[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540
LayoutResX: 960
LayoutResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,A-OTF Maru Folk Pro B,42,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,-1,0,0,0,100,100,0,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.20,0:00:30.20,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:00:36.80,0:00:39.64,Default,,0000,0000,0000,,{\pos(240,382)\c&H00FFFF00\fscx50\fscy50}くさかり
Dialogue: 0,0:00:36.80,0:00:39.64,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}草刈さん{\fscx50}　{\fscx100}何ですか？{\fscx50}　{\fscx100}それ{\fscx50}。
Dialogue: 0,0:00:39.64,0:00:42.54,Default,,0000,0000,0000,,{\pos(300,496)\c&H0000FFFF}えっ？{\fscx50}　{\fscx100}あっ{\fscx50}　{\fscx100}これね{\fscx50}。
Dialogue: 0,0:00:42.54,0:00:45.81,Default,,0000,0000,0000,,{\pos(420,496)\c&H0000FFFF}蔵にね{\c&H00FFFFFF\fscx50}　{\c&H0000FFFF\fscx100}入ってたんですよ{\fscx50}。
Dialogue: 0,0:00:45.81,0:00:50.82,Default,,0000,0000,0000,,{\pos(160,436)\c&H0000FFFF\fscx50}「{\fscx100}封{\fscx50}」{\fscx100}だって{\fscx50}。　{\fscx100}なんか{\fscx50}　{\fscx100}ものすごいものが
Dialogue: 0,0:00:45.81,0:00:50.82,Default,,0000,0000,0000,,{\pos(180,496)\c&H0000FFFF}入ってるかもしれない{\fscx50}。　{\fscx100}ふふっ{\fscx50}。
Dialogue: 0,0:00:55.82,0:00:59.99,Default,,0000,0000,0000,,{\pos(640,496)\c&H0000FFFF}わ～{\fscx50}。　{\fscx100}ふふふ{\fscx50}。
Dialogue: 0,0:00:59.99,0:01:04.00,Default,,0000,0000,0000,,{\pos(760,436)\c&H0000FFFF}ふ～ん{\fscx50}。
Dialogue: 0,0:00:59.99,0:01:04.00,Default,,0000,0000,0000,,{\pos(320,496)\c&H00FFFF00}書の道具ですね{\fscx50}。
Dialogue: 0,0:01:04.00,0:01:07.13,Default,,0000,0000,0000,,{\pos(460,496)\c&H0000FFFF}あ…{\fscx50}。
Dialogue: 0,0:01:07.13,0:01:11.94,Default,,0000,0000,0000,,{\pos(160,496)\c&H0000FFFF}墨の匂いって心落ち着くね～{\fscx50}。　{\fscx100}はぁ{\fscx50}。
Dialogue: 0,0:01:11.94,0:01:15.28,Default,,0000,0000,0000,,{\pos(220,316)\c&H0000FFFF}せっかくだから
Dialogue: 0,0:01:11.94,0:01:15.28,Default,,0000,0000,0000,,{\pos(240,376)\c&H0000FFFF}水墨画でも描きましょうか{\fscx50}。
Dialogue: 0,0:01:15.28,0:01:17.28,Default,,0000,0000,0000,,{\pos(320,376)\c&H00FFFF00}ステキですね～{\fscx50}。
Dialogue: 0,0:01:22.78,0:01:27.79,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}筆を使い
Dialogue: 0,0:01:22.78,0:01:27.79,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}墨を基調にして描かれる絵画…
Dialogue: 0,0:01:32.33,0:01:40.17,Default,,0000,0000,0000,,{\pos(240,322)\c&H00FFFF00\fscx50\fscy50}とう
Dialogue: 0,0:01:32.33,0:01:40.17,Default,,0000,0000,0000,,{\pos(140,376)\c&H00FFFF00}中国{\fscx50}・{\fscx100}唐の時代に始まった水墨画が
Dialogue: 0,0:01:32.33,0:01:40.17,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}日本に伝わったのは{\fscx50}　{\fscx100}鎌倉時代のこと{\fscx50}。
Dialogue: 0,0:01:40.17,0:01:46.17,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}中国へ渡った禅宗の僧侶たちによって
Dialogue: 0,0:01:40.17,0:01:46.17,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}持ち込まれました{\fscx50}。
Dialogue: 0,0:01:50.31,0:01:56.32,Default,,0000,0000,0000,,{\pos(140,256)\c&H00FFFF00}水墨画は
Dialogue: 0,0:01:50.31,0:01:56.32,Default,,0000,0000,0000,,{\pos(160,316)\c&H00FFFF00}墨の黒だけで多彩な表情を見せます{\fscx50}。
Dialogue: 0,0:01:57.98,0:02:05.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}その無限の可能性に
Dialogue: 0,0:01:57.98,0:02:05.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}時代を超えて人々は魅了されてきました{\fscx50}。
Dialogue: 0,0:02:12.40,0:02:20.21,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}およそ{\fscx50}１，４００{\fscx100}年前の飛鳥時代に
Dialogue: 0,0:02:12.40,0:02:20.21,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}中国から伝えられた墨作り{\fscx50}。
Dialogue: 0,0:02:22.14,0:02:28.65,Default,,0000,0000,0000,,{\pos(280,406)\c&H00FFFF00}当時と{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}ほとんど変わらない技法で
Dialogue: 0,0:02:22.14,0:02:28.65,Default,,0000,0000,0000,,{\pos(760,442)\c&H00FFFF00\fscx50\fscy50}しょうえんぼく
Dialogue: 0,0:02:22.14,0:02:28.65,Default,,0000,0000,0000,,{\pos(460,496)\c&H00FFFF00}作られた{\fscx50}　{\fscx100}極上の松煙墨{\fscx50}。
Dialogue: 0,0:02:31.28,0:02:34.95,Default,,0000,0000,0000,,{\pos(140,376)\c&H00FFFF00}個性的な人間像を{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}さまざまに演じ分け➡
Dialogue: 0,0:02:34.95,0:02:40.26,Default,,0000,0000,0000,,{\pos(140,346)\c&H00FFFF00}独自の世界を生み出す俳優
Dialogue: 0,0:02:34.95,0:02:40.26,Default,,0000,0000,0000,,{\pos(340,382)\c&H00FFFF00\fscx50\fscy50}おがた
Dialogue: 0,0:02:34.95,0:02:40.26,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}イッセー尾形さん{\fscx50}。
Dialogue: 0,0:02:43.30,0:02:47.63,Default,,0000,0000,0000,,{\pos(140,436)\fscx50}（イッセー{\fscx100}尾形{\fscx50}）
Dialogue: 0,0:02:43.30,0:02:47.63,Default,,0000,0000,0000,,{\pos(160,496)}まことの戦は{\fscx50}　{\fscx100}これからざんす{\fscx50}。
Dialogue: 0,0:02:47.63,0:02:50.64,Default,,0000,0000,0000,,{\pos(560,496)}失礼しま～す{\fscx50}。
Dialogue: 0,0:02:52.51,0:02:59.31,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}アート好きで知られるイッセーさん
