1 00:00:00,240 --> 00:00:02,869 i'm about to show you a top secret trick 2 00:00:02,869 --> 00:00:02,879 i'm about to show you a top secret trick 3 00:00:02,879 --> 00:00:05,269 i'm about to show you a top secret trick in davinci resolve that saved my keister 4 00:00:05,269 --> 00:00:05,279 in davinci resolve that saved my keister 5 00:00:05,279 --> 00:00:06,630 in davinci resolve that saved my keister on a number of occasions when doing 6 00:00:06,630 --> 00:00:06,640 on a number of occasions when doing 7 00:00:06,640 --> 00:00:09,589 on a number of occasions when doing chroma key because my green screen isn't 8 00:00:09,589 --> 00:00:09,599 chroma key because my green screen isn't 9 00:00:09,599 --> 00:00:11,509 chroma key because my green screen isn't perfect i'm going to teach you how to 10 00:00:11,509 --> 00:00:11,519 perfect i'm going to teach you how to 11 00:00:11,519 --> 00:00:15,110 perfect i'm going to teach you how to get that perfect key and turn this into 12 00:00:15,110 --> 00:00:15,120 get that perfect key and turn this into 13 00:00:15,120 --> 00:00:19,130 get that perfect key and turn this into this 14 00:00:19,130 --> 00:00:19,140 15 00:00:19,140 --> 00:00:22,950 [Music] 16 00:00:22,950 --> 00:00:22,960 17 00:00:22,960 --> 00:00:24,470 this lesson is brought to you by 18 00:00:24,470 --> 00:00:24,480 this lesson is brought to you by 19 00:00:24,480 --> 00:00:26,550 this lesson is brought to you by ameridroid.com 20 00:00:26,550 --> 00:00:26,560 ameridroid.com 21 00:00:26,560 --> 00:00:29,109 ameridroid.com if you love to learn and love to tinker 22 00:00:29,109 --> 00:00:29,119 if you love to learn and love to tinker 23 00:00:29,119 --> 00:00:31,750 if you love to learn and love to tinker ameridroid.com is the site for you 24 00:00:31,750 --> 00:00:31,760 ameridroid.com is the site for you 25 00:00:31,760 --> 00:00:33,830 ameridroid.com is the site for you single board computers maker tech and 26 00:00:33,830 --> 00:00:33,840 single board computers maker tech and 27 00:00:33,840 --> 00:00:36,150 single board computers maker tech and home automation all from their american 28 00:00:36,150 --> 00:00:36,160 home automation all from their american 29 00:00:36,160 --> 00:00:38,389 home automation all from their american support center shop with a company that 30 00:00:38,389 --> 00:00:38,399 support center shop with a company that 31 00:00:38,399 --> 00:00:42,630 support center shop with a company that we know and trust visit ameridroid.com 32 00:00:42,630 --> 00:00:42,640 we know and trust visit ameridroid.com 33 00:00:42,640 --> 00:00:44,869 we know and trust visit ameridroid.com today i believe you're going to find 34 00:00:44,869 --> 00:00:44,879 today i believe you're going to find 35 00:00:44,879 --> 00:00:48,069 today i believe you're going to find this process to be surprisingly easy and 36 00:00:48,069 --> 00:00:48,079 this process to be surprisingly easy and 37 00:00:48,079 --> 00:00:51,270 this process to be surprisingly easy and fast in davinci resolve here's jeff a 38 00:00:51,270 --> 00:00:51,280 fast in davinci resolve here's jeff a 39 00:00:51,280 --> 00:00:53,830 fast in davinci resolve here's jeff a clip of him standing on our green screen 40 00:00:53,830 --> 00:00:53,840 clip of him standing on our green screen 41 00:00:53,840 --> 00:00:55,029 clip of him standing on our green screen i want to point out a couple of things 42 00:00:55,029 --> 00:00:55,039 i want to point out a couple of things 43 00:00:55,039 --> 00:00:57,270 i want to point out a couple of things and he's actually pointing for me 44 00:00:57,270 --> 00:00:57,280 and he's actually pointing for me 45 00:00:57,280 --> 00:00:59,430 and he's actually pointing for me you see the there's a lot of shadows up 46 00:00:59,430 --> 00:00:59,440 you see the there's a lot of shadows up 47 00:00:59,440 --> 00:01:01,590 you see the there's a lot of shadows up here at the top we've also got shadows 48 00:01:01,590 --> 00:01:01,600 here at the top we've also got shadows 49 00:01:01,600 --> 00:01:03,510 here at the top we've also got shadows on the side and shadows at the bottom 50 00:01:03,510 --> 00:01:03,520 on the side and shadows at the bottom 51 00:01:03,520 --> 00:01:06,550 on the side and shadows at the bottom lots of wrinkles these kinds of 52 00:01:06,550 --> 00:01:06,560 lots of wrinkles these kinds of 53 00:01:06,560 --> 00:01:08,390 lots of wrinkles these kinds of attributes on a green screen would 54 00:01:08,390 --> 00:01:08,400 attributes on a green screen would 55 00:01:08,400 --> 00:01:10,950 attributes on a green screen would typically cause big problems 56 00:01:10,950 --> 00:01:10,960 typically cause big problems 57 00:01:10,960 --> 00:01:12,950 typically cause big problems with a green screen 58 00:01:12,950 --> 00:01:12,960 with a green screen 59 00:01:12,960 --> 00:01:14,789 with a green screen we have to perfectly light our green 60 00:01:14,789 --> 00:01:14,799 we have to perfectly light our green 61 00:01:14,799 --> 00:01:17,030 we have to perfectly light our green screen we got to have tons of soft boxes 62 00:01:17,030 --> 00:01:17,040 screen we got to have tons of soft boxes 63 00:01:17,040 --> 00:01:20,070 screen we got to have tons of soft boxes and every kind of light in under the sun 64 00:01:20,070 --> 00:01:20,080 and every kind of light in under the sun 65 00:01:20,080 --> 00:01:22,710 and every kind of light in under the sun to create a virtual sun in order to 66 00:01:22,710 --> 00:01:22,720 to create a virtual sun in order to 67 00:01:22,720 --> 00:01:24,630 to create a virtual sun in order to perfectly light this green screen but 68 00:01:24,630 --> 00:01:24,640 perfectly light this green screen but 69 00:01:24,640 --> 00:01:26,390 perfectly light this green screen but that is not a problem with davinci 70 00:01:26,390 --> 00:01:26,400 that is not a problem with davinci 71 00:01:26,400 --> 00:01:29,190 that is not a problem with davinci resolve anymore notice the black line as 72 00:01:29,190 --> 00:01:29,200 resolve anymore notice the black line as 73 00:01:29,200 --> 00:01:31,830 resolve anymore notice the black line as well that's actually damage on our green 74 00:01:31,830 --> 00:01:31,840 well that's actually damage on our green 75 00:01:31,840 --> 00:01:33,749 well that's actually damage on our green screen that was caused from our move 76 00:01:33,749 --> 00:01:33,759 screen that was caused from our move 77 00:01:33,759 --> 00:01:36,950 screen that was caused from our move from studio d to studio e and that is 78 00:01:36,950 --> 00:01:36,960 from studio d to studio e and that is 79 00:01:36,960 --> 00:01:39,590 from studio d to studio e and that is now a part of our green screen so that's 80 00:01:39,590 --> 00:01:39,600 now a part of our green screen so that's 81 00:01:39,600 --> 00:01:41,670 now a part of our green screen so that's also going to pose a problem in the 82 00:01:41,670 --> 00:01:41,680 also going to pose a problem in the 83 00:01:41,680 --> 00:01:44,069 also going to pose a problem in the traditional sense now we're going to 84 00:01:44,069 --> 00:01:44,079 traditional sense now we're going