\version "2.16.1" %lastupdated = #(strftime "Fassung vom %d. %B %Y, %H:%M Uhr" (localtime (current-time))) footer = #(strftime "Mutopia-%Y/%B/%d-xxx" (localtime (current-time))) \header { filename = "chopin-10-09-wfi-a4.ly" title = \markup \fontsize #1 { "Etüde f-moll" } %subsubtitle = \lastupdated composer = \markup \large { "Frédéric Chopin (1810 - 1849)" } opus = "Opus 10 Nr. 9" enteredby = "Roland Goretzki" mutopiatitle = "Etüde f-moll" mutopiacomposer = "ChopinFF" mutopiaopus = "Op. 10, No. 9" mutopiainstrument = "Piano" date = "1829-1832" source = "Peters, Herrmann Scholtz, 1900b" style = "Romantic" copyright = "Public Domain" maintainer = "Roland Goretzki" maintainerEmail = "roland@roland-goretzki.de" maintainerWeb = "http://www.roland-goretzki.de/" moreInfo = "Proofread by Hildegard Böhme" footer = "Mutopia-2013/03/23-484" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } } \include "deutsch.ly" #(set-global-staff-size 19) global = { \key f \minor \time 6/8 s2.*67 \bar "|." } %%%%%%%%% Beginn des Definitionsteils %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % Axdefault = \accidentalStyle "default" Axpiano = \accidentalStyle "piano" Axmodern = \accidentalStyle "modern" % oben = \change Staff = up unten = \change Staff = down % PH = \sustainOff PR = \sustainOn % mcresc = \markup { cresc. } ritard = \markup { ritard. } rit = \markup { rit. } %%%%%%%%% Ende des Definitionsteils %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% rechts = \context Staff \relative c'{ \set Staff.midiMinimumVolume = #-.5 \set Staff.midiMaximumVolume = #1 \tempo "Allegro, molto agitato" 4. = 96 r8 f-.( g-.) r as-.( b-.) | % Takt 1 %%%%======== ------------------------------------------------ --------- r c(-. des-. c-. as'-. g-. | % Takt 2 %%%%======== ------------------------------------------------ --------- f-. c-. des-. c-. as-. f-. | % Takt 3 %%%%======== ------------------------------------------------ --------- \once \override Script #'avoid-slur = #'outside c2.^^) | % Takt 4 %%%%======== ------------------------------------------------ --------- r8 f-.( g-.) r as-.( b-.) | % Takt 5 %%%%======== ------------------------------------------------ --------- r c-.( des-. c-. c'-. as-. | % Takt 6 %%%%======== ------------------------------------------------ --------- g-. c,-. des-. c-. g-. c,-. | % Takt 7 %%%%======== ------------------------------------------------ --------- f16 g as2)_>^\ritard r8 | % Takt 8 %%%%======== ------------------------------------------------ --------- r8^\markup { a tempo } f-.( g-.) r as-.( b-.) | % Takt 9 %%%%======== ------------------------------------------------ --------- r c-.( des-. c-. as'-. g-. | % Takt 10 %%%%======== ------------------------------------------------ --------- f-. c-. des-. c-. as-. f-. | % Takt 11 %%%%======== ------------------------------------------------ --------- \once \override Script #'avoid-slur = #'outside c2.^^) | % Takt 12 %%%%======== ------------------------------------------------ --------- r8 f-.( g-.) r as-.( b-.) | % Takt 13 %%%%======== ------------------------------------------------ --------- r c-.( des-. c-. c'-. as-. | % Takt 14 %%%%======== ------------------------------------------------ --------- g-. c,-. des-. c-. g-. c,-. | % Takt 15 %%%%======== ------------------------------------------------ --------- f2.->) | % Takt 16 %%%%======== ------------------------------------------------ --------- as4.\( \acciaccatura b8 as g8. as16 | % Takt 17 %%%%======== ------------------------------------------------ --------- b4. c | % Takt 18 %%%%======== ------------------------------------------------ --------- des8-. as-. b-. as-. f-. des-. | % Takt 19 %%%%======== ------------------------------------------------ --------- as4_>\) r8 r4 es'8\( | % Takt 20 %%%%======== ------------------------------------------------ --------- es'4. \appoggiatura { es16[ f] } es8 d es | % Takt 21 %%%%======== ------------------------------------------------ --------- f4.\) ges-> ~ | % Takt 22 %%%%======== ------------------------------------------------ --------- ges8 des-.( es-. des-. b-. ges-. | % Takt 23 %%%%======== ------------------------------------------------ --------- des^.) des'-.