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Plutarch, in this essay on the E at Delphi, tells us that beside the well-known inscriptions at Delphi there was also a representation of the letter E, the fifth letter of the Greek alphabet. The Greek name for this letter was EI, and this diphthong, in addition to being used in Plutarch’s time as the name of E (which denotes the number five), is the Greek word for if,
and also the word for the second person singular of the verb to be
(thou art).
In searching for an explanation of the unexplainable it is only natural that the three meanings of EI (five,
if,
thou art
) should be examined to see if any hypothesis based on any one of them might possibly yield a rational explanation; and these hypotheses constitute the skeleton about which is built the body of Plutarch’s essay. From it we gain some interesting delineations of character and an engaging portrayal of the way in which a philosopher acts, or reacts, when forced unwillingly to face the unknowable.
Plutarch puts forward seven possible explanations of the letter:
(1) It was dedicated by the Wise Men, as a protest against interlopers, to show that their number was actually five and not seven (EI = E, five).
(2) EI is the second vowel, the Sun is the second planet, and Apollo is identified with the sun (EI = E, the vowel).
(3) EI means if
: people ask the oracle IF they shall succeed, or IF they shall do this or that (EI=if
).
(4) EI is used in wishes or prayers to the god, often in the combination if
or if only
).
(5) EI, if,
is an indispensable word in logic for the construction of a syllogism (EI = if
).
(6) Five is a most important number in mathematics, physiology, philosophy, and music (EI = E, five
).
(7) EI means thou art
and is the address of the consultant to Apollo, to indicate that the god has eternal being (EI = thou art
).
Attempts to explain the letter have been also made in modern times by Göttling,
go,addressed to the person who carne to consult the oracle, and that it means
go on,
continueinto the temple. The value of this explanation is somewhat doubtful, since EI in this word (
O. Lagercrantz, in
he said.To this, of course, Roscher objects and suggests that Lagercrantz might have thought also of
verily.Thus all the various possibilities of interpretation have in turn been suggested, and rejected by others.
W. N. Bates, in the
originally three betyl stones or pillars placed on a basis and representing the three Charites! Moreover, C. Fries, in
nodi explicatiothe fact that in Sumerian inscriptions E means house or temple, and so may be connected with Babylonian ritual (note the Chaldean in chap. iv.)!
Interesting are the two coins reproduced in Imhoof-Blumer and P. Gardner,
The title of the essay is included in the catalogue of Lamprias, where it appears as No. 117. It is not infrequently quoted or referred to by later writers. It has been separately edited by Bernardakis in the volume of essays in honour of Ernst Curtius, Leipzig, 1894. Of interest is also
Not long ago, my dear Sarapion,
For he does no favour who gives small gifts from scanty means to wealthy men; and since it is not credible that his giving is for nothing, he acquires in addition a reputation for disingenuousness and servility. Observe also how, as far as independence and honour are concerned, material gifts fall far below those bestowed by literary discourse and wisdom; and these gifts it is both honourable to give and, at the same time, to ask a return of like gifts from the recipients. I, at any rate, as I send to you, and by means of you for our friends there, some of our Pythian discourses, an offering of our first-fruits, as it were, confess that I am expecting other discourses, both more numerous and of better quality, from you and your friends, inasmuch as you have not only all the advantages of a great
It seems that our beloved Apollo finds a remedy and a solution for the problems connected with our life by the oracular responses which he gives to those who consult him; but the problems connected with our power to reason it seems that he himself launches and propounds to him who is by nature inclined to the love of knowledge, thus creating in the soul a craving
On many other occasions when the subject had been brought up in the school I had quietly turned aside from it and passed it over, but recently I was unexpectedly discovered by my sons in an animated discussion with some strangers, whom, since they purposed to leave Delphi immediately, it was not seemly to try to divert from the subject, nor was it seemly for me to ask to be excused from the discussion, for they were altogether eager to hear something about it. I found them seats, therefore, near the temple, and I began to seek some answer myself and to put questions to them; influenced as I was by the place and the conversation itself, I remembered
