗り重ねは{\fscx50}　{\fscx100}時には数十回に及びます{\fscx50}。
Dialogue: 0,0:11:53.68,0:12:00.45,Default,,0000,0000,0000,,{\pos(200,406)\c&H00FFFF00}妻の京子さんが作っているのは
Dialogue: 0,0:11:53.68,0:12:00.45,Default,,0000,0000,0000,,{\pos(420,442)\c&H00FFFF00\fscx50\fscy50}かば
Dialogue: 0,0:11:53.68,0:12:00.45,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}篳篥に巻く樺{\fscx50}。
Dialogue: 0,0:12:00.45,0:12:05.76,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}山桜の樹皮を細く切り{\fscx50}　{\fscx100}糸状にします{\fscx50}。
Dialogue: 0,0:12:07.59,0:12:10.60,Default,,0000,0000,0000,,{\pos(280,496)}大体{\fscx50}　{\fscx100}こういう感じで{\fscx50}。
Dialogue: 0,0:12:15.33,0:12:19.21,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}樺は{\fscx50}　{\fscx100}見た目の美しさだけでなく➡
Dialogue: 0,0:12:19.21,0:12:24.21,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}吹きやすさや強度を高める役割を
Dialogue: 0,0:12:19.21,0:12:24.21,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}果たしています{\fscx50}。
Dialogue: 0,0:12:28.78,0:12:33.42,Default,,0000,0000,0000,,{\pos(280,496)\c&H00FFFF00}煤竹{\fscx50}　{\fscx100}漆{\fscx50}　{\fscx100}そして樺{\fscx50}。
Dialogue: 0,0:12:33.42,0:12:37.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}選び抜いた素材と{\fscx50}　{\fscx100}繊細な技{\fscx50}。
Dialogue: 0,0:12:37.29,0:12:42.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}２つが合わさり
Dialogue: 0,0:12:37.29,0:12:42.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}変わらぬ音を守っています{\fscx50}。
Dialogue: 0,0:12:51.50,0:12:56.51,Default,,0000,0000,0000,,{\pos(220,436)\fscx50}（{\fscx100}谷田{\fscx50}）{\fscx100}だから{\fscx50}　{\fscx100}美しい音色を
Dialogue: 0,0:12:51.50,0:12:56.51,Default,,0000,0000,0000,,{\pos(240,496)}醸し出すのかなぁと{\fscx50}。
Dialogue: 0,0:12:59.98,0:13:02.68,Default,,0000,0000,0000,,{\pos(520,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}２つ目の壺は…
Dialogue: 0,0:13:08.69,0:13:20.27,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（エレキギター）
Dialogue: 0,0:13:20.27,0:13:24.07,Default,,0000,0000,0000,,{\pos(380,442)\c&H00FFFF00\fscx50\fscy50}とうぎ　ひでき
Dialogue: 0,0:13:20.27,0:13:24.07,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}雅楽師の東儀秀樹さんです{\fscx50}。
Dialogue: 0,0:13:25.77,0:13:31.58,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}世界中を旅し
Dialogue: 0,0:13:25.77,0:13:31.58,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}各地の珍しい楽器を集めてきました{\fscx50}。
Dialogue: 0,0:13:33.28,0:13:37.15,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（カンリン）
Dialogue: 0,0:13:37.15,0:13:44.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}その土地それぞれの暮らしや文化によって
Dialogue: 0,0:13:37.15,0:13:44.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}楽器は姿や音色を変えます{\fscx50}。
Dialogue: 0,0:13:44.29,0:13:47.99,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（プーンギ）
Dialogue: 0,0:13:49.80,0:13:53.63,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}篳篥も{\fscx50}　{\fscx100}そうした楽器の一つ{\fscx50}。
Dialogue: 0,0:13:53.63,0:13:57.50,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}実は{\fscx50}　{\fscx100}このままでは{\fscx50}　{\fscx100}音が出ません{\fscx50}。
Dialogue: 0,0:13:57.50,0:14:03.44,Default,,0000,0000,0000,,{\pos(400,382)\c&H00FFFF00\fscx50\fscy50}ろぜつ
Dialogue: 0,0:13:57.50,0:14:03.44,Default,,0000,0000,0000,,{\pos(380,436)\c&H00FFFF00}廬舌と呼ばれるヨシで作った