[( es-.] des-. as-. fes-. | % Takt 24 %%%%======== ------------------------------------------------ --------- des-.) -.[( -.]) r -.[( -.]) | % Takt 25 %%%%======== ------------------------------------------------ --------- r -.[( -.]) r -.[( -.]) | % Takt 26 %%%%======== ------------------------------------------------ --------- \ottava #1 ( ) ( ) ( ) | % Takt 27 %%%%======== ------------------------------------------------ --------- 16( 4) \ottava #0 r4 r8 | % Takt 28 %%%%======== ------------------------------------------------ --------- -.( -. -.) 4( 8) | % Takt 29 %%%%======== ------------------------------------------------ --------- des-.( des-. des-.) des4->( c8) | % Takt 30 %%%%======== ------------------------------------------------ --------- -.( -. -. 4.) | % Takt 31 %%%%======== ------------------------------------------------ --------- b8( as b c4.) | % Takt 32 %%%%======== ------------------------------------------------ --------- \ottava #1 \times 3/5 { 8-.( -. -. -. \ottava #0 -.^\markup { \fontsize #-1 loco }) } 4^>( 8) | % Takt 33 %%%%======== ------------------------------------------------ --------- \times 3/5 { des'8-.( des-. des-. des-. des,-.) } des4->( c8) | % Takt 34 %%%%======== ------------------------------------------------ --------- \times 3/5 { 8( } 4.) | % Takt 35 %%%%======== ------------------------------------------------ --------- \times 3/5 { b8^\markup { poco rallentando }( c b as b } c4.) | % Takt 36 %%%%======== ------------------------------------------------ --------- r8^\markup { a tempo } f,-.( g-.) r as-.( b-.) | % Takt 37 %%%%======== ------------------------------------------------ --------- r c-.\( des-\prall ( c-.) as'-. g-. | % Takt 38 %%%%======== ------------------------------------------------ --------- f-. c-. des-\prall ( c-.) as-. f-. | % Takt 39 %%%%======== ------------------------------------------------ --------- \once \override Script #'avoid-slur = #'outside c2.^^\) | % Takt 40 %%%%======== ------------------------------------------------ --------- r8 f-.( g-.) r as-.( b-.) | % Takt 41 %%%%======== ------------------------------------------------ --------- r c-.( des-.-\prall c-. c'-. as-. | % Takt 42 %%%%======== ------------------------------------------------ --------- g-.c,-. des-. c-. g-. c,-. | % Takt 43 %%%%======== ------------------------------------------------ --------- f16 g as2) r8 | % Takt 44 %%%%======== ------------------------------------------------ --------- r^\markup { con forza } -.( -.) r -.( -.) | % Takt 45 %%%%======== ------------------------------------------------ --------- r -.( -. -. -. -. | % Takt 46 %%%%======== ------------------------------------------------ --------- -. -. -. -. -. -. | % Takt 47 %%%%======== ------------------------------------------------ --------- 2.) | % Takt 48 %%%%======== ------------------------------------------------ --------- r8 -.( -.) r -.( -.) | % Takt 49 %%%%======== ------------------------------------------------ --------- r ( 4.) | % Takt 50 %%%%======== ------------------------------------------------ --------- r8 -.( -.) r -.( -.) | % Takt 51 %%%%======== ------------------------------------------------ --------- r ( 4.) | % Takt 52 %%%%======== ------------------------------------------------ --------- r8 ( | % Takt 53 %%%%======== ------------------------------------------------ --------- \Axdefault \Axmodern | % Takt 54 %%%%======== ------------------------------------------------ --------- \ottava #1 ) | % Takt 55 %%%%======== ------------------------------------------------ --------- 16( ) 2-> \ottava #0 8( | % Takt 56 %%%%======== ------------------------------------------------ --------- -. -. -.) 4^>( 8) | % Takt 57 %%%%======== ------------------------------------------------ --------- g-.( g-. g-.) g4^>( f8) | % Takt 58 %%%%======== ------------------------------------------------ --------- -.( -. -. 4.^\markup { ten. }) | % Takt 59 %%%%======== ------------------------------------------------ --------- e8^\markup { smorz. }( dis e f4.) | % Takt 60 %%%%======== ------------------------------------------------ --------- \times 4/5 { 16-.[( -. -. -. -.] } -.)