This work is licensed under the Creative Commons Attribution 4.0 Unported Licence. To view a copy of the licence, visit https://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.
Copyright (c) 2019-2025 by .
First digital edition made by École française d'Extrême-Orient (Paris, France), realized in collaboration with the HiSoMA Research Centre (Lyon, France) and hosted by TGIR Huma-Num (France) as Early Inscriptions of Āndhradeśa, in 2015-2017.
Copyright (c) 2017 by Stefan Baums, Arlo Griffiths, Ingo Strauch and Vincent Tournier.
This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.
The project DHARMA has received funding from the European Research Council (ERC) under the European Union's Horizon 2020 research and innovation programme (grant agreement no 809994).
Public URIs with the prefix bib to point to a Zotero Group Library named ERC-DHARMA whose data are open to the public.
Internal URIs using the part prefix to point to person elements in the DHARMA_IdListMembers_v01.xml file.
Success! Homage to the Bhagavant, worshipped by the king(s)
of the gods, who completely realized Awakening, the
Omniscient One, who is compassionate with all beings, who
conquered and is released from lust, hate and delusion, the
bull and rut elephant among great leaders, the Perfect
Buddha who is ensconced in the excellent relic [or: element
(i.e.,
At the
Great Shrine, Great-General-wife Little Cāntisiriṇṇikā —
child of the Kulahakas; wife of Great General, Great
Talavara Vāsiṭṭhīputta Khandacalikiremmaṇaka of the Hiraññakas
— established this pillar for the sake of well-being and
happiness in both worlds and
In the 6th year of King Siri-Vīrapurisadatta, in the 6th fortnight of the rainy season, on the 10th day.
First described and edited by