Śikṣā Guru L 642

Śikṣā Guru L 642 author of digital edition Aditia Gunawan DHARMA Paris DHARMA_DiplEdSiksaGuruPerpusnasL642.xml

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2019-2025 Jakarta Perpustakaan Nasional Republik Indonesia Lontar L 642 Peti 16 </msItem> </msContents> <physDesc> <objectDesc>  <p>Gebang leaf manuscript. 89 leaves in Old West Javanese Quadratic script.</p> </objectDesc> <handDesc> <p>Generally, this manuscript show some characteristic like those we found in Old Sundanese manuscript tradition (1) The use of CyV to be read as CVy just like we find in Old Sundanese manuscripts; (2) Differentiation between pasangan r and r̥ ; (3) Hard to distinguish the use of : whether for make a long vocal or to geminate the consonant, both cases are found; (4) The use of special type of virāma under the aksara k; (5) The use of the number 2 for the segment ro; (6) The use of pasangan in the main line of text, e.g., l and m ; (7) The use of two dots to represent ulu (vocalisation i) and three dots to represent pepet; (8) There are two type of layar, Indonesian and Indian style.</p> </handDesc> </physDesc> <history>  <p>In June 1934, Sāṅkṛtyāyana found this manuscript in the monastery of Kun-de-ling (Lhasa).</p> </history> </msDesc> </witness> </listWit> </sourceDesc> </fileDesc> <encodingDesc> <projectDesc> <p>Encoded in TEI according to the <ref target="{URI for DHARMA editorial conventions or page with link to Encoding Guides}">Conventions of Project DHARMA</ref></p> </projectDesc> <editorialDecl> <correction> <p/> </correction> <normalization> <p/> </normalization> <interpretation> <p/> </interpretation> </editorialDecl> <samplingDecl> <p/> </samplingDecl> </encodingDesc><revisionDesc> <change who="part:axja" when="2021-04-19" status="draft">Updating the template</change> <change who="part:adgu" when="2020-04-04" status="draft">5th round of encoding the edition, line break</change> <change who="part:axja" when="2020-03-30" status="draft">Moving the handDesc and identification of a validation issue</change> <change who="part:argr" when="2020-03-25" status="draft">Started revision of adgu's work, reached end of 2v</change> <change who="part:adgu" when="2020-03-25" status="draft">4th round of encoding the edition, line break</change> <change who="part:adgu" when="2020-03-23" status="draft">Third round of encoding the edition</change> <change who="part:adgu" when="2020-03-20" status="draft">Second encoding of the edition</change> <change who="part:adgu" when="2020-03-10" status="draft">Initial encoding of the edition</change> </revisionDesc> </teiHeader> <text xml:space="preserve"> <body> <div type="edition" xml:lang="kaw-Latn"> <ab>  <pb n="1v"/> <lb