The Eumenides The tragedies of Aeschylus Aeschylus Theodore Alois Buckley Translator credited as Theodore Alois Buckley (1825–1856) Perseus Project, Tufts University Gregory Crane Prepared under the supervision of Gregory Crane Volunteer About 90Kb Trustees of Tufts University Medford, MA Perseus Project Public domain (U.S.)

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Bohn’s classical library Series publisher Henry G. Bohn Aeschylus The tragedies of Aeschylus Literally translated, with critical and illustrative notes, and an introduction Theodore Alois Buckley London Bohn 1849 Bohn’s classical library xx, 234 p.; front.; 19 cm HathiTrust handle

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THE FURIES.

ORESTES comes to Delphi, pursued by the Erinnys of his mother Clytemnestra. He is assured of Apollo's protection, and the scene changes to Athens, where he undergoes his trial before the Areopagus, now instituted by Minerva. On his acquittal, the Erinnys at first threaten Athens with their wrath; but, on Minerva assuring them that they shall ever be held in honor, they promise to confer all possible blessings upon the Athenians.

PERSONS REPRESENTED. PYTHIAN PRIESTESS APOLLO MINERVA GHOST OF CLYTEMNESTRA ORESTES CHORUS OF FURIES
PRIESTESS

First indeed with these prayers I honor Earth the first-prophetess of the Deities: and after her1 Themis, who then next sat on this, her mother's, oracular seat, as a certain legend runs. But in the third turn, [Themis] being willing, and not in despite of any one, Titanian Phoebe, another child of Earth took the seat, and she gives it to Phoebus as a birth-gift. And he has his name derived from Phoebe. But having left the lake and the Delian rock, having landed on the ship-receiving shores of Pallas, he came into this land and to the seats of Parnassus. And the road-making sons of Vulcan2 attend on3, and greatly worship him, rendering the rough earth smooth. But the people honor exceedingly him having come, and Delphus who sways the helm1 of this land. And Jove having made him inspired in mind with the art, seats him here the fourth seer on the throne; and Loxias2 is the prophet of his father Jove. To these deities I prelude my address with prayers. And Pronaean Pallas is celebrated in story. And I venerate the nymphs, where is the Corician hollow grot, bird-loved, the haunt of Deities. Bromius too possesses the realm, nor am I forgetful of it, from the time that the god led on his Bacchants, having plotted death for Pentheus like a hare; and invoking the fountains of Plistus, and the might of Neptune, and perfect highest Jove. I then sit down a prophetess on the throne; and now may the gods grant that I obtain by far the best of former entrances, and if any from the Greeks are present, let them advance having obtained their turn by lot, as is the custom; for I prophesy as the god may direct. (She enters the temple, and suddenly returns.) Certainly things dreadful to tell, and dreadful to behold with eyes have sent me back from the abodes of Loxias, so that I neither have strength, nor can uplift my steps: but I run with my hands, not by swiftness of legs; for an affrighted old woman is nothing, like a child [in strength]. I creep, indeed, towards the shrine of many garlands3, and I behold at the marble navel stone4 a man under the curse5 of god, sitting as a suppliant, with his hands dripping with blood, and hold­ ing a newly-drawn1 sword, and a high-grown branch of olive, wreathed decorously with much2 wool, with a white fleece: for so I will clearly declare. But before this man a wondrous troop of women sleeps seated in the seats; by no means women, but Gorgons I call them; nor again will I liken them to Gorgon forms3, [for] I have seen once on a time [the Harpies] painted, carrying off the food of Phineus; but these are wingless to behold, and black, abominable in kind. And they snore with breathings not to be approached, and from their eyes they distil hateful violence4. And their dress is fit to wear neither at the images of gods, nor within the dwellings of men. I have not beheld the tribe of this sisterhood; nor [do I know] what land can boast of having nourished this race with impunity, so as not to groan on account of its troubles. Let what ensues now be a care to the ruler of these abodes mighty Loxias himself: but he is healing-seer and diviner and purifier of abodes5 to others. The interior of the temple, with the tripod and omphalus, is disclosed, and ORESTES is dis­ covered sitting on the omphalus, the chorus of FURIES sleeping on seats around him. APOLLO standing by his side, and HERMES in the background1.

