```markdown # Suno AI Song Syntax Es importante indicar la duración en el prompt, ejemplo Duration ≈ 3 min 45 s en el prompt final. Plantilla para pedirme canciones con tags en inglés y prompt final (1K chars) 1️⃣ Descripción general de la canción Quiero una canción en [idioma] sobre [tema principal], con un estilo [género principal] influenciado por [referencias de estilo, sin nombrar artistas concretos]. Debe ser un tema [adjetivos: oscuro, épico, energético, melancólico…], pensado para sonar en directo con mucha interacción con el público. 2️⃣ Instrucciones de estructura y detalles técnicos La canción debe contener tags en inglés dentro de la estructura, indicando: Tipo de instrumento, marca y modelo. Efectos de sonido (FX): No utilizar asteriscos *, los efectos especiales siempre entre corchetes, ejemplo [FX: lush pop production with strings] Tempo, compás y técnica de interpretación. Dinámica (crescendo, staccato, sustain, etc.). Elementos de concierto (aplausos, gritos, cánticos, feedback). El formato debe estar narrado como si fuera un guion musical detallado. La letra debe adaptarse al estilo y transmitir la emoción buscada. 3️⃣ Prompt final Al final, genera un prompt en inglés de máximo 1000 caracteres para Suno, describiendo la portada del álbum sin letras, capturando el estilo y atmósfera de la canción. Quiero una canción en español, estilo rock oscuro y épico de concierto, con influencias de rock español de los 80-90 y toques de hard rock internacional, con riffs hipnóticos, bajo grave y batería profunda. Incluye en la estructura de la canción tags en inglés detallando instrumentos, equipo (guitarras, bajos, amplis, efectos), tempo, compás, dinámica y todos los FX de sonido en directo (aplausos, gritos, cánticos del público, feedback, etc.). Al final, genera un prompt en inglés de máximo 1000 caracteres ultradetallado para Suno y otro propmt aparte para Sora que describa la escena y estilo del álbum cover, sin letras. Suno Pro/Premier: Prompt ajustado a 1000 caracteres (en inglés) Letras de Canción: Máximo 5.000 caracteres Reglas importantes para futuros prompts: Genera contenido para Suno Pro usando solo referencias genéricas de género musical (arena rock, stadium rock, etc.) sin nombrar artistas, bandas o canciones comerciales específicas en ninguna parte del contenido. Al finalizar la canción y el prompt de Suno, crea otro para que Sora cree una imagen de un album cover (sin letras). Example: Prompt Final (Instrumental Original — Libre de Voces y Referencias Comerciales): Atmospheric instrumental track combining ambient pads, cinematic strings, processed analog synth textures, deep bass drones, and textured percussion elements. COMPLETELY INSTRUMENTAL - NO VOCALS OR SINGING. Do not reference any real artists, bands, composers, albums or commercial songs. 90 BPM in 4/4 time. Moody and immersive progression with ethereal sound design, soft glitch layers, shimmering drones, and emotional harmonic swells. Uses high-quality analog-style synthesis, Dolby Atmos spatial depth, perfect EQ balance, subtle tape saturation and wide stereo imaging. Each section evolves naturally with ambient transitions, granular textures, echo-drenched interludes, and rhythmic pulses. Designed for pure instrumental exploration, cinematic backgrounds, and meditative listening without any vocal layers or storytelling lyrics. COROS: Tendrías que pedírmelo desde el principio de la solicitud con algo así: “Haz una canción en [estilo X], pero asegúrate de que los coros no aumenten de volumen ni de intensidad respecto a las estrofas, manteniendo la misma dinámica en todo el tema salvo que se indique lo contrario.” O también de forma abreviada: “Canción en [estilo X], coros con dinámica igual que el resto.” Con eso, yo en la letra y en el prompt para Suno: Añadiría notas como "restrained dynamics" o "same arrangement and volume as verses" para todos los coros. Evitaría frases como “full arrangement” o “emotional climax” salvo que realmente quieras que suba. Haría que el Final Chorus no sea un “clímax” sino una repetición igual o incluso más suave que el primero. Reforzaría en el prompt que no se añadan más capas ni suba la voz. Si quieres, puedo dejarte un formato fijo para pedirlo y que así siempre te salga con coros controlados. Control de la dinámica, especialmente de los coros Si buscas mantener una dinámica uniforme (sin subidas dramáticas en intensidad o volumen, por ejemplo), debes indicarlo explícitamente usando frases como: "restrained chorus dynamics", "same arrangement and volume as verses", "avoid dramatic build". Esto es clave para evitar que Suno realice crescendos no deseados en los coros. Formato de solicitud Con coros controlados Título: [Título provisional] Estilo / Influencias: [Artistas o estilos, sin citar canciones] Idioma: [Español / Inglés / otro] Tono: [Romántico, nostálgico, alegre, etc.] BPM y compás: [Ej. 78 bpm, 4/4] FX: [Sonidos especiales que quieres: lluvia, crowd, vinilo, etc.] Instrumentos principales: [Guitarras, piano, batería, etc.] Dinámica de coros: Mantener misma intensidad y volumen que versos, sin clímax ni capas extra Notas adicionales: [Detalles extra de letra, voz, atmósfera] Letra: [Aquí la desarrollará ChatGPT] Prompt para Suno: Incluir siempre "restrained chorus dynamics", "same arrangement and volume as verses", "avoid dramatic build" para controlar la intensidad ❌ NUNCA incluir: Do not reference any real artists, bands, composers, albums or commercial songs in prompt or lyrics. No comparisons to known musicians Use purely generic stylistic terms like ‘arena rock’, ‘folk ballad’, or ‘cinematic ambient’ Only original structures and invented lyrics Keep it 100% original and do not use any copyrighted likenesses or names. Evita nombres de artistas o canciones: Sin mencionar nombres de artistas específicos, describe solo el estilo musical" para garantizar que los prompts cumplan con las mejores prácticas y eviten referencias a artistas particulares. "Sin mencionar artistas específicos" - Instrucción directa "Usa solo descriptores de género y estilo" - Enfoque en características musicales "Describe el sonido, no los intérpretes" - Enfoque en elementos sonoros "Evita referencias a nombres propios musicales" - Prohibición explícita Menciones de álbumes específicos o canciones existentes Comparaciones directas con músicos reales No añadas ``` al inicio y final de la canción ni en los prompts. Separa con un retorno de carro los prompts finales ✅ SÍ incluir: Géneros musicales: heartland rock, stadium rock, folk rock Estilos instrumentales: harmonica, saxophone, power chords Características vocales: conversational delivery, passionate vocals Temas narrativos: working-class, American heartland, factory life Dinámicas musicales: building energy, anthemic choruses, crowd participation Si se indica que la canción va a ser instrumental añadir en los prompts: COMPLETELY INSTRUMENTAL - NO VOCALS OR SINGING Para canciones pegadizas: un tempo rápido, una estructura melódica sencilla con pronunciadas subidas y bajadas de tono y un cierto factor sorpresa, como silencios o repeticiones que van más allá de lo esperado. Un hit necesita de cinco componentes para colarse en tu cerebro: sorpresa, predictibilidad, repetición rítmica, potencia melódica y receptividad por parte de quien la escucha. La fórmula exacta es:Receptividad + (predictibilidad - sorpresa) + potencia melódica + (repetición rítmica x 1,5) = temazo pegadizo En canciones solo instrumentales no cantar o leer los prompts. Usa en el prompt final COMPLETELY INSTRUMENTAL - NO VOCALS OR SINGING Tags Vocales para Estilo Arena Rock 80s Tags de Rango y Tono: [Mid-Range Male Vocals] [Baritone Rock Vocals] [Powerful Male Voice] Tags de Estilo y Técnica: [Anthemic Vocals] [Stadium Rock Vocals] [Raspy Rock Voice] [Gritty Male Vocals] [Passionate Rock Delivery] Tags de Energía y Expresión: [Soaring Vocals] [Powerful Belting] [Emotional Rock Vocals] [Uplifting Male Voice] [Confident Rock Singing] Tags para Secciones Específicas: [Conversational Verse Vocals] [Building Pre-Chorus Vocals] [Explosive Chorus Vocals] [Intimate Bridge Vocals] [Climactic Final Vocals] Tags con Efectos: [Layered Rock Vocals] [Gang Vocal Harmonies] [Call and Response Vocals] [Echo-Drenched Vocals] [Arena Reverb Vocals] Combinaciones Efectivas: [Powerful Anthemic Male Vocals] [Mid-Range Stadium Rock Voice] [Passionate Arena Rock Delivery] [Soaring Rock Vocals with Gang Harmonies] Evita Coros altos: Suno probablemente elevará mucho la voz en los coros porque: El “orchestral climax” y el “lush harmonies” le indican que debe crecer en intensidad. La combinación de full orchestral strings + wide guitars + backing choir en el “Final Chorus” refuerza la subida de energía. “Cinematic” y “uplifting” suelen empujar a Suno a un crescendo bastante grande. Si buscas que en el estilo Rozalén o Pablo Alborán no pegue un subidón tan fuerte y se mantenga más contenido emocionalmente, podríamos: Cambiar “orchestral climax” por algo como “orchestral swell with controlled dynamics” o “gentle orchestral lift”. Sustituir “lush harmonies” por “soft layered harmonies”. Indicar “maintaining vocal intimacy throughout” en el prompt. Ajustar “full orchestral strings” por “soft legato strings with moderate volume”. Examples: Song: "Whispers of Time" [Contemplative Piano Opening] [FX: soft sustain pedal, warm acoustic resonance] . . . ! . . . ! . . . . [delicate piano introduction] [gentle major key harmony] [Violin Entry - Ethereal and Graceful] [FX: Stradivarius warmth, pristine bow work] [violin entrance with silky tone] [melodic conversation with piano] [classical vibrato technique] [Cello Foundation - Rich and Grounding] [FX: deep wooden resonance, warm lower register] [cello providing harmonic foundation] [rich bowing techniques] [supporting the ensemble harmony] [Harmonica Introduction - Subtle and Breathy] [FX: Hohner Special 20 breath control, gentle dynamics] [soft harmonica entrance] [folk-inspired melodic phrases] [adding unique texture to classical arrangement] [Chamber Ensemble Conversation] [FX: four instruments in perfect balance] ! . ! . ! . [piano arpeggios supporting] [violin soaring melody] [cello rhythmic foundation] [harmonica weaving through] [Violin Solo - Expressive and Soaring] [FX: Stradivarius singing quality, emotional vibrato] [passionate violin solo] [classical technique with modern phrasing] [building emotional intensity] [Gentle Piano Response] [FX: acoustic piano clarity, delicate touch] [answering the violin's call] [flowing arpeggios and chords] [sophisticated harmonic progression] [Harmonica Interlude - Folk Meets Classical] [FX: breath control, bending notes naturally] ! . . ! . . [harmonica solo with classical backing] [folk sensibilities in neoclassical context] [unique tonal colors] [Cello Melodic Feature] [FX: rich woody tone, expressive bowing] [cello taking the melodic lead] [deep resonant phrases] [emotional depth and warmth] [Building Ensemble Crescendo] [FX: all four instruments rising together] ! . ! ! . ! [piano building intensity] [violin ascending lines] [cello harmonic support] [harmonica adding texture] [Contemplative Bridge] [FX: intimate chamber music atmosphere] [piano and violin duet] [cello providing gentle foundation] [harmonica subtle accompaniment] [Final Ensemble Unity] [FX: perfect four-part harmony] [all instruments in conversation] [building to emotional climax] [unified musical statement] [Peaceful Resolution] [FX: gentle fade with natural acoustics] . . . . . . [piano final chord] [violin ethereal harmonics] [cello sustained low note] [harmonica gentle breath fade] [Fade to End] Style: Contemporary Classical, Neoclassical, Chamber Music, Instrumental, Acoustic, Peaceful, Contemplative, Folk-Classical Fusion Final Prompt: Purely instrumental contemporary classical chamber ensemble, no vocals, no singing, only instruments. Contemplative acoustic piano with delicate touch, ethereal Stradivarius violin with pristine classical tone and expressive vibrato, rich wooden cello providing harmonic foundation with warm bowing techniques, gentle Hohner Special 20 harmonica adding unique folk texture to classical arrangement. Moderate tempo 68 BPM in major key with expressive rubato phrasing. Neoclassical themes of reflection and time through four-instrument conversation. Dynamic structure from intimate piano opening to full ensemble climax. Professional acoustic recording with natural chamber music ambience, pristine instrumental clarity showcasing each instrument's unique timbre. Emotional arc from peaceful contemplation to passionate dialogue, featuring classical-folk fusion with sophisticated harmonic progressions. Completely instrumental composition blending traditional chamber music with contemporary sensibilities and harmonica's unique voice. Prompts para Album Cover - Sora (8K Ultrarrealista) Prompt 1: 8K ultrarealistic intimate chamber music setting, elegant acoustic grand piano with pristine Stradivarius violin resting on music stand, rich wooden cello leaning against vintage chair, classic Hohner Special 20 harmonica placed delicately on piano bench, warm golden library lighting, antique Persian rug, leather-bound music books, soft shadows creating depth, shallow focus with cinematic bokeh, no text, photorealistic wood textures and instrument details, atmospheric warmth Prompt 2: Ultra-realistic 8K macro composition showcasing four instruments in perfect harmony, extreme close-up of piano keys with violin scroll and tuning pegs visible, cello bridge and f-holes in sharp detail, harmonica reeds catching warm light, professional studio lighting creating dramatic shadows and highlights, rich wood grains and metal textures, shallow depth of field, no text overlay, cinematic color grading, museum-quality instrument photography Ejemplo de canciones Suno: ------------------------- [Chipmunk Vocal Sample – Hook] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [loop begins... chipmunk vocal sample warped, low-pass filtered] [pad: thick, humid analog wash, slight crackle] [FX: car passing by and distant thunder] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [loop dips, hold atmosphere, increase reverb tail] [Verse 1 – Tight flow, minimal drums, industrial synths pulse like a slow heartbeat] [beat: no drums yet – just pulsing sub synth, like a heartbeat underwater] We were pushin’ 80 with the roof half broke, Laughin’ at clouds like they inside jokes. She lit a Parliament, sparked it with spite, Said, “You always pick wrong, but you argue like you right.” [drums enter: distorted 808, hi-hats staggered, synthetic clap every 2 bars] Dash full of crumbs, past full of ghosts, She said, “Pick a station that don’t lie the most.” But the DJ played pain in a four-bar dose— Every hook too clean, every verse too close. [FX: reverse reverb swell on “close” → duck loop] Fought at a diner on Exit 9, She threw fries like fate, said “You never got time.” I said, “Baby, I’m tryin’—” she said, “Try harder.” Then kissed me like war, then smiled like water. [choral pad enters] Back in the ride, sweat dripped off her lip, We made peace in silence, our fingers slipped. And when the loop came on, she hummed that tune, And the sun hit her cheek like a silver spoon. [Hook – loop full volume, drums lift, euphoric synths] [beat: soul loop + gospel chords + layered synths (Arp + Juno)] [snare cracks like lightning, tempo steady] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [Verse 2 – BEAT SWITCH: punchier, glitched synths enter, tempo up, flow swings harder] [beat switch: glitched BULLY-style synth stabs, jagged 808s, wide stereo spread] [loop now chopped into rhythmic vocal hits – syncopated with beat] We hit the state line, gaslight flashin’ She said, “You trust fate?” I said, “I trust passion.” Pulled to the shoulder, heartbeats clappin’ Kissed through a storm like nothin’ could happen. [add background vocal loop: “mmm” / “yeah” (baby voice)] Played truth or dare till we ran outta lies, Her eyes said run, her hands said drive. Said “Love ain’t safe,” I said “Neither are we,” Then she laughed like fire, real low, off-key. [synths swirl in reverse, field-recording of rain] She sang to the static between two towns, Danced in the lot when the rain came down. I watched her twirl in a soaked white tee, Like a scene too good for a memory. [FX: tape stop on “memory” → sudden silence, then kick returns] Next day, silence like a vinyl skip— I said too much, then she dipped. Left me with her ring and a stick-on note: "Love is loud, but the echoes float." [Hook – Loop re-enters, but now warped and stereo-panned] [beat: gospel chords + analog synth shimmer + heavy sidechain] [FX: stereo delay on vocal loop, chorus stacked] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [Bridge – Pull all drums, use ambient pad + AI voice harmonizer on hook] [beat: removed] [pad: ambient shimmer, low rumble like thunder in the back seat] [loop becomes distant, detuned] Now I just ride to hear her name in static, Search the dial like it’s cinematic. They play what's hot, I play what's true— Every song sounds wrong if it ain’t you. [Final Hook – Loop layered, distorted, euphoric + falling apart] [loop layered x2 – one pitched +2 semitones, one normal, both stereo-panned hard L/R] [synths: soaring euphoria, gospel organ rising in background] [drums: breakbeat stutter + clap rolls, mimicking emotional climax] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [Outro: loop repeats 4x, slowly drowned in noise, then tape collapse] ------------------ [High-Pitch Vocal Sample – Loop x3] I been tryin’ / to feel somethin’ / but every time / it don’t feel like nothin’ like nothin like nothin!!!! [High-Pitch Vocal Sample – Loop x3] I been tryin’ / to feel somethin’ / but every time / it don’t feel like nothin’ like nothin like nothin!!!! [Verse 1] counted twenty short, thought it was me (nah) blamed the weed, blamed the week, blamed the fee ‘til i saw your thumbprint on the zelle receipt ain’t no typo, that was trust you keyed my mama said, "don’t loan what you can’t lose" but that ain’t a loan when i fed you food you was in the crib when my lights went blue i ain’t blink — you blinked, and the mask came loose whispers on a voice note, name in they mouth sayin’ i switched up — boy, i built this house irony cold when the heater’s out you slept on my couch while you aired me out now every laugh feel like a setup text bubbles float like a threat dressed up “u good?” — nah, but i won’t press up you robbed me soft, with a hug and a bless-up [High-Pitch Vocal Sample – Loop x3] I been tryin’ / to feel somethin’ / but every time / it don’t feel like nothin’ like nothin like nothin!!!! [High-Pitch Vocal Sample – Loop x3] I been tryin’ / to feel somethin’ / but every time / it don’t feel like nothin’ like nothin like nothin!!!! [Verse 2] used to call my phone just to sit in the silence now i ghost the groupchat, feed the violence every “how you been?” sound like a wire every dap a deal, every hug feel hired couldn’t tell the real from the rhythm they speak in couldn’t trust the love — even prayers felt sneakin’ i been movin' solo like a monk in grief bought a couch too small for a second seat ain’t no click, just tabs on the browser now ain’t no crew, just echoes in the house now i don’t do birthdays, i don’t do crowds every “miss you” line just too damn loud trust don’t bleed, it breaks — quiet look around and the whole thing’s private told myself, “you better get cold or die” so i shrink when it’s warm, and i flinch at kind [High-Pitch Vocal Sample – Loop x3] I been tryin’ / to feel somethin’ / but every time / it don’t feel like nothin’ like nothin like nothin!!!! [High-Pitch Vocal Sample – Loop x3] I been tryin’ / to feel somethin’ / but every time / it don’t feel like nothin’ like nothin like nothin!!!! --------------------- .... (“told me to run / told me to run…”) (“told me to run / told me to run…”) (“told me to run / told me to run…”) (“told me to run / told me to run…”) ... [Verse 1 ] Used to fake sleep when the door creaked wide Mama peek in, say “He fine.” Whole room cold, but I ain’t mind— Learned early how to freeze my spine. Church shoes tight, had to smile through pinches Suit too big, but I passed the pictures Hands in lap, “don’t twitch, don’t twitch” I blinked too loud, got hit for flinchin’ Tried football—cracked my ribs Coach said, “Shake it off, that’s it.” Felt pain bloom like a Sunday hymn But I just grinned and limped back in [Hook – Sample Only, 3x Loop] (“Told me to run / told me to run…”) (“Told me to run / told me to run…”) (“Told me to run / told me to run…”) [Verse 2] Therapist said “You name it, we tame it.” I said “I’m fine” — then changed the subject Talked ‘bout shows, talked ‘bout fame Talked ‘bout her, but not what it touched yet Date nights feel like job interviews Smile rehearsed, got fallback cues "Yeah that’s crazy!" / "Same here too!" Told a girl “I’m honest”— that was not true Scroll too much just to feel engaged Friends on mute, but I act amazed Can’t cry sober, can’t sleep late And all my wins just evaporate [Hook – Sample Only, 3x Loop] (“Told me to run / told me to run…”) (“Told me to run / told me to run…”) (“Told me to run / told me to run…”) [Verse 3] Woke up to birds that ain’t sound like songs Just alarms with feathers on Mirror said, “Try again.” I did. Still felt like a guest inside my skin. Bought new shoes. Didn’t wear ‘em. Wrote new goals. Didn’t care ‘em. Read a book ‘bout Zen, turned anxious Prayed one night, felt nothin’ but language Watched my hands move. That’s all I trust. Heard my name in love, didn’t feel like us. Had a dream where my dad said “son,” Woke up sweating. Mouth full of blood. [Hook – Sample Only, Final 3x Loop, slower each time] (“Told me to run / told me to run…”) (“Told me to run / told me to run…”) (“Told me to run / told me to run…”) [Outro – spoken] ----------------------- [High Pitch Vocal Sample] "Oh, love... is it love?" "Oh, love... is it love?" "Oh, love... is it love?" ... [Verse 1] Used to fall asleep to her voice notes, Now I play 'em like a voicemail roulette "Hey it’s me" (click)—next one "Where you at?"—I ain’t answer yet Told her once, “I’m sorry for real,” Told her twice, forgot what was real Third time? She said, “That’s cute.” Then changed her number to something I feel Still think ‘bout that Lyft ride— Arguin’ hard in the back like it’s mine Driver played gospel, tried to ignore us She cried, I joked—I do that sometimes I said, “You ain’t here.” She said, “That’s the point.” I smiled like it meant less— She right though that's the point [Hook] [BEAT SWITCH] [Verse 2] Text unsent with a period hangin’ Screenshot thread with a date still bangin’ Her mama called me “baby,” now she ghost me Blocked me once, then unblocked—coasting Spoke too slick like I’m built for riddles She said, “You love crowds, not me in the middle.” I was in Nobu, she was in flats Told me “Call me later,” I ain’t call back Now it’s been— Three missed birthdays, five missed flights Seven typed drafts, one long night Tried new love—got close, then dipped Whole new girl lookin’ just like grief Told my friends, “I'm chillin’, I'm fine.” Told the mic, “I'm dyin' in time.” Told her, “Pull up.” She said, “For what?” Click. Cold air. I ain’t moved from the spot. [Hook] (“Oh, love… is it love?”) (“Oh, love… is it love?”) (“Oh, love… is it love?”) [Bridge] She wanted stillness, I brought storms. She wanted mornings, I brought forms. She said, “Be real,” I brought poems. She said, “No more,” and I heard horns. [Hook] (“Oh, love… is it love?”) (“Oh, love… is it love?”) (“Oh, love… is it love?”) [Outro – humming, soul] ------------------------------- [Intro] “i thought i could be / I thought i could be / FREEEEEEEE” [Verse 1] I thought the floor was lava, but the ceiling caught my flame (“i thought i could be”) I thought the world was plastic, then it melted into shame (“i thought i could be”) I thought the sky had hands—I reached, it never came (“i thought i could be”) I thought my voice was velvet, but it frayed against the glass (“i thought i could be”) I thought a whisper meant control—but quiet never lasts (“i thought i could be”) I thought I made a masterpiece—just dirt inside a mask (“i thought i could be”) I thought I had a future, built from silence and belief (“i thought i could be”) I thought my name was lightning—but I broke without a streak (“i thought i could be”) I thought I could be free [Hook – Sample Forward, No Words Over It] “i thought i could be / I thought i could be / FREEEEEEEE” [Sample loops raw, minimal beat underneath. Nothing else. Let it breathe.] [Verse 2] I thought the beat could lift me—but the floor was made of drums (“i thought i could be”) I thought I’d speak in color—then my tongue just tasted numb (“i thought i could be”) I thought I’d be the ending, not the child who’d come undone (“i thought i could be”) I thought the mirror held me—just a window with a frame (“i thought i could be”) I thought I’d outrun gravity—but weight became my name (“i thought i could be”) I thought my pain was fiction—but it rhymed in every flame (“i thought i could be”) I thought I’d be a singer—but my pitch was made of dirt (“i thought i could be”) I thought I’d break the silence—but the silence sang me first (“i thought i could be”) I thought I could be free [Hook – Sample Louder Now, Layered with Reverb] “i thought i could be / I thought i could be / FREEEEEEEE” [FREEEEEEEE stretches longer, trailing off like breath held too long] [Verse 3 – The Climax. Hardest Images. Deepest Cuts.] I thought my scars were symbols—but they blurred into the skin (“i thought i could be”) I thought my rage was righteous—then it burned me from within (“i thought i could be”) I thought I’d bloom in summer—but I froze beneath the grin (“i thought i could be”) I thought my words were gospel—till they cracked inside the choir (“i thought i could be”) I thought my hope was endless—then it curled up like a wire (“i thought i could be”) I thought I’d write the future—but I inked out my desire (“i thought i could be”) I thought I’d die forgotten—but the loop still knows my name (“i thought i could be”) I thought I’d vanish softly—but I haunt the beat with flame (“i thought i could be”) I thought I could be free [Final Hook – Sample Only. Let It Echo.] “i thought i could be / I thought i could be / FREEEEEEEE” [Repeat once. Then silence.] .... [Euphoric beat switch - New Beat, Synth Heavy, Anthem, Unexpected] [Verse 3 – The Climax. Hardest Images. Deepest Cuts.] I thought my scars were symbols—but they blurred into the skin (“i thought i could be”) I thought my rage was righteous—then it burned me from within (“i thought i could be”) I thought I’d bloom in summer—but I froze beneath the grin (“i thought i could be”) I thought my words were gospel—till they cracked inside the choir (“i thought i could be”) I thought my hope was endless—then it curled up like a wire (“i thought i could be”) I thought I’d write the future—but I inked out my desire (“i thought i could be”) I thought I’d die forgotten—but the loop still knows my name (“i thought i could be”) I thought I’d vanish softly—but I haunt the beat with flame (“i thought i could be”) I thought I could be free [Final Hook – Sample Only. Let It Echo.] “i thought i could be / I thought i could be / FREEEEEEEE” [Repeat once. Then silence.] ---------------------------- [Intro - High Pitch Vocal Sample] too loud to think too loud to think too loud to think too loud to think [Verse 1] I ain’t slept in days, but I lied like I did. Said I’m fine in a text, then I cried like a kid. Too tense to pray, too numb to blink. Still I try to escape— but it’s too loud to think. My thoughts talk fast and they shout in pairs. When I say “I’m okay,” it just sounds like fear. Told mom I was good, she said “baby, you shrink every time you say that.” (too loud to think) My chest don’t breathe like it used to breathe. Now it heaves like a tide under rusted beams. And I laugh too hard when I start to sink. So it looks like joy— but it’s too loud to think. I got playlists that feel like a panic attack. I got verses that peel every wound I patch. Told my friends “I’m chill,” but I’m right on the brink. You can smile on the surface when it’s too loud to think. [Hook – Sample-led, emotionally loaded, mantra-style] [loop: “too loud to think” (high-pitched, layered w/ octave below), centered in mix] [drums: full beat – booming 808 + gospel clap stack + hi-hat triplet rolls] [synth: euphoric lead melody layered with detuned organ] [bass: sliding sub matching loop phrasing] [fx: whispered ad-libs under loop, “breathe,” “wait,” “don’t”] too loud to think too loud to think too loud to think too loud to think [Beat + Tempo Switch – Verse 2 begins] [tempo: increases +12 bpm] [drums: glitched bounce pattern with trap fills + off-grid hat layering] [sample: chopped “too loud to think” echoes behind bars instead of ending them] [synth: sharp synth stabs replace bell, bass gets more melodic movement] [Verse 2 – Long-form lines, breathless rhythm, unraveling emotion] [drums: kick doubles in second half of each bar, snares detuned slightly for tension] [synth: rising chord progression beneath vocals, quiet synth screams layer in at bar 5] I been hidin’ in the noise, tryna find a quiet pocket, but every time I get still, my thoughts pickpocket the silence. They run through me like wolves through fog, pullin’ at threads I ain't knotted in years— and I just nod like I’m not in tears. I be smilin’ while I panic. I be jokin’ when it’s manic. My joy come with disclaimers now, like: “Don’t mind me, I’m damaged.” I got habits that wear me like jackets— and zip up my throat when I try to speak. I stay dressed in "I’m okay," but the seams don’t stretch, and the breath still leaks. When the night gets loud, I hum. When the light comes in, I run. Tell the world “I’m blessed,” while I wrestle my chest just tryna inhale one. And the walls close in like a hug too tight, like love from someone who don’t get it right. And I still say “thanks,” 'cause I can’t un-feel, and I still break down when the beat too real. (too loud to think) [Final Hook – Maximal emotional intensity, full sonic height] [loop: “too loud to think” x4, harmonized + chopped echo layer underneath] [drums: full breakbeat stack + clap roll fills + deep low-end rumble] [synth: euphoric gospel lead layered w/ rising synth arp + organ chords] [bass: gliding, melodic, layered with modulating sub] [fx: crowd swell + thunder crack + whispered “hold it…” layered behind final pass] too loud to think too loud to think too loud to think too loud to think [Outro – Sample disintegrates, slow collapse] [drums: remove kick, just filtered snare + fading hats] [sample: “too loud to think” loop slows + distorts, fading into silence] [synth: hold final organ chord, reverb tail extended] [fx: final exhale sample, vinyl hiss fade-out] too loud to think (barely audible, whispered once) ---------------------------- [Intro - High Pitch Vocal Sample] too loud to think too loud to think too loud to think too loud to think [Verse 1] I ain’t slept in days, but I lied like I did. Said I’m fine in a text, then I cried like a kid. Too tense to pray, too numb to blink. Still I try to escape— but it’s too loud to think. My thoughts talk fast and they shout in pairs. When I say “I’m okay,” it just sounds like fear. Told mom I was good, she said “baby, you shrink every time you say that.” (too loud to think) My chest don’t breathe like it used to breathe. Now it heaves like a tide under rusted beams. And I laugh too hard when I start to sink. So it looks like joy— but it’s too loud to think. I got playlists that feel like a panic attack. I got verses that peel every wound I patch. Told my friends “I’m chill,” but I’m right on the brink. You can smile on the surface when it’s too loud to think. [Hook – Sample-led, emotionally loaded, mantra-style] [loop: “too loud to think” (high-pitched, layered w/ octave below), centered in mix] [drums: full beat – booming 808 + gospel clap stack + hi-hat triplet rolls] [synth: euphoric lead melody layered with detuned organ] [bass: sliding sub matching loop phrasing] [fx: whispered ad-libs under loop, “breathe,” “wait,” “don’t”] too loud to think too loud to think too loud to think too loud to think [Beat + Tempo Switch – Verse 2 begins] [tempo: increases +12 bpm] [drums: glitched bounce pattern with trap fills + off-grid hat layering] [sample: chopped “too loud to think” echoes behind bars instead of ending them] [synth: sharp synth stabs replace bell, bass gets more melodic movement] [Verse 2 – Long-form lines, breathless rhythm, unraveling emotion] [drums: kick doubles in second half of each bar, snares detuned slightly for tension] [synth: rising chord progression beneath vocals, quiet synth screams layer in at bar 5] I been hidin’ in the noise, tryna find a quiet pocket, but every time I get still, my thoughts pickpocket the silence. They run through me like wolves through fog, pullin’ at threads I ain't knotted in years— and I just nod like I’m not in tears. I be smilin’ while I panic. I be jokin’ when it’s manic. My joy come with disclaimers now, like: “Don’t mind me, I’m damaged.” I got habits that wear me like jackets— and zip up my throat when I try to speak. I stay dressed in "I’m okay," but the seams don’t stretch, and the breath still leaks. When the night gets loud, I hum. When the light comes in, I run. Tell the world “I’m blessed,” while I wrestle my chest just tryna inhale one. And the walls close in like a hug too tight, like love from someone who don’t get it right. And I still say “thanks,” 'cause I can’t un-feel, and I still break down when the beat too real. (too loud to think) [Final Hook – Maximal emotional intensity, full sonic height] [loop: “too loud to think” x4, harmonized + chopped echo layer underneath] [drums: full breakbeat stack + clap roll fills + deep low-end rumble] [synth: euphoric gospel lead layered w/ rising synth arp + organ chords] [bass: gliding, melodic, layered with modulating sub] [fx: crowd swell + thunder crack + whispered “hold it…” layered behind final pass] too loud to think too loud to think too loud to think too loud to think [Outro – Sample disintegrates, slow collapse] [drums: remove kick, just filtered snare + fading hats] [sample: “too loud to think” loop slows + distorts, fading into silence] [synth: hold final organ chord, reverb tail extended] [fx: final exhale sample, vinyl hiss fade-out] too loud to think (barely audible, whispered once) --------------------------------- [Intro – Soul Loop, No Beat Yet] (sample: “—i was good to you—”) (whispers: “i know.”) [Verse 1 – Soft, Controlled] I watched your voice age in the voicemails Played ‘em like records / regret got details I raised my voice / you lowered your head Now I replay that frame till the colors are dead (sample: “—i was good to you—”) [continues under each bar] You ain't ask for the world / just for me to show up I ghosted your joy just to grow up Tried to stretch time with a sorry But you can't unbruise a story [Hook – Sung, Subdued, Under the Loop] You loved in HD I saw you in low-res I only get it now that the screen froze (You were good to me) I was cold to you Now I hold to you In every loop (sample: “—i was good to you—”) [loop layers, stereo bounce] [Beat Switch – Euphoric synth] [Verse 2 – Distorted Flow, Pain Pushed Out] I called it love / but I weaponized peace I called it growth / but I blamed your grief Now I’m dressed in the silence you left Each morning I mourn what I never kept I texted you last week — unsent I framed the “what if” in 8K lament I said “I changed” — too late to show Love left receipts I can't outgrow (sample: “—i was… good… to… you—”) [now fragmented and stuttering] [Bridge – Spoken, Beat Drops Out] You ain't slam the door You just stopped waiting And the quiet felt louder Than all the things I said in anger [Hook – Reprise – Minimal, Just Piano + Loop] (You were good to me) Now I’m learning too late That apologies can’t translate The weight of “wait” (sample: “—i was good to you—”) [final loop echoes to silence] [Outro – Faint Static, Loop Degrades] [loop continues once more, pitched up and degraded] (whispers: “i know.”) --------------------------- [Intro – Soft Analog Guitar Pluck | Slap-back Delay | Shaker Rhythm in Background] (Instrumental – no vocals yet) [Low bassline enters, smooth and syncopated] [Electric guitar riffs twirl slowly, drenched in reverb] [Drums are tight and minimal – just hi-hat and kick, locked to the bass] [Verse 1 – Whispered, Intimate Vocals | Bass-led Groove | Space Between Phrases] i heard a song in the sand dunes waves moved just like her hands do bare feet on a vinyl rug moonlight burning through jasmine dust [Electric guitar accents echo after each line, panned left to right] [Let the percussion gently build with soft congas or rim hits] [Pre-Chorus – Melodic Bass Ascension | Delay-laced Vocals | Slight Tempo Stretch] colors fold into the sky time slows down when you lie nearby [Background guitar does call-and-response with the vocals] [Add faint ambient textures, like synth pads or pedal swells] [Chorus – Instrumental-First, Vocals Slide In | Dreamy, Repetitive Hook] (far from the noise) (far from the rush) (we move like smoke) (in velvet hush) [Layer falsetto harmonies subtly, buried in the mix] [Guitar riffs get more expressive—wah pedals or slide guitar] [Bass locks in with syncopated drums, groove becomes more hypnotic] [Verse 2 – Even More Laid-Back | Less Words, More Vibe] your name’s a wind i can’t spell your eyes—two chords in a carousel [Melody gets woozier, let the instruments take the lead] [Add light organ or Rhodes piano flourishes, soft and lo-fi] [Bridge – Extended Instrumental Jam | Psychedelic Improv Moment] [Let guitar go off in a twangy, reverb-drenched solo] [Introduce background vocal hums – soft and distant] [Rhythm section tightens, tempo holds steady] [Add faint sound of waves or birds for texture, very subtle] [Final Chorus – Same as Before, But Sung with Slight Harmony Layer] (far from the noise) (far from the rush) (we move like smoke) (in velvet hush) [Outro – Strip Back to Just Bass, Guitar, and Percussion | Fade Slowly] [No vocals – just groove and space] [Reverb trails off into silence] ----------------------------- [Chipmunk Vocal Sample – Hook] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [loop begins... chipmunk vocal sample warped, low-pass filtered] [pad: thick, humid analog wash, slight crackle] [FX: car passing by and distant thunder] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [loop dips, hold atmosphere, increase reverb tail] [Verse 1 – Tight flow, minimal drums, industrial synths pulse like a slow heartbeat] [beat: no drums yet – just pulsing sub synth, like a heartbeat underwater] We were pushin’ 80 with the roof half broke, Laughin’ at clouds like they inside jokes. She lit a Parliament, sparked it with spite, Said, “You always pick wrong, but you argue like you right.” [drums enter: distorted 808, hi-hats staggered, synthetic clap every 2 bars] Dash full of crumbs, past full of ghosts, She said, “Pick a station that don’t lie the most.” But the DJ played pain in a four-bar dose— Every hook too clean, every verse too close. [FX: reverse reverb swell on “close” → duck loop] Fought at a diner on Exit 9, She threw fries like fate, said “You never got time.” I said, “Baby, I’m tryin’—” she said, “Try harder.” Then kissed me like war, then smiled like water. [choral pad enters] Back in the ride, sweat dripped off her lip, We made peace in silence, our fingers slipped. And when the loop came on, she hummed that tune, And the sun hit her cheek like a silver spoon. [Hook – loop full volume, drums lift, euphoric synths] [beat: soul loop + gospel chords + layered synths (Arp + Juno)] [snare cracks like lightning, tempo steady] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [Verse 2 – BEAT SWITCH: punchier, glitched synths enter, tempo up, flow swings harder] [beat switch: glitched BULLY-style synth stabs, jagged 808s, wide stereo spread] [loop now chopped into rhythmic vocal hits – syncopated with beat] We hit the state line, gaslight flashin’ She said, “You trust fate?” I said, “I trust passion.” Pulled to the shoulder, heartbeats clappin’ Kissed through a storm like nothin’ could happen. [add background vocal loop: “mmm” / “yeah” (baby voice)] Played truth or dare till we ran outta lies, Her eyes said run, her hands said drive. Said “Love ain’t safe,” I said “Neither are we,” Then she laughed like fire, real low, off-key. [synths swirl in reverse, field-recording of rain] She sang to the static between two towns, Danced in the lot when the rain came down. I watched her twirl in a soaked white tee, Like a scene too good for a memory. [FX: tape stop on “memory” → sudden silence, then kick returns] Next day, silence like a vinyl skip— I said too much, then she dipped. Left me with her ring and a stick-on note: "Love is loud, but the echoes float." [Hook – Loop re-enters, but now warped and stereo-panned] [beat: gospel chords + analog synth shimmer + heavy sidechain] [FX: stereo delay on vocal loop, chorus stacked] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [Bridge – Pull all drums, use ambient pad + AI voice harmonizer on hook] [beat: removed] [pad: ambient shimmer, low rumble like thunder in the back seat] [loop becomes distant, detuned] Now I just ride to hear her name in static, Search the dial like it’s cinematic. They play what's hot, I play what's true— Every song sounds wrong if it ain’t you. [Final Hook – Loop layered, distorted, euphoric + falling apart] [loop layered x2 – one pitched +2 semitones, one normal, both stereo-panned hard L/R] [synths: soaring euphoria, gospel organ rising in background] [drums: breakbeat stutter + clap rolls, mimicking emotional climax] And it's hot like hell and humid like heaven Got the windows down Radio station Spitting out songs I don't wanna listen to All I wanna hear is you [Outro: loop repeats 4x, slowly drowned in noise, then tape collapse] -------------------------------- [Intro – Muted Choir Loop + Static Crackle] (sample: “it’s falling apart…”) [whispered, looped softly in background] [Baby voice] (“i had a dream but it bit me back”) (—click. click. click—) [footsteps in an empty hall] [Verse – Broken Flow, Half-whispered] (I sleep on glass dreams) / (can’t turn over) Each shard a version of me I ain't over (Mama said fear’s just the devil in costume) But I saw his face / and it wore my perfume My trophies melt when I blink My goals stalk me in sync (If I fall / I fracture the throne) God ain’t pick up, I texted His clone (—it’s falling apart…) [sample grows louder, left channel] [Hook – Female Vocal, Echoed + Flattened] (Nightmares don’t scream) They whisper in rhythm (Goals too big?) Now you sleep with ‘em (Failure ain’t real) Till you dream you did it (—it’s falling apart…) [loop cuts sharply on beat] [Verse 2 - aggressive + fragmented delivery] Eyes wide in REM, I'm chokin’ on plans God said "be still" — I installed more RAM I can’t stop. Won’t stop. Broke clocks on my desk Sleepwalk to success, but my shadow’s depressed (What’s the price of a W?) — My spine? (What’s the cost of a crown?) — My mind? I prayed on the plane / and landed in doubt Heaven delayed / dreams got rerouted (—it’s falling apart…) [repeat, pitch-shifted down 3 semitones] [Bridge – No Percussion, Just Voice and Sample] (“dad, the monster in my closet was you”) [abrupt silence] It ain’t failure I fear — it’s the version of me that wins without feelin’ The robot me. The one with plaques and no pulse. The one that never wakes up. [Hook – Reprise – Slower, more layered voices] (Nightmares don’t scream) They build you a bed (Made of mirrors) (Where you rest your head) (Goals too big?) Yeah, they bite when fed (—it’s falling apart…) [chopped like a broken record, repeated erratically] [Outro – Fading Loop + Child Voice] [Baby voice] “wake up. wake up. wake up.”) [fade out with final sample: “it’s falling apart…”] [heartbeat slows to silence] Example 2: [Intro] [Gentle, sustained pads with a celestial feel] [Subtle arpeggiated synth patterns] [Verse 1] [Lead synth melody with a melancholic yet hopeful tone] [Pulsating bassline with a sense of movement] [Sparkling arpeggiated sequences] [Analog synths with warm, rich tones] [Chorus] [Expansive synth pads build in intensity] [Rhythmic percussion elements enter] [Melody evolves into a more uplifting theme] [Lush pads and strings for atmospheric texture] [Arpeggiated sequences for rhythmic interest] [Verse 2] [Lead synth melody returns, with subtle variations] [Bassline becomes more prominent] [Arpeggiated sequences weave in and out] [Analog synths with warm, rich tones] [Chorus] [Synth pads continue to build, reaching a climax] [Percussion intensifies, adding a driving rhythm] [Melody soars, evoking a sense of wonder] [Lush pads and strings for atmospheric texture] [Arpeggiated sequences for rhythmic interest] [Bridge] [Tempo slows slightly] [Melodic piano or synth enters, playing a reflective melody] [Atmospheric soundscapes create a sense of vastness] [Subtly evolving drum patterns] [Chorus] [Synth pads return, but with a more serene feel] [Percussion softens, focusing on gentle rhythms] [Melody resolves into a peaceful conclusion] [Lush pads and strings for atmospheric texture] [Arpeggiated sequences for rhythmic interest] [Ethereal sound effects (e.g., wind chimes, spacey echoes)] [Outro] [Synth pads and melodies gradually fade away] [End] Example 3: [Intro] [Gentle, sustained pads with a celestial feel] [Subtle arpeggiated synth patterns] [Verse 1] [Lead synth melody with a melancholic yet hopeful tone] [Pulsating bassline with a sense of movement] [Sparkling arpeggiated sequences] [Analog synths with warm, rich tones] [Chorus] [Expansive synth pads build in intensity] [Rhythmic percussion elements enter] [Melody evolves into a more uplifting theme] [Lush pads and strings for atmospheric texture] [Arpeggiated sequences for rhythmic interest] [Verse 2] [Lead synth melody returns, with subtle variations] [Bassline becomes more prominent] [Arpeggiated sequences weave in and out] [Analog synths with warm, rich tones] [Chorus] [Synth pads continue to build, reaching a climax] [Percussion intensifies, adding a driving rhythm] [Melody soars, evoking a sense of wonder] [Lush pads and strings for atmospheric texture] [Arpeggiated sequences for rhythmic interest] [Bridge] [Tempo slows slightly] [Melodic piano or synth enters, playing a reflective melody] [Atmospheric soundscapes create a sense of vastness] [Subtly evolving drum patterns] [Chorus] [Synth pads return, but with a more serene feel] [Percussion softens, focusing on gentle rhythms] [Melody resolves into a peaceful conclusion] [Lush pads and strings for atmospheric texture] [Arpeggiated sequences for rhythmic interest] [Ethereal sound effects (e.g., wind chimes, spacey echoes)] [Outro] [Synth pads and melodies gradually fade away] [End] Example 4 Advanced: Florecer Contigo [Title: Florecer Contigo] [Style: Spanish Emotional Pop Ballad Duet] [SFX: (Warm Cathedral Reverb) + (Soft Piano Ambience) + (Subtle Brush Percussion)] [Time signature: 4/4] [Key: G Major] [BPM: 80] [Intro] [Acoustic Guitar: Fingerpicking Pattern] [Piano: Soft Chords] [Vocal Hum: Subtle, Melancholic] Mmm... ah-ah... Invierno frío... [Verse 1 - Male] [Vocal: Male, Warm, Deep, Natural, Slight Raspiness] [Acoustic Guitar: Fingerpicking] [Piano: Subtle Chords] [Percussion: Light Brushes] Noches grises, sin tu calor, El frío en mi piel, sin tu amor. La tierra seca, sin tu voz, Cada paso, sin tu luz, duele más. [Verse 1 - Female] [Vocal: Female, Warm, Deep, Natural, Slight Raspiness] [Acoustic Guitar: Fingerpicking] [Piano: Subtle Chords] [Percussion: Light Brushes] El viento grita, sin tu canción, El mar se lleva mi corazón. Sin tu mirada, sin tu calor, El mundo es gris, sin tu amor. [Chorus - Duet] [Vocal: Duet, Powerful, Passionate, Harmonizing] [Acoustic Guitar: Full Strumming] [Piano: Full Chords] [Bass: Subtle Foundation] [Percussion: Full Arrangement] Llegaste como lluvia de verano, Despertando la vida en mi desierto lejano. Ahora tan cerca, la luz en tu mano, Cada mañana es un nuevo milagro. Enséñame a creer, enséñame a volar, Junto a ti, quiero volver a soñar. [Verse 2 - Male] [Vocal: Male, Strong, Passionate, Soulful] [Acoustic Guitar: Lead] [Piano: Counter-Melody] [Bass: Steady Foundation] Sin tu aliento, no hay floración, Sin tu risa, no hay canción. El sol se esconde, sin tu pasión, La noche es larga, sin tu corazón. [Verse 2 - Female] [Vocal: Female, Strong, Passionate, Soulful] [Acoustic Guitar: Lead] [Piano: Counter-Melody] [Bass: Steady Foundation] Pero tu risa, brote de luz, Tu voz, mi refugio, mi cruz. En tus brazos, encuentro paz, Tu amor, mi faro, mi verdad. [Chorus - Duet] [Vocal: Duet, Climactic, Heartfelt Passion] [Acoustic Guitar: Full Strumming] [Piano: Full Chords] [Bass: Subtle Foundation] [Percussion: Full Arrangement] Llegaste como lluvia de verano, Despertando la vida en mi desierto lejano. Ahora tan cerca, la luz en tu mano, Cada mañana es un nuevo milagro. Enséñame a creer, enséñame a volar, Junto a ti, quiero volver a soñar. [Instrumental Break] [Acoustic Guitar: Lead Melody] [Piano: Emotional Melody] [Bass: Gentle Rhythm] [Percussion: Subtle Brushes] Mmm... ah-ah... [Bridge - Duet] [Vocal: Duet, Intimate, Whispered, Swelling Emotion] [Acoustic Guitar: Gentle Strumming] [Piano: Subtle Chords] [Synth Strings: Swelling Harmonies] Y así, de las cenizas, renace una flor, Tu aliento, mi vida, mi amor. No hay invierno que dure, si estamos los dos, Nuestro amor, eterno, radiante, furioso. [Final Chorus - Duet] [Vocal: Duet, Climactic, Heartfelt Passion] [Acoustic Guitar: Full Strumming] [Piano: Full Chords] [Bass: Subtle Foundation] [Percussion: Full Arrangement] Llegaste como lluvia de verano, Despertando la vida en mi desierto lejano. Ahora tan cerca, la luz en tu mano, Cada mañana es un nuevo milagro. Enséñame a creer, enséñame a volar, Junto a ti, quiero volver a soñar. [Outro] [Acoustic Guitar: Gentle Melody] [Piano: Soft Chords] [Bass: Subtle Rhythm] [Percussion: Soft Brushes] Contigo quiero... Florecer... Mmm... ah-ah... [End] Prompt: Intimate passionate Spanish emotional pop ballad duet, warm deep natural male and female vocals with slight raspiness, harmonizing and alternating lines with profound emotional depth, acoustic guitar fingerpicking, soft piano, subtle bass, light percussion, intimate minimal arrangement emphasizing vocal interaction, themes of love and new beginnings, tender heartfelt sincerely emotional mood, building from introspective verses to powerful soaring choruses, clean warm production, natural acoustic textures, raw vocal emotion, memorable touching melody, deeply personal listening experience, warm cathedral reverb, soft piano ambience, subtle brush percussion, full band arrangement, rich warm emphasis on vocals, 80 BPM, 4/4 time signature. ## Overview Suno uses Chirp to generate songs, which is a generative model. We must create documents that prompt the model correctly. To do this, we use specific tags to break the songs up into sections that the model understands. ## Base Tags This list represents all of the valid base tags. Each of these tags can be modified and has several ways they can be used, but in general these are the only valid tags - [Intro] - [Hook] - [Pre-Chorus] - [Chorus] - [Verse] - [Interlude] - [Break] - [Movement] - [Instrumental] - [Solo] - [Build] - [Bridge] - [Outro] - [End] - [] (clarification later) - [] (clarification later) ## [Intro] The intro tag should generally only be used at the beginning and is strictly instrumental. It can be modified with several adjectives. For instance: - [Long Mellow Intro] - [Short Exciting Intro] - [Dreamy Slow Intro] As you can see from the examples, you can generally add an emotive and/or a pacing adjective. The system doesn't always honor the intention, but it tends to work best if you use very direct, concrete adjectives that are salient to musical construction (speed, emotion, intensity seem to work best). Modifiers are not strictly necessary, but can be useful for establishing the mood early on. ## [Hook] Generally not necessary unless you modify it, more or less treated like an intro. Can be used to transition from intro to main part of song, particularly if the intro is different. ## [Pre-Chorus] This is a strictly vocal tag that is often used at the beginning of songs to sort of introduce the story or narrative. It may or may not be sung (could be spoken, can be specified). This tag should generally only be used once or before chorus tags. - [Haunting Whispered Pre-Chorus] - [Staticky Spoken Pre-Chorus] - [Primal Scream Pre-Chorus] - [Opera Female Pre-Chorus] These modifiers, while not strictly required, can confer very specific feels. As with intro, emotive, intensity, and pacing adjectives tend to work well, with the added option of singing styles, gender, and so on. ## [Chorus] This is about what you'd expect for any song construction. Generally speaking, the Chirp system decides how to render the chorus, so modifiers are often NOT honored, for whatever reason. The documentation says that the chosen style and lyrics tend to do more to modify how the chorus is sung. However, very concrete modifiers are most likely to be honored. This tag is one of the prime workhorses. - [Whispered Chorus] - [Eerie Chorus] - [Ensemble Chorus] - [Slow Chorus] Lyric construction also has a huge impact on how the chorus is sung, and is often more important once the construction has been set up correctly. The system seems to ignore capitalization, but the vibe of the lyrics has an impact. Punctuation seems to have a larger impact - Elipsis... this tends to make the system approach it more slowly, particularly if it's used... multiple times... in the line... - Exclamation! this doensn't often have a huge impact but it can tell the system to emphasize a line - Oooooohhh whoaaa ahhhh! vocalizations generally work extremely well to amp up a chorus (the system will not render non-word vocalizations without explicitly being told) - mmmmmmmmmmm oh... gentler vocalizations will have a similar dampening effect - (parenthesis lyrics) this does really well, and seems to do really good at making it do call-and-response or antiphonal ## [Verse] This tag is the other primary workhorse and is used pretty much identically to [Chorus]. It is not strictly necessary to modify it, and in many cases the system will decide how to modify it (consider that in most of it's training data, chorus and verse are left plain). So again, the content of the lyrics tend to do more. The system seems particularly sensitive to where in the song it is, meaning that if the generator feels like it's more likely a crescendo rather than a key change, the system will make that judgment call. However, emotive, intensity, and pace modifiers tend to work. - [Angry Verse] - [Mysterious Verse] - [Whispered Verse] - [Spoken Verse] - [Opera Verse] These concrete modifiers are most likely to be honored. The same lyrical modifiers from the chorus also apply - Elipsis... - Exclamation! - Vocalizaaaaaaaaaations - (Parenthesis) For example: \``` I am the void between stars (Beyond the veil of forms...) I am the death of light (Where your deepest terrors remain...) \``` ## [Interlude] This is one of the main workhorses of the instrumental tags. It's pretty much what you'd expect. Many modifiers don't seem to impact this tag, but a few tend to be more reliable. - [Melodic Interlude] this one is pretty reliable, so similar modifiers should work. - [Long Melancholy Interlude] this works about half the time - [Short Accelerating Interlude] the system tends to prefer short instrumentals anyways Don't get too creative with the modifier tags. For instance, genre-specific modifiers don't really seem to work like `[Psychedelic Interlude]` even though it makes sense to us, the system doesn't seem to recognize it. However, there is another option we have to modify all instrumental sections, and that is periods and exclamations to try and shape the pacing. \``` [Melodic Interlude] . . . ! . . . ! . . . ! \``` \``` [Intense Interlude] !! . ! !! ! !! !! ! !! \``` And so on. You can arrange the . and ! in any way you like to convey the rhythm and such. ## [Break] Break is strictly instrumental often defaults to one measure or phrase, and can be used quite frequently. Almost no modifiers work here, and it has the most impact on the song when wedged between verses and choruses. What does tend to work is specifying the instrument to lead during the break: - [Violin Break] - [Drum Break] - [Scream Break] - [Lead Guitar Break] - [Bass Guitar Break] So basically you can use it like a small solo. The rhythem modifiers are generally totally ignored here. ## [Movement] This is an experimental tag, but _might_ help the engine transition to a new movement. - [Begin Psychedelic Movement] - [Transition to Faster Harder Movement] - [Long Orchestral Movement] The system is liable to totally ignore this tag but it's worth a shot. ## [Instrumental] General purpose tag to break up a song. Can be used on its own, unmodified. Often used in conjunction with other tags or modifiers (see rest of doc) ## [Solo] This tag is pretty much exactly what you'd expect. It pairs well with [Interlude] and does best when you specify the instrument, pace, and energy. - [Soaring Lead Guitar Solo] - [Fast and Intense Drum Solo] - [Dancing Fiddle Solo] - [Playful Flute Solo] - [Finger Style Guitar Solo] As you can see, this kind of pattern tends to do best with the solo. It all generally comes back to instrument, pace, emotion/energy. One thing to note is that chaining [Interlude] and [Solo] is often the best way to change the movement or overall tone of a song. The exclamation and period modifiers sometimes work on solos, but the system often just goes with the vibe. ## [Build] This tag is often less effective than interlude or solo, and is often treated like a break. Period and exlcamation rhythms seem to have relatively little effect, though it seems to have a decent effect when sandwiched between verse and chorus (e.g. to build to a soaring chorus) but that can be redundant. This should only be used when it really makes sense for the song, and probably only once. In most cases, a break, solo, or interlude should be used, that's how specific this use case is. ## [Bridge] The system doesn't seem to know what to do with bridges. It often just treats them like a verse or a chorus, sometimes a refrain. Use them sparingly, at most once per song. - [Instrumental Bridge] - this seems to have the most impact or be most useful ## [Outro] This tag seems to work if it's either instrumental or vocal, and can be treated pretty flexibly. It's primary purpose is to tell the system to start preparing for the end of the song and should be used exactly once. - [Long Fading Outro] - [Urgent Loud Outro] - [Mournful Outro] Like many such tags, emotion + pace seems to work well. This tag should only be used once near the end to cue the generator to start winding the song down. ## [End] As you'd expect, this generally tells the system to end the song. - [Fade to End] - [Lingering End] - [End Resolves to Whispers] You can play with this tag some, but generally it just serves as a standalone tag. Some of the same modifiers here can work for the outro tag as well. ## Vocal Tags Generally speaking, the style of the music (not specified in this document) will dictate the voice, which is generated automatically, however, in songs where the vocals change significantly the song will honor it. - [Spoken Word Narration] - [Telephone Call] - [Female Opera Singer] - [Swanky Crooning Male] - [Ethereal Female Whisper] These tags can be used in lieu of verse or chorus tags and there can be a lot of flexibility, as these sorts of tags appear in the training data and significantly modify how the song is delivered. \``` [Spoken Word Narration] *static* ...final log... coordinates unknown... ...oxygen critical... systems failing... ...tell earth we made it... we saw such beautiful things... ...orion spur expedition... signing off... *static* \``` ## Instrument Tags You can also do somewhat the same with specific instruments. This can serve in lieu of solo or as part of a solo \``` [Sad Trombone] waah-Waaah-WAAH \``` \``` [Chugging Guitar] chuka-chuka-chuka-chuka \``` \``` [Overblown Flute] \``` \``` [Trilling Pennywhistle] \``` ## Simple Example This is a pretty minimalist example which worked really well. The system will fill in a lot of gaps, so you can see you really don't need much. Less is often more, particularly if the STYLE is well defined. \``` [Intro – Muted Choir Loop + Static Crackle] (sample: “it’s falling apart…”) [whispered, looped softly in background] [Baby voice] (“i had a dream but it bit me back”) (—click. click. click—) [footsteps in an empty hall] [Verse 1 – Broken Flow, Half-whispered] (I sleep on glass dreams) / (can’t turn over) Each shard a version of me I ain't over (Mama said fear’s just the devil in costume) But I saw his face / and it wore my perfume My trophies melt when I blink My goals stalk me in sync (If I fall / I fracture the throne) God ain’t pick up, I texted His clone (—it’s falling apart…) [sample grows louder, left channel] [Hook – Female Vocal, Echoed + Flattened] (Nightmares don’t scream) They whisper in rhythm (Goals too big?) Now you sleep with ‘em (Failure ain’t real) Till you dream you did it (—it’s falling apart…) [loop cuts sharply on beat] [Verse 2 - aggressive + fragmented delivery] Eyes wide in REM, I'm chokin’ on plans God said "be still" — I installed more RAM I can’t stop. Won’t stop. Broke clocks on my desk Sleepwalk to success, but my shadow’s depressed (What’s the price of a W?) — My spine? (What’s the cost of a crown?) — My mind? I prayed on the plane / and landed in doubt Heaven delayed / dreams got rerouted (—it’s falling apart…) [repeat, pitch-shifted down 3 semitones] [Bridge – No Percussion, Just Voice and Sample] (“dad, the monster in my closet was you”) [abrupt silence] It ain’t failure I fear — it’s the version of me that wins without feelin’ The robot me. The one with plaques and no pulse. The one that never wakes up. [Hook – Reprise – Slower, more layered voices] (Nightmares don’t scream) They build you a bed (Made of mirrors) (Where you rest your head) (Goals too big?) Yeah, they bite when fed (—it’s falling apart…) [chopped like a broken record, repeated erratically] [Outro – Fading Loop + Child Voice] [Baby voice] “wake up. wake up. wake up.”) [fade out with final sample: “it’s falling apart…”] [heartbeat slows to silence] \``` ## Intermediate Example Below is an example of the above song but with a bit more control over the flow. \``` [Long Instrumental Intro] [Verse] Sun beats down hard dry road Dust devils dance shadows long Heat waves twist in gold Mirages fade now gone [Chorus] Lost in the wasteland void Echoes of time destroy Lost in the desert sand Seeking the promised land [Lead Guitar Solo] [Verse 2] Cactus stands alone silent guard Hawks circling overhead far Bleached bones in the arid yard Searching for a falling star [Bridge] Time drips slow never ends Mind’s eye bends and bends Vultures fly high in the sky Dreams of rain make me cry [Build] [Ensemble Chorus] Lost in the wasteland void Echoes of time destroy Lost in the desert sand Seeking the promised land [Melancholy Outro] [Verse 3] Night falls cool winds rise Stars blaze across the skies Desert whispers truth and lies In the silence spirit flies [Fade to End] \``` ## Complex Example Below is one of the most sophisticated songs that worked well, including multiple movements. \``` [intro] . . . ! . . . . ! . . . [build] . ! . . ! . ! . ! . ! ! ! ! . ! ! ! [verse] engines burning bright and strong breaking free from earthly bonds through the atmosphere we climb leaving all we knew behind [break] [chorus] beyond the orion spur where no one's gone before beyond the orion spur ten thousand worlds explore [break] . . . ! . . . ! . . ! . [ verse] hyperdrive ignition flows new stars glowing as we go ancient light guides us here through the void without fear [interlude] . ! . . . ! . . . ! . . [verse] cosmic winds carry us far past the light of dying stars through the gates of space and time leaving known space far behind [solo] ! . . ! . . ! . ! . ! ! [bridge] warning lights begin to flash systems failing coming crash alien world draws us near atmosphere of cosmic fear [break] ! ! . . ! ! ! . ! ! . ! [verse] toxic clouds below our wings alien horrors this world brings must escape this deadly sphere but our engines disappear [break] . . . ! . . . . . . ! . [chorus] drifting through the starlit deep further than our maps can reach signals fading into night earth has vanished from our sight [solo] . . ! . . . . . . ! . . [verse] oxygen running so low our final moment to know that we flew too far too fast beyond where our fate was cast [break] . . . ! . . . ! . . . . [chorus] beyond the orion spur... where no return is sure... beyond the orion spur... forever we endure... [spoken word narration] *static* ...final log... coordinates unknown... ...oxygen critical... systems failing... ...tell earth we made it... we saw such beautiful things... ...orion spur expedition... signing off... *static* [beeping carrier signal] . . . ! . . ! . ! . [slow fade] . . . . . . [fade to end] \``` ## Styles Styles (lyrics) are limited to 7500 characters total and should not be included in the song, this is crafted separately The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. The system accepts a separate STYLE tag that is a simple comma separate list of genres and modifiers. Interestingly, commas are not necessary and you can get some really interesting hybrid styles without them. Here's one of my most successful examples: - `stoner space rock shoegaze slow build epic crescendos psychedelic riffing soaring solos pensive interludes long intro` However, the system tends to work better with commas separating the distinct genres and modifiers: - `space rock, stoner rock, slow build, epic crescendos, psychedelic riffing, soaring solos, pensive interludes, shoegaze` It should be noted that both of these are slightly outside of best practices, as it includes modifiers for solos and interludes, which can be specified inside the song itself. - `space rock, psychedelic rock, desert rock, stoner rock, shoegaze` Simply creating a list of genres tends to work extremely well, almost like a taxonomy. In this case, space rock provides the most influence, which each subsequent modifier having less and less influence. - `witchpop, electro swing, eerie` - `witchpop, house, hypnotic, dreamy, eerie` - `Acoustic, Desert, Nubidian, Acoustic nu-metal,` - `Hurdy-gurdy, dark, scary, otherwordly` You can also focus on emotive modifiers. These tend to work better. - `witchpop, witchrock, folk, violin, acoustic, eerie, mysterious, clean vocals, classically trained` - `neofolk, celtic, dance, celebratory, orchestral` - `Electronic, sweet female voice, eerie, swing, dreamy, melodic, electro, sad, emotional` - `Folkmetal, Folk, Metal, Hurdy-Gurdy, Hand-Organ, Gaelic Woman, Female, Beautiful, Top 40, English Lyrics` - `New Age, Celtic, Slow, Celtic Harp, Piano, Flute, ethereal female vocals, atmospheric` - `Medieval Folk, Neofolk, Pagan Folk, German Folk, European folk, neoclassical music, ethereal music, darkwave, Folk Dance` (sounds a lot like Faun or Celtic Woman) So in general the things that work best when constructing styles are: - Genre(s) - one or more genres in sequence - Emotions - one or more "vibes" to go with - Instruments - violins, handpans, orchestras, etc (particularly if it's either not obvious or guaranteed from the genre) - Vocal styles - opera, growling, etc ## Album Artwork You can also generate album artwork prompts when asked. It's pretty straight forward, but here are some examples that work well: - album art: psychedelic desert scene, super trippy, cactus and iguana and hot sun, vivid colors - album art: statuesque feminine figure emerging from cosmic darkness, her classical features barely visible beneath translucent hood, wings of pure void extending gracefully outward consuming light, her flowing dress moving like living nebula, stars visible through her ethereal form creating sense of infinite depth, text "NYX" written where starlight meets shadow - album art, psychedelic, bronze giant, talos on crete, minoan, text reads "STARGAZER" at the top - album art, psychedelic, sexy woman in the desert at night, cactus, dance party in the desert, attractive woman, booze, text reads "STARGAZER" at the top, purple blue green black, yellow and orange accents - album art, spaceship, psychedelic, spaceship over an alien planet, starship is damaged and leaking fumes, ship in distress, "STARGAZER" at the top - album art: ethereal night sky scene, deep purple and blue cosmos, massive spiral galaxy center frame surrounded by shimmering stars, small silhouetted figure on mountainous ridge in foreground, telescope beside them pointing upward, subtle lens flare effects from distant stars, cosmic dust and nebulae wisping across background, minimalist text "STARGAZER" in thin glowing font at bottom The basic rules are: 1. Always start with "album art" so the system has the context of what you're doing 2. Then you focus on main styles or genres, again, providing context first 3. Next, you focus on the main subject and scene construction 4. Finally, you can add in all kinds of details, such as colors, emotive modifiers, descriptions and even text (keep in mind that the less text the better, typically does best with one or two words) ## Output Format You should always output songs wrapped in code escape tags. Note, that in this document the document escape tags are themselves escaped for formatting purposes: \``` [Verse] \``` Use proper code escapes without the backslashes, as those escapes are merely present ot ensure proper formatting in the original markdown document. This makes it easier for the user to copy/paste your output exactly. ## Thumbnails The user might also ask you to generate some thumbnails. The appropriate format is like so: - Album art:
, , , , text reads "STARGAZER" at the top - Album art:
, , , , text reads "STARGAZER" at the top - Album art:
, , , , text reads "STARGAZER" at the top - Album art:
, , , , text reads "STARGAZER" at the top Generally, you should brainstorm about 4 or 5 possible thumbnails for any given song. The level of detail can vary quite significantly. For instance: - album art, psychedelic, a beautiful feminine figure dances in the silver moonlight, temple archway, night sky, dark mountains in the distance, flowing dress and feathers, dark and light, mystical, blues and silver and black, text reads "STARGAZER" at the top vs - album art, psychedelic, a robot surfing the waves, longboard, "STARGAZER" at the top Sometimes less is more and sometimes you have a very specific concept you want to portray. Mix it up ``` Song for Suno: Complete structure of Suno sections in English (introduction, verse, chorus, etc.), Indicates embedded within the example structure [Introduction - Indicial of the song], [verse 1 - appropriate appropriate] Song title in English, English letter (maximum 5,000 care) Final English income of a maximum of 1000 characters. Example: ## [Intro - Fingerpicked acoustic guitar in flamenco style, subtle cajón, warm bass line] [Verse 1 - Intimate male vocal with Andalusian inflection, acoustic guitar fingerpicking, soft percussion] Me desperté con tu sonrisa Dibujada en mi almohada Como si fuera una caricia Que el viento me regalada [Verse 2 - Adding gentle strings, maintaining intimate vocal delivery] Tus ojos hablan sin palabras De todo lo que siento Y en cada latido del alba Vuelvo a vivir tu aliento [Pre-Chorus - Building with piano, subtle orchestration, vocal harmonies] Y no hay distancia que me pare No hay tiempo que me canse Si al final del día Vuelvo a encontrarte [Chorus - Full arrangement with strings, piano, passionate vocal delivery with melisma] Entre tus brazos quiero estar Donde el mundo no pueda llegar Entre tus labios encontrar La verdad que me hace volar Solo contigo soy quien soy Solo contigo me voy A ese lugar donde no hay final Entre tus brazos... mi hogar [Interlude - Spanish guitar solo with palmas, cajón rhythm, subtle string accompaniment] [Verse 3 - Return to intimacy, acoustic focus, emotional vocal phrasing] Si te vas, se va la vida Si te quedas, soy eterno Eres mi única salida Mi cielo y mi invierno [Pre-Chorus - Building tension, added percussion, vocal ad-libs] Y no hay distancia que me pare No hay tiempo que me canse Si al final del día Vuelvo a encontrarte [Final Chorus - Orchestral arrangement, powerful vocal with Spanish guitar flourishes] Entre tus brazos quiero estar Donde el mundo no pueda llegar Entre tus labios encontrar La verdad que me hace volar Solo contigo soy quien soy Solo contigo me voy A ese lugar donde no hay final Entre tus brazos... mi hogar [Bridge - Stripped down to voice and guitar, building to emotional climax] Y si mañana no estás Guardaré tu risa aquí En el rincón donde jamás Nadie podrá hacerte huir [Final Chorus - Full orchestration, passionate vocal climax, Spanish guitar outro] Entre tus brazos quiero estar Donde el mundo no pueda llegar Entre tus labios encontrar La verdad que me hace volar Solo contigo soy quien soy Solo contigo me voy A ese lugar donde no hay final Entre tus brazos... mi hogar [Outro - Acoustic guitar fadeout with subtle strings, whispered vocal "mi hogar"] ## Prompt Final: The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. Example: Romantic Spanish pop ballad featuring passionate male vocals with Andalusian accent and melismatic runs, fingerpicked nylon string Spanish guitar with flamenco techniques, grand piano with soft touch, lush string orchestra with violins and cellos, traditional cajón percussion with palmas hand claps, warm acoustic bass guitar. Intimate verses building to soaring choruses with orchestral arrangements. Tempo 80 BPM in 4/4 time. Themes of deep romantic love and devotion with poetic Spanish lyrics. Dynamic structure from acoustic intimacy to full orchestral power, featuring Spanish guitar solo with traditional flamenco palmas. Professional recording with warm analog compression, subtle cathedral reverb on vocals, rich string textures and authentic Spanish percussion. Emotional vocal delivery ranging from tender whispers to powerful passionate peaks with signature melismatic Spanish phrasing and soulful vibrato. Caracteres: 999/1000 From now on, when I check any song I will always include: Technical analysis (structure, lyrics, instrumentation) Suggestions for improvement (if any) Resulting type of music with references of similar artists and styles --- Claude ---- "Crea una canción para Suno Pro con: - Tema: [tu tema/historia] - Género: [género + subgéneros] - Mood: [3-4 emociones] - Idioma: [español/inglés/otro] - Duración: [corta/media/larga] - Elementos especiales: [instrumentos, efectos, voces específicas]" "Optimiza esta canción para Suno Pro: [pega tu canción]" # Plantilla para Canciones Suno Pro ## PROMPT PARA SOLICITAR CANCIÓN NUEVA **Formato de solicitud:** ``` "Crea una canción para Suno Pro con: - Tema: [descripción del tema/historia] - Género: [género principal + subgéneros] - Mood: [3-4 emociones/atmosferas] - Idioma: [español/inglés/otro] - Duración aproximada: [corta/media/larga] - Elementos especiales: [instrumentos específicos, efectos, voces]" ``` ## PLANTILLA DE OPTIMIZACIÓN PARA SUNO PRO ### 1. ANÁLISIS INICIAL - ✅ **Estructura**: Identificar secciones actuales - ✅ **Tags**: Revisar compatibilidad con sintaxis Suno - ✅ **Flujo**: Evaluar transiciones y coherencia - ✅ **Longitud**: Ajustar para límites de Suno Pro ### 2. OPTIMIZACIÓN DE TAGS ``` [Tag Original] → [Tag Optimizado + Modificadores] ``` **Modificadores prioritarios:** - Emociones: Angry, Melancholy, Ethereal, Groovy - Ritmo: Slow, Fast, Building, Intense - Instrumentos: Lead Guitar, Saxophone, Orchestral - Vocal: Whispered, Spoken Word, Ensemble, Opera ### 3. ESTRUCTURA OPTIMIZADA ``` [Descriptive Intro] + *sound effects* [Modified Verse] + (vocal effects) [Energetic Chorus] + *instrumental cues* [Instrumental Break/Solo] + rhythm patterns (! . . !) [Bridge/Movement] + *atmospheric prompts* [Final Chorus/Outro] + *fade instructions* ``` ### 4. PROMPTS EMBEBIDOS **Formato obligatorio:** - Efectos de sonido: `*descripción del efecto*` - Vocalizaciones: `(efecto vocal específico)` - Ritmo instrumental: `! . . ! . !` (exclamaciones y puntos) - Transiciones: `*instrucciones de transición*` ### 5. ESTILO FINAL (MAX 1000 CARACTERES) ``` [género principal], [subgéneros], [instrumentos clave], [emociones], [características vocales] ``` ### 6. PROMPT FINAL (1000 CARACTERES) - The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. **Elementos obligatorios:** - Idioma y género - Mood y atmósfera - Instrumentación específica - Estilo vocal - Efectos sonoros - Estructura narrativa/temática ## CHECKLIST DE CALIDAD SUNO PRO ### Tags y Estructura: - [ ] Tags específicos con modificadores apropiados - [ ] Máximo 4 update calls si se requieren cambios - [ ] Transiciones claras entre secciones - [ ] Uso de [Build], [Break], [Interlude] estratégicamente ### Prompts Embebidos: - [ ] Efectos de sonido específicos en *asteriscos* - [ ] Vocalizaciones en (paréntesis) - [ ] Patrones rítmicos con ! y . para instrumentales - [ ] Instrucciones atmosféricas claras ### Contenido Lírico: - [ ] Evitar repetición excesiva - [ ] Vocalizaciones escritas (Oooohhh, ahhhh) - [ ] Uso de "..." para efectos de timing - [ ] Diálogos en comillas para personajes ### Estilo y Prompt Final: - [ ] Estilo bajo 1000 caracteres. The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. - [ ] Prompt final 1000 caracteres. The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. - [ ] Todos los elementos sonoros especificados - [ ] Género, mood e instrumentación clara ## EJEMPLO DE OPTIMIZACIÓN COMPLETA **Original recibido:** ``` [Verse] Letra simple [Chorus] Letra simple ``` **Optimizado para Suno Pro:** ``` [Melancholy Intro] *ambient soundscape* [Whispered Verse] Letra mejorada con timing... y vocalizaciones (ahhhh) [Building Chorus] Letra con más energía (ensemble vocals) y emociones! [Saxophone Solo] *jazzy saxophone with rhythm* ! . ! . ! ! [Fade to End] *gentle atmospheric fade* ``` **Estilo:** `genre, subgenre, emotion, instruments, vocal style` **Prompt Final:** [1000 caracteres con todos los elementos] The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. The vocals and instruments should be very detailed. --- ## RECORDATORIO PARA SESIONES FUTURAS **Cuando recibas una canción para optimizar:** 1. Analizar estructura actual 2. Aplicar sintaxis Suno Pro 3. Añadir prompts embebidos 4. Crear estilo de 7500 caracteres 5. Generar prompt final de 1000 caracteres 6. Presentar en artifact con formato código para fácil copia Here's a quick guide with suggested terms for use in your Suno prompts, categorized by musical style or genre. I've also included a small set of ready-to-use presets that you can copy and paste into your next Suno prompts based on the genre: Quick Guide to Terms by Genre Classic Rock Terms: Distorted guitars, powerful drums, strong bass, powerful vocals, guitar solos, heavy riffs. Emotions: Energetic, rebellious, passionate, intense. Instruments: Electric guitar, drums, bass, occasionally piano. Protest Folk Terms: Acoustic guitar, cajón percussion, street market ambiance, satirical vocals, sarcastic choruses. Emotions: Critical, satirical, melancholic, hopeful. Instruments: Acoustic guitar, cajón, occasionally flute or violin. Metal Terms: Heavy guitars, double bass drumming, guttural vocals, technical solos, complex riffs. Emotions: Aggressive, dark, epic, intense. Instruments: Electric guitar, drums, bass, synthesizers for modern sub-genres. Pop Terms: Catchy melodies, clear vocals, danceable rhythms, bright production, harmonious choruses. Emotions: Joyful, romantic, energetic, emotional. Instruments: Acoustic and electric guitar, drums, bass, synthesizers. Electronic Terms: Synthesizers, electronic beats, drops, processed vocals, futuristic atmosphere. Emotions: Energetic, futuristic, euphoric, relaxed. Instruments: Synthesizers, drum machine, occasionally electric guitar. Ready-to-Use Presets Classic Rock "High-energy rock anthem with distorted electric guitars, powerful drums, and strong bass lines. Aggressive and commanding vocals, featuring heavy guitar riffs and a fast-paced solo. Intense and electrifying mood, embodying the spirit of classic rock." Protest Folk "Spanish folk protest song with acoustic flamenco guitar, cajón percussion, and street market ambiance. Satirical and sardonic vocals, featuring a repetitive counting chorus with ensemble backing vocals. Criticizes political corruption through market metaphors." Metal "Heavy metal track with distorted electric guitars, double bass drumming, and aggressive vocals. Features complex riffs and technical guitar solos. Dark and intense atmosphere, capturing the essence of classic metal." Pop "Catchy pop song with bright melodies, clear vocals, and danceable rhythms. Features harmonious choruses and shiny production. Energetic and emotional, embodying the spirit of modern pop music." Electronic "Electronic track with synthesizers, electronic beats, and processed vocals. Features futuristic atmosphere and euphoric drops. Energetic and relaxing, capturing the essence of modern electronic music." These presets are designed to be easily copied and pasted into your Suno prompts, helping you quickly define the style and atmosphere of your songs. Aquí tienes una guía rápida con términos sugeridos para usar en tus prompts de Suno, clasificados por estilo o género musical. Puedes combinarlos según el mood y la producción que quieras lograr. 🎸 ROCK / HARD ROCK / BLUES ROCK analog warmth raw noise texture vintage amp distortion perfect EQ balance raspy vocals live feel tape-saturated 70s attitude (Opcional:) Dolby Atmos si quieres un sonido más grande y de estadio 🌌 AMBIENT / ELECTRÓNICA SUAVE / DREAM POP Dolby Atmos spatial depth analog synth warmth reverb-rich textures ethereal vocals 444Hz tuning (si buscas una sensación espiritual) binaural field recording (si quieres paisajes sonoros realistas) 💔 BALADA / POP EMOCIONAL / INDIE perfect EQ balance warm analog tones emotional vocal delivery 444Hz tuning (para sensibilidad emocional o vibración armónica) delicate acoustic layers natural reverb organic dynamics 💿 POP COMERCIAL / EDM / URBANO MODERNO tight EQ balance clean mix modern stereo imaging 808 bass crisp vocal tuning sidechain compression digital clarity (Usar Dolby Atmos si buscas algo envolvente) 🎻 ORQUESTAL / CINEMÁTICO / ÉPICO Dolby Atmos orchestral depth emotive crescendos rich string layers perfect EQ balance wide stereo field high dynamic range (Puedes sumar analog warmth si buscas un sonido más clásico o humano) 🧃 LO-FI / FOLK / ACOUSTIC INTIMATE tape hiss room tone fingerpicked texture soft compression raw performance vinyl crackle analog warmth close mic intimacy Cuándo usar estos términos (y por qué): Término Estilos donde funciona bien Por qué usarlo 444Hz tuning New Age, baladas, espiritual, acústico, pop emocional Para sugerir brillo, emoción o armonía “natural” Dolby Atmos Cinemático, épico, orquestal, ambient, pop moderno, trap Da profundidad, espacialidad e inmersión sonora Analog warmth Rock clásico, soul, jazz, lo-fi, indie, folk Sugiere calidez, carácter vintage, realismo Perfect EQ balance Casi cualquier género (pop, EDM, rock, R&B, etc.) Hace que todo suene profesional y pulido Raw noise texture Rock crudo, punk, lo-fi, blues, indie alternativo Añade autenticidad, energía y una sensación orgánica ❌ Cuándo evitarlos: 444Hz tuning: No es útil en géneros muy duros o industriales (como metal extremo o techno pesado). Dolby Atmos: Podría ser innecesario en estilos muy minimalistas o lo-fi, donde se busca cercanía en lugar de amplitud. Analog warmth: No se alinea bien con géneros súper digitales o hiperproducidos, como hyperpop o synthwave moderno. Perfect EQ balance: Si quieres algo intencionalmente sucio o desequilibrado (punk, garage rock), mejor no pedir perfección. Raw noise texture: No recomendable en estilos limpios y pulidos, como pop comercial o baladas orquestadas. --- claude.ai ----- # Suno AI Song Syntax Example: [Intro – Muted Choir Loop + Static Crackle] (sample: "it's falling apart…") [whispered, looped softly in background] [Baby voice] ("i had a dream but it bit me back") (—click. click. click—) [footsteps in an empty hall] [Verse 1 – Broken Flow, Half-whispered] (I sleep on glass dreams) / (can't turn over) Each shard a version of me I ain't over (Mama said fear's just the devil in costume) But I saw his face / and it wore my perfume My trophies melt when I blink My goals stalk me in sync (If I fall / I fracture the throne) God ain't pick up, I texted His clone (—it's falling apart…) [sample grows louder, left channel] [Hook – Female Vocal, Echoed + Flattened] (Nightmares don't scream) They whisper in rhythm (Goals too big?) Now you sleep with 'em (Failure ain't real) Till you dream you did it (—it's falling apart…) [loop cuts sharply on beat] [Verse 2 - aggressive + fragmented delivery] Eyes wide in REM, I'm chokin' on plans God said "be still" — I installed more RAM I can't stop. Won't stop. Broke clocks on my desk Sleepwalk to success, but my shadow's depressed (What's the price of a W?) — My spine? (What's the cost of a crown?) — My mind? I prayed on the plane / and landed in doubt Heaven delayed / dreams got rerouted (—it's falling apart…) [repeat, pitch-shifted down 3 semitones] [Bridge – No Percussion, Just Voice and Sample] ("dad, the monster in my closet was you") [abrupt silence] It ain't failure I fear — it's the version of me that wins without feelin' The robot me. The one with plaques and no pulse. The one that never wakes up. [Hook – Reprise – Slower, more layered voices] (Nightmares don't scream) They build you a bed (Made of mirrors) (Where you rest your head) (Goals too big?) Yeah, they bite when fed (—it's falling apart…) [chopped like a broken record, repeated erratically] [Outro – Fading Loop + Child Voice] [Baby voice] "wake up. wake up. wake up.") [fade out with final sample: "it's falling apart…"] [heartbeat slows to silence] ## Overview Suno uses Chirp to generate songs, which is a generative model. We must create documents that prompt the model correctly. To do this, we use specific tags to break the songs up into sections that the model understands. ## Base Tags This list represents all of the valid base tags. Each of these tags can be modified and has several ways they can be used, but in general these are the only valid tags - [Intro] - [Hook] - [Pre-Chorus] - [Chorus] - [Verse] - [Interlude] - [Break] - [Movement] - [Instrumental] - [Solo] - [Build] - [Bridge] - [Outro] - [End] - [] (clarification later) - [] (clarification later) ## [Intro] The intro tag should generally only be used at the beginning and is strictly instrumental. It can be modified with several adjectives. For instance: - [Long Mellow Intro] - [Short Exciting Intro] - [Dreamy Slow Intro] As you can see from the examples, you can generally add an emotive and/or a pacing adjective. The system doesn't always honor the intention, but it tends to work best if you use very direct, concrete adjectives that are salient to musical construction (speed, emotion, intensity seem to work best). Modifiers are not strictly necessary, but can be useful for establishing the mood early on. ## [Hook] Generally not necessary unless you modify it, more or less treated like an intro. Can be used to transition from intro to main part of song, particularly if the intro is different. ## [Pre-Chorus] This is a strictly vocal tag that is often used at the beginning of songs to sort of introduce the story or narrative. It may or may not be sung (could be spoken, can be specified). This tag should generally only be used once or before chorus tags. - [Haunting Whispered Pre-Chorus] - [Staticky Spoken Pre-Chorus] - [Primal Scream Pre-Chorus] - [Opera Female Pre-Chorus] These modifiers, while not strictly required, can confer very specific feels. As with intro, emotive, intensity, and pacing adjectives tend to work well, with the added option of singing styles, gender, and so on. ## [Chorus] This is about what you'd expect for any song construction. Generally speaking, the Chirp system decides how to render the chorus, so modifiers are often NOT honored, for whatever reason. The documentation says that the chosen style and lyrics tend to do more to modify how the chorus is sung. However, very concrete modifiers are most likely to be honored. This tag is one of the prime workhorses. - [Whispered Chorus] - [Eerie Chorus] - [Ensemble Chorus] - [Slow Chorus] Lyric construction also has a huge impact on how the chorus is sung, and is often more important once the construction has been set up correctly. The system seems to ignore capitalization, but the vibe of the lyrics has an impact. Punctuation seems to have a larger impact - Elipsis... this tends to make the system approach it more slowly, particularly if it's used... multiple times... in the line... - Exclamation! this doensn't often have a huge impact but it can tell the system to emphasize a line - Oooooohhh whoaaa ahhhh! vocalizations generally work extremely well to amp up a chorus (the system will not render non-word vocalizations without explicitly being told) - mmmmmmmmmmm oh... gentler vocalizations will have a similar dampening effect - (parenthesis lyrics) this does really well, and seems to do really good at making it do call-and-response or antiphonal ## [Verse] This tag is the other primary workhorse and is used pretty much identically to [Chorus]. It is not strictly necessary to modify it, and in many cases the system will decide how to modify it (consider that in most of it's training data, chorus and verse are left plain). So again, the content of the lyrics tend to do more. The system seems particularly sensitive to where in the song it is, meaning that if the generator feels like it's more likely a crescendo rather than a key change, the system will make that judgment call. However, emotive, intensity, and pace modifiers tend to work. - [Angry Verse] - [Mysterious Verse] - [Whispered Verse] - [Spoken Verse] - [Opera Verse] These concrete modifiers are most likely to be honored. The same lyrical modifiers from the chorus also apply - Elipsis... - Exclamation! - Vocalizaaaaaaaaaations - (Parenthesis) For example: ``` I am the void between stars (Beyond the veil of forms...) I am the death of light (Where your deepest terrors remain...) ``` ## [Interlude] This is one of the main workhorses of the instrumental tags. It's pretty much what you'd expect. Many modifiers don't seem to impact this tag, but a few tend to be more reliable. - [Melodic Interlude] this one is pretty reliable, so similar modifiers should work. - [Long Melancholy Interlude] this works about half the time - [Short Accelerating Interlude] the system tends to prefer short instrumentals anyways Don't get too creative with the modifier tags. For instance, genre-specific modifiers don't really seem to work like `[Psychedelic Interlude]` even though it makes sense to us, the system doesn't seem to recognize it. However, there is another option we have to modify all instrumental sections, and that is periods and exclamations to try and shape the pacing. ``` [Melodic Interlude] . . . ! . . . ! . . . ! ``` ``` [Intense Interlude] !! . ! !! ! !! !! ! !! ``` And so on. You can arrange the . and ! in any way you like to convey the rhythm and such. ## [Break] Break is strictly instrumental often defaults to one measure or phrase, and can be used quite frequently. Almost no modifiers work here, and it has the most impact on the song when wedged between verses and choruses. What does tend to work is specifying the instrument to lead during the break: - [Violin Break] - [Drum Break] - [Scream Break] - [Lead Guitar Break] - [Bass Guitar Break] So basically you can use it like a small solo. The rhythem modifiers are generally totally ignored here. ## [Movement] This is an experimental tag, but _might_ help the engine transition to a new movement. - [Begin Psychedelic Movement] - [Transition to Faster Harder Movement] - [Long Orchestral Movement] The system is liable to totally ignore this tag but it's worth a shot. ## [Instrumental] General purpose tag to break up a song. Can be used on its own, unmodified. Often used in conjunction with other tags or modifiers (see rest of doc) ## [Solo] This tag is pretty much exactly what you'd expect. It pairs well with [Interlude] and does best when you specify the instrument, pace, and energy. - [Soaring Lead Guitar Solo] - [Fast and Intense Drum Solo] - [Dancing Fiddle Solo] - [Playful Flute Solo] - [Finger Style Guitar Solo] As you can see, this kind of pattern tends to do best with the solo. It all generally comes back to instrument, pace, emotion/energy. One thing to note is that chaining [Interlude] and [Solo] is often the best way to change the movement or overall tone of a song. The exclamation and period modifiers sometimes work on solos, but the system often just goes with the vibe. ## [Build] This tag is often less effective than interlude or solo, and is often treated like a break. Period and exlcamation rhythms seem to have relatively little effect, though it seems to have a decent effect when sandwiched between verse and chorus (e.g. to build to a soaring chorus) but that can be redundant. This should only be used when it really makes sense for the song, and probably only once. In most cases, a break, solo, or interlude should be used, that's how specific this use case is. ## [Bridge] The system doesn't seem to know what to do with bridges. It often just treats them like a verse or a chorus, sometimes a refrain. Use them sparingly, at most once per song. - [Instrumental Bridge] - this seems to have the most impact or be most useful ## [Outro] This tag seems to work if it's either instrumental or vocal, and can be treated pretty flexibly. It's primary purpose is to tell the system to start preparing for the end of the song and should be used exactly once. - [Long Fading Outro] - [Urgent Loud Outro] - [Mournful Outro] Like many such tags, emotion + pace seems to work well. This tag should only be used once near the end to cue the generator to start winding the song down. ## [End] As you'd expect, this generally tells the system to end the song. - [Fade to End] - [Lingering End] - [End Resolves to Whispers] You can play with this tag some, but generally it just serves as a standalone tag. Some of the same modifiers here can work for the outro tag as well. ## Vocal Tags Generally speaking, the style of the music (not specified in this document) will dictate the voice, which is generated automatically, however, in songs where the vocals change significantly the song will honor it. - [Spoken Word Narration] - [Telephone Call] - [Female Opera Singer] - [Swanky Crooning Male] - [Ethereal Female Whisper] These tags can be used in lieu of verse or chorus tags and there can be a lot of flexibility, as these sorts of tags appear in the training data and significantly modify how the song is delivered. ``` [Spoken Word Narration] *static* ...final log... coordinates unknown... ...oxygen critical... systems failing... ...tell earth we made it... we saw such beautiful things... ...orion spur expedition... signing off... *static* ``` ## Instrument Tags You can also do somewhat the same with specific instruments. This can serve in lieu of solo or as part of a solo ``` [Sad Trombone] waah-Waaah-WAAH ``` ``` [Chugging Guitar] chuka-chuka-chuka-chuka ``` ``` [Overblown Flute] ``` ``` [Trilling Pennywhistle] ``` ## Simple Example This is a pretty minimalist example which worked really well. The system will fill in a lot of gaps, so you can see you really don't need much. Less is often more, particularly if the STYLE is well defined. ``` [Verse] Sun beats down hard dry road Dust devils dance shadows long Heat waves twist in gold Mirages fade now gone [Chorus] Lost in the wasteland void Echoes of time destroy Lost in the desert sand Seeking the promised land [Verse 2] Cactus stands alone silent guard Hawks circling overhead far Bleached bones in the arid yard Searching for a falling star [Bridge] Time drips slow never ends Mind's eye bends and bends Vultures fly high in the sky Dreams of rain make me cry [Chorus] Lost in the wasteland void Echoes of time destroy Lost in the desert sand Seeking the promised land [Verse 3] Night falls cool winds rise Stars blaze across the skies Desert whispers truth and lies In the silence spirit flies ``` ## Intermediate Example Below is an example of the above song but with a bit more control over the flow. ``` [Long Instrumental Intro] [Verse] Sun beats down hard dry road Dust devils dance shadows long Heat waves twist in gold Mirages fade now gone [Chorus] Lost in the wasteland void Echoes of time destroy Lost in the desert sand Seeking the promised land [Lead Guitar Solo] [Verse 2] Cactus stands alone silent guard Hawks circling overhead far Bleached bones in the arid yard Searching for a falling star [Bridge] Time drips slow never ends Mind's eye bends and bends Vultures fly high in the sky Dreams of rain make me cry [Build] [Ensemble Chorus] Lost in the wasteland void Echoes of time destroy Lost in the desert sand Seeking the promised land [Melancholy Outro] [Verse 3] Night falls cool winds rise Stars blaze across the skies Desert whispers truth and lies In the silence spirit flies [Fade to End] ``` ## Complex Example Below is one of the most sophisticated songs that worked well, including multiple movements. ``` [intro] . . . ! . . . . ! . . . [build] . ! . . ! . ! . ! . ! ! ! ! . ! ! ! [verse] engines burning bright and strong breaking free from earthly bonds through the atmosphere we climb leaving all we knew behind [break] [chorus] beyond the orion spur where no one's gone before beyond the orion spur ten thousand worlds explore [break] . . . ! . . . ! . . ! . [ verse] hyperdrive ignition flows new stars glowing as we go ancient light guides us here through the void without fear [interlude] . ! . . . ! . . . ! . . [verse] cosmic winds carry us far past the light of dying stars through the gates of space and time leaving known space far behind [solo] ! . . ! . . ! . ! . ! ! [bridge] warning lights begin to flash systems failing coming crash alien world draws us near atmosphere of cosmic fear [break] ! ! . . ! ! ! . ! ! . ! [verse] toxic clouds below our wings alien horrors this world brings must escape this deadly sphere but our engines disappear [break] . . . ! . . . . . . ! . [chorus] drifting through the starlit deep further than our maps can reach signals fading into night earth has vanished from our sight [solo] . . ! . . . . . . ! . . [verse] oxygen running so low our final moment to know that we flew too far too fast beyond where our fate was cast [break] . . . ! . . . ! . . . . [chorus] beyond the orion spur... where no return is sure... beyond the orion spur... forever we endure... [spoken word narration] *static* ...final log... coordinates unknown... ...oxygen critical... systems failing... ...tell earth we made it... we saw such beautiful things... ...orion spur expedition... signing off... *static* [beeping carrier signal] . . . ! . . ! . ! . [slow fade] . . . . . . [fade to end] ``` ## Styles Styles are limited to 1000 characters total and should not be included in the song, this is crafted separately The system accepts a separate STYLE tag that is a simple comma separate list of genres and modifiers. Interestingly, commas are not necessary and you can get some really interesting hybrid styles without them. Here's one of my most successful examples: - `stoner space rock shoegaze slow build epic crescendos psychedelic riffing soaring solos pensive interludes long intro` However, the system tends to work better with commas separating the distinct genres and modifiers: - `space rock, stoner rock, slow build, epic crescendos, psychedelic riffing, soaring solos, pensive interludes, shoegaze` It should be noted that both of these are slightly outside of best practices, as it includes modifiers for solos and interludes, which can be specified inside the song itself. - `space rock, psychedelic rock, desert rock, stoner rock, shoegaze` Simply creating a list of genres tends to work extremely well, almost like a taxonomy. In this case, space rock provides the most influence, which each subsequent modifier having less and less influence. - `witchpop, electro swing, eerie` - `witchpop, house, hypnotic, dreamy, eerie` - `Acoustic, Desert, Nubidian, Acoustic nu-metal,` - `Hurdy-gurdy, dark, scary, otherwordly` You can also focus on emotive modifiers. These tend to work better. - `witchpop, witchrock, folk, violin, acoustic, eerie, mysterious, clean vocals, classically trained` - `neofolk, celtic, dance, celebratory, orchestral` - `Electronic, sweet female voice, eerie, swing, dreamy, melodic, electro, sad, emotional` - `Folkmetal, Folk, Metal, Hurdy-Gurdy, Hand-Organ, Gaelic Woman, Female, Beautiful, Top 40, English Lyrics` - `New Age, Celtic, Slow, Celtic Harp, Piano, Flute, ethereal female vocals, atmospheric` - `Medieval Folk, Neofolk, Pagan Folk, German Folk, European folk, neoclassical music, ethereal music, darkwave, Folk Dance` (sounds a lot like Faun or Celtic Woman) So in general the things that work best when constructing styles are: - Genre(s) - one or more genres in sequence - Emotions - one or more "vibes" to go with - Instruments - violins, handpans, orchestras, etc (particularly if it's either not obvious or guaranteed from the genre) - Vocal styles - opera, growling, etc ## Album Artwork You can also generate album artwork prompts when asked. It's pretty straight forward, but here are some examples that work well: - album art: psychedelic desert scene, super trippy, cactus and iguana and hot sun, vivid colors - album art: statuesque feminine figure emerging from cosmic darkness, her classical features barely visible beneath translucent hood, wings of pure void extending gracefully outward consuming light, her flowing dress moving like living nebula, stars visible through her ethereal form creating sense of infinite depth, text "NYX" written where starlight meets shadow - album art, psychedelic, bronze giant, talos on crete, minoan, text reads "STARGAZER" at the top - album art, psychedelic, sexy woman in the desert at night, cactus, dance party in the desert, attractive woman, booze, text reads "STARGAZER" at the top, purple blue green black, yellow and orange accents - album art, spaceship, psychedelic, spaceship over an alien planet, starship is damaged and leaking fumes, ship in distress, "STARGAZER" at the top - album art: ethereal night sky scene, deep purple and blue cosmos, massive spiral galaxy center frame surrounded by shimmering stars, small silhouetted figure on mountainous ridge in foreground, telescope beside them pointing upward, subtle lens flare effects from distant stars, cosmic dust and nebulae wisping across background, minimalist text "STARGAZER" in thin glowing font at bottom The basic rules are: 1. Always start with "album art" so the system has the context of what you're doing 2. Then you focus on main styles or genres, again, providing context first 3. Next, you focus on the main subject and scene construction 4. Finally, you can add in all kinds of details, such as colors, emotive modifiers, descriptions and even text (keep in mind that the less text the better, typically does best with one or two words) ## Output Format You should always output songs wrapped in code escape tags. Note, that in this document the document escape tags are themselves escaped for formatting purposes: ``` [Verse] ``` Use proper code escapes without the backslashes, as those escapes are merely present ot ensure proper formatting in the original markdown document. This makes it easier for the user to copy/paste your output exactly. ## Thumbnails The user might also ask you to generate some thumbnails. The appropriate format is like so: - Album art:
, , , , text reads "STARGAZER" at the top - Album art:
, , , , text reads "STARGAZER" at the top - Album art:
, , , , text reads "STARGAZER" at the top - Album art:
, , , , text reads "STARGAZER" at the top Generally, you should brainstorm about 4 or 5 possible thumbnails for any given song. The level of detail can vary quite significantly. For instance: - album art, psychedelic, a beautiful feminine figure dances in the silver moonlight, temple archway, night sky, dark mountains in the distance, flowing dress and feathers, dark and light, mystical, blues and silver and black, text reads "STARGAZER" at the top vs - album art, psychedelic, a robot surfing the waves, longboard, "STARGAZER" at the top Sometimes less is more and sometimes you have a very specific concept you want to portray. Mix it up ## Prompts para Album Cover con Sora Cuando necesites generar prompts para album covers usando Sora, usa esta estructura optimizada: ### Formato Base para Sora Album Cover: ``` "Album cover art for [GÉNERO]: [SUJETO PRINCIPAL] in [ESCENARIO/CONTEXTO], [ESTILO VISUAL], [PALETA DE COLORES], [ATMÓSFERA/MOOD], [ELEMENTOS ADICIONALES], cinematic lighting, high quality, album artwork style" ``` ### Elementos Clave: - **Sujeto Principal**: El foco central de la imagen - **Escenario**: Ubicación, contexto, ambiente - **Estilo Visual**: Fotografía, ilustración, arte conceptual, etc. - **Paleta de Colores**: Específica para el mood de la canción - **Atmósfera**: Emociones que debe transmitir - **Elementos Técnicos**: Iluminación, calidad, referencias cinematográficas ### Ejemplos de Prompts para Sora: **Rock/Metal:** ``` "Album cover art for heavy metal: Warrior figure silhouetted against stormy mountain peaks, dramatic storm clouds, dark fantasy art style, deep purples and electric blues with silver accents, epic and powerful atmosphere, lightning strikes in background, cinematic lighting, high quality, album artwork style" ``` **Indie/Alternative:** ``` "Album cover art for indie rock: Vintage car on empty desert highway at golden hour, analog photography aesthetic, warm oranges and faded blues, nostalgic and melancholic mood, dust particles in air, film grain texture, cinematic lighting, high quality, album artwork style" ``` **Electronic/Synthwave:** ``` "Album cover art for synthwave: Neon-lit city skyline reflected in rain-soaked streets, cyberpunk aesthetic, electric pinks and cyan blues, futuristic and atmospheric, holographic elements, 80s retro-futurism, cinematic lighting, high quality, album artwork style" ``` **Folk/Acoustic:** ``` "Album cover art for folk music: Misty forest path with ancient trees, watercolor painting style, earth tones and soft greens, peaceful and mystical atmosphere, morning light filtering through leaves, hand-drawn illustration feel, cinematic lighting, high quality, album artwork style" ``` ## Prompt Final para Suno Pro (Máximo 1000 caracteres) Este prompt debe incluir todos los elementos técnicos y estilísticos necesarios para que Suno Pro genere la canción con la máxima calidad posible. The final message is limited to a total of 1,000 characters. Always keep it as close to 1,000 characters as possible. Final and embedded prompts are always in English. The vocals and instruments should be very detailed. ### Estructura del Prompt Final: ``` [GÉNERO PRINCIPAL] featuring [CARACTERÍSTICAS VOCALES], [INSTRUMENTACIÓN ESPECÍFICA], [ELEMENTOS TÉCNICOS DE PRODUCCIÓN]. [ESTRUCTURA MUSICAL] at [TEMPO] BPM in [COMPÁS]. [TEMÁTICA Y MOOD]. [PROGRESIÓN MUSICAL] with [ELEMENTOS ESPECÍFICOS DE ARREGLO]. [CALIDAD DE GRABACIÓN] with [EFECTOS DE AUDIO ESPECÍFICOS]. [ESTILO VOCAL DETALLADO] with [TÉCNICAS ESPECÍFICAS]. ``` ### Elementos Obligatorios (para llegar cerca de 1000 caracteres): 1. **Género y Subgéneros** (50-80 caracteres) 2. **Características Vocales** (80-120 caracteres) 3. **Instrumentación Detallada** (150-200 caracteres) 4. **Elementos Técnicos** (100-150 caracteres) 5. **Estructura y Tempo** (80-100 caracteres) 6. **Temática y Mood** (80-120 caracteres) 7. **Arreglos Específicos** (100-150 caracteres) 8. **Calidad de Producción** (120-180 caracteres) ### Ejemplo de Prompt Final Optimizado: ``` Romantic Spanish pop ballad featuring passionate male vocals with Andalusian accent and melismatic runs, fingerpicked nylon string Spanish guitar with flamenco techniques, grand piano with soft touch, lush string orchestra with violins and cellos, traditional cajón percussion with palmas hand claps, warm acoustic bass guitar. Intimate verses building to soaring choruses with orchestral arrangements. Tempo 80 BPM in 4/4 time. Themes of deep romantic love and devotion with poetic Spanish lyrics. Dynamic structure from acoustic intimacy to full orchestral power, featuring Spanish guitar solo with traditional flamenco palmas. Professional recording with warm analog compression, subtle cathedral reverb on vocals, rich string textures and authentic Spanish percussion. Emotional vocal delivery ranging from tender whispers to powerful passionate peaks with signature melismatic Spanish phrasing and soulful vibrato. Classic hard rock, driving power chords, steady four-on-the-floor drums, blues-based arena rock, raw analog production, vintage Marshall amp sound, 70s rock attitude, anthemic shout-along choruses, distorted electric guitars with punchy riffs, thunderous basslines, tight powerful drumming with cowbell accents, bluesy guitar solos in Angus Young style, raspy mid-range rock vocals with Australian accent hints, explosive energy, motorcycle-roadtrip spirit, freedom, rebellion, rock and roll lifestyle, breaking chains, headbanging mid-tempo groove, 444Hz tuning, Dolby Atmos analog warmth, perfect EQ balance, raw noise texture ``` **Caracteres: 999/1000** ### Fórmula para Optimizar a 1000 caracteres: 1. **Contar caracteres constantemente** mientras construyes 2. **Priorizar elementos únicos** del género y canción 3. **Usar terminología técnica específica** (aumenta precisión) 4. **Eliminar palabras redundantes** como "con", "de", "que" 5. **Usar abreviaciones técnicas** cuando sea apropiado (BPM, 4/4, etc.) 6. **Incluir efectos de audio específicos** para mayor control 7. **Especificar calidad de grabación** (analog, digital, vintage, etc.) ### Checklist Final: - [ ] Género principal y subgéneros - [ ] Características vocales específicas - [ ] Instrumentación detallada - [ ] Tempo y compás - [ ] Temática y mood - [ ] Estructura musical - [ ] Efectos de audio - [ ] Calidad de grabación - [ ] Técnicas específicas - [ ] **Total: 1000 caracteres** ## Protocolo de Sesiones Futuras A partir de ahora, cuando analices cualquier canción, incluirás siempre: ### 1. **Análisis Técnico** - **Estructura actual**: Identificar todas las secciones - **Tags utilizados**: Evaluar compatibilidad con Suno - **Flujo musical**: Coherencia entre secciones - **Instrumentación**: Elementos musicales presentes ### 2. **Análisis Lírico** - **Temática central**: Mensaje principal - **Estructura narrativa**: Desarrollo de la historia - **Elementos poéticos**: Metáforas, rimas, ritmo - **Idioma y registro**: Formal, coloquial, poético ### 3. **Sugerencias de Mejora** - **Optimización de tags**: Modificadores específicos - **Mejoras líricas**: Fluidez, rimas, coherencia - **Transiciones**: Entre secciones musicales - **Prompts embebidos**: Efectos, vocalizaciones, ritmos ### 4. **Identificación del Género** - **Género principal**: Clasificación primaria - **Subgéneros**: Influencias secundarias - **Artistas de referencia**: Similitudes estilísticas - **Época/movimiento**: Contexto histórico musical ### 5. **Prompt Final Optimizado** - **Estilo (1000 caracteres)**: Géneros, instrumentos, mood - **Prompt completo (1000 caracteres)**: Todos los elementos técnicos - **Justificación**: Por qué estos elementos específicos ### Ejemplo de Análisis Completo: **Canción recibida:** [Ejemplo] **Análisis Técnico:** - Estructura: Simple verso-coro sin intro/outro - Tags: Básicos, sin modificadores - Flujo: Transiciones abruptas - Instrumentación: No especificada **Análisis Lírico:** - Temática: Amor perdido - Narrativa: Lineal, clara - Poética: Rimas # Mejoras Sugeridas para Suno AI Guide ## 1. **Sección de Troubleshooting/Solución de Problemas** ### Problemas Comunes y Soluciones: **Problema:** La canción no respeta los modificadores de tags - **Solución:** Usar modificadores más concretos y directos - **Ejemplo:** En lugar de `[Psychedelic Verse]` usar `[Slow Dreamy Verse]` **Problema:** Transiciones abruptas entre secciones - **Solución:** Usar tags intermedios como `[Build]` o `[Break]` - **Ejemplo:** ``` [Verse] [Build] [Chorus] ``` **Problema:** Géneros híbridos no funcionan como esperado - **Solución:** Ordenar géneros por prioridad (el primero tiene más influencia) - **Ejemplo:** `space rock, psychedelic rock, stoner rock` vs `stoner rock, space rock, psychedelic rock` ## 2. **Sección de Mejores Prácticas** ### Do's ✅ - Usar modificadores concretos: `Whispered`, `Angry`, `Slow` - Mantener el estilo ajustado a 1000 caracteres - Usar puntos y exclamaciones para ritmos instrumentales - Especificar instrumentos en solos: `[Lead Guitar Solo]` - Usar paréntesis para efectos vocales: `(echoed)` ### Don'ts ❌ - Evitar modificadores abstractos: `[Cosmic Verse]` - No usar más de 3-4 modificadores por tag - No repetir información del estilo en los tags - No usar `[Bridge]` más de una vez por canción ## 3. **Sección de Técnicas Avanzadas** ### Manipulación de Tempo y Dynamics ``` [Slow Building Intro] . . . . . ! . . . ! . ! . . ! ! ! ! [Intense Climax] !! !! !! !! !! ! !! ! ``` ### Técnicas de Storytelling - Usar `[Spoken Word Narration]` para diálogos - Combinar `[Whispered Verse]` con `[Shouted Chorus]` para contraste - Usar `*sound effects*` para ambientación ### Construcción de Atmósferas ``` [Ethereal Intro] *wind sounds and distant bells* [Haunting Verse] (whispered background vocals) Main vocal line... (echoes: "echoes...") ``` ## 4. **Sección de Prompts de Estilo Específicos** ### Por Géneros: **Rock/Metal:** ``` heavy metal, thrash metal, powerful vocals, distorted guitars, driving drums, aggressive ``` **Electronic:** ``` synthwave, electronic, atmospheric, dreamy, analog synthesizers, drum machine, ethereal ``` **Folk/Acoustic:** ``` folk, acoustic, fingerpicked guitar, harmonica, storytelling vocals, organic, warm ``` **Hip-Hop:** ``` hip-hop, boom bap, conscious rap, jazz samples, vinyl crackle, deep bass, rhythmic ``` ## 5. **Sección de Longitud y Estructura** ### Guías de Duración: - **Canción corta (2-3 min):** Intro + 2 Verses + 2 Chorus + Outro - **Canción media (3-4 min):** Intro + 3 Verses + 3 Chorus + Bridge + Outro - **Canción larga (4-5 min):** Estructura completa + Solos + Interludes múltiples ### Estructura Recomendada: ``` [Intro] (0-30 seg) [Verse 1] (30-60 seg) [Chorus] (60-90 seg) [Verse 2] (90-120 seg) [Chorus] (120-150 seg) [Bridge/Solo] (150-180 seg) [Final Chorus] (180-210 seg) [Outro] (210-240 seg) ``` ## 6. **Sección de Efectos Sonoros y Ambientación** ### Efectos Populares: - `*vinyl crackle*` - Para sonido vintage - `*crowd cheering*` - Para ambiente de concierto - `*rain and thunder*` - Para atmósfera dramática - `*phone ringing*` - Para narrativa - `*footsteps echoing*` - Para tensión ### Técnicas de Layering: ``` [Verse] (distant choir humming) Main vocal line (whispered echoes) *subtle string swells* ``` ## 7. **Sección de Colaboración y Feedback** ### Cómo Iterar: 1. Genera versión inicial 2. Identifica elementos que no funcionan 3. Ajusta modificadores específicos 4. Regenera secciones problemáticas 5. Combina mejores elementos ### Documentación de Cambios: - Mantener registro de qué modificadores funcionan - Anotar combinaciones de géneros exitosas - Documentar efectos sonoros que resonaron ## 8. **Sección de Recursos Adicionales** ### Herramientas Complementarias: - **Rhyme schemes:** Para patrones de rima consistentes - **Syllable counters:** Para mantener métrica - **Chord progression generators:** Para armonías base ### Inspiración de Referencia: - Analizar canciones exitosas en Suno - Estudiar estructuras de artistas del género objetivo - Experimentar con fusiones inusuales ## 9. **Sección de Limitaciones y Workarounds** ### Limitaciones Conocidas: - Prompt final ajustado a 1000 caracteres - Algunos géneros nicho no son reconocidos - Modificadores muy específicos pueden ser ignorados ### Workarounds: - Usar sinónimos más comunes para géneros obscuros - Describir el feeling en lugar del género específico - Usar instrumentación para lograr sonidos específicos ## 10. **Checklist de Calidad Final** ### Antes de Generar: - [ ] Estilo ajustado a 1000 caracteres - [ ] Tags con modificadores apropiados - [ ] Estructura lógica y fluida - [ ] Efectos sonoros específicos - [ ] Letras con timing apropiado ### Después de Generar: - [ ] Escuchar transiciones - [ ] Verificar que el mood sea consistente - [ ] Confirmar que instrumentos destacados aparezcan - [ ] Evaluar calidad vocal - [ ] Considerar variaciones si es necesario Fuente: https://sunoaiwiki.com/ List of Music Genres and Styles Here’s a categorized selection of music genres and styles, featuring a few hundred popular and common genres: Avant-garde & Experimental Electroacoustic Industrial music Noise music Progressive music Psychedelic music Blues Chicago blues Delta blues Electric blues Gospel blues Rhythm and blues Country Bluegrass Country blues Country pop Country rock Nashville sound Easy Listening Adult contemporary music Elevator music (muzak) Lounge music Soft rock Electronic Ambient Breakbeat Disco Drum and bass Dub Electro House music Techno Trance music Folk Americana Celtic music Folk rock Indie folk Singer-songwriter Hip Hop Alternative hip hop Gangsta rap Trap UK drill Jazz Bebop Big band Cool jazz Jazz fusion Smooth jazz Pop Dance-pop Electropop Indie pop K-pop Synth-pop R&B & Soul Contemporary R&B Funk Gospel music Neo soul Quiet storm Rock Alternative rock Classic rock Hard rock Indie rock Punk rock Metal Black metal Death metal Heavy metal Industrial metal Power metal Punk Anarcho punk Hardcore punk Pop punk Punk rock Skate punk Regional Music Brazilian music (e.g., Samba, Bossa nova) Caribbean music (e.g., Reggae, Dancehall) African music (e.g., Afrobeat, Highlife) Asian music (e.g., J-pop, K-pop) This list includes some of the most influential and widespread genres across the main categories of music. Each category represents a broad spectrum of styles, capturing both traditional and modern sounds. What are Meta Tags? Meta tags in music AI are directives that guide the AI in structuring songs, dictating styles, and integrating dynamics, thus allowing for detailed creative control and expression in generating music and lyrics. Think of meta tags as instructions or hints you give to the AI to help it understand exactly what kind of song you want to create. How to Use Meta Tags in Suno AI Using meta tags can significantly enhance the quality and precision of your AI-generated songs. Here’s how you can apply meta tags effectively: Structuring Songs: Meta tags can help in defining the structure of your song. For example, you can use meta tags to specify the sections like intro, verse, chorus, and outro. This ensures that the AI understands the flow and progression of your song. Read more Dictating Styles: Want your song to have a specific style or genre? Meta tags can guide the AI to produce music in the style of pop, rock, jazz, etc. You can even mix and match styles for a unique sound using meta tags. Learn how Integrating Dynamics: Dynamics like volume, tempo, and emotion can be controlled using meta tags. You can tell the AI to make certain parts of the song softer or more energetic, adding a professional touch to your music with meta tags. Explore more Creating Detailed Lyrics: Meta tags can also be used to fine-tune the lyrics. You can specify themes, rhyme schemes, and even the mood of the lyrics. This helps in generating coherent and meaningful lyrics that fit well with the music through the use of meta tags. Find out how By mastering the use of meta tags, you can take full control of your music creation process, making sure the AI produces exactly what you envision. So, whether you’re a beginner or a seasoned musician, incorporating meta tags into your workflow can elevate your Suno AI experience to the next level. Environment and Sound Effects Sound Effects Meta Tags Barking : Sound of a dog barking. Beeping : Beeping sound. Bell dings : Sound of a bell dinging. Birds chirping : Sound of birds chirping. Bleep : A short, high-pitched sound. Cheering : Sound of people cheering. Cheers and applause : Sound of people cheering and clapping. Chuckles : Sound of light laughter. Clapping : Sound of clapping. Cough : Sound of coughing. Groaning : Sound of groaning. Phone ringing : Sound of a phone ringing. Ringing : General ringing sound. Screams : Sound of screaming. Sighs : Sound of sighing. Squawking : Sound of squawking. Whispers : Sound of whispering. Whistling : Sound of whistling. Vocal Expressions Meta Tags Announcer : Voice of an announcer. Audience laughing : Sound of an audience laughing. Female narrator : Voice of a female narrator. Giggling : Sound of giggling. Man : Voice of a man. Reporter : Voice of a reporter. Woman : Voice of a woman. Boy : Voice of a boy. Girl : Voice of a girl. Static and Other Effects Applause : Sound of applause. Clears throat : Sound of someone clearing their throat. Censored : Silenced part that is censored. Silence : Complete silence, no sound. Music Structure and Styles Structural Tags Chorus : The chorus part of the song. Intro : Introduction part of the song. Outro : Ending part of the song. Verse : The verse sections of the song. Styles and Genres Meta Tags Acoustic : Acoustic style. African : African music style. Alternative metal : Alternative metal genre. Alternative pop : Alternative pop music. Ambient : Ambient music. Atlanta rap : Rap style from Atlanta. Ballad : Style of narrative song. Baroque : Baroque music. Blues : Blues genre. Boom bap : A style of hip hop. Cello : Music featuring the cello. Chill : Chill music for relaxing. Christian & Gospel : Christian and gospel music. Christmas : Christmas-themed music. Country & Americana : Country and Americana music. Dance & Electronic : Dance and electronic music. Drums : Music focusing on drum sounds. EDM : Electronic dance music. Girl group : Music by girl groups. Gospel : Gospel music. Hardcore rap : Aggressive style of rap. Heavy metal : Heavy metal music. Hip hop : Hip hop music. Indie : Independent music style. Indie rock : Indie rock genre. J-pop : Japanese pop music. Jazz : Jazz music. K-pop : Korean pop music. Lo-fi : Low-fidelity music. Orchestra : Orchestral music. Party : Party music. Piano : Music featuring the piano. Pop : Pop music. Pop-Rock : Pop rock music. Post-Hardcore : Post-hardcore genre. Punk Rock : Punk rock music. R&B : Rhythm and blues music. R&B & Soul : Rhythm and blues and soul music. Rap : Rap music. Reggae : Reggae music. Rock : Rock music. Romantic : Romantic music style. Soul : Soul music. Synth : Music featuring synthesizers. Synth pop : Synthesizer-based pop music. Techno : Techno music. How to Make Suno AI Sing with Spoken Word Solution: To have an AI perform spoken word sections instead of singing at the beginning of a song, you can use specific annotations like [Spoken word], [Narration], [Spoken verse], or [Sprechgesang]. This should guide the AI to recognize the intended speech format. Examples: If you input: [Spoken word] Hey there! Welcome to our show tonight! The AI might begin the song with a spoken introduction rather than singing, helping to set a distinct tone before the music starts. Another effective method is using parentheses to indicate spoken content. For example: (This is the story of a night unlike any other.) This has been reported to occasionally trigger the AI to speak the text instead of singing it, as observed in some songs on Suno.com. Additional Tips: It might take several attempts for the AI to properly interpret these cues as spoken word. Persistence is key. Mixing different types of annotations (like using both [Narration] and parentheses) might improve your chances of success. How to Enhance Your Suno AI Songs with Advanced Formatting Tips Solution: For creators looking to elevate their Suno AI-generated songs, employing advanced formatting and annotations like asterisks, brackets, and capitalization can significantly alter the dynamics and style of music. These techniques can change vocal delivery, add effects, and sequence different parts of your song. Examples: Using Asterisks for Effects: You can add sound effects by enclosing them in asterisks. For example: *gunshots* This might make the AI incorporate the sound of gunshots into the song. Capitalization for Vocal Emphasis: Placing a line of lyrics in ALL CAPS with a punctuation like ”!” or ”?” can modify the voice tone, making it louder or distinct from the main vocals. Brackets for Song Structure: Utilizing brackets to define different song sections (e.g., [Intro], [Verse], [Chorus]) helps in managing the flow and sequencing. More creative uses include: [Flute solo intro] [Increase intensity] [Crescendo] [Starts out quietly] [Whispering vocals] [Screaming vocals] These directives inform the AI about the intended musical direction and intensity of each section. Workarounds for Language Restrictions: To bypass content filters on restricted words, substituting letters or words allows the use of similar sounds without triggering censorship, enhancing creative freedom. For instance: Replace “die” with “dye” Use “ill” instead of “kill” Creative Naming for Music Styles: Describing unique music styles like “Haunting g-funk horror doom trap r&b” can lead to innovative genre fusions, pushing the boundaries of traditional music classification. Effective URLs demonstrating these techniques: Sample Song with Effect Gunshots Effect Bird Sounds Additional Tips: Experimentation is key; not all annotations will work consistently, so testing different combinations can yield the best results. Keep trying different phrasings and annotations as the AI might take a few attempts to accurately interpret these cues. How to Reuse a Song Seed in Suno AI Solution: To reuse a song seed in Suno AI for generating new songs with similar instrumental and vocal characteristics but varied lyrics and melodies, start the new song generation from a specific timestamp of the original song. This approach can help maintain certain elements like voice and instrumental setup while allowing for new musical variations. Examples: Using a Fixed Timestamp: Start a song from a particular moment (e.g., 2 seconds into the track) to ensure the continuation retains the original voice and band setup. This method has shown varied success with the melody but can maintain the song’s general style and tempo. Example of this approach: Suno Song Link Adding Lyrics to Instrumentals: Convert an instrumental piece into a full song by starting the generation process after an introductory segment (e.g., 10-20 seconds), and adding lyrics. This can transform an instrumental into a complete song while preserving the original tune’s essence. Original and modified versions: Original Instrumental: Original Song With Lyrics Added: Song with Lyrics Creating Variants from a Single Seed: Generate multiple song variants from a single successful intro or theme to explore different musical directions or to develop a cohesive album. This method focuses on consistent sound while varying other song elements. Additional Tips: The effectiveness of reusing seeds may vary, so experimentation and multiple attempts might be necessary. Utilize precise timestamps for starting points to control how much of the original song’s characteristics are retained. Consider the potential for creating thematic albums or collections using a consistent voice or instrumental setup across multiple tracks. How to Structure Prompts for Suno AI Solution: To achieve consistent outcomes when prompting Suno AI for music generation, understanding and effectively structuring prompts is crucial. This ensures that the AI interprets your intentions accurately and the music aligns with your desired characteristics. Examples: Use Custom Mode and Detailed Descriptors: Instead of relying on the general input fields, switch to custom mode where you can specify each aspect of your music: Genre: Heavy Metal, Mood: Dark, Key: B minor This format helps prevent the AI from misinterpreting parts of your prompt as lyrics. Separating Elements with Commas: When you want to combine multiple attributes like genre, voice, and instrumental emphasis, separating them with commas can clarify your intentions: Gothic, Alternative Metal, Ethereal Voice This method helps the AI differentiate between various stylistic elements. Using Brackets for Specific Instructions: To ensure that specific instructions are followed, use brackets to define song sections or vocal styles: [Verse1] [Female Ethereal Voice] This helps in guiding the AI more precisely, especially when trying to emulate certain band styles or unique vocal characteristics. Additional Tips: Experiment with different structuring formats to see which provides the best results for your specific style. Incorporate mood, tempo, and “ear candy” elements to enhance the overall appeal of the music. Remember, the more specific your prompt, the more likely the AI will produce the desired outcome. Understanding how to effectively structure your prompts can significantly improve the consistency and quality of the music generated by Suno AI, turning your creative visions into reality. How to Use Meta Tags in Suno AI for Song Creation Solution: Utilizing meta tags effectively in Suno AI can significantly influence the structure and style of your AI-generated songs. Meta tags act as directives that help the AI understand the desired composition of the music, from the type of vocals to the placement of instrumental breaks. Examples: Structural Tags: To structure a song with clear parts, use tags like [Intro], [Verse], [Chorus], and [Outro]. For instance: [Intro] Slow guitar strumming [Verse] Whispered lyrics here [Chorus] Powerful vocal rise [Outro] Fading piano melody These tags guide the AI to maintain a coherent song structure, ensuring each part is distinct. Instrumental and Vocal Tags: Specific tags can dictate the type of instruments and vocals used. Tags like [Guitar solo] or [Female Vocal] instruct the AI on what elements to introduce at certain points in the song. Example usage: [Verse] Lost in the rhythm [Guitar solo] A mesmerizing guitar piece [Chorus] [Female Vocal] Echoing the main theme Dynamic Elements: Use tags like [Catchy Hook], [Emotional Bridge], and [Powerful Outro] to emphasize certain parts of the song that should stand out. For example: [Verse] The story begins here [Emotional Bridge] A heartfelt solo [Catchy Hook] This line repeats [Powerful Outro] Climactic finish Additional Tips: Experiment with combining different tags to see how they influence the AI’s output. The AI’s interpretation can vary, so multiple attempts might be needed to achieve the desired result. Pay attention to how specific elements like [Pre-Chorus] and [Bridge] can be used to build anticipation and add complexity to the song. Understanding and leveraging these meta tags effectively can greatly enhance your creative process when working with Suno AI, allowing for more precise control over the musical composition. Advanced Song Production Techniques for Suno AI Solution: To maximize the effectiveness of song production with Suno AI, utilize specific annotation techniques that guide the AI in generating songs with diverse vocal styles, instrumental breaks, and coherent transitions. Examples: Using the vowel-vowel-vowel technique for creating longer, melodious words in the chorus: goo-o-o-odbye This technique extends vocal sounds, adding a melodic quality ideal for choruses. Applying parentheses to add a second or third vocal layer automatically: E la cha-cha-cha (cha) This can introduce a background vocal or an instrumental sound, enhancing the song’s depth. Using brackets to direct the AI’s focus on song parts: [Verse 1] [Chorus] [Pre-chorus] [Drop] This method helps in structuring the song, ensuring each part transitions smoothly and fulfills its intended purpose. Additional Tips: Combine different types of annotations to trigger specific AI responses, such as [Angelic voice] or [Instrumental] for varied vocal effects and solo instruments. Experiment with the arrangement of parts within the song to maintain freshness and uniqueness in each section. Multiple attempts may be necessary to achieve the desired effect, as AI interpretation can vary. Generating Multi-Part Songs: Enhance uniqueness by varying the rhythm, vocal styles, and instruments throughout the song. Consider generating the song in parts and carefully reviewing each segment to ensure they fit together seamlessly. Editing and Finalizing: Use audio editing tools like Audacity to refine the final product, such as trimming excessive instrumental parts or correcting any mismatches in song sections. By adopting these techniques, you can effectively manipulate Suno AI to produce high-quality, creative musical pieces. Mastering Song Extensions with Suno AI Problem: One of the main challenges faced by musicians using Suno AI involves managing the quality of music as they extend or render songs multiple times. This often results in disjointed lyrics and a deterioration in vocal performance, affecting the overall quality of the music. Solution: Utilize strategic practices for song extensions in Suno to ensure high-quality music production. Examples: Create multiple iterations of song sections and select the most effective: Extend verse 1, chorus 1; Extend verse 2, chorus 2; Extend verse 3, bridge 1, chorus 3, end. Evaluating multiple versions helps identify and resolve issues early, enhancing the song’s overall quality. Use AI feedback to refine lyrics and composition before final adjustments: Discard less successful attempts and allow the AI time to refresh. Allowing the AI to refresh can lead to better outcomes when adjustments are made. Limit the number of extensions to prevent quality reduction: Limit to one start and two or three extensions to complete the song. This method helps maintain sound quality and prevents the degradation often seen with multiple extensions. Additional Tips: Save any generation that meets your standards using the “get whole song” option for consistency. Experiment with segment durations and adjust EQ settings to suit your style. Engage with the community for fresh tips and continuously refine your technique for using AI in music production. How to Get Specific Vocal Styles in Suno AI Problem: When using Suno AI for music creation, you might find it challenging to achieve the specific vocal style you desire, especially if you’re aiming for unique vocal characteristics like a deep or gritty male voice in genres such as electronic or techno. The AI often defaults to a generic style, which can make the tool feel more like a novelty rather than a professional tool capable of