Dialogue: 0,0:13:57.50,0:14:03.44,Default,,0000,0000,0000,,{\pos(400,496)\c&H00FFFF00}リードが必要です{\fscx50}。
Dialogue: 0,0:14:03.44,0:14:08.58,Default,,0000,0000,0000,,{\pos(300,496)\c&H00FFFF00}しかし{\fscx50}　{\fscx100}ただのヨシと言うなかれ{\fscx50}。
Dialogue: 0,0:14:08.58,0:14:13.19,Default,,0000,0000,0000,,{\pos(160,436)}このヨシも{\fscx50}　{\fscx100}そこら辺の{\fscx50}　{\fscx100}どこのヨシでも
Dialogue: 0,0:14:08.58,0:14:13.19,Default,,0000,0000,0000,,{\pos(180,496)}いいっていうわけじゃなくて{\fscx50}。
Dialogue: 0,0:14:23.13,0:14:26.43,Default,,0000,0000,0000,,{\pos(240,406)}ず～っと{\fscx50}　{\fscx100}それを使い続けてますね{\fscx50}。
Dialogue: 0,0:14:28.60,0:14:35.31,Default,,0000,0000,0000,,{\pos(440,172)\c&H00FFFF00\fscx50\fscy50}よどがわ
Dialogue: 0,0:14:28.60,0:14:35.31,Default,,0000,0000,0000,,{\pos(200,226)\c&H00FFFF00}大阪を流れる淀川の一角に残る
Dialogue: 0,0:14:28.60,0:14:35.31,Default,,0000,0000,0000,,{\pos(260,262)\c&H00FFFF00\fscx50\fscy50}うどの
Dialogue: 0,0:14:28.60,0:14:35.31,Default,,0000,0000,0000,,{\pos(440,262)\c&H00FFFF00\fscx50\fscy50}はら
Dialogue: 0,0:14:28.60,0:14:35.31,Default,,0000,0000,0000,,{\pos(220,316)\c&H00FFFF00\fscx50}「{\fscx100}鵜殿のヨシ原{\fscx50}」。
Dialogue: 0,0:14:37.78,0:14:43.28,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}リードに向いたヨシを見つけるのは
Dialogue: 0,0:14:37.78,0:14:43.28,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}まるで宝探し{\fscx50}。
Dialogue: 0,0:14:45.65,0:14:51.96,Default,,0000,0000,0000,,{\pos(440,382)\c&H00FFFF00\fscx50\fscy50}きむら　かずお
Dialogue: 0,0:14:45.65,0:14:51.96,Default,,0000,0000,0000,,{\pos(420,436)\c&H00FFFF00}木村和男さん{\fscx50}　５０{\fscx100}年以上
Dialogue: 0,0:14:45.65,0:14:51.96,Default,,0000,0000,0000,,{\pos(440,496)\c&H00FFFF00}ヨシを採り続けています{\fscx50}。
Dialogue: 0,0:14:51.96,0:14:57.76,Default,,0000,0000,0000,,{\pos(220,436)\fscx50}（{\fscx100}木村{\fscx50}）１１．５{\fscx100}ぐらいです{\fscx50}　{\fscx100}これやったら{\fscx50}。
Dialogue: 0,0:14:51.96,0:14:57.76,Default,,0000,0000,0000,,{\pos(240,496)}これが一番ベストサイズです{\fscx50}。
Dialogue: 0,0:15:00.57,0:15:09.28,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}廬舌に使えるのは長さ４メートル前後で
Dialogue: 0,0:15:00.57,0:15:09.28,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}穂が{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}しっかり付いた{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}太いヨシだけです{\fscx50}。
Dialogue: 0,0:15:11.21,0:15:14.58,Default,,0000,0000,0000,,{\pos(400,496)\c&H00FFFF00}さらに{\fscx50}　{\fscx100}プロの篳篥奏者は➡
Dialogue: 0,0:15:14.58,0:15:16.92,Default,,0000,0000,0000,,{\pos(440,496)\c&H00FFFF00}自分でリードを作ります{\fscx50}。
Dialogue: 0,0:15:16.92,0:15:21.25,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}一つ作るのに{\fscx50}　{\fscx100}時には１時間近く{\fscx50}。
Dialogue: 0,0:15:21.25,0:15:26.09,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}自然素材を扱うため
Dialogue: 0,0:15:21.25,0:15:26.09,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}当たり外れや失敗も多く➡
Dialogue: 0,0:15:26.09,0:15:31.30,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}数十個{\fscx50}　{\fscx100}作っても
Dialogue: 0,0:15:26.09,0:15:31.30,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}満足できるのは{\fscx50}　{\fscx100}ごく僅か{\fscx50}。
Dialogue: 0,0:15:34.27,0:15:37.27,Default,,0000,0000,0000,,{\pos(320,496)\c&H00FFFF00}完成したリード{\fscx50}。
Dialogue: 0,0:15:39.61,0:15:43.78,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}吹くためには{\fscx50}　{\fscx100}まず湿らせます{\fscx50}。