Dialogue: 0,0:02:52.51,0:02:59.31,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}イチオシの水墨画とは…{\fscx50}。
Dialogue: 0,0:02:59.31,0:03:02.92,Default,,0000,0000,0000,,{\pos(360,496)}なんか意表をつかれましたね{\fscx50}。
Dialogue: 0,0:03:02.92,0:03:09.22,Default,,0000,0000,0000,,{\pos(300,436)}もっと描き込んでいるのかなぁと
Dialogue: 0,0:03:02.92,0:03:09.22,Default,,0000,0000,0000,,{\pos(320,496)}勝手に想像していたんですが…{\fscx50}。
Dialogue: 0,0:03:10.79,0:03:17.10,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}今回は水墨画の奥深い世界を堪能します！
Dialogue: 0,0:03:23.80,0:03:30.21,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:03:37.78,0:03:45.43,Default,,0000,0000,0000,,{\pos(460,406)\c&H00FFFF00}海外でも個展を開くなど
Dialogue: 0,0:03:37.78,0:03:45.43,Default,,0000,0000,0000,,{\pos(720,442)\c&H00FFFF00\fscx50\fscy50}ししゅう
Dialogue: 0,0:03:37.78,0:03:45.43,Default,,0000,0000,0000,,{\pos(300,496)\c&H00FFFF00}世界で活躍する{\fscx50}　{\fscx100}書家の紫舟さん{\fscx50}。
Dialogue: 0,0:03:45.43,0:03:49.93,Default,,0000,0000,0000,,{\pos(360,442)\c&H00FFFF00\fscx50\fscy50}つぼ
Dialogue: 0,0:03:45.43,0:03:49.93,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00\fscx50}「{\fscx100}美の壺{\fscx50}」{\fscx100}の題字でも{\fscx50}　{\fscx100}おなじみです{\fscx50}。
Dialogue: 0,0:03:53.97,0:03:58.30,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}１本の筆から生み出される
Dialogue: 0,0:03:53.97,0:03:58.30,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}水墨画の線の魅力は➡
Dialogue: 0,0:03:58.30,0:04:03.31,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}書にも共通するところがあるのだとか{\fscx50}。
Dialogue: 0,0:04:11.58,0:04:19.29,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}そんな紫舟さん{\fscx50}　{\fscx100}線の迫力に
Dialogue: 0,0:04:11.58,0:04:19.29,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}圧倒されるという水墨画があります{\fscx50}。
Dialogue: 0,0:04:22.60,0:04:29.07,Default,,0000,0000,0000,,{\pos(260,406)\c&H00FFFF00}室町時代に活躍した画家
Dialogue: 0,0:04:22.60,0:04:29.07,Default,,0000,0000,0000,,{\pos(280,442)\c&H00FFFF00\fscx50\fscy50}せっしゅう
Dialogue: 0,0:04:22.60,0:04:29.07,Default,,0000,0000,0000,,{\pos(480,442)\c&H00FFFF00\fscx50\fscy50}えかだんぴず
Dialogue: 0,0:04:22.60,0:04:29.07,Default,,0000,0000,0000,,{\pos(300,496)\c&H00FFFF00}雪舟の{\fscx50}「{\fscx100}慧可断臂図{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:04:29.07,0:04:36.28,Default,,0000,0000,0000,,{\pos(140,406)\c&H00FFFF00}洞窟の岩壁に向かって座禅をするのは
Dialogue: 0,0:04:29.07,0:04:36.28,Default,,0000,0000,0000,,{\pos(340,442)\c&H00FFFF00\fscx50\fscy50}だるま
Dialogue: 0,0:04:29.07,0:04:36.28,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}禅宗の祖{\fscx50}・{\fscx100}達磨{\fscx50}。
Dialogue: 0,0:04:36.28,0:04:39.95,Default,,0000,0000,0000,,{\pos(660,436)\c&H00FFFF00}その後ろには
Dialogue: 0,0:04:36.28,0:04:39.95,Default,,0000,0000,0000,,{\pos(420,496)\c&H00FFFF00}片腕を切り落としてまで➡
Dialogue: 0,0:04:39.95,0:04:44.62,Default,,0000,0000,0000,,{\pos(540,436)\c&H00FFFF00}弟子入りを志願する
Dialogue: 0,0:04:39.95,0:04:44.62,Default,,0000,0000,0000,,{\pos(560,496)\c&H00FFFF00}慧可の姿です{\fscx50}。
Dialogue: 0,0:04:44.62,0:04:48.96,Default,,0000,0000,0000,,{\pos(140,436)\fscx50}（{\fscx100}紫舟{\fscx50}）{\fscx100}この中で特徴的な線は
Dialogue: 0,0:04:44.62,0:04:48.96,Default,,0000,0000,0000,,{\pos(160,496)}２つあると思います{\fscx50}。
Dialogue: 0,0:04:48.96,0:04:54.26,Default,,0000,0000,0000,,{\pos(160,496)}１つは{\fscx50}　{\fscx100}この達磨の線{\fscx50}。
Dialogue: 0,0:05:24.76,0:05:31.26,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}そして{\fscx50}　{\fscx100}もう一つは
Dialogue: 0,0:05:24.76,0:05:31.26,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}険しい洞窟を表す線です{\fscx50}。
Dialogue: 0,0:05:33.20,0:05:36.94,Default,,0000,0000,0000,,{\pos(140,436)}達磨は{\fscx50}　{\fscx100}いかに
Dialogue: 0,0:05:33.20,0:05:36.94,Default,,0000,0000,0000,,{\pos(160,496)}均一な線を引くかということに➡
Dialogue: 0,0:05:36.94,0:05:41.54,Default,,0000,0000,0000,,{\pos(140,466)}集中力を要したんですけれども{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}背景の…
Dialogue: 0,0:06:05.73,0:06:10.24,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}達磨の均一な線と{\fscx50}　{\fscx100}岩壁の緻密な線{\fscx50}。
Dialogue: 0,0:06:10.24,0:06:17.24,Default,,0000,0000,0000,,{\pos(480,382)\c&H00FFFF00\fscx50\fscy50}えが
Dialogue: 0,0:06:10.24,0:06:17.24,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}この２つの線の描き分けこそが
Dialogue: 0,0:06:10.24,0:06:17.24,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}雪舟の真骨頂だといいます{\fscx50}。
Dialogue: 0,0:06:32.93,0:06:35.93,Default,,0000,0000,0000,,{\pos(140,466)\fscx50}（{\fscx100}紫舟{\fscx50}）{\fscx100}恐らくですが…
Dialogue: 0,0:07:06.56,0:07:09.56,Default,,0000,0000,0000,,{\pos(300,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}最初の壺は…
Dialogue: 0,0:07:15.90,0:07:19.77,Default,,0000,0000,0000,,{\pos(620,406)\c&H00FFFF00}水墨画家の
Dialogue: 0,0:07:15.90,0:07:19.77,Default,,0000,0000,0000,,{\pos(640,442)\c&H00FFFF00\fscx50\fscy50}おおたけたくみん
Dialogue: 0,0:07:15.90,0:07:19.77,Default,,0000,0000,0000,,{\pos(640,496)\c&H00FFFF00}大竹卓民さん{\fscx50}。