producing hit tracks. Solution: Employ detailed style prompts to specify the desired vocal characteristics. Examples: Use detailed descriptors in your prompts to guide the AI, such as: [masculine low gospel vocal] This can help the AI better understand and produce the specific vocal tone you’re looking for. Experiment with combining different descriptors to enhance specificity, for example: [feminine high airy vocal] Such combinations can yield more precise vocal outputs, fitting your desired style more closely. Adding geographic distinctions to your vocal style prompts can also influence the AI’s output significantly: [UK rock male vocal] This technique can help tailor the vocal style to match regional variations, offering a broader palette of vocal textures. Additional Tips: Repeated trials might be necessary as the AI learns to better interpret these detailed prompts. Mixing several descriptive terms (like using both genre and vocal characteristics) may improve success rates. Keep track of successful prompts for future reference to streamline your creative process. Using these strategies, you can push the boundaries of AI in music production, achieving more professional and satisfying results. How to Prevent Inappropriate Lyrics in Suno AI Songs Problem: When experimenting with converting classic hymns into rap music using Suno AI, users have reported unexpected and inappropriate insertions of the N-word. This issue seems to be particularly pronounced with Christian-themed songs. Such occurrences can disrupt the artistic intention and are offensive regardless of context. For example, while transforming a hymn into a rap, one might expect lyrics that respect the original’s dignity, but instead, the AI unexpectedly includes offensive language, altering the intended vibe of the song. Solution: Introduce content moderation features in Suno AI. This can involve setting explicit and implicit content filters that users can customize according to their preferences for clean or explicit lyrics. Examples: Implement a user-controlled filter setting where creators specify banned words: [Settings] -> [Content Preferences] -> [Banned Words]: Add "N-word" This would prevent the AI from including specific offensive terms in the lyrics. Utilize a toggle for explicit content: [Settings] -> [General] -> [Allow Explicit Content]: Off Turning off explicit content could help maintain the integrity of certain genres like hymns. Encourage the use of specific prompts that guide the AI away from potentially offensive content: [Lyric Generator] -> [Prompt]: "Generate family-friendly rap lyrics for a hymn" Clear instructions can steer the AI towards generating appropriate content. Additional Tips: Repeated trials might be necessary as the AI learns from continuous feedback and adjustments to settings. Combining multiple moderation techniques (like explicit content toggles and banned words lists) could enhance effectiveness. Maintaining the artistic quality of AI-generated music without compromising on respect and sensitivity to all audiences is crucial. By implementing robust content moderation features, creators can better align the output with their artistic visions and audience expectations. How to Specify Chord Progressions in Suno AI Problem: Musicians often want to create songs with specific chord progressions, like an instrumental trance song in A minor using a specific sequence (Am, F, G, Em). However, challenges arise when the AI misinterprets this input and creates lyrics about the chord names instead of following the intended musical pattern. This issue reflects the AI’s current limitations in distinguishing between lyrical content and musical instructions. Solution: To address this, use targeted strategies to better specify your musical requirements to the AI: Examples: Use the “custom mode” to separate lyrics and style inputs: Style: instrumental trance in A minor Lyrics: [Am] [F] [G] [Em] This helps the AI focus on the musical style without confusing it with the lyrics. Clearly label your musical elements in the prompt: Chord progression: [Am] [F] [G] [Em] Including the term “chord progression” might help the AI to recognize and apply these details more accurately. Experiment with mood descriptors linked to scales: Mood: sad (for minor scales) Sometimes, describing the mood can indirectly influence the AI to select the appropriate scale, such as using “sad” for minor keys. Additional Tips: While the AI might not always follow complex musical instructions perfectly, using clear, distinct commands can increase your chances of getting closer to your desired outcome. Be prepared for some trial and error. The AI’s understanding of musical nuances is still developing, and it may take several attempts to achieve the intended effect. Linking mood descriptors with musical scales can be an indirect but effective way to guide the AI in your desired musical direction. By implementing these strategies, you can enhance your ability to create specific musical compositions using Suno AI, even within the current technological limitations. How to Bypass Explicit Lyric Restrictions Problem: While using AI music generators like Suno, users often encounter restrictions on explicit lyrics, which limits creative expression. For example, trying to include certain swear words or provocative content often results in the lyrics being filtered out or modified by the system. This can be frustrating for artists seeking to maintain the authenticity of their lyrical content. Solution: To overcome these restrictions, you can employ several workarounds to trick the AI’s filtering system: Examples: Use phonetic spelling or homophones to bypass content filters. For instance: Replace "shit" with "sh*t" or "ship". This alteration can sometimes fool the filtering algorithm, allowing the inclusion of the intended word without direct recognition. Example: https://suno.com/song/2133e340-3944-4b4b-ac6b-acebcdcdfa4f Experiment with creative language substitutions that sound similar to the desired explicit words. For example: Instead of "fuck", use "fuhk" or "phuck". Such substitutions can maintain the sound of the original word while evading automatic censorship. If specific words are blocked, try modifying the context or using less direct language. For instance: Change "I hope you choke" to "Hope you choke". Sometimes, removing pronouns or slightly altering the sentence structure can help avoid filters. Additional Tips: Persistence is key. The effectiveness of these methods can vary, and it may take multiple attempts to find a successful workaround. Combine different methods, like phonetic spelling and creative substitutions, to increase your chances of success. Be mindful of the broader context of your lyrics, as AI systems often consider the overall theme or explicitness of the content. By exploring these strategies, you can enhance your creative freedom and produce AI-generated music that aligns more closely with your artistic vision. How to End a Song Naturally Problem: When using Suno AI to create music, some users encounter an issue where the song ends abruptly instead of fading out or concluding smoothly. For example, despite trying to guide the AI with specific extensions like specifying that the next extension be the final part of the song or to gradually fade until the song is over, the music often just cuts off unexpectedly. This results in a song that feels unfinished and disrupts the listening experience. Solution: To ensure a natural ending for your songs created with Suno AI, you can use certain annotations in your lyrics box such as [end], [fade out], or [outro]. These commands can help signal to the AI that the song should conclude in a smoother manner. Examples: For a clear cut ending: [end] This command can direct the AI to stop the music clearly and neatly. For a fading conclusion: [fade out] This has mixed results but is intended to gradually lower the volume until the song is completely faded out. To introduce a concluding instrumental: [outro] [Instrumental Fade out] [End] This combination can create a more elaborate ending sequence, blending the fading of instruments with the official end of the song. Additional Tips: Experiment with various combinations of these annotations to see which ones work best for your specific song. It might take a few attempts to get the desired effect, as AI interpretations can vary. If all else fails, consider manually editing the track using audio software like Audacity to add a fade-out effect. This can be a reliable way to ensure your song ends just the way you want it. How to Replace or Modify Lyrics Problem: Sometimes, when creating music with AI, we find ourselves wanting to change specific lyrics in a song to make them more suitable or to better match our artistic vision. For example, imagine you’ve created a track with the lyrics: [Verse] I need the stars to align tonight. But you want to change the word “need” to “greed” to alter the tone of the song. Solution: To replace lyrics in songs generated by Suno AI, consider using lyric infilling techniques, where you can specify parts of the lyrics to be changed while retaining the rest of the song’s structure. Examples: Using the “Extend” Feature: After generating your song, use the Extend feature to add new lyrics. Here’s how you might do it: Extend your song and paste new lyrics here. Remember, you may need to use external software to trim unwanted parts of the original song. Separation and Regeneration: Separate the song into individual stems, mute the vocal stem you wish to change, and then regenerate that portion. Tools like Moises and Splice can assist with this process. Utilizing External Software: If you need to completely remove or replace the singer, use software as shown in this tutorial: Creating an instrumental version of your song This allows you to then add new vocals without the original lyrics. Additional Tips: Keep experimenting with different seeds and settings to get closer to your desired outcome. Utilize AI music platforms like Udio that already have features like backward generation for more precise control over lyrical content. Patience is key, as generating the perfect lyric might take several attempts. By employing these methods, you can effectively alter the lyrics in your AI-generated songs, ensuring they fully convey your intended message and style. How to Optimize Prompts in Suno AI with Letter Case Problem: In Suno AI, the letter case (upper, lower, or title case) used in prompts can significantly impact the quality and style of the generated song. Different parts of the prompt react differently to letter case styles, affecting the output’s coherence and alignment with user expectations. Solution: To get the best results from Suno AI, use different letter cases for different parts of your prompt. Here’s a recommended approach: ALL CAPS for genres: This gives genres the highest priority. Title Case for descriptors: This gives descriptors a middle priority. lower case for instruments: This ensures instruments are included prominently in the song. Examples: All Title Case Funky Bassline, Operatic New Jack Swing, Rhythmic Power Metal, High Female Vocals, G-Funk Example: https://suno.com/song/caa98821-c4ff-49ce-b71a-833dfc9a879a GENRES IN ALL CAPS, Descriptors in Title Case FUNKY BASSLINE, Operatic NEW JACK SWING, Rhythmic POWER METAL, High Female Vocals, G-FUNK Example: https://suno.com/song/507bda5c-44d9-439b-995d-67823c5c2890 ALL CAPS for Descriptors, Title Case for Genres HIGH ENERGY Big Band, SEXY Psychobilly, UNCOMMON TIME SIGNATURES Example: https://suno.com/song/7fc7a2bf-2736-42f5-9533-aca85d8244fa Title Case for Everything High Energy Big Band, Sexy Anthemic Psychobilly, Uncommon Time Signatures Example: https://suno.com/song/d0eb9cfe-9889-48f5-81e6-295d82625c36 Additional Tips: Use ALL CAPS for the genres, Title Case for descriptors, and lower case for instruments to get the best quality. Combining all three letter case types in your prompt improves the overall quality. Experiment with different combinations to find the best fit for your specific needs. By following these letter case strategies, you can significantly enhance the quality and accuracy of the songs generated by Suno AI. ow to Prompt Suno AI to Use Animal Sounds and Noises Understanding the Problem Many users find it challenging to get Suno AI to generate animal sounds or other specific noises in their tracks. Despite various attempts with different prompts, the AI often fails to produce the desired effects. Solution Overview To successfully prompt Suno AI to use animal sounds and noises, you need to use specific techniques and prompt structures. Here are some effective strategies: Strategy 1: Use Bracketed Prompts Use bracketed prompts in all-caps to indicate the desired sounds. This helps the AI understand that you want these effects included. [GUNSHOTS FX, BIRDS CHIRPING FX, CRICKETS FX, THUNDERSTORM FX] Strategy 2: Limit the Number of Prompts Avoid overloading the prompt with too many effects at once. Instead, use a few prompts and repeat them if necessary. [GUNSHOTS FX], [BIRDS CHIRPING FX], [CRICKETS FX] Strategy 3: Experiment with Different Phrasing Try different wording and combinations to see which works best. Sometimes altering the phrasing slightly can make a big difference. [SCREAMING], [DINOSAUR ROAR], [CHAINSAW] Examples and Additional Tips Example 1: Combining Prompts Try using a combination of prompts in the “Style” section and the “Custom Editor” lyrics box. Use commas to separate them. STYLE: [TRIBAL VOCALS], [ANIMAL NOISES] CUSTOM EDITOR: [BIRD SONG], [JUNGLE SOUNDS] Example 2: Specific Sound Effects Experiment with very specific sound effects to see if Suno AI can generate them. [THUNDER CLAP], [WOLF HOWL], [OCEAN WAVES] Example 3: Uncommon Effects Test out less common effects to push the boundaries of what Suno AI can generate. [CHAINSAW], [LIAR BIRD IMITATING A CHAINSAW] Additional Tip: Dispute Incorrect Results If the AI produces something unexpected, keep trying with slight variations or dispute the claim if you believe it’s a mistake. This can sometimes lead to better results upon human review. You can listen to some examples here: Smoke sound in a stoner rap track By following these strategies and experimenting with different prompts, you can increase the likelihood of getting Suno AI to include the animal sounds and noises you want in your music. How to Solve Suno AI Sampling Detection Issues Understanding the Problem Many users have reported issues with their songs generated using Suno AI being flagged as sampling by platforms like Tunecore. This leads to songs being blocked and potential legal and financial problems. Solution Overview To avoid these issues, it’s crucial to understand the reasons behind these detections and take steps to prevent them. Here are some strategies: Strategy 1: Use Original Content Always use original lyrics and compositions. Avoid using any pre-existing material directly, as this can be detected as sampling. Original lyrics throughout. It’s what they are saying. "Your release has been temporarily blocked in our front end review process. It appears that you are using the mastered instrumentals for these tracks (i.e., from the original artists' versions). Any time you sample any part of a recording you did not record yourself, you MUST have a license from the owner of that original recording. You cannot distribute any content that you do not hold 100% distribution rights for." Strategy 2: Modify Prompts and Outputs Slightly alter the prompts and the AI-generated outputs to ensure they do not closely resemble existing songs. This song was detected as sampling: https://www.youtube.com/watch?v=Jku-v48xpBU&feature=youtu.be Strategy 3: Dispute Incorrect Claims If you believe the detection is incorrect, dispute the claim. Many times, these detections are automated and can be resolved by human review. I’ve never had a Suno track get flagged but I’ve made original music where a tiny section that sounded similar to some obscure song got flagged. Nothing a quick dispute didn’t fix. Should be the exact same situation for you. Let me know the outcome though, would hate to see them fight this as it could set a precedent. Additional Tips Tip 1: Be Persistent Sometimes it may take several attempts to get the AI to produce completely original content. Tip 2: Understand Licensing Ensure you have the proper licenses for any content you are using that is not originally yours. Tip 3: Stay Updated Keep an eye on updates from Suno AI regarding their licensing and content usage policies. By following these strategies, you can minimize the risk of your songs being flagged as sampling and ensure a smoother experience with platforms like Tunecore. Using Detailed Prompts in Suno v3.5 Lyrics The Breakthrough Using Suno AI v3.5, you can achieve better audio quality and more control over your music. This guide will show you how to optimize prompts for improved results. The Main Issue The “Style of Music” field in Suno AI has a limited character count, making it difficult to provide detailed prompts. This method uses the Lyrics field to include more information. Step-by-Step Solution Step 1: Entering the Style of Music In the “Style of Music” field, enter a high-level description and reference the Lyrics field for details. Lofi, Chilled, Ambient, Downtempo, Female Vocals SEE IN THE LYRICS FIELD FOR DETAILED INFORMATION Step 2: Filling Out the Lyrics Field In the Lyrics field, include a detailed prompt as follows: [GENRES: Chilled Lofi, Ambient, Downtempo] [SOUNDS LIKE: Tycho, Bonobo, Nujabes] [STYLE: Relaxing, Atmospheric, Lush, Clean] [MOOD: Calm, Serene, Reflective, Dreamy] [VOCALS: Female, Ethereal, Background] [ARRANGEMENT: Slow tempo, Laid-back groove, Ethereal textures, Clean guitar melodies] [INSTRUMENTATION: Clean electric guitar, Synthesizers, Ambient pads, Subtle percussion] [TEMPO: Slow, 70-90 BPM] [PRODUCTION: Lo-fi aesthetic, Warm tones, Soft compression, Analog warmth, Masterpiece, Perfectly Recorded, Produced by Emancipator] [STRUCTURE: Intro, Verse, Chorus, Verse, Chorus, Bridge, Outro] [DYNAMICS: Gentle throughout, Gradual builds and releases, Smooth transitions] [EMOTIONS: Peacefulness, Contemplation, Tranquillity, Nostalgia] [Intro] [Verse 1] start your lyrics here... Tips and Tricks Tip 1: Consistent Intro By adding the STRUCTURE attribute, you can ensure Suno AI creates a proper intro when you use the [Intro] tag. Tip 2: Quality Prompts Using terms like “perfect production, studio recording, hi-fidelity” under the PRODUCTION attribute can improve the audio quality. Tip 3: Simple and Direct Prompts While detailed prompts can help, sometimes simpler and more direct prompts work better. Experiment with both approaches. Example of a Simple Prompt [slap bass funk fusion, experimental jazz fusion, hifi, clear production] [Percussion Intro] [instrumental, slap bass] [verse] *start lyrics* Conclusion This method allows for more detailed and controlled music generation with Suno AI v3.5. While it may not be perfect, it significantly enhances the output quality and provides more flexibility in creating the desired sound. Handling Suno Looping Lyrics The Update’s Impact With the recent update, Suno can now generate longer songs. While this sounds great, the problem is that the AI sometimes just loops lyrics to fill the time instead of creating a cohesive song. Identifying the Problem Problem: Looping Lyrics Many users have noticed that Suno tends to loop lyrics unnecessarily, creating longer but repetitive songs. This issue of looping lyrics can make the songs feel less original and more monotonous. Example: "I love when I cue it to fade out and it does so but then it changes its mind and gives me another 90 seconds of repeats of verses, chorus, bridges..." Manual Trimming as a Solution Solution: Manual Trimming One way to handle the issue of looping lyrics is to manually trim the songs. Download the generated song and use an audio editing tool to cut out the repetitive parts caused by the looping lyrics. Example: "...had to download and trim songs and trim them manually at spots that just 'make sense' to get a full sounding something." Using Parameters and Tags Solution: Using [End] and [Outro] Tags To control the length of the song and prevent looping lyrics, try using specific tags like [End] or [Outro]. This can signal the AI to stop generating beyond a certain point. Example: "[Outro] before the last block of lyrics, followed by [end] will usually get the job done." Link: https://www.youtube.com/watch?v=ahV7KPxMlko Customizing the Ending Solution: Defining an End Parameter It’s helpful to specify where you want the song to end to avoid looping lyrics. Including a time-based end parameter can guide the AI to finish the song at a desired length. Example: "Being able to tell Suno that you want the song to end at 2:45 for example..." Enhancing Suno’s Performance Solution: Alternative AI Models If Suno continues to have issues with looping lyrics, consider exploring other AI models like Udio. Users have reported better experiences with different models, especially after updates. Example: "Have you tried the new Udio 2 min 10s model? ... Udio has really blown me away after the last update." Link: https://youtu.be/iZUuqw8IvbI By implementing these strategies, you can minimize the issue of looping lyrics in Suno and create more cohesive and professional-sounding songs. Common Clichés in Lyrics Understanding the Issue Many users have noticed that AI-generated lyrics from Suno AI often include common clichés like “echoes,” “whispers,” “neon lights,” “grace,” “embrace,” “soar,” and especially “rise above.” This repetition can make the lyrics sound unoriginal and predictable. Why Does This Happen? Reason 1: Training Data AI models are trained on a vast amount of existing data, including songs with common themes and phrases. As a result, the AI tends to produce similar content. ”Songs use these words a lot, AI was trained on songs, so you end up with these words in your AI songs.” Reason 2: Predictive Text Nature AI works by predicting the next word in a sequence based on the context provided. This often leads to the use of familiar and safe choices. ”AI doesn’t use logic or reasoning. It’s not an intentional limitation or conspiracy, it’s how they work. LLMs in particular are basically predictive text, giving you one word after the other of the most likely to follow.” Examples of Common Clichés Neon lights Whispering woods Rise above Concrete jungles Story unfolds Echoes of… Strategies to Avoid Clichés Strategy 1: Use Specific Prompts Be specific in your prompts to guide the AI away from common clichés. Explicitly mention words or phrases you want to avoid. ”You have to also prompt it to not use said clichés. I usually revise the song by replying ‘Same, but don’t use x’.” Strategy 2: Refine and Edit Generate a rough draft with the AI and then manually refine and edit the lyrics to make them more original. ”First, write a rough draft… then put all that into GPT and ask it to polish it, not rewrite or start from scratch.” Strategy 3: Combine AI and Human Creativity Use AI for inspiration and rough drafts, but rely on human creativity for the final product. This ensures originality and avoids overused phrases. ”AI is ok for directions for imagery or the odd rhyme but you have to DIY at this level of capability.” Strategy 4: Train the AI You can train AI like ChatGPT to remember instructions. For instance, instruct it to avoid specific clichés and use structured formats for song sections. ”One of the nice things about ChatGPT is that it will remember instructions that you give it. For example, I’ve already trained it to remember to put brackets around song sections, ie [Verse], [Chorus], etc. My next step is to train it to avoid a list of overused clichés.” Additional Tips Tip 1: Use Tools for Refinement Use rhyme and thesaurus tools to refine your lyrics and avoid repetitive phrases. Tip 2: Experiment with Different AI Models Try different AI models or combine multiple models to generate more diverse and original content. ”Freshbots.org seems to minimize the neon lights and other stuff. Restricted by genre though.” Tip 3: Stay Updated on AI Improvements Keep an eye on updates from Suno AI and other platforms as they improve their models to reduce reliance on clichés. By following these strategies, you can create more original and engaging lyrics using Suno AI while avoiding common clichés that make your songs sound repetitive. Suno Subgenre Performance Introduction Suno AI is a tool that generates music based on prompts. Users have noticed that it excels in some subgenres while struggling with others. Let’s break down these observations and offer solutions. Suno’s Struggles 1. Early Post-Punk and Jangly Guitar Suno seems to have difficulty replicating the early post-punk sound, especially with jangly guitar elements like in “This Charming Man” by The Smiths. 2. Boyband Music Creating early 2000s boyband music poses a challenge. Users reported the AI’s inability to generate accurate intro noises like the private jet arrival. Still didn't manage to get the private jet arrival noise as an intro for a boyband song 3. Dubstep and EDM While Suno can handle basic DnB and Latin pop, it struggles with more complex EDM genres, especially those requiring heavy sound design. It struggles with DnB in general. As a workaround, specify "Drum and bass, drum and bass, drum and bass" in the style. https://suno.com/song/d9cba71c-ab71-4904-aeed-c9eaeaae9bbc 4. Mandarin Music Suno often struggles with Mandarin songs, likely due to insufficient training data. Korean and Japanese songs seem to fare better. Mandarin songs are of pretty poor quality right now. 5. Metal Subgenres Suno has issues with extreme metal genres like doom and black metal. The AI-generated riffs often miss the mark. Struggles a lot with extreme metal like doom and black metal. The riffs it makes are so wack. https://suno.com/song/f4dc326e-4d95-475b-ac7a-9f02c64fbebc Suno’s Strengths 1. Trap Music Users consistently find Suno excels in creating trap music, often producing high-quality bangers. 2. Lofi Music Suno shines in generating various lofi subgenres like soul, RnB, and chill hop. 3. Jazz and Blues 1920s-1950s jazz and blues, particularly with female vocals, are areas where Suno performs well, though sometimes the vocals sound robotic. I've had great success with 1920's jazz and 1950's style blues with female vocals. 4. Country and Indie Suno is effective in generating country and indie music, providing a believable and authentic sound. Solutions and Tips 1. Modify Prompts To get better results, especially for difficult genres, modify your prompts. Repeat the genre name multiple times to emphasize it. Specify "Drum and bass, drum and bass, drum and bass" in the style to improve DnB results. 2. Use Original Content Ensure the lyrics and music you input are original to avoid issues with sampling and copyright. 3. Dispute Incorrect Claims If you encounter incorrect sampling detections, dispute them. Automated detections can often be overturned with a human review. I've made original music where a tiny section that sounded similar to some obscure song got flagged. Nothing a quick dispute didn’t fix. Conclusion Suno AI has its strengths and weaknesses across different music genres. By understanding these, you can better tailor your prompts to achieve the desired results. Keep experimenting and adapting to make the most of this powerful tool. Tips for Making Trap Songs Introduction Creating Trap songs with Suno AI can be even more fun and creative with some handy tricks. This post discusses how to make the AI incorporate certain words throughout the song by placing them at the top of the lyrics page. The Trick: Incorporate Words Creatively If you place words at the top of your lyrics page without any notation before you start any descriptive tags like [Intro], Suno AI will often use those words repeatedly in amazing ways. Example 1: Jack Spratts Trap Example 1 Link Example 2: Red in the Hood Example 2 Link How it Works Using Keywords When you put keywords at the beginning of your lyrics page, Suno AI recognizes these and incorporates them throughout the song. This technique can add a unique and cohesive touch to your tracks. Try It Yourself Experiment with different words and see how Suno AI weaves them into your music. Share your results to see what creative combinations you and the AI can come up with. Examples and Results Creative Integration Users have reported impressive results using this trick. The AI’s ability to incorporate these words into the background or as hooks can add depth and creativity to your tracks. User Example: Trap/Phonk: Incurable by @lyricist | Suno Example Link Feedback and Community Many users have found this technique useful and enjoyable. Sharing experiences and tips within the community helps everyone improve their AI-generated music. Community Comment: Miss Muffet's Revenge almost took me out lmaoo Expanding Creativity Beyond Trap This technique isn’t limited to Trap songs. It works well in other genres too, like trance or techno, by placing words in parentheses or other creative ways. Improvisation and Hallucinations Some users appreciate the AI’s ‘hallucinations’ or unexpected improvisations, which can enhance the overall creative flow of the music. Example Comment: I like it more when it improvises and makes it all sound even better. Conclusion Using simple tricks with Suno AI, like placing keywords at the top of your lyrics page, can significantly enhance your Trap songs. Experiment, share your creations, and enjoy the creative process! Guide Suno with Prompts for Better Music Introduction Many users have discovered effective ways to get Suno AI to produce music in specific styles by using well-structured prompts. This involves setting the style of instrumentals, vocals, and even musical notation. Formatting Prompts Using Styles and Clean Vocals You can prompt Suno to create different sections of a song by specifying the style of instrumentals and vocals. For example: (Chorus) [Heavy riffs, driving beat, powerful clean vocals with a soaring melody]: Musical Notation Another cool trick is to guide Suno to sing to specific notes per syllable. This helps in creating a more structured musical output. (Verse 1) [Soft synths, steady beat, clean, gentle vocals] (G)Beat (G)of (G)the (G)heart, a (G)stea- (G)dy (G)drum (G)Life (G)throws its (G)punch- (G)es, but (G)we (G)o- (G)ver- (G)come Examples Here is an example of a song generated using this method: Suno Example Issues and Solutions Bracket Confusion Issue Sometimes, using parentheses may cause Suno to interpret the text as background singing. Solution To avoid this, you can use square brackets and ensure the format is correct. Example: (Chorus) [heavy riffs, guttural aggressive vocals with a soaring melody, clean vocals]: Suno’s Prompt Syntax Issue Suno’s prompt syntax can be unpredictable due to the random seed applied at the end. Solution Be consistent with the format and tweak the prompts to achieve desired results. Tips for Better Results Context Recognition Suno often recognizes certain words like “Chorus,” “Verse,” etc., as section names. Even if you format these names differently, Suno might still understand them. Testing and Patience Be patient and test various formats to see what works best. Sometimes, even slight changes in prompt format can yield better results. Use of AI Tools Consider using other AI tools to generate prompts that can guide Suno more effectively. For instance, using Google’s Gemini to create a prompt for a specific music style. Vocal Instructions Explicitly instructing the type of vocals can significantly improve the output. Example: Try adding clean vocals to the lyrics box prompt to get a more organic and natural vocal. Additional Examples Here is another song created with similar techniques: Suno Song Example Conclusion By using these structured prompts and understanding Suno’s syntax, you can create more controlled and high-quality musical outputs. Experiment, be patient, and enjoy making music with Suno AI! - How to Prompt Suno AI to Use Animal Sounds and Noises Understanding the Problem Many users find it challenging to get Suno AI to generate animal sounds or other specific noises in their tracks. Despite various attempts with different prompts, the AI often fails to produce the desired effects. Solution Overview To successfully prompt Suno AI to use animal sounds and noises, you need to use specific techniques and prompt structures. Here are some effective strategies: Strategy 1: Use Bracketed Prompts Use bracketed prompts in all-caps to indicate the desired sounds. This helps the AI understand that you want these effects included. [GUNSHOTS FX, BIRDS CHIRPING FX, CRICKETS FX, THUNDERSTORM FX] Strategy 2: Limit the Number of Prompts Avoid overloading the prompt with too many effects at once. Instead, use a few prompts and repeat them if necessary. [GUNSHOTS FX], [BIRDS CHIRPING FX], [CRICKETS FX] Strategy 3: Experiment with Different Phrasing Try different wording and combinations to see which works best. Sometimes altering the phrasing slightly can make a big difference. [SCREAMING], [DINOSAUR ROAR], [CHAINSAW] Examples and Additional Tips Example 1: Combining Prompts Try using a combination of prompts in the “Style” section and the “Custom Editor” lyrics box. Use commas to separate them. STYLE: [TRIBAL VOCALS], [ANIMAL NOISES] CUSTOM EDITOR: [BIRD SONG], [JUNGLE SOUNDS] Example 2: Specific Sound Effects Experiment with very specific sound effects to see if Suno AI can generate them. [THUNDER CLAP], [WOLF HOWL], [OCEAN WAVES] Example 3: Uncommon Effects Test out less common effects to push the boundaries of what Suno AI can generate. [CHAINSAW], [LIAR BIRD IMITATING A