Dialogue: 0,0:15:43.78,0:15:48.58,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}浸すのは昔から{\fscx50}　{\fscx100}緑茶と決まっています{\fscx50}。
Dialogue: 0,0:15:50.38,0:15:52.62,Default,,0000,0000,0000,,{\pos(200,496)}ヨシってのは{\fscx50}　{\fscx100}筋でできているから➡
Dialogue: 0,0:15:52.62,0:15:57.79,Default,,0000,0000,0000,,{\pos(300,436)}この筋の山と谷の間に{\fscx50}　{\fscx100}こう
Dialogue: 0,0:15:52.62,0:15:57.79,Default,,0000,0000,0000,,{\pos(320,496)}茶渋が{\fscx50}　{\fscx100}きっと埋まっていって➡
Dialogue: 0,0:15:57.79,0:16:03.56,Default,,0000,0000,0000,,{\pos(340,436)}すごく均一的な面にしてくれて
Dialogue: 0,0:15:57.79,0:16:03.56,Default,,0000,0000,0000,,{\pos(360,496)}で{\fscx50}　{\fscx100}振動が滑らかになるとか{\fscx50}。
Dialogue: 0,0:16:03.56,0:16:06.23,Default,,0000,0000,0000,,{\pos(200,496)}あとは殺菌作用が{\fscx50}　{\fscx100}お茶にはあるから➡
Dialogue: 0,0:16:06.23,0:16:09.74,Default,,0000,0000,0000,,{\pos(300,436)}そこらへんのことを
Dialogue: 0,0:16:06.23,0:16:09.74,Default,,0000,0000,0000,,{\pos(320,496)}昔の人は{\fscx50}　{\fscx100}よく分かっていて➡
Dialogue: 0,0:16:09.74,0:16:13.04,Default,,0000,0000,0000,,{\pos(300,436)}お茶って決めたんじゃないかと
Dialogue: 0,0:16:09.74,0:16:13.04,Default,,0000,0000,0000,,{\pos(320,496)}思いますね{\fscx50}。
Dialogue: 0,0:16:16.24,0:16:24.38,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}篳篥{\fscx50}）
Dialogue: 0,0:16:24.38,0:16:27.25,Default,,0000,0000,0000,,{\pos(320,316)}これはね{\fscx50}　{\fscx100}僕にとっては
Dialogue: 0,0:16:24.38,0:16:27.25,Default,,0000,0000,0000,,{\pos(340,376)}音が低すぎるんだけれど➡
Dialogue: 0,0:16:27.25,0:16:32.86,Default,,0000,0000,0000,,{\pos(140,436)}ほかの人には{\fscx50}　{\fscx100}とても吹きやすい{\fscx50}　{\fscx100}柔らかい
Dialogue: 0,0:16:27.25,0:16:32.86,Default,,0000,0000,0000,,{\pos(160,496)}いい音のするリードが出来たから➡
Dialogue: 0,0:16:32.86,0:16:37.86,Default,,0000,0000,0000,,{\pos(160,436)}これはこれで
Dialogue: 0,0:16:32.86,0:16:37.86,Default,,0000,0000,0000,,{\pos(180,496)}いい価値が残ったと思っています{\fscx50}。
Dialogue: 0,0:16:40.93,0:16:46.81,Default,,0000,0000,0000,,{\pos(160,196)\c&H00FFFF00}東儀さんは{\fscx50}　{\fscx100}雅楽に使われる管楽器
Dialogue: 0,0:16:40.93,0:16:46.81,Default,,0000,0000,0000,,{\pos(180,256)\c&H00FFFF00\fscx50}「{\fscx100}吹きもの{\fscx50}」{\fscx100}の響きに➡
Dialogue: 0,0:16:46.81,0:16:50.98,Default,,0000,0000,0000,,{\pos(180,196)\c&H00FFFF00}それぞれ意味があるといいます{\fscx50}。
Dialogue: 0,0:16:50.98,0:16:57.28,Default,,0000,0000,0000,,{\pos(180,466)}笙という楽器で{\fscx50}　{\fscx100}昔の人は{\fscx50}　{\fscx100}この音色は…
Dialogue: 0,0:16:57.28,0:17:01.15,Default,,0000,0000,0000,,{\pos(320,406)}…といわれているんです{\fscx50}。
Dialogue: 0,0:16:57.28,0:17:01.15,Default,,0000,0000,0000,,{\pos(340,466)}こんな音色がします{\fscx50}。
Dialogue: 0,0:17:01.15,0:17:13.17,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}笙{\fscx50}）
Dialogue: 0,0:17:15.77,0:17:18.27,Default,,0000,0000,0000,,{\pos(460,496)}この篳篥{\fscx50}　{\fscx100}これは{\fscx50}　{\fscx100}あの…
Dialogue: 0,0:17:29.92,0:17:38.92,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}篳篥{\fscx50}）
Dialogue: 0,0:17:38.92,0:17:40.96,Default,,0000,0000,0000,,{\pos(480,496)}これは龍笛という楽器{\fscx50}。
Dialogue: 0,0:17:40.96,0:17:47.27,Default,,0000,0000,0000,,{\pos(340,436)}龍の笛という字を書くんですが
Dialogue: 0,0:17:40.96,0:17:47.27,Default,,0000,0000,0000,,{\pos(360,496)}こんな音がします{\fscx50}。
