Mēlpāṭi, Somanātheśvara temple, time of Mummuṭi Cōḻa Rājarāja Rājakesarivarman, year 14 EpiDoc encoding Emmanuel Francis intellectual authorship of edition Eugen Hultzsch Emmanuel Francis DHARMA Paris DHARMA_INStfaSIIv03p0i0019

This work is licenced under the Creative Commons Attribution 4.0 Unported Licence. To view a copy of the licence, visit https://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.

Copyright (c) 2019-2025 by Emmanuel Francis.

2019-2025
DHARMAbase ...

The project DHARMA has received funding from the European Research Council (ERC) under the European Union's Horizon 2020 research and innovation programme (grant agreement no 809994).

Public URIs with the prefix bib to point to a Zotero Group Library named ERC-DHARMA whose data are open to the public.

Internal URIs using the part prefix to point to person elements in the DHARMA_IdListMembers_v01.xml file.

Creation of the file on the repository
svasti śrī tiru-makaḷ pōla-p peru-nila-c-celviyun= tanakkē yurimai pūṇṭamai maṉa-k-koḷa-k karuti-k kān=taḷūr-c-cālai kalam aṟutt-aruḷi-k kaṅka-pāṭiyu ṉuḷampa-pāṭiyum taṭiya-pāṭiyum veṅkai-nāṭuṅ kuṭa-malai-nāṭun= taṇṭāṟ koṇṭa taṇṇ eḻil vaḷar oḷi ceḻiyarai-t tēcu koṭa

śrī-mu-m-muṭi-cōḻa-devaku kō-rāja-rāja-rāja-kēsa ri-vanmaṟki yāṇṭu 10 4-Āvatu

paṭuvūr-k-kōṭṭattu miyyīyā ṟu-nāṭṭu tiru-vallattu sabhaiyōm cōṇāṭṭu teṉ-karai-p -pāmpuṇi-k-kūṟṟatt' araicūr-araicūr-uṭaiyāṉ IĪr-āyirava pal lavayaṉ-āṉa mu-m-muṭi-c-cōḻa-pōcaṉ pakkal nāṅkaḷ koṭu kaṭava poṉ ddharmma-kaṭṭaḷai-t tuḷai niṟai patiṉ-aiṅ-kaḻañcu

I p-po 10 5 kaḻañcukkum āka-t tūy-nāṭṭ' irājāśriāya-purattu cōḻē ntdra-ciṅka-Īśvaram-uṭaiya mahā-devaṟku cantrāditya-vat· Oru tiru-nan=tā -viḷakk' erippataṟku Eṅkaḷ mēl-piṭākai vāṇa-samudratti kīḻ-mañcikkam-āṉa nilam ciṟṟampalattu-k kōlāl vaitta kuḻi y-āyiram

Ivv-āyiraṅ kuḻiyuṅ koṇṭ' ivv-irājāśra ya-purattu Arumoḻi-tēva-p-perun=-teruviṟ caṅkara-p-pāṭi yāṉ kaṇṭaṉ maṟavaṉ-āṉa cōḻēntira-ciṅka-māyilaṭṭiyē It-tiru-nan=tā-viḷakkukku nicatam Uḻak=ku neyyy aṭṭuvataṟku Ip- bhūmi koṭu Aṭṭunvat' āka kuṭuttōm sabhaiyōm

Id-dharmmam panmāhe śvarar rakṣai

maṉakkoḷak maṉakkoḷk

Hail! Prosperity! In the 14th year of the reign of Śrī-Mummuṭi-Cōḻadeva, alias king Rājarāja-Rājakesarivarman, who, in his tender youth, during which,——having formed the beliefSee Vol. II. p. 249, note 2. that, as well as the goddess of fortune, the goddess of the great earth had become his wife,——he was pleased to destroy the ships at Kāntaḷūr-Cālai and conquered by his army Kaṅka-pāṭi, Nuḷampa-pāṭi, Taṭiya-pāṭi,Vēṅkai-nāṭu and Kuṭamalai-nāṭu,——deprived the Ceḻiyas, whose lustre had been growing, of their splendour;——we, the assembly of Tiruvallam in Mīyāṟu-nāṭu, a subdivision of Paṭuvūr-kōṭṭam, have received fifteen kaḻañcus of gold, weighed by the balance used in the case of charitable edicts dharma-kaṭṭaḷai, from Īrāyiravaṉ Pallavayaṉ, alias Mummuṭi-Cōḻa-Pōcaṉ, the lord of Araicūr and a native of Araicūr in Pāmpuṇi-kūṟṟam, a subdivision on the southern bank of the Kāvērī in Cōṇāṭu.

For these 15 kaḻañcus of gold, we assigned one thousand kuḻis, measured by the rod of Ciṟṟampalam,This is the Tamil name of Cidambaram. of land which formed the eastern mañcikkamThe same word occurs in an inscription at Māmallapuram; see Vol. I. p. 66, note 5. of Vāṇasamudram, a hamlet to the west of our village,Compare above, No. 12, text line 3. to the god Mahādeva of the Cōḻēndrasiṁha-Īśvara temple at Rājāśrayapuram in Tūy-nāṭu, for burning one perpetual lamp as long as the moon and the sun endure.

These one thousand kuḻis of land we, the assembly, made over to Kaṇṭaṉ-Maṟavaṉ, alias Cōḻendrasiṁha-Māyilaṭṭi, of Caṅkarappāṭi, who resides in the high-street of Arumoḻideva in this Rājāśrayapuram, in order to supply to this perpetual lamp one uḻakku of ghee daily.

This charity is placed under the protection of all Māheśvaras.

Prosperity! Fortune!

14th year of ...,

who ... [meykkīrtti of Rājarāja I Cōḷa, with variants]

Edited in , with English translation (SII 3.19).

This edition by Emmanuel Francis (2024), based on and photos (E. Francis, 2024).

29-30 19