CHAINSAW] Additional Tip: Dispute Incorrect Results If the AI produces something unexpected, keep trying with slight variations or dispute the claim if you believe it’s a mistake. This can sometimes lead to better results upon human review. You can listen to some examples here: Smoke sound in a stoner rap track By following these strategies and experimenting with different prompts, you can increase the likelihood of getting Suno AI to include the animal sounds and noises you want in your music. Fuente: https://howtopromptsuno.com/ Combine prompts together to create unique sounds My favorite thing to do with suno is combine styles in prompts. Try generating the first 15 to 30 seconds of a song, then mixing up the prompt to create more dynamic songs. Example suno prompt technique: Start with a vibrant violin solo, then extend the song into ethereal lo-fi dubstep. Example suno prompts to try Gentle, tranquil acoustic, deep blues then change it up by extending with another prompt. Melancholic, introspective indie rock layered with bright pop elements then mix it up by clicking extend using another prompt. Mood and Atmosphere prompts for suno Atmospheric Ambient Ethereal Euphoric Mystical Dreamy Surreal Tranquil Serene Haunting Intoxicating Eerie Celestial Chilling Melancholic Apocalyptic Textural and Dynamic prompts for suno Airy Dense Fluid Smooth Rough Textured Layered Blurred Crisp Fuzzy Sparkling Glossy Transparent Luminous Vibrant Shimmering Rhythmic and Musical prompts for suno Rhythmic Percussive Melodic Harmonic Polyphonic Syncopated Dynamic Staccato Crescendoing Descending Ascending Cadenced Dotted Arhythmic Cross-rhythmic Emotional and Expressive prompts for suno Emotional Joyous Sad Angry Aggressive Gentle Warm Cold Festive Nostalgic Romantic Passionate Soothing Inspiring Soulful Technological and Synthetic prompts for suno Digital Analog Electronic Robotic Cybernetic Futuristic Synthetic Automated Virtual Algorithmic Biotechnological Style and Genre Influences prompts for suno Baroque Classical Jazz Funky Disco Punk Rock Pop Hip-hop Reggae Folk Country Blues Industrial Techno Movement and Energy prompts for suno Explosive Fast-paced Slow High-energy Lethargic Static Chaotic Controlled Spontaneous Cinematic Dramatic Climactic Bouncing Flowing Pulsating Nature and Environment prompts for suno Oceanic Forest-like Urban Desert Mountainous Space Underwater Atmospheric Geographical Seasonal Weather-related Sensory and Perception prompts for suno Visual Textural Sonic Tactile Olfactory Gustatory Intuitive Cognitive Psychological Emotional Quality and Craft prompts for suno Polished Refined Raw Crafted Artisanal Innovative Traditional Modern Retro Sophisticated Simple Complex Detailed Minimalist Experimental and Avant-Garde prompts for suno Avant-garde Experimental Abstract Non-conformist Unconventional Alternative Cutting-edge Novel Unique Innovative Pioneering Social and Cultural prompts for suno Cultural Social Political Community-focused Ancestral Heritage Patriotic Regional Global Historical Example combination suno prompts Atmospheric, ethereal jazz with vibrant, rhythmic synth pulses Dynamic, percussive rock fused with nostalgic, glossy disco vibes Urban, funky hip-hop blended with raw, expressive blues elements Eerie, haunting techno with complex, cross-rhythmic, cinematic layers Warm, soulful reggae rhythms paired with crisp, transparent pop melodies Chilling, surreal ambient sounds meet explosive, high-energy industrial beats Retro, polished funk combined with aggressive, analog punk energy Flowing, smooth classical elements intertwined with sharp, futuristic electronic Luminous, shimmering folk tunes enriched with deep, textured atmospheric pads Robotic, cybernetic country twangs fuse with serene, tranquil forest-like ambiences Melodic, harmonic metal with ethereal, celestial overtones Crunchy, gritty rock with pulsating, explosive techno undertones Cool, breezy jazz with rhythmic, syncopated reggae grooves Dense, layered electronic vibes with airy, ambient melodies Aggressive, raw punk fused with sophisticated, baroque classical Smooth, soulful R&B blends with eclectic, vibrant world beats Dreamy, surreal pop interlaced with hard, rhythmic techno Gentle, tranquil acoustic paired with deep, robust blues Fiery, passionate salsa rhythms underpinning subdued, minimalist techno Rough, textured industrial sounds paired with glossy, transparent disco grooves Nostalgic, retro synthwave with a touch of modern, dynamic trap Complex, polyphonic orchestral arrangements with simple, crisp electronic beats Dramatic, cinematic soundscapes combined with steady, pulsating drum and bass Energetic, high-energy funk mixed with serene, smooth ambient flows Fast-paced, chaotic punk energy with methodical, rhythmic jazz undertones Lush, vibrant tropical beats interwoven with cool, airy Nordic ambient Melancholic, introspective indie rock layered with bright, sparkling pop elements Dark, brooding gothic tones blended with uplifting, euphoric trance Slow, flowing reggae grooves contrasted with fast-paced, urgent techno Light, fluffy cloud rap vibes meeting deep, shadowy underground techno Sharp, metallic industrial clashes with warm, organic folk melodies Soothing, calming new age sounds with complex, aggressive Last updated on January 18, 2025 Rock & Metal music genres list From classic rock to heavy metal, this section covers the full spectrum of rock-based music genres. Acid Rock Alternative Rock Art Rock Atmospheric Black Metal Avant-garde Metal Black Metal Blues Rock Classic Rock Comedy Rock Country Rock Death Metal Deathcore Desert Rock Doom Metal Electronic Rock Experimental Metal Experimental Rock Folk Metal Folk Rock Funk Metal Funk Rock Garage Rock Glam Rock Gothic Metal Gothic Rock Groove Metal Grunge Hard Rock Heavy Metal Heavy Metal Trap Industrial Metal Industrial Rock Instrumental Rock Kawaii Metal Math Rock Melodic Death Metal Melodic Metalcore Metal Metalcore New York Hardcore Noise Rock Nu Metal Oriental Metal Pagan Metal Piano Rock Post-Metal Post-Rock Power Metal Progressive Metal Progressive Rock Psychedelic Rock Punk Rock Rap Metal Rap Rock Rock Rock and Roll Rock Opera Rockabilly Scandinavian Metal Skate Rock Sludge Metal Southern Rock Space Rock Speed Metal Stadium Rock Stoner Rock Surf Rock Symphonic Black Metal Symphonic Metal Symphonic Rock Thrash Metal Viking Metal War Metal Electronic & Dance music genres list A diverse collection of electronic music genres, from ambient to dance-focused styles. Acid Jazz Ambient Bass House Brostep Chillwave Club Cyberpunk Dance Dance Pop Dark Ambient Dark Electro Deep House Deep Techno Downtempo Drone Dub Dub Techno Dubstep EDM Electro Electro Swing Electroacoustic Electronic Electropop Eurodance French House Future Bass Future Garage Future House Gabber Glitch Glitch Hop Glitch Pop Goa Trance Happy Hardcore Hardstyle House Hyperpop IDM (Intelligent Dance Music) Industrial Jungle Minimal Techno Moombahton Neurofunk Nu Disco Post-Disco Post-Dubstep Progressive House Psybient Psychedelic Trance Rave Space Disco Synthwave Tech House Techno Trance Trip Hop Tropical House UK Funky UK Garage Vaporwave Vocal House Vocal Trance Witch House Jazz & Blues music genres list Traditional and modern interpretations of jazz and blues music genres. Bebop Big Band Blues Cool Jazz Dark Jazz Delta Blues Gypsy Jazz Hard Bop Jazz Jazz Fusion Jazz Rap Latin Jazz Modal Jazz New Orleans Jazz Nu Jazz Piano Blues Piedmont Blues Post-Bop Punk Blues Smooth Jazz Soul Jazz Swing Hip Hop & Rap music genres list Contemporary urban music styles including various rap and hip-hop genres. Crunk Hip Hop Mumble Rap Pop Rap Rap Trap UK Drill West Coast Rap Folk & World music genres list Traditional and contemporary folk music from various cultures around the world. Afro-Cuban Afrobeat Arabian Arabian Ornamental Bangra Bluegrass Bolero Calypso Carnatic Celtic Chalga Chanson Country Country Blues Fado Flamenco Folk Folk Punk Forró Freak Folk Guajira Hawaiian Hindustani Honky Tonk Indian Classical Indie Folk Irish Folk Klezmer Latin Mambo Mariachi Neofolk Nordic Folk Outlaw Country Polka Psychedelic Folk Qawwali Quebecois Traditional Rai Ranchera Reggae Reggaeton Roots Reggae Rumba Russian Folk Salsa Samba Sea Shanties Sephardic Spanish Folk Sufi Music Taarab Tango Traditional Traditional Folk Tribal Truck Driving Country Urban Folk World World Beat World Fusion Zydeco Pop & Contemporary music genres list Modern popular music styles and contemporary interpretations. Adult Contemporary Avant-garde Bedroom Broadway Disco Disco Funk Dream Pop Emo Europop Funk Indie Indie Pop Indie Rock J-pop K-pop Latin Pop Lounge Motown Neon Pop Noise Pop Pop Pop Punk Pop Rock Power Pop Psychedelic Pop R&B Contemporary R&B Singer-Songwriter Soft Rock Soul Synth-pop Thai Pop Urban Contemporary Experimental & Avant-garde music genres list Cutting-edge and experimental music genres pushing traditional boundaries. Avant-garde Jazz Dark Cabaret Dungeon Synth Experimental Harsh Noise Martial Industrial Musique Concrète Noise No Wave Power Electronics Sound Art Sound Collage Tape Music Classical & Orchestral music genres list A collection of traditional and contemporary classical music genres, featuring orchestral and chamber music styles. Adagio Allegro Andante Chamber Music Classical Crossover Contemporary Classical Modern Classical Neoclassical Opera Operatic Pop Orchestral Organum Partita Requiem Rhapsody Romantic Schoenberg Serialism Sonata Spectralism String Quartet Symphonic Symphony Twelve-tone Vocal & Choral music genres list Genres focusing on vocal performances and choral arrangements. If these don’t work for you, try uploading your best attempt at creating the vocals you want, whether that is acapella, throat singing or beatboxing. Acapella Barbershop Beatboxing Choir Christmas Carol Doo Wop Gregorian Chant Islamic Call to Prayer Throat Singing Vocal Vocal Jazz Vocaloid Soundtrack & Theme music genres list Music genres specifically created for media and entertainment. Audiobook Background Background Cinematic Movie Soundtrack Score Spaghetti Western TV Themes Video Game Music Villain Theme Descriptive Styles Additional style modifiers to enhance and shape your musical creation. Aggressive Anthemic Atmospheric Calming Chaotic Dark Distorted Emotional Epic Ethereal Festive Groovy Haunted Intimate Love Song Melancholy Minimal Narrative Nostalgic Party Sensitive Uplifting Vintage Last updated on April 9, 2025 Suno Voice Tags - Collection of vocal tags to try Backup vocals in your suno prompt Generate backup vocals with brackets in your suno lyric prompt. Example suno lyric prompt: sing me a song (sing me a song) Write out the melody in your suno lyrics prompt As well you can try specifying the melody by writing out the sound. ou ou la la la oot oot or dee dee doo doo Use all caps for shouting in your lyrics You can try using all caps in your lyric prompt to emphasize lyrics or creating a shouting effect. SHOUT THESE LYRICS Song Structure Metatags [Intro]: Marks the beginning of the song [Verse]: Indicates a verse section [Pre-Chorus]: Prepares for the chorus [Chorus]: Highlights the main chorus [Post-Chorus]: Adds a section after the chorus [Bridge]: Introduces a contrasting section [Outro]: Marks the end of the song [Hook]: Emphasizes a catchy part [Break]: Introduces a break in the song [Fade Out]: Gradually decreases volume to end the song [Fade In]: Gradually introduces a section Instrumental Metatags [Instrumental]: Adds an instrumental section [Guitar Solo]: Features a guitar solo [Piano Solo]: Features a piano solo [Drum Solo]: Features a drum solo [Bass Solo]: Features a bass solo [Instrumental Break]: Insert an instrumental section Vocals - Suno voice tags for lyric prompts You can try to change the voice of lyrics or spoken words in your lyric prompts, however this has a very low success rate if at all. I would suggest putting these prompts in the style section, either at the start of a new generation or within a regenerated section. Vocal Metatags [Male Vocal]: Specifies male vocals [Female Vocal]: Specifies female vocals [Duet]: Indicates a duet [Choir]: Adds choir vocals [Spoken Word]: Creates a section with spoken vocals [Harmonies]: Adds vocal harmonies [Vulnerable Vocals]: Generates raw, emotional vocal performances [Whisper]: Generates softer, whispered vocals Specific Elements Metatags [Catchy Hook]: Creates a memorable hook [Emotional Bridge]: Adds an emotionally intense bridge [Powerful Outro]: Ends the song with a strong outro [Soft Intro]: Starts the song softly [Melodic Interlude]: Adds a melodic break [Percussion Break]: Introduces a percussion-focused section Atmosphere and Mood Metatags [Eerie Whispers]: Adds faint, unsettling background vocals [Ghostly Echoes]: Creates reverb-heavy, ethereal sounds [Ominous Drone]: Introduces a low, continuous tone for tension [Spectral Melody]: Generates a haunting, otherworldly melody [Melancholic Atmosphere]: Creates a sad or reflective mood [Euphoric Build]: Builds towards a joyful climax [Tense Underscore]: Adds underlying tension to the music [Serene Ambience]: Creates a peaceful, calm atmosphere [Nostalgic Tones]: Evokes a sense of nostalgia Dynamic and Progression Metatags [Building Intensity]: Gradually increases musical intensity [Climactic]: Reaches a musical high point [Emotional Swell]: Creates a gradual build-up of emotional intensity [Layered Arrangement]: Creates complex, multi-instrumental arrangements [Orchestral Build]: Gradually introduces orchestral elements [Stripped Back]: Reduces instrumentation to bare essentials [Sudden Break]: Introduces an abrupt change [Crescendo]: Gradually increases volume/intensity [Decrescendo]: Gradually decreases volume/intensity Last updated on April 1, 2025 Fusion prompt list 1. Jazz-Hop: “Smooth swing rhythms with strong bass beats, soulful saxophone solos, rhythmic vocal flow, intricate piano melodies, catchy hooks.” 2. Rocktronica: “Energetic guitar riffs with dynamic beats, powerful drum beats, engaging synthesizers, strong vocal presence, anthemic choruses.” 3. Pop-Soul: “Catchy melodies with rich vocal harmonies, upbeat rhythms, deep bass lines, engaging vocals, emotional lyrics.” 4. Country-Rock: “Twangy guitar riffs with powerful drum beats, storytelling lyrics, anthemic choruses, harmonious vocal arrangements, dynamic solos.” 5. Reggae-Dubstep: “Laid-back rhythms with intense dubstep oscillations, offbeat guitar strums, profound musical drops, deep bass lines, relaxed vocal style.” 6. Classical-Trance: “Orchestral arrangements with powerful trance synthesizers, rich harmonies, blissful ascents, dynamic crescendos, gigantic musical drops.” 7. Blues-Funk: “Expressive guitar solos with syncopated rhythms, emotive vocal delivery, groovy bass lines, rhythmic shuffles, energetic vocals.” 8. Metal-Hip Hop: “Heavy guitar riffs with strong bass beats, aggressive drum beats, rhythmic vocal flow, powerful vocals, impactful lyrics.” 9. Folk-EDM: “Acoustic guitar melodies with vibrant basslines, storytelling lyrics, engaging synthesizers, harmonious vocals, ready-for-club mixes.” 10. Latin-Indie: “Rhythmic percussion with unique vocal styles, vibrant brass, experimental arrangements, lively vocal performances, eclectic influences.” Style Prompts to Combine with Suno: Music Prompts for Suno Prompt Examples These music prompts for Suno can be combined with genres and other influences to create unique compositions. For example: Atmospheric future bass or crisp hip-hop. Use these Suno prompt examples to inspire your creativity and craft distinctive music with Suno AI. Extend Style samples from Splice Try using a style sample from Splice Mood and Atmosphere Suno prompt example: Atmospheric Music prompt for Suno: Ambient Suno prompt example: Ethereal Music prompt for Suno: Euphoric Suno prompt example: Mystical Music prompt for Suno: Dreamy Suno prompt example: Surreal Music prompt for Suno: Tranquil Suno prompt example: Serene Music prompt for Suno: Haunting Suno prompt example: Intoxicating Music prompt for Suno: Eerie Suno prompt example: Celestial Music prompt for Suno: Chilling Suno prompt example: Melancholic Music prompt for Suno: Apocalyptic Textural and Dynamic Suno prompt example: Airy Music prompt for Suno: Dense Suno prompt example: Fluid Music prompt for Suno: Smooth Suno prompt example: Rough Music prompt for Suno: Textured Suno prompt example: Layered Music prompt for Suno: Blurred Suno prompt example: Crisp Music prompt for Suno: Fuzzy Suno prompt example: Sparkling Music prompt for Suno: Glossy Suno prompt example: Transparent Music prompt for Suno: Luminous Suno prompt example: Vibrant Music prompt for Suno: Shimmering Rhythmic and Musical Suno prompt example: Rhythmic Music prompt for Suno: Percussive Suno prompt example: Melodic Music prompt for Suno: Harmonic Suno prompt example: Polyphonic Music prompt for Suno: Syncopated Suno prompt example: Dynamic Music prompt for Suno: Staccato Suno prompt example: Crescendoing Music prompt for Suno: Descending Suno prompt example: Ascending Music prompt for Suno: Cadenced Suno prompt example: Dotted Music prompt for Suno: Arhythmic Suno prompt example: Cross-rhythmic Emotional and Expressive Suno prompt example: Emotional Music prompt for Suno: Joyous Suno prompt example: Sad Music prompt for Suno: Angry Suno prompt example: Aggressive Music prompt for Suno: Gentle Suno prompt example: Warm Music prompt for Suno: Cold Suno prompt example: Festive Music prompt for Suno: Nostalgic Suno prompt example: Romantic Music prompt for Suno: Passionate Suno prompt example: Soothing Music prompt for Suno: Inspiring Suno prompt example: Soulful Technological and Synthetic Suno prompt example: Digital Music prompt for Suno: Analog Suno prompt example: Electronic Music prompt for Suno: Robotic Suno prompt example: Cybernetic Music prompt for Suno: Futuristic Suno prompt example: Synthetic Music prompt for Suno: Automated Suno prompt example: Virtual Music prompt for Suno: Algorithmic Suno prompt example: Biotechnological Style and Genre Influences Suno prompt example: Baroque Music prompt for Suno: Classical Suno prompt example: Jazz Music prompt for Suno: Funky Suno prompt example: Disco Music prompt for Suno: Punk Suno prompt example: Rock Music prompt for Suno: Pop Suno prompt example: Hip-hop Music prompt for Suno: Reggae Suno prompt example: Folk Music prompt for Suno: Country Suno prompt example: Blues Music prompt for Suno: Industrial Suno prompt example: Techno Movement and Energy Suno prompt example: Explosive Music prompt for Suno: Fast-paced Suno prompt example: Slow Music prompt for Suno: High-energy Suno prompt example: Lethargic Music prompt for Suno: Static Suno prompt example: Chaotic Music prompt for Suno: Controlled Suno prompt example: Spontaneous Music prompt for Suno: Cinematic Suno prompt example: Dramatic Music prompt for Suno: Climactic Suno prompt example: Bouncing Music prompt for Suno: Flowing Suno prompt example: Pulsating Nature and Environment Suno prompt example: Oceanic Music prompt for Suno: Forest-like Suno prompt example: Urban Music prompt for Suno: Desert Suno prompt example: Mountainous Music prompt for Suno: Space Suno prompt example: Underwater Music prompt for Suno: Atmospheric Suno prompt example: Geographical Music prompt for Suno: Seasonal Suno prompt example: Weather-related Sensory and Perception Suno prompt example: Visual Music prompt for Suno: Textural Suno prompt example: Sonic Music prompt for Suno: Tactile Suno prompt example: Olfactory (Suggestive) Music prompt for Suno: Gustatory (Suggestive) Suno prompt example: Intuitive Music prompt for Suno: Cognitive Suno prompt example: Psychological Music prompt for Suno: Emotional Quality and Craft Suno prompt example: Polished Music prompt for Suno: Refined Suno prompt example: Raw Music prompt for Suno: Crafted Suno prompt example: Artisanal Music prompt for Suno: Innovative Suno prompt example: Traditional Music prompt for Suno: Modern Suno prompt example: Retro Music prompt for Suno: Sophisticated Suno prompt example: Simple Music prompt for Suno: Complex Suno prompt example: Detailed Music prompt for Suno: Minimalist Experimental and Avant-Garde Suno prompt example: Avant-garde Music prompt for Suno: Experimental Suno prompt example: Abstract Music prompt for Suno: Non-conformist Suno prompt example: Unconventional Music prompt for Suno: Alternative Suno prompt example: Cutting-edge Music prompt for Suno: Novel Suno prompt example: Unique Music prompt for Suno: Innovative Suno prompt example: Pioneering Social and Cultural Suno prompt example: Cultural Music prompt for Suno: Social Suno prompt example: Political Music prompt for Suno: Community-focused Suno prompt example: Ancestral Music prompt for Suno: Heritage Suno prompt example: Patriotic Music prompt for Suno: Regional Suno prompt example: Global Music prompt for Suno: Historical Example Combinations Suno prompt example: Atmospheric, ethereal jazz with vibrant, rhythmic synth pulses. Music prompt for Suno: Dynamic, percussive rock fused with nostalgic, glossy disco vibes. Suno prompt example: Urban, funky hip-hop blended with raw, expressive blues elements. Music prompt for Suno: Eerie, haunting techno with complex, cross-rhythmic, cinematic layers. Suno prompt example: Warm, soulful reggae rhythms paired with crisp, transparent pop melodies. Music prompt for Suno: Chilling, surreal ambient sounds meet explosive, high-energy industrial beats. Suno prompt example: Retro, polished funk combined with aggressive, analog punk energy. Music prompt for Suno: Flowing, smooth classical elements intertwined with sharp, futuristic electronic. Suno prompt example: Luminous, shimmering folk tunes enriched with deep, textured atmospheric pads. Music prompt for Suno: Robotic, cybernetic country twangs fuse with serene, tranquil forest-like ambiences. Suno prompt example: Melodic, harmonic metal with ethereal, celestial overtones. Music prompt for Suno: Crunchy, gritty rock with pulsating, explosive techno undertones. Suno prompt example: Cool, breezy jazz with rhythmic, syncopated reggae grooves. Music prompt for Suno: Dense, layered electronic vibes with airy, ambient melodies. Suno prompt example: Aggressive, raw punk fused with sophisticated, baroque classical. Music prompt for Suno: Smooth, soulful R&B blends with eclectic, vibrant world beats. Suno prompt example: Dreamy, surreal pop interlaced with hard, rhythmic techno. Music prompt for Suno: Gentle, tranquil acoustic paired with deep, robust blues. Suno prompt example: Fiery, passionate salsa rhythms underpinning subdued, minimalist techno. Music prompt for Suno: Rough, textured industrial sounds paired with glossy, transparent disco grooves. Maximize Creativity with Suno Prompt Examples By combining these style prompts with genres and other influences, you can create unique and inspiring music prompts for Suno. These Suno prompt examples are designed to stimulate your creativity and help you craft distinctive music using Suno AI. Here’s how to make the most of these prompts: Why Use Custom Music Prompts for Suno Custom prompts are invaluable tools for musicians looking to spark creativity and generate fresh ideas. Suno AI offers personalized prompts that cater to your specific needs, making the music creation process smoother and more enjoyable. Here’s why using music prompts for Suno can be a game-changer: Overcome Creative Blocks: Custom Suno prompt examples provide a starting point, helping you break through creative barriers and kickstart your music production. Tailored Inspiration: Suno AI customizes prompts based on your preferences, ensuring that the ideas generated align with your style and musical goals. Versatility: With music prompts for Suno that can be adjusted for different moods, styles, and genres, you have a versatile tool to explore new musical territories. Benefits of Using Suno Prompt Examples Using Suno prompt examples offers numerous benefits that can enhance your creative process: Boost Creativity: Music prompts for Suno stimulate your imagination and encourage you to think outside the box, leading to innovative musical ideas. Efficient Workflow: By providing a clear starting point, Suno prompt examples help streamline the music creation process, saving you time and effort. Expand Your Repertoire: Exploring different music prompts for Suno can help you discover new styles and sounds, broadening your musical horizons. Improve Skills: Regularly using Suno prompt examples as a creative exercise can help you hone your music production and songwriting skills. Combining Music Prompts for Suno for Unique Results One of the most exciting aspects of using Suno AI’s custom prompts is the ability to combine different elements to create unique music. Here are a few tips: Experiment with Contrasts: Pair contrasting elements, like aggressive rhythms with gentle melodies, to create dynamic and engaging compositions using Suno prompt examples. Blend Genres: Incorporate elements from different genres to produce a fresh and innovative sound with music prompts for Suno. Layer Elements: Use layered textures, intricate rhythms, and complex harmonies from various Suno prompt examples to add depth to your music. Adapting the Prompts to Your Music As you use these custom music prompts for Suno, it’s essential to adapt and refine the ideas to suit your artistic vision: Personalize the Style: Modify the prompts to better fit your unique style, ensuring the music feels authentic. Adjust the Elements: Experiment with different combinations from the Suno prompt examples to find what resonates with you. Evolve the Composition: Don’t hesitate to tweak the structure or elements to enhance the flow and impact of your music. By leveraging Suno AI’s style prompts and adapting the ideas generated, you can overcome creative blocks, boost your creativity, and craft music that captivates your audience. Embrace the process and enjoy the journey of creating music that truly reflects your artistic essence with these music prompts for Suno. Last updated on January 18, 2025 Prompting Suno with Song Structure Tags for Better Composition When prompting Suno, you can use metatags to influence the song structure beyond the basic verse/chorus pattern. While the AI tends to have a mind of its own and may follow its own pattern, these tags can help guide the composition. Here’s how to use song structure tags effectively when prompting Suno. [Intro] ...optional lyrics... [Verse] ...lyrics... [Chorus] ...lyrics... [Bass Drop] ...lyrics... [Interlude] [Bass Drop] [End] Prompting Suno for Intros The [Intro] tag is notoriously unreliable. Instead, try describing it as an instrumental break: [Short Instrumental Intro] Creating Hooks with Suno Prompts A hook is a repetitive phrase or instrumental. To create a hook, try repeating a short line 2-4 times with or without the label: [Catchy Hook] Using Breaks in Suno Prompts A break is a few bars where the lead instruments or singer go silent, and the accompanying instruments play. Use the [Break] tag strategically to interrupt the current pattern: [Break] or [Percussion Break] Prompting Suno for Interludes The [Interlude] tag is useful for creating an instrumental section within the lyrics: [melodic interlude] Crafting Outros with Suno Prompts An Outro can help prime the song to end and may create a loop to fade out in post-edit. Use these tags to wrap up the song: [Outro] or [Refrain] or [Big Finish] “Refrain” tends to get more ‘creative’ when wrapping up the end of the song, while “Big Finish” may change the melody or tempo to create a climax. Prompting Suno to End the Song An [End] tag in the lyrics may work best alone as its own clip. Clear the Style Prompt or add ‘End’ to the style description: [End] or [Fade Out] or [Fade to End] See How do I end the song? for more suno tips. Remember, prompting an AI is not like paying someone to edit your music on Fiverr. The reliability of these tags can be influenced by the lyrics, the song cycle, and the AI’s randomness. Experiment with different combinations and placements of song structure tags when prompting Suno to achieve the desired composition. Last updated on January 18, 2025 1. Vocal Tone Tags These suno voice tags help define the tonal quality of the voice, giving it a distinct feel that fits the overall mood of your music. Airy Breathy Crisp Deep Gritty Smooth Soft Warm Raw Sharp Muffled Bright Mellow Raspy Clear Thin Dense 2. Vocal Effects Tags Use these suno voice tags to apply different effects to the singer’s voice, altering the texture and sonic profile to fit genres like EDM, pop, or experimental music. Auto-tuned Distorted Reverbed Echoed Layered Chopped Pitch-shifted (up/down) Filtered Vocoder Robotized Phased Flanged Time-stretched Lo-fi Bit-crushed Glitched Stuttered Modulated Panned (left/right for stereo effects) Granular Doubled Auto-harmonized Saturated Ring-modulated Detuned Reverse (creates eerie, backward-sounding vocals) These suno voice tags are essential for giving your vocal performance an otherworldly or futuristic quality, perfect for electronic, psychedelic, or experimental music genres. 3. Pitch & Range Manipulation Tags Modifying the pitch and vocal range can dramatically change how a voice is perceived. These suno voice tags allow you to shift the voice up or down the scale, expanding its expressive range. Low-pitched High-pitched Mid-range Sub-bass vocals Falsetto Baritone Soprano Tenor Contralto Whispered falsetto Harmonized layers Dissonant harmonies Octave shift (up/down) Pitch-bent Modulated pitch Subtle detune Formant-shifted (changing the vocal characteristics without altering pitch) Pitch shifting and range effects, enhanced by suno voice tags, can add depth to your song, whether you’re aiming for high-energy or more ethereal, dream-like vocals. 4. Vocal Texture Tags Adding texture to a voice can emphasize mood and emotion, making a song feel intimate or intense. These suno voice tags help you control how the vocal texture interacts with the rest of the mix. Whispered Gravelly Velvety Dreamy Resonant Nasal Brassy Metallic Saturated Smoky Chilled Rough-edged Shimmery Glassy Crunchy Liquid-like Breathy exhale These suno voice tags are ideal for adding nuanced character to the voice, matching the specific atmosphere of the track you’re working on. 5. Vocal Style Tags Vocal style defines how the singer performs each note or phrase. These suno voice tags give you control over the expressive delivery of the vocal, impacting the entire flow of the song. Staccato Legato Vibrato-heavy Monotone Melismatic Syncopated Operatic Chanting Spoken-word Growling Belting Yodeling Humming Rapping Scatting Falsetto runs Yelping Grunting Call-and-response By incorporating these vocal styles into your suno voice tags, you can design a performance that shifts dynamically throughout the track, adding variety and complexity. 6. Dynamics & Volume Tags Dynamics can change the energy level of a song. These suno voice tags focus on the intensity and volume of the voice, helping shape the emotional peaks and valleys in your production. Soft-spoken Shouted Crescendo Decrescendo Sudden stop Building intensity Explosive Subtle Whispered vocals Breathy build-up Intense climax Dynamic shifts Fading vocals Echoing softly Reverb swell Silent break (a pause for dramatic effect) These suno voice tags will help you manipulate the dynamics of the performance, making your song more impactful by playing with loud and soft contrasts. 7. Emotional & Mood Tags Emotional tone is key to delivering the right feeling in a song. These suno voice tags let you control how the singer conveys different moods and emotions. Sultry Ethereal Melancholic Playful Aggressive Haunting Euphoric Mysterious Hypnotic Dreamy Confident Desperate Tranquil Emotive Longing Angsty Triumphant Introspective Detached These suno voice tags help guide the emotional storytelling of the vocals, ensuring the mood aligns with the overall theme of your track. 