Doorjamb of Vat Preah Theat (K. 427), 7th century CE

Doorjamb of Vat Preah Theat (K. 427), 7th century CE EpiDoc Encoding Kunthea Chhom intellectual authorship of edition George Cœdès Kunthea Chhom DHARMA Siem Reap DHARMA_INSCIK00427

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The lettering is characteristic of the seventh century CE.

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Adding paleographical remark Initial encoding of the inscription

pi roc· vaiśākha poñ· t pari nu ta vraḥ kaṁratāṅ· Añ· mratāñ· bhagavan· poñ· kumāramati ta qnau ta noḥ velā poñ· kularakṣa pari poñ· bhā puṣpa I mratāñ· candravīra I kan· Eta I la ta Ai Ukka krāntasāra I poñ· śrava I vrauhv· Eta vaṅ si dat· I si dat· I kanses· I vā kmau I vā ratna nu man· poñ· kumāramati pradāna gui sre ta vraḥ canlek· yugalla vraḥ kaṁmratāṅ· Añ· yohv· II sthāna pañcola ge vari ple canlek· vraḥ tnaḥ

bhagavan· bhagavaṇ· kan· Eta kanaceta vrauhv· Eta vrauhv· vraḥ vra

The 3rd day of wanning moon of the month of Vaiśākha April-May to V.K.A. Mratāñ Bhagavat, Poñ Kumāramati who were at that or those place or places when Poñ Kularakṣa Poñ Bhā Puṣpa, Mratāñ Candravīra, Kan-Et, Poñ śrava, Vrau Et, Si Dat, Kanses, Vā Kmau, Vā Ratna, .

Then Poñ Kumāramati gave the paddy-field to the god 2 yau of doubled cloth for the lower garment for V.K.A. the cloth for the lower garment of the superior god .

The p of pari does not have a curl at the bottom unlike that of puṣpa in line 5.

The u of nu does not have a hook like that of nu in line 8.

First edited by George Cœdès (643) with a French translation; re-edited here by Kunthea Chhom from the estampage EFEO n.1011.

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