n="1v1"/>//ø//, ndaḥ nihan· varaḥhakna mami rumuhun· ri saṁ saṁ śevaka ḍarmma, katkan· kita ruməṅəkna kaviven saṁ hyaṁ ḍarmma, mvaṁ kabyaṁ vasṭani<lb n="1v2" break="no"/>kaṁ saṁ hyaṅ ajña:na, hana trakaya mandala parisuḍa:, ṅa, Inujarra<space type="binding-hole"/>kən ṣaṁ pandita ri saṁ sevaka ḍaṙma, ya pantaḥhan· kva ki Ulaḥ sabda la<lb n="1v3" break="no"/>vana:mbhək·, yakva hana malina: ri pr̥ḍayanta, ya teka praḥ pəgəṁ<space type="binding-hole"/>ṅən· rakṣa pahayu juga ya, Apan hentaniṁ manimvakən suka: ḍuka<g type="dandaNotch">§</g> <lb n="1v4"/>hala hayu, yan pinahala Ulaḥta, sabdata, Ambhakta, niyata kapaguḥnikaṁ hala ḍenta yan<del rend="strikeout">ma</del>· maṁkana, yan pinahayū Ulaḥta,  <pb n="2r"/> <lb n="2r1"/>sabdata, Ambhəkta, Avas kapaṁguḥnikaṁ hayuta yan maṁkana, mataṅya<del rend="other">ma</del>n hana paribasa kumvaṁ maḍyus· maḍyus· vvay tinəmunya kasvambhavaniṁ ja<lb n="2r2" break="no"/>nma, hala tuməmu halanya, hayū tuməmu hayunya, maṁkana <space type="binding-hole"/> lvirniṁ janma, ndya ḍr̥sṭanta, Iriki ḍaḍyanya, hala ḍeniṁ halanya, ha<lb n="2r3" break="no"/>yu ḍeniṁ hayunya, nihan· Upaḍyanta hana ya manik kanarga, <space type="binding-hole"/>ṅa, tan kinavruḥhan mulyanya, tan paprameya ri rahayu, kaliṅanya <lb n="2r4"/>Ikaṁ manik:anarga, lavan manik ṣavesṭaṭā, yvagyi karika pusə:n· ta ri gaṁsa, tambhaga lavan· tima:ḥ Aparan· ta yvagyanika:, niyatar  <pb n="2v"/><fw place="left" n="2v"><num value="1">1</num></fw> <lb n="2v1"/>mijil· <app><lem>sr̥inika</lem><note>The use of the combination of <foreign>-r̥i</foreign> is unusual. This case only appears twice in the manuscript (see <foreign>pr̥ihən</foreign> in 7r.2).</note></app> lavan danuḥnika, maṁka pva yvagya paṅapusa:n ta Irikaṁ manik:anarga, paṅikitan ta Irikaṁ manik ṣavesṭa, nahan liṁnira ri saṁ hu<lb n="2v2" break="no"/><app><lem><unclear>ya</unclear></lem><note>I read it as <foreign>ya</foreign> in the form of <foreign>pasangan</foreign></note></app> sasṭa lpas ca vuṁkunuṁ ceva, Aḍika <add place="below">Udika</add> tatter tatur tatya tunəṁ<space type="binding-hole"/>, taḍeva nigaḍyate, Apan sinaṁguḥ rambhut· lpas·, ṅa, vulu pasa<lb n="2v3" break="no"/>gi, ṅa, hana Uḍika, hana tater, hana <app><lem>so</lem><note>Only a <foreign>tarung</foreign> is written to produce the vocalisation <foreign>o.