[ r32 ] 4^>( 8) | % Takt 61 %%%%======== ------------------------------------------------ --------- \times 4/5 { g'16-.[( g-. g-. g-. g-.] } g-.)[ r32 g,] g4->( f8) | % Takt 62 %%%%======== ------------------------------------------------ --------- 16-.^\markup { riten. }( -. -. -. -. -.) 4. | % Takt 63 %%%%======== ------------------------------------------------ --------- e16-.( f-. g-. as-. b-. as-.) f4. | % Takt 64 %%%%======== ------------------------------------------------ --------- \ottava #1 b''16( c, as' c, b' c, as' c, b' c, as' c,) | % Takt 65 %%%%======== ------------------------------------------------ --------- g'( as, f' as, g' as, f' as, g' as, f' as, | % Takt 66 %%%%======== ------------------------------------------------ --------- f''8-.) \ottava #0 r r r4 r8 | % Takt 67 %%%%======== ------------------------------------------------ --------- } links = \context Staff \relative c{ %%% ========= Für das Pedal: ========================================== \set Staff.pedalSustainStyle = #'mixed \override SustainPedalLineSpanner #'outside-staff-priority = #0 \override TextScript #'outside-staff-priority = #1000 %%% ======================================================================= \Axpiano f,16( \PR c'_\markup { legatissimo } as' c, b' c,) ( \PH\PR c' c' c, des' c,) | % Takt 1 %%%%======== ------------------------------------------------ --------- ( \PH\PR c' c' c, b' c,) f,( \PH\PR c' as' c, b' c,) | % Takt 2 %%%%======== ------------------------------------------------ --------- f,( \PH\PR c' as' c, b' c,) f,( \PH\PR c' as' c, c' c,) | % Takt 3 %%%%======== ------------------------------------------------ --------- f,( \PH\PR c' g' c, as' c,) f,( \PH\PR c' b' c, g' c,) | % Takt 4 %%%%======== ------------------------------------------------ --------- f,( \PH\PR c' as' c, b' c,) f,( \PH\PR c' c' c, des' c,) | % Takt 5 %%%%======== ------------------------------------------------ --------- f,( \PH\PR c'c' c, b' c,) f,( \PH\PR c' as' c, c' c,) | % Takt 6 %%%%======== ------------------------------------------------ --------- f,( \PH\PR c' b' c, g' c,) f,( c' b' c, g' c,) | % Takt 7 %%%%======== ------------------------------------------------ --------- f,( \PH\PR h as' h, des'! h,) f( h as' h, des' h,) | % Takt 8 %%%%======== ------------------------------------------------ --------- f ( \PH\PR c' as' c, b' c,) f,( c' c' c, des' c,) | % Takt 9 %%%%======== ------------------------------------------------ --------- f,_\markup { sempre legatissimo } \PH\PR c' c' c, b' c, f, c' as' c, b' c, | % Takt 10 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' as' c, b' c, f, c' as' c, c' c, | % Takt 11 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' g' c, as' c, f, c' b' c, g' c, | % Takt 12 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' as' c, b' c, f, \PH\PR c' c' c, des' c, | % Takt 13 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' c' c, b' c, f, c' as' c, c' c, | % Takt 14 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' b' c, g' c, f, c' b' c, g' c, | % Takt 15 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' as' c, c' c, f, c' as' c, c' c, | % Takt 16 %%%%======== ------------------------------------------------ --------- f, \PH\PR d' as' d, b' d, f, \PH\PR b as' b, b' b, | % Takt 17 %%%%======== ------------------------------------------------ --------- es, \PH\PR b' ges' b, b' b, es, \PH\PR as ges' as, as' as, | % Takt 18 %%%%======== ------------------------------------------------ --------- des, \PH\PR as' f' as, as' as, des, as' f' as, as' as, | % Takt 19 %%%%======== ------------------------------------------------ --------- c, \PH\PR as' es' as, as' as, c, as' \> es' as, as' as, \! | % Takt 20 %%%%======== ------------------------------------------------ --------- ces,( \PH\PR ges' es' ges, ges' ges,) ces,( ges' es' ges, ges' ges,) | % Takt 21 %%%%======== ------------------------------------------------ --------- ces,( \PH\PR as' des as as' as,) b,( \PH\PR ges' des' ges, ges' ges,) | % Takt 22 %%%%======== ------------------------------------------------ --------- b,( \PH\PR ges' des' ges, ges' ges,) b,( ges' des' ges, ges' ges,) | % Takt 23 %%%%======== ------------------------------------------------ --------- as,( \PH\PR f' des' f, f' f,) as,( \PH\PR fes' des' fes, fes' fes,) | % Takt 24 %%%%======== ------------------------------------------------ --------- ases,( \PH\PR fes' des' fes, fes' fes,) b,( \PH\PR ases' fes' ases, ases' ases,) | % Takt 25 %%%%======== ------------------------------------------------ --------- h,( \PH\PR g'! e' g, g'! g,) c,( \PH\PR g' e' g, g' g,) | % Takt 26 %%%%======== ------------------------------------------------ --------- fes( \PH\PR des' b'! des,) g,!