# onetake launch 30s

> This folder ships the film only. Its source (the composition, the score, the sound sources) is not part of the
> public release; files named below describe how it was made.

The film: `onetake-launch.mp4`

## How it was made (from the composition's header)

```text
CONCEPT — three prompts, three films, one take. The prompt bar is the spine: typed three times, shorter each time
(a sentence → four words → one word), and each prompt visibly becomes a finished mini-film for a new fictional product,
in its own palette and motion vocabulary: bar 1 opens into the Mac window, bar 2 opens into the Hush frame, bar 3
collapses into a line that shoots across the desk and opens into the LED screen. The films sit on one warm paper desk;
the camera never cuts, and at the end it pulls back until all three are playing at once over the bar, whose block
cursor writes the name in one stroke.

v8 (after v7's 「看起来只有一个 prompt」): the camera lands on every bar, and every send is the birth of its film.
Richer films: Dayline gets an event sheet on iPhone, Hush a charging-case product shot. The prompt glyph is a
terminal's: a grey chevron and a solid block cursor. After the loop the three films gather into one row, all the
height of the Hush frame, centred over the bar.

 t              beat                              camera                                  carries into the next beat
 0.00–4.40      prompt 1, no music                macro, two dead-still holds, one glide  the bar
 4.40           ENTER → music                     pull out 2.25× → 0.93×                  the bar opens into the Mac window
 5.10–9.50      Dayline (as v7)                   push, tilt, dive, pull + dutch          the window reflows into the phone
 9.52–10.40     tap: Launch day opens as a sheet  settle on the phone; words; dead still  —
 10.95–11.30    to bar 2                          travel right, land at 1.4×              the bar
 11.30–12.03    "concept ad — Hush earbuds"       dead still                              —
 12.08–12.75    the bar opens into the Hush frame pull to 1.2 (the frame fills)           "Hush" flies to the corner
 12.75–15.36    the city's noise piles up         handheld creep                          —
 15.36–16.14    earbud lands; noise drains; the case rises, takes it, snaps shut
 16.00–16.92    "Hush."  bar 3: "event"           pull back to Hush + bar 3; dead still   the bar
 16.92          DROP: bar 3 → a line → the LED    whip along the line                     the line is the promo's first grid line
 17.28–21.10    FRAME/26 promo (as v7)            pan down the poster                     it wipes back to its first frame
 21.10–23.18    the loop, once                    pull out to the screen                  —
 23.30–25.90    the films gather into one row     pull back over the row                  the bar
 26.835         the stop: everything freezes
 27.357–28.45   the block cursor writes onetake   push in, following the pen              —
 28.55          GitHub mark · open source         dead still to the end


Music: Dorothy & IamDayLight – Thief (instrumental), 115 BPM, bar 2.087 s. Film 4.40 = track 33.657 (a downbeat).
Track 42.005–46.179 is a two-bar breakdown (the Hush film); 46.179 is the drop (the event promo); spliced 52.440 → 58.701
at film 23.183 so the stop (62.35, a silent beat) lands at film 26.835 and the hit after it (62.874) at 27.357 carries the name.
```