Dialogue: 0,0:07:19.77,0:07:22.78,Default,,0000,0000,0000,,{\pos(600,436)\c&H00FFFF00}大竹さんは
Dialogue: 0,0:07:19.77,0:07:22.78,Default,,0000,0000,0000,,{\pos(620,496)\c&H00FFFF00}今から{\fscx50}３０{\fscx100}年前➡
Dialogue: 0,0:07:22.78,0:07:29.08,Default,,0000,0000,0000,,{\pos(180,406)\c&H00FFFF00}日本画と東洋美術史を学ぶために
Dialogue: 0,0:07:22.78,0:07:29.08,Default,,0000,0000,0000,,{\pos(200,442)\c&H00FFFF00\fscx50\fscy50}シャンハイ
Dialogue: 0,0:07:22.78,0:07:29.08,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}上海から来日しました{\fscx50}。
Dialogue: 0,0:07:35.92,0:07:40.76,Default,,0000,0000,0000,,{\pos(440,436)\c&H00FFFF00}大竹さんは古典的な
Dialogue: 0,0:07:35.92,0:07:40.76,Default,,0000,0000,0000,,{\pos(460,496)\c&H00FFFF00}水墨技法を使いながら➡
Dialogue: 0,0:07:40.76,0:07:45.77,Default,,0000,0000,0000,,{\pos(580,376)\c&H00FFFF00}常に新しい表現に
Dialogue: 0,0:07:40.76,0:07:45.77,Default,,0000,0000,0000,,{\pos(560,436)\c&H00FFFF00}挑み続けています{\fscx50}。
Dialogue: 0,0:07:48.50,0:07:51.20,Default,,0000,0000,0000,,{\pos(280,466)\fscx50}（{\fscx100}大竹{\fscx50}）{\fscx100}基本的に…
Dialogue: 0,0:08:12.76,0:08:18.60,Default,,0000,0000,0000,,{\pos(380,406)\c&H00FFFF00}平安時代に描かれたとされる
Dialogue: 0,0:08:12.76,0:08:18.60,Default,,0000,0000,0000,,{\pos(600,442)\c&H00FFFF00\fscx50\fscy50}ちょうじゅうぎが　こうかん
Dialogue: 0,0:08:12.76,0:08:18.60,Default,,0000,0000,0000,,{\pos(580,496)\c&H00FFFF00\fscx50}「{\fscx100}鳥獣戯画{\fscx50}　{\fscx100}甲巻{\fscx50}」。
Dialogue: 0,0:08:18.60,0:08:23.34,Default,,0000,0000,0000,,{\pos(400,436)\c&H00FFFF00}墨の線が{\fscx50}　{\fscx100}動物たちの
Dialogue: 0,0:08:18.60,0:08:23.34,Default,,0000,0000,0000,,{\pos(420,496)\c&H00FFFF00}イキイキとした躍動感を➡
Dialogue: 0,0:08:23.34,0:08:27.34,Default,,0000,0000,0000,,{\pos(500,436)\c&H00FFFF00}より際立たせていると
Dialogue: 0,0:08:23.34,0:08:27.34,Default,,0000,0000,0000,,{\pos(520,496)\c&H00FFFF00}いいます{\fscx50}。
Dialogue: 0,0:08:30.11,0:08:35.11,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}これを均一の線にしてみると…{\fscx50}。
Dialogue: 0,0:08:41.72,0:08:44.22,Default,,0000,0000,0000,,{\pos(340,466)\fscx50}（{\fscx100}大竹{\fscx50}）{\fscx100}例えば…
Dialogue: 0,0:08:57.20,0:08:59.71,Default,,0000,0000,0000,,{\pos(300,406)\fscx50}（{\fscx100}大竹{\fscx50}）{\fscx100}そうすると…
Dialogue: 0,0:09:09.35,0:09:15.22,Default,,0000,0000,0000,,{\pos(140,346)\c&H00FFFF00}今度は輪郭ではなく{\fscx50}　{\fscx100}ものの形を描きます{\fscx50}。
Dialogue: 0,0:09:15.22,0:09:28.07,Default,,0000,0000,0000,,{\pos(820,496)}♬～
Dialogue: 0,0:09:28.07,0:09:32.91,Default,,0000,0000,0000,,{\pos(600,442)\c&H00FFFF00\fscx50\fscy50}ささ
Dialogue: 0,0:09:28.07,0:09:32.91,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}何本も重ねて描くことで{\fscx50}　{\fscx100}笹になりました{\fscx50}。
Dialogue: 0,0:09:32.91,0:09:38.21,Default,,0000,0000,0000,,{\pos(540,436)\c&H00FFFF00}これも線を面として
Dialogue: 0,0:09:32.91,0:09:38.21,Default,,0000,0000,0000,,{\pos(440,496)\c&H00FFFF00}描くからこその表現です{\fscx50}。
Dialogue: 0,0:09:42.25,0:09:49.02,Default,,0000,0000,0000,,{\pos(140,346)\c&H00FFFF00}さらに今度は{\fscx50}　{\fscx100}筆の側面を大胆に使う手法{\fscx50}。
Dialogue: 0,0:09:49.02,0:09:58.40,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:09:58.40,0:10:05.20,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}かすれた筆跡が{\fscx50}　{\fscx100}ゴツゴツとした
Dialogue: 0,0:09:58.40,0:10:05.20,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}山の岩肌となって表れました{\fscx50}。
Dialogue: 0,0:10:09.04,0:10:13.05,Default,,0000,0000,0000,,{\pos(160,466)}作家として{\fscx50}　{\fscx100}絵描きとして{\fscx50}　{\fscx100}すごく…
Dialogue: 0,0:10:16.15,0:10:18.15,Default,,0000,0000,0000,,{\pos(380,466)}要するに…
Dialogue: 0,0:10:21.79,0:10:24.22,Default,,0000,0000,0000,,{\pos(300,466)}…というところかな{\fscx50}。
Dialogue: 0,0:10:24.22,0:10:30.43,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}１本の筆から生みだされる
Dialogue: 0,0:10:24.22,0:10:30.43,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}多彩な表現{\fscx50}。
Dialogue: 0,0:10:30.43,0:10:34.43,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}見る者の心を
Dialogue: 0,0:10:30.43,0:10:34.43,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}揺さぶります{\fscx50}。
Dialogue: 0,0:10:37.80,0:10:44.28,Default,,0000,0000,0000,,{\pos(200,316)\c&H00FFFF00}草刈さん{\fscx50}　{\fscx100}何を描くんですか？
Dialogue: 0,0:10:37.80,0:10:44.28,Default,,0000,0000,0000,,{\pos(380,376)\c&H0000FFFF}えっ{\fscx50}　{\fscx100}見てて{\fscx50}。
Dialogue: 0,0:10:44.28,0:10:48.15,Default,,0000,0000,0000,,{\pos(260,496)\c&H0000FFFF}まずは棒を描いて…➡
Dialogue: 0,0:10:48.15,0:11:00.36,Default,,0000,0000,0000,,{\pos(220,436)\c&H0000FFFF}え～{\fscx50}　{\fscx100}その先にね
Dialogue: 0,0:10:48.15,0:11:00.36,Default,,0000,0000,0000,,{\pos(240,496)\c&H0000FFFF}え…{\fscx50}　{\fscx100}葉っぱを…{\fscx50}　{\fscx100}描けば{\fscx50}。　{\fscx100}ねっ{\fscx50}。
Dialogue: 0,0:11:01.79,0:11:06.27,Default,,0000,0000,0000,,{\pos(240,496)\c&H0000FFFF}ジャーン！{\fscx50}　{\fscx100}笹{\fscx50}。
Dialogue: 0,0:11:06.27,0:11:09.94,Default,,0000,0000,0000,,{\pos(540,436)\c&H00FFFF00}わ～{\fscx50}　{\fscx100}すごい！
