%abc2.1 % General notes from your not so humble transcriber appear in the % appendices at the end. See indices 2000 and following. % +==============================================================================+ % | GLOBAL SETTINGS: % +==============================================================================+ %%partsfont Sans-Bold,box % MIDI assignments %%MIDI program 40 % fiddle %%MIDI chordprog 24 % acoustic guitar %%MIDI bassprog 24 % same % +==============================================================================+ % | TRANSCRIBER'S GENERAL NOTES: % +==============================================================================+ % see the tail end % +==============================================================================+ % | TRANSCRIPTIONS START HERE: % +==============================================================================+ % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % Cover % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:1 T:(cover page) C:John Malchair's Third Collection of Tunes F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 %unicode notes: % \u00a0=nonbreaking space % \u201c=opening English quotation marks % \u201d=closing English quotation marks M:4/4 L:1/4 K: %%begintext fill %%Malchair, (J.B.). %% %%Malchair, the watercolour painter and musician %%leader of the Oxford Music Room Band from 1750, %%interested himself in a comparative study of tunes %%in Playford's \u201cDancing Master,\u201d and occasionally %%noted tunes \u201cfrom the mouths of the people.\u201d This %%is the last of his three note books. The whereabouts %%of the other tunes is unknown. %% %%Cecil Sharp Library. ex.Folk Song Society. %%endtext % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGES 1-25 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:10 T:Waltz. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p1 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:3/8 L:1/16 R:waltz K:D P:A |: d3efg | a2a2a2 | {/b}a2^g2a2 | e4f2 | =g2f2g2 | B4e2 | dcBABc |1 d6 :|2 d4 || P:B |: d'2 | d'c'bad'2 | d'c'bad'b | a2g2f2 | e4d'2 | d'c'bad'2 | d'c'bad'b | a>gf2e2 | d4 :| X:11 T:Waltz. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p1 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:3/8 L:1/16 R:waltz K:D P:A |: f2 | gebgec | dAfdAF | GEecAc | dAGFED | gebgec | dAfdAF | GeFdEc | d4 :| P:B |: F2 | GEecAc | dAfdAF | GEecAc | dAGFED | GEecAc | dAfdAF | GEecAc | d4 :| X:12 T:Romance du Barbier du Seville. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p1 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:2/4 L:1/8 R:march K:G P:A |: d2BB | B3G | AAAB | dcB2 | g2fa | g2fa | gdcB | B2Az :| P:B |: A2Ac | BBBd | dAAc | {/c}B3d | f2ed | f2ed | gd =f/e/d/c/ | B2!mordent!A2 | G4 :| % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGES 26-50 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:260 T:Love for Love. Danc'd in the Play. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p26 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 Assuming both parts are repeated; not indicated in MS. N:NB2 MS has F flat, assuming F natural. (Two occurrences) N:NB3 A part has seven measures in MS M:C| L:1/8 K:G P:A |: "_NB1"d2 | g2G2 Bcd2 | d3 e"_NB2"=f2A2 | ABc2 c3d | efge d3c | BcdB A3G | FGAB (AF)(ED) | "_NB3"D6 :| P:B |: A2 | ABD2 F2A2 | BcE2 G2B2 | e2fg B2e2 | e6 fg | a2A2 A3B | cBcd e3"_NB2"=f | e2E2 E3F | GFGA B2d2 | g2G2 Bcd2 | G6 :| X:261 T: Vicar of Taunton Dean. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p26 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 The MS has no repeats. They are assumed here. M:6/4 L:1/4 K:Gm P:A |: "_NB1"D | G2A BAF | G2B cBA | GAB B2A | Gd2- d2 :| P:B |: d/e/ | f2e d2c | d2c B2A/G/ | ABc c2B | Bc2- c2c | d>ed c>BA | B>AG d3 | c>Bc c>BA | Gd2 A2G | ^FD2 BG2 | d3- d2d | c>Bc c>BA | Gd2- d2 :| X:262 T: King of Poland. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p26 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 The MS has no repeats. They are assumed here. N:NB4 Pickup rest added. M:6/4 L:1/4 K:Gm P:A |: "_NB1,4"z | B2G BAc | dcd G2A | Bcd f2d | dcd G2 :| P:B |: g/a/ | b>ag ^f>=ef | g2G G2A | B>cd f2d | f2d c>BA | B>cd g2d | B>AG G2 :| X:270 T:The constant Lover. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p27 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 K:F P:A |: "_NB1"cB | ABcd cBAG | F2F2 F2f2 | e2d2 e2f2 | g4 G4 | ABcd cBAG | F2F2 F2f2 | g2c2 dfeg | f6 :| P:B |: gf | efga gfed | c2c2 c2e2 | f2g2 a2ga | b6 a2 | gagf efed | cdcB A2c2 | Bdce dfeg | f6 :| X:271 T:The Pursuit. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p27 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 K:Dmix P:A |: "_NB1"G2 | E3F G2B2 | d3e (de)(dc) | B2d2 g2B2 | A4 E2E2 | G3A B2d2 | g3a g2e2 | g3a (ga)(ge) | d2 B4 :| P:B |: ba | g3a g2ba | g3a (ga)(ge) | (de)(dB) (de)(dB) | A2 e4 f2 | g3a g2(fe) | d3e d2(cB) | G3A B2e2 | d2 B4 :| X:272 T:Mug House. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p27 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:Mud House is marked at end of MS page as misbarred and rebarring suggestions are present. N:NB1 No repeats in MS. Assuming parts are repeated. M:6/4 L:1/4 K:F P:A |: "_NB1"d | B>cd (ec)e | (dB)g B>AG | (AF)A A2c | \ B>cd (ec)e | (fd)f g2d | (BG)G G2 :| P:B |: B | (AF)A (AF)A | (AF)d (AF)B | (GE)E E2A | \ (FD)d (Be)d | (ae)a (fd)b | (ga)f g2 :| X:273 T:Mug House (rebarred). C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p27 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:Mud House is marked at end of MS page as misbarred and rebarring suggestions are present. N:NB1 No repeats in MS. Assuming parts are repeated. M:9/8 L:1/8 K:F P:A |: "_NB1"d | B>cd (ec)e (dB)g | B>AG (AF)A A2c | \ B>cd (ec)e (fd)f | g2d (BG)G G2 :| P:B |: B | (AF)A (AF)A (AF)d |(AF)B (GE)E E2A | \ (FD)d (Be)d (ae)a | (fd)b (ga)f g2 :| X:280 T:Mr Young's Delight. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p28 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 W:Duplicate p84. K:F P:A |: "_NB1"c2 | A2F2 F2G2 | A4 d4 | c3d (cd)(cA) | B2 G4 B2 | A2 F4 G2 | A4 d4 | f3g (fg)(ag) | f2 c4 f2 | d3c (de)fd | (cd)(cB) (Ac)(fc) | (de)(fd) (cd)(cA) | B2G2 G2B2 | A2 F4 G2 | A4 d4 | c3d (cd)(cA) | B2 G4 :| P:B |: (ag) | (fg)(af) (ga)(bg) | (ab)(ga) (fg)(ef) | (de)(fd) (ge)(dc) | G2 c4 B>A | (Bd)(fd) (Ac)(fc) | (Bd)(fd) (Ac)(fc) | (dc)(BA) (GA)(GF) | F6 :| X:281 T:Mr Heath's Dance. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p28 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 K:D P:A |: A2 | F2D2 D2F2 | A4 B4 | A2F2 (GF)(ED) | (CD)(EF) E2AG | F2D2 D2F2 | A4 B4 | A2F2 (GF)(ED) | D6 :| P:B |: ef | e2c2 c2d2 | e4 a2e2 | e2fe d2ed | c6 c2 | d2c2 B2A2 | ^G2A2 B2(cd) | e2(fe) (dc)(BA) | A6 A2 | F2D2 D2F2 | A4 B4 | A2F2 (GF)(ED) | (CD)(EF) E2AG | F2D2 D2F2 | A4 B4 | A2F2 (GF)(ED) | D6 :| X:290 T:Bleinheim Castle. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p29 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. N:NB2 MS has slur "(F2A A>)B^c"; assuming tie "F2A- A>B^c" as in bars that follow (esp. bar 5). M:6/4 L:1/4 K:Ddor P:A |: "_NB1"D/E | "_NB2"F2A- A>B^c | D2D- D>EF | E2G- G>AB | c2C- C>DE | F2A- A>B^c | d>cd e>de | f>ef g>fe | f2(d d3/2) :| P:B |: d/e | f>ef g>fg | a2c- c>de | f>ef g>fg | a2A- A>Bc | B2d- d>ef | g2G- G>AB | c>Bc d>ef | e2c- c>GA | _B>cB A>Bc | B>cd ^c>BA | d>ef e>fg | f2d- d>dA | _B>cB Acf | =Bdg =c2e | a>gf e>fg | f2d- d3/2 :| X:291 T:Ormond's March. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p29 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 R:march K:C P:A |: e4 d3c | c6 ef | g2g2 g2fe | d6 de | f2f2 f2ed | e3f edcB | A4 dedc | B2Bc dcBA | G2cB A3G | G8 :| P:B |: d6 Bc | d2d2 d2e2 | dcBc d2G2 | g6 ef | g2g2 g2a2 | gfef g2c2 | a2fg agaf | g2ef gfge | f2de fefd | e2fe dcBA | BGc2 c3B | c8 :| X:300 T:Disappointment. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p30 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:This seems to be a CMD (common meter doubled) hymn tune.... N:NB1 assuming no repeats (as in MS) since this appears to be a hymn tune. N:NB2 MS used flat (as in F# flatted), so F natural is intended. M:C| L:1/8 K:Gm P:A B2G2 B2d2 | cBAG ^F2d2 | cBAG ^F2B2 | AG^F=E D4 | B2G2 d2g2 | fedc B2b2 | agf=e d2^f2 | g8 || P:B B2d2 B2f2 | edcB A2e2 | dcBA G2d2 | cBAG ^F2d2 | g2d2 g2b2 | ag^f=e d2g"_NB1"=f | edcB A3G | G8 |] X:301 T:Marlborough's Victory. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p30 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C L:1/8 R:reel K:D P:A |: A2 | d2dd dddd | d6 cB | AGFG AGFG | G4 D2de | f2ff ffff | f6 gf | edcd edcd | e6 A2 | d2df e2ef | d2df e2g^f | fedc B3A | A6 :| P:B |: E2 | A2AA AAAA | A6 A2 | dcde d2A2 | d6 e2 | ffff eeee | ffff eeee | f^gfg =g3(f/g/) | a6 ag | fedc B2gf | edcB A2dc | BAGF E2B2 | e6 ef | g2fe f2d2 | efed c2BA | d2ef B2c2 | d6 :| X:310 T:Wood Lark. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p31 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 K:F P:A |: "_NB1"fg | agfa gfeg | f2c2 c2f2 | g2a2 b2a2 | gfed c2fg | agfa gfeg | f2c2 (fa)c2 | B2A2 G3F | F6 :| P:B |: cB | AFAc AFAc | BGBd BGBd | Acde fgag | e4 c2gf | fafc fafc | egec egec | faga (ba)g2 | f6 :| X:311 T:Golden Age. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p31 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. N:NB2 The MS has mensuration clef inverted alla breve (modern: 2/4 time). N: == This is inconsistent with notes and barring in the MS; probable use to indicate fast tempo. N: == For consistency, we change note length -- notes here have half of length as given in MS. N: == Also note that the inverted alla breve symbol in not available in ABC notation. M:2/4 % MS has inverted alla breve (2/4), see notes L:1/16 % corresponding to default 1/8 in MS K:Am P:A |: "_NB1,2"AB | c2e2 A2a2 | ^g2b2 e2dc | B2c2 d2eB | c2 A4 cB | c2e2 A2c2 | B2d2 G2g2 | (ag)(fe) (de)(fg) | e2 c4 :| P:B |: cd | e2g2 c2e2 | g2c2 B2e2 | A2a^g a2ba | =g2 e4 ef | g2B2 c2e2 | f2A2 ^G2B2 | e2dc B2cd | c2 A4 :| X:312 T:Winchester Wedding. T:The King's Jigg. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p31 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. N:NB3 The MS has this as a quarter (closed notehead) with a correction to half (open nothead), N: -- the original quarter is consistent with barring. N:NB4 MS has 1/8 note instead of 1/4 note. N:NB5 This footnote follows the tune. M:C| L:1/8 K:Bb P:A |: "_NB1"B,2 | (DF3) G2F2 | D2B,2 (DF3) | B3G c3B, | (DF3) G3F | \ D2F2 GAB2 | B3A "_NB3"B2 :| P:B |: g2 | fgd2 f3B | c2B2 cde2 | G3c A3F | B>GE2 G>BG2 | \ c>AF2 (de3) | c3B "_NB4"B2 :| W:(NB5) See an attempt to restore the time of this tune at p[age] 129. X:320 T:Salatation. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p32 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. N:NB2 Short measure in MS. Added "d2" (quarter note) to fill measure. N:NB3 Slur not in MS -- added for parallelism with final measure of A. M:3/2 L:1/8 R:%triple hornpipe K:A P:A |: "_NB1"e4 c3B ABc2 | B4 E4 E4 | FGA2 F2(ED) (CD)E2 | B,4- B,4 B3c | d4 f4 FGA2 | G4 B2Bc d2"_NB2"d2 | e2 c4 c2 B2B2 | A6 e2 (fg)a2 :| P:B |: d3c d2e2 (fe)(fg) | B6 ^d2 e2f2 | g3a f2(ge) f2^d2 | e6 B2 Bcd2 | c3B c2A2 (FG)A2 | G6 e2 (ef)g2 | f3e (fa)(ec) B2A2 | A6 e2 "_NB3"(fg)a2 :| X:321 T:Burgondy Flight. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p32 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts A and C are repeated. Part B seems to be a bridge. N:NB4 Part C has 7 measures. A pickup rest has been added for the repeat to the C part. M:6/8 L:1/8 R:jig K:Bb P:A |: "_NB1"f/e/ | d2e c>BA | B3 F2A | c>de d2c | d3- d2e/f/ | g3 fed | cde f2e | d>cB FBA | B3- B2 :| P:B A/B/ | c>dc cdc | cAF FBc | d>ed c2B | f3- f2f | g3 f3 || P:C |: e2z dga | b2z a2z | g2z fga | bed cac | BgB AfA | GAB FBA |1 B3- B2 "_NB4"z :|2 B3- B2 |] X:330 T:Lisle. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p33 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:3/2 L:1/8 K:Bb P:A |: Bc | B2B,2 B,2B2 A2G2 | c2G2 GABc A2F2 | Bcd2 ABc2 GABc | A2B2 cBAG F2GA | B2B,2 B,2B2 A2G2 | c2G2 GAB2 A2F2 | BcdB ABcA GABG | F2B2 B3A B2 :| P:B |: de | f2B2 B2d2 c2B2 | g2c2 cde2 d2f2 | gaga B2A2 g2f2 | e2f2 f3=e f2ga | b2e2 d2b2 abag | fgfe d2g2 fgfe | dedc BcdB cBAG | F2B2 B3A B2 :| X:331 T:Lady Dainty. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p33 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming A part is repeated. B part seems to be a finale. M:C| L:1/8 K:Dm P:A |: AG | FEDF E2^C2 | D4 E4 | F3A GFED | ^CDEF E2AG | FEDF E2^C2 | D2F2 A2df | edcB AGFE | D6 :| P:B ag | fedf e2^c2 | d4 e4 | f3a gfed | ^cdef e2ag | fafa egeg | fdef ^ca=B^c | defg a2gf | e4 d4 |] X:340 T:Masquerade Royal. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p34 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 K:Gm P:A |: "_NB1"G2A2 | B2G2 B2c2 | d4 d2cB | A2B2 c2d2 | B2G2 G2A2 | B2G2 B2c2 | d4 d2cB | A2G2 A2^F2 | G4 :| P:B |: d2e2 | f2e2 f2g2 | f4 f2ed | c2d2 e2d2 | d4 dcde | d4 c4 | B4 G2A2 | B2G2 B2c2 | d4 d2c2 | A2B2 c2d2 | B2G2 G2A2 | B2G2 B2c2 | d4 d2cB | \ A2G2 A2^F2 | G4 :| X:341 T:A Health to Betty. T:from the edition of 1665. See another vol 2nd p 20, 1652. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p34 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:MS "mistakes" in this tune and the next suggest a copy from an earlier MS using different notation. N:NB1 No repeats in MS. Assuming the tune is repeated. N:NB2 Long measure in MS. M:4/4 % MS has C| (cut time) L:1/8 K:Gdor % modality uncertain - key signature is 1 flat (Bb Lydian?, F major?, D minor?, G Dorian?) |: "_NB1"G2 | [M:5/4] "_NB2"G3A G2^F2D2 | [M:4/4]B2c2 A2d2 | [M:5/4] "_NB2"d3e d2c2A2 | [M:4/4] f2d2 d2e2 | [M:5/4] "_NB2"f2d2 B3cd2 | [M:4/4] c2A2 F2F2 | [M:5/4] "_NB2"G3A G2^F2D2 | [M:4/4] (B2c2 A2) :| W:(Transcriber's note: Despite the odd meter, this is really quite catchy!) X:342 T:The Irish Lady. T:Aniseed water Robin. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p34 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 MS has explicit repeats for both parts. N:NB3 MS has triplet with twice this length. N:NB4 MS has stemless quarter, assuming 1/2. N:NB5 MS is misbarred from here to end of tune. Note lengths here are merely a guess. M:3/4 % MS has 6/4, but barring suggests 3/4 L:1/4 W:1665 & 1652. K:Ddor P:A |: "_NB1,3"(3D/E/F/ | EFG | "_NB4"c2c | "_NB4"c2d | \ e>fe/d/ | cde/d/ | cAA | A>A :| P:B |: A | FFF | F>ED | fff | f>ed | \ % For rest of tune, MS has three measures that violate barring constraints: % [M:5/4 (?)] efg3/2f/e/f/ | [M:2/4 (?)] dA | [M:5/8 (???)] d3/2 :| % The following substitution is pure conjecture. "_NB5"efg- | g/f/ef | ddA | d2 :| X:343 T:Bouzer Castle. T:See a better at p 117. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p34 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. N:NB6 MS has dotted half. M:6/8 % original in 6/4. L:1/8 R:jig K:D P:A |: "_NB1"D | F2A (AF)A | B2d dBd | F2A (AF)D | D3 A,3 | F2A AFA | B2d (dB)d | (fd)f (ec)A | d3 "_NB6"D2 :| P:B |: d | f2a afa | c2e (ec)e | F2A AFD | E3 C3 | F2A (AF)A | B2d dBd | faf ecA | d3 D2 :| X:350 T:Bore la Bass. id 1695. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p35 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:C| L:1/8 W:has the small notes in the 10th bar. K:G P:A |: "_NB1"ga | b2ag f3g | a2 d4 (ed) | c3B A2(Bc) | d2 d4 :| P:B |: AB | c3d edef | g2 g4 cB | c3d edcB | A2 A4 cB | c3d edef | gfga g2Bc | d2cB A2Bc | B2 G4 :| X:351 T:Excuse Me. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p35 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming parts are repeated. M:6/8 % MS has 6/4 L:1/8 R:jig W:an other on p 43. K:Gm P:A |: G2G G2g | f2e d2e | f>gf cdB | A3 F3 | f>ed e>dc | d>ed c>BA | B>AG A^F2 | (G3 G3) :| P:B |: B2c dBG | B2c dBG | B2c d2g | ^f3 d3 :| P:C |: ABc c>dc | f2c A2A | Bcd d>ed | g2f ^e>dc | f2f f>ed | c2B A2^f | g2d e>dc | A3 G3 :| X:352 T:Paul's Steepl. 1665. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p35 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 No repeats in MS. Assuming tune is repeated. M:2/4 % original in inverted alla breve with two half notes per measure L:1/16 R:march W:See another col 2 p 85. K:Gdor % 1 flat ending on G |: B3A G2A2 | B6 cB | A2F2 F2F2 | F6 F2 | G2G2 G2A2 | B2cB A2G2 | d2d2 d2d2 | d6 c2 | B2B2 B2c2 | d4 c2B2 | c2c2 c2c2 | c6 Bc | d2d2 c2B2 | A2G2 A3c | B2G2 G2G2 | G8 :| X:360 T:Parson upon Dorothy. T:Shepherd's Daughter. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p36 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. M:C| L:1/8 W:from the edition of 1665. the same as in edition of 1652. W:see another p. 116. Different amd more simple. K:Gdor P:A |: "_NB1"D2 | G3G ABcA | B3c B2d2 | c2B2 ABcA | B4 B2 :| P:B d2 | c2B2 ABcA | B3c B2d2 | c2B2 ABcA | B4 B2 || P:C |: d2 | c3B A2c2 | B3A G2B2 | A2G2 G2^F2 | G6 :| X:361 T:Stingo. T:The Lyle of Barley C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p36 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 meter changed from 6/4 to 6/8 N:NB2 repeats added M:6/8 % marked 6/4 in margin, time signature 3 after key signature L:1/8 W:1665. The Cold and Raw. Col:2d p.45. 1652. K:Gdor P:A |: "_NB1,2"G2G d2B | cA2 F2F | G2G d2B | G3 B3 :| P:B |: B2B B2A/B/ | c2c c2c | d2d g2f | d3 f3 | B2B B2A/B/ | c2c c>d_e | d>cB cA2 | G3 B3 :| X:362 T:The beautiful [Serabmagg?] by G.B. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p36 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Meter changed from 6/6 tp 6/8. N:NB2 Added repeat of B strain. M:6/8 L:1/8 K:Dmin P:A "_NB1"A/G/ | F>ED FAA, | D3 f3 | (e/f/)gf efd | ^c3- c2(B/A/) | F>ED FAA, | D3 f3 | (e/f/)g(f ea)A | d3- d2 || P:B |: "_NB2"(f/e/) | f>ef gab | a3 f2c/B/ | ABc G>FE | F3- F2(g/f/) | E>FG ABc | ^B>cd ^c>de | (fA)f f>ed | d3- d2 :| % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGES 50-75 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:560 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p56 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:2/4 L:1/16 R:march K:G P:A |: D2 | (G4 D2B2) | (G4 D2).d2 | .B2.G2.D2.B2 | (G4 .D2) (ab) | .a2(ab) .a2(ab) | .a2(ab) .a2(ab) | a2g2f2e2 | d4 z2 :| P:B |: A,2 | D4 D3D | F4 F3F | A4 A3A | [Dc]4 z2(de) | .d2.d2 z2(ga) | .d2.d2 z2g2 | .a2.a2.f2.f2 | g4 z2 :| P:C |: D2 | !p!(G4 F2)E2 | (E4 E2)D2 | (E4 D2)C2 | (C2B,2) B,4 | !f![B,G]2 [B,G]4 [B,G]2 | [GB]2 [GB]4 [GB]2 | d2c2B2A2 | G4 z2 :| % X:561 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p56 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:3/4 L:1/4 R:waltz K:Dmix P:A |: d2 | [DAf]2 d | [DAa]2 f | g/e/c/A/ f | d d d | [DAf]2 d | [DAa]2 f | g/e/c/A/ f | d z :| P:B |: d/4e/4f/4g/4 | a a a | d'2 A | (g/>e/) (g/>e/) (f/>d/) | (g/>e/) (g/>e/) (f/>d/) | a a a | d2 a | g/e/c/A/ f | d z :| X:570 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p57 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 The forte dynamic mark at tune start is missing in the MS M:3/4 L:1/8 K:Eb P:A |: "_NB1"e2 | !f!E4F2 | (G4A2) | .B2(B2G2) | A2F2z2 | !p!(A4F2) | (A4F2) | D2DEFE | E2z2 :| P:B |: !f!B,=A, | B,2B2B2 | FGFEDC | B,2d2d2 | fedcB2 | !p!(A4F2) | (A4F2) | D2DEFD | E2z2 :| % X:571 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p57 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:3/4 L:1/8 K:A P:A |: {g}a2 | (Ace)cec | !sfz![de]4B2 | GEGEc2 | A2A2 {g}a2 | (Ace)cec | [de]4B2 | GFGFc2 | A2z2 :| P:B |: c2 | {e}d4A2 | {e}d4A2 | GBGBc2 | B2B2c2 | {e}d4A2 | {e}d4A2 | G2BGEG | A2z2 :| % X:572 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p57 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 N:NB1 The start of repeat in A is missing in MS, assuming here that it comes after the pickup. N:NB2 The last measure of B in MS is | D2z2 :| (short measure). M:3/4 L:1/8 K:D P:A D/C/ |: "_NB1"D2[df]2[df]2 | D2[df]2[df]2 | [Ag]4e2 | A,2[ce]2[ce]2 | A,2[ce]2[ce]2 | f4d2 :| P:B |: (A4F2) | (G4E2) | F2(FG)F2 | F2(FG)F2 | (A4F2) | G4E2 | F2FGFE | "_NB2"D4z2 :| X:580 T:The Grand Duke of Tuscany's March. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p58 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:C L:1/8 R:march K:D %%text as played by a Savoyard on a barrill Organ in the Streets at Oxford. November 30 - 1734. A,2 | D2D>D D2F2 | E2D2 z2A,2 | F2F>F F2A2 | {A}G2F2 z2A2 | B2G2 z2G2 | A2F2 z2DE | F2A2 G2F2 | {G}F2E2 z2A/G/F/E/ | D2D2- DABA | A2G2 z2G/F/E/D/ | C2C2 EGAG | G2F2 z2A,2 | D2D2 (3DEF (3EFG | F2F2 (3FGA (3GAB | B2A2 z2A2 | B2G2 z2G2 | A2F2 G4 | A2d2 HB2 G/F/E/D/ | A,4 E4 | D6 |] X:581 T:Minuet Della Cour. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p58 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:3/4 L:1/16 R:minuet K:D %%text playd by the Same Savoyard. P:A F4 FGFG A2A2 | A4 G4 F4 | D2F2D2F2D2F2 | G4 E8 | F4 FGFG A2A2 | A4 G4 F4 | E2GE D4 C4 | D12 || P:B E4 E2E2E2E2 | F4 {EF}D8 | F4 F2F2 A2F2 | {G}F4 {EF}E8 | A4 A2A2A2A2 | B4 B2B2B2B2 | c4 c2c2c2c2 | d12 | d6 B2c2A2 | d6 B2c2A2 | B4 A4 ^G4 | A6 A2B2A2 | G2F2E2G2A2G2 | F2E2D2A2B2A2 | G2F2E2G2A2G2 | F2E2D2A2d2c2 | B8 A4 | G8 F4 | E2F2 G4 F4 | F4 E8 | F4 FGFG A2A2 | A4 G4 F4 | E2GE D4 C4 | D12 |] X:590 T:Hungarian Tune. or Dance. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p59 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:2/4 L:1/16 Q:"moderato." K:G % one sharp P:A |: e^def {a}g2(gf) | e^def {a}g2(gf) | {f}e2eB {B}c2cA | B2{^a}b2 B2{a}b2 | e^def {a}g2gf | e^def {a}g2gf | {f}e2eB {B}c2cA | B2{^a}b2 B4 :| P:B |: cBcd {f}e2ed | cded {d}c2cB | A^GAc {c}B2B^G | A2{^g}a2A2{g}a2 | cBcd {f}e2ed | cded {d}c2cB | A^GAc {c}B2B^G | A2{^g}a2 A4 :| X:591 T:Hungarian Dance C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p59 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Jan 2020 M:2/4 L:1/16 K:C % no sharps or flats P:A |: efed {d}c2cB | {B}c4 c4 | dcde {g}f2fg | {f}e4 e4 | efed {d}c2cB | cdcB {B}A2A^G | A^GAc {c}B2BG | A2{^g}a2 A4 :| P:B |: .G2 (G4 AB) | {B}c4 c4 | .d2 (d4 ef) | {f}e4 e4 | efed {d}c2cB | cdcB {B}A2A^G | A^GAc {c}B2BG | A2{^g}a2 A4 :| X:600 T:La Rochelle. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p60 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:2/4 L:1/16 K:D P:A a2 | a2f2f2a2 | a2f2f2a2 | g2g2g2g2 | (g4 f2)f2 | \ f2d2d2f2 | f2d2d2f2 | g2e2d2c2 | (c4 d2) || {:B} a2 | c2c2c2c2 | d6 (ef) | g2g2g2g2 | (g4 f2)a2 | \ c2c2c2c2 | d6 (ef) | g2e2d2c2 | d6 |] W:Played by a Piedemontese Girl on a Cymbal in Oxford Streets. December 22. 1784. W: W:Play all these Notes upp on the 2d string of the violin and lett the 3d string serve as a drone to them. W:Lay a large Kay behinde the bridge, this wil give the sound of a Cymbal. X:601 T:An Old German Tune C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p60 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:C L:1/8 %%score {A B} V:A V:B octave=-2 K:C V:A edcB c/B/c/d/ c2 | dd dc/d/ e2e2 | edcB cB/c/ AB | cB/A/ {c/}BA/^G/ A2A2 || V:B A2e2 a2A2 | G2g2 c2c'2 | c'ba^g aefd | e2E2 A2a2 || V:A =GG GA/B/ ccc2 | dd dc/d/ e2e2 | edcB cB/c/ AB | cB/A/ BA/^G/ A2A2 |] V:B g2f2 e2c2 | G2g2 c'2c2 | c'ba^g aefd | e2E2 A2A2 |] W:this tune was given to me by my friend, Mr. Fischer. It is certainly Nerwegian. X:610 T:The Silver Faulken. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p61 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 % Note: stemless black notes in MS are transcribed as half notes. M:C % but unbarred L:1/8 K:G ^F % both F's are sharped in MS "_Old notation. Duplicate at p.70."c4 c2 c3 BA2 B3 AG2 d6 ^F3 ED2 F3 GA2 A3 GA2 F2 D4 d3 ^FG2 A4 G2 G3 AB2 c4 c2 c2 C2 C2 C4 C2 |] W:From an edition of the Dancing Master printed A.D.1652. Sold by John Playford. W:The book is at the Museum Oxon. W-125. X:611 T:The Silver Faulken. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p61 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:6/8 % but barred as in 12/8 L:1/8 K:G ^F % both F's are sharped in MS "_in modern notation."c4 c2 [|] c3 BA2 | B3 AG2 [|] d6 | ^F3 ED2 [|] F3 GA2 | A3 GA2 [|] F2 D4 | d3 ^FG2 [|] A4 G2 | G3 AB2 [|] c4 c2 | c2 C2 C2 [|] C4 C2 |] X:612 T:Gathering of Peascods 1665. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p61 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:C| L:1/4 K:G d2dd | B>cdd | edcB | A3B | AGGF | G3 || D | FDFG | A2BA | G/A/BAG | F3F | EDE>D | D3 || d | BGGA/B/ | c3c | BGGA/B/ | c3d | BGGA/B/ | c>ded/c/ | Bc/B/A>G | G3 |] X:620 T:Irish Trot. 1652. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p62 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:C| % unbarred L:1/8 K:Dphr defe d2A2 [|] Bcde c3c [|] ddcB A2c2 [|] F2G2 A3G [|] ABcd cAF2 [|] EFGA GE^C2 [|] DEFG A2e2 [|] =cded d4 |] X:621 T:Irish Trot. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p62 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:C| % labelled modern notation but crossed out L:1/8 W:(crossed out in manuscript) K:Fmaj "^in modern notation."fg ag f2c2 | efgf e3e | ffed c2e2 | A2B2 c3B | cdef ecA2 | GABc BGE2 | FGAB c2g2 | efgf f4 |] X:622 T:Jog on. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p62 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:6/4 % modern 6/4 but marked C L:1/4 K:Amix d2Ad2e | f>gfeca | deda2g | f3e3 | e2fg>ag | f>gfe>dc | dedcBc | B3A3 |] X:623 T:Jack Puddin. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p62 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:6/4 % modern 6/4 with some missing bars, but marked C % stemless black notes are transcribed as half notes. L:1/4 K:Gmin "^(in old notation)"D | G2GA2F [|] BG2c2A [|] dB2A2G [|] G3-G2 || g | fd2e2c [|] dB2c2A [|] BG2AF2 [|] B3-B2B [|] cA2d2A [|] ^FD2B2c [|] dB2c2A [|] G3-G2 |] X:624 T:Jack Puddin. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p62 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:6/4 % meter is not marked. % Same tune as above, but, apart from the missing time % signature, it is in modern notation. L:1/4 K:Gmin D | G2GA2F | BG2c2A | dB2A2G | G3-G2 || g | fd2e2c | dB2c2A | BG2AF2 | B3-B2B | cA2d2A | ^FD2B2c | dB2c2A | G3-G2 |] X:630 T:A pocky Concetto indeede. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p63 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 A part - two measures in MS - played twice here N:NB2 B part - no repeat in MS, added repeat here M:C L:1/8 K:Gmin P:A D | G>G A>F BA | dG G3D | "_NB1"G>G A>F BA | dG G3 || P:B |: "_NB2"g | fc dA | BA ^Fc | dag efg | f>ef def | gab aba | f3 d2 :| P:B |: A | _B3 c3 | d3- d2A | _B3 c3 | d3- d2A | BAB cBc | ded d3/2c/B/c/ | A2G G^F2 | G3- G2 :| X:632 T:Lady Spellor C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p63 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 older notation - half notes in MS are stemless black notes. N:NB2 repeats added N:NB3 change time signature from C[ommon] (i.e. 6/4) to 6/8, with notes halved in length % older notation - half notes in MS are stemless black notes. M:6/8 % Barred as 6/4 but marked as common time in MS L:1/8 K:Gmix |: "_NB1,2,3"d2d d2d | d3 B3 | c2B c2d | e3 B3 | A2A A2B | c2d e2f | g2d e2d | B3 G3 :| X:633 T:Millison's Jegg. 1665. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p63 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 older notation - half notes in MS are stemless black notes. N:NB2 repeats added N:NB3 change time signature from C[ommon] (i.e. 6/4) to 6/8, with notes halved in length N:NB4 the accidentals in A strain appear below the staff (two occurrences) N:NB5 the last measure of the A strain is short by 3/8 (stem added in error?). M:6/8 % Barred as 6/4 but marked as common time in MS L:1/8 K:Ddor P:A |: "_NB1,2,3"a | a>gf e2d | "_NB4"^c2d e2a | a>gf e2d | "_NB4,5"^c3 d2 :| P:B |: A | AcA AcA | AcA c2c | dfd dfd | dfd f2f | ege ege | ege g2a | a>gf e2d | ^c3 d2 :| %% page 64 X:640 T:The Milk-Mayds Bobb. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p64 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:Older notation - stemless black notes are half notes N:NB1 Meter changed from 6/4 (marked as common time) to 6/8. N:NB2 Repeats added. N:NB3 Stemless black note in original. M:6/8 % marked in MS as common time but barred as 6/4 L:1/8 % Notes ha half of original value (original L:1/4) K:G P:A |: "_NB1,2"ddd ddB | cAc "_NB3"B2G | dde f>ga | geg "_NB3"f2d :| P:B |: dgd e>cA | ege f>ed | dgd g>ab | ba>g "_NB3"g3 :| X:641 T:Winifreds Knot. T:Open the door to three. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p64 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:Modern notation apart from the strange time signature. N:NB1 Repeat added N:NB2 MS time signature was "C 6/4" M:6/4 % Marked in original as "C 6/4". L:1/4 W:See coll-2d. p.6. W:This is best and as in Ed. 1605. K:G |: "_NB1,2"D | G2G B>cB | A2D G2G | B>cB c2c | d2d d>cB | A2D G>AG | BA2 G2 :| X:642 T:Up tails all. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p64 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeat added. M:C| L:1/8 W:again - coll. 2. p.58.70. K:G |: "_NB1"d2 | d4 B2AB | c2c2 A2A2 | d2d2 B3c | d6e2 | \ d4 B4 | c4 A4 | d4 D4 | G6 :| X:643 T:If all the world ware paper. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p64 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeat added. N:NB2 Meter changed from 6/4 to 6/8. Note lengths changed accordingly. M:6/8 % originally 6/4 L:1/8 % originally L:1/4 W:Duplication coll.2d. p.35 - and p.[1]7. % the second page number is unclear in MS. K:C |: "_NB1,2"G | A2G A2B | c3 D2D | E2D E2F | G3- G2E | F2E F2G | AF2 C2c | d2G A2B | c3- c2 :| X:644 T:Tom Tinker. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p64 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 barred as in MS - time signature is 3/4 but barring is 6/4. N:NB2 MS has "d2.e2d2" with staccato do placed somewhat oddly. Assuming here that this this should be "d2e3d". M:3/4 % But barred as 6/4 L:1/8 W:NB1: barred as in MS - time signature is 3/4 but barring is 6/4. W: W:Same as Ed. 1665 except the third note - which is F. W:Tom Tinker - a different tune See coll.2nd. p.65 W:In Ed. of 1695 - this tune has no more than the repetition of the first strain by way of the second. K:D P:A d2 | "_NB2"d2e3d [|] e2g2Bc | d2c3B [|] A4g2 | f3efg [|] a2f2d2 | e2c2A2 [|] d4 || P:B d2 | e2f4 [|] e2g4 | d2c3B [|] A4g2 | f3efg [|] a2f2d2 | e2c2A2 [|] d4 |] X:645 T:Tom Tinker. (rebarred) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p64 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:6/8 % Original time signature is 3/4 but but barred as 6/4 L:1/16 P:AABA K:D P:A d2 | "_NB2"d2e3d e2g2Bc | d2c3B A4g2 | f3efg a2f2d2 | e2c2A2 !fine!d4 || P:B d2 | e2f4 e2g4 | d2c3B A4g2 | f3efg a2f2d2 | e2c2A2 !D.C.!d4 || % Page 65 X:650 T:Argeers. Ed.1665. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p65 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 In the manuscript, there were no repeats. N:NB2 In the manuscript, the tune was unbarred. (It was marked cut time as it is here.) N:NB3 In the manuscript, notes were not beamed. M:C| % marked cut time but unbarred. L:1/8 K:D P:A |: "_NB1,2,3"defg e2d2 | c2A2 A4 | a2e2 a3g | f2d2 d4 | defg e2d2 | c3d e2A2 | Bcd2 cdef | d8 :| P:B |: cde2 cde2 | a2e2 a2e2 | cde2 cde2 | a2e2 a2e2 | a2gf g2ag | f2ed e3A | Bcde cdef | d8 :| X:651 T:Aya Me. T:The Symphony. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p65 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. M:C| L:1/8 W:transposed from C.to A. K:A P:A |: "_NB1"e4 c4 | B2GF E2FG | A2A2 B2B2 | c6 cc | c2de f2AA | A2Bc d2FF | GEc2 B3A | A8 :| P:B |: F2FG A2GA | B2E2 E2cc | c2Bc decB | B6 ee | f2cc d2^dd | e2BA G2ee | f2c2 B3A | A8 :| X:652 T:The New Exchange. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p65 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 repeats added. M:6/4 L:1/8 W:from Ed.1665. K:Gmin |: D2 | G3ABc B2A4 | G6- G4G2 | A3Bc2 c2B4 | A6- A4A2 | A3Bc2 d4G2 | G2A2G2 ^F4D2 | G3ABc B2A4 | G6- G4 :| X:654 T:The New Exchange. (recast in 6/8) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p65 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 repeats added. M:6/8 % in MS: 6/4 L:1/16 % for 6/4: L:1/8 W:from Ed.1665. K:Gmin |: D2 | G3ABc B2A4 | G6- G4G2 | A3Bc2 c2B4 | A6- A4A2 | A3Bc2 d4G2 | G2A2G2 ^F4D2 | G3ABc B2A4 | G6- G4 :| X:750 T:Confesse. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p75 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 % Note MS transcription uses old notation! Half notes, clef, time % In the MS, the treble clef is positioned with G on the first line M:6/4 % old: common time; modern 6/4 L:1/4 K:Gmin clef=G middle=d % note the clef! position of G is the bottom line %%text in the Dancing Master of 1652 it is printed thus. G2 A B2 c [|] d2 d d2 d [|] e3 d2 d [|] g3 ^f3 || a2 f _b2 g [|] a2 f d2 e [|] f d2 ^c2 d [|] d ^c2 d3 [|] B2 c d3/2 _e/2 d [|] \ _e d2 c3 [|] d2 g ^f2 g [|] a ^f2 g3 |] %%text Old Notation: %%text 1) G above middle C is the bottom line of the staff! %%text 2) In the MS, the time clef is common time and measures are unbarred. %%text 3) In the MS, the half notes are stemless black notes. X:751 T:Confesse. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p75 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:6/4 L:1/4 K:Gmin %%text in a more modern Notation. G2A B2c | d2d d2d | e3 d2d | g3 ^f3 || a2f b2g | a2f d2=e | fd2 ^c2d | d^c2 d3 | B2c d>ed | \ ed2 c3 | d2g ^f2g | a^f2 g3 |] X:752 T:Confesse. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p75 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:NB1) Changed meter to 6/8 N:NB2) Added repeats M:6/8 % MS has 6/4 L:1/8 K:Gmin %%text in a more modern Notation. P:A |: G2A B2c | d2d d2d | e3 d2d | g3 ^f3 :| P:B |: a2f b2g | a2f d2=e | fd2 ^c2d | d^c2 d3 | B2c d>ed | \ ed2 c3 | d2g ^f2g | a^f2 g3 :| %%text Notes: N1) MS has 6/4 time. N2) Repeats added X:753 T:Parlalaw. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p75 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:NB1) MS has quarter note (i.e. G2) N:NB2) added repeats W:a German tune from Aird's Coll. M:C L:1/8 K:G P:A |: "_NB1"G | GBBd d>cBd | cB AG/F/ G3d | GBBd cB Ag | f/a/f/d/ e/g/e/^c/ d2-d :| P:B |: d | gf/g/ ef/g/ fe/f/ d2 | fe/f/ cd/e/ dc/d/ B2 | cBAG FE/D/ Gc | B/d/B/G/ A/c/A/F/ G2 G :| % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGES 76-100 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % The next few pages are apparently various dances from Bj\/orgvin (Bergen) Norway. % X:760 T:Danse des Paysans dans le Dioc\`ese de Bergen en Norv\`ege. [1] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p76 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:6/8 L:1/8 Q:"Grazioso." K:Ddor P:A |: e | e>fd d>^cd | e>fd d>^cd | e>fd g>af | e3 Az :| P:B e | f2a aga | fed gaf | e3 az e | f2a aga | fed d^cd | efg fe^c | d3 x3 |] X:761 T:Danse des Paysans, Bergen. [2] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p76 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:In the MS, this is titled as "autre" ("other") M:3/4 L:1/8 K:Am P:A ef df e^c | fa ag af | ef df e^c | A^G A4 || P:B efdf e^c | fa agaf | efdf e^c | fa ag af | efdf e^c | A^GAB^cd | efdf e^c | A^G A4 |] X:762 T:Danse des Paysans, Bergen. [3] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p76 F:https://www.vwml.org/record/Malchair/3619/p77 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:In the MS, this is titled as "autre" ("other") M:3/4 L:1/8 K:Eb P:A |: g2 (gf)(ga) | (gf)(ed) (ef) | g(fa)g fe | (de/f/) (ed)(ec) | g2 (gf)(ga) | (gf) (ed) (ef) | g(eag) (fe) | (de/f/) {f}e4 :| % concludes on page 77 K:Cm P:B |: (eg)e(g f)e | (df) d(fed) | e(d c)e (gc) | c(=Bd)B G2 | (eg)e(g f)e | (df)d(f ed) | e(d c)e(d=B) | (cd/e/) c4 :| X:771 T:Danse des Paysans, Bergen. [4] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p77 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:In the MS, this is titled as "autre" ("other") M:3/4 L:1/8 K:Am P:A |: {f}ec A2 z2 | ^cdef ge | !trill!f2 {ef}A2 (d^c) | {c}d2 d4 :| P:B |: f{(gf)}efg af | gfef ge | {g}fe dfed | ^cdec Ac | defg aA | d2 A4 :| X:772 T:Danse des Paysans, Bergen. [5] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p77 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:No title in MS. See also note below W:Note: The manuscript has a C clef on line 1 immediately before the G clef. M:2/4 L:1/8 Q:"Grave." K:Cm P:A |: G=B/G/ {(c d)} ee/c/ | df/d/ {d}e z | G^B/G/ {(c d)} ee/c/ | ed/=B/ G z :| P:B D>F EC/E/ | D>F EC/E/ | D>F E/D/C/=B,/ | {B,}C2 z2 |] X:780 T:Danse des Paysans, Bergen. [6] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p78 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:3/4 L:1/8 K:Cm P:A {=B,}C4 ga | gfed ec | f2 {g f } edec | e/d/c/=B/ {B}c4 :| P:B d2 d=Bdf | {d}e2 edec | d2 d=Bdf | e2 c2 cd/e/ | d2 d=Bdf | {d}e2 edec | d2 d=Bdf | {d}e2 c2 z2 |] X:781 T:Danse des Paysans, Bergen. [7] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p78 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:No title in MS. M:2/4 L:1/16 K:D P:A |: ABAG A2FD | ABAG A2FD | ABAG ABcA | d2BG A2FD :| P:B |: DEDC DEFD | G2 GE F2 FD | DEDC DEFD | G2 GE F2FE | DEDC D4 :| X:782 T:Danse des Paysans, Bergen. [8] T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p78 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:No title in MS. N:NB1) Rest (length=1/8) omitted at end of A. W:NB1: Rest in MS omitted at end of measure 4. M:2/4 L:1/16 K:Am P:A |: a2 | (ge)(fd) A>(_BAG) | (FD)(E^C) A,2a2 | (ge)(fd) A>(_BAG) | (FD)(E^C) "_NB1"A,2 :| % repeat marked at start but not at end of B strain P:B |: A,2 | DEFG A>(BAG) | (FD)(E^C) A,2A,2 | (DEFG) A>(BAG) | (FD)(E^C) A,2D^C | =C4-C2 :| X:790 T:(Danse des Paysans - concluded) T:peasant dance from the Bj\/orgvin Diocese, Norway C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p79 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 N:NB1) Rest omitted in MS. M:3/4 L:1/8 Q:"Allegro" K:Ddor P:A |: A2d(^cde) | f2ed^c2 | (def)d(e^c) | (df)(e^c)A2 | A2d(^cde) | f2ed^c2 | (ded)d(e^c) | cd4z :| P:B |: a2_baga | fefga2 | (d^cd)f(e^c) | d(fe)^cA2 | a2_baga | fefgf2 | d^cdfe^c | cd4"_NB1"z :| X:791 T:Airs Norv\'egiens a Danser C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p79 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:3/8 L:1/16 K:Am |: e (3efd | (fe) (ec) (B^G) | (AB) (cd) (3efd | (fe) (ec) (B^G) | A2A, :| |: e (3efd | fe ec ea | a^g ae (3efd | fe ec ea | a^g ae (3efd | fe ec B^G | AB cd (3efd | fe ec B^G | A2A, :| X:800 T:Chanson C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p80 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:2/4 L:1/16 K:Am P:A |: c2 | B>cA2 ^G3A | B>cA2 ^G3A | B>cA2 d3c | B4E2 :| \ |: B2 | c3e d>ec2 | B>cA2 d>ec2 | B4 E2B2 | c3e d>ec2 | \ B>cA2 d>ec2 | B>cA2 {c}B3^G | A4 A,2 :| X:801 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p80 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:3/4 L:1/8 K:Cmin P:A |: g2g2ge | g2f2{gf}ef | g2afge | g2{g}f2e2 :| P:B |: c2eg(df) | (ec)egd2 | c2edfg | dec4 :| X:802 T:(untitled) F:https://www.vwml.org/record/Malchair/3619/p80 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 Z:Eric Conrad Mar 2020 M:3/4 L:1/8 K:Cm P:A |: g2eg!trill!f2 | ec df !trill!e2 | (g2c2)c2 :| \ P:B |: g2eg!trill!f2 | ec df !trill!e2 | G2g2!trill!f2 | \ (ec) (df) !trill!e2 | G2c2c2 :| X:803 T:Musique pour le Lour. T:(music for the lur) F:https://www.vwml.org/record/Malchair/3619/p80 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 W:fort a[n]cien instrument \`a vent, espece de l'or. W:(powerful old wind instrument, a sort of treasure) M:2/4 L:1/16 %%MIDI program 68 % oboe (MIDI's take on a powerful woodwind - does this resemble the sound of the lur?) K:Gm d3c B2G2 | A4 B2G2 | (d3c) B2G2 | A4 B2G2 | \ d3c G2B2 | A2B2 d4 | c3d/c/ B2G2 | A2B2 d4 | \ c3d/c/ B2G2 | ABcA B2G2 | c3d/c/ B2G2 | ABcA B2G2 | \ c3d/c/ B2d2 | A4 A2B2 | G4 G4 |] X:810 T:(untitled) T:Musique pour le Lour - continued C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p81 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:C L:1/8 K:G %%MIDI program 68 % oboe (MIDI's take on a powerful woodwind - does this resemble the sound of the lur?) P:A G>GB>d d2c2 | B>GA>F G>AB>G | G>GB>d d2c2 | B>G {B}AG/F/ G4 || K:Gm P:B G>BA>G G2^F2 | G>AB>c d2D2 | G>BA>G G2^F2 | G>AB>c d3c | {c}B2AG {B}A2G^F | G2G2 z4 | \ % Malchair uses a single bar line here M:3/4 B>dc>ed2 | BB/d/ cc/e/ d2 | d^fgabd | d2c2z2 | ABcABG | BBA^FD2 | ABcBcB | BBA^FD2 | ABcABG | B/A/G/^F/ G2G2 || M:C K:G P:C G>GB>d d2c2 | B>GA>F G>AB>G | G>GB>d d2c2 | B>G (B/A/)(G/F/) !fermata!G4 |] X:811 T:(untitled) T:Musique pour le Lour - concluded C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p81 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Mar 2020 M:3/8 L:1/8 K:G %%MIDI program 68 % oboe (MIDI's take on a powerful woodwind - does this resemble the sound of the lur?) B | d/B/ GB | A/F/ GB | d/B/ GB | A/F/ GB | \ d/B/ Gg | e/c/ d2 | d/B/ GB | A/F/ G2 |] X:820 T:Playd in the Streets at Oxford Ash Wednesday Feb.25.1789. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p82 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 % The final note of the last measure may have been erased, or maybe not. W:This was playd by a Flute a bec and Tambour. W:(NB: Flute a bec = fl\^ute \`a bec) M:2/4 L:1/16 K:C % %%MIDI program 73 % flute (does this MIDI channel resemble the fl\^ute \`a bec?) %%MIDI program 72 % piccolo (does this MIDI channel resemble the fl\^ute \`a bec?) P:A ge | c2c2 c2Bc | d2d2 d2fd | {c/}B2AG A2B2 | c2e2 e2g2 | c2c2 c2Bc | d2d2 d2fd | {c/}B2AG A2B2 | c2c2 c2 || P:B cd | e2e2 e2de | f2f2 fgfe | d2d2 d2cd | e2e2 efge | c2c2 c2Bc | d2d2 d2fd | cBAG A2B2 | c2c2 c2 |] X:822 T:Under the Greenwood Tree. Ed.1695. [6/4] T:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p82 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 W:See the words in As you like it Act 3.Scene 5th. (see Words, below) W:As in the Dancing Master published in 1695 page 95. M:6/4 % MS has archaic time signature 3 L:1/4 K:Amix P:A |: a2a a2g | f2e d>ef | e2A B2c |1 d3 d3 :|2 d3 d2 || P:B d | c2B c2d | e>fe A2f | e2d e2f | g3- g2a | f>ed e2A | e>fe g2f | e>dc B2A | A3- A2 |] X:823 T:Under the Greenwood Tree. Ed.1695. [6/8] T:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p82 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 W:See the words in As you like it Act 3.Scene 5th. (see Words, below) W:As in the Dancing Master published in 1695 page 95. M:6/8 % MS has archaic time signature 3, scoring is as in 6/4 L:1/8 K:Amix P:A |: a2a a2g | f2e d>ef | e2A B2c |1 d3 d3 :|2 d3 d2 || P:B d | c2B c2d | e>fe A2f | e2d e2f | g3- g2a | f>ed e2A | e>fe g2f | e>dc B2A | A3- A2 |] X:824 T:Words. [Under the Greenwood Tree] T:As You Like It, Act 2 Scenes 5 C:(v1 and 2) Traditional C:(v3) William Shakespeare Z:Eric Conrad, Apr 2020 % These are referenced to but not given in the MS. % Fitting the "come hither" line may take some effort. -- Editor. K:C %%begintext %%The scene begins with Amiens, Jacques and other entering. %% %%During the scene, Amiens sings verse 1, everyone sings verse 2, and verse 3, added by Jacques, is sung by Amiens. %%endtext W:1. Under the greenwood tree W:Who loves to lie with me W:And turn his merry note W:Unto the sweet bird\u2019s throat, W:Come hither, come hither, come hither. W:Here shall he see no enemy W:But winter and rough weather. W: W:2. Who doth ambition shun W:And loves to live i\u2019 th\u2019 sun, W:Seeking the food he eats W:And pleased with what he gets, W:Come hither, come hither, come hither. W:Here shall he see no enemy W:But winter and rough weather. W: W:3. If it do come to pass W:That any man turn ass, W:Leaving his wealth and ease W:A stubborn will to please, W:Ducdame, ducdame, ducdame. W:Here shall he see gross fools as he, W:An if he will come to me. X:830 T:Pepper is black. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 W:Ed.1665. M:6/4 L:1/4 K:Dmix P:A c2A e2e | c>BA e2A | ded e>fg/a/ | f3 d3 || P:B |: efg a>ba | efg g>fg | f2g a>bg/a/ | f3 d2d :| X:831 T:Pepper is black. [in 6/8] C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 W:Ed.1665. M:6/8 L:1/8 K:Dmix P:A c2A e2e | c>BA e2A | ded e>fg/a/ | f3 d3 || P:B |: efg a>ba | efg g>fg | f2g a>bg/a/ | f3 d2d :| X:832 T:Peggy Ramsey or Peg. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 W:Peg \u2014 a Ramsey mentioned by Shakespear in Twelfth Night Act 2d. M:C| L:1/4 K:Dmix % (?) P:A de fd | dc cd | eG GA | B2 A2 :| P:B BG GB | A^F DF | GG GA | B2 A2 |] X:833 T:Peggy Ramsey. [with bass notes] C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 W:[Ed: The MS has bass notes lightly written in the A part only. These are included here.] M:C| L:1/4 K:Dmix % (?) P:A de fd &A,2 F,2 | dc cd & G2 E2 | eG GA & C2 A,2 | B2 A2 & F,2 D2 :| P:B BG GB | A^F DF | GG GA | B2 A2 |] X:834 T:Peggy Ramsey. [2/4] C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 M:2/4 L:1/8 K:Dmix % (?) P:A de fd | dc cd | eG GA | B2 A2 :| P:B BG GB | A^F DF | GG GA | B2 A2 |] X:835 T:Monr F st Omer. T:(Monseigneur Fran\ccois de St Omer? [NB1]) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 N:NB1) See below regarding the title. N:NB2) In the MS, the directions given in the final measure are conflicting and not at all clear. N: W:NB1) A possible identification for the person named in the title is Monseigneur Fran\ccois W:de Valbelle \'ev\^eque de St Omer (Monsignor Francis of Valbelle, Bishop of St Omer). The W:National Library of Rome has a copy of a letter, dated April 1724, from the the Monsignor. W:The letter is available at archive.org: W:\u00a0 \u00a0 https://archive.org/details/bub_gb_mdyrajOyqysC/mode/2up W: W:NB2) In the MS, the directions given in the final measure are conflicting and not at all clear. W:The segno symbol appears three times, at the beginning and the end of the A strain, and again W:at the end of the B strain. A da capo mark (D.C.) appears at the end, to the right of the staff. W:In addition, there is a repeat mark at the beginning of the B strain. W:A playable version of the tune follows. M:6/8 L:1/8 K:G |: !segno!B2B B>cB | A2A A>BA | G2G B2d | A6 | B2B B>cB | A2A A>BA | G2G A2F | !segno!G6 :| |: D3 DEF | G2G GAB | A3 A2B/c/ | dBG G3 | D3 DEF | G2G GAB | Adc BAG | "_NB2"!fermata!d4 ^c2!segno!=c2y!D.C.!y || X:836 T:Monseigneur Fran\ccois de St Omer [NB1] T:(playable version - play AABA) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 N:NB1) See previous tune and below regarding the title. N:NB2) Segno omitted. N: W:\u00a0 NB1) See the previous tune for an explanation of the title given here. The title as given in the W:Malchair MS is \u201cMonr F st Omer\u201d. W:\u00a0 NB2) segno omitted. W:\u00a0 NB3) fermata omitted; segno and D.C. replaced by D.S. M:6/8 L:1/8 P:AABA K:G P:A "_NB2"B2B B>cB | A2A A>BA | G2G B2d | A6 | B2B B>cB | A2A A>BA | G2G A2F | !segno!G6 |] P:B D3 DEF | G2G GAB | A3 A2B/c/ | dBG G3 | D3 DEF | G2G GAB | Adc BAG | "_NB3"d4 ^c !D.S.!=c || X:840 T:Mr Young's Delight. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p84 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 N:Erased following the title are the words "Duplicate p.28." M:C| L:1/8 K:F P:A c2 | A2F2 F2G2 | A4 d4 | c3d (cd) (cA) | B2 G4 B2 | A2 F4 G2 | A4 d4 | f3g (fg) (ag) | f2 c4 f2 | d3c (de) (fd) | (cd) (cB) (Ac) (fc) | (de) (fd) (cd) (cA) | B2G2 G2B2 | A2 F4 A2 | A4 d4 | c3d (cd) (cA) | B2 G4 || P:B (ag) | (fg) (af) (ga) (bg) | (ab) (ga) (fg) (ef) | (de) (fd) (ge) (dc) | G2 c4 B>A | (Bd) (fd) (Ac) (fc) | (Bd) (fd) (Ac) (fc) | (dc) (BA) (GA) GF | F6 |] X:841 T:Mr Young's Delight. [2/4] C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p84 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 N:Erased following the title are the words "Duplicate p.28." M:2/4 % MS has cut time, two half-notes per measure L:1/16 K:F P:A c2 | A2F2 F2G2 | A4 d4 | c3d (cd)(cA) | B2 G4 B2 | A2 F4 G2 | A4 d4 | f3g (fg)(ag) | f2 c4 f2 | d3c (de)(fd) | (cd)(cB) (Ac)(fc) | (de)(fd) (cd)(cA) | B2G2 G2B2 | A2 F4 A2 | A4 d4 | c3d (cd)(cA) | B2 G4 || P:B (ag) | (fg)(af) (ga)(bg) | (ab)(ga) (fg)(ef) | (de)(fd) (ge)(dc) | G2 c4 B>A | (Bd)(fd) (Ac)(fc) | (Bd)(fd) (Ac)(fc) | (dc)(BA) (GA) GF | F6 |] X:842 T:Now ponder well ye Parents dear. T:Children in the Wood., The T:Chevy Chase T:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p83 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 N:Thanks to John Gibbons for supplying the tune title 'Chevy Chase'. M:3/4 L:1/8 K:G A2 | BA G3A | BA G3B | ce d3B | A4 B2 | \ ce d3c | dB G3d | eg B2 A2 | G4 |] T:The Babes in the Wood. (C.M.) %%begintext fill %%The MS gives no words to this ballad, first known from 1595 broadside by Thomas Millington. %%The following stanzas are from a version in a nineteenth century children's picture book %%illustrated by Randolph Caldecott (1846-1886). %% %%Project Gutenberg URL: https://www.gutenberg.org/files/19361/19361-h/19361-h.htm %% %%endtext W:1. Now ponder well, you parents deare, W:These wordes which I shall write; W:A doleful story you shall heare, W:In time brought forth to light. W: W:2. A gentleman of good account W:In Norfolke dwelt of late. W:Who did in honour far surmount W:Most men of his estate. W: W:3. Sore sicke he was, and like to dye, W:No helpe his life could save; W:His wife by him as sicke did lye, W:And both possest one grave. W: W:4. No love between these two was lost, W: Each was to other kinde; W:In love they liv\u2019d, in love they dyed, W: And left two babes behinde: W: W:5. The one a fine and pretty boy, W:Not passing three yeares olde; W:The other a girl more young than he W:And fram\u2019d in beautye\u2019s molde. W: W:6. The father left his little son, W:As plainlye doth appeare, W:When he to perfect age should come W:Three hundred poundes a yeare. W: W:7. And to his little daughter Jane W:Five hundred poundes in gold, W:To be paid downe on marriage-day, W:Which might not be controll\u2019d. W: W:8. But if the children chanced to dye, W:Ere they to age should come, W:Their uncle should possesse their wealth; W:For so the wille did run. W: W:9. \u201cNow, brother,\u201d said the dying man, W:\u201cLook to my children deare; W:Be good unto my boy and girl, W:No friendes else have they here: W: W:10. \u201cTo God and you I do commend W:My children deare this daye; W:But little while be sure we have W:Within this world to staye. W: W:11. \u201cYou must be father and mother both, W:And uncle all in one; W:God knowes what will become of them, W:When I am dead and gone.