Dialogue: 0,0:17:47.27,0:17:58.28,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}龍笛{\fscx50}）
Dialogue: 0,0:18:24.10,0:18:27.91,Default,,0000,0000,0000,,{\pos(300,406)}…っていう考えが
Dialogue: 0,0:18:24.10,0:18:27.91,Default,,0000,0000,0000,,{\pos(320,466)}雅楽には続いているようですね{\fscx50}。
Dialogue: 0,0:18:27.91,0:18:34.25,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:18:34.25,0:18:44.26,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}自然界や宇宙の音を奏でる{\fscx50}　{\fscx100}小さな和楽器
Dialogue: 0,0:18:34.25,0:18:44.26,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}そのスケールは無限大です{\fscx50}。
Dialogue: 0,0:18:44.26,0:18:53.57,Default,,0000,0000,0000,,{\pos(400,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:18:55.27,0:19:01.07,Default,,0000,0000,0000,,{\pos(240,436)\fscx50}（{\fscx100}３人{\fscx50}）{\fscx100}わっしょい！{\fscx50}　{\fscx100}わっしょい！
Dialogue: 0,0:18:55.27,0:19:01.07,Default,,0000,0000,0000,,{\pos(260,496)}わっしょい！{\fscx50}　{\fscx100}わっしょい…！
Dialogue: 0,0:19:01.07,0:19:04.88,Default,,0000,0000,0000,,{\pos(300,436)\fscx50}（{\fscx100}２人{\fscx50}）{\fscx100}せ～の！{\fscx50}　{\fscx100}ほい！
Dialogue: 0,0:19:01.07,0:19:04.88,Default,,0000,0000,0000,,{\pos(240,496)}待てよ～{\fscx50}。　{\fscx100}よし！
Dialogue: 0,0:19:04.88,0:19:10.55,Default,,0000,0000,0000,,{\pos(140,406)\c&H0000FFFF}ねぇ{\fscx50}　{\fscx100}けやきを{\fscx50}　{\fscx100}くりぬいた{\fscx50}　{\fscx100}一本ぬきだ！
Dialogue: 0,0:19:04.88,0:19:10.55,Default,,0000,0000,0000,,{\pos(160,466)\c&H0000FFFF}見事でしょ？
Dialogue: 0,0:19:04.88,0:19:10.55,Default,,0000,0000,0000,,{\pos(420,496)\fscx50}（{\fscx100}３人{\fscx50}）{\fscx100}おす！
Dialogue: 0,0:19:10.55,0:19:15.05,Default,,0000,0000,0000,,{\pos(140,436)\c&H0000FFFF}ちゃんと鳴るか{\fscx50}　{\fscx100}試し打ちしてごらん{\fscx50}。
Dialogue: 0,0:19:10.55,0:19:15.05,Default,,0000,0000,0000,,{\pos(700,496)}へい！
Dialogue: 0,0:19:15.05,0:19:18.56,Default,,0000,0000,0000,,{\pos(380,436)}えっと{\fscx50}　{\fscx100}確か{\fscx50}　{\fscx100}構えは{\fscx50}　{\fscx100}こう…{\fscx50}。
Dialogue: 0,0:19:15.05,0:19:18.56,Default,,0000,0000,0000,,{\pos(140,496)\c&H0000FFFF}ちょっと{\fscx50}　{\fscx100}ちょっと{\fscx50}　{\fscx100}ちょっと待って{\fscx50}。
Dialogue: 0,0:19:18.56,0:19:22.06,Default,,0000,0000,0000,,{\pos(140,436)\c&H0000FFFF}腰が入ってないよ{\fscx50}。
Dialogue: 0,0:19:18.56,0:19:22.06,Default,,0000,0000,0000,,{\pos(160,496)\c&H0000FFFF}ちょっと貸してみぃ{\fscx50}。
Dialogue: 0,0:19:18.56,0:19:22.06,Default,,0000,0000,0000,,{\pos(600,496)}はい！
Dialogue: 0,0:19:22.06,0:19:24.96,Default,,0000,0000,0000,,{\pos(200,436)\c&H0000FFFF}和太鼓の響きっていうのはねえ
Dialogue: 0,0:19:22.06,0:19:24.96,Default,,0000,0000,0000,,{\pos(220,496)\c&H0000FFFF}大地の鼓動なんだよ{\fscx50}。
Dialogue: 0,0:19:24.96,0:19:30.57,Default,,0000,0000,0000,,{\pos(180,436)\c&H0000FFFF}地に足をつけて{\fscx50}　{\fscx100}ねえ
Dialogue: 0,0:19:24.96,0:19:30.57,Default,,0000,0000,0000,,{\pos(200,496)\c&H0000FFFF}腰を落として{\fscx50}　{\fscx100}たたかなきゃ{\fscx50}。
Dialogue: 0,0:19:30.57,0:19:32.50,Default,,0000,0000,0000,,{\pos(380,496)}さすが！
Dialogue: 0,0:19:32.50,0:19:37.64,Default,,0000,0000,0000,,{\pos(180,436)\c&H0000FFFF}しかたない
Dialogue: 0,0:19:32.50,0:19:37.64,Default,,0000,0000,0000,,{\pos(200,496)\c&H0000FFFF}今夜の祭り{\fscx50}　{\fscx100}本物を聞かせてやるよ！
Dialogue: 0,0:19:37.64,0:19:44.25,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:19:49.25,0:19:55.76,Default,,0000,0000,0000,,{\pos(140,382)\c&H00FFFF00\fscx50\fscy50}りゅう