Dialogue: 0,0:11:06.27,0:11:09.94,Default,,0000,0000,0000,,{\pos(380,496)\c&H0000FFFF}まあね{\fscx50}。
Dialogue: 0,0:11:09.94,0:11:16.14,Default,,0000,0000,0000,,{\pos(260,496)\c&H0000FFFF}さて{\fscx50}　{\fscx100}次は何を描きましょうかね～{\fscx50}。
Dialogue: 0,0:11:18.64,0:11:24.05,Default,,0000,0000,0000,,{\pos(140,256)\c&H0000FFFF}あれ？{\fscx50}　{\fscx100}僕ここに笹なんて置いたっけ？
Dialogue: 0,0:11:25.82,0:11:32.22,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:11:34.96,0:11:40.43,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}日本で墨作りが盛んになったのは
Dialogue: 0,0:11:34.96,0:11:40.43,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}室町時代のこと{\fscx50}。
Dialogue: 0,0:11:40.43,0:11:46.44,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}現在も墨の９割が
Dialogue: 0,0:11:40.43,0:11:46.44,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}ここ{\fscx50}　{\fscx100}奈良で作られています{\fscx50}。
Dialogue: 0,0:11:50.81,0:11:59.32,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}こちらは{\fscx50}　１５７７{\fscx100}年に創業した
Dialogue: 0,0:11:50.81,0:11:59.32,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}日本最古の墨作りの店です{\fscx50}。
Dialogue: 0,0:12:02.76,0:12:10.26,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}創業当時の製法を
Dialogue: 0,0:12:02.76,0:12:10.26,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00\fscx50}４５０{\fscx100}年近く{\fscx50}　{\fscx100}守り続けています{\fscx50}。
Dialogue: 0,0:12:19.11,0:12:24.41,Default,,0000,0000,0000,,{\pos(240,436)\c&H00FFFF00}油に{\fscx50}　{\fscx100}ともされた{\fscx50}　{\fscx100}明かりが
Dialogue: 0,0:12:19.11,0:12:24.41,Default,,0000,0000,0000,,{\pos(260,496)\c&H00FFFF00}無数に並ぶ室内{\fscx50}。
Dialogue: 0,0:12:24.41,0:12:30.22,Default,,0000,0000,0000,,{\pos(660,382)\c&H00FFFF00\fscx50\fscy50}すす
Dialogue: 0,0:12:24.41,0:12:30.22,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}この油を燃やして採れる煤が
Dialogue: 0,0:12:24.41,0:12:30.22,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}墨の原料となります{\fscx50}。
Dialogue: 0,0:12:33.62,0:12:39.43,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}煤は{\fscx50}　{\fscx100}上に{\fscx50}　{\fscx100}かぶせた土器に付きます{\fscx50}。
Dialogue: 0,0:12:39.43,0:12:46.43,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}油は{\fscx50}　{\fscx100}代々
Dialogue: 0,0:12:39.43,0:12:46.43,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}菜種油などの植物油を使っています{\fscx50}。
Dialogue: 0,0:12:50.07,0:12:58.31,Default,,0000,0000,0000,,{\pos(480,352)\c&H00FFFF00\fscx50\fscy50}ゆえんぼく
Dialogue: 0,0:12:50.07,0:12:58.31,Default,,0000,0000,0000,,{\pos(200,406)\c&H00FFFF00}完成した墨は{\fscx50}「{\fscx100}油煙墨{\fscx50}」{\fscx100}と呼ばれ
Dialogue: 0,0:12:50.07,0:12:58.31,Default,,0000,0000,0000,,{\pos(220,466)\c&H00FFFF00}深みと艶が出るのが特徴です{\fscx50}。
Dialogue: 0,0:12:58.31,0:13:06.32,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:13:28.11,0:13:32.11,Default,,0000,0000,0000,,{\pos(300,436)\c&H00FFFF00}今日２つ目の壺は…
Dialogue: 0,0:13:38.75,0:13:41.65,Default,,0000,0000,0000,,{\pos(320,196)\c&H00FFFF00}和歌山県{\fscx50}　{\fscx100}田辺市{\fscx50}。
Dialogue: 0,0:13:41.65,0:13:49.46,Default,,0000,0000,0000,,{\pos(140,196)\c&H00FFFF00}紀伊山地の山中に{\fscx50}　{\fscx100}日本古来の製法に
Dialogue: 0,0:13:41.65,0:13:49.46,Default,,0000,0000,0000,,{\pos(160,256)\c&H00FFFF00}こだわり続ける{\fscx50}　{\fscx100}墨職人がいます{\fscx50}。
Dialogue: 0,0:13:52.30,0:13:59.31,Default,,0000,0000,0000,,{\pos(340,382)\c&H00FFFF00\fscx50\fscy50}ほりいけまさお
Dialogue: 0,0:13:52.30,0:13:59.31,Default,,0000,0000,0000,,{\pos(340,436)\c&H00FFFF00}堀池雅夫さん{\fscx50}。　{\fscx100}墨を作り始めて
Dialogue: 0,0:13:52.30,0:13:59.31,Default,,0000,0000,0000,,{\pos(360,496)\c&H00FFFF00\fscx50}３２{\fscx100}年になります{\fscx50}。
Dialogue: 0,0:14:03.58,0:14:12.28,Default,,0000,0000,0000,,{\pos(140,406)\c&H00FFFF00}かつて{\fscx50}　{\fscx100}油煙墨が登場する前は{\fscx50}　{\fscx100}油分を
Dialogue: 0,0:14:03.58,0:14:12.28,Default,,0000,0000,0000,,{\pos(160,466)\c&H00FFFF00}多く含んだ赤松が主に使われていました{\fscx50}。
Dialogue: 0,0:14:20.13,0:14:22.13,Default,,0000,0000,0000,,{\pos(380,496)\fscx50}（{\fscx100}赤松を割る音{\fscx50}）
Dialogue: 0,0:14:25.83,0:14:33.14,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}これを２メートル四方ほどの
Dialogue: 0,0:14:25.83,0:14:33.14,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}部屋の中で燃やし{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}煤を集めます{\fscx50}。
Dialogue: 0,0:14:49.79,0:14:58.30,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}煤が壁に堆積して採取できるように
Dialogue: 0,0:14:49.79,0:14:58.30,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}なるまでに{\fscx50}　{\fscx100}およそ２週間かかります{\fscx50}。
Dialogue: 0,0:15:00.90,0:15:08.64,Default,,0000,0000,0000,,{\pos(140,196)\c&H00FFFF00}松から煤を採り{\fscx50}　{\fscx100}その煤で墨を作る職人は
Dialogue: 0,0:15:00.90,0:15:08.64,Default,,0000,0000,0000,,{\pos(160,256)\c&H00FFFF00}かつて{\fscx50}　{\fscx100}たくさんいましたが➡
Dialogue: 0,0:15:08.64,0:15:14.25,Default,,0000,0000,0000,,{\pos(140,196)\c&H00FFFF00}今では堀池さん{\fscx50}　{\fscx100}ただ１人になりました{\fscx50}。