</foreign></note></app>rasa, ṅa, Ika ta ka<space type="binding-hole"/>baiḥ yvagya karika paṁṅapusanta Irikaṁ manik:anarga, paṅikəta<lb n="2v4" break="no"/>n· ta Irikaṁ manik ṣavesṭa, ta hampiḥ ya sənta ri gaṁsa tambhaga lavan timaḥ, Aparanta yvagyanika, paṅapusan ta Irikaṁ manik:anarga, paṅikə  <pb n="3r"/> <lb n="3r1"/>tan ta Irikaṁ manik ṣavesṭa, nahan liṁnya ri saṁ hya śasṭa, lpəs ca vuṁkunuṁ cova, Aḍi Ikaṁ, Uḍi Ika:, tate:r tattar tatya tuṁgiṁ nu yvagya <lb n="3r2" break="no"/>nika, hana ya <add place="below">ma</add>s· kanaka santaṅvaṁ, ṅa, mas kanaka jati rupa, saka<space type="binding-hole"/>⌉ti mulyanya, vrətya Inapisa:n pituṅ apitu, mattəmaḥhan· ta ya<g type="dandaNotch">§</g> <lb n="3r3"/>satahil· I vasta br̥tnya, ndya ya teka tuṁgəṁ, tan libak ta§<space type="binding-hole"/>n ləgəṁ, Aninapi muvaḥ Apan saṁ maṅkana juga, pinaḥkaḍaḍiniṁ mas kabaiḥ <lb n="3r4"/>, ndaḥ ya teka yvagya rahayu: paṁṅapusanta Irikaṁ manik:anarga, paṁṅikətan·ta Irikaṁ manik ṣavesṭa, ya ta: kapusan· ḍeninaṁ sa ta<pb n="3v"/><fw place="left" n="3v"><num value="2">2</num></fw><lb n="3v1" break="no"/>mbhaga lavan· timaḥ, tar mijil· sr̥nika lavan danuḥnika, Aparan ta ruktinika, salah nija salaḥ karmma, salaḥ svara, bava ṅarani:ka, Iva <lb n="3v2"/>makana ta saṁ hya ḍarma visesa, sira manik:anarga, ṅuniveḥ Ava<space type="binding-hole"/>kta yeka manik ṣavesṭa <del rend="strikeout">ṅa</del> ṅaranya, ndaḥ ta yaṁkən gaṁsa tambhaga lava<lb n="3v3" break="no"/>n timaḥ Ika tan· yvagya rakəta:kna Irikaṁ manik:anarga, paṅi<space type="binding-hole"/>kətanta Irikaṁ manik ṣavesṭa, nih<del>u</del>anya Ulaḥ mahala sabda tar yu<lb n="3v4" break="no"/>kti, Ambhak magələḥ rika pvaṭā janma, ṅuniveḥ ri saṁ panḍita, kaliṁṅanya tan yvagya kari Ulaḥ mahala sabda tar yukti, Ambhak magələḥ rasa<pb n="4r"/><lb n="4r1" break="no"/>kən· I saṁ hyaṁ darma, lavan·<add place="below">na</add>rakṣa sariranta, ṅuniveḥ ri saṁ pandita, taham asiḥ tar yukti Ika, punaḥ ruktaḥnikaṁ kavvaṁṅanta, hi<app><lem>la</lem><note>The <foreign>la</foreign> is in the form of pasangan.</note></app>ṁ <lb n="4r2"/>masiḥniṁ manak maṁrabi:, manik<add place="below">mo</add>ṁ mvaṁ renanta, ya tan· vnaṁ rumakṣa <space type="binding-hole"/> Ikaṁ Ulaḥ mahala sabda tar yukti, Ambhak magələḥ ri kapva ṭā janma, <lb n="4r3"/>ṅuniveḥ ri saṁ sadu, <add place="below">na</add>dyi yvagya paṁrakṣanta, <del rend="ui">ra</del>ri sariranta, yeka sa<space type="binding-hole"/>ntaṅvaṁ liṁ saṁ pandita, kanaka santaṁṅva ṅaranya, U<del>ra</del>laḥ hayu sabda raha<lb n="4r4" break="no"/>yu: Ambhə<app><lem>kra</lem><note>Here the scribe use the form aksara r, placed below k as <foreign>pasangan</foreign>.</note></app>hayu, ya rakṣakəna: saṁ hyaṁ darma, nihan· mataṁṅyin· tr̥kaya mandala parisuda ṅaranya, liṁ saṁ pandita, tr̥ ṅaraniṁ təlu suda  <pb n="4v"/><fw place="left" n="4v"><num value="3">3</num></fw> <lb n="4v1"/>taya, trakaya mandaləm·, Ityatəm·, nihan trakaya liṁ saṁ pandita, niha təmbhə<del rend="ui">ba</del>ynya siḥ saṁ pandita ri saṁ sevaka darma, parisuda ta: ri<g type="dandaNotch">§</g> <lb n="4v2"/>Ambhək· rahayu, Usin hayva kasəlapan· Ambək