APOLLO

By no means will I forsake you: but till the end standing near you as a guardian, even though far off, to your enemies I will not be gentle. And now you behold these mad ones caught; but the abhorred virgins, aged chil­ dren have fallen in sleep2, whom neither one of the gods, nor man, nor beast, at any time embraces; but for the sake of evils they were born; since they inhabit evil darkness, and Tartarus beneath the earth, things hated by men and Olym­ pian gods. But nevertheless fly, nor be softened in spirit; for they will pursue with impunity you even through the long continent as you proceed3 along the land trod in your wander­ ings, and over the deep, and the sea-girt cities. And be not wearied, driven herd-like4 through this toil: but coming to the city of Pallas sit down having taken in your arms5 the ancient image; and there, having judges of these things and soothing words, we will find means, so as completely to deliver you from these toils: for truly I persuaded you to slay your mother.

ORESTES

King Apollo thou knowest indeed to be just, and since thou knowest this, learn also not to be unmindful, but your power is an assurance that you will do things well.

APOLLO

Remember, let not fear overcome you in mind. And do you, my brother, of a common father's blood, Mercury, guard him; and, being very rightly named, be a conductor, taking care of this my suppliant. Jove reveres excessively6 this [thine] office, coming to mortals with well-conducting fortune. [Exit ORESTES, conducted by HERMES. The Ghost of CLYTEMNESTRA ascends1.]

GHOST OF CLYTEMNESTRA

Sleep on, will ye2? and what need is there of sleepers? But I thus dishonored by you among the other dead, because I was a slayer, reproach among the dead ceases not: and in disgrace I wander, and I declare to you that I have the greatest reproach from those. But having suffered thus dreadful things from those most dear, none of the deities is enraged on account of me, slaughtered by matricidal hands. Behold these blows on thee, my heart3, for the slumbering mind is keen in its eyes4, but during day the fate of mortals can not foresee5 futurity. Full oftentimes have ye tasted of my offerings6, both wineless libations, temperate­ soothing gifts, and I have offered at the hearth of fire nightly solemn feasts at an hour common to none of the gods. And all these things I behold trampled under the heel. But he is gone having escaped like a fawn, and moreover lightly has he rushed from the midst of the toils, having greatly laughed at you. Hear what I have said in behalf of this my soul, O goddesses beneath the earth: for I Clytemnestra, a dream7 now call upon you. Snore on, but the man is gone flying afar: for the gods of supplication are friendly to my relatives, not to me8. Soundly you slumber, and pity not my suffering; but Orestes murderer of me his mother is gone. Do you cry oh? do you slumber? will you not quickly arise? What thing has been done by you except to work evils? Sleep and toil powerful conspirers have wasted the strength of the fell dragon.

CHORUS

Seize, seize, seize, seize, take heed1.

GHOST OF CLYTEMNESTRA

In dreams you pursue the beast, and moan like a dog that never leaves off the care of toil. What are you doing? arise, let not toil overcome you, nor be ignorant of your loss, enfeebled by sleep. Grieve your heart by my just reproaches: for to the wise [such reproaches] are like stings. But wafting on him your bloody breath, wasting him with a fire of the entrails, follow, consume him by a second pursuit.

