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First digital edition made by École française d'Extrême-Orient (Paris, France), realized in collaboration with the HiSoMA Research Centre (Lyon, France) and hosted by TGIR Huma-Num (France) as Early Inscriptions of Āndhradeśa, in 2015-2017.
Copyright (c) 2017 by Stefan Baums, Arlo Griffiths, Ingo Strauch and Vincent Tournier.
This work is licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA.
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Read”Agihot-Āgiṭhoma-Vājapeya.
The third syllableprobably meaningsais still traceable,
The thirdOn the stone and in RTI images, we also recognise the traces of theakshara[in Dhaṁmagho sa-] has become very faint. At first I felt inclined to readDhaṁmayasa, but the long horizontal base-stroke which is still clear rather suggests the lettergha .
Success! Homage to the Bhagavant, the Perfect Buddha. In the 11th year of Great King Vāsiṭṭhīputta Siri-Ehuvalacāntamūla of the Ikṣvākus, in the 1st fortnight of (?), on the 7th day.
Koda-elisirī — grand-daughter of Great King Vāsiṭṭhīputta
Siri-Cāntamūla of the Ikṣvākus, sacrificer of the Agnihotra,
the Agniṣṭoma, the Vājapeya and the Aśvamedha, giver of tens
of million of (pieces of) gold, hundreds of thousands of
cows, hundreds of thousands of plows (of land), whose will
is unimpeded in all matters, daughter of Great King
Māṭharīputta Siri-Vīrapurisadatta; sister of Great King
Vāsiṭṭhīputta Siri-Ehuvalacāntamūla of the Ikṣvākus; chief
wife of Great King of the Vanavāsakas — established this
shrine and a
monastery in the firm possession (
First described and edited by