Dialogue: 0,0:15:14.25,0:15:25.59,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:15:25.59,0:15:32.46,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00\fscx50}５００{\fscx100}キロ分の赤松から採れる煤は
Dialogue: 0,0:15:25.59,0:15:32.46,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}僅かに{\fscx50}１０{\fscx100}キロ{\fscx50}。
Dialogue: 0,0:15:32.46,0:15:41.77,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:15:41.77,0:15:48.65,Default,,0000,0000,0000,,{\pos(180,196)\c&H00FFFF00}こうして採れた煤を
Dialogue: 0,0:15:41.77,0:15:48.65,Default,,0000,0000,0000,,{\pos(200,232)\c&H00FFFF00\fscx50\fscy50}にかわ
Dialogue: 0,0:15:41.77,0:15:48.65,Default,,0000,0000,0000,,{\pos(220,286)\c&H00FFFF00}膠と練り合わせて墨にします{\fscx50}。
Dialogue: 0,0:15:48.65,0:16:06.90,Default,,0000,0000,0000,,{\pos(820,496)}♬～
Dialogue: 0,0:16:06.90,0:16:09.80,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}木型に{\fscx50}　{\fscx100}はめて{\fscx50}　{\fscx100}成形した後➡
Dialogue: 0,0:16:09.80,0:16:17.24,Default,,0000,0000,0000,,{\pos(180,436)\c&H00FFFF00}５年から６年かけて
Dialogue: 0,0:16:09.80,0:16:17.24,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}じっくりと乾燥{\fscx50}・{\fscx100}熟成させます{\fscx50}。
Dialogue: 0,0:16:17.24,0:16:26.39,Default,,0000,0000,0000,,{\pos(820,496)}♬～
Dialogue: 0,0:16:26.39,0:16:33.26,Default,,0000,0000,0000,,{\pos(280,436)\c&H00FFFF00}これが赤松から作られた墨
Dialogue: 0,0:16:26.39,0:16:33.26,Default,,0000,0000,0000,,{\pos(300,496)\c&H00FFFF00\fscx50}「{\fscx100}松煙墨{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:16:33.26,0:16:52.28,Default,,0000,0000,0000,,{\pos(820,496)}♬～
Dialogue: 0,0:16:52.28,0:17:01.09,Default,,0000,0000,0000,,{\pos(200,436)\c&H00FFFF00}松煙墨は{\fscx50}　{\fscx100}水を多く含ませると
Dialogue: 0,0:16:52.28,0:17:01.09,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}僅かに青みがかった色に{\fscx50}。
Dialogue: 0,0:17:01.09,0:17:08.56,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:17:08.56,0:17:15.23,Default,,0000,0000,0000,,{\pos(500,172)\c&H00FFFF00\fscx50\fscy50}せいぼく
Dialogue: 0,0:17:08.56,0:17:15.23,Default,,0000,0000,0000,,{\pos(140,226)\c&H00FFFF00}そのため松煙墨は{\fscx50}　「{\fscx100}青墨{\fscx50}」{\fscx100}とも呼ばれます{\fscx50}。
Dialogue: 0,0:17:15.23,0:17:27.75,Default,,0000,0000,0000,,{\pos(820,496)}♬～
Dialogue: 0,0:17:30.78,0:17:32.79,Default,,0000,0000,0000,,{\pos(300,466)}実際ですね…
Dialogue: 0,0:17:36.19,0:17:42.13,Default,,0000,0000,0000,,{\pos(140,346)}そういうテクニックを感じながら
Dialogue: 0,0:17:36.19,0:17:42.13,Default,,0000,0000,0000,,{\pos(160,406)}名画といわれる{\fscx50}　{\fscx100}昔{\fscx50}　{\fscx100}描かれた{\fscx50}　{\fscx100}水墨画を➡
Dialogue: 0,0:17:42.13,0:17:44.90,Default,,0000,0000,0000,,{\pos(140,196)}鑑賞するというのは{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}とても楽しみです{\fscx50}。{\fscx100}➡
Dialogue: 0,0:17:44.90,0:17:48.50,Default,,0000,0000,0000,,{\pos(160,196)}ああ{\fscx50}　{\fscx100}ここは{\fscx50}　{\fscx100}こんなグラデーション
Dialogue: 0,0:17:44.90,0:17:48.50,Default,,0000,0000,0000,,{\pos(180,256)}この筆遣いで出したなとかね{\fscx50}。{\fscx100}➡
Dialogue: 0,0:17:48.50,0:17:53.11,Default,,0000,0000,0000,,{\pos(180,436)}そういうようなことを感じながら
Dialogue: 0,0:17:48.50,0:17:53.11,Default,,0000,0000,0000,,{\pos(200,496)}名画を鑑賞するっていうのは➡
Dialogue: 0,0:17:53.11,0:17:57.11,Default,,0000,0000,0000,,{\pos(140,496)}単に見る以上に{\fscx50}　{\fscx100}楽しいことだと思います{\fscx50}。
Dialogue: 0,0:18:01.21,0:18:05.88,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}いにしえより伝わる
Dialogue: 0,0:18:01.21,0:18:05.88,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}伝統の墨作り{\fscx50}。
Dialogue: 0,0:18:05.88,0:18:12.96,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}水墨画の多彩な表現を
Dialogue: 0,0:18:05.88,0:18:12.96,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}今も支え続けています{\fscx50}。
Dialogue: 0,0:18:12.96,0:18:28.34,Default,,0000,0000,0000,,{\pos(420,496)\fscx50}（{\fscx100}鼻歌{\fscx50}）
Dialogue: 0,0:18:28.34,0:18:33.18,Default,,0000,0000,0000,,{\pos(140,316)\c&H0000FFFF}へ～！{\fscx50}　{\fscx100}絵が本物になるなんて{\fscx50}　{\fscx100}これ{\fscx50}。
Dialogue: 0,0:18:28.34,0:18:33.18,Default,,0000,0000,0000,,{\pos(160,376)\c&H0000FFFF}へへっ{\fscx50}。
Dialogue: 0,0:18:33.18,0:18:36.08,Default,,0000,0000,0000,,{\pos(340,316)\c&H0000FFFF}え～{\fscx50}　{\fscx100}楽しいな！
Dialogue: 0,0:18:36.08,0:18:38.98,Default,,0000,0000,0000,,{\pos(140,316)\c&H0000FFFF}へ～{\fscx50}　{\fscx100}僕に{\fscx50}　{\fscx100}こんな才能があったなんて{\fscx50}。
Dialogue: 0,0:18:38.98,0:18:42.96,Default,,0000,0000,0000,,{\pos(200,256)\c&H00FFFF00}いや{\fscx50}　{\fscx100}たぶん
Dialogue: 0,0:18:38.98,0:18:42.96,Default,,0000,0000,0000,,{\pos(220,316)\c&H00FFFF00}その筆か墨が特別なんじゃ…？
Dialogue: 0,0:18:42.96,0:18:45.09,Default,,0000,0000,0000,,{\pos(420,316)\c&H0000FFFF}あ{\fscx50}　{\fscx100}そう{\fscx50}。
Dialogue: 0,0:18:45.09,0:18:50.60,Default,,0000,0000,0000,,{\pos(140,316)\c&H0000FFFF}あっ{\fscx50}　{\fscx100}そうだ！
Dialogue: 0,0:18:45.09,0:18:50.60,Default,,0000,0000,0000,,{\pos(160,376)\c&H0000FFFF}いいこと思いついた！{\fscx50}　{\fscx100}うん{\fscx50}。
