Digitized copy served by HathiTrust and originating from Harvard University.
Potter's English wording, long-s typography, page breaks, speeches, lyric divisions, and notes are preserved. English verse units receive sequential CTS citations. Translation groups point explicitly to passages of the Smyth/Perseus Greek edition; individual English lines are not assigned unsupported one-to-one alignments. Catchwords are encoded as fw and explanatory notes as EpiDoc apparatus entries.
This pointer pattern extracts an English verse unit.
CTS edition: urn:cts:greekLit:tlg0085.tlg001.potter1779-eng2.
THE fire and fury, that rages through the former Play, is agreeably contraſted, where perhaps the reader leaſt expected it, with the ſober ſpirit of the daughters of Danaus.
These illuſtrious Supplicants are drawn indeed with a firmneſs of ſoul becoming their high rank, but tempered with a modest and amiable ſenſibility, and an intereſting plaintivenefs, that might have been G4 a model
The provident wisdom of their father Danaus, the calm but firm dignity of Pelaſgus, the inviolable attachment to the laws of hoſpitality, the ſolemn ſenſe of religion, and the chaſteneſs of ſentiment through the whole, muſt pleaſe every mind that is capable of being touched with the gracious ſimplicity of ancient manners.
The ſcene is near the ſhore, in an open grove cloſe to the altar and images of the Gods preſiding over the ſacred games, with a view of the ſea and the ſhips of Ægyptus on one ſide, and of the towers of Argos on the other; with hills, and woods, and vales, a river flowing between them; all together with
It was uſual for ſupplicants to ſtretch forth in their hands branches of olive bound with wreaths of wool; ſee the Furies, p. 393. v. ult. Euripides expreſſes this by ἰκιῆρι θαλλῷ. So Virgil,
Et vittâ comptos voluit prætendere ramos.
The olive was an emblem of peace, and Servius tells us, that its branches were bound with wool, the lamb being the gentleſt of animals, to ſhow the weak and defenceleſs ſtate of the preſenter.
This ſenſe ariſes from the plain and literal conſtruction of the text; sententia eſt optima, and every attempt to alter it has only tortured it into obfcurity.
This alludes to the ſolemn lamentations, the θρηνωδίαι, chanted by their friends at the funerals of the deceased. Milton, that exact obſerver of ancient manners, makes his Chorus break out into one of these mournful fongs on the news of Sampson's death, till Manoa checks them, thinking it more prudent to bury his ſon with ſilent obfequies.
The ſcholiaſt, following the uſual interpretation of the
word, explains Perſians, when Xerxes rends his robes, we hear of
it enough, it completes the diſtreſs of his mother, and even
of his father's ſhade; but in all theſe places the word uſed is
either lacinia, and the Engliſh
by lace or fringe: Perſæ, l.837. where this idea of rending
the ornaments of dreſs is intended to be conveyed,
where the word