to 85 00:01:44,079 --> 00:01:46,550 traditional sense now we're going to solve these problems very very quickly 86 00:01:46,550 --> 00:01:46,560 solve these problems very very quickly 87 00:01:46,560 --> 00:01:49,749 solve these problems very very quickly and easily here in davinci resolve 88 00:01:49,749 --> 00:01:49,759 and easily here in davinci resolve 89 00:01:49,759 --> 00:01:51,910 and easily here in davinci resolve okay so jeff as you can see is a 90 00:01:51,910 --> 00:01:51,920 okay so jeff as you can see is a 91 00:01:51,920 --> 00:01:55,429 okay so jeff as you can see is a vertical shot i shot this in 4k at 2160 92 00:01:55,429 --> 00:01:55,439 vertical shot i shot this in 4k at 2160 93 00:01:55,439 --> 00:01:59,670 vertical shot i shot this in 4k at 2160 by 3840 on a pocophone f1 smartphone so 94 00:01:59,670 --> 00:01:59,680 by 3840 on a pocophone f1 smartphone so 95 00:01:59,680 --> 00:02:01,270 by 3840 on a pocophone f1 smartphone so the reason i did that of course is to 96 00:02:01,270 --> 00:02:01,280 the reason i did that of course is to 97 00:02:01,280 --> 00:02:03,590 the reason i did that of course is to maximize the vertical space we want to 98 00:02:03,590 --> 00:02:03,600 maximize the vertical space we want to 99 00:02:03,600 --> 00:02:06,149 maximize the vertical space we want to increase the resolution of our chroma 100 00:02:06,149 --> 00:02:06,159 increase the resolution of our chroma 101 00:02:06,159 --> 00:02:07,429 increase the resolution of our chroma key subject 102 00:02:07,429 --> 00:02:07,439 key subject 103 00:02:07,439 --> 00:02:09,830 key subject by making sure that we have framed them 104 00:02:09,830 --> 00:02:09,840 by making sure that we have framed them 105 00:02:09,840 --> 00:02:11,430 by making sure that we have framed them correctly we don't want to do a 106 00:02:11,430 --> 00:02:11,440 correctly we don't want to do a 107 00:02:11,440 --> 00:02:13,589 correctly we don't want to do a horizontal shot for this because then we 108 00:02:13,589 --> 00:02:13,599 horizontal shot for this because then we 109 00:02:13,599 --> 00:02:17,110 horizontal shot for this because then we would have only 2160 height and we'd be 110 00:02:17,110 --> 00:02:17,120 would have only 2160 height and we'd be 111 00:02:17,120 --> 00:02:18,949 would have only 2160 height and we'd be throwing away 112 00:02:18,949 --> 00:02:18,959 throwing away 113 00:02:18,959 --> 00:02:22,710 throwing away about 1700 pixels of data that we could 114 00:02:22,710 --> 00:02:22,720 about 1700 pixels of data that we could 115 00:02:22,720 --> 00:02:24,550 about 1700 pixels of data that we could have if we shop vertically so that's why 116 00:02:24,550 --> 00:02:24,560 have if we shop vertically so that's why 117 00:02:24,560 --> 00:02:26,790 have if we shop vertically so that's why we shot it this way however my canvas as 118 00:02:26,790 --> 00:02:26,800 we shot it this way however my canvas as 119 00:02:26,800 --> 00:02:29,110 we shot it this way however my canvas as you can see is 16 over 9. so i want to 120 00:02:29,110 --> 00:02:29,120 you can see is 16 over 9. so i want to 121 00:02:29,120 --> 00:02:31,430 you can see is 16 over 9. so i want to quickly change that i'm going to go for 122 00:02:31,430 --> 00:02:31,440 quickly change that i'm going to go for 123 00:02:31,440 --> 00:02:33,509 quickly change that i'm going to go for a custom layout here 124 00:02:33,509 --> 00:02:33,519 a custom layout here 125 00:02:33,519 --> 00:02:36,790 a custom layout here to 2160 by 3840 126 00:02:36,790 --> 00:02:36,800 to 2160 by 3840 127 00:02:36,800 --> 00:02:38,309 to 2160 by 3840 and now 128 00:02:38,309 --> 00:02:38,319 and now 129 00:02:38,319 --> 00:02:41,110 and now we've got a perfect crop around him so 130 00:02:41,110 --> 00:02:41,120 we've got a perfect crop around him so 131 00:02:41,120 --> 00:02:43,270 we've got a perfect crop around him so jeff is uh in that frame i'm going to 132 00:02:43,270 --> 00:02:43,280 jeff is uh in that frame i'm going to 133 00:02:43,280 --> 00:02:44,949 jeff is uh in that frame i'm going to just pull this in this is one of the 134 00:02:44,949 --> 00:02:44,959 just pull this in this is one of the 135 00:02:44,959 --> 00:02:46,390 just pull this in this is one of the quick little tips that i'm going to give 136 00:02:46,390 --> 00:02:46,400 quick little tips that i'm going to give 137 00:02:46,400 --> 00:02:48,229 quick little tips that i'm going to give you because we're going to pull out some 138 00:02:48,229 --> 00:02:48,239 you because we're going to pull out some 139 00:02:48,239 --> 00:02:49,670 you because we're going to pull out some of that shadow 140 00:02:49,670 --> 00:02:49,680 of that shadow 141 00:02:49,680 --> 00:02:51,589 of that shadow at the top and i want to 142 00:02:51,589 --> 00:02:51,599 at the top and i want to 143 00:02:51,599 --> 00:02:53,190 at the top and i want to make this so that his shoes are just 144 00:02:53,190 --> 00:02:53,200 make this so that his shoes are just 145 00:02:53,200 --> 00:02:55,990 make this so that his shoes are just kind of on the edge there we're not 146 00:02:55,990 --> 00:02:56,000 kind of on the edge there we're not 147 00:02:56,000 --> 00:02:58,229 kind of on the edge there we're not getting too much into chroma key 148 00:02:58,229 --> 00:02:58,239 getting too much into chroma key 149 00:02:58,239 --> 00:03:00,550 getting too much into chroma key shooting here this is more of a 150 00:03:00,550 --> 00:03:00,560 shooting here this is more of a 151 00:03:00,560 --> 00:03:04,309 shooting here this is more of a technical tutorial on how to now improve 152 00:03:04,309 --> 00:03:04,319 technical tutorial on how to now improve 153 00:03:04,319 --> 00:03:06,710 technical tutorial on how to now improve the chroma key based on the fact that 154 00:03:06,710 --> 00:03:06,720 the chroma key based on the fact that 155 00:03:06,720 --> 00:03:08,949 the chroma key based on the fact that you know what this chroma key is pretty 156 00:03:08,949 --> 00:03:08,959 you know what this chroma key is pretty 157 00:03:08,959 --> 00:03:11,030 you know what this chroma key is pretty crappy 158 00:03:11,030 --> 00:03:11,040 crappy 159 00:03:11,040 --> 00:03:13,670 crappy look at that it's horrible 160 00:03:13,670 --> 00:03:13,680 look at that it's horrible 161 00:03:13,680 --> 00:03:14,949 look at that it's horrible but we're going to be able to actually 162 00:03:14,949 --> 00:03:14,959 but we're going to be able to actually 163 00:03:14,959 --> 00:03:16,550 but we're going to be able to actually use this and it's going to be touched up 164 00:03:16,550 --> 00:03:16,560 use this and it's going to be touched up 165 00:03:16,560 --> 00:03:18,949 use this and it's going to be touched up and look beautiful in the end all right 166 00:03:18,949 --> 00:03:18,959 and look beautiful in the end all right 167 00:03:18,959 --> 00:03:20,869 and look beautiful in the end all right so now with that shot i'm going to jump 168 00:03:20,869 --> 00:03:20,879 so now with that shot i'm going to jump 169 00:03:20,879 --> 00:03:22,949 so now with that shot i'm going to jump over to my