Dialogue: 0,0:18:52.83,0:18:59.84,Default,,0000,0000,0000,,{\pos(140,496)}♬～
Dialogue: 0,0:19:03.58,0:19:13.09,Default,,0000,0000,0000,,{\pos(140,316)\c&H00FFFF00}雪舟をはじめ室町時代の水墨画を研究する
Dialogue: 0,0:19:03.58,0:19:13.09,Default,,0000,0000,0000,,{\pos(380,352)\c&H00FFFF00\fscx50\fscy50}しまお　あらた
Dialogue: 0,0:19:03.58,0:19:13.09,Default,,0000,0000,0000,,{\pos(160,406)\c&H00FFFF00}美術史家の{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}島尾{\c&H0000FFFF\fscx50}　{\c&H00FFFF00\fscx100}新さん{\fscx50}。
Dialogue: 0,0:19:24.73,0:19:29.90,Default,,0000,0000,0000,,{\pos(180,346)}これ{\fscx50}　{\fscx100}富士山です{\fscx50}。
Dialogue: 0,0:19:24.73,0:19:29.90,Default,,0000,0000,0000,,{\pos(200,406)}で{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}雪をかぶった富士山ですけれども➡
Dialogue: 0,0:19:29.90,0:19:33.74,Default,,0000,0000,0000,,{\pos(260,346)}この白い部分というのは
Dialogue: 0,0:19:29.90,0:19:33.74,Default,,0000,0000,0000,,{\pos(280,406)}紙の色そのものです{\fscx50}。{\fscx100}➡
Dialogue: 0,0:19:33.74,0:19:36.24,Default,,0000,0000,0000,,{\pos(160,496)}描いてあるわけではありません{\fscx50}。{\fscx100}➡
Dialogue: 0,0:19:36.24,0:19:39.24,Default,,0000,0000,0000,,{\pos(160,436)}だから{\fscx50}　{\fscx100}まあ
Dialogue: 0,0:19:36.24,0:19:39.24,Default,,0000,0000,0000,,{\pos(180,496)}これも余白といえば余白ですよね{\fscx50}。
Dialogue: 0,0:19:47.95,0:19:54.93,Default,,0000,0000,0000,,{\pos(240,406)\c&H00FFFF00}もう一つ{\fscx50}　{\fscx100}余白を効果的に使っている
Dialogue: 0,0:19:47.95,0:19:54.93,Default,,0000,0000,0000,,{\pos(500,466)\c&H00FFFF00}という作品が{\fscx50}　{\fscx100}こちら{\fscx50}。
Dialogue: 0,0:19:54.93,0:20:01.23,Default,,0000,0000,0000,,{\pos(660,352)\c&H00FFFF00\fscx50\fscy50}そう
Dialogue: 0,0:19:54.93,0:20:01.23,Default,,0000,0000,0000,,{\pos(360,406)\c&H00FFFF00}描いたのは中国{\fscx50}・{\fscx100}宋時代の画家
Dialogue: 0,0:19:54.93,0:20:01.23,Default,,0000,0000,0000,,{\pos(380,442)\c&H00FFFF00\fscx50\fscy50}ぎょくかん
Dialogue: 0,0:19:54.93,0:20:01.23,Default,,0000,0000,0000,,{\pos(400,496)\c&H00FFFF00}玉澗です{\fscx50}。
Dialogue: 0,0:20:04.27,0:20:13.78,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}真ん中に人が２人{\fscx50}　{\fscx100}上のほうに向かって
Dialogue: 0,0:20:04.27,0:20:13.78,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}上がっていく様子が描かれています{\fscx50}。
Dialogue: 0,0:20:13.78,0:20:24.12,Default,,0000,0000,0000,,{\pos(820,496)}♬～
Dialogue: 0,0:20:24.12,0:20:27.03,Default,,0000,0000,0000,,{\pos(440,376)}この絵のタイトルは
Dialogue: 0,0:20:24.12,0:20:27.03,Default,,0000,0000,0000,,{\pos(480,412)\fscx50\fscy50}さんしせいらん
Dialogue: 0,0:20:24.12,0:20:27.03,Default,,0000,0000,0000,,{\pos(460,466)\fscx50}「{\fscx100}山市晴嵐{\fscx50}」{\fscx100}といいます{\fscx50}。
Dialogue: 0,0:20:27.03,0:20:31.80,Default,,0000,0000,0000,,{\pos(320,406)}晴嵐っていうのは{\fscx50}　{\fscx100}晴れた嵐って
Dialogue: 0,0:20:27.03,0:20:31.80,Default,,0000,0000,0000,,{\pos(180,466)}書きますけれども{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}嵐ではありません{\fscx50}。{\fscx100}➡
Dialogue: 0,0:20:31.80,0:20:39.67,Default,,0000,0000,0000,,{\pos(140,436)}夏の晴れた日に山へ行くと{\fscx50}　{\fscx100}水蒸気が
Dialogue: 0,0:20:31.80,0:20:39.67,Default,,0000,0000,0000,,{\pos(160,496)}わ～っと{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}暑い日の中で立ち上って➡
Dialogue: 0,0:20:39.67,0:20:41.81,Default,,0000,0000,0000,,{\pos(140,496)}それで{\fscx50}　{\fscx100}かげろうが立ったりしますよね{\fscx50}。{\fscx100}➡
Dialogue: 0,0:20:41.81,0:20:45.51,Default,,0000,0000,0000,,{\pos(140,436)}で{\fscx50}　{\fscx100}あの感じを思い浮かべていただければ
Dialogue: 0,0:20:41.81,0:20:45.51,Default,,0000,0000,0000,,{\pos(160,496)}いいんです{\fscx50}。{\c&H0000FFFF}　{\c&H00FFFFFF\fscx100}ですから…
Dialogue: 0,0:21:11.77,0:21:15.27,Default,,0000,0000,0000,,{\pos(300,436)\c&H00FFFF00}今日{\fscx50}　{\fscx100}最後の壺は…
Dialogue: 0,0:21:23.28,0:21:26.79,Default,,0000,0000,0000,,{\pos(360,496)\c&H00FFFF00}俳優{\fscx50}　{\fscx100}イッセー尾形さん{\fscx50}。
Dialogue: 0,0:21:26.79,0:21:32.66,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}映画やドラマ
Dialogue: 0,0:21:26.79,0:21:32.66,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}一人芝居など{\fscx50}　{\fscx100}個性的な役柄を演じ分け➡
Dialogue: 0,0:21:32.66,0:21:36.16,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}見る人を独自の世界に引き込みます{\fscx50}。
Dialogue: 0,0:21:37.96,0:21:41.27,Default,,0000,0000,0000,,{\pos(140,496)}まことの戦は{\fscx50}　{\fscx100}これからざんす{\fscx50}。
Dialogue: 0,0:21:46.31,0:21:51.81,Default,,0000,0000,0000,,{\pos(160,466)\c&H00FFFF00}実はイッセーさん{\fscx50}　{\fscx100}大のアート好き{\fscx50}。
Dialogue: 0,0:22:00.25,0:22:07.76,Default,,0000,0000,0000,,{\pos(640,382)\c&H00FFFF00\fscx50\fscy50}ひ
Dialogue: 0,0:22:00.25,0:22:07.76,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}以前から画集で見て{\fscx50}　{\fscx100}ずっと惹かれている
Dialogue: 0,0:22:00.25,0:22:07.76,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}水墨画があるといいます{\fscx50}。
Dialogue: 0,0:22:14.80,0:22:17.10,Default,,0000,0000,0000,,{\pos(580,496)\fscx50}（{\fscx100}息を吐く音{\fscx50}）