That the god is no less a philosopher than a prophet Ammonius seemed to all to postulate and prove correctly, with reference to this or to that one of his several titlesApollo
in the Index thereto.Pythian
(
Delian(
Phanaean(
Ismenian
Leschenorian(
Since,he wrent on to say,
inquiry is the beginning of philosophy, and wonder and uncertainty the beginning of inquiry,it seems only natural that the greater part of what concerns the god should be concealed in riddles, and should call for some account of the wherefore and an explanation of its cause. For example, in the case of the undying fire, that pine is the only wood burned here, while laurel is used for offering incense; that two Fates have statues here, Cf. Plato,Theaetetus , 155 d.whereas three is everywhere the customary number; that no woman Cf. Pausanias, x. 24. 4.is allowed to approach the prophetic shrine; the matter of the tripod; and the other questions of this nature, when they are suggested to persons who are not altogether without mind and reason, act as a Iure and an invitation to investigate, to read, and to Cf. Euripides,Ion , 222.talk about them. Note also these inscriptions here, Cf .Moralia , 164 b, 408 e, 511 a.Know thyselfandAvoid extremes,how many philosophic inquiries have they set on foot, and what a horde of discourses has sprung up from each, as from a seed! And no less productive of discourse than any one of them, as I think, is the present subject of inquiry.
When Ammonius had said this, Lamprias, my brother, said, As a matter of fact, the account that we have heard is simple and quite brief. For they say that those wise men who by some are called the
Sophists
were actually five in number: Chilon, Thales, Solon, Bias, and Pittacus. But when Cleobulus, the despot of the Lindians, and later Periander of Corinth, who had no part or portion in virtue or wisdom, but forcibly acquired their repute through power and friends and favours, invaded this name of the Wise Men, and sent out and circulated throughout Greece certain sentiments and sayings very similar to those famous utterances of the Wise Men, these, naturally, did not like this at all, but were loath to expose the imposture or to arouse open hatred over a question of repute, or to carry through a contest against such powerful men; they met here by themselves and, after conferring together, dedicated that one of the letters which is fifth in alphabetical order and which stands for the number five, thus testifying for themselves before the god that they were five, and renouncing and rejecting the seventh and the sixth as having no connexion with themselves. That this account is not beside the mark anyone may realize who has heard those connected with the shrine
Ammonius smiled quietly, suspecting privately that Lamprias had been indulging in a mere opinion of his own and was fabricating history and tradition regarding a matter in which he could not be held to account. Someone else among those present said that all this was similar to the nonsense which the Chaldean visitor had uttered a short time before: that there are seven vowels in the alphabet and seven stars that have an independent and unconstrained motion; that E is the second in order of the vowels from the beginning, and the sun the second planet after the moon, and that practically all the Greeks identify Apollo with the Sun.But all this,
said he, has its source in slate and prate
idle talk.
Apparently Lamprias had unwittingly stirred up the persons connected with the temple against his remarks. For what he had said no one of the Delphians knew anything about; but they were used to bring forward the commonly accepted opinion which the guides give, holding it to be right that neither the appearance nor the sound of the letter has any cryptic meaning, but only its name.
For it is, as the Delphians assume,
- and on this occasion Nicander, the priest, spoke for them and said, the figure and form of the consultation of the god, and it holds the
if
combined with what the consultant thinks proper to undertake, for the god conceives of all the inquiries subjoined to this as real things and welcomes them as such. And since to inquire from him as from a prophet is our individual prerogative, but to pray to him as to a god is common to all, they think that the particle contains an optative force no less than an interrogative. If only I could,
is the regular expression of a wish, and ArchilochusIf to me it might be granted Neobulê’s hand to touch.
And in using if only
they assert that the second word is added unnecessarily, like Sophron’ssurely
: Surely in want of children as well.
This is found also in HomerSince I surely shall break your might
but, as they assert, the optative force is adequately indicated by the if.