color correction 170 00:03:22,949 --> 00:03:22,959 over to my color correction 171 00:03:22,959 --> 00:03:24,869 over to my color correction over here and we're going to do 172 00:03:24,869 --> 00:03:24,879 over here and we're going to do 173 00:03:24,879 --> 00:03:27,990 over here and we're going to do something really fun this is where 174 00:03:27,990 --> 00:03:28,000 something really fun this is where 175 00:03:28,000 --> 00:03:30,949 something really fun this is where davinci resolve shines is its automation 176 00:03:30,949 --> 00:03:30,959 davinci resolve shines is its automation 177 00:03:30,959 --> 00:03:32,309 davinci resolve shines is its automation and i'm just going to blow your minds 178 00:03:32,309 --> 00:03:32,319 and i'm just going to blow your minds 179 00:03:32,319 --> 00:03:33,350 and i'm just going to blow your minds right about 180 00:03:33,350 --> 00:03:33,360 right about 181 00:03:33,360 --> 00:03:35,270 right about now i'm going to click on my little 182 00:03:35,270 --> 00:03:35,280 now i'm going to click on my little 183 00:03:35,280 --> 00:03:37,750 now i'm going to click on my little eyedropper tool here which you hear me 184 00:03:37,750 --> 00:03:37,760 eyedropper tool here which you hear me 185 00:03:37,760 --> 00:03:39,910 eyedropper tool here which you hear me call it doppler that's just 186 00:03:39,910 --> 00:03:39,920 call it doppler that's just 187 00:03:39,920 --> 00:03:41,509 call it doppler that's just my own kind of 188 00:03:41,509 --> 00:03:41,519 my own kind of 189 00:03:41,519 --> 00:03:42,869 my own kind of linguistics 190 00:03:42,869 --> 00:03:42,879 linguistics 191 00:03:42,879 --> 00:03:45,190 linguistics they call it a qualifier here 192 00:03:45,190 --> 00:03:45,200 they call it a qualifier here 193 00:03:45,200 --> 00:03:47,589 they call it a qualifier here and over here on this drop down it's 194 00:03:47,589 --> 00:03:47,599 and over here on this drop down it's 195 00:03:47,599 --> 00:03:49,670 and over here on this drop down it's defaulting to hsl i actually want to 196 00:03:49,670 --> 00:03:49,680 defaulting to hsl i actually want to 197 00:03:49,680 --> 00:03:53,190 defaulting to hsl i actually want to change this to 3d and this is where 198 00:03:53,190 --> 00:03:53,200 change this to 3d and this is where 199 00:03:53,200 --> 00:03:55,429 change this to 3d and this is where davinci resolve is like 200 00:03:55,429 --> 00:03:55,439 davinci resolve is like 201 00:03:55,439 --> 00:03:58,229 davinci resolve is like mind blowing so now 202 00:03:58,229 --> 00:03:58,239 mind blowing so now 203 00:03:58,239 --> 00:04:00,390 mind blowing so now what we have here we've got a big shadow 204 00:04:00,390 --> 00:04:00,400 what we have here we've got a big shadow 205 00:04:00,400 --> 00:04:03,190 what we have here we've got a big shadow here we've got shadows here lines lines 206 00:04:03,190 --> 00:04:03,200 here we've got shadows here lines lines 207 00:04:03,200 --> 00:04:06,470 here we've got shadows here lines lines lines shadows up here it's nasty but 208 00:04:06,470 --> 00:04:06,480 lines shadows up here it's nasty but 209 00:04:06,480 --> 00:04:08,149 lines shadows up here it's nasty but watch what happens if i just kind of 210 00:04:08,149 --> 00:04:08,159 watch what happens if i just kind of 211 00:04:08,159 --> 00:04:10,949 watch what happens if i just kind of like draw over top of this now that i've 212 00:04:10,949 --> 00:04:10,959 like draw over top of this now that i've 213 00:04:10,959 --> 00:04:13,910 like draw over top of this now that i've selected 3d and my qualifier i'm just 214 00:04:13,910 --> 00:04:13,920 selected 3d and my qualifier i'm just 215 00:04:13,920 --> 00:04:16,069 selected 3d and my qualifier i'm just simply coloring over everything that is 216 00:04:16,069 --> 00:04:16,079 simply coloring over everything that is 217 00:04:16,079 --> 00:04:18,629 simply coloring over everything that is not jeff and notice i want to just kind 218 00:04:18,629 --> 00:04:18,639 not jeff and notice i want to just kind 219 00:04:18,639 --> 00:04:20,550 not jeff and notice i want to just kind of go over that black line a little bit 220 00:04:20,550 --> 00:04:20,560 of go over that black line a little bit 221 00:04:20,560 --> 00:04:23,430 of go over that black line a little bit so that davinci resolve knows hey this 222 00:04:23,430 --> 00:04:23,440 so that davinci resolve knows hey this 223 00:04:23,440 --> 00:04:25,590 so that davinci resolve knows hey this shadow here this is actually part of my 224 00:04:25,590 --> 00:04:25,600 shadow here this is actually part of my 225 00:04:25,600 --> 00:04:27,990 shadow here this is actually part of my chroma key even though it's not a 226 00:04:27,990 --> 00:04:28,000 chroma key even though it's not a 227 00:04:28,000 --> 00:04:30,710 chroma key even though it's not a perfect green screen i'm just coloring 228 00:04:30,710 --> 00:04:30,720 perfect green screen i'm just coloring 229 00:04:30,720 --> 00:04:33,350 perfect green screen i'm just coloring in here super duper sloppy i'm gonna go 230 00:04:33,350 --> 00:04:33,360 in here super duper sloppy i'm gonna go 231 00:04:33,360 --> 00:04:36,550 in here super duper sloppy i'm gonna go around the bottom here color in these uh 232 00:04:36,550 --> 00:04:36,560 around the bottom here color in these uh 233 00:04:36,560 --> 00:04:39,110 around the bottom here color in these uh these shadows over here and i can let go 234 00:04:39,110 --> 00:04:39,120 these shadows over here and i can let go 235 00:04:39,120 --> 00:04:41,030 these shadows over here and i can let go and i can keep tapping and i can keep 236 00:04:41,030 --> 00:04:41,040 and i can keep tapping and i can keep 237 00:04:41,040 --> 00:04:43,749 and i can keep tapping and i can keep touching like this you don't have to do 238 00:04:43,749 --> 00:04:43,759 touching like this you don't have to do 239 00:04:43,759 --> 00:04:45,430 touching like this you don't have to do you don't have to do a perfect job by 240 00:04:45,430 --> 00:04:45,440 you don't have to do a perfect job by 241 00:04:45,440 --> 00:04:48,070 you don't have to do a perfect job by any stretch this is not photoshop this 242 00:04:48,070 --> 00:04:48,080 any stretch this is not photoshop this 243 00:04:48,080 --> 00:04:50,390 any stretch this is not photoshop this is the magic of davinci resolve can you 244 00:04:50,390 --> 00:04:50,400 is the magic of davinci resolve can you 245 00:04:50,400 --> 00:04:52,950 is the magic of davinci resolve can you imagine if photoshop gave us this kind 246 00:04:52,950 --> 00:04:52,960 imagine if photoshop gave us this kind 247 00:04:52,960 --> 00:04:55,990 imagine if photoshop gave us this kind of capability i literally am done so do 248 00:04:55,990 --> 00:04:56,000 of capability i literally am done so do 249 00:04:56,000 --> 00:04:59,270 of capability i literally am done so do you notice over here my node shows a 250 00:04:59,270 --> 00:04:59,280 you notice over here my node shows a 251 00:04:59,280 --> 00:05:02,790 you notice over here my node shows a hollow jeff well if i invert that now i 252 00:05:02,790 --> 00:05:02,800 hollow