SII 4.419: original edition by H. Krishna Sastri No. 419. (A.R. No. 18 of 1891). ON THE NORTH WALL OF THE THIRD PRAKARA OF THE JAMBUKESVARA TEMPLE AT TIRUVANAIKKAVAL, TRICHINOPOLY TALUK, TRICHINOPOLY DISTRICT. author of digital edition Emmanuel Francis DHARMA Paris, CEIAS DHARMA_INSSIIv04p0i0419 DHARMAbase

Further conversion of digital encoding to DHARMA encoding scheme according to EGD (Encoding Guide for Diplomatic Editions) Conversion of digital encoding to DHARMA encoding scheme according to EGD (Encoding Guide for Diplomatic Editions)

svasti śrī . svasti samastabhuvanāśraya śrīpṛdhvivallabha mahārājādhirāja parameśvara dvāraāvatīpuravarādhīśvara yādavakulāMbaradyumaṇi sarvajñacūḍāmaṇi malarājarāja malaparuḷugaṇḍa kadanapracaṇḍa gaṇḍabheruṇḍa nekāṃgavīra nasahāyaśūra śanivārasiddhi giridurggamalla caladaṃkarāma vairībhakaṇṭhīrava magadharājyanirmmūlana pāṇḍyakulasamuddharaṇa co ḷarājyapratiṣṭhācārya nissaṃga pratāpacakravartti pośaḷa śrīvirasomiśvaradevarasar· Uṭaiyār tiruvāṉaikkāvuṭaiya nāyaṉār koyiṟtāṉattāṟkum Uṭaiyār tiruccirāppaḷḷiuṭaiya nāyaṉār koyiṟtāṉattāṟkum tiruvāṉaikkāttiruppatiyil nām Eḻuntaruḷivitta Uṭaiyār vallāḷīśvaramuṭaiyārum Uṭaiyār patumaliśvaramuṭaiyārum Uṭaiyār viranāraciṅkiśvaramu ṭaiyārum Uṭaiyār somaviśvaramuṭaiyārum koyiṟtāṉattāṟkum rājarājavaḷanāṭṭuk kaṇṇaṉūrāṉa vikkiramapurattu nām Eḻuntaruḷivitta Uṭaiyār pocaḷiśvara muṭaiyanāyaṉār koyiltāṉattāṟkum Innāyaṉmāṟku rājarājavaḷanāṭṭu Eṟikaraikkuk kiḻakkut tirumañcaṉapperuvaḻikku meṟku tevatāṉa Iṟaiyiliyum Itti ruppatikaḷi ṅ Iṟaiyili ttu viḷai tura ttum kamuku veṭṭuppāḻilum puṉpayiriṉum tiruttiyum kamukum koṭiyum Uḷḷiṭṭu ceyyalām payircceyta nilattu kkum meṟceyyum nilattukkum ceyta payirkaḷukku Iṟukkum kaṭamai Innāyaṉmārkku tiruvamutu pākkukkum pūcaikkum tiruppaṇikkum Uṭalāka Iraṇṭāvatu mutal Iṟuppārkaḷākac co ṉṉom Ippaṭiyāl vanta kaṭamai Ivvāṇṭumutal Iṟuppittukkoḷka Te-Ka phrase Itu tevartiru Eḻuttu .

rājarājavaḷanāṭṭuk The syllables rājarāja are expressed by two symbols.

Digital edition of SII 4.419 by converted to DHARMA conventions by Emmanuel Francis.

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