( \PH\PR fes' des' fes,) b,( \PH\PR g'! fes' g,) | % Takt 27 %%%%======== ------------------------------------------------ --------- des( \PH\PR b' g'! b,) e,( des' \clef violin b' des, b' des, b' des,) | % Takt 28 %%%%======== ------------------------------------------------ --------- \clef bass c,( \PH\PR as' f' as, as' as,) c,( \PH\PR g' e' g, g' g,) | % Takt 29 %%%%======== ------------------------------------------------ --------- c, \PH\PR as' f' as, as' as, c, \PH\PR g' e' g, g' g, | % Takt 30 %%%%======== ------------------------------------------------ --------- c, \PH\PR f des' f, f' f, c \PH\PR g' e' g, g' g, | % Takt 31 %%%%======== ------------------------------------------------ --------- c, \PH\PR f des' f, f' f, c \PH\PR g' e' g, g' g, | % Takt 32 %%%%======== ------------------------------------------------ --------- c, \PH\PR as' f' as, as' as, c, \PH\PR g' e' g, g' g, | % Takt 33 %%%%======== ------------------------------------------------ --------- c, \PH\PR as' f' as, as' as, c, \PH\PR g' e' g, g' g, | % Takt 34 %%%%======== ------------------------------------------------ --------- c, \PH\PR f des' f, f' f, c \PH\PR g' e' g, g' g, | % Takt 35 %%%%======== ------------------------------------------------ --------- c, \PH\PR f des' f, f' f, c \PH\PR g' e' g, g' g, | % Takt 36 %%%%======== ------------------------------------------------ --------- f,( \PH\PR c' as' c, b' c,) f,( c' c' c, des' c,) | % Takt 37 %%%%======== ------------------------------------------------ --------- f,_\markup { sempre legato } \PH\PR c' c' c, b' c, f, \PH\PR c' as' c, b' c, | % Takt 38 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' as' c, b' c, f, \PH\PR c' as' c, c' c, | % Takt 39 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' g' c, as' c, f, \PH\PR c' b' c, g' c, | % Takt 40 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' as' c, b' c, f, \PH\PR c' c' c, des' c, | % Takt 41 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' c' c, b' c, f, \PH\PR c' as' c, c' c, | % Takt 42 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' b' c, g' c, f, c' b' c, g' c, | % Takt 43 %%%%======== ------------------------------------------------ --------- f, \PH\PR h as' h, des'! h, f h as' h, des' h, | % Takt 44 %%%%======== ------------------------------------------------ --------- f16 \PH\PR c' as' c, b' c, f, \PH\PR c' c' c, des' c, | % Takt 45 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' c' c, b' c, f, \PH\PR c' as' c, b' c, | % Takt 46 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' as' c, b' c, f, c' as' c, c' c, | % Takt 47 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' g' c, as' c, f, c' b' c, g' c, | % Takt 48 %%%%======== ------------------------------------------------ --------- f, \PH\PR c' a' c, b' c, f, \PH\PR c' c' c, des' c, | % Takt 49 %%%%======== ------------------------------------------------ --------- f, \PH\PR ges' es' ges, f' ges, f, \PH\PR ges' ges' ges, ges' ges, | % Takt 50 %%%%======== ------------------------------------------------ --------- f, \PH\PR d' gis d a' d, f, \PH\PR d' h' d, cis' d, | % Takt 51 %%%%======== ------------------------------------------------ --------- f, \PH\PR d' d' d, e' d, f, \PH\PR d' \oben f'^\markup { m.d. } \unten d, \oben f' \unten d, | % Takt 52 %%%%======== ------------------------------------------------ --------- f, \PH\PR des'! b' des, des'! des, f, des' b' des, des' des, | % Takt 53 %%%%======== ------------------------------------------------ --------- f, des' b' des, des' des, f, des' b' des, des' des, | % Takt 54 %%%%======== ------------------------------------------------ --------- f, des' b' des, des' des, f, des' b' des, des' des, | % Takt 