jeff well if i invert that now i 253 00:05:02,800 --> 00:05:05,590 hollow jeff well if i invert that now i see only jeff okay well how do i 254 00:05:05,590 --> 00:05:05,600 see only jeff okay well how do i 255 00:05:05,600 --> 00:05:07,670 see only jeff okay well how do i translate that to this screen here so 256 00:05:07,670 --> 00:05:07,680 translate that to this screen here so 257 00:05:07,680 --> 00:05:09,830 translate that to this screen here so i'm going to right click here and go add 258 00:05:09,830 --> 00:05:09,840 i'm going to right click here and go add 259 00:05:09,840 --> 00:05:13,350 i'm going to right click here and go add alpha output and now drag down here 260 00:05:13,350 --> 00:05:13,360 alpha output and now drag down here 261 00:05:13,360 --> 00:05:15,909 alpha output and now drag down here notice that now the background is gone 262 00:05:15,909 --> 00:05:15,919 notice that now the background is gone 263 00:05:15,919 --> 00:05:17,830 notice that now the background is gone and the reason is because i inverted 264 00:05:17,830 --> 00:05:17,840 and the reason is because i inverted 265 00:05:17,840 --> 00:05:19,909 and the reason is because i inverted that so see that 266 00:05:19,909 --> 00:05:19,919 that so see that 267 00:05:19,919 --> 00:05:21,029 that so see that that's what you're going to see as soon 268 00:05:21,029 --> 00:05:21,039 that's what you're going to see as soon 269 00:05:21,039 --> 00:05:23,110 that's what you're going to see as soon as you add the alpha output 270 00:05:23,110 --> 00:05:23,120 as you add the alpha output 271 00:05:23,120 --> 00:05:25,990 as you add the alpha output but this button here is going to in fact 272 00:05:25,990 --> 00:05:26,000 but this button here is going to in fact 273 00:05:26,000 --> 00:05:28,390 but this button here is going to in fact invert my selection 274 00:05:28,390 --> 00:05:28,400 invert my selection 275 00:05:28,400 --> 00:05:29,670 invert my selection boom 276 00:05:29,670 --> 00:05:29,680 boom 277 00:05:29,680 --> 00:05:32,710 boom how crazy is that so did you catch how i 278 00:05:32,710 --> 00:05:32,720 how crazy is that so did you catch how i 279 00:05:32,720 --> 00:05:34,310 how crazy is that so did you catch how i did that i'm going to show you once 280 00:05:34,310 --> 00:05:34,320 did that i'm going to show you once 281 00:05:34,320 --> 00:05:37,270 did that i'm going to show you once again i'm going to just delete my alpha 282 00:05:37,270 --> 00:05:37,280 again i'm going to just delete my alpha 283 00:05:37,280 --> 00:05:39,909 again i'm going to just delete my alpha here we go remove alpha output so now 284 00:05:39,909 --> 00:05:39,919 here we go remove alpha output so now 285 00:05:39,919 --> 00:05:42,070 here we go remove alpha output so now that i've colored that in with okay my 286 00:05:42,070 --> 00:05:42,080 that i've colored that in with okay my 287 00:05:42,080 --> 00:05:43,430 that i've colored that in with okay my qualifier 288 00:05:43,430 --> 00:05:43,440 qualifier 289 00:05:43,440 --> 00:05:45,510 qualifier 3d and then i've just kind of scribbled 290 00:05:45,510 --> 00:05:45,520 3d and then i've just kind of scribbled 291 00:05:45,520 --> 00:05:47,110 3d and then i've just kind of scribbled all over the green and all over the 292 00:05:47,110 --> 00:05:47,120 all over the green and all over the 293 00:05:47,120 --> 00:05:48,469 all over the green and all over the shadows and everything else just don't 294 00:05:48,469 --> 00:05:48,479 shadows and everything else just don't 295 00:05:48,479 --> 00:05:50,469 shadows and everything else just don't touch jeff because then i'm going to 296 00:05:50,469 --> 00:05:50,479 touch jeff because then i'm going to 297 00:05:50,479 --> 00:05:53,350 touch jeff because then i'm going to lose part of him now over here again now 298 00:05:53,350 --> 00:05:53,360 lose part of him now over here again now 299 00:05:53,360 --> 00:05:54,790 lose part of him now over here again now this is redundant i'm just showing you 300 00:05:54,790 --> 00:05:54,800 this is redundant i'm just showing you 301 00:05:54,800 --> 00:05:56,870 this is redundant i'm just showing you again to read it right 302 00:05:56,870 --> 00:05:56,880 again to read it right 303 00:05:56,880 --> 00:05:58,950 again to read it right add alpha output that's a right click 304 00:05:58,950 --> 00:05:58,960 add alpha output that's a right click 305 00:05:58,960 --> 00:06:01,189 add alpha output that's a right click add alpha output now it creates this guy 306 00:06:01,189 --> 00:06:01,199 add alpha output now it creates this guy 307 00:06:01,199 --> 00:06:04,950 add alpha output now it creates this guy here now take the alpha from my node and 308 00:06:04,950 --> 00:06:04,960 here now take the alpha from my node and 309 00:06:04,960 --> 00:06:07,270 here now take the alpha from my node and drag it down into here and now i've got 310 00:06:07,270 --> 00:06:07,280 drag it down into here and now i've got 311 00:06:07,280 --> 00:06:09,749 drag it down into here and now i've got this if you're seeing it like that 312 00:06:09,749 --> 00:06:09,759 this if you're seeing it like that 313 00:06:09,759 --> 00:06:11,510 this if you're seeing it like that just remember you can invert it with 314 00:06:11,510 --> 00:06:11,520 just remember you can invert it with 315 00:06:11,520 --> 00:06:13,350 just remember you can invert it with this button down here you're inverting 316 00:06:13,350 --> 00:06:13,360 this button down here you're inverting 317 00:06:13,360 --> 00:06:16,950 this button down here you're inverting your selection and now that is what your 318 00:06:16,950 --> 00:06:16,960 your selection and now that is what your 319 00:06:16,960 --> 00:06:18,469 your selection and now that is what your chroma key looks like isn't that 320 00:06:18,469 --> 00:06:18,479 chroma key looks like isn't that 321 00:06:18,479 --> 00:06:19,430 chroma key looks like isn't that beautiful 322 00:06:19,430 --> 00:06:19,440 beautiful 323 00:06:19,440 --> 00:06:22,150 beautiful but you can see a little bit if i zoom 324 00:06:22,150 --> 00:06:22,160 but you can see a little bit if i zoom 325 00:06:22,160 --> 00:06:24,230 but you can see a little bit if i zoom in here 326 00:06:24,230 --> 00:06:24,240 in here 327 00:06:24,240 --> 00:06:26,870 in here notice jeff's hair this is typically 328 00:06:26,870 --> 00:06:26,880 notice jeff's hair this is typically 329 00:06:26,880 --> 00:06:28,790 notice jeff's hair this is typically what we see with 330 00:06:28,790 --> 00:06:28,800 what we see with 331 00:06:28,800 --> 00:06:31,510 what we see with reasonably good green screen so that's a 332 00:06:31,510 --> 00:06:31,520 reasonably good green screen so that's a 333 00:06:31,520 --> 00:06:34,150 reasonably good green screen so that's a reasonably good chroma key right there 334 00:06:34,150 --> 00:06:34,160 reasonably good chroma key right there 335 00:06:34,160 --> 00:06:37,749 reasonably good chroma key right there but we do see this spill coming off from 336 00:06:37,749 --> 00:06:37,759 but we do see this spill coming off from 337 00:06:37,759 --> 00:06:40,070 but we do see