\u201d W: W:12. With that bespake their mother deare: W:\u201cO brother kinde,\u201d quoth she, W:You are the man must bring our babes W:To wealth or miserie: W: W:13. \u201cAnd if you keep them carefully, W:Then God will you reward; W:But if you otherwise should deal, W:God will your deedes regard.\u201d W: W:14. With lippes as cold as any stone. W:They kist the children small: W:\u2018God bless you both, W:my children deare;\u2019 W:With that the teares did fall. W: W:15. These speeches then their brother spake W:To this sicke couple there: W:\u201cThe keeping of your little ones, W:Sweet sister, do not feare: W: W:16. \u201cGod never prosper me nor mine, W:Nor aught else that I have, W:If I do wrong your children deare, W:When you are layd in grave.\u201d W: W:17. The parents being dead and gone, W:The children home he takes, W:And bringes them straite unto his house, W:Where much of them he makes. W: W:18. He had not kept these pretty babes W:A twelvemonth and a daye, W:But, for their wealth, he did devise W:To make them both awaye. W: W:19. He bargain\u2019d with two ruffians strong, W:Which were of furious mood, W:That they should take the children young, W:And slaye them in a wood. W: W:20. He told his wife an artful tale, W:He would the children send W:To be brought up in faire London, W:With one that was his friend. W: W:21. Away then went those pretty babes, W:Rejoycing at that tide, W:Rejoycing with a merry minde, W:They should on cock-horse ride. W: W:22. They prate and prattle pleasantly W:As they rode on the waye, W:To those that should their butchers be, W:And work their lives\u2019 decaye: W: W:23. So that the pretty speeche they had, W:Made murderers\u2019 heart relent: W:And they that undertooke the deed, W:Full sore did now repent. W: W:24. Yet one of them, more hard of heart, W:Did vow to do his charge, W:Because the wretch, that hired him, W:Had paid him very large. W: W:25. The other would not agree thereto, W:So here they fell to strife; W:With one another they did fight, W:About the children\u2019s life: W: W:26. And he that was of mildest mood, W:Did slaye the other there, W:Within an unfrequented wood, W:Where babes did quake for feare! W: W:27. He took the children by the hand, W:While teares stood in their eye, W:And bade them come and go with him, W:And look they did not crye: W: W:28. And two long miles he ledd them on, W:While they for food complaine: W:"Stay here," quoth he, "I'll bring ye bread, W:When I come back againe." W: W:29. These prettye babes, with hand in hand, W:Went wandering up and downe; W:But never more they sawe the man W:Approaching from the town. W: W:30. Their prettye lippes with blackberries W:Were all besmear\u2019d and dyed; W:And when they sawe the darksome night, W:They sat them downe and cryed. W: W:31. Thus wandered these two prettye babes, W:Till death did end their grief; W:In one another\u2019s armes they dyed, W:As babes wanting relief. W: W:32. No burial these prettye babes W:Of any man receives, W:Till Robin-redbreast painfully W:Did cover them with leaves. X:850 T:Scandinavian Song of Great Antiquity., A C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p85 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 M:C| Q:1/2=90 L:1/4 K:F F2 F2 | FG F2 | F2 A2 | z2 A2 | \ (AG) F2 | E2 F2 | !fermata!G4 | z2 A2 | A2 A2 | B2 (AG) | F2 !fermata!E2 | G2 G2 | \ F2 EF | G2 G2 | !fermata!F4 | F2 F2 | (FG) F2 | F2 !fermata!A2 | z2 A2 | (AG) F2 | \ E2 F2 | !fermata!G4 | z2 A2 | A2 A2 | B2 AG | F2 !fermata!E2 | G2 G2 | \ F2 (EF) | G2 !fermata!F2 |] X:851 T:Lovely Lass to a Friar came., A T:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p85 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Apr 2020 M:2/4 L:1/8 K:G P:A |: (A/B/) | cBAG | (A/G/A/B/) GA/B/ | cBAG | A2 G :| P:B |: G | Gddd | e>ddd | edcB | (A/G/A/B/) AB/c/ | d>B G>B | (A/G/A/B/) GA/B/ | cBAG | A2 G :| % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGES 101-125 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:1140 T:Boleras. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p114 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:3/8 L:1/16 P:ABAC % My best guest as to how this is to be played... K:D P:A [Fd][Fd]/[Fd]/ [Fd][Fd]/[Fd]/ [Fd][Fd]/[Fd]/ | [Fd][Fd]/[Fd]/ [Fd][Fd] [Ec][Ec] | \ [Fd]2[Fd]2[Fd]2 | [Fd]4 z f | a3 fge | f>d g>e a>f | dffegf | [Fd][Fd]/[Fd]/ [Fd][Fd]/[Fd]/ [Fd][Fd] | [Fd]3 bbb | \ b^a fg gf- | f3 cde | edfd B2 | B3 bbb | b^a fg b=a- | a3 fge | f>d g>e a>f | dffegf || \ P:B !segno![Fd][Fd]/[Fd]/ [Fd][Fd]/[Fd]/ [Fd][Fd]/[Fd]/ | [Fd][Fd]/[Fd]/ [Fd][Fd] [Ec][Ec] | [Fd]2[Fd]2[Fd]2 | [Fd]3 bbb | \ b^a fg gf- | f3 cde | edfd B2 | B3 bbb | b^a fg b=a | a3fge | f>d g>e a>f | "^D.C. al segno"dffegf || \ P:C [Fd]2 x4 |] X:1150 T:Otxa. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p115 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 In the MS, the D and the B are not dotted. M:3/8 L:1/16 P:ABAC % My best guest as to how this is to be played... K:G P:A [Bg][Bg]/[Bg]/ [Bg][Bg]/[Bg]/ [Bg][Bg]/[Bg]/ | [Bg][Bg]/[Bg]/ [Bg][Bg] [Af][Af] | \ [DBg]2[DBg]2[DBg]2 | [DBg] defge | dg gf fe | ed d3B | G[Bg]/[Bg]/ [Bg][Bg]/[Bg]/ [Bg][Bg]/[Bg]/ | [DBg]3 ggg | \ {b}a3 fga | bbbagf | (ag)(fg)(fg) | {f}e3 efg | (d/e/d/e/) (f/g/f/g/) {b}a2 | z defge | dg gf fe | ed d3B || \ P:B !segno!G[Bg]/[Bg]/ [Bg][Bg]/[Bg]/ [Bg][Bg]/[Bg]/ | [Bg][Bg]/[Bg]/ [Bg][Bg] [Af][Af] | ([DBg]2[DBg]2[DBg]2) | "_NB1"[DBg]3 ggg | {b}a3 fga | bbbagf | agfgfg | \ {f}e3 efg | (d/e/d/e/) (f/g/f/g/) {b}a2 | z defge | (dg)(gf)(fe) | "^D.C. al segno"ed d3B || \ P:C G2 x4 |] X:1160 T:Black Nagg. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p116 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Tempo added. N:NB3 Initial pickup note added. N:NB4 The sixteenth notes (eighth notes in MS) were not beamed in the MS. W:Ed.1665. See Coll.2d.p.36 for Galloping Nagg. M:6/8 % MS has time signature "3", barring as in 6/4 L:1/8 % same barring, but notes halved in length Q:3/8=120 % tempo modernized K:Ddor P:A |: "_NB1,2,3"d | d>ed e>de | f3 f2g | "_NB4"a>gf/e/ fe2 | d3 d2 :| P:B |: d | ecA ecA | ecA ecA | afd afd | afd afd | ecA ecA | ecA "_NB4"e2f/g/ | "_NB4"a>gf/e/ fe2 | d3- d2 :| X:1161 T:Parsons upon Dorothy. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p116 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 In the MS, only the third and fourth notes of strain B measure 1 were beamed. W:As in Ed.1695. See an other at p.36.from Ed.1665. W:Here the tune is more simple than in the much earlier edition. and different. M:C| L:1/4 K:Gm P:A |: "_NB1,2"D | GG A^F | BB Bd | c>B (A/B/)(c/A/) | B3 :| P:B |: d | c>B (A/B/)(c/A/) | BB Bd | c>B (A/B/)(c/A/) | B3 :| P:C |: A/B/ | cc cB/c/ | dd dc/B/ | AG A^F | G3 :| X:1162 T:Parson Upon Dorothy C:Dancing Master, 1652 F:https://tunearch.org/wiki/Parson_upon_Dorothy S:John Playford. 2nd edition of the Dancing Master (1652, p. 83) N:NB1 Added pickup in last measure. Z:transcriber unknown. transcription edited by Eric Conrad. M:C| L:1/8 K:Gmin P:A D2|G3G ABcA|B3c B2d2|c2B2 ABcA|B4 B2:| P:B |:d2|c2B2 ABcA|B3c B2d2|c2B2 ABcA|B4 B2:| P:C |:d2|c3B A2c2|B3A G2B2|A2G2G2F2|G4 "_NB1"G2:| X:1163 T:Ty the Pig. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p116 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Meter changed from 6/4 to 6/8. W:Ed.of 1695. W:\u00a0 % spelling of impossible appears to have 'a' before archaic long 's' (not 'f'). % The 'a' might simply be a badly written 'o'. W:The titles of the old Tunes so often Varie that it is impa\u017fsible to avoid W:writing Duplicates. See the Same Coll.2.p.44. M:6/8 % original was in 6/4 L:1/8 % note lengths halved. K:F P:A |: "_NB1,2"F | F>GA GED | F2G A2A | B>cd cAF | B2G E2 :| P:B |: c | cAA F2d | dBB G2B | cAc dBd | cAc dde | f3- f>ed | c2A F3 | c2A c3 | c2A d2e | fed cAF | c2A F2 :| X:1170 T:Have at thy Coat old Woman. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p117 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Changed meter from "3" (assumed: 6/4) to 6/8. N:NB3 The two note pickups (four such pairs) were not beamed. [No beams were used in the MS.] W:from Ed.of 1695 W:\u00a0 W:See an other at p.66.the best Copy. W:again in Coll.2d.p 83. Corrupted. M:6/8 % time signature in MS is 3, barring in 6/4. Changed here to 6/8. L:1/8 % half of length in MS K:G ^F % older style key signature with both low F and high F marked as sharp P:A |: "_NB1,2,3"B/c/ | d2e d2B | cA2 e2 "_NB3"B/c/ | d2e d2A | BG2- G2 :| P:B |: "_NB3"e/f/ | g>fe d>cB | A>BA e2 "_NB3"B/c/ | d2e d2A | BG2- G2 :| X:1171 T:Bouzer Castle. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p117 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 MS has middle C, raised here one octave to high C. W:1695. an other at p.134. M:6/8 % unlike the previous tune, this was marked 6/4. Changed here to 6/8. L:1/8 % original was M:6/4 with L:1/4 K:C P:A |: "_NB1"C | E2G (GE)G | A2B (cA)c | E2G (GE)C | D3 G,3 | E2G (GE)G | A2B (cA)c | (ec)e (dB)d | c3 C2 :| P:B |: "_NB2"c | e2f (ge)g | B2c (dB)d | E2G (GE)G | D3 G,3 | E2G (GE)G | A2B (cA)c | (ec)e (dB)G | c3 C2 :| X:1172 T:Bouzer Castle. (transposed) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p117 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Changed meter from 6/4 to 6/8. Notes lengths adjusted accordingly. N:NB3 MS has middle C, raised here one octave to high C. W:1695. an other at p.134. M:6/8% unlike the previous tune, this was marked 6/4. Changed here to 6/8. L:1/8% original was M:6/4 with L:1/4 K:Dmaj % transposed up one whole tone from C major P:A |: "_NB1"D | F2A (AF)A | B2c (dB)d | F2A (AF)D | E3 A,3 | F2A (AF)A | B2c (dB)d | (fd)f (ec)e | d3 D2 :| P:B |: "_NB3"d | f2g (af)a | c2d (ec)e | F2A (AF)A | E3 A,3 | F2A (AF)A | B2c (dB)d | (fd)f (ec)A | d3 D2 :| X:1173 T:Sion House. 