55 %%%%======== ------------------------------------------------ --------- f, des' b' des, des' des, f, des' b' des, des' des, | % Takt 56 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 57 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 58 %%%%======== ------------------------------------------------ --------- \Axmodern f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 59 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 60 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 61 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 62 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 63 %%%%======== ------------------------------------------------ --------- f, \PH\PR des' b' des, des' des, f, \PH\PR c' as' c, c' c, | % Takt 64 %%%%======== ------------------------------------------------ --------- f,8 r \clef violin des''''16( f, des' f, des' f, des' f,) | % Takt 65 %%%%======== ------------------------------------------------ --------- b( f b f b f b f b f b f | % Takt 66 %%%%======== ------------------------------------------------ --------- f,8-.) \PH r r r4 r8 | % Takt 67 %%%%======== ------------------------------------------------ --------- } dynamics = \new Dynamics { s8 \p s8*5 | % Takt 1 %%%%======== ------------------------------------------------ --------- s8 s-\mcresc s\< s s\! s | % Takt 2 %%%%======== ------------------------------------------------ --------- s-\markup { con forza } s8*5 | % Takt 3 %%%%======== ------------------------------------------------ --------- s2.*2 | % Takt 4 %%%%======== ------------------------------------------------ --------- s8 s\< s s s s8\! | % Takt 6 %%%%======== ------------------------------------------------ --------- s8*4 s8 s\< | % Takt 7 %%%%======== ------------------------------------------------ --------- s16 s\! s8*4-\mcresc s8 | % Takt 8 %%%%======== ------------------------------------------------ --------- s8-\markup { sotto voce } s8*5 | % Takt 9 %%%%======== ------------------------------------------------ --------- s8 s16\< s4. s16\! s8 | % Takt 10 %%%%======== ------------------------------------------------ --------- s2.*3 | % Takt 11 %%%%======== ------------------------------------------------ --------- s8 s16\< s4. s16\! s8 | % Takt 14 %%%%======== ------------------------------------------------ --------- s2.*2 | % Takt 15 %%%%======== ------------------------------------------------ --------- s8\p\< s2 s16\! s16 | % Takt 17 %%%%======== ------------------------------------------------ --------- s2.\cresc | % Takt 18 %%%%======== ------------------------------------------------ --------- s8 \f s8*5 | % Takt 19 %%%%======== ------------------------------------------------ --------- s4 \fz s s8 s \p | % Takt 20 %%%%======== ------------------------------------------------ --------- s2. | % Takt 21 %%%%======== ------------------------------------------------ --------- s4. s16\cresc s16*5 | % Takt 22 %%%%======== ------------------------------------------------ --------- s4. \crescTextCresc \once\set crescendoText = \markup { sempre \hspace #9.5 stretto \hspace #9.5 e \hspace #9.5 "più" } s16\< s16*5 | % Takt 23 %%%%======== ------------------------------------------------ --------- s2. | % Takt 24 %%%%======== ------------------------------------------------ --------- s8 \f s8*5 | % Takt 25 %%%%======== ------------------------------------------------ --------- s4 s16-\markup { accelerando } s16*7 | % Takt 26 %%%%======== ------------------------------------------------ --------- s16\cresc( s16*10 s16\! | % Takt 27 %%%%======== ------------------------------------------------ --------- s16 \ff s16*11 | % Takt 28 %%%%======== ------------------------------------------------ --------- \crescHairpin s4. s16 s\> s s s s\! | % Takt 29 %%%%======== ------------------------------------------------ --------- s8 \pp s8*5 | % Takt 30 %%%%======== ------------------------------------------------ --------- s8 \f s-\markup { stretto } s2 | % Takt 31 %%%%======== ------------------------------------------------ --------- s8 \pp s8*5 | % Takt 32 %%%%======== ------------------------------------------------ --------- \times 3/5 { s8 \f