magələḥ, nir<space type="binding-hole"/>malaṁ ra dayəm· citəm·, ndaḥ pahaliṁlaṁ taṁ manaḥ pvambhiktiṅət maṁṅa <lb n="4v3"/>ṅəna:ṅən· pr̥ḥhən bhəkṣa lakṣanəm·, nihan lakṣananta viku, <space type="binding-hole"/>hayva tr̥sna ri hulun· juga, byakta taṁ <add place="below">ra</add>mbhut pinəgata:n· ya ta pəgatti <lb n="4v4"/>tan kavigataḥ malaṁ kva hana, ya tika parisuda timpalakən kanaṁ R̥takna, ya ta mas r̥kr̥t masəkar vañva:, ṅa, maṁkana ta kita maseva<g type="dandaNotch">§</g><pb n="5r"/><lb n="5r1" break="no"/>ka di saṁ pandita, hayva ta kita gumavayakna guru talapaka:n·, jagat u:padrava, kathakutan· ri sira, baktya nukul ta kita ri saṁ guru, ga<lb n="5r2" break="no"/>vaya:kna kasuprana, ḍi  saṁ guru, tta ri saṁ pandita, dataṁ ta ri kasadya<space type="binding-hole"/><g type="dandaNotch">§</g>nyi, maṁkana ta kita hulun· ri saṁ pandita, ṅuniveḥ saṁ <subst><del rend="other">bupr̥</del><add place="overstrike">pr̥bu</add></subst>, tar <lb n="5r3"/>gavaya:kna prabu <del rend="ui">ṅa</del> dvahak·, dəndana vinigraha katakuta ri sira<space type="binding-hole"/>, marapvan ta kitana kajval pati bisama, baktya ta kita ri prabu, <g type="dandaNotch">§</g> <lb n="5r4"/>mataṅyan təka ri kasaḍyanya, makana ta kita ramma, kalaṁ gusti, patiḥ ri banva, kunaṁ darmma tulajña:na, ni kaḍi kita, hayva ta kita ti<pb n="5v"/><fw place="left" n="5v"><num value="4">4</num></fw><lb n="5v1" break="no"/>mpaṁ svara ri byavahara tan paṅiva kətəṅən· ri guna, dvesa tar yukti puriḥniṁ vvaṁṅ atuha, Ujar saṁ hya Agama, hayva tuta:knanta, ya ta: ma<lb n="5v2" break="no"/>taṅyan tar katkan·, tr̥kaya mandaləm citəm·, nihan ṣaṁ hya tr̥<space type="binding-hole"/>kaya mandala parisuḍa:, ṅa, kayatnakna saṁ sevaka daṙmma, ya təmbhə<lb n="5v3" break="no"/>ynya siḥ saṁ pandita, ri saṁ sevaka ḍarmma, Ika hana: kapin·dva A<space type="binding-hole"/>siḥ saṁ pandita ri saṁ sevaka darma, ya ḍasasila:, ṅa, ndya ya nihan· <g type="dandaNotch">§</g> <lb n="5v4"/>, svaṭā caksuḥ gr̥na, jihva vak təvək· pani, payu: pasṭa paḍa, Ini R̥ṅəkna saṁ sevaka ḍarmma, svaṭā ṅaraniṁ taliṅa, Apa visṣayaniṁ taliṅa  <pb n="6r"/> <lb n="6r1"/>, pinakaḍvaraniṁ maṁR̥ṅə Ikaṁ sabda hala hayu, ṅə kita sabda hu<add place="below">ma</add>:sa:rum· Enak manaḥta, ṅaR̥ṅə  pva ka:ta sabda mahala səsə ta<add place="below">ka</add>na hdap·, ⌈ <lb n="6r2"/>ḍvesṣanika, tan paniḍakən karya hayu ri saṁ guru, ya ta: kayatna<g type="dandaNotch">§</g><space type="binding-hole"/>kna saṁ sevaka ḍarma, tuli maṁr̥ṅə Aji saṁ viku, caksuḥ ṅaraniṁ mata <lb n="6r3"/>, Apa visayaniṁ mata, Anvaṇ· hala hayu, Aveḥ suka ḍuka<space type="binding-hole"/>, yarnapa I Aveḥ suka duka, pinaḥkapanvanta <del rend="strikeout">ra</del> ri Ulaḥ rahayu laṁ<lb n="6r4" break="no"/>sar