Dialogue: 0,0:19:49.25,0:19:55.76,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}龍にも例えられる美しい姿と
Dialogue: 0,0:19:49.25,0:19:55.76,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}複雑で豊かな音色{\fscx50}。
Dialogue: 0,0:19:55.76,0:20:01.27,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}ここにも{\fscx50}　{\fscx100}精緻な技が
Dialogue: 0,0:19:55.76,0:20:01.27,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}隅々まで使われています{\fscx50}。
Dialogue: 0,0:20:08.27,0:20:13.28,Default,,0000,0000,0000,,{\pos(320,496)\c&H00FFFF00}埼玉県にある箏を作る工房{\fscx50}。
Dialogue: 0,0:20:15.15,0:20:21.15,Default,,0000,0000,0000,,{\pos(740,442)\c&H00FFFF00\fscx50\fscy50}あいづ
Dialogue: 0,0:20:15.15,0:20:21.15,Default,,0000,0000,0000,,{\pos(840,442)\c&H00FFFF00\fscx50\fscy50}きり
Dialogue: 0,0:20:15.15,0:20:21.15,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}材料で最高とされるのは{\fscx50}　{\fscx100}福島県会津の桐{\fscx50}。
Dialogue: 0,0:20:23.82,0:20:29.29,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}大きな丸太を製材して作ります{\fscx50}。
Dialogue: 0,0:20:29.29,0:20:35.10,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}高級品になると{\fscx50}　{\fscx100}樹齢{\fscx50}５０{\fscx100}～{\fscx50}６０{\fscx100}年のものも{\fscx50}。
Dialogue: 0,0:20:36.80,0:20:40.31,Default,,0000,0000,0000,,{\pos(640,442)\c&H00FFFF00\fscx50\fscy50}こう
Dialogue: 0,0:20:36.80,0:20:40.31,Default,,0000,0000,0000,,{\pos(460,496)\c&H00FFFF00}箏の本体{\fscx50}・{\fscx100}甲を作ります{\fscx50}。
Dialogue: 0,0:20:40.31,0:20:46.41,Default,,0000,0000,0000,,{\pos(460,436)\c&H00FFFF00}全体の形を削り出した後
Dialogue: 0,0:20:40.31,0:20:46.41,Default,,0000,0000,0000,,{\pos(480,496)\c&H00FFFF00}手がけるのは裏側{\fscx50}。
Dialogue: 0,0:20:46.41,0:20:52.22,Default,,0000,0000,0000,,{\pos(420,442)\c&H00FFFF00\fscx50\fscy50}あやすぎぼ
Dialogue: 0,0:20:46.41,0:20:52.22,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}そこに隠れ技{\fscx50}　「{\fscx100}綾杉彫り{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:20:52.22,0:20:56.22,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}ノミで{\fscx50}　{\fscx100}一筋一筋
Dialogue: 0,0:20:52.22,0:20:56.22,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}刻み込んでいきます{\fscx50}。
Dialogue: 0,0:20:58.99,0:21:05.30,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}見た目の美しさだけでなく
Dialogue: 0,0:20:58.99,0:21:05.30,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}音にも影響を与えているといいます{\fscx50}。
Dialogue: 0,0:21:08.60,0:21:14.31,Default,,0000,0000,0000,,{\pos(260,406)\c&H00FFFF00}箏の音響を研究している
Dialogue: 0,0:21:08.60,0:21:14.31,Default,,0000,0000,0000,,{\pos(280,442)\c&H00FFFF00\fscx50\fscy50}あんどうまさてる
Dialogue: 0,0:21:08.60,0:21:14.31,Default,,0000,0000,0000,,{\pos(280,496)\c&H00FFFF00}安藤政輝さんです{\fscx50}。
Dialogue: 0,0:21:34.63,0:21:38.96,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}裏側が出来たら表にも{\fscx50}　{\fscx100}もう一技{\fscx50}。
Dialogue: 0,0:21:38.96,0:21:41.63,Default,,0000,0000,0000,,{\pos(160,442)\c&H00FFFF00\fscx50\fscy50}こうや
Dialogue: 0,0:21:38.96,0:21:41.63,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00\fscx50}「{\fscx100}甲焼き{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:21:41.63,0:21:45.97,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}軟らかな桐の表面を
Dialogue: 0,0:21:41.63,0:21:45.97,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}硬くすることで保護し➡