When Nicander had expounded all this, my friend Theon, whom I presume you know, asked That the god is a most logical reasoner the great majority of his oracles show clearly; for surely it is the function of the same person both to solve and to invent ambiguities. Moreover, as Plato said, when an oracle was given that they should double the size of the altar at Delos
it is day
and that it is light
assuredly wolves and dogs and birds perceive by their senses; but if it is day, then it is light,
no creature other than man apprehends,
The god, moreover, is a prophet, and the prophetic art concerns the future that is to result from things present and past. For there is nothing of which either the origin is without cause or the foreknowledge thereof without reason; but since all present events follow in close conjunction with past events, and all future events follow in close conjunction with present events, in accordance with a regular procedure which brings them to fulfilment from beginning to end, he who understands, in consonance with Nature, how to fathom the connexions and interrelations of the causes one with another knows and can declare
What now is, and in future shall be, and has been of aforetime.
Very excellently did Homer place first in order the present, then the future and the past, for the syllogism based on hypothesis has its source in what is; for example, if this is, then that has preceded,
and again, if this is, then that shall be.
The technical and rational element here, as has been stated, is the knowledge of consequences; but the senses provide the argument with its premise. Therefore, even if it be a poor thing to say, I shall not be turned aside from saying it, that this is the tripod of truth, namely, argument, which lays down the consequent relation of the conclusion to the antecedent, and then, premising the existent condition, induces the completion of the demonstration. Therefore, if the Pythian god
Heracles, before he had released Prometheus or had conversed with the sophists that were associated with Cheiron and Atlas, when he was young and a thorough Boeotian,
Philistine.
if the first, then the second,
and resolved to carry off the tripod by force
When Theon ceased, Eustrophus the Athenian, I think it was, said to us in answer, Do you see how zealously Theon defends logic, all but arraying himself in the lion’s skin? Under such conditions, we who repose in the Theory of Numbers all affairs together, natures and principles of things divine and human alike, and make this theory far above all else our guide and authority in all that is beautiful and valuable, should not be likely to hold our peace, but to offer to the god the first-fruits of our beloved mathematics, believing, as we do, that, taken by itself, E is not unlike the other letters either in power or in form or as a spoken word, but that it has come to be held in honour as the symbol of a great and sovereign number, the
These words Eustrophus addressed to us not in jest, but for the reason that at this time I was devoting myself to mathematics with the greatest enthusiasm, although I was destined soon to pay all honour to the maxim Avoid extremes,
when I had once become a member of the Academy.
I said, therefore, that Eustrophus solved the difficulty most excellently with his number. For since,
I continued, every number may be classified as even or odd, and unity, by virtue of its potentiality, is common to both, for the reason that its addition makes the odd number even and the even number odd,
marriage
Marriage
on the ground that it was produced by the association of the first male number and the first female number.
There is also a sense in which it has been called
Nature,
since by being multiplied into itself it ends in itself again. For even as Nature receives wheat in the form of seed and puts it to its use, and creates in the interim many shapes and forms through which she carries out the process of growth to its end, but, to crown all, displays wheat again, and thus presents as her result the beginning at the end of the whole, so in like manner, while the other numbers when raised to a power end in different numbers as the result of the increase, only the numbers five and six, when multiplied by themselves, repeat themselves and preserve their identity. Thus six times six is thirty-six, and five times five is twenty-five; and furthermore, the number six does this but once, and the single instance is when it is squared; but with five this result is obtained in raising it to any power, and it has a unique characteristic, when added to and exchanges fire for all and all for fire, as gold for goods and goods for gold,
so, in like manner, the conjunction of five with itself is determined by Nature’s law to produce nothing incomplete or foreign, but it has strictly limited changes; it produces either itself or ten, that is to say, either its own characteristic or the perfect whole.
If, then, anyone ask,
What has this to do with Apollo?
, we shall say that it concerns not only him, but also Dionysus, whose share in Delphi is no less than that of Apollo.
But to Apollo they sing the paean, music regulated and chaste.
Apollo the artists represent in paintings and sculpture as ever ageless and young, but Dionysus they depict in many guises and forms; and they attribute to Apollo in general a uniformity, orderliness, and unadulterated seriousness, but to Dionysus a certain
not inappositely apprehending the peculiar character of each transformation.