Dialogue: 0,0:22:23.94,0:22:26.95,Default,,0000,0000,0000,,{\pos(560,496)}失礼しま～す{\fscx50}。
Dialogue: 0,0:22:42.13,0:22:44.33,Default,,0000,0000,0000,,{\pos(240,496)}へ～！
Dialogue: 0,0:22:49.80,0:22:57.68,Default,,0000,0000,0000,,{\pos(140,496)}あっ{\fscx50}　{\fscx100}意外と…{\fscx50}　{\fscx100}描きなぐってる{\fscx50}。
Dialogue: 0,0:22:57.68,0:23:00.18,Default,,0000,0000,0000,,{\pos(360,496)}へ～{\fscx50}。
Dialogue: 0,0:23:03.45,0:23:06.15,Default,,0000,0000,0000,,{\pos(500,496)}あっ{\fscx50}　{\fscx100}そう！
Dialogue: 0,0:23:09.09,0:23:14.76,Default,,0000,0000,0000,,{\pos(220,496)}ははっ{\fscx50}　{\fscx100}なんか意表をつかれましたね{\fscx50}。
Dialogue: 0,0:23:14.76,0:23:21.93,Default,,0000,0000,0000,,{\pos(300,436)}もっと描き込んでいるのかなぁと
Dialogue: 0,0:23:14.76,0:23:21.93,Default,,0000,0000,0000,,{\pos(320,496)}勝手に想像していたんですが…{\fscx50}。
Dialogue: 0,0:23:21.93,0:23:28.94,Default,,0000,0000,0000,,{\pos(160,496)}もう{\fscx50}　{\fscx100}勢いで{\fscx50}　{\fscx100}シャシャッと描いてますね{\fscx50}。
Dialogue: 0,0:23:32.94,0:23:40.29,Default,,0000,0000,0000,,{\pos(300,406)\c&H00FFFF00}水墨画の最高峰の一つと称される
Dialogue: 0,0:23:32.94,0:23:40.29,Default,,0000,0000,0000,,{\pos(580,442)\c&H00FFFF00\fscx50\fscy50}しょうりんずびょうぶ
Dialogue: 0,0:23:32.94,0:23:40.29,Default,,0000,0000,0000,,{\pos(560,496)\c&H00FFFF00\fscx50}「{\fscx100}松林図屏風{\fscx50}」{\fscx100}です{\fscx50}。
Dialogue: 0,0:23:40.29,0:23:47.29,Default,,0000,0000,0000,,{\pos(320,406)\c&H00FFFF00}描いたのは{\fscx50}　{\fscx100}安土桃山時代の巨匠
Dialogue: 0,0:23:40.29,0:23:47.29,Default,,0000,0000,0000,,{\pos(700,442)\c&H00FFFF00\fscx50\fscy50}はせがわとうはく
Dialogue: 0,0:23:40.29,0:23:47.29,Default,,0000,0000,0000,,{\pos(680,496)\c&H00FFFF00}長谷川等伯{\fscx50}。
Dialogue: 0,0:23:53.30,0:23:58.97,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}屏風に描かれているのは松林{\fscx50}。
Dialogue: 0,0:23:58.97,0:24:07.28,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}墨の濃淡と{\fscx50}　{\fscx100}たっぷりの余白が
Dialogue: 0,0:23:58.97,0:24:07.28,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}見る者を絵の世界へと引き込みます{\fscx50}。
Dialogue: 0,0:24:09.25,0:24:17.26,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}今回は{\fscx50}　{\fscx100}この{\fscx50}「{\fscx100}松林図屏風{\fscx50}」{\fscx100}の
Dialogue: 0,0:24:09.25,0:24:17.26,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}高精細の複製と対面します{\fscx50}。
Dialogue: 0,0:24:20.23,0:24:27.23,Default,,0000,0000,0000,,{\pos(140,406)}この{\fscx50}　{\fscx100}例えば{\fscx50}　{\fscx100}これが霧だとして
Dialogue: 0,0:24:20.23,0:24:27.23,Default,,0000,0000,0000,,{\pos(160,466)}流れてるんですかね？{\fscx50}　{\fscx100}霧が{\fscx50}　{\fscx100}こう{\fscx50}。
Dialogue: 0,0:24:29.60,0:24:31.94,Default,,0000,0000,0000,,{\pos(280,496)\fscx50}（イッセー{\fscx100}尾形{\fscx50}）{\fscx100}こう…{\fscx50}。{\fscx100}➡
Dialogue: 0,0:24:31.94,0:24:38.71,Default,,0000,0000,0000,,{\pos(160,436)}それとも漂ってなくて
Dialogue: 0,0:24:31.94,0:24:38.71,Default,,0000,0000,0000,,{\pos(180,496)}とどまってるんでしょうかね？➡
Dialogue: 0,0:24:38.71,0:24:45.22,Default,,0000,0000,0000,,{\pos(180,436)}霧だと思うでしょうね{\fscx50}。
Dialogue: 0,0:24:38.71,0:24:45.22,Default,,0000,0000,0000,,{\pos(200,496)}見えなくしてんのは霧だろうと{\fscx50}。
Dialogue: 0,0:24:46.95,0:24:53.73,Default,,0000,0000,0000,,{\pos(620,442)\fscx50\fscy50}りゅう
Dialogue: 0,0:24:46.95,0:24:53.73,Default,,0000,0000,0000,,{\pos(140,496)}これさ{\fscx50}　{\fscx100}この余白にさ{\fscx50}　{\fscx100}大蛇{\fscx50}　{\fscx100}龍{\fscx50}。
Dialogue: 0,0:24:53.73,0:24:59.66,Default,,0000,0000,0000,,{\pos(140,496)}龍が{\fscx50}　{\fscx100}こう…{\fscx50}　{\fscx100}のたうって{\fscx50}　{\fscx100}１匹のね{\fscx50}。{\fscx100}➡
Dialogue: 0,0:24:59.66,0:25:04.74,Default,,0000,0000,0000,,{\pos(140,496)}こういう…{\fscx50}　{\fscx100}描こうと思えば描けるね{\fscx50}。{\fscx100}➡
Dialogue: 0,0:25:04.74,0:25:11.24,Default,,0000,0000,0000,,{\pos(140,436)}そうすると{\fscx50}　{\fscx100}この空白が
Dialogue: 0,0:25:04.74,0:25:11.24,Default,,0000,0000,0000,,{\pos(160,496)}波打って躍動してくるんですよね{\fscx50}。
Dialogue: 0,0:25:15.91,0:25:20.72,Default,,0000,0000,0000,,{\pos(140,406)}まあ{\fscx50}　{\fscx100}余白っていう言い方は
Dialogue: 0,0:25:15.91,0:25:20.72,Default,,0000,0000,0000,,{\pos(160,466)}見た人が後から付けた名前なんですが{\fscx50}。
Dialogue: 0,0:25:40.61,0:25:44.31,Default,,0000,0000,0000,,{\pos(140,436)\fscx50}（イッセー{\fscx100}尾形{\fscx50}）{\fscx100}いや{\fscx50}　{\fscx100}そんなことを考えて
Dialogue: 0,0:25:40.61,0:25:44.31,Default,,0000,0000,0000,,{\pos(160,496)}描いたわけじゃないと思います{\fscx50}。
Dialogue: 0,0:25:53.62,0:26:00.23,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}イッセーさん{\fscx50}　{\fscx100}実は{\fscx50}「{\fscx100}松林図屏風{\fscx50}」{\fscx100}の前で
Dialogue: 0,0:25:53.62,0:26:00.23,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}どうしても{\fscx50}　{\fscx100}やりたかったことがあります{\fscx50}。
Dialogue: 0,0:26:00.23,0:26:04.20,Default,,0000,0000,0000,,{\pos(200,496)\c&H00FFFF00}手作りの人形による芝居です{\fscx50}。
Dialogue: 0,0:26:04.20,0:26:15.77,Default,,0000,0000,0000,,{\pos(160,352)\fscx50\fscy50}かつしかほくさい