1695. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p117 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 MS has ^B (for B-flat raised one semitone?) instead of natural B. M:6/4 L:1/4 K:F P:A |: "_NB1"FcA G/F/c2 | f>ed ged/c/ | fcd c/B/Ad | "_NB2"=Be d2 c2 :| P:B |: g>ag f/e/de | fc2 dBA | B>AB cdA | A3 GG2 | cA2 dcf | dg2 ded/c/ | fd2 bag | g3 ff2 :| X:1180 T:A Pa\u017fpe. % The 's' here is a long 's' (unicode \u017f). Mr Malchair's explanation of title is below. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p118 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 W:Ed.1795. W:This must mean Pa\u017fse-Pied. but is not the Character W:of that dance according to Mr. Rousseau. M:6/4 L:1/4 K:C % beaming exactly as in MS. Spaces below do not necessarily reflect Malchair's intent. Gcc/d/ ed>c | def gec | c/d/e/f/ d/e/f/g/ ag/f/ | e/d/e/f/g f/e/dB | B/c/d/B/ e/d/c/B/ Af | fe f/e/d/c/ B>c | dBc ^FG2 || % strain B has exactly 7 measures in MS. B>A G/A/B/c/ dG | GA/B/ c/B/c/d/ ec | cd/e/ f/e/f/g/ af | f/g/ag fe2 | f2 d>c B2 | e2 c>B Ad/c/ | B/c/d/e/ dB c2 |] X:1181 T:A Passe-Pied (interpreted). T:[A Pa\u017fpe] % The 's' here is a long 's' (unicode \u017f). Mr Malchair's explanation of title is below. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p118 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Changed from 6/4 to 6/8. Note lengths have been changed accordinally. Original beaming is preserved. W:Ed.1795. W:This must mean Pa\u017fse-Pied [=Passe-Pied]. but is not the Character W:of that dance according to Mr. Rousseau. M:6/8 % MS has 6/4 L:1/8 % meter and not lengths changed K:C P:A % beaming exactly as in MS. Spaces below reflect beaming in 6/4 original, but not necessarily intent. % both strains have exactly 7 measures in MS. |: "_NB1,2"Gcc/d/ ed>c | def gec | c/d/e/f/ d/e/f/g/ ag/f/ | e/d/e/f/g f/e/dB | B/c/d/B/ e/d/c/B/ Af | fe f/e/d/c/ B>c | dBc ^FG2 :| P:B |: B>A G/A/B/c/ dG | GA/B/ c/B/c/d/ ec | cd/e/ f/e/f/g/ af | f/g/ag fe2 | f2 d>c B2 | e2 c>B Ad/c/ | B/c/d/e/ dB c2 :| X:1182 T:The Maid's last Wish. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p118 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Meter changed from 6/4 to 6/8, barred identically, just faster. W:1695. Transposed a Note lower. M:6/8 % original 6/4 with notes of twice length below. L:1/8 K:Bb P:A |: "_NB1,2"f | d2c B2A | (BF)_A G2g | f2e (dB)d | f3 F2f | d2c B2A | (BA)_A G2e | d2c c2B | B3- B2 :| P:B |: F | D2E F2B | (GE)B e2d | cBA G2c | A3- A2f | dB2 b2f | _a3 g2f | edc c2B | B3- B2 :| X:1183 T:Bishop of Chester's Jigg. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p118 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Added repeats. N:NB2 Changed meter from 9/4 to 9/8 N:NB3 The MS has a bar line just before these last two notes. N: i.e "fcd cAF | G2F" instead of "fcd cAF G2F" N:NB4 In the MS, the last two notes of quadruplet are beamed as a separate doublet. N: i.e: "f>g a/f/" instead of "f>ga/f/" W:D.M. Ed.1696. 2d.part.p.10. % i.e. The Dancing Master. M:9/8 % time signature denominator is unclear (9/8? 9/4?); scoring is 9/4. L:1/8 % changed meter from 9/4 to 9/8, note lengths changed accordingly K:F P:A |: "_NB1,2"F2c cAc c2A | F2c cAc d/e/fc | F2c cAc d2e | fcd cAF "_NB3"G2F :| P:B |: fcf fcf e2c | d>ed f>g"_NB4"a/f/ g2f | fcf fba g2f | (d/e/)fd cAF G2F :| X:1190 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p119 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. W:From a hand organ in the Street, Oxon. W:Nov.21.1794 M:2/4 L:1/16 K:Bb P:A |: "_NB1"F2 | BABc d2d2 | BABc d2d2 | {f/}e2de c2c2 | {f/}e2de c2c2 | BABc d2d2 | BABc d2d2 | fede c2d2 | B4 B2 :| P:B |: de | fede f2f2 | b4 g4 | {f/}e2de c2c2 | {f/}e2de c2c2 | fede f2f2 | b4 g4 | fede c2d2 | B4 B2 :| X:1191 T:Put on thy Smock a Monday. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p119 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. There is just one part. N:NB2 Meter changed from cut3 (6/4) to 6/8. Note lengths are accordingly half of those in MS. M:6/8 % time signature says "cut 3", barring as in 6/4; changed here to 6/8 L:1/8 % note lengths halved, consistent witch change from 6/4-6/8 K:C |: "_NB1,2"c | c2G E2G | d3- d2 G | c2B c2d | e3- e2c | d>ef e>dc | d2B G>AB | c2G E2G | c3- c2 :| X:1192 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p119 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 MS has maximal beaming. Beaming here is consistent with 2/4 meter. N: i.e. "| ABCD |" rebeamed here as "| AB CD |" N:NB3 MS has this measure garbled. This is my best guess. Note stem up vs stem down. N:NB4 MS has a correction. Stem down notes in start of measure have been blotched out. N: [A "blotch" is a big dark inked are, here clearly deliberate.] N: Before blotch, stem down: "edde" (full measure: "e2de & edde") N: After blotch, stem down: "x2de" <- as here. N:NB5 Abc2midi v3.98 has trouble with the stem down notes in these measures. Your mileage may vary. W:an Irish tune noted down from the playing of [?] Oxford Militia Band Oxon March 1800. M:2/4 L:1/8 K:C P:A |: "_NB1,2"d | e2 de | d2 dc | edde | "_NB3,5"d3d & x3d/d/ | \ egag | fedc | (de).d.e | d3 :| |: d | egga | g3e/f/ | eaab | a3g/a/ | c'gag | fedc | \ "_NB4,5"e2de & x2de | d3c | edde | d3 :| X:1200 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p120 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeats added. N:NB2 Some harmony notes have been obscured by MS erasures and corrections. N:NB3 MS unclear: "[GA]dd", "Add" and "Gdd" are all possible readings. N:NB4 MS has chord "[ceg]", with possible removal of "[eg]". N:NB5 MS has stem up "c2x" over stem down "ceg", but marked suggesting that the stem up note is wrong. W:Austrian tune played by [?] Oxford Militia band Oxon March 1800. M:6/8 L:1/16 K:C P:A |: "_NB1,2"g2 | e2efg2 e2efg2 | f2e2f2 d4f2 | e2c2c2 A2d2d2 | B2dcBA G4g2 | e2efg2 g2c'2g2 | f2e2f2 d4f2 | e2c2c2 A2d2d2 | B2AGAB "_NB4"c4 :| P:B |: e2 | g2d2B2 c2e2g2 | f2d2B2 c4de | f2d2B2 "_NB5"c2e2g2 | g2agfe d4f2 | e2efg2 e2efg2 | f2e2f2 d4f2 | e2c2c2 A2d2d2 | B2dcBA G4g2 | e2efg2 g2c'2g2 | f2e2f2 d4f2 | e2c2c2 A2d2d2 | B2AGAB c4 :| X:1201 T:The Beggar Boy. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p120 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Assuning repeat of A strain. N:NB2 Changing meter from 6/4 as in MS to 6/8. W:Printed 1652 & 1665 -- Dancing M:6/8 L:1/8 K:Aphr % one flat ending on A P:A |: "_NB1,2"AAA f2f | ec2 d2c | AF2 G2G | A2B cA2 :| P:B AAA f2f | ec2 d2c | Ac2 e>de | fA2 G3 | Ac2 e>dc | dfg/f/ efd | cAF G2G | A2B cA2 |] % pages 121-124 are all missing. X:1250 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p125 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 No time signature is indicated in the MS, but barring indicates 3/2 meter. N:NB2 The large handwriting suggests that this was the work of a beginning student. N:NB3 MS has a bar before this note. M:3/2 % no time signature but barred as 3/2 L:1/4 %%score {(S A) (T B)} V:S clef=treble V:A clef=treble V:T clef=bass octave=-1 V:B clef=bass octave=-2 K:A % line 1 V:S "^NB1,2"E2 | EA c2 B2 | AF E2 E2 | E[EA] c2 A2 | B4 || V:A C2 | CC E2 D2 | CD C2 C2 | CC C2 C2 | E4 || V:T A2 | AA A2 G2 | AA A2 A2 | AA A2 A2 | G4 || V:B A2 | AA A2 e2 | fd A2 A2 | Ax f2 f2 | e4 || % line 2 V:S "^NB3"d2 | cB A2 B2 | cA F2 E2 | EA c2 B2 | A4 || V:A F2 | ED c2 D2 | EE D2 B,2 | CC E2 D2 | C4 || V:T A2 | AG A2 G2 | AA A2 G2 | AA A2 G2 | A4 || V:B d2 | xe f2 e2 | xc d2 e2 | cf e2 e2 | A4 || X:1251 T:St Garmon. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p125 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Transcription here is extremely literal, preserving stem direction. No attempt has been made N: to adjust the tempo as this page in the MS seems to be a student exercise in transcription. N:NB2 The stem down D is written separately from the stem up D in tne MS. M:3/2 L:1/4 %%score {(S A) (T B)} V:S clef=treble % stem up V:A clef=treble % stem down V:T clef=bass octave=-1 % stem up V:B clef=bass octave=-2 % stem down K:G V:S "^NB1"D4 [FA]2 | B4 "^NB2"[DGd]2 | [Gc]4 [DGB]2 | [CFA]2 G4 || [DA]4 [DB]2 | [DA]4 [Fd]2 | [Fd]4 [Ec]2 | [Dd]4 |] V:A x6 | G4 D2 | E4 x2 | x2 B,4 || x6 | x6 | x6 | x4 |] V:T x6 | G4 B,2 | x6 | D2 A,4 || x6 | x6 | x6 | x4 |] V:B [GB]4 [da]2 | x6 | c4 g2 | x6 || [df]4 g2 | [fa]4 [da]2 | a4 [Ag]2 | [df]4 |] % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % PAGES 126-134 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% X:1260 T:A Chinese Aire. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p126 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 W:from Rousseau's Dict.of Mus. W:originally from Fath.Du Halde. M:C| L:1/8 K:Gmix % pentatonic scale GABDE (ends in G, no sharps or flats in key signature) % one strain, 13 measures g2ed B2B2 | g2ed e2eg | aeed Bddg | ed GA B2B2 | BddB d2eg | d2d2 eged | B2B2 AGBA | G2G2 A2GA | G2GA BAGA | B2B2 BddB | d2eg d2d2 | eged B2B2 | AGBA G2G2 |] X:1261 T:A Persian Song. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p126 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:C| L:1/4 K:C % no sharps or flats ending on G (V?) GG | GG EF | G2 (FE) | D2 zD/E/ | FF DE | FF EE | C2 zD | DD D2 | D2 EF | G3/2 A/G/F/E/D/ | zC CC | A,/G,/A,/(B,/ C)C | B,B, G,2 |] X:1262 T:(four practice notes) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p126 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:none L:1/4 W:(Note: These four notes and the air following were written down in a different W:hand from the two tunes above.) K:C BBGF |] X:1263 T:(untitled hymn) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p126 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Only notes are entered. There is no clef, no key signature and no time signature. N: Assuming key=G major (not G Mixolydian), 3/2 as barred, with top staff treble and bottom staff bass. N:NB2 Tempo added N:NB3 This note is stemless (i.e. whole note) in the MS. But the cluster above it has a stem. N:NB4 This two-note cluster has a stem in the MS, unlike the two notes in the treble staff. N:NB5 This appears to be incomplete. The tune might be AABA. M:3/2 % no time signature in MS, but barring is 3/2 Q:"NB2" 1/2=160 L:1/4 V:A clef=treble V:B clef=bass octave=-1 %%staff {A B} % clefs are omitted in the MS K:G V:A "_NB1"[GB]4 G2 | [DGB]4 [DGd]2 | [CFA]3 [B,EG] [CFA]2 | [B,G]6 :| [DB]4 [DA]2 | G2 [FA]4 | [Ac]4 [GB]2 | [FA]2 [GB]4 |] V:B % The second D in measure C is missing its stem, % but it is written below the three note chord in the upper staff. % The final note in the lower staff is a half note, as transcribed here. [GD]4 [GB]2 | G4 B,2 | D4 "_NB3"D2 | G,6 :| G4 [FA]2 | [EB]2 [Dd]4 | [Fd]4 [Gd]2 | [Dd]2 "_NB4,5"[Gd]4 |] X:1264 T:(untitled hymn - played AABA) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p126 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Only notes are entered. There is no clef, no key signature and no time signature. N: Assuming key=G major (not G Mixolydian), 3/2 as barred, with top staff treble and bottom staff bass. N:NB2 Tempo added N:NB3 This note is stemless (i.e. whole note) in the MS. But the cluster above it has a stem. N:NB4 This two-note cluster has a stem in the MS, unlike the two notes in the treble staff. N:NB5 This appears to be incomplete. The tune might be AABA. N:NB6 One time through the A strain added here for resolution. M:3/2 % no time signature in MS, but barring is 3/2 Q:"NB2" 1/2=160 L:1/4 V:A clef=treble V:B clef=bass octave=-1 %%staff {A B} % clefs are omitted in the MS K:G V:A "_NB1"[GB]4 G2 | [DGB]4 [DGd]2 | [CFA]3 [B,EG] [CFA]2 | [B,G]6 :| [DB]4 [DA]2 | G2 [FA]4 | [Ac]4 [GB]2 | [FA]2 [GB]4 || "^NB6"[GB]4 G2 | [DGB]4 [DGd]2 | [CFA]3 [B,EG] [CFA]2 | [B,G]6 |] V:B % The second D in measure C is missing its stem, % but it is written below the three note chord in the upper staff. % The final note in the lower staff is a half note, as transcribed here. [GD]4 [GB]2 | G4 B,2 | D4 "_NB3"D2 | G,6 :| G4 [FA]2 | [EB]2 [Dd]4 | [Fd]4 [Gd]2 | [Dd]2 "_NB4,5"[Gd]4 || [GD]4 [GB]2 | G4 B,2 | D4 "_NB3"D2 | G,6 |] % Pages 127-130 are all missing X:1310 T:(untitled) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p131 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Added tempo. Name that English Country Dance tune! N:NB2 Added initial repeat. Not strictly required but it fixes a warning from abc2midi. N:NB3 Rest added. The measure has just five beats in the MS. M:6/4 Q:"NB1" 3/4=110 L:1/4 V:S % top staff, stems up V:A % top staff, stems down V:B % bottom staff %%score {(S A) B} K:D P:A V:S % measure 4 is short as in MS. |: "^NB2"A | d2e f2g | a3 b3 | agf e2f | g3 [df]2 "^NB3"z | edc d2e | [EA]3 [EA]2 :| V:A |: x | [FA]2c d2e | f3 g3 | fed c2d | B2c A2 z | c^GA FG2 | C3 C2 :| V:B octave=-2 clef=F |: z | [Dd-]3 d3 | x6 | x6 | x6 | a3 a3 | a3 [Aa]2 :| P:B V:S |: f | edc d2e | e3 e2f | edc d2e | a3 a2f | edc B2c | d2e f2b | abg f2e | d3 d2 :| V:A |: x | x3 AB2 | d3 d2z | czz cB2 | [de]3 [Ace]2A | c^G[FA] zDG | FA2 A2d | d3 c2x | [GA]3 [FA]2 :| V:B octave=0 clef=G |: D | A3 F^GE | A3 A3 | A3 F^GE | [CA]3 [CA]2D | V:B octave=-2 clef=F a3 g2e | d2c d2G | F2E A2x | d3- [Dd]2 :| X:1311 T:(untitled hymn) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p131 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 The large handwriting suggests that this was the work of a beginning student. N:NB2 Notes only, no clefs, time signatures or key signatures. Probably in 3/3 in G major. N:NB3 No stem, but half note is assumed. M:3/2 % Barring suggests 3/2 L:1/2 V:A clef=G stem=up % top staff, stems up V:B clef=F octave=-2 stem=down % bottom staff, stems down %%score {A B} K:G % ending on G, so probably G major. V:A "^NB1,2"G2[GB] | [AD]2[GB] | G2[DGB] | [DFA]3 || [Gd]2[GB] | [Gd]2[GB] | [CFA][B,GB][CFA] | G3 |] V:B g2[gd'] | d'2"_NB3"g | [ec']2"_NB3"B | d3 || [gb]2g | [gb]2g | d2"_NB3"d | G3 |] X:1320 T:I wish I may die if I do. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p131 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:6/8 L:1/8 K:D P:A A | F2A d2f | ede d2A | F2A d2f | d2 z3 A | F2A d2e | fed agf | edc B2e | A2 z3 || P:B d | gag g2e | fgf f2d | efg Bcd | d3 c2A | afa geg | fdf e2A | dcd ede | fef g2e | fga efg | fga efg | fgf ede | d3 -d2 || P:C A | FGA EFG | FGA E2g | fgf ede | d2A F2A | FGA EFG | FGA E2g | fgf ede | d3- d2 |] X:1321 T:(practice scale) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p131 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 % This is in a student's hand, probably a child. A double bar appears at the end. M:none L:1/4 K:C CDEFGABcdefg |] X:1322 T:My Father said that he would hire to me a Man. C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p131 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 N:NB1 Repeat added. N:NB2 The final measure in the MS is unclear. The transcription is a best guess. N:NB3 Dot added. W:NB. The Notes mark'd to us X are expressd by a Clap of the hand. M:C L:1/8 K:D P:A |: "_NB1"A | (Ad) .d.d d2 (f>a) | (gf)(ed) B2 (c>d) | (ee)(f>g) a3 :| P:B f | (g>f)(ga) b2 (d'>b) | a(fed) e2 (d>e) | "_X".fz (d>e) "_X".fz d>e | "_X"(fef>g ab ae | "_NB2"A2 {/g}c2 {Bc}"_NB3"d3 |] % some student practice notes (ABcdf) appear after this tune. % They seem to have been written in heavy pencil and also seem to have been (badly!) erased. % (Hard to be sure with jpeg image copies.) X:1330 T:(inside last page) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p133 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 W:Mr Robert Jones W:Miss Graice Jones W:Miss Anne Jones W:Miss Mary Jones M:none K:C X:1340 T:(last page) C:John Malchair's Third Collection of Tunes F:https://www.vwml.org/record/Malchair/3619/p134 F:www.vwml.org/topics/historic-dance-and-tune-books/Malchair Z:Eric Conrad Feb 2020 M:none K: %%begintext fill %%This M.S. tune-book is in the handwriting of J. Malchair. %% %%He was a violinist of some distinction, living in Oxford about 1784. %%He helped Dr Crotch, (his best friend), settled in Oxford 1788, to prepare %%tunes for his "Specimens". He & Dr Crotch were both clever landscape %%scape painters (with drawings in this book.) This is part 4 the selection %%made for Dr Crotch's "Specimens". The 'Dancing Master' airs are from %%early editions (1652, 65, 70, 75, 96, etc.) The Norwegian tunes %%are from La Borde's "Essai" 1780. Mr Frank Kidson's opinion %%was that either Crotch or Malchair must have written this book. %%L.E.Broadward identified Malchair by comparing his scores in %%the British Museum. It was sent to the Society from I.Jones Esq %%(LLew Tegis) 239.High St. Bangor July.1907. %%endtext X:2000 T:APPENDIX: Transcription Notes K: %%begintext fill %%1. The last digit in each index (X: header) is the tune number, starting with zero, on the given page. %%For example, the first and second tune on page 26 are X:260 and X:261, respectively. %% %%2. Notes should help in identifying changes (such as added repeats) or difficulties in transcription. %%Look for N: headers, comments in the W: headers, ABC comments, and annotations. Malchair's %%own notes typically appear in the W: headers (as words following the tune), in annotations, and %%occasionally in text lines. I hope it will be clear which words are mine and which are Malchair's. %%If there is any doubt, consult the original page on the world-wide web at the URL given in the F: header. %% %%3. These are my own unofficial transcriptions. Most were adapted from transcriptions I made %%as a volunteer on working on pages of an official transcription for the VWML. %% %%4. Feel free to adapt these transcriptions. (The Malchair manuscript is well over 200 years old, %%probably no longer under copyright. If you have doubts, please consult with a copyright attorney.) %%I would appreciate your retaining the Z: headers to indicate my contribution, and to %%add a Z: header to mark your changes and acknowledge your contributions. %% %%Enjoy! %% %%Respectfully, %%Eric Conrad %%endtext X:2001 T:APPENDIX: Legend and ABC helps K: W:Abbreviations: W:\u00a0 \u00a0 MS = Manuscript (specifically the John Malchair manuscript) W:\u00a0 \u00a0 VWML = Vaughn Williams Memorial Library W:\u00a0 \u00a0 EFDSS = English Folk Dance and Song Society W: W:The F: headers have URL information for locating individual pages and for the MS as a whole. W:The MS is in the possession of VWML and EFDSS. W: W:Unicode notes: W:\u00a0 \u00a0 \\u00a0=nonbreaking space W:\u00a0 \u00a0 \\u017f=archaic long medial ess - \u017f (It's an s, not an f!) W:\u00a0 \u00a0 \\u2012=figure dash - \u2012 W:\u00a0 \u00a0 \\u2013=en dash - \u2013 W:\u00a0 \u00a0 \\u2014=em dash - \u2014 W:\u00a0 \u00a0 \\u201c=opening English quotation marks - \u201c W:\u00a0 \u00a0 \\u201d=closing English quotation marks - \u201d W: W:European Accents and Ligatures: W:\u00a0 \u00a0 grave: \`a \`e \`i \`o \`u - \\` W:\u00a0 \u00a0 acute: \'a \'e \'i \'o \'u \'y - \\' W:\u00a0 \u00a0 circumflex: \^a \^e \^i \^o \^u \u0176 \u0177 - \\^ (except y-hat \\u0176 \\u0177) W:\u00a0 \u00a0 umlaut or dier\aesis: \"a \"e \"i \"o \"u \"y - \\" W:\u00a0 \u00a0 tilde: \~a \~n \~o - \\~ W:\u00a0 \u00a0 cedilla, ring, slash, breve, caret: \cc \aa \/o \ua \ue \vs \vz - \\cc \\aa \\/o \\u \\v W:\u00a0 \u00a0 ligatures (ash, --, ess-tzet, eth, thorn): \ae \oe \ss \dh \th - \\ae \\oe \\ss \\dh \\th W:\u00a0 \u00a0 hungarumlaut or double acute: \Ho \Hu - \\H