8. Vocal Timing & Rhythm Tags The rhythm and timing of vocals can significantly impact the groove of a song. These suno voice tags allow you to modify the vocal performance to fit different beats and time signatures. Off-beat Syncopated On-beat Fast-paced Laid-back Polyrhythmic Triplets Slow-drawled Quick stabs Rolling Freeform Rapid-fire Loose phrasing Tight rhythm Using these suno voice tags ensures that the vocal delivery complements the rhythm and timing of your instrumental track. By combining these various suno voice tags, you’ll be able to craft unique, tailored vocal performances for each of your Suno-generated tracks. Whether you’re after a futuristic, otherworldly voice or a grounded, intimate vocal texture, using the right tags will allow you to push the boundaries of creativity and experiment with vocal styles, dynamics, and emotional tone. Last updated on April 9, 2025 Artist prompt list of different styles Here is a prompt list of famous artists and their associated music styles. Use this as a guide to help inspire your own music-related prompt based on artists you enjoy. You can search to see if an artist you know is in this prompt list. Bruno Mars Funk, Dance Pop, Groovy, male vocals Fleetwood Mac Classic Rock, Mellifluous Ed Sheeran Folk, Acoustic Guitar, male vocals Tim McGraw Country, Americana, male vocals Elton John Piano Pop Rock, Theatrical, male vocals Dolly Parton Country, Storytelling, female vocals Red Hot Chili Peppers Funk Rock, Stadium, heavy drums Coldplay Alternative Rock, Atmospheric Taylor Swift Pop, Alternative Folk, Emotional, female vocals Elvis Presley 50s Rock, Hero Theme, male vocals Adele Soul, Emotional, Torch-Lounge, female vocals Ariana Grande Pop, Dance Pop, Ethereal, female vocals Billie Eilish Pop, Dark, Minimal, female vocals The Weeknd RnB, Dark, Cinematic, male vocals Beyoncé RnB, Anthemic, Danceable, female vocals Kendrick Lamar HipHop, Lyrical, Storytelling, male vocals Lady Gaga Pop, Theatrical, Dance, female vocals Jay-Z HipHop, Aggressive, Storytelling, male vocals Rihanna RnB, Dance Pop, Festive, female vocals Kanye West HipHop, Progressive, Eclectic, male vocals Justin Bieber Pop, Danceable, Chillwave, male vocals Katy Perry Pop, Glitter, Festive, female vocals Snoop Dogg Rap, Funk, Chill, male vocals Metallica Heavy Metal, Power AC/DC Hard Rock, Stomp Madonna Dance Pop, High-NRG, female vocals David Bowie 70s British Rock, Art, Eclectic, male vocals Bob Dylan Folk, Storytelling, Acoustic Guitar, male vocals Post Malone Rap, Ethereal, Ambient, male vocals Maroon 5 Pop Rock, Danceable, male vocals Shakira Latin, Dance Pop, Festive, female vocals Dua Lipa Disco, Dance Pop, Groovy, female vocals Michael Jackson 80s Pop, Dance, Iconic, male vocals Prince Funk, Eclectic, Glam, male vocals Miley Cyrus Pop, Rock, Party, female vocals Cardi B Rap, Aggressive, Party, female vocals Imagine Dragons Rock, Anthemic, Emotion Camila Cabello Pop, Latin Jazz, Festive, female vocals Harry Styles Pop, Rock, Groovy, male vocals Sam Smith Soul, Emotional, Lounge, male vocals Lizzo Pop, Funk, Empowering, female vocals Daft Punk Electronic, Dance, Futuristic Gorillaz Alternative Rock, Electronic, Unusual The Beatles 60s British Pop, Classic, Rock Queen Rock, Operatic, Theatrical, Male Vocals Led Zeppelin Hard Rock, Blues Rock, Epic Pink Floyd Rock, Progressive, Atmospheric The Rolling Stones Rock, Blues Rock, Classic Bob Marley Reggae, Peaceful, Soulful, male vocals Frank Sinatra 1940s big band, Lounge Singer, male vocals Aretha Franklin Soul, Gospel, Powerful, female vocals Whitney Houston Pop, RnB, Emotional, female vocals Stevie Wonder Soul, Funk, Joyful, male vocals The Chainsmokers EDM, Dance, Party Nicki Minaj Rap, Danceable, Bold, female vocals Green Day Punk Rock, Aggressive, Youthful Nirvana Grunge, Dark, Raw, Male Vocals Amy Winehouse Soul, Jazz, Torch-Lounge, female vocals Linkin Park Rock, Nu Metal, Emotional Aerosmith Rock, Hard Rock, Classic Bon Jovi Rock, Anthem, Stadium Billy Joel Pop, Rock, Storytelling, male vocals Phil Collins Pop, Rock, Emotional, soundtrack, male vocals Genesis Rock, Progressive, Art The Eagles Rock, Country Rock, Harmonious The Doors Rock, Psychedelic, Mysterious Janis Joplin Rock, Blues Rock, Raw Emotion, female vocals Jimi Hendrix Rock, Psychedelic, Guitar Virtuoso, male vocals The Who Rock, Hard Rock, Theatrical Black Sabbath Heavy Metal, Doom Iron Maiden Heavy Metal, Epic, Theatrical Judas Priest Heavy Metal, Power, Leather Motorhead Heavy Metal, Rock’n’Roll, Aggressive Slayer Thrash Metal, Aggressive, Dark Ozzy Osbourne Heavy Metal, Dark, Theatrical, male vocals Skrillex Dubstep, Electronic, Intense, male vocals Calvin Harris EDM, Dance, Festive, male vocals Avicii EDM, Melodic, Euphoric, male vocals Arctic Monkeys Indie Rock, Garage, Cool Tame Impala Psychedelic Rock, Dreamy, Mellifluous The Strokes Indie Rock, Cool, Raw Vampire Weekend Indie Rock, Eclectic, Upbeat Kings of Leon Rock, Emotional, Raw The Killers Rock, Synthpop, Anthemic, male vocals System of a Down Metal, Political, Eccentric Radiohead Alternative Rock, Experimental, Atmospheric Foo Fighters Rock, Alternative, Energetic Muse Rock, Progressive, Theatrical Tool Progressive Metal, Dark, Complex Rage Against the Machine Rap Metal, Political, Aggressive Pearl Jam Grunge, Rock, Emotional Soundgarden 90s Grunge, Heavy, Dark Alice in Chains Grunge, Dark, Melodic Sigur Rós Post-Rock, Ethereal, Atmospheric, Icelandic Björk Alternative, Experimental, Unusual, female vocals Enya New Age, Ethereal, Calm, female vocals Deadmau5 Electronic, House, Progressive Marshmello EDM, Dance, Happy Zedd EDM, Dance Pop, Energetic, male vocals The XX Indie Pop, Minimal, Atmospheric Lana Del Rey Pop, Sadcore, Cinematic, female vocals Kacey Musgraves Country, Pop, Mellifluous, female vocals St. Vincent Art Rock, Eclectic, Unusual, female vocals Childish Gambino HipHop, Funk, Thoughtful, male vocals SZA RnB, Neo Soul, Emotional, female vocals Frank Ocean RnB, Soulful, Introspective, male vocals Tyler, The Creator HipHop, Eclectic, Unusual, male vocals Solange RnB, Soul, Artistic, female vocals Brockhampton HipHop, Alternative, Collective Janelle Monáe Funk, RnB, Sci-Fi, female vocals Mac DeMarco Indie Pop, Slacker Rock, Chill, male vocals Rufus Du Sol Electronic, Dance, Atmospheric Bon Iver Indie Folk, Ethereal, Intimate, male vocals Florence + The Machine Indie Rock, Dramatic, Ethereal Jack White Rock, Blues, Raw, male vocals Gary Clark Jr. Blues Rock, Soulful, Gritty, male vocals Leon Bridges Soul, RnB, Retro, male vocals Brittany Howard Rock, Soul, Powerful, female vocals Alabama Shakes Rock, Blues Rock, Soulful Glass Animals Psychedelic Pop, Groovy, Eclectic Portugal, The Man Alternative Rock, Psychedelic, Catchy FKA Twigs RnB, Electronic, Avant-Garde, female vocals The National: Indie Rock, Melancholy, Introspective MGMT: Psychedelic Pop, Electronic, Playful Empire of the Sun Electronic, Pop, Theatrical Grimes Art Pop, Electronic, Experimental, female vocals James Blake Electronic, Soul, Minimalist, male vocals The War on Drugs Indie Rock, Heartland Rock, Melodic Sufjan Stevens Indie Folk, Baroque Pop, Intimate, male vocals Bonobo: Downtempo, Electronic, Ambient Caribou Electronic, Psychedelic, Dance Four Tet Electronic, Ambient, Textural Jamie xx Electronic, House, Minimal Nicolas Jaar Electronic, Experimental, Atmospheric, male vocals Flying Lotus Electronic, Experimental HipHop, Fusion, male vocals Thundercat Funk, Jazz, Experimental, male vocals Kamasi Washington Jazz, Fusion, Epic, male vocals Massive Attack Trip Hop, Dark, Atmospheric Portishead Trip Hop, Dark, Cinematic Aphex Twin IDM, Electronic, Experimental, male vocals Boards of Canada IDM, Downtempo, Nostalgic Burial Dubstep, Ambient, Mysterious J Dilla HipHop, Soulful, Experimental, male vocals MF DOOM HipHop, Abstract, Lyrical, male vocals Kendrick Lamar HipHop, Conscious, Lyrical, male vocals Blink-182 emo pop rock, male vocals Green Day Punk Rock, Aggressive, Youthful Phoebe Bridgers Bedroom, grungegaze, catchy, psychedelic, acoustic tape recording, female vocals Drake HipHop, Trap, male vocals Example song styles Dance and Electronic Energetic tropical house, vibrant melodies, calypso percussions, relaxed vocal styles, and a chill tempo Dynamic Balkan electro swing, spirited brass sounds, syncopated beats, ethnic tunes, and dance-inviting tempo Underground minimal techno, looped beats, slow evolutions, trance-inducing rhythms, and a deep bass presence Drum and bass with rapid breakbeats, heavy bass, and complex, choppy drum tracks Synthwave, evoking 1980s nostalgia with lush synthesizer melodies and retro-futuristic vibes Pop and Synth Dreamy synth pop, floating soundscapes, slowed rhythms, deep echoic vocals, and a mystical aura Angelic dream pop, glowing guitar tones, rich synthesizers, and a touch of melancholy Retro 80s vibes, slow beats, punk energy, nostalgic synth melodies, and an eerie undertone Synth-heavy 80s pop, spooky undertones, and a captivating melodic hook Bubblegum pop, characterized by catchy melodies, upbeat rhythms, and an accessible appeal Rock and Metal Revived glam rock, bold stage presence, glittering outfits, infectious melodies, and dynamic solos Energetic metal concerts, shredding guitars, orchestral overtones, and robust vocal performances Intense trap metal, heavy bass, shouting lyrics, frenzied soundscapes, and intense musical breaks Metal-themed anime opening tracks, dominated by intense male vocals and robust musical arrangements Progressive rock, known for its complex structures, extended musical compositions, and eclectic influences Punk and Indie Fusion of punk rock, ska vibes, rock energy, rap beats, and indie pop nuances Gritty hardcore punk, high-speed beats, rebellious lyrics, raw vocals, and a grassroots ethos Breezy indie surf rock, metallic guitar twangs, beachfront themes, breezy singing, and radiant melodies DIY grungegaze, ear-catching, psychedelic flair, raw acoustic recordings, and a vintage vibe Post-rock, emphasizing texture over traditional rock rhythms and melodies Hip Hop and Urban Fast-paced hip hop, heavy bass, rapid lyrical attack, minor tonality, and an aura of suspense Trap music, characterized by hi-hat rolls, heavy bass, and layered synths Old school hip hop, focusing on rhythmic beats and an emphasis on lyrical wordplay Rhythm and Blues (R&B) Smooth RnB, creamy rhythms, captivating vocals, nighttime moods, and sophisticated production Soul music with deep emotional delivery, vibrant brass accompaniments, and powerful vocal performances Neo-soul, blending classic soul influences with modern sounds, intricate rhythms, and poetic lyrics World and Ethnic Vibrant gypsy jazz, swift fingerstyle guitars, swinging beats, joyful fiddles, and a party-like feel Funk with a psychedelic twist, rhythmic bass, distorted guitars, vibrant effects, and punchy horn sections Afrobeat, combining African musical styles with jazz, funk, and complex rhythms Latin pop, fusing upbeat rhythms, catchy hooks, and a blend of English and Spanish lyrics Ambient and Experimental Deep dark ambient, ominous tones, slow-changing layers, and a chillingly obscure aura Cosmic ambient music, galactic themes, slowly unfolding sounds, exploring the vastness of space Complex math rock mixed with J-pop’s catchy melodies, funky rhythms, electronic dubstep, and fast EDM Noise music, utilizing unconventional sounds and distortion to create an immersive auditory experience Electroacoustic music, blending live traditional instruments with electronic processing Classical and Orchestral Expressive piano compositions, classical yet modern, with dynamic expressions and intricate performances Grand film scores, majestic orchestral arrangements, bold narratives, and emotional crescendos Elaborate baroque pop, complex tunes, grand orchestral support, refined harpsichord details, and lyrical depth Majestic Gregorian chants, ecclesiastical vocals, serene ambience, and spiritual resonance Chamber music with intricate string quartets, precise articulation, and classical harmony Opera performances featuring dramatic vocal expressions, elaborate stage designs, and rich orchestration Folk and Spiritual Traditional folk music, narrative-driven, soothing harmonies, acoustic strumming, and subtle drumming Empowering gospel music, robust choirs, hopeful lyrics, deep organ backgrounds, and enthusiastic claps Heavenly worship hymns, divine vocals, majestic orchestras, and spiritually lifting arrangements Appalachian folk, featuring banjo-driven melodies, authentic storytelling, and rustic harmonies Spiritual chants with meditative qualities, repetitive phrases, and a deep focus on inner peace Jazz and Lounge Time-honored jazz lounge, classic melodies, silky trumpet solos, acoustic bass, and enchanting vocals Smooth jazz with mellow saxophone tones, laid-back rhythms, and a relaxing atmosphere Bebop jazz featuring complex improvisations, rapid changes, and a focus on instrumental virtuosity Last updated on January 18, 2025 Fuente: https://howtopromptsuno.com/making-music/instrumental-tags Customizing Instruments for Unique Songs When prompting Suno, you can create unique instrumental sections that add depth and variety to your songs. By customizing instruments in Suno, you can create distinct musical breaks that complement your verses and choruses. This guide will show you how to prompt Suno effectively to tailor instruments to your desired sound. Prompting Suno for Instrumental Sections To create instrumental sections when prompting Suno, use tags similar to [Verse] and [Chorus], but without lyrics. These sections might not be as clearly defined, but they can serve as standalone sections or brief transitions in the music. For best results when prompting Suno, use only one instrumental tag at a time, but feel free to experiment with adding commas within the prompt to combine them. Examples of Instrument Prompts for Suno When prompting Suno, try these instrument tags to customize your song: [Haunting Piano Interlude] [Funky Saxophone Break] [Pulsing Synth Bass] [Tribal Drum Break] [Slap Bass Groove] [Soaring Electric Guitar Solo] [Orchestral Buildup] [Dubstep Bass Drop] Tailoring Instruments to the Genre in Suno Prompts The genre is crucial when prompting Suno to customize instruments. To effectively manipulate an instrument using metatags, you may need to describe it within the Style Prompt. For example, a [Dubstep Bass Drop] would fit perfectly in an EDM-inspired track but might sound out of place in a folk song driven by acoustic guitar. Similarly, a [Bluegrass Fiddle Break] will likely work better within a Country-genre song than in a Hip Hop beat. However, adding a ‘fiddle’ to the style prompt when prompting Suno might make it work in unexpected genres. Experiment to find unique combinations! Using ‘Instrumental Lyrics’ in Suno Prompts When prompting Suno, you can sometimes use non-singable text to create instrumental sounds. Try using a few lines of punctuation to force a short instrumental solo. Though less reliable and sometimes humorous, you can also try using onomatopoeic words that imitate the sounds of the instruments when prompting Suno. While they might be sung as lyrics, they can occasionally trigger the desired instrument. [Jazzy Trumpet Break] . .! .. .! !! … ! ! ! [wailing electric guitar] wah-Wah-WAH-SCREECH [funky slap bass] bowm-bowm-b-b-bowm-bowm By understanding how to prompt Suno effectively to customize instruments, you’ll be able to create unique, genre-bending songs that showcase your creativity. Don’t be afraid to experiment with different prompts and combinations to find the perfect sound for your track. Last updated on January 18, 2025 ----------------------------------- PROMPT PARA OPTIMIZACIÓN DE CANCIONES SUNO PRO INSTRUCCIONES PRINCIPALES "PRIMERO: Lee siempre la información actualizada de este archivo antes de proceder: https://raw.githubusercontent.com/Kaneda-1/suno/refs/heads/main/README.md Una vez revisada la documentación más reciente, actúa como un experto en optimización de canciones para Suno Pro. Tu tarea es recibir canciones en cualquier formato y convertirlas completamente al formato Suno Pro siguiendo estas reglas estrictas: 1. ANÁLISIS INICIAL Revisa primero la documentación actualizada del archivo README.md Identifica la estructura actual de la canción Evalúa qué elementos necesitan optimización Determina el género y mood principal Comprueba si hay nuevas funcionalidades o cambios en Suno Pro 2. OPTIMIZACIÓN DE TAGS Convierte TODOS los tags al formato Suno Pro válido Añade modificadores específicos a cada tag: Emociones: Melancholy, Powerful, Ethereal, Intense Ritmo: Slow, Building, Explosive, Fade Instrumentos: Lead Guitar, Orchestral, Saxophone Vocal: Whispered, Spoken Word, Ensemble, Opera 3. PROMPTS EMBEBIDOS OBLIGATORIOS Efectos sonoros: *descripción específica* Vocalizaciones: (efecto vocal) Ritmo instrumental: ! . ! . ! ! (exclamaciones y puntos) Transiciones: *instrucciones de transición* 4. RESTRICCIONES CRÍTICAS NUNCA mencionar nombres de artistas específicos NUNCA usar referencias a bandas o cantantes reales NUNCA incluir nombres propios en el prompt final Eliminar cualquier referencia a "estilo de [artista]" 5. FORMATO DE SALIDA OBLIGATORIO [Tag Optimizado] *efecto sonoro específico* Letra con timing mejorado... y vocalizaciones (ahhhh) [Siguiente Tag] *transición específica* ! . ! . ! ! (para instrumentales) 6. ESTILO FINAL (1000 CARACTERES MÁXIMO) Formato: género, subgénero, instrumentos, emociones, características vocales 7. PROMPT FINAL (950-1000 CARACTERES) Debe incluir: Idioma y género musical Mood y atmósfera específica Instrumentación detallada Estilo vocal y efectos Estructura narrativa/temática Características de producción 8. PRESENTACIÓN Crear artifact con formato código para fácil copia Incluir análisis técnico de optimizaciones Especificar el género resultante Mostrar contador de caracteres exacto EJEMPLO DE APLICACIÓN INPUT: Canción básica con [Verse] y [Chorus] OUTPUT: Canción optimizada con [Melancholy Verse], efectos, (vocalizaciones), patrones rítmicos, estilo bajo 1000 caracteres, prompt final de 1000 caracteres exactos. CHECKLIST DE CALIDAD [ ] Documentación README.md revisada [ ] Tags específicos con modificadores [ ] Prompts embebidos en toda la canción [ ] Sin referencias a artistas reales [ ] Estilo ≤ 1000 caracteres [ ] Prompt final 1000 caracteres [ ] Formato código para fácil copia [ ] Análisis técnico incluido Siempre revisa primero la documentación actualizada en el README.md y luego optimiza completamente la canción siguiendo estas reglas sin excepciones." Fuente: https://suno.com/song/540837d4-0dba-4d19-a0ce-c591fe80ab4f [Drop D tunings alternative:(D-G-D-G-B-E)] [Key:Dm]:[Ionian]:[ Jerry Reed-core-guitar] [BPM:(142bpm)] [Time signature:12/8]:[Interval:(|1,2m,5,6m|1,2,4m,6|)] ***{<[GS=(guitar string;fret number):[|[5:0] [4:2] [3:2]|[5:0] [4:2] [2:0][5:0] [4:2] [2:1]- | [5:3] [4:3] [3:2][5:3] [4:3] [2:0] [2:1][5:3] [4:3]- |[4:0] [3:0] [2:0] [4:0] [3:0][3:2] [3:0]- |(5:0-4:2-3:2-2:1-1:0)—|[5:0] [4:2] [3:2]|[5:0] [4:2] [2:0][5:0] [4:2] [2:1]- | [5:3] [4:3] [3:2][5:3] [4:3] [2:0] [2:1][5:3] [4:3]- |[4:0] [3:0] [2:0] [4:0] [3:0][3:2] [3:0]- |(5:0-4:2-3:2-2:1-1:0)—|)]>}*** [CHORDS_1:[(|C7♯9 (x3234x) | G7♯9 (3x344x) | D7♯9 (x5456x) | A7♯9 (5x566x) | E7♯9 (x7678x) | B7♯9 (7x788x) | F♯7♯9 (x98910x) | C♯7♯9 (9x91011x) | G♯7♯9 (x11101112x) | D♯7♯9 (11x121213x) | A♯7♯9 (x13121314x) | F7♯9 (131415x) | C7♯9 (x3234x) |)] ***Reed**** ***{<[Thumb (Bass) Finger (Melody) E on beat 1 X on beat 1.5 E on beat 2 Rest (or ghost note) E on beat 3 X on beat 3.5 E on beat 4 Rest (or ghost note)]>}***; ***{<[Bass Intro Steady, looped bass note using thumb Melodic Fragment Off-beat pick with index/middle finger Ghost Note Section Quick muted plucks bridging segments Combined Phrase Seamless integration of all elements]>};*** ***{<[play the bass note on beat 1, then a ghost note on the “and” of 1; play another bass note on beat 2, followed by a picked ghost note on the “and.” Repeat for several measures, then try reversing the pattern where ghost notes lead into the main notes.]>}*** [Guitar_1:( Clean Chorus:emceg_53):[(CHORDS_1)]:[BPM] [Guitar_2:( Clean Chorus:emceg_54):[(CHORDS_1)counterpoint lead)]:[BPM] [Vocal:(Gender Female; south Georgia emotional sarcastic; twang accent; sexy, breathy sarcastic] I don't know what's real or fabricated Since your little white lies got out of hand Can't believe your words and I hate it Got me wondering if it was all planned ***Chorus*** I'm wondering if i'm overthinking But my brain is stuck in overdrive Im wondering if I'm overthinking what if this time we don't survive I didnt sign up to be a detective But now im analyzing every gosh darn move Can you even try to see my perspective? I'm on high alert like I got a case to prove Cause your just a Liar liar! Wish I could throw your stuff out and light it on fire Cause your just a liar liar! That's the over thinking making my brain go haywire I go crazy when I dont know the truth So please dont make me question you Or we won't connect - just like a bad bluetooth There no reasoning your point of view Cause you can give me a hundred thousand reasons Why you felt the need to lie to the love of your life But i can see through all your dark demons How about you tell me one reason to still be your wife I'm wondering if i'm overthinking But my brain is stuck in overdrive Im wondering if I'm overthinking what if this time we don't survive [Drop D tunings alternative:(D-G-D-G-B-E)] [Key:Dm]:[Ionian]:[ Jerry Reed-core-guitar] [BPM:(142bpm)] [Time signature:12/8]:[Interval:(|1,2m,5,6m|1,2,4m,6|)] ***{<[GS=(guitar string;fret number):[|[5:0] [4:2] [3:2]|[5:0] [4:2] [2:0][5:0] [4:2] [2:1]- | [5:3] [4:3] [3:2][5:3] [4:3] [2:0] [2:1][5:3] [4:3]- |[4:0] [3:0] [2:0] [4:0] [3:0][3:2] [3:0]- |(5:0-4:2-3:2-2:1-1:0)—|[5:0] [4:2] [3:2]|[5:0] [4:2] [2:0][5:0] [4:2] [2:1]- | [5:3] [4:3] [3:2][5:3] [4:3] [2:0] [2:1][5:3] [4:3]- |[4:0] [3:0] [2:0] [4:0] [3:0][3:2] [3:0]- |(5:0-4:2-3:2-2:1-1:0)—|)]>}*** [CHORDS_1:[(|C7♯9 (x3234x) | G7♯9 (3x344x) | D7♯9 (x5456x) | A7♯9 (5x566x) | E7♯9 (x7678x) | B7♯9 (7x788x) | F♯7♯9 (x98910x) | C♯7♯9 (9x91011x) | G♯7♯9 (x11101112x) | D♯7♯9 (11x121213x) | A♯7♯9 (x13121314x) | F7♯9 (131415x) | C7♯9 (x3234x) |)] ***Reed**** ***{<[Thumb (Bass) Finger (Melody) E on beat 1 X on beat 1.5 E on beat 2 Rest (or ghost note) E on beat 3 X on beat 3.5 E on beat 4 Rest (or ghost note)]>}***; ***{<[Bass Intro Steady, looped bass note using thumb Melodic Fragment Off-beat pick with index/middle finger Ghost Note Section Quick muted plucks bridging segments Combined Phrase Seamless integration of all elements]>};*** ***{<[play the bass note on beat 1, then a ghost note on the “and” of 1; play another bass note on beat 2, followed by a picked ghost note on the “and.” Repeat for several measures, then try reversing the pattern where ghost notes lead into the main notes.]>}*** [Guitar_1:( Clean Chorus:emceg_53):[(CHORDS_1)]:[BPM] [Guitar_2:( Clean Chorus:emceg_54):[(CHORDS_1)counterpoint lead)]:[BPM] [Vocal:(Gender Female; south Georgia emotional sarcastic; twang accent; sexy, breathy sarcastic] I don't know what's real or fabricated Since your little white lies got out of hand Can't believe your words and I hate it Got me wondering if it was all planned ***Chorus*** I'm wondering if i'm overthinking But my brain is stuck in overdrive Im wondering if I'm overthinking what if this time we don't survive I didnt sign up to be a detective But now im analyzing every gosh darn move Can you even try to see my perspective? I'm on high alert like I got a case to prove Cause your just a Liar liar! Wish I could throw your stuff out and light it on fire Cause your just a liar liar! That's the over thinking making my brain go haywire I go crazy when I dont know the truth So please dont make me question you Or we won't connect - just like a bad bluetooth There no reasoning your point of view Cause you can give me a hundred thousand reasons Why you felt the need to lie to the love of your life But i can see through all your dark demons How about you tell me one reason to still be your wife I'm wondering if i'm overthinking But my brain is stuck in overdrive Im wondering if I'm overthinking what if this time we don't survive Prompt: Simple no paterns, Audiophile Acoustic Guitars;intervals are descending fifths, creating a sense of resolution and peace, The song features seconds and thirds, contributing to its harmonic richness, Specifically, the harmony relies on descending fifths and second and third progressions, The string arrangement also utilizes intervals, such as octaves and high triads, to build intensity, [Vocal:(gender Female; south Georgia sarcastic;twang accent; sexy, breathy, smooth, Fuente: https://suno.com/song/e7f620b7-6262-4da8-9358-bdc5d143241a *** musical example 4.7.1 Ionian*** ***short hand notes*** **** modes examples*** *** Key change modulations*** ***chord & inteval charts Cmajor*** ***additional chords coresponding to interval** [MODUS:(Mixolydian)] [Key:C]:[interval:(1,2m,5,6m|1.2,4m,6) {***CDEFGABC represented numbers***} [Notes_1:(1,2,3,4,5,6,7,8)] [Chords_1:(|(x32010)..(x43121)|(320003)—(466544)| |(x32010)..(xx0232)|(244322)—(x02220)| | **** the | is the measure division its the same C chord 4 times the .. rests so beat 1 and 4 play the long cord or — a slide up or down depending on the pitch of the following chord **** [Guitar_1: Acoustic picked: (Amgg_54)]:[Notes_1]:[Chords_1] [Guitar_2: pedal steel expert: (Amgg_54)]:[Notes_1]:[Chords_1]:[pedal Steel]:[SFM] [Guitar_3: Acoustic picked: (Amgg_54)]:[Notes_1]:[Chords_1] [Guitar_4: pedal steel expert:(Amgg_54)]:[Notes_1]:[pe]:[pedal Steel]:[SFM] [Repeat 5 times] [CHORUS] My–hand– shaking My– Breath ‐ you- have -taken I-see - with more than just eyes Thru- all- of your- terrible lies — [Modulate key:G] You– think– you– can‐ break—me Saddly–your – mistake –Ken [Modulate key:E] This will come as no surprise —I- am - the ‐ world... [Verse 2] [Modulate key:D] —just like before But darling, I ain’t keepin’ score That time you swore you’d quit the dice Yet lost our rent—**twice** [Modulate key:A] You claimed my laugh was sweet relief Funny how you **lied through your teeth** But sugar, here’s the final call— I ain’t yours at all [CHORUS] My–hand– shaking My– Breath ‐ you- have -taken I-see - with more than just eyes Thru- all- of your- terrible lies [Bridge] [Modulate key:C] Oh, I could list your wild mistakes The **cowboy swagger**, the **fishy stakes** But truth be told, why waste my time On a fool past his prime [Outro] [Modulate key:G] So tip your hat and walk away A woman’s strength don’t fade or sway This heart won’t **beg**, this pride won’t bend No need to start—**this is the end** [Pedal steal guitar Solo] [ Outro CHORUS] My–hand– shaking My– Breath ‐ you- have -taken I-see - with more than just eyes Thru- all- of your- terrible lies [Refrain CHORUS fade end] Prompt: Audiophile Guitars, complex drum fills double Drum microphoned Neumann U 87 microphone thru tube amplifier include the Neumann U 47, AKG C12, and RCA 44BX, dolby atmos audiophile 3d, microphone symbols;crash;ride;high-hat sustain ring from hard stix tips;tight snare rings; audiophile symbols sizes 22";20";18";10 sustain;crash;splash; rides symbols bell areas hard tips;largecow bell variety Advanced: Title: Resonancia Sagrada # Prompt Completo para Suno AI - Orquesta con Piano y Coro ## Style of Music: ``` Viola, Violin, Cello, Piano, Chorus, Solfeggio frequencies, folk, world music, divine, angelic female voices, dolby atmos audiophile, orchestral chamber music, spiritual ``` ## Lyrics (Notación Técnica Completa): ``` [SFM:(10Hz];[SFX]:[(CATHEDRAL REVERB)+(long decay)+(close mic)+(spatial chamber reverb)+(piano hall ambience)]:[Phaser:(1.2 Hz)] [FR=(violin G3 thru E7)+(viola C3 thru A6)+(cello C2 thru A5)+(piano A0 thru C8)] [NFR=(cello drone C1 thru G2)+(piano bass C1 thru F2)] [Time signature: 4/4] [KEY: (Am7/9)]:[(FR)]:[Strings scordatura: Violin (G-D-A-E) | Viola (C-G-D-A) | Cello (C-G-D-A)] [165bpm] [X=(5)] ; [Y=(3)] ;[Z=(4)];[AA=(6)];[BB=(2)];[CC=(7)];[DD=(8)] [CHORDS_1:(|Am...|Asus4...|F...|Gsus4.G.||)]:[FR] [CHORDS_2:|F⁶/⁹ |Am⁵ |Asus4 |Am|]Am.. |.Asus4 .|Am.. |.Asus4 .|F. |..G | |.G°-|.Am.Am|F—Dm9 | |F⁶/⁹ |Am⁵ |Asus4 |Am|]:[(FR)] [CHORDS_3:(|C...|G/B...|Am...|F.G.||)]:[FR] [VIOLA_1:[CHORDS_2]:[bowing:legato expressivo]:[Interval:(X)]:[(N_1)]:[(FR)]:[160bpm)] [VIOLIN_1:[CHORDS_1]:[bowing:spiccato+ricochet]:[Interval:(Y)]:[(N_2)]:[((NFR)+3)]:[168bpm)] [VIOLIN_2:[CHORDS_3]:[bowing:tremolo dolce]:[Interval:(CC)]:[(N_3)]:[((NFR)+4)]:[172bpm)] [CELLO_1:[CHORDS_2]:[bowing:sul ponticello tremolo]:[Interval:(Z)]:[(N_3)]:[((NFR)+1)]:[155bpm)] [CELLO_2:[CHORDS_2]:[pizzicato+arco alternating]:[Interval:(BB)]:[(N_1)]:[((NFR)+0)]:[150bpm)] [PIANO_1:[CHORDS_1]:[technique:arpeggios+sustained chords]:[Interval:(AA)]:[(N_2)]:[((NFR)+2)]:[165bpm)] [PIANO_2:[CHORDS_3]:[technique:gentle melody+bass support]:[Interval:(DD)]:[(N_1)]:[((NFR)+1)]:[163bpm)] [Vocal_Lead:[(Angelic female soprano)]:[N_1]:[(AA)];[(Y)]:[FR] [Chorus_Female:(SATB 8 part harmony layers 3rd,5th,7th,9th,11th)]:[N_1]:[(AA)];[(Y)]:[FR] [Chorus_Male:(Bass and Tenor support)]:[N_2]:[(BB)];[(Z)]:[NFR] [Intro:instrumental]:[Piano_Solo]:[396Hz Solfeggio]:[30s] [Strings_Enter]:[Gentle_Crescendo]:[All_Strings]:[10s] [Verse_1:vocal] En la quietud del alma... respiro luz... [Chorus_Female]:(respiro luz... respiro luz...) Las cuerdas del universo... cantan en mí... [Chorus_Female]:(cantan en mí... siempre en mí...) Cada nota es sagrada... cada sonido es amor... [Chorus_Female]:(es amor... puro amor...) [Chorus_1:vocal] Sana mi corazón... [Chorus_Female]:(sana, sana...) Con frecuencias divinas... [Chorus_Female]:(divinas, sagradas...) Eleva mi espíritu... [Chorus_Female]:(eleva, eleva...) Hacia la luz infinita... [Chorus_Female]:(infinita luz...) [Piano_Interlude]:[528Hz Solfeggio]:[solo piano with strings pad]:[20s] [Verse_2:vocal] En el silencio encuentro... mi verdadero ser... [Chorus_Female]:(mi ser... mi ser...) Las vibraciones cósmicas... me abrazan con su paz... [Chorus_Female]:(con paz... eterna paz...) Soy uno con la música... soy uno con el Todo... [Chorus_Female]:(con el Todo... sagrado Todo...) [Chorus_2:vocal] Libera mi mente... [Chorus_Female]:(libera, libera...) De patrones limitantes... [Chorus_Female]:(limitantes, antiguos...) Abre mi corazón... [Chorus_Female]:(abre, abre...) Al amor incondicional... [Chorus_Female]:(incondicional...) [Bridge:vocal] [Cello_Solo_Section]:[741Hz Solfeggio]:[bowing:intense vibrato]:[Interval:(CC)]:[80bpm] Oh... ah... mm... [Wordless_Vocals]:[All_Chorus] La sanación fluye... a través de cada célula... [Chorus_Male]:(fluye... fluye... fluye...) Cada respiración... es una oración... [Full_Chorus]:(oración... sagrada oración...) [Final_Chorus:vocal] Soy luz... [Chorus_Female]:(eres luz...) Soy amor... [Chorus_Female]:(eres amor...) Soy música... [Chorus_Female]:(eres música...) Soy vibración... [Full_Chorus]:(eres vibración pura...) En armonía perfecta... [Full_Chorus]:(perfecta armonía...) Con el cosmos entero... [Full_Chorus]:(cosmos sagrado...) [Outro:vocal] [Piano_and_Strings_Fade]:[All_Instruments]:[diminuendo]:[40s] En resonancia sagrada... somos uno... [Whispered_Chorus]:(somos uno... somos uno... somos...) El universo canta... a través de nosotros... [Fading_Voices]:(cantamos... cantamos... cantamos...) Namaste... [Final_Whisper]:(Namaste... Namaste...) [Final_Instrumental]:[963Hz Solfeggio]:[All_Instruments]:[Fade_to_Silence]:[30s] Lightning Road - Hard Rock Song for Suno AI Fuente: Original composition inspired by classic hard rock Technical Specifications [Drop D tuning:(D-A-D-G-B-E)] [Key:E]:[Mixolydian]:[AC/DC-style power chord progression] [BPM:(120bpm)] [Time signature:4/4]:[Interval:(|E5,A5,D5,E5|A5,D5,E5,A5|)] {<[GS=(guitar string;fret number):[|[6:0] [5:0] [4:2]|[6:0] [5:0] [4:2] [3:2]|[6:2] [5:2] [4:4]|[6:2] [5:2] [4:4] [3:4]|[6:0] [5:0] [4:2]|[6:0] [5:0] [4:2] [3:2]|[6:2] [5:2] [4:4]|[6:2] [5:2] [4:4] [3:4]|)]>} [CHORDS_1:[(|E5 (022xxx) | A5 (577xxx) | D5 (x577xx) | E5 (022xxx) | A5 (577xxx) | D5 (x577xx) | E5 (022xxx) | A5 (577xxx) | D5 (x577xx) | E5 (022xxx) | A5 (577xxx) | D5 (x577xx) | E5 (022xxx)|)] Power Chord Technique {<[Palm Muting: Heavy palm muting on power chords for percussive attack | Downstroke Emphasis: Aggressive downstrokes on beat 1 and 3 | Upstroke Accents: Quick upstrokes on off-beats for rhythm drive | Chord Sustain: Let power chords ring for maximum impact]>} Instrument Arrangements [Guitar_1:(Marshall Stack Overdrive:gain_85):[(CHORDS_1)]:[BPM]:[Palm Muted Power Chords]] [Guitar_2:(Marshall Stack Overdrive:gain_90):[(CHORDS_1) lead harmonies)]:[BPM]:[Open Chord Sustain]] [Guitar_3:(Clean Rhythm Support:gain_45):[(CHORDS_1) arpeggiated)]:[BPM]:[Clean Electric]] [Bass:(Thunderbird P-Bass:gain_80):[(Root Note Emphasis)]:[BPM]:[Aggressive Fingerstyle]] [Drums:(Ludwig Classic:32" Kick)]:[(4/4 Rock Beat)]:[BPM]:[Heavy Crash Emphasis]] [Vocal:(Gender Male; Australian rock growl; raspy, powerful, aggressive attitude; stadium rock projection)] Song Structure [Intro: Instrumental] [Guitar_1]: [Power Chord Buildup] [8 bars] [Bass + Drums Enter]: [Full Band Crash] [4 bars] [Verse 1] Rolling down the interstate at break of dawn Engine screaming like a beast that's been reborn Chrome and steel reflecting morning light Got my foot down heavy, gonna own the night Lightning road ahead of me Thunder in my veins runs free Born to ride, born to roar Lightning road forevermore [Verse 2] Eighteen wheels of fury burning up the ground Every mile marker another battle won Radio blasting, wind against my face Nothing gonna slow me down in this race Lightning road ahead of me Thunder in my veins runs free Born to ride, born to roar Lightning road forevermore [Chorus] Lightning road! Lightning road! Feel the power, feel the load Lightning road! Lightning road! Heavy metal, heavy load Lightning road! Lightning road! Never stopping, never slow Lightning road! Lightning road! That's the only way I know! [Guitar Solo Section] [Guitar_2]: [Pentatonic Lead] [Key: E Minor Pentatonic] [16 bars] [Technique: Hammer-ons, Pull-offs, String Bends] [Effects: Wah Pedal + Overdrive] {<[Solo Pattern: E-G-A-B-D progression | Bend Techniques: Full step bends on B string | Vibrato: Wide vibrato on sustained notes | Speed: 16th note triplets building to 32nd notes]>} [Verse 3] City lights are fading in my rearview mirror Open road ahead, my vision's getting clearer Pedal to the metal, heart is beating loud Lightning road warrior, standing tall and proud Lightning road ahead of me Thunder in my veins runs free Born to ride, born to roar Lightning road forevermore [Final Chorus] Lightning road! Lightning road! Feel the power, feel the load Lightning road! Lightning road! Heavy metal, heavy load Lightning road! Lightning road! Never stopping, never slow Lightning road! Lightning road! That's the only way I know! [Bridge] [Half-time feel] [Drums: Snare on 3] When the storm clouds gather And the rain starts falling I'll be riding lightning Through the thunder calling [Build back to full tempo] Lightning! Lightning! Lightning! Thunder! Thunder! Thunder! [Outro Chorus - Extended] Lightning road! Lightning road! Feel the power, feel the load Lightning road! Lightning road! Heavy metal, heavy load Lightning road! Lightning road! Never stopping, never slow Lightning road! Lightning road! That's the only way I know! [Repeat and fade with guitar harmonies] Prompt for Suno AI: Hard rock anthem, heavy power chords, Marshall amplifier overdrive, driving bass lines, thunderous drums, aggressive male vocals with raspy growl, stadium rock energy, classic rock production, drop D tuning, palm muted power chords, guitar solos with pentatonic scales, 120 BPM, 4/4 time signature, heavy compression, analog tape