kita ḍenya, yan apa Ika Aveḥ ḍuka, mulata: mas· <del rend="strikeout">ra</del>ri paḍanya janma len ṣaka rika, lumaku ta kita mareṁ sabaAn·, Anvan· ma<pb n="6v"/><fw place="left" n="6v"><num value="5">5</num></fw><lb n="6v1" break="no"/>ra kita vva ceḍa, vuḍug· tugəl təlihən·, buḍaya, tikəl· kəjəṁ kəkəṁ, salvirniṁ biparupa haneṁ rat·, ṅuniveḥ buta tulīni<g type="dandaNotch">§</g> <lb n="6v2"/>panvan hayva seḍa, kunaṁ kita ya Anvan· vveṁ ceḍakṣara, ha<space type="binding-hole"/>yva ta kita maṁkana, cənda parihara ṅaranya, Apan tar kinavraḥhanni<lb n="6v3" break="no"/>kaṁ nija karma, ṅuniveḥ vvaṁ ḍuka ḍenika, ya ta kayatnakna saṁ <space type="binding-hole"/> sevaka ḍarma, grana ṅaraniṁ Iruṁ, Apa visayaniṁ iruṁ, pinaḥkapaṅambhuṁ<lb n="6v4" break="no"/>ta gan·ḍa surabi, Asu<del>ra</del>rabi ṅaranya vaṁṅṅi, Asurabi, ṅa, Abva lavan hapək· Asaḍarana ṅaranya haṅit·, mataṅyan tras pabedaniṁ ga<pb n="7r"/><lb n="7r1" break="no"/>nda, Aṅambhuṁ svekita ganda vaṁṅi, Enak manaḥta, Aṅambhuṁ pve kita Ambva hapək· tar Enak manaḥta, ya mta <app><lem>kr̥oḍanta</lem><note>There is only <foreign>panolong</foreign> and no <foreign>panéléng</foreign> in the sequence <foreign>kr̥o</foreign>.</note></app>, ya saṁkan· mta sabda thar <lb n="7r2"/>yukti, tan karasa Ikaṁ trakaya paramarata, ya mataṅyan pr̥i<space type="binding-hole"/>hən kayatnakna Ikaṁ visayaniṁ Iruṁ, de saṁ sevaka ḍarma, jihva ṅa<lb n="7r3" break="no"/>raniṁ lidaḥ Apa visayaniṁ liḍaḥ, pinaḥkapagosranikaṁ saḍra<space type="binding-hole"/>sa, ṅa, lavana: kaḍuka, tratta, Amlila kasaya, maḍura, ya sinaṁ<g type="dandaNotch">§</g><lb n="7r4" break="no"/>guḥ sadrasa, ṅa, lavana: hasin·, kaduka lada:, tr̥tta pahit·, Amlə hasəm· kasaya vuḍuk maḍura manis nihan ṣinaṁguḥ saḍrasa, ṅa, kabu<g type="dandaNotch">§</g><pb n="7v"/><fw place="left" n="7v"><num value="6">6</num></fw><lb n="7v1" break="no"/>kti kunaṁ dentaṅikaṁ jənək ri sakita: denya, hayva ta kita maṁkana, təkan· ḍeniṁ visayanya, ya ta: ketu tumigala:kna karya<g type="dandaNotch">§</g> <lb n="7v2"/>hayu ri saṁ guru, tan karasa Ikaṁ tr̥kaya mandala parisuda, <g type="dandaNotch">§</g><space type="binding-hole"/> yar maṁkana, vak· ṅaraniṁ sabda, Apa visayaniṁ sabda, tar tuta:kna <lb n="7v3"/>sakvajarta, vak parusya campala Asta, rika durbala masukə<space type="binding-hole"/>t·, tar paṅənakən· ri lva:kapara, kunaṁ Ujarranta, sabda manis a:ru<lb n="7v4" break="no"/>m· vulat manvohara, salvirniṁ maṁdadyakən· kavi<add place="below">ra</add>tyavanya, mvaṁ ṅ ka:r̥ṅə deniṁ lva:kapara, maṁkana ta kita rumakṣa sabda, tvək ṅaraniṁ ku<pb n="8r"/><lb n="8r1" break="no"/>lit·, Apa visayaniṁ kulit·, ṅarasa ṅahdap· panas tis·, Ikaṁ maṁkana, ka, ya praḥ pəgəṁṅən juga Ikaṁ visaya mijil