Dialogue: 0,0:21:45.97,0:21:51.31,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}虫食いなどを防ぐ効果もあります{\fscx50}。
Dialogue: 0,0:21:51.31,0:21:57.32,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}さらに{\fscx50}　{\fscx100}木目を美しく浮かび上がらせます{\fscx50}。
Dialogue: 0,0:22:01.12,0:22:06.79,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}木目は{\fscx50}　{\fscx100}箏の美しさを左右する決め手{\fscx50}。
Dialogue: 0,0:22:06.79,0:22:10.50,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}代表的な木目は３種類{\fscx50}。
Dialogue: 0,0:22:13.57,0:22:21.27,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}年を重ねた年輪が作り出す{\fscx50}　{\fscx100}美しく
Dialogue: 0,0:22:13.57,0:22:21.27,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}風合いのある表情は千差万別です{\fscx50}。
Dialogue: 0,0:22:25.18,0:22:30.15,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}まっすぐ走る木目は
Dialogue: 0,0:22:25.18,0:22:30.15,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}太い丸太からしか取れません{\fscx50}。
Dialogue: 0,0:22:30.15,0:22:34.15,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}まろやかでムラの少ない音がします{\fscx50}。
Dialogue: 0,0:22:37.29,0:22:44.30,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}木目が渦巻き{\fscx50}　{\fscx100}音も良いものは
Dialogue: 0,0:22:37.29,0:22:44.30,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}数が少なく{\fscx50}　{\fscx100}とても貴重です{\fscx50}。
Dialogue: 0,0:22:46.30,0:22:51.30,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}甲焼きは
Dialogue: 0,0:22:46.30,0:22:51.30,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}箏の個性を際立たせる技なのです{\fscx50}。
Dialogue: 0,0:22:55.64,0:23:03.25,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:23:03.25,0:23:07.09,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}甲焼きの{\fscx50}　{\fscx100}もう一つの効果は音{\fscx50}。
Dialogue: 0,0:23:07.09,0:23:16.26,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}甲の表面が硬いと弦の振動が確実に伝わり
Dialogue: 0,0:23:07.09,0:23:16.26,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}豊かに共鳴するのだとか{\fscx50}。
Dialogue: 0,0:23:16.26,0:23:18.60,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:23:18.60,0:23:21.27,Default,,0000,0000,0000,,{\pos(560,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}最後の壺は…
Dialogue: 0,0:23:18.60,0:23:21.27,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:23:21.27,0:23:26.27,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:23:29.14,0:23:36.45,Default,,0000,0000,0000,,{\pos(240,406)\c&H00FFFF00}福岡県{\fscx50}。　{\fscx100}その一部は{\fscx50}　{\fscx100}かつて
Dialogue: 0,0:23:29.14,0:23:36.45,Default,,0000,0000,0000,,{\pos(260,442)\c&H00FFFF00\fscx50\fscy50}ちくぜんのくに
Dialogue: 0,0:23:29.14,0:23:36.45,Default,,0000,0000,0000,,{\pos(280,496)\c&H00FFFF00}筑前国と呼ばれていました{\fscx50}。
Dialogue: 0,0:23:40.95,0:23:47.29,Default,,0000,0000,0000,,{\pos(320,382)\c&H00FFFF00\fscx50\fscy50}ちくぜんびわ
Dialogue: 0,0:23:40.95,0:23:47.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}福岡市に筑前琵琶作りの技を継承する
Dialogue: 0,0:23:40.95,0:23:47.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}職人がいます{\fscx50}。
Dialogue: 0,0:23:47.29,0:23:52.43,Default,,0000,0000,0000,,{\pos(220,496)\fscx50}（{\fscx100}作業する音{\fscx50}）
Dialogue: 0,0:23:52.43,0:23:59.20,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}ドリアーノ{\fscx50}・{\fscx100}スリスさん{\fscx50}。