this spill coming off from the green onto jeff's beard and you're 338 00:06:40,070 --> 00:06:40,080 the green onto jeff's beard and you're 339 00:06:40,080 --> 00:06:42,550 the green onto jeff's beard and you're gonna see this if you've got an afro or 340 00:06:42,550 --> 00:06:42,560 gonna see this if you've got an afro or 341 00:06:42,560 --> 00:06:44,550 gonna see this if you've got an afro or big hair or anything like that i don't 342 00:06:44,550 --> 00:06:44,560 big hair or anything like that i don't 343 00:06:44,560 --> 00:06:46,230 big hair or anything like that i don't have that problem because i'm completely 344 00:06:46,230 --> 00:06:46,240 have that problem because i'm completely 345 00:06:46,240 --> 00:06:49,670 have that problem because i'm completely bald but you do see on jeff certainly 346 00:06:49,670 --> 00:06:49,680 bald but you do see on jeff certainly 347 00:06:49,680 --> 00:06:51,350 bald but you do see on jeff certainly around his beard you've got this green 348 00:06:51,350 --> 00:06:51,360 around his beard you've got this green 349 00:06:51,360 --> 00:06:54,070 around his beard you've got this green kind of hue going on so how do we 350 00:06:54,070 --> 00:06:54,080 kind of hue going on so how do we 351 00:06:54,080 --> 00:06:56,950 kind of hue going on so how do we correct that it's as simple as again 352 00:06:56,950 --> 00:06:56,960 correct that it's as simple as again 353 00:06:56,960 --> 00:07:00,230 correct that it's as simple as again mind bendingly easy i'm just zooming in 354 00:07:00,230 --> 00:07:00,240 mind bendingly easy i'm just zooming in 355 00:07:00,240 --> 00:07:01,350 mind bendingly easy i'm just zooming in here so that you can see a little bit 356 00:07:01,350 --> 00:07:01,360 here so that you can see a little bit 357 00:07:01,360 --> 00:07:04,309 here so that you can see a little bit better mind-bendingly easy with davinci 358 00:07:04,309 --> 00:07:04,319 better mind-bendingly easy with davinci 359 00:07:04,319 --> 00:07:05,749 better mind-bendingly easy with davinci resolve what am i going to do i'm going 360 00:07:05,749 --> 00:07:05,759 resolve what am i going to do i'm going 361 00:07:05,759 --> 00:07:07,670 resolve what am i going to do i'm going to go down here and click the d spill 362 00:07:07,670 --> 00:07:07,680 to go down here and click the d spill 363 00:07:07,680 --> 00:07:10,469 to go down here and click the d spill button what the hell 364 00:07:10,469 --> 00:07:10,479 button what the hell 365 00:07:10,479 --> 00:07:11,909 button what the hell are you kidding 366 00:07:11,909 --> 00:07:11,919 are you kidding 367 00:07:11,919 --> 00:07:13,430 are you kidding right like if you've never seen this 368 00:07:13,430 --> 00:07:13,440 right like if you've never seen this 369 00:07:13,440 --> 00:07:16,469 right like if you've never seen this before is that not mind-bending 370 00:07:16,469 --> 00:07:16,479 before is that not mind-bending 371 00:07:16,479 --> 00:07:18,710 before is that not mind-bending this is like magic 372 00:07:18,710 --> 00:07:18,720 this is like magic 373 00:07:18,720 --> 00:07:20,150 this is like magic look at that 374 00:07:20,150 --> 00:07:20,160 look at that 375 00:07:20,160 --> 00:07:22,950 look at that look at that friggin key 376 00:07:22,950 --> 00:07:22,960 look at that friggin key 377 00:07:22,960 --> 00:07:26,390 look at that friggin key it's astonishing now you may end up with 378 00:07:26,390 --> 00:07:26,400 it's astonishing now you may end up with 379 00:07:26,400 --> 00:07:28,150 it's astonishing now you may end up with some little bit of bleed and a little 380 00:07:28,150 --> 00:07:28,160 some little bit of bleed and a little 381 00:07:28,160 --> 00:07:29,029 some little bit of bleed and a little bit of 382 00:07:29,029 --> 00:07:29,039 bit of 383 00:07:29,039 --> 00:07:31,110 bit of things scattered about so you can use 384 00:07:31,110 --> 00:07:31,120 things scattered about so you can use 385 00:07:31,120 --> 00:07:33,270 things scattered about so you can use your clean black to just kind of tidy up 386 00:07:33,270 --> 00:07:33,280 your clean black to just kind of tidy up 387 00:07:33,280 --> 00:07:34,469 your clean black to just kind of tidy up the edge see what it's doing to his 388 00:07:34,469 --> 00:07:34,479 the edge see what it's doing to his 389 00:07:34,479 --> 00:07:35,670 the edge see what it's doing to his beard there 390 00:07:35,670 --> 00:07:35,680 beard there 391 00:07:35,680 --> 00:07:38,150 beard there so i can tidy up the edge you can use 392 00:07:38,150 --> 00:07:38,160 so i can tidy up the edge you can use 393 00:07:38,160 --> 00:07:40,150 so i can tidy up the edge you can use clean white to pull that out a little 394 00:07:40,150 --> 00:07:40,160 clean white to pull that out a little 395 00:07:40,160 --> 00:07:42,710 clean white to pull that out a little bit and tidy up the edge with jeff i 396 00:07:42,710 --> 00:07:42,720 bit and tidy up the edge with jeff i 397 00:07:42,720 --> 00:07:44,230 bit and tidy up the edge with jeff i don't need to do that looks like we've 398 00:07:44,230 --> 00:07:44,240 don't need to do that looks like we've 399 00:07:44,240 --> 00:07:46,390 don't need to do that looks like we've got some pretty good lighting i've there 400 00:07:46,390 --> 00:07:46,400 got some pretty good lighting i've there 401 00:07:46,400 --> 00:07:48,469 got some pretty good lighting i've there you can see the numbers that i've 402 00:07:48,469 --> 00:07:48,479 you can see the numbers that i've 403 00:07:48,479 --> 00:07:49,830 you can see the numbers that i've used 404 00:07:49,830 --> 00:07:49,840 used 405 00:07:49,840 --> 00:07:51,270 used and there we go 406 00:07:51,270 --> 00:07:51,280 and there we go 407 00:07:51,280 --> 00:07:53,350 and there we go okay so now i'm going to jump right back 408 00:07:53,350 --> 00:07:53,360 okay so now i'm going to jump right back 409 00:07:53,360 --> 00:07:55,430 okay so now i'm going to jump right back to my timeline and look at jeff he's 410 00:07:55,430 --> 00:07:55,440 to my timeline and look at jeff he's 411 00:07:55,440 --> 00:07:56,830 to my timeline and look at jeff he's looking pretty 412 00:07:56,830 --> 00:07:56,840 looking pretty 413 00:07:56,840 --> 00:08:01,430 looking pretty fantastic and now next step you see 414 00:08:01,430 --> 00:08:01,440 fantastic and now next step you see 415 00:08:01,440 --> 00:08:03,189 fantastic and now next step you see professional clips i'm going to just 416 00:08:03,189 --> 00:08:03,199 professional clips i'm going to just 417 00:08:03,199 --> 00:08:05,909 professional clips i'm going to just drag that up so that i've got a a track 418 00:08:05,909 --> 00:08:05,919 drag that up so that i've got a a track 419 00:08:05,919 --> 00:08:07,830 drag that up so that i've got a a track underneath of this you see professional 420 00:08:07,830 --> 00:08:07,840 underneath of this you see professional 421 00:08:07,840 --> 00:08:09,990 underneath of this you see professional clips where the chroma key is 422 00:08:09,990 --> 00:08:10,000 clips where the chroma key is 423 00:08:10,000 --> 00:08:11,990 clips where the chroma key is perfect so