But since the time of the cycles in these transformations is not equal, but that of the one which they call
Satiety,
Dearth
shorter, they observe the ratio, and use the paean at their sacrifices for a large part of the year; but at the beginning of winter they awake the dithyramb and, laying to rest the paean, they use the dithyramb instead of it in their invocations of the god; for they believe that, as three is to one, so is the relation of the creation to the conflagration.
But these remarks have been extended somewhat beyond what the occasion requires. However, it is clear that men make Five an attribute of the god, which at one time of itself creates itself, like fire, and at another time out of itself creates ten, like the universe. And in music, which is especially pleasing to him, do we imagine that this number plays no part? For the main application of harmony, so far as it can be put into words, is concerned with chords. That these are five, and no more, reason convinces anyone who wishes, by perception alone without
tones
or tropes
or harmonies,
whatever be their right name, from the changes in which, through a greater or a less tension, the remaining lower and higher notes are derived, I must ask whether, although the intervals are numerous, or rather of infinite number, yet the elements of melody are not five only,
There are many other examples of this sort of thing,
said I, which I shall pass over. I shall merely adduce Plato,
There are some who associate the senses also, since they are of the same number, with those primal elements, observing that touch functions against something resistant, and is earthly, and that taste, through moisture in the things tasted, absorbs their qualities. Air, when it is struck, becomes voice or sound in the hearing of it. Of the two remaining senses, odour, which the sense of smell has received as its portion, since it is an exhalation and is engendered by heat, bears a resemblance to fire; and in sight, which flashes to its goal owing to its kinship with aether and light, there occurs a combination and coalescence of the two, which behaves as they do. The living being possesses no other sense, nor has the world any other nature single and uncombined; but a marvellous distribution and apportionment each to each has, as it seems, been made of the five to the five.
Therewith I checked myself and, after waiting a moment, said, What ails us, Eustrophus, that we all but passed over Homer
But the discussion must be carried further back,
as Euripides
Moreover, the symmetry and power of five, rather than that of any other number, has prevailed and has not permitted the animate to progress to unlimited classes of beings, but has produced five forms
If you should, moreover, make divisions of the soul itself to accord with Nature, the first and least clear part of it is the nutritive, second the perceptive, then the appetitive, and, next after this, the spirited; but when it had reached the power to reason, and had completed its nature, it came to rest there at the fifth element as at the highest point.
Of this number, which has so many and such great powers, the origin also is fair and lovely; not that which we have expounded, that it is composed of two and three, but that which the beginning combined with the first square produces. For the beginning of all number is one, and the first square is four
But,
said I, the most important matter I fear may embarrass our Plato when it is stated, just as he said that Anaxagoras was embarrassed by the name of the Moon, since he tried to claim as his own some very ancient opinion in regard to its illumination. Has not Plato said this in the
Certainly,
said Eustrophus, but what similarity there is I do not see.
Well, you know, of course, that in the
Evidently someone anticipated Plato in comprehending this before he did, and for that reason dedicated to the god an E as a demonstration and symbol of the number of all the elements.
Furthermore, observing that the Good displays itself under five categories,
Bring to an end the current of song in the sixth generation.
Following upon all this that has been said to you,
I continued, I shall sing one short verse
men of sagacity.
On the sixth day of the new month, namely, when the prophetic priestess is conducted down to the Prytaneum, the first of your three sortitions is for five, she casting three and you casting two, each with reference to the other.
Yes,
said Nicander, but the reason must not be told to others.
Then,
said I, smiling, until such time as we become holy men, and God grants us to know the truth, this also shall be added to what may be said on behalf of the Five.
Thus, as I remember, the tale of arithmetical and of mathematical laudations of E came to an end.
Ammonius, inasmuch as he plainly held that in mathematics was contained not the least important part of philosophy, was pleased with these remarks, and said, It is not worth while to argue too precisely over these matters with the young, except to say that every one of the numbers will provide not a little for them that wish to sing its praises. What need to speak of the others? Why, the sacred Seven of
warring with
common custom, as well as with the long years of time,
Know Thyself,
Hail
; and we in turn reply to him Thou art,
as rendering unto him a form of address which is truthful, free from deception, and the only one befitting him only, the assertion of Being.
