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Message ID: 23421
Date: Tue Jan 23 23:58:19 GMT 2001
Author: Daniel P. Sniderman
Subject: RE: [eqbards] OT Instruments (was complete heal)
>-----Original Message-----<snip>
>From: Daniel P. Sniderman [mailto:fuzzbone@...]
>Sent: Tuesday, January 23, 2001 12:33 PM
>To: eqbards@egroups.com
>Subject: RE: [eqbards] OT Instruments (was complete heal)
>As I have been taught (by some very good teachers) - for a brass player -we
>are creating the sound itself. The instrument only amplifies the sound.You should have said most "good" sax/clarinet players. I played clarinet a
>This is a good thing - because we're not constantly in search of a good
>reed. Most sax/clarinet players will tell you if they get one or two in a
>box of 20 - they are happy.
>Read your comment wrong about stops - but you are still wrong on huntingAll brass instruments are technically wind instruments, since it requires
>horns. The Sound is made by "Buzzing" the brass method and they do have
>partials - they are harder to make but there (I've tried them out).
>
>The determining factor - for flutes and early winds - the vibration is the
>resistance of the air crossing a blow hole. The hunting horns are NOT
>played that way. The shape of the horn is NOT an issue for determining how
>the sound is created, only altered.
>
>Slyde