you're talking like i'm 424 00:08:11,990 --> 00:08:12,000 perfect so you're talking like i'm 425 00:08:12,000 --> 00:08:14,950 perfect so you're talking like i'm talking about um stock uh videos and 426 00:08:14,950 --> 00:08:14,960 talking about um stock uh videos and 427 00:08:14,960 --> 00:08:16,710 talking about um stock uh videos and things like that so let's jump onto 428 00:08:16,710 --> 00:08:16,720 things like that so let's jump onto 429 00:08:16,720 --> 00:08:18,230 things like that so let's jump onto generators and we're gonna do exactly 430 00:08:18,230 --> 00:08:18,240 generators and we're gonna do exactly 431 00:08:18,240 --> 00:08:20,309 generators and we're gonna do exactly the same thing just at the start of my 432 00:08:20,309 --> 00:08:20,319 the same thing just at the start of my 433 00:08:20,319 --> 00:08:23,430 the same thing just at the start of my track i'm gonna drag solid color 434 00:08:23,430 --> 00:08:23,440 track i'm gonna drag solid color 435 00:08:23,440 --> 00:08:26,070 track i'm gonna drag solid color and now i'm gonna resize that right to 436 00:08:26,070 --> 00:08:26,080 and now i'm gonna resize that right to 437 00:08:26,080 --> 00:08:28,710 and now i'm gonna resize that right to the end of jeff notice it's not snapping 438 00:08:28,710 --> 00:08:28,720 the end of jeff notice it's not snapping 439 00:08:28,720 --> 00:08:30,629 the end of jeff notice it's not snapping i'm going to click on my 440 00:08:30,629 --> 00:08:30,639 i'm going to click on my 441 00:08:30,639 --> 00:08:32,310 i'm going to click on my my little magnet tool here so that it 442 00:08:32,310 --> 00:08:32,320 my little magnet tool here so that it 443 00:08:32,320 --> 00:08:33,750 my little magnet tool here so that it does snap 444 00:08:33,750 --> 00:08:33,760 does snap 445 00:08:33,760 --> 00:08:36,630 does snap and now i'm going to click on my 446 00:08:36,630 --> 00:08:36,640 and now i'm going to click on my 447 00:08:36,640 --> 00:08:38,790 and now i'm going to click on my generator the solid color i'm going to 448 00:08:38,790 --> 00:08:38,800 generator the solid color i'm going to 449 00:08:38,800 --> 00:08:41,029 generator the solid color i'm going to go to the generator and change my color 450 00:08:41,029 --> 00:08:41,039 go to the generator and change my color 451 00:08:41,039 --> 00:08:43,750 go to the generator and change my color to chroma key green right there 452 00:08:43,750 --> 00:08:43,760 to chroma key green right there 453 00:08:43,760 --> 00:08:45,670 to chroma key green right there and hit ok you can change that to 454 00:08:45,670 --> 00:08:45,680 and hit ok you can change that to 455 00:08:45,680 --> 00:08:47,990 and hit ok you can change that to whatever the heck you want 456 00:08:47,990 --> 00:08:48,000 whatever the heck you want 457 00:08:48,000 --> 00:08:51,590 whatever the heck you want right 458 00:08:51,590 --> 00:08:51,600 459 00:08:51,600 --> 00:08:53,350 but i'm going to choose that nice 460 00:08:53,350 --> 00:08:53,360 but i'm going to choose that nice 461 00:08:53,360 --> 00:08:56,630 but i'm going to choose that nice vibrant green because it keys so 462 00:08:56,630 --> 00:08:56,640 vibrant green because it keys so 463 00:08:56,640 --> 00:08:59,670 vibrant green because it keys so nicely now look at that look at jeff now 464 00:08:59,670 --> 00:08:59,680 nicely now look at that look at jeff now 465 00:08:59,680 --> 00:09:01,590 nicely now look at that look at jeff now i've got a little bit of fuzz around his 466 00:09:01,590 --> 00:09:01,600 i've got a little bit of fuzz around his 467 00:09:01,600 --> 00:09:03,750 i've got a little bit of fuzz around his beard do you see that 468 00:09:03,750 --> 00:09:03,760 beard do you see that 469 00:09:03,760 --> 00:09:05,670 beard do you see that see how there's a bit of a bleed there i 470 00:09:05,670 --> 00:09:05,680 see how there's a bit of a bleed there i 471 00:09:05,680 --> 00:09:07,350 see how there's a bit of a bleed there i want to fix that i'm gonna go back into 472 00:09:07,350 --> 00:09:07,360 want to fix that i'm gonna go back into 473 00:09:07,360 --> 00:09:11,269 want to fix that i'm gonna go back into my color correction here and i'm going 474 00:09:11,269 --> 00:09:11,279 my color correction here and i'm going 475 00:09:11,279 --> 00:09:13,030 my color correction here and i'm going to zoom in 476 00:09:13,030 --> 00:09:13,040 to zoom in 477 00:09:13,040 --> 00:09:16,150 to zoom in using my scroll wheel on my mouse 478 00:09:16,150 --> 00:09:16,160 using my scroll wheel on my mouse 479 00:09:16,160 --> 00:09:17,750 using my scroll wheel on my mouse and we just want to touch that up so 480 00:09:17,750 --> 00:09:17,760 and we just want to touch that up so 481 00:09:17,760 --> 00:09:19,670 and we just want to touch that up so that's going to be this clean black 482 00:09:19,670 --> 00:09:19,680 that's going to be this clean black 483 00:09:19,680 --> 00:09:22,389 that's going to be this clean black right there just bringing that down i 484 00:09:22,389 --> 00:09:22,399 right there just bringing that down i 485 00:09:22,399 --> 00:09:24,630 right there just bringing that down i don't want it down quite all the way i 486 00:09:24,630 --> 00:09:24,640 don't want it down quite all the way i 487 00:09:24,640 --> 00:09:26,470 don't want it down quite all the way i want a little bit of clean black on 488 00:09:26,470 --> 00:09:26,480 want a little bit of clean black on 489 00:09:26,480 --> 00:09:29,110 want a little bit of clean black on there and a little bit of clean white 490 00:09:29,110 --> 00:09:29,120 there and a little bit of clean white 491 00:09:29,120 --> 00:09:31,190 there and a little bit of clean white but that softens the edge a little bit 492 00:09:31,190 --> 00:09:31,200 but that softens the edge a little bit 493 00:09:31,200 --> 00:09:33,509 but that softens the edge a little bit and i don't want to overkill that 494 00:09:33,509 --> 00:09:33,519 and i don't want to overkill that 495 00:09:33,519 --> 00:09:35,030 and i don't want to overkill that all right there we go 496 00:09:35,030 --> 00:09:35,040 all right there we go 497 00:09:35,040 --> 00:09:37,430 all right there we go now keep in mind we have already learned 498 00:09:37,430 --> 00:09:37,440 now keep in mind we have already learned 499 00:09:37,440 --> 00:09:39,910 now keep in mind we have already learned on the show show how you can do 500 00:09:39,910 --> 00:09:39,920 on the show show how you can do 501 00:09:39,920 --> 00:09:42,470 on the show show how you can do um facial tracking and do touch-ups and 502 00:09:42,470 --> 00:09:42,480 um facial tracking and do touch-ups and 503 00:09:42,480 --> 00:09:44,949 um facial tracking and do touch-ups and things like that you can now do that by 504 00:09:44,949 --> 00:09:44,959 things like that you can now do that by 505 00:09:44,959 --> 00:09:47,350 things like that you can now do that by creating a serial node or a parallel 506 00:09:47,350 --> 00:09:47,360 creating a serial node or a parallel 507 00:09:47,360 --> 00:09:50,150 creating a serial node or a parallel node in this case i would probably do a 508 00:09:50,150 --> 00:09:50,160 node in this case i would probably do a 509 00:09:50,160 --> 00:09:52,070 node in this case i would probably do a parallel node 510 00:09:52,070 --> 00:09:52,080 parallel node 511 00:09:52,080 --> 00:09:55,430 parallel node and create that now 512 00:09:55,430 --> 00:09:55,440 and create that now 513 00:09:55,440 --> 00:09:57,350 and create that now but we're not learning that today we've 514 00:09:57,350 --> 00:09:57,360 but we're not learning that today we've 515 00:09:57,360 --> 00:09:58,630 but we're not learning that today we've already learned that in the past but i 516 00:09:58,630 --> 00:09:58,640 already learned that in the past but i 517 00:09:58,640 --> 00:10:00,230 already learned that in the past but i just wanted to kind of mention that you 518 00:10:00,230 --> 00:10:00,240 just wanted to kind of mention that you 519 00:10:00,240 --> 00:10:03,030 just wanted to kind of mention that you can now do touch-ups like that so there 520 00:10:03,030 --> 00:10:03,040 can now do touch-ups like that so there 521 00:10:03,040 --> 00:10:06,310 can now do touch-ups like that so there we go we've got jeff on a perfect chroma 522 00:10:06,310 --> 00:10:06,320 we go we've got jeff on a perfect chroma 523 00:10:06,320 --> 00:10:08,150 we go we've got jeff on a perfect chroma key background now 524 00:10:08,150 --> 00:10:08,160 key background now 525 00:10:08,160 --> 00:10:10,150 key background now there he is 526 00:10:10,150 --> 00:10:10,160 there he is 527 00:10:10,160 --> 00:10:11,509 there he is hi jeff 528 00:10:11,509 --> 00:10:11,519 hi jeff 529 00:10:11,519 --> 00:10:13,990 hi jeff and that looks absolutely flawless check 530 00:10:13,990 --> 00:10:14,000 and that looks absolutely flawless check 531 00:10:14,000 --> 00:10:16,150 and that looks absolutely flawless check out the quality of that chroma key green 532 00:10:16,150 --> 00:10:16,160 out the quality of that chroma key green 533 00:10:16,160 --> 00:10:18,790 out the quality of that chroma key green screen behind jeff it's just perfect for 534 00:10:18,790 --> 00:10:18,800 screen behind jeff it's just perfect for 535 00:10:18,800 --> 00:10:20,790 screen behind jeff it's just perfect for exporting to your other editor now if 536 00:10:20,790 --> 00:10:20,800 exporting to your other editor now if 537 00:10:20,800 --> 00:10:22,389 exporting to your other editor now if you're doing all of your editing here in 538 00:10:22,389 --> 00:10:22,399 you're doing all of your editing here in 539 00:10:22,399 --> 00:10:24,630 you're doing all of your editing here in davinci resolve however obviously we 540 00:10:24,630 --> 00:10:24,640 davinci resolve however obviously we 541 00:10:24,640 --> 00:10:26,150 davinci resolve however obviously we don't need that green we're going to 542 00:10:26,150 --> 00:10:26,160 don't need that green we're going to 543 00:10:26,160 --> 00:10:28,310 don't need that green we're going to actually remove that generator and 544 00:10:28,310 --> 00:10:28,320 actually remove that generator and 545 00:10:28,320 --> 00:10:30,389 actually remove that generator and instead let's create a backdrop so i'm 546 00:10:30,389 --> 00:10:30,399 instead let's create a backdrop so i'm 547 00:10:30,399 --> 00:10:31,990 instead let's create a backdrop so i'm just going to import an image this can 548 00:10:31,990 --> 00:10:32,000 just going to import an image this can 549 00:10:32,000 --> 00:10:34,230 just going to import an image this can be a video or whatever else 550 00:10:34,230 --> 00:10:34,240 be a video or whatever else 551 00:10:34,240 --> 00:10:35,990 be a video or whatever else so let's drag this picture here that 552 00:10:35,990 --> 00:10:36,000 so let's drag this picture here that 553 00:10:36,000 --> 00:10:39,269 so let's drag this picture here that i've downloaded into the uh background 554 00:10:39,269 --> 00:10:39,279 i've downloaded into the uh background 555 00:10:39,279 --> 00:10:40,949 i've downloaded into the uh background layer and zoom in so that the 556 00:10:40,949 --> 00:10:40,959 layer and zoom in so that the 557 00:10:40,959 --> 00:10:43,269 layer and zoom in so that the positioning is approximately right to 558 00:10:43,269 --> 00:10:43,279 positioning is approximately right to 559 00:10:43,279 --> 00:10:45,110 positioning is approximately right to where jeff is standing and how he's 560 00:10:45,110 --> 00:10:45,120 where jeff is standing and how he's 561 00:10:45,120 --> 00:10:47,829 where jeff is standing and how he's standing there we go now highlight jeff 562 00:10:47,829 --> 00:10:47,839 standing there we go now highlight jeff 563 00:10:47,839 --> 00:10:49,750 standing there we go now highlight jeff and go into our color correction here 564 00:10:49,750 --> 00:10:49,760 and go into our color correction here 565 00:10:49,760 --> 00:10:51,590 and go into our color correction here we're going to create a parallel node 566 00:10:51,590 --> 00:10:51,600 we're going to create a parallel node 567 00:10:51,600 --> 00:10:53,110 we're going to create a parallel node and on that parallel node we're just 568 00:10:53,110 --> 00:10:53,120 and on that parallel node we're just 569 00:10:53,120 --> 00:10:55,190 and on that parallel node we're just going to make a few little adjustments 570 00:10:55,190 --> 00:10:55,200 going to make a few little adjustments 571 00:10:55,200 --> 00:10:56,630 going to make a few little adjustments he's looking pretty good there in the 572 00:10:56,630 --> 00:10:56,640 he's looking pretty good there in the 573 00:10:56,640 --> 00:10:58,630 he's looking pretty good there in the scene but we want to just touch this up 574 00:10:58,630 --> 00:10:58,640 scene but we want to just touch this up 575 00:10:58,640 --> 00:11:01,110 scene but we want to just touch this up a little bit bring in a little more 576 00:11:01,110 --> 00:11:01,120 a little bit bring in a little more 577 00:11:01,120 --> 00:11:03,190 a little bit bring in a little more green on his person 578 00:11:03,190 --> 00:11:03,200 green on his person 579 00:11:03,200 --> 00:11:05,990 green on his person and make that look like he's a little 580 00:11:05,990 --> 00:11:06,000 and make that look like he's a little 581 00:11:06,000 --> 00:11:07,670 and make that look like he's a little more part of the scene 582 00:11:07,670 --> 00:11:07,680 more part of the scene 583 00:11:07,680 --> 00:11:09,990 more part of the scene there we go and just really really 584 00:11:09,990 --> 00:11:10,000 there we go and just really really 585 00:11:10,000 --> 00:11:12,310 there we go and just really really quickly there's jeff standing in the 586 00:11:12,310 --> 00:11:12,320 quickly there's jeff standing in the 587 00:11:12,320 --> 00:11:14,550 quickly there's jeff standing in the middle of the forest and we can do our 588 00:11:14,550 --> 00:11:14,560 middle of the forest and we can do our 589 00:11:14,560 --> 00:11:16,150 middle of the forest and we can do our zoom and move around the shot and 590 00:11:16,150 --> 00:11:16,160 zoom and move around the shot and 591 00:11:16,160 --> 00:11:18,790 zoom and move around the shot and everything else and ooh does that ever 592 