[Script Info]
ScriptType: v4.00+
Collisions: Normal
ScaledBorderAndShadow: Yes
PlayResX: 960
PlayResY: 540
LayoutResX: 960
LayoutResY: 540

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,A-OTF Maru Folk Pro B,42,&H00FFFFFF,&H000000FF,&H00000000,&H7F000000,-1,0,0,0,100,100,0,0,1,2,2,1,0,0,0,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.57,0:00:06.91,Default,,0000,0000,0000,,{\pos(320,496)\c&H0000FFFF}神奈川県藤沢市{\fscx50}。
Dialogue: 0,0:00:06.91,0:00:13.78,Default,,0000,0000,0000,,{\pos(140,322)\c&H0000FFFF\fscx50\fscy50}ふなだま
Dialogue: 0,0:00:06.91,0:00:13.78,Default,,0000,0000,0000,,{\pos(140,376)\c&H0000FFFF}船玉神社の周りには{\fscx50}　{\fscx100}かつて木をひき切る
Dialogue: 0,0:00:06.91,0:00:13.78,Default,,0000,0000,0000,,{\pos(160,436)\c&H0000FFFF}職人が多く住んでいたといい➡
Dialogue: 0,0:00:13.78,0:00:22.26,Default,,0000,0000,0000,,{\pos(140,382)\c&H0000FFFF\fscx50\fscy50}さねとも
Dialogue: 0,0:00:13.78,0:00:22.26,Default,,0000,0000,0000,,{\pos(540,382)\c&H0000FFFF\fscx50\fscy50}そう
Dialogue: 0,0:00:13.78,0:00:22.26,Default,,0000,0000,0000,,{\pos(140,436)\c&H0000FFFF}実朝は{\fscx50}　{\fscx100}この一帯から{\fscx50}　{\fscx100}宋に渡る船の木材を
Dialogue: 0,0:00:13.78,0:00:22.26,Default,,0000,0000,0000,,{\pos(160,496)\c&H0000FFFF}切り出したと伝わっています{\fscx50}。
Dialogue: 0,0:00:22.26,0:00:26.59,Default,,0000,0000,0000,,{\pos(240,382)\c&H0000FFFF\fscx50\fscy50}ゆいがはま
Dialogue: 0,0:00:22.26,0:00:26.59,Default,,0000,0000,0000,,{\pos(220,436)\c&H0000FFFF}由比ヶ浜にある実朝の歌碑{\fscx50}。
Dialogue: 0,0:00:26.59,0:00:30.26,Default,,0000,0000,0000,,{\pos(260,376)\c&H0000FFFF}実朝が宋に渡ることを
Dialogue: 0,0:00:26.59,0:00:30.26,Default,,0000,0000,0000,,{\pos(280,436)\c&H0000FFFF}夢みたことにちなみ➡
Dialogue: 0,0:00:30.26,0:00:33.60,Default,,0000,0000,0000,,{\pos(160,196)\c&H0000FFFF}船を模したものが置かれています{\fscx50}。
Dialogue: 0,0:00:33.60,0:00:38.47,Default,,0000,0000,0000,,{\pos(240,346)\c&H0000FFFF}実朝の船づくりに関わった
Dialogue: 0,0:00:33.60,0:00:38.47,Default,,0000,0000,0000,,{\pos(480,382)\c&H0000FFFF\fscx50\fscy50}ちん　なけい
Dialogue: 0,0:00:33.60,0:00:38.47,Default,,0000,0000,0000,,{\pos(260,436)\c&H0000FFFF}宋の技術者{\fscx50}　{\fscx100}陳和卿は➡
Dialogue: 0,0:00:38.47,0:00:42.61,Default,,0000,0000,0000,,{\pos(200,436)\c&H0000FFFF}鎌倉に{\fscx50}　{\fscx100}あるものを残しました{\fscx50}。
Dialogue: 0,0:00:42.61,0:00:46.48,Default,,0000,0000,0000,,{\pos(360,496)\c&H0000FFFF}鎌倉彫です{\fscx50}。
Dialogue: 0,0:00:46.48,0:00:51.95,Default,,0000,0000,0000,,{\pos(220,436)\c&H0000FFFF}彫りの陰影と深い漆の色彩が特徴的な
Dialogue: 0,0:00:46.48,0:00:51.95,Default,,0000,0000,0000,,{\pos(620,496)\c&H0000FFFF}伝統工芸品で➡
Dialogue: 0,0:00:51.95,0:00:55.82,Default,,0000,0000,0000,,{\pos(180,346)\c&H0000FFFF}陳和卿らがもたらした宋の技術に
Dialogue: 0,0:00:51.95,0:00:55.82,Default,,0000,0000,0000,,{\pos(200,406)\c&H0000FFFF}影響を受け➡
Dialogue: 0,0:00:55.82,0:01:02.53,Default,,0000,0000,0000,,{\pos(140,346)\c&H0000FFFF}鎌倉の仏師たちが{\fscx50}　{\fscx100}木彫漆器を
Dialogue: 0,0:00:55.82,0:01:02.53,Default,,0000,0000,0000,,{\pos(160,406)\c&H0000FFFF}作ったことが始まりだと伝わります{\fscx50}。
Dialogue: 0,0:01:04.23,0:01:10.57,Default,,0000,0000,0000,,{\pos(140,406)\c&H0000FFFF}仏具にはじまり{\fscx50}　{\fscx100}茶道具や生活用具にも
Dialogue: 0,0:01:04.23,0:01:10.57,Default,,0000,0000,0000,,{\pos(360,466)\c&H0000FFFF}鎌倉彫の技法が用いられ➡
Dialogue: 0,0:01:10.57,0:01:14.57,Default,,0000,0000,0000,,{\pos(260,496)\c&H0000FFFF}美術工芸の地位を築き上げました{\fscx50}。
Dialogue: 0,0:01:16.91,0:01:22.58,Default,,0000,0000,0000,,{\pos(140,376)\c&H0000FFFF}宋の影響を強く受けながら発展を遂げた
Dialogue: 0,0:01:16.91,0:01:22.58,Default,,0000,0000,0000,,{\pos(160,436)\c&H0000FFFF}鎌倉の文化は➡
Dialogue: 0,0:01:22.58,0:01:26.89,Default,,0000,0000,0000,,{\pos(220,316)\c&H0000FFFF}今も人々を魅了しています{\fscx50}。