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śrīmaṉ-mahā-maṇṭalīcuraṉ Ariya-rāya-vipāṭan mētiṉi-mīcara-kaṇṭa-kaṭṭāri
-cāḷuva-Immaṭi-nara-ciṅka-rāya-taṉma-rāyasaṃsamsarattu dakṣiṇdhanusattu pavurṇa
yum bṛhaspati-vāramum peṟṟa kā
Ayyaṉ
tipparaca-Ayyaṉ taṉmam-āka Ēppuli-nāyakkar vaiytta viruppa-rāya-kiri-y-āṉa y-irāy-ampala-p-paṟṟil
pūlāṅ kuḷam-āṉa tipparaca-puram cōma-k-kirāṇa-puṇya-kālattu Ēppuli-nāyakkar cakiraṇya Udaka-dhārā-pūṟu
va-dham ·ma-dāṉam-āka koṭutta kīḻ-maṅkala-nāṭṭu cunta
Itukku patinta ku
Inta-t taṉmattukku A
ceytavāḷ pāpattilē pōka ka
The final two formulaic stanzas are examples of Sanskrit Stanzas written in both alternating Grantha and Tamil scripts, with, as a result, some metrical irregularity in respect of Sanskrit prosody, like for instance
Reported in
Edited in
This edition by G. Vijayavenugopal (2022). Reviewed by Emmanuel Francis (2024), based on photos (N. Ramaswamy).