Dialogue: 0,0:23:52.43,0:23:59.20,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00\fscx50}１９７４{\fscx100}年にイタリアから来日{\fscx50}。
Dialogue: 0,0:23:59.20,0:24:03.21,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}筑前琵琶の音色に感動しました{\fscx50}。
Dialogue: 0,0:24:05.11,0:24:14.25,Default,,0000,0000,0000,,{\pos(140,316)\c&H00FFFF00}当時{\fscx50}　{\fscx100}筑前琵琶作りを{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}ほぼ一人で
Dialogue: 0,0:24:05.11,0:24:14.25,Default,,0000,0000,0000,,{\pos(380,352)\c&H00FFFF00\fscx50\fscy50}よしづかげんざぶろう
Dialogue: 0,0:24:05.11,0:24:14.25,Default,,0000,0000,0000,,{\pos(160,406)\c&H00FFFF00}担っていた{\fscx50}　{\fscx100}吉塚元三郎さんに弟子入り{\fscx50}。
Dialogue: 0,0:24:14.25,0:24:17.56,Default,,0000,0000,0000,,{\pos(300,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:24:17.56,0:24:25.10,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}音色だけでなく{\fscx50}　{\fscx100}原木から削り出す
Dialogue: 0,0:24:17.56,0:24:25.10,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}製作工程に魅了されました{\fscx50}。
Dialogue: 0,0:24:25.10,0:24:30.30,Default,,0000,0000,0000,,{\pos(280,406)\fscx50}（ドリアーノ・スリス）{\fscx100}うん{\fscx50}　{\fscx100}やっぱ
Dialogue: 0,0:24:25.10,0:24:30.30,Default,,0000,0000,0000,,{\pos(300,466)}音楽的なね{\fscx50}　{\fscx100}もう{\fscx50}　{\fscx100}そういう音色…
Dialogue: 0,0:24:45.95,0:24:47.95,Default,,0000,0000,0000,,{\pos(140,466)\fscx50}（ドリアーノ・スリス）{\fscx100}だから{\fscx50}　{\fscx100}すばらしいですね{\fscx50}。
Dialogue: 0,0:24:51.82,0:24:57.13,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}スリスさんは
Dialogue: 0,0:24:51.82,0:24:57.13,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}古い琵琶の修復も手がけています{\fscx50}。
Dialogue: 0,0:24:57.13,0:25:03.47,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}こだわりは{\fscx50}　{\fscx100}作られた時の状態に
Dialogue: 0,0:24:57.13,0:25:03.47,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}できるだけ近づけること{\fscx50}。
Dialogue: 0,0:25:03.47,0:25:10.24,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}例えば{\fscx50}　{\fscx100}表面の傷や汚れは
Dialogue: 0,0:25:03.47,0:25:10.24,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}かんなで削れば{\fscx50}　{\fscx100}きれいに取れますが➡
Dialogue: 0,0:25:10.24,0:25:15.25,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}板の厚みが変わるので
Dialogue: 0,0:25:10.24,0:25:15.25,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}音も変わってしまいます{\fscx50}。
Dialogue: 0,0:25:17.98,0:25:25.26,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}こちらがスリスさん流{\fscx50}。
Dialogue: 0,0:25:17.98,0:25:25.26,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}音を変えずに傷を消す方法です{\fscx50}。
Dialogue: 0,0:25:25.26,0:25:30.13,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}ぬれタオルをかけて
Dialogue: 0,0:25:25.26,0:25:30.13,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}熱した古いアイロンを当てると{\fscx50}。
Dialogue: 0,0:25:30.13,0:25:32.13,Default,,0000,0000,0000,,{\pos(340,496)\fscx50}（{\fscx100}蒸気が出る音{\fscx50}）
Dialogue: 0,0:25:32.13,0:25:37.27,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}蒸気が{\fscx50}　{\fscx100}乾いた木に浸透して膨らみます{\fscx50}。
Dialogue: 0,0:25:32.13,0:25:37.27,Default,,0000,0000,0000,,{\pos(340,496)\fscx50}（{\fscx100}蒸気が出る音{\fscx50}）
Dialogue: 0,0:25:37.27,0:25:39.27,Default,,0000,0000,0000,,{\pos(340,496)\fscx50}（{\fscx100}蒸気が出る音{\fscx50}）