Dialogue: 0,0:26:04.20,0:26:15.77,Default,,0000,0000,0000,,{\pos(140,406)\fscx50}（{\fscx100}葛飾北斎{\fscx50}）{\fscx100}どうも{\fscx50}。　{\fscx100}葛飾北斎です{\fscx50}。
Dialogue: 0,0:26:04.20,0:26:15.77,Default,,0000,0000,0000,,{\pos(380,442)\fscx50\fscy50}しょうりんず
Dialogue: 0,0:26:04.20,0:26:15.77,Default,,0000,0000,0000,,{\pos(160,496)}いや～{\fscx50}　{\fscx100}この松林図ね{\fscx50}　{\fscx100}憧れてたんですよ{\fscx50}。
Dialogue: 0,0:26:15.77,0:26:19.58,Default,,0000,0000,0000,,{\pos(260,496)}これね{\fscx50}　{\fscx100}私は描けないな～{\fscx50}。
Dialogue: 0,0:26:19.58,0:26:30.09,Default,,0000,0000,0000,,{\pos(140,436)}もし{\fscx50}　{\fscx100}この余白にね{\fscx50}　{\fscx100}誰かを描くとしたら
Dialogue: 0,0:26:19.58,0:26:30.09,Default,,0000,0000,0000,,{\pos(160,496)}私は{\fscx50}　{\fscx100}やっぱり{\fscx50}　{\fscx100}俗世間の人間がいいなぁ{\fscx50}。
Dialogue: 0,0:26:30.09,0:26:33.93,Default,,0000,0000,0000,,{\pos(240,496)}例えば…{\fscx50}　{\fscx100}これこれ{\fscx50}　{\fscx100}こんなの{\fscx50}。
Dialogue: 0,0:26:33.93,0:26:37.80,Default,,0000,0000,0000,,{\pos(320,496)}♬{\fscx50}「{\fscx100}ツツン{\fscx50}　{\fscx100}テントンシャン{\fscx50}」
Dialogue: 0,0:26:37.80,0:26:44.27,Default,,0000,0000,0000,,{\pos(320,406)\fscx50}（{\fscx100}芸者{\fscx50}）{\fscx100}ああ{\fscx50}　{\fscx100}縁起でもないねぇ
Dialogue: 0,0:26:37.80,0:26:44.27,Default,,0000,0000,0000,,{\pos(340,442)\fscx50\fscy50}しゃみ
Dialogue: 0,0:26:37.80,0:26:44.27,Default,,0000,0000,0000,,{\pos(340,496)}三味の弦が切れちまったよう{\fscx50}。
Dialogue: 0,0:26:44.27,0:26:46.87,Default,,0000,0000,0000,,{\pos(480,496)\fscx50}（{\fscx100}関取{\fscx50}）{\fscx100}ごっつあんです{\fscx50}。
Dialogue: 0,0:26:46.87,0:26:50.11,Default,,0000,0000,0000,,{\pos(360,436)}は？
Dialogue: 0,0:26:46.87,0:26:50.11,Default,,0000,0000,0000,,{\pos(560,496)}ごっつあんです{\fscx50}。
Dialogue: 0,0:26:50.11,0:26:57.82,Default,,0000,0000,0000,,{\pos(140,406)}あっ{\fscx50}　{\fscx100}関取かい{\fscx50}。　{\fscx100}あんたの指は太いから
Dialogue: 0,0:26:50.11,0:26:57.82,Default,,0000,0000,0000,,{\pos(160,466)}弦は直せないねぇ{\fscx50}。
Dialogue: 0,0:26:50.11,0:26:57.82,Default,,0000,0000,0000,,{\pos(660,496)}えす！
Dialogue: 0,0:26:57.82,0:27:06.52,Default,,0000,0000,0000,,{\pos(140,436)}あんた{\fscx50}　{\fscx100}あたし本当はねぇ{\fscx50}　{\fscx100}こんな商売
Dialogue: 0,0:26:57.82,0:27:06.52,Default,,0000,0000,0000,,{\pos(160,496)}足を洗って{\fscx50}　{\fscx100}だんご屋{\c&H0000FFFF\fscx50}　{\c&H00FFFFFF\fscx100}やりたいのよ{\fscx50}。
Dialogue: 0,0:27:06.52,0:27:08.83,Default,,0000,0000,0000,,{\pos(380,496)}ごっつあんです{\fscx50}。
Dialogue: 0,0:27:08.83,0:27:18.24,Default,,0000,0000,0000,,{\pos(140,436)\c&H00FFFF00}松林の余白から現れた{\fscx50}　{\fscx100}芸者と相撲取り
Dialogue: 0,0:27:08.83,0:27:18.24,Default,,0000,0000,0000,,{\pos(160,496)\c&H00FFFF00}そして{\fscx50}　{\fscx100}葛飾北斎{\fscx50}。
Dialogue: 0,0:27:18.24,0:27:24.24,Default,,0000,0000,0000,,{\pos(220,436)\c&H00FFFF00}時空を超えた不思議な世界が
Dialogue: 0,0:27:18.24,0:27:24.24,Default,,0000,0000,0000,,{\pos(240,496)\c&H00FFFF00}生まれました{\fscx50}。
Dialogue: 0,0:27:29.25,0:27:36.99,Default,,0000,0000,0000,,{\pos(140,496)\c&H00FFFF00}緻密な筆遣いと墨の濃淡{\fscx50}。　{\fscx100}そして{\fscx50}　{\fscx100}余白{\fscx50}。
Dialogue: 0,0:27:36.99,0:27:44.20,Default,,0000,0000,0000,,{\pos(160,436)\c&H00FFFF00}黒と白だからこそ生み出せる世界が
Dialogue: 0,0:27:36.99,0:27:44.20,Default,,0000,0000,0000,,{\pos(180,496)\c&H00FFFF00}ここに{\fscx50}　{\fscx100}あります{\fscx50}。
Dialogue: 0,0:27:50.94,0:27:53.27,Default,,0000,0000,0000,,{\pos(380,496)\c&H0000FFFF}出来た！
Dialogue: 0,0:27:53.27,0:27:55.61,Default,,0000,0000,0000,,{\pos(220,496)\c&H00FFFF00}今度は何を描いたんですか？
Dialogue: 0,0:27:55.61,0:28:00.21,Default,,0000,0000,0000,,{\pos(320,436)\c&H0000FFFF}え？{\fscx50}　{\fscx100}それはね…{\fscx50}。
Dialogue: 0,0:27:55.61,0:28:00.21,Default,,0000,0000,0000,,{\pos(140,496)\fscx50}（ドアチャイム）
Dialogue: 0,0:28:00.21,0:28:05.08,Default,,0000,0000,0000,,{\pos(280,496)\c&H0000FFFF}えっ？{\fscx50}　{\fscx100}誰？{\fscx50}　{\fscx100}は～い！
Dialogue: 0,0:28:05.08,0:28:09.72,Default,,0000,0000,0000,,{\pos(140,436)}⚟出前で～す！
Dialogue: 0,0:28:05.08,0:28:09.72,Default,,0000,0000,0000,,{\pos(160,496)}うな重２つ{\fscx50}　{\fscx100}お届けに上がりました～！
Dialogue: 0,0:28:09.72,0:28:16.53,Default,,0000,0000,0000,,{\pos(180,496)\c&H0000FFFF}うな重？{\fscx50}　{\fscx100}頼んでないよ{\fscx50}。　{\fscx100}えっ？
Dialogue: 0,0:28:18.90,0:28:21.77,Default,,0000,0000,0000,,{\pos(620,496)\c&H0000FFFF}まさか…{\fscx50}。
Dialogue: 0,0:28:21.77,0:28:29.07,Default,,0000,0000,0000,,{\pos(140,496)\c&H0000FFFF}うなぎじゃないよ{\fscx50}。　{\fscx100}龍を描いたのに…{\fscx50}。
Dialogue: 0,0:28:29.07,0:28:32.91,Default,,0000,0000,0000,,{\pos(240,496)\c&H0000FFFF}はぁ{\fscx50}　{\fscx100}龍が見たかったなぁ{\fscx50}。
Dialogue: 0,0:28:32.91,0:28:35.25,Default,,0000,0000,0000,,{\pos(140,496)}⚟すいませ～ん！
Dialogue: 0,0:28:35.25,0:28:37.75,Default,,0000,0000,0000,,{\pos(420,496)\c&H0000FFFF}は～い！
Dialogue: 0,0:28:40.59,0:28:43.92,Default,,0000,0000,0000,,{\pos(420,406)\c&H0000FFFF}うな重…{\fscx50}。
Dialogue: 0,0:28:43.92,0:28:49.93,Default,,0000,0000,0000,,{\pos(180,406)\c&H0000FFFF}ああ{\fscx50}　{\fscx100}いいね{\fscx50}。　{\fscx100}妻と一緒に食べよう{\fscx50}。