svasti śrī . tirumakaḷ polapperu nilaccel viyuntaṉakkeyurimai pūṇṭamai maṉakkoḷakkāntaḷurccālai kalamaṟuttaruḷi veṅkaināṭuṅkaṅkapāṭiyu nuḷampapāṭiyuntaṭikaipāṭiyuṅkuṭamalaināṭuṅkollamuṅkaliṅkamum Eṇṭicai pukaḻ taraviḻamaṇṭalamum tiṇṭiṟal veṉṟitta ṇṭāṟkoṇṭatteḻil vaḷaruḻi Ellāyāṇṭum toḻuteḻa viḷaṅku yāṇṭe ceḻiñaraittecu koḷ śrīkovi rājaIrājakecaripanmarāṉa śrīIrājairājadevarkku yāṇṭu 2 10 1 Āvatu Alai puriyum puṉaṟpoṉṉi Āṟuṭaiya coḻaṉ Arumoḻikku yāṇṭu Irupattoṉṟāvateṉṟuṅkalai puriyumatinipuṇaṉ veṇ kiḻāṉ kaṇiccekkaramarupoṟcūriyaṉṟaṉ nāmattāl vāmanilai niṟṟakuṅ kaliñciṭṭu nīmir vaiykai malaikku nīṭuḻi Iru maruṅum nel viḷaiya kkaṇṭoṉ kulai puriyum paṭai Araicar koṇṭāṭum pātaṉ kuṇaviramāmunivaṉ kuḷir vaiykaikkovey .

Hail! Prosperity! In the 21st year of (the reign of) the illustrious Ko-Rāja-Rājakesarivarman,Instead of rāja, this inscription uses the Tamil form irāja, and consequently, instead of Ko-Rāja, which is found in the Māmallapuram inscriptions Nos. 40 and 41, the form Ko-v-irāja. alias the illustrious Rājarāja-deva, who,—while both the goddess of fortune and the great goddess of the earth, who had become his exclusive property, gave him pleasure,—was pleased to build a jewel-like hall at Kāndaḷūr and conquered by his army, which was victorious in great battles, Veṅgai-nāḍu, Gaṅga-pāḍi, Nuḷamba-pāḍi, Taḍigai-pāḍi, Kuḍamalai-nāḍu, Kollam, Kaliṅgam and Īṛa-maṇḍalam, which is famed in the eight directions; who,—while his beauty was increasing, and while he was resplendent (to such an extent) that he was always worthy to be worshipped,—deprived the Śeṛiyas of their splendour,—and (in words) in the twenty-first year of Śoṛaṉ Arumoṛi, who possesses the river Poṉṉi, whose waters are full of waves,—Guṇavīramāmunivaṉ, whose feet are worshipped by kings of destructive armies, the lord (? ko) of the cool Vaigai,—having given a sluice,kaliñcu must be a corruption of kaliṅku which occurs in two other Tirumalai inscriptions (Nos. 69 and 77). which is worthy of being preserved in a good state (and which is called) by the name of Gaṇiśekhara-Maru-Poṟchūriyaṉ, the pure master, who is skilled in the elegant arts and very clever,—saw the paddy grow for a long time on both sides of the high mountain of Vaigai (Vaigai-malai).This seems to mean nothing but that he lived to an old age.