s-\markup { appassionato } s s s } s4. | % Takt 33 %%%%======== ------------------------------------------------ --------- \times 3/5 { s8 \pp s2 } s4. | % Takt 34 %%%%======== ------------------------------------------------ --------- \times 3/5 { s8 \f s2 } s4. | % Takt 35 %%%%======== ------------------------------------------------ --------- \times 3/5 { s8 \pp s2 } s4.) | % Takt 36 %%%%======== ------------------------------------------------ --------- s8 \p-\markup { sempre agitato} s8*5 | % Takt 37 %%%%======== ------------------------------------------------ --------- s8 s16\< s16*7 s16\! s | % Takt 38 %%%%======== ------------------------------------------------ --------- s2. | % Takt 39 %%%%======== ------------------------------------------------ --------- s8 \f s8*5 | % Takt 40 %%%%======== ------------------------------------------------ --------- s2. | % Takt 41 %%%%======== ------------------------------------------------ --------- s8 s16\< s16*7 s16\! s | % Takt 42 %%%%======== ------------------------------------------------ --------- s2. | % Takt 43 %%%%======== ------------------------------------------------ --------- s16\< s s\! s16*9 | % Takt 44 %%%%======== ------------------------------------------------ --------- s2. | % Takt 45 %%%%======== ------------------------------------------------ --------- s8 s16\< s16*7 s16\! s | % Takt 46 %%%%======== ------------------------------------------------ --------- s16 s\> s8*3 s16\! s16*3 | % Takt 47 %%%%======== ------------------------------------------------ --------- s2. \fz | % Takt 48 %%%%======== ------------------------------------------------ --------- s8 \p s \crescTextCresc \once\set crescendoText = \markup { cresc. } s \< s s s | % Takt 49 %%%%======== ------------------------------------------------ --------- s \crescHairpin s\< s s s s | % Takt 50 %%%%======== ------------------------------------------------ --------- s16\p s \crescTextCresc \once\set crescendoText = \markup { cre } s\< s s \once\set crescendoText = \markup { scen } s\< s s s \once\set crescendoText = \markup { do } s\< s s\! | % Takt 51 %%%%======== ------------------------------------------------ --------- s8-\markup { e \hspace #3.8 stretto } s8*5 | % Takt 52 %%%%======== ------------------------------------------------ --------- s8 \p s-\markup { sempre \hspace #3.8 più \hspace #3.8 cresc. \hspace #3.8 ed \hspace #3.8 accelerando }( s2 | % Takt 53 %%%%======== ------------------------------------------------ --------- s2. | % Takt 54 %%%%======== ------------------------------------------------ --------- \crescHairpin s8 s s s\< s s\! | % Takt 55 %%%%======== ------------------------------------------------ --------- s8 s2 \fz s8( \p | % Takt 56 %%%%======== ------------------------------------------------ --------- s-\markup { sotto voce } s8*5 | % Takt 57 %%%%======== ------------------------------------------------ --------- s8 \pp s8*5 | % Takt 58 %%%%======== ------------------------------------------------ --------- s8 \p\< s s s4.\! | % Takt 59 %%%%======== ------------------------------------------------ --------- s8 \pp s8*5 | % Takt 60 %%%%======== ------------------------------------------------ --------- \times 4/5 { s16 \f s4 } s2 | % Takt 61 %%%%======== ------------------------------------------------ --------- \times 4/5 { s16 \pp s4 } s2 | % Takt 62 %%%%======== ------------------------------------------------ --------- s16 \ff s16*11 | % Takt 63 %%%%======== ------------------------------------------------ --------- s16 \pp s16*11 | % Takt 64 %%%%======== ------------------------------------------------ --------- s16 s-\markup { leggierissimo } s8*5 | % Takt 65 %%%%======== ------------------------------------------------ --------- s16-\markup { smorz. } s16*11 | % Takt 66 %%%%======== ------------------------------------------------ --------- s2. | % Takt 67 } \score { \context PianoStaff << \set GrandStaff.instrumentName = \markup { \huge { 9. } } \context Staff = "up" << \global \clef violin \rechts >> \dynamics \context Staff = "down" << \global \clef bass \links >> >> \layout { \context Staff \override TextScript #'font-shape = #'italic } \midi { \tempo 8=288 } }