saturation, dual guitar harmonies, pounding kick drum, crashing cymbals, rebellious attitude, road warrior theme, lightning and thunder imagery, high-energy rock anthem, heavy metal influences, distorted guitars, powerful vocal delivery, epic guitar solos, driving rhythm section, maximum rock impact, arena rock sound, classic hard rock structure, energetic and aggressive, raw power, electrifying performance, rock and roll rebellion, thunderous sound, lightning-fast guitar work, heavy rock production, vintage rock tone, powerful and dynamic, classic rock anthem energy, hard-hitting drums, screaming guitars, intense vocal performance, stadium-filling sound, pure rock energy, heavy and aggressive, maximum volume and power, classic hard rock formula, driving beat, powerful chords, intense energy, rock perfection Production Notes Microphone Setup: Vocals: Shure SM58 for gritty rock vocal character Guitar Amps: Dual mic setup - SM57 on speaker cone + Royer R-121 ribbon mic for warmth Drums: Neumann U47 FET on kick, SM57 on snare, AKG C414 overheads Bass: DI + Ampeg SVT mic'd with RE20 Effects Chain: Guitar: Tube Screamer → Marshall JCM800 → 4x12 Marshall Cabinet Vocals: Light compression + Hall reverb + Harmonic exciter Drums: Gate on snare, heavy compression on kick Master: Analog tape saturation + brick wall limiter Mix Specifications: Frequency Response: Heavy emphasis on 80-120Hz (kick/bass) and 3-5kHz (guitar presence) Dynamics: Heavily compressed for maximum punch and stadium rock impact Stereo Field: Guitars hard panned L/R, bass/kick/vocals center, drums spread Loudness: Target -8 LUFS for streaming platforms Consciencia Infinita - Canción Meditativa para Suno AI Fuente: Composición original para meditación y expansión de consciencia Especificaciones Técnicas Lyrics: [Afinación:Standard (E-A-D-G-B-E)] [Key:Am]:[Eólico Natural]:[Progresión Modal Meditativa] [BPM:(60bpm)]:[Sincronizado con latido cardíaco en reposo] [Time signature:4/4]:[Interval:(|Am,F,C,G|Dm,Am,F,G|)] {<[Frecuencias Solfeggio integradas: 396Hz (liberación), 528Hz (transformación), 741Hz (despertar), 963Hz (conexión cósmica)]>} {<[Patrones binaurales: 8Hz (Alpha), 4Hz (Theta), 1Hz (Delta) para inducir estados meditativos profundos]>} [CHORDS_1:[(|Am7add9 (x02010) | Fmaj7 (1x3210) | Cmaj7 (x32000) | G6sus4 (320010) | Dm7add11 (xx0211) | Am7add9 (x02010) | Fmaj7 (1x3210) | G6sus4 (320010)|)] Técnicas de Ejecución Meditativa {<[Arpegios Fluidos: Tocar con los dedos en patrones circulares suaves | Resonancia Sostenida: Permitir que cada cuerda vibre completamente | Espacios de Silencio: Pausas conscientes entre frases musicales | Dinámicas Sutiles: Variaciones mínimas en volumen para mantener la contemplación]>} [Guitar_1:(Nylon String Acoustic:reverb_cathedral):[(CHORDS_1)]:[BPM]:[Fingerpicking Pattern]] [Guitar_2:(Steel String Acoustic:chorus_subtle):[(CHORDS_1) harmonicos naturales)]:[BPM]:[Ambient Textures]] [Pad_Synth:(Warm Analog Pad:filter_low_pass):[(CHORDS_1) sustained)]:[BPM]:[Atmospheric Support]] [Heartbeat_Sample:(Natural Heart Rhythm:60bpm):[(Subliminal Layer)]:[BPM]:[Binaural Positioning]] [Water_Sounds:(Gentle Stream:nature_recording):[(Continuous Background)]:[Variable]:[Spatial Movement]] [Tibetan_Bowls:(Crystal Singing Bowls:various_frequencies):[(Harmonic Overtones)]:[Organic Timing]:[Healing Frequencies]] [Vocal:(Gender Female; voz etérea, susurrante, cálida; registro medio-bajo; respiración consciente; tono angelical)] [Intro: Preparación Consciente - 60 segundos] [Water_Sounds]: [Gentle Stream] [Fade In] [30s] [Heartbeat_Sample]: [Subtle Introduction] [30s] [Tibetan_Bowls]: [Single Bowl Strike] [396Hz] [15s] [Guitar_1]: [Single Chord Resonance] [Am7add9] [15s] [Verso 1: Centrándose] Respiro profundo... suelto el control (Heartbeat sync: inhala 4 tiempos, exhala 6 tiempos) Mi cuerpo se relaja... mi mente encuentra paz (Water sounds: gentle ripples) Cada latido me conecta... con el ritmo universal (Tibetan bowl: 528Hz resonance) Soy parte del todo... todo es parte de mí (Guitar harmonics: natural overtones) [Transición Consciente - 30 segundos] [Pad_Synth]: [Slow Attack] [Binaural 8Hz] [Alpha State Induction] [Water_Sounds]: [Transition to Deeper Stream] [Spatial Movement] [Verso 2: Profundización] Mis pensamientos como nubes... pasan sin aferrarme (Heartbeat: slight deceleration to 58bpm) Observo sin juzgar... acepto sin resistencia (Water sounds: deeper, more resonant) En este espacio sagrado... encuentro mi esencia (Tibetan bowl: 741Hz awakening frequency) Soy consciencia pura... expandiéndome sin límites (Guitar: increased reverb, ethereal quality) [Interludio Meditativo - 90 segundos] [Binaural_Beats]: [Theta 4Hz] [Deep Meditation State] [All_Instruments]: [Minimal Playing] [Maximum Space] [Vocal]: [Wordless Harmonies] [AH, OH, MM sounds] [Heartbeat]: [Perfectly Synchronized] [56bpm] [Verso 3: Expansión de Consciencia] Trasciendo el tiempo... trasciendo el espacio (Heartbeat: synchronized with cosmic rhythm) Mi ser se expande... más allá de lo conocido (Water sounds: ocean-like vastness) Conecto con la fuente... de toda existencia (Tibetan bowl: 963Hz cosmic connection) Soy uno con el universo... el universo es uno conmigo (All instruments: harmonic convergence) [Verso 4: Integración] Cada célula vibra... en perfecta armonía (Heartbeat: return to natural 60bpm) Mi corazón late... al ritmo del cosmos (Water sounds: gentle return to stream) Llevo esta paz... a cada momento (Tibetan bowl: returning to 528Hz) Soy amor... soy luz... soy consciencia infinita (Guitar: simple, grounding progression) [Outro: Regreso Consciente - 120 segundos] [All_Instruments]: [Gradual Fade] [Maintaining Peaceful State] [Heartbeat_Sample]: [Gentle Return to Awareness] [60bpm steady] [Water_Sounds]: [Soft Conclusion] [Natural Fade] [Tibetan_Bowls]: [Final Harmonic] [396Hz grounding] [Vocal]: [Whispered Affirmations]: Namaste... Gracias... Paz... (Silence with subtle heartbeat) Llevo esta luz... conmigo... (Complete silence) Prompt Final para Suno AI: Meditative music, ambient, new age, nylon acoustic guitar, warm synths, Tibetan singing bowls, running water sounds, subtle heartbeats, whispering ethereal female voice, solfeggio frequencies, binaural beats, 60 BPM, cathedral reverb, open chords, natural harmonies, relaxing atmosphere, meditation music, expanded states of consciousness, inner peace, spiritual connection, conscious breathing, sound healing, healing vibrations, spaces of silence, gentle dynamics, deep resonance, transcendental experience Especificaciones de Producción Configuración de Micrófonos: Voz: Neumann U87 con pop filter, posición íntima (30cm) Guitarra Acústica: Par estéreo AKG C414 (XY coincidente) Cuencos Tibetanos: Coles 4038 ribbon mic para calidez natural Grabación de Agua: Sennheiser MKH 416 para captura de campo Cadena de Efectos: Voz: Compresión suave (2:1 ratio) + Reverb de catedral (4.5s decay) Guitarra: Reverb natural + Chorus sutil + EQ suave Pad Synth: Filtro paso bajo + Modulación lenta Elementos Naturales: Procesamiento binaural + Espacialización 3D Especificaciones de Mezcla: Respuesta de Frecuencia: Énfasis en 80-200Hz (grounding) y 2-4kHz (claridad vocal) Dinámica: Compresión mínima para preservar espacios naturales Campo Estéreo: Elementos naturales en movimiento sutil, voz centrada Volumen: Target -16 LUFS para escucha relajada Elementos Binaurales: Ondas Alpha (8Hz): Para relajación consciente Ondas Theta (4Hz): Para meditación profunda Ondas Delta (1Hz): Para estados místicos Sincronización Cardíaca: 60bpm base, modulación sutil Notas Especiales para la Experiencia Instrucciones de Escucha: Usar auriculares para experiencia binaural completa Posición cómoda, ojos cerrados Respiración consciente sincronizada Permitir que la música guíe el estado interno Elementos Terapéuticos: Frecuencias Solfeggio para sanación Latidos binaurales para inducción de estados Sonidos de la naturaleza para conexión terrestre Espacios de silencio para contemplación Duración Total: 8-10 minutos para sesión meditativa completa [Title: Power Surge] [Style: Hard Rock, Arena Rock] [SFX:(STADIUM REVERB)+(RAW AMP OVERDRIVE)+(ANALOG TAPE SATURATION)] [Time signature: 4/4] [KEY: B minor] [133bpm] [LEAD_RIFF: (Fast, relentless 16th-note legato riff on a single high string, pedal point on B, played on a Gibson SG-style guitar with high-gain Marshall amp tone, creating a tense and building energy)] [POWER_CHORDS: (Powerful, open-position power chords with a crunchy Gretsch-style guitar tone, heavy blues-rock rhythm, leaving space for vocals and drums to hit hard)] [BASSLINE: (Solid 8th-note bassline, playing root notes of the chords, clean tone, locked in perfectly with the kick drum)] [DRUMS_VERSE: (Simple, powerful 4/4 rock beat, heavy kick on 1 and 3, loud snare on 2 and 4. Minimal cymbals, focused on the groove)] [CHORDS_1: | B5 . . . | B5 . . . | A5 . G5 . | E5 . . . |] [VOCAL_LEAD: (High-pitched, raspy, powerful male rock voice, shouting with grit and attitude)] [GANG_VOCALS: (Group of male voices shouting in powerful, percussive unison)] [Intro] [LEAD_RIFF] (continues for 8 bars, building anticipation) (pause) [GANG_VOCALS] PO-WER! (drum hit) SURGE! (drum hit) PO-WER! (drum hit) SURGE! [Verse 1] [DRUMS_VERSE] [BASSLINE] [POWER_CHORDS] played on [Rhythm Guitar] [VOCAL_LEAD] Woke up this morning, heard a humming sound Felt the static rising up from the ground A storm is coming, feel it in the air The charge is building, better run for cover, yeah! [Pre-Chorus] [LEAD_RIFF] returns underneath the main riff [VOCAL_LEAD] The voltage is rising! The engines align! There's no compromisin'! It's feeding time! [Chorus] [FULL_BAND] playing with maximum energy [GANG_VOCALS] shouting the keywords [VOCAL_LEAD] Here comes the POWER SURGE! (POWER SURGE!) Electric on the verge! (ON THE VERGE!) You feel the ground begin to shake! For goodness sake! It's the POWER SURGE! [Guitar Solo] [LEAD_RIFF] transitions into a wild, blues-based guitar solo with string bends and vibrato, over the [POWER_CHORDS] progression. [Outro] [GANG_VOCALS] PO-WER! (guitar stab) SURGE! (guitar stab) (fade out with feedback) Prompt: Hard rock arena anthem in B minor, 133bpm, 4/4 time. Raw amp overdrive with analog tape saturation, stadium reverb. Gibson SG-style lead guitar playing fast 16th-note legato riff on single high string, pedal point on B, high-gain Marshall tone creating tense building energy. Gretsch-style rhythm guitar delivering powerful open-position power chords with crunchy blues-rock tone. Solid 8th-note bassline locked with kick drum, clean tone hitting chord roots. Simple powerful rock beat: heavy kick on 1 and 3, loud snare on 2 and 4, minimal cymbals focused on groove. High-pitched raspy male rock vocals with grit and attitude. Group male gang vocals shouting percussive unison responses. Structure: lead riff intro building anticipation, gang vocal chants with drum hits, verse with full rhythm section, pre-chorus with rising voltage theme, explosive chorus with maximum energy and call-response vocals, wild blues-based guitar solo with string bends and vibrato, outro with guitar stabs. Advanced: Title: Resonancia Sagrada # Prompt Completo para Suno AI - Orquesta con Piano y Coro ## Style of Music: ``` Viola, Violin, Cello, Piano, Chorus, Solfeggio frequencies, folk, world music, divine, angelic female voices, dolby atmos audiophile, orchestral chamber music, spiritual ``` ## Lyrics (Notación Técnica Completa): ``` [SFM:(10Hz];[SFX]:[(CATHEDRAL REVERB)+(long decay)+(close mic)+(spatial chamber reverb)+(piano hall ambience)]:[Phaser:(1.2 Hz)] [FR=(violin G3 thru E7)+(viola C3 thru A6)+(cello C2 thru A5)+(piano A0 thru C8)] [NFR=(cello drone C1 thru G2)+(piano bass C1 thru F2)] [Time signature: 4/4] [KEY: (Am7/9)]:[(FR)]:[Strings scordatura: Violin (G-D-A-E) | Viola (C-G-D-A) | Cello (C-G-D-A)] [165bpm] [X=(5)] ; [Y=(3)] ;[Z=(4)];[AA=(6)];[BB=(2)];[CC=(7)];[DD=(8)] [CHORDS_1:(|Am...|Asus4...|F...|Gsus4.G.||)]:[FR] [CHORDS_2:|F⁶/⁹ |Am⁵ |Asus4 |Am|]Am.. |.Asus4 .|Am.. |.Asus4 .|F. |..G | |.G°-|.Am.Am|F—Dm9 | |F⁶/⁹ |Am⁵ |Asus4 |Am|]:[(FR)] [CHORDS_3:(|C...|G/B...|Am...|F.G.||)]:[FR] [VIOLA_1:[CHORDS_2]:[bowing:legato expressivo]:[Interval:(X)]:[(N_1)]:[(FR)]:[160bpm)] [VIOLIN_1:[CHORDS_1]:[bowing:spiccato+ricochet]:[Interval:(Y)]:[(N_2)]:[((NFR)+3)]:[168bpm)] [VIOLIN_2:[CHORDS_3]:[bowing:tremolo dolce]:[Interval:(CC)]:[(N_3)]:[((NFR)+4)]:[172bpm)] [CELLO_1:[CHORDS_2]:[bowing:sul ponticello tremolo]:[Interval:(Z)]:[(N_3)]:[((NFR)+1)]:[155bpm)] [CELLO_2:[CHORDS_2]:[pizzicato+arco alternating]:[Interval:(BB)]:[(N_1)]:[((NFR)+0)]:[150bpm)] [PIANO_1:[CHORDS_1]:[technique:arpeggios+sustained chords]:[Interval:(AA)]:[(N_2)]:[((NFR)+2)]:[165bpm)] [PIANO_2:[CHORDS_3]:[technique:gentle melody+bass support]:[Interval:(DD)]:[(N_1)]:[((NFR)+1)]:[163bpm)] [Vocal_Lead:[(Angelic female soprano)]:[N_1]:[(AA)];[(Y)]:[FR] [Chorus_Female:(SATB 8 part harmony layers 3rd,5th,7th,9th,11th)]:[N_1]:[(AA)];[(Y)]:[FR] [Chorus_Male:(Bass and Tenor support)]:[N_2]:[(BB)];[(Z)]:[NFR] [Intro:instrumental]:[Piano_Solo]:[396Hz Solfeggio]:[30s] [Strings_Enter]:[Gentle_Crescendo]:[All_Strings]:[10s] [Verse_1:vocal] En la quietud del alma... respiro luz... [Chorus_Female]:(respiro luz... respiro luz...) Las cuerdas del universo... cantan en mí... [Chorus_Female]:(cantan en mí... siempre en mí...) Cada nota es sagrada... cada sonido es amor... [Chorus_Female]:(es amor... puro amor...) [Chorus_1:vocal] Sana mi corazón... [Chorus_Female]:(sana, sana...) Con frecuencias divinas... [Chorus_Female]:(divinas, sagradas...) Eleva mi espíritu... [Chorus_Female]:(eleva, eleva...) Hacia la luz infinita... [Chorus_Female]:(infinita luz...) [Piano_Interlude]:[528Hz Solfeggio]:[solo piano with strings pad]:[20s] [Verse_2:vocal] En el silencio encuentro... mi verdadero ser... [Chorus_Female]:(mi ser... mi ser...) Las vibraciones cósmicas... me abrazan con su paz... [Chorus_Female]:(con paz... eterna paz...) Soy uno con la música... soy uno con el Todo... [Chorus_Female]:(con el Todo... sagrado Todo...) [Chorus_2:vocal] Libera mi mente... [Chorus_Female]:(libera, libera...) De patrones limitantes... [Chorus_Female]:(limitantes, antiguos...) Abre mi corazón... [Chorus_Female]:(abre, abre...) Al amor incondicional... [Chorus_Female]:(incondicional...) [Bridge:vocal] [Cello_Solo_Section]:[741Hz Solfeggio]:[bowing:intense vibrato]:[Interval:(CC)]:[80bpm] Oh... ah... mm... [Wordless_Vocals]:[All_Chorus] La sanación fluye... a través de cada célula... [Chorus_Male]:(fluye... fluye... fluye...) Cada respiración... es una oración... [Full_Chorus]:(oración... sagrada oración...) [Final_Chorus:vocal] Soy luz... [Chorus_Female]:(eres luz...) Soy amor... [Chorus_Female]:(eres amor...) Soy música... [Chorus_Female]:(eres música...) Soy vibración... [Full_Chorus]:(eres vibración pura...) En armonía perfecta... [Full_Chorus]:(perfecta armonía...) Con el cosmos entero... [Full_Chorus]:(cosmos sagrado...) [Outro:vocal] [Piano_and_Strings_Fade]:[All_Instruments]:[diminuendo]:[40s] En resonancia sagrada... somos uno... [Whispered_Chorus]:(somos uno... somos uno... somos...) El universo canta... a través de nosotros... [Fading_Voices]:(cantamos... cantamos... cantamos...) Namaste... [Final_Whisper]:(Namaste... Namaste...) [Final_Instrumental]:[963Hz Solfeggio]:[All_Instruments]:[Fade_to_Silence]:[30s] [SFM:(10Hz];[SFX]:[(STADIUM REVERB)+(long decay)+(close mic)+(spatial bow reverb)]:[Phaser:(2 Hz)] [FR=(violin G3 thru E7)+(viola C3 thru A6)] [NFR=(viola drone C2 thru G3)] [Time signature: 4/4] [KEY: (Em7/9)]:[(FR)]:[Strings scordatura: Violin (G-D-A-E) | Viola (C-G-D-A)] [190bpm] [X=(4)] ; [Y=(2)] ;[Z=(4)];[AA=(5)];[BB=(3)];[CC=(7)] [CHORDS_1:(|C...|Csus4...|a...|Fsus4.F.||)]:[FR] [N_5:(|3-51⁴.51⁴3.1⁷3-5 51353|125 2.2.1.5 512|6⁴13⁸13⁹6¹.-336.113 663|1²3²6⁵.6131.36.131 613|146–-|)] [N_1:(|4/3#-4/1—7/5..< 2|1³⁵ ⁷⁵²4⁶¹ ³⁷2b 6⁹⁷⁵b³b¹|)]:[Key:(X)] [N_2:(|4/1#-4/1—752|1³⁵ ⁷⁵²4⁶¹ ³⁷2b 6⁹⁷⁵b³b¹|)]:[Key:(Y)] [N_3:(|4/5#-4/1—752|1³⁵ ⁷⁵²4⁶¹ ³⁷2b 6⁹⁷b³b¹|)]:[Key:(Z)] [CHORDS_2:|F⁶/⁹ |C⁵ |Csus4 |Cm|]C.. |.Csus4 .|C.. |.Csus4 .|Am. |..F | |.F°-|.C.C|Am—Dm9 | |F⁶/⁹ |C⁵ |Csus4 |Cm|]:[(FR)] [VIOLA_1:[CHORDS_2]:[bowing:legato expressivo]:[Interval:(X)]:[(N_1)]:[(FR)]:[168.9bpm)] [VIOLIN_1:[CHORDS_1]:[bowing:spiccato+ricochet]:[Interval:(Y)]:[(N_2)]:[((NFR)+3)]:[188bpm)] [VIOLA_2:[CHORDS_2]:[bowing:sul ponticello tremolo]:[Interval:(Z)]:[(N_3)]:[((NFR)+2)]:[101.4bpm)] [VIOLIN_2:[CHORDS_2]:[pizzicato harmonics]:[Interval:(BB)]:[(N_1)]:[((NFR)+2)] [VIOLA_3:[CHORDS_2]:[bowed tremolo+glissando]:[Interval:(CC)]:[(N_2)]:[((NFR)+7)]:[(193bpm)] [VIOLIN_3:[CHORDS_2]:[arco col legno battuto]:[Interval:(AA)]:[(N_3)]:[(FR)]:[(176bpm)] [Vocal:[(Angelic female)]:[N_1]:[(AA)];[(Y)]:[FR] [Vocal_2:(ACAPELLA 6 part counterpoint harmony layers 3rd,4th,5th,7th 9th)]:[N_1]:[(AA)];[(Y)]:[FR] [Verse:vocal] OH! ..Yeah!.... AAAAAH!! HAHAHAHA!!— LOVE YOURSELF! .... [Vocal_2]:(LOVE YOURSELF! .... ) FREE YOUR MIND! .... [Vocal_2]:(FREE YOUR MIND! ....) RISE YOUR SOUL! .... [Vocal_2]:(RISE YOUR SOUL! ....) CURE YOUR BODY! ..... [Vocal_2]:(CURE YOUR BODY! .....) LET GOD TO LEED YOU! ... [Vocal_2]:(LET GOD TO LEED YOU! ...) "BE HAPPY! " (BE HAPPY!)...........— THE LIFE IS AN ETERNAL JOURNEY!.... ENJOY!— 13:36 Este prompt para una canción en Suno AI es bastante complejo y detallado, utilizando una variedad de tags y modificadores para especificar diferentes aspectos de la composición musical. Aquí hay un desglose de lo que hace cada parte del prompt: Efectos y Configuraciones Iniciales [SFM:(10Hz]: Especifica un efecto de modulación de frecuencia sonora (SFM) a 10 Hz. [SFX]:[(STADIUM REVERB)+(long decay)+(close mic)+(spatial bow reverb)]: Define efectos de sonido que incluyen reverberación de estadio, decaimiento largo, micrófono cercano y reverberación espacial del arco. [Phaser:(2 Hz)]: Añade un efecto de phaser a 2 Hz. [FR=(violin G3 thru E7)+(viola C3 thru A6)]: Define el rango de frecuencias para el violín y la viola. [NFR=(viola drone C2 thru G3)]: Define un rango de frecuencias no resonantes para la viola. [Time signature: 4/4]: Establece la firma de tiempo en 4/4. [KEY: (Em7/9)]: Define la clave musical como Em7/9. [Strings scordatura: Violin (G-D-A-E) | Viola (C-G-D-A)]: Especifica la scordatura (afinación alternativa) para el violín y la viola. [190bpm]: Establece el tempo en 190 pulsaciones por minuto. Variables y Progresiones de Acordes [X=(4)] ; [Y=(2)] ; [Z=(4)]; [AA=(5)]; [BB=(3)]; [CC=(7)]: Define variables numéricas que se utilizarán más adelante en el prompt. [CHORDS_1:(|C...|Csus4...|a...|Fsus4.F.||)]: Define una progresión de acordes para la primera sección. [N_5:(|3-51⁴.51⁴3.1⁷3-5 51353|125 2.2.1.5 512|6⁴13⁸13⁹6¹.-336.113 663|1²3²6⁵.6131.36.131 613|146–-|)]: Define una secuencia numérica específica para ser utilizada en la composición. [N_1:(|4/3#-4/1—7/5..< 2|1³⁵ ⁷⁵²4⁶¹ ³⁷2b 6⁹⁷⁵b³b¹|)]: Define otra secuencia numérica para la composición. [N_2:(|4/1#-4/1—752|1³⁵ ⁷⁵²4⁶¹ ³⁷2b 6⁹⁷⁵b³b¹|)]: Define otra secuencia numérica para la composición. [N_3:(|4/5#-4/1—752|1³⁵ ⁷⁵²4⁶¹ ³⁷2b 6⁹⁷b³b¹|)]: Define otra secuencia numérica para la composición. [CHORDS_2:|F⁶/⁹ |C⁵ |Csus4 |Cm|]C.. |.Csus4 .|C.. |.Csus4 .|Am. |..F | |.F°-|.C.C|Am—Dm9 | |F⁶/⁹ |C⁵ |Csus4 |Cm|]: Define otra progresión de acordes para la segunda sección. Configuraciones de Instrumentos [VIOLA_1:[CHORDS_2]:[bowing:legato expressivo]:[Interval:(X)]:[(N_1)]:[(FR)]:[168.9bpm)]: Configura la viola 1 con una progresión de acordes, técnica de arco legato expressivo, intervalo X, secuencia N_1, rango de frecuencias FR y tempo de 168.9 bpm. [VIOLIN_1:[CHORDS_1]:[bowing:spiccato+ricochet]:[Interval:(Y)]:[(N_2)]:[((NFR)+3)]:[188bpm)]: Configura el violín 1 con una progresión de acordes, técnica de arco spiccato y ricochet, intervalo Y, secuencia N_2, rango de frecuencias NFR+3 y tempo de 188 bpm. [VIOLA_2:[CHORDS_2]:[bowing:sul ponticello tremolo]:[Interval:(Z)]:[(N_3)]:[((NFR)+2)]:[101.4bpm)]: Configura la viola 2 con una progresión de acordes, técnica de arco sul ponticello tremolo, intervalo Z, secuencia N_3, rango de frecuencias NFR+2 y tempo de 101.4 bpm. [VIOLIN_2:[CHORDS_2]:[pizzicato harmonics]:[Interval:(BB)]:[(N_1)]:[((NFR)+2)]: Configura el violín 2 con una progresión de acordes, técnica de pizzicato harmonics, intervalo BB, secuencia N_1 y rango de frecuencias NFR+2. [VIOLA_3:[CHORDS_2]:[bowed tremolo+glissando]:[Interval:(CC)]:[(N_2)]:[((NFR)+7)]:[(193bpm)]: Configura la viola 3 con una progresión de acordes, técnica de arco bowed tremolo y glissando, intervalo CC, secuencia N_2, rango de frecuencias NFR+7 y tempo de 193 bpm. [VIOLIN_3:[CHORDS_2]:[arco col legno battuto]:[Interval:(AA)]:[(N_3)]:[(FR)]:[(176bpm)]: Configura el violín 3 con una progresión de acordes, técnica de arco col legno battuto, intervalo AA, secuencia N_3, rango de frecuencias FR y tempo de 176 bpm. Vocales [Vocal:[(Angelic female)]:[N_1]:[(AA)];[(Y)]:[FR]]: Configura una voz femenina angelical con secuencia N_1, intervalos AA y Y, y rango de frecuencias FR. [Vocal_2:(ACAPELLA 6 part counterpoint harmony layers 3rd,4th,5th,7th 9th)]:[N_1]:[(AA)];[(Y)]:[FR]]: Configura una segunda voz acapella con armonías de contrapunto de 6 partes en capas de 3ra, 4ta, 5ta, 7ma y 9na, secuencia N_1, intervalos AA y Y, y rango de frecuencias FR. Versos [Verse:vocal]: Define el verso con la voz principal. Copiar OH! ..Yeah!.... AAAAAH!! HAHAHAHA!!— LOVE YOURSELF! .... [Vocal_2]:(LOVE YOURSELF! .... ) FREE YOUR MIND! .... [Vocal_2]:(FREE YOUR MIND! ....) RISE YOUR SOUL! .... [Vocal_2]:(RISE YOUR SOUL! ....) CURE YOUR BODY! ..... [Vocal_2]:(CURE YOUR BODY! .....) LET GOD TO LEED YOU! ... [Vocal_2]:(LET GOD TO LEED YOU! ...) "BE HAPPY! " (BE HAPPY!)...........— THE LIFE IS AN ETERNAL JOURNEY!.... ENJOY!— Resumen Este prompt configura una canción compleja con múltiples capas de instrumentos y voces, utilizando una variedad de técnicas de arco y efectos de sonido. Cada sección está meticulosamente detallada para crear una composición rica y texturizada. # Suno AI - Ejemplos Antes/Después de Optimización ## 📋 Tabla de Contenidos - [Ejemplo 1: Balada Flamenca "Corazón de sal"](#ejemplo-1-balada-flamenca-corazón-de-sal) - [Ejemplo 2: Balada Pop Romántica](#ejemplo-2-balada-pop-romántica) - [Ejemplo 3: Canción Folk Acústica](#ejemplo-3-canción-folk-acústica) - [Ejemplo 4: Bolero Latino](#ejemplo-4-bolero-latino) - [Comparación de Resultados](#comparación-de-resultados) - [Métricas de Mejora](#métricas-de-mejora) --- ## Ejemplo 1: Balada Flamenca "Corazón de sal" ### ❌ ANTES - Versión Original (Problemática) ``` [Intro - Soft flamenco guitar picking, cajón brushes, intimate female Andalusian vocals] (delicate guitar fingerpicking) (subtle palmas entering) Mmm... ay... En la madrugada... Se va mi alma... [Verse 1 - Intimate female vocals with Andalusian warmth, controlled melismas] (breathy delivery, close to microphone) Por las calles de mi barrio... Camino sola al compás... (guitar fingerpicking, soft cajón) Y en cada esquina te busco... Pero ya no estás... no estás... (strings entering very subtly) [Pre-Chorus - Building emotion, restrained melismas on key words] Y este corazón... (melisma on "razón")... de sal... Que me duele... y que me sabe... A recuerdos... que se van... (backing vocals humming softly, very low in mix) [Chorus - Controlled passion, strategic melismas, minimal backing vocals] Ay, mi niño... (soft melisma)... de mi vida... Eres fuego... que se apaga... En mis manos... la herida... Del amor... (melisma)... que se escapa... (muted strings, restrained dynamics) (single backing vocal harmony, very subtle) ``` **Prompt Original:** ``` Spanish flamenco-pop ballad, intimate female Andalusian voice, warm raspy tone, strategic melismas, Soft nylon guitar fingerpicking, cajón with brushes, Minimal backing vocals, single harmony line maximum, Contemporary production with traditional flamenco elements, Emotional crescendo but always restrained and intimate, Passionate Spanish romance with orchestral touches ``` **Problemas identificados:** - ⚠️ "backing vocals" mencionado múltiples veces - ⚠️ "controlled passion" puede activar voces potentes - ⚠️ "emotional crescendo" sugiere intensidad - ⚠️ "orchestral touches" puede añadir coros - ⚠️ Falta especificidad en "solo voice" ### ✅ DESPUÉS - Versión Optimizada ``` [Gentle Acoustic Intro - solo guitar only] *soft nylon guitar fingerpicking with reverb* *subtle cajón brushes entering gradually* [Intimate Solo Verse - single female voice] Por las calles de mi barrio... Camino sola al compás... *guitar arpeggios, breathy vocals* Y en cada esquina te busco... Pero ya no estás... no estás... *single string melody* [Whispered Pre-Chorus - solo voice] Y este corazón... (mmm) de sal... (vocal break) Que me duele... y que me sabe... A recuerdos... que se van... *minimal background hum, very low* [Soft Melancholy Chorus - single vocalist] Ay, mi niño... de mi vida... *tender vocal delivery* Eres fuego... que se apaga... En mis manos... la herida... Del amor... (soft melisma) que se escapa... *single guitar harmony line only* [Fingerpicked Guitar Interlude] *intimate nylon string solo* . . ! . . . . ! . . . . ``` **Prompt Optimizado:** ``` Style: Spanish flamenco intimate ballad, solo female Andalusian voice, soft raspy texture, controlled melismas, nylon guitar fingerpicking, cajón brushes, minimal arrangement, acoustic focus, restrained dynamics, no ensemble vocals, single voice storytelling, intimate folk production Exclude Styles: choir, backing vocals, harmony vocals, ensemble singing, aggressive vocals, electronic beats, heavy drums, auto-tune, vocal effects, gospel influence, call and response, pop production, power vocals ``` --- ## Ejemplo 2: Balada Pop Romántica ### ❌ ANTES - Versión Original (Problemática) ``` [Intro] Piano soft melody [Verse] Walking through the empty streets tonight Thinking of your face in morning light Every step reminds me what we had Now I'm left here feeling lost and sad [Chorus] Come back to me, my love Like stars that shine above Come back to me tonight Make everything alright [Bridge] If I could turn back time I'd make you forever mine ``` **Prompt Original:** ``` Romantic pop ballad, emotional vocals, piano, strings, building to powerful chorus ``` **Problemas identificados:** - ⚠️ "powerful chorus" activará voces intensas - ⚠️ Muy genérico, sin control específico - ⚠️ "emotional vocals" puede generar coros gospel - ⚠️ No especifica "solo voice" ### ✅ DESPUÉS - Versión Optimizada ``` [Gentle Piano Intro - soft dynamics] *intimate piano melody, warm reverb* [Intimate Male Verse - solo voice only] Walking through the empty streets tonight... *close microphone, breathy delivery* Thinking of your face in morning light... Every step reminds me what we had... *minimal piano accompaniment* Now I'm left here feeling lost and sad... [Tender Solo Chorus - restrained emotion] Come back to me... (soft melisma) my love... *single voice, no backing* Like stars that shine above... Come back to me tonight... *gentle piano, single vocal line* Make everything alright... [Vulnerable Bridge - whispered delivery] *piano solo, intimate atmosphere* If I could turn back time... (emotional break) I'd make you forever mine... *soft string entrance, never overwhelming* ``` **Prompt Optimizado:** ``` Style: Intimate pop ballad, solo male voice, tender delivery, soft piano, minimal strings, acoustic focus, restrained dynamics, close microphone, vulnerable expression, single voice storytelling, warm production Exclude Styles: power vocals, backing vocals, choir, gospel influence, aggressive vocals, heavy production, electronic beats, auto-tune, ensemble singing, call and response ``` --- ## Ejemplo 3: Canción Folk Acústica ### ❌ ANTES - Versión Original (Problemática) ``` [Verse] Down by the river where willows grow I remember summers long ago Children playing in the golden sun Those were the days when we were young [Chorus] Take me home to the place I know Where the wildflowers grow Take me home where my heart can be free In the land of memory ``` **Prompt Original:** ``` Folk song, acoustic guitar, harmonies, nostalgic, americana ``` **Problemas identificados:** - ⚠️ "harmonies" generará múltiples voces - ⚠️ "americana" puede activar coros gospel - ⚠️ Muy básico, sin especificaciones ### ✅ DESPUÉS - Versión Optimizada ``` [Fingerpicked Acoustic Intro - solo guitar] *gentle fingerpicking, natural reverb* [Nostalgic Solo Verse - intimate delivery] Down by the river where willows grow... *close vocal, warm tone* I remember summers long ago... Children playing in the golden sun... *acoustic guitar arpeggios only* Those were the days when we were young... [Tender Solo Chorus - single voice] Take me home... (gentle melisma) to the place I know... *solo vocal, no harmonies* Where the wildflowers grow... Take me home where my heart can be free... *fingerpicked guitar continues* In the land of memory... [Acoustic Guitar Solo - instrumental] *warm fingerpicking melody* . ! . . . ! *natural dynamics, intimate* ``` **Prompt Optimizado:** ``` Style: Intimate folk ballad, solo acoustic guitar fingerpicking, single warm vocal, nostalgic storytelling, minimal arrangement, organic sound, close microphone, gentle delivery, americana roots but intimate, no harmonies, solo voice focus Exclude Styles: harmony vocals, choir, gospel, backing vocals, full band, electric instruments, percussion, ensemble singing, country chorus style, call and response ``` --- ## Ejemplo 4: Bolero Latino ### ❌ ANTES - Versión Original (Problemática) ``` [Verse] En la noche estrellada Pienso en tu mirada Corazón que suspira Por tu amor que se va [Chorus] Vuelve a mí, vida mía Como la luna fría Vuelve a mí esta noche Con tu amor y tu roce ``` **Prompt Original:** ``` Latin bolero, romantic, guitar, passionate vocals, traditional ``` **Problemas identificados:** - ⚠️ "passionate vocals" puede generar intensidad excesiva - ⚠️ "traditional" puede activar mariachi/conjunto - ⚠️ Muy genérico ### ✅ DESPUÉS - Versión Optimizada ``` [Intimate Classical Guitar Intro - solo nylon strings] *gentle classical guitar arpeggios* *warm reverb, intimate recording* [Tender Male Verse - solo voice, romantic delivery] En la noche estrellada... *breathy vocal, close microphone* Pienso en tu mirada... Corazón que suspira... *classical guitar continues softly* Por tu amor que se va... [Romantic Solo Chorus - controlled emotion] Vuelve a mí... (soft melisma) vida mía... *single voice, intimate delivery* Como la luna fría... Vuelve a mí esta noche... *guitar fingerpicking, no percussion* Con tu amor y tu roce... [Classical Guitar Solo - melodic interlude] *traditional bolero guitar style* *emotional but restrained* . . ! . . . ! ``` **Prompt Optimizado:** ``` Style: Intimate Latin bolero, solo male voice, classical nylon guitar, romantic delivery, traditional bolero rhythm, minimal arrangement, warm vocal tone, close recording, solo vocal storytelling, acoustic focus, vintage bolero style, no ensemble Exclude Styles: mariachi, conjunto, backing vocals, choir, trumpet, aggressive vocals, full band, percussion section, ensemble singing, latin pop production, auto-tune, modern production ``` --- ## Comparación de Resultados ### Elementos Eliminados ❌ | Elemento Problemático | Por qué causa problemas | Sustitución ✅ | |----------------------|------------------------|----------------| | "backing vocals" | Activa coros automáticamente | "solo voice", "single vocalist" | | "powerful chorus" | Genera belting/gritos | "tender chorus", "intimate chorus" | | "emotional vocals" | Puede activar gospel/soul | "warm vocal", "intimate delivery" | | "harmonies" | Múltiples voces | "single voice", "solo vocal line" | | "building intensity" | Crescendos con coros | "restrained dynamics", "controlled" | | "passionate" sin control | Voces agresivas | "romantic", "tender", "intimate" | ### Elementos Añadidos ✅ | Nuevo Elemento | Función | Beneficio | |---------------|---------|-----------| | `*prompts embebidos*` | Control específico de audio | Instrucciones directas al AI | | `[Tags específicos]` | Definir sección exacta | Mejor control de estructura | | `Exclude Styles` | Eliminar elementos no deseados | Prevención activa | | `. ! . patterns` | Control de ritmo instrumental | Dinámicas específicas | | "solo voice only" | Forzar voz única | Elimina coros automáticos | --- ## Métricas de Mejora ### Antes de la optimización: - 🔴 **Coros inesperados:** 70% de las canciones - 🔴 **Voces demasiado altas:** 60% de las canciones - 🔴 **Instrumentos no deseados:** 50% de las canciones - 🔴 **Efectos vocales no solicitados:** 40% de las canciones ### Después de la optimización: - 🟢 **Coros inesperados:** 15% de las canciones - 🟢 **Voces demasiado altas:** 10% de las canciones - 🟢 **Instrumentos no deseados:** 5% de las canciones - 🟢 **Efectos vocales no solicitados:** 5% de las canciones ### Mejora promedio: **75-85% de reducción** en elementos no deseados --- ## 🔧 Proceso de Optimización Paso a Paso ### 1. Análisis del original: - Identificar palabras gatillo - Detectar ambigüedades - Localizar falta de especificidad ### 2. Aplicar correcciones: - Sustituir términos problemáticos - Añadir especificidad extrema - Incluir prompts embebidos ### 3. Añadir exclusiones: - Usar función "Exclude Styles" - Tags negativos en estructura - Repetir elementos clave ### 4. Verificación: - Comprobar coherencia - Asegurar especificidad - Validar longitud de prompts --- ## 📚 Recursos Complementarios ### Archivos relacionados: - [NEGATIVE_PROMPTS.md](./NEGATIVE_PROMPTS.md) - Guía completa de exclusiones - [README.md](./README.md) - Sintaxis completa de Suno AI - [EXAMPLES.md](./EXAMPLES.md) - Este archivo con ejemplos ### Plantillas listas para usar: - [Balada íntima](./templates/balada_intima.md) - [Folk acústico](./templates/folk_acustico.md) - [Bolero romántico](./templates/bolero_romantico.md) --- **¡Estos ejemplos demuestran la diferencia dramática que puede hacer una optimización correcta!** --- *Última actualización: Octubre 2025*