Dialogue: 0,0:25:42.61,0:25:47.31,Default,,0000,0000,0000,,{\pos(140,466)\c&H00FFFF00}長年の傷が消え{\fscx50}　{\fscx100}滑らかになりました{\fscx50}。
Dialogue: 0,0:25:51.62,0:25:53.55,Default,,0000,0000,0000,,{\pos(300,442)\fscx50\fscy50}おがた
Dialogue: 0,0:25:51.62,0:25:53.55,Default,,0000,0000,0000,,{\pos(260,496)\fscx50}（{\fscx100}尾方{\fscx50}）{\fscx100}どうも{\fscx50}　{\fscx100}こんにちは！
Dialogue: 0,0:25:53.55,0:25:58.79,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}修復が終わった琵琶を
Dialogue: 0,0:25:53.55,0:25:58.79,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}持ち主が受け取りにきました{\fscx50}。
Dialogue: 0,0:25:58.79,0:26:02.36,Default,,0000,0000,0000,,{\pos(520,352)\c&H00FFFF00\fscx50\fscy50}ちょうか
Dialogue: 0,0:25:58.79,0:26:02.36,Default,,0000,0000,0000,,{\pos(160,406)\c&H00FFFF00}筑前琵琶奏者の尾方蝶嘉さんです{\fscx50}。
Dialogue: 0,0:26:02.36,0:26:07.37,Default,,0000,0000,0000,,{\pos(260,406)}わあ{\fscx50}　{\fscx100}よかった～！{\fscx50}　{\fscx100}すごい！{\fscx50}　{\fscx100}うん{\fscx50}。
Dialogue: 0,0:26:09.07,0:26:16.21,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}あちこち壊れて{\fscx50}　{\fscx100}弾くことができなかった
Dialogue: 0,0:26:09.07,0:26:16.21,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}古い琵琶が{\fscx50}　{\fscx100}よみがえりました{\fscx50}。
Dialogue: 0,0:26:16.21,0:26:18.61,Default,,0000,0000,0000,,{\pos(140,436)}ありがとうございました{\fscx50}。　{\fscx100}はい{\fscx50}。
Dialogue: 0,0:26:16.21,0:26:18.61,Default,,0000,0000,0000,,{\pos(640,496)}ありがとう{\fscx50}。
Dialogue: 0,0:26:22.11,0:26:26.12,Default,,0000,0000,0000,,{\pos(140,466)}また{\fscx50}　{\fscx100}こうして{\fscx50}　{\fscx100}楽器として…
Dialogue: 0,0:26:35.36,0:26:53.81,Default,,0000,0000,0000,,{\pos(140,406)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:26:53.81,0:27:11.80,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}演奏{\fscx50}）
Dialogue: 0,0:27:13.73,0:27:20.61,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}師匠が亡くなったあと
Dialogue: 0,0:27:13.73,0:27:20.61,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}伝統を一人で守ってきたスリスさん{\fscx50}。
Dialogue: 0,0:27:20.61,0:27:25.11,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}しかし
Dialogue: 0,0:27:20.61,0:27:25.11,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}最近{\fscx50}　{\fscx100}弟子を取るようになりました{\fscx50}。
Dialogue: 0,0:27:59.21,0:28:09.22,Default,,0000,0000,0000,,{\pos(500,382)\c&H00FFFF00\fscx50\fscy50}ともしび
Dialogue: 0,0:27:59.21,0:28:09.22,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}和楽器の未来{\fscx50}。　{\fscx100}その灯火は{\fscx50}　{\fscx100}技を伝える
Dialogue: 0,0:27:59.21,0:28:09.22,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}職人の情熱によって守られています{\fscx50}。
Dialogue: 0,0:28:15.43,0:28:24.94,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}祭り囃子{\fscx50}）
Dialogue: 0,0:28:24.94,0:28:28.57,Default,,0000,0000,0000,,{\pos(440,496)\c&H0000FFFF}いくぞ！{\fscx50}　{\fscx100}暴れ打ちだ～！
Dialogue: 0,0:28:28.57,0:28:34.45,Default,,0000,0000,0000,,{\pos(140,496)}♬～{\fscx50}（{\fscx100}祭り囃子{\fscx50}）
Dialogue: 0,0:28:34.45,0:28:40.19,Default,,0000,0000,0000,,{\pos(140,346)\c&H0000FFFF}最高！{\fscx50}　{\fscx100}ははっ
Dialogue: 0,0:28:34.45,0:28:40.19,Default,,0000,0000,0000,,{\pos(160,406)\c&H0000FFFF}このまま朝まで{\fscx50}　{\fscx100}たたき続けるぞ～！
Dialogue: 0,0:28:40.19,0:28:55.20,Default,,0000,0000,0000,,{\pos(140,406)}♬～{\fscx50}（{\fscx100}祭り囃子{\fscx50}）