The fact is that we really have no part nor parcel in Being,
It is impossible to step twice in the same river
are the words of Heracleitus,comes dispersion and, at another time, a gathering together
; or, rather, not at another time nor later, but at the same instant it both settles into its place and forsakes its place; it is coming and going.
Wherefore that which is born of it never attains unto being because of the unceasing and unstaying process of generation, which, ever bringing change, produces from the seed an embryo, then a babe, then a child, and in due course a boy, a young man, a mature man, an elderly man, an old man, causing the first generations and ages to pass away by those which succeed them. But we have a ridiculous fear of one death, we who have already died so many deaths, and still are dying! For not only is it true, as Heracleitus
What, then, really is Being? It is that which is eternal, without beginning and without end, to which no length of time brings change. For time is something that is in motion, appearing in connexion with moving matter, ever flowing, retaining nothing, a receptacle, as it were, of birth and decay, whose familiar
afterwards
and before,
shall be
and has been,
when they are uttered, are of themselves a confession of Not Being. For to speak of that which has not yet occurred in terms of Being, or to say of what has already ceased to be, that it is, is silly and absurd. And as for that on which we most rely to it is here,
it is at hand,
and now
— all this again reason, entering in, demolishes utterly. For now
is crowded out into the future and the past, when we would look upon it as a culmination; for of necessity it suffers division. And if Nature, when it is measured, is subject to the same processes as is the agent that measures it, then there is nothing in Nature that has permanence or even existence, but all things are in the process of creation or destruction according to their relative distribution with respect to time. Wherefore it is irreverent in the case of that which is to say even that it was or shall be; for these are certain deviations, transitions, and alterations, belonging to that which by its nature has no permanence in Being.
But God is (if there be need to say so), and He exists for no fixed time, but for the everlasting ages which are immovable, timeless, and undeviating, in which there is no earlier nor later, no future nor past, no older nor younger; but He, being One, has with only one
Now
completely filled For ever
; and only when Being is after His pattern is it in reality Being, not having been nor about to be, nor has it had a beginning nor is it destined to come to an end. Under these conditions, therefore, we ought, as we pay Him reverence, to greet Him and to address Him with the words, Thou art
; or even, I vow, as did some of the men of old, Thou art One.
In fact the Deity is not Many, like each of us who is compounded of hundreds of different factors which arise in the course of our experience, a heterogenous collection combined in a haphazard way. But Being must have Unity, even as Unity must have Being. Now divergence from Unity, because of its differing from Being, deviates into the creation of that which has no Being. Wherefore the first of the god’s names is excellently adapted to him, and so are the second and third as well. He is Apollo, that is to say, denying the Many
one.
are keeping Phoebus.
Unity is simple and pure. For it is by the admixture of one thing with another that contamination arises, even as Homer
contaminated,
and dyers speak of colours that are mixed as being spoiled
spoiling.
Those who hold that Apollo and the sun are the same,
Thou art,
which are most opposed to this account, and testify against it, believing that never does any vagary or transformation take place near him, but that such acts and experiences are related to some Lord of the darkling Night and idling Sleep
and he is also Of all the gods most hateful to mortals.
Whereas concerning the other PindarAnd towards mortal men he hath been judged the most gentle.
It was fitting therefore for Euripides
And even before him Stesichorus,
And it is evident that SophoclesNo harp, no lyre is welcome for laments.
As a matter of fact it was only after a long lapse of time and only recently that the flute ventured to utter a sound
over things of delight,
but during all the early time it used to be fetched in for times of mourning, and it had the task of rendering service on these occasions, not a very honourable or cheerful one. Later it carne to be generally associated with everything. Especially did those who confounded the attributes of the gods with the attributes of demigods get themselves into confusion.
But this much may be said: it appears that as a sort of antithesis to
Thou art
stands the admonition Know thyself,
and then again it seems, in a manner, to be in accord therewith, for the one is an utterance addressed in awe and reverence to the god as existent through all eternity, the other is a reminder to mortal man of his own nature and the weaknesses that beset him.