00:11:18,790 --> 00:11:18,800 everything else and ooh does that ever 593 00:11:18,800 --> 00:11:20,630 everything else and ooh does that ever look good now the final thing that we 594 00:11:20,630 --> 00:11:20,640 look good now the final thing that we 595 00:11:20,640 --> 00:11:22,949 look good now the final thing that we need to do here in davinci resolve of 596 00:11:22,949 --> 00:11:22,959 need to do here in davinci resolve of 597 00:11:22,959 --> 00:11:24,630 need to do here in davinci resolve of course i recommend it at the top of the 598 00:11:24,630 --> 00:11:24,640 course i recommend it at the top of the 599 00:11:24,640 --> 00:11:26,310 course i recommend it at the top of the video that we shoot this vertical video 600 00:11:26,310 --> 00:11:26,320 video that we shoot this vertical video 601 00:11:26,320 --> 00:11:28,949 video that we shoot this vertical video because we want jeff to maximize the 602 00:11:28,949 --> 00:11:28,959 because we want jeff to maximize the 603 00:11:28,959 --> 00:11:31,269 because we want jeff to maximize the available pixels on the camera however 604 00:11:31,269 --> 00:11:31,279 available pixels on the camera however 605 00:11:31,279 --> 00:11:33,829 available pixels on the camera however if we convert this to say 1080p so 606 00:11:33,829 --> 00:11:33,839 if we convert this to say 1080p so 607 00:11:33,839 --> 00:11:35,750 if we convert this to say 1080p so 1920x1080 608 00:11:35,750 --> 00:11:35,760 1920x1080 609 00:11:35,760 --> 00:11:38,230 1920x1080 16 over 9 format for your tv you'll 610 00:11:38,230 --> 00:11:38,240 16 over 9 format for your tv you'll 611 00:11:38,240 --> 00:11:39,990 16 over 9 format for your tv you'll notice we get black bars on the left and 612 00:11:39,990 --> 00:11:40,000 notice we get black bars on the left and 613 00:11:40,000 --> 00:11:41,430 notice we get black bars on the left and right and the interesting thing about 614 00:11:41,430 --> 00:11:41,440 right and the interesting thing about 615 00:11:41,440 --> 00:11:43,910 right and the interesting thing about this is if we zoom in on jeff's shot 616 00:11:43,910 --> 00:11:43,920 this is if we zoom in on jeff's shot 617 00:11:43,920 --> 00:11:45,350 this is if we zoom in on jeff's shot look at what happens 618 00:11:45,350 --> 00:11:45,360 look at what happens 619 00:11:45,360 --> 00:11:47,509 look at what happens kind of strange eh so what's happening 620 00:11:47,509 --> 00:11:47,519 kind of strange eh so what's happening 621 00:11:47,519 --> 00:11:49,829 kind of strange eh so what's happening there is over in our chroma key matte 622 00:11:49,829 --> 00:11:49,839 there is over in our chroma key matte 623 00:11:49,839 --> 00:11:53,910 there is over in our chroma key matte here uh in the node um it is framing to 624 00:11:53,910 --> 00:11:53,920 here uh in the node um it is framing to 625 00:11:53,920 --> 00:11:56,870 here uh in the node um it is framing to the the actual video shot of jeff's shot 626 00:11:56,870 --> 00:11:56,880 the the actual video shot of jeff's shot 627 00:11:56,880 --> 00:11:59,269 the the actual video shot of jeff's shot so what we need to do is click here on 628 00:11:59,269 --> 00:11:59,279 so what we need to do is click here on 629 00:11:59,279 --> 00:12:01,990 so what we need to do is click here on our window and click a now notice i've 630 00:12:01,990 --> 00:12:02,000 our window and click a now notice i've 631 00:12:02,000 --> 00:12:03,829 our window and click a now notice i've highlighted the chroma key layer here 632 00:12:03,829 --> 00:12:03,839 highlighted the chroma key layer here 633 00:12:03,839 --> 00:12:05,190 highlighted the chroma key layer here for the alpha 634 00:12:05,190 --> 00:12:05,200 for the alpha 635 00:12:05,200 --> 00:12:06,389 for the alpha so i've highlighted that and i'm 636 00:12:06,389 --> 00:12:06,399 so i've highlighted that and i'm 637 00:12:06,399 --> 00:12:09,430 so i've highlighted that and i'm clicking on the square window here and 638 00:12:09,430 --> 00:12:09,440 clicking on the square window here and 639 00:12:09,440 --> 00:12:11,110 clicking on the square window here and see what happened there so now i'm just 640 00:12:11,110 --> 00:12:11,120 see what happened there so now i'm just 641 00:12:11,120 --> 00:12:13,750 see what happened there so now i'm just going to drag this guy down over top of 642 00:12:13,750 --> 00:12:13,760 going to drag this guy down over top of 643 00:12:13,760 --> 00:12:15,509 going to drag this guy down over top of jeff and make sure you don't go outside 644 00:12:15,509 --> 00:12:15,519 jeff and make sure you don't go outside 645 00:12:15,519 --> 00:12:17,509 jeff and make sure you don't go outside to see what happens 646 00:12:17,509 --> 00:12:17,519 to see what happens 647 00:12:17,519 --> 00:12:19,990 to see what happens and frame that in like that and then 648 00:12:19,990 --> 00:12:20,000 and frame that in like that and then 649 00:12:20,000 --> 00:12:21,110 and frame that in like that and then we're going to take a look at our shot 650 00:12:21,110 --> 00:12:21,120 we're going to take a look at our shot 651 00:12:21,120 --> 00:12:23,430 we're going to take a look at our shot and see how that looks 652 00:12:23,430 --> 00:12:23,440 and see how that looks 653 00:12:23,440 --> 00:12:25,590 and see how that looks and that's all it takes to get a perfect 654 00:12:25,590 --> 00:12:25,600 and that's all it takes to get a perfect 655 00:12:25,600 --> 00:12:28,310 and that's all it takes to get a perfect key in davinci resolve thank you so much 656 00:12:28,310 --> 00:12:28,320 key in davinci resolve thank you so much 657 00:12:28,320 --> 00:12:30,230 key in davinci resolve thank you so much for watching and don't forget to give me 658 00:12:30,230 --> 00:12:30,240 for watching and don't forget to give me 659 00:12:30,240 --> 00:12:32,470 for watching and don't forget to give me a subscribe and a thumbs up on youtube 660 00:12:32,470 --> 00:12:32,480 a subscribe and a thumbs up on youtube 661 00:12:32,480 --> 00:12:34,470 a subscribe and a thumbs up on youtube i'd appreciate that very much and in the 662 00:12:34,470 --> 00:12:34,480 i'd appreciate that very much and in the 663 00:12:34,480 --> 00:12:36,710 i'd appreciate that very much and in the meantime don't forget if you are not 664 00:12:36,710 --> 00:12:36,720 meantime don't forget if you are not 665 00:12:36,720 --> 00:12:39,590 meantime don't forget if you are not having fun you're doing it wrong i'm 666 00:12:39,590 --> 00:12:39,600 having fun you're doing it wrong i'm 667 00:12:39,600 --> 00:12:41,430 having fun you're doing it wrong i'm robbie ferguson on the show show for 668 00:12:41,430 --> 00:12:41,440 robbie ferguson on the show show for 669 00:12:41,440 --> 00:12:43,350 robbie ferguson on the show show for category 5 technology tv i'll see you 670 00:12:43,350 --> 00:12:43,360 category 5 technology tv i'll see you 671 00:12:43,360 --> 00:12:44,600 category 5 technology tv i'll see you next time 672 00:12:44,600 --> 00:12:44,610 next time 673 00:12:44,610 --> 00:12:53,829 next time [Music] 674 00:12:53,829 --> 00:12:53,839 675 00:12:53,839 --> 00:12:55,920 you