ṣaka ri kulit· <lb n="8r2"/>, pani: ṅaraniṁ taṁṅan·, Apa visayaniṁ taṅan· masaṁguliniṁ ta<space type="binding-hole"/>ṅan· matalakup· yan paṅucap lavan ṣaṁ guru, mvaṁ tan pasalaṁgapan· <lb n="8r3"/>⌉ tu la:van ṣaṁ guru, ṅuniveḥ tan panuduḥ Asta muka saṁ guru, tan pa<space type="binding-hole"/>cubakaḥ ya gamlən tadaḥhən ṣaṁ guru, Atava tan paṅalap· drabya ⌈ <lb n="8r4"/>hyaṁ saṁ guru, ṅuniveḥ ri rat kabaiḥ, kaliṅanya, h<del rend="other">y</del>ayva palarciḍr̥ yar hana kahyunya, hanasipasṭa Aji saṁ viku, nihan· deyanta rumakṣa tha <pb n="8v"/><fw place="left" n="8v"><num value="7">7</num></fw><lb n="8v1" break="no"/>ṅan·, payu: ṅaraniṁ lət·, Apa visayaniṁ L̥t·. Utarsaṁga ṅisiṁ maṁhətuth· deyanta rumakṣa silit·, tan pahətu ri haR̥pən· saṁ guru, jana <lb n="8v2"/>tan pahaR̥pan· vvaṁ yan a:ṅisiṁ, tar kinvan de saṁ guru, mvaṁ saṁ parama<space type="binding-hole"/>byagata kabaiḥ, nihan deyanta rumakṣa silit·, pasṭa ṅaraniṁ pəla<lb n="8v3" break="no"/>t·, Apa visayaniṁ pəlat· Ananda Aṅəyəḥ kaliṅanya, ta<space type="binding-hole"/>n pahar̥pa:kna vvaṁ maṅəyəḥ ṅuniveḥ parasujana:ma lanaṁ vaḍvan hulu<g type="dandaNotch">§</g><lb n="8v4" break="no"/>n=haḍyan· kanisṭa, mvatama, Avan· Agəṁ mmarurucanya, mtə papa:niṁ dadi vvaṁ, Apa pinaḥkapapanya, Anvan mara kita vvaṁ ḍinval dosa:nya ta, tr̥sa<g type="dandaNotch">§</g>  <pb n="9r"/> <lb n="9r1"/>grəhanya, minṭadvaha, gurudvaha muṁpaṁ rabi: laraṁṅan·, Aglis a:vak siki tar na hayu:, yan makana, paḍa: ṅaranniṁ suku:, lumaku hasiṁ <lb n="9r2"/>saparanta, yar maṅalvar maṅiḍul·, maṅetan·, Atava Anap· <space type="binding-hole"/> trasila, kunaṁ deyanta maṁrakṣa suku, tan padədəla:n·, tan pa <lb n="9r3" break="no"/>rika:kan· tan pamaga-magahan·, tan pamire-mire, tan pa<space type="binding-hole"/>kilunda, tan paḍvaṁdaṁ ri haR̥pən· saṁ guru, ri paramabyagata: ka⌈⌈<lb n="9r4" break="no"/>baiḥ, nihan· ta rumakṣa suku, kayatnakna saṁ sevaka darma, <g type="symbol"/>, <g type="symbol"/>, <g type="symbol"/>, nihan ta kapintiganya siḥ saṁ pandita, ri saṁ sevaka darmma, ni<pb n="9v"/><fw place="left" n="9v"><num value="8">8</num></fw><lb n="9v1" break="no"/>han pañcasikṣa, ṅa, ndya ya nihan·, Akrodva gurususra, sucyam aharalagavəm· Apramaḍasvateḥ niyamaḥ sarikəta:taḥ, Ana <lb n="9v2"/>kroda: dva, ṅa, tar dadi Ika saṁ sevaka darma, mentona:kə<space type="binding-hole"/>na: krvaḍanya I haR̥pən saṁ guru, ṅuniveḥ I para sujanma kabaiḥ, gu<lb n="9v3" break="no"/>rususra ṅaranya, baktya nukul· ta kita ri saṁ guru, tar madvaḥ <space type="binding-hole"/> ri suku saṁ matuha, tuhu makana yar hana pakvan ṣaṁ guru, parisuda tha <lb n="9v4"/>kunaṁ, kayatnakna taṁ tr̥kaya paramarta, ya Uvaḥ rahayu:, sabda 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