CHORUS

Do you rouse, and rouse her, but I [rouse] you. Dost sleep? arise, and having spurned off sleep, let us see if any of this prelude is vain. Ah! ah! We have suf­ fered friends, (certainly now I have suffered much and in vain) we have suffered affliction dire, O gods, intolerable ill. The beast has fallen from out the toils, and is gone. Over­ come by sleep I have lost my prey. O son of Jove, thou art thievish, and thou a young god hast ridden down aged deities, reverencing [this] suppliant, an impious man and bitter to his parents, and, god though you be, you have stolen away the matricide. Which of these things will one say is just? But to me reproach coming from dreams has struck me, like a charioteer, with a middle-seizing goad. At my heart, at my liver there is present a grievous pain from a scourger, an hostile executioner, so that I have a very griev­ ous chill. Such things do the younger gods, exercising might in all things beyond right. One may behold2 earth's navel stone having taken on itself a blood-dropping clot about foot and head, so as to have a terrible defilement of bloodshed. But being a prophet, thou hast defiled with domestic pollution thy shrine, self-invited, self-called, contrary to the law of gods honouring mortal things3, and having destroyed the ancient fates; and severe to me4, he shall yet not deliver him (Orestes,) and having fled beneath the earth, never shall he be set free. But being guilty, he shall find another avenging deity on his1 head.

APOLLO

Out, I bid you depart with speed from these abodes; begone from the prophetic shrines, lest even having received the winged swift snake2, hurled from the golden string, you send forth through pain the black foam [sucked] from men, vomiting the clots of gore which you have drawn. By no means is it fitting to approach these abodes, but where there are head-cutting, eye-digging3 revenges and slaughters, and the vigour of boys is injured, and destruction of the seed, and maiming, and stoning, [and where] those impaled by the spine groan with much wailing. Hear, you, abhorred by the gods, of what a feast you have the delight? but the whole fashion of your form leads to this. It is fit that such should inhabit the cave of the blood-sucking lion, not to tarry4 in these oracular seats, an abomination to the neighbours. Be­ gone, you who feed without a keeper; but none of the gods has regard for such an herd.

CHORUS

Royal Apollo, hear our reply in turn. You yourself are not a sharer in these things, but have done them alto­ gether, being the entire cause.

APOLLO

How now? thus far extend your speech5.

CHORUS

You enjoined by oracles, so that the stranger should slay his mother.

APOLLO

I enjoined by oracles that he should inflict vengeance on account of his father: what then?

CHORUS

And next you promised [to be] an advocate6 of new bloodshed.

APOLLO

And I bade him betake himself to these abodes.

CHORUS

And you revile forsooth these [his] attendants.

APOLLO

For it is not proper that they should come to these abodes.

CHORUS

But this is commanded to us.

APOLLO

What honour is this? boast of a glorious office.

CHORUS

We drive the murderers of their mother from their homes.

APOLLO

But what [of the slayer] of a woman who has deprived her husband of life?

CHORUS

The blood of kindred should not be shed by kindred.

APOLLO

Certainly, the nuptial troth, pledged under connubial Juno and Jove, would be altogether without honour, and would avail nothing. But Venus is cast away, dishonoured, by these words, whence arise to mortals the dearest joys. For the bed is appointed by fate to man and woman, and is greater1 than an oath, when guarded with justice. If, therefore, you are gentle to those who slay each other, so that it comes to pass2 that you do not even regard them with anger; I say that you unjustly drive Orestes into exile: for I know that you are exceedingly wroth at the one party, but manifestly treating the other more quietly. But the goddess Pallas shall regard the justice of these things.

CHORUS

That man never, in any respect, will I abandon.

APOLLO

Do you then pursue, and take to yourself more toil.

CHORUS

Do not you detract from my honours by your words.

APOLLO

I would not receive your honours, so as to possess them.

CHORUS

For, altogether you are called great at the throne of Jove. But I (for a mother's blood brings on punishment) will pursue this man, a huntress Fury.

APOLLO

But I will aid, and deliver the suppliant: for dreadful among mortals and among gods, is the wrath of a suppliant, if willingly I should forsake him.

ORESTES

3 Queen Minerva, by the commands of Apollo I am come, but do thou receive propitiously accused of crime, not one now stained with guilt nor impure in hand, but now blunted1, worn away before this time, in others' abodes and paths of mortals. Passing over sea and land alike, observing the oracular injunctions of Loxias, I approach thine abode and image, goddess. Here, keeping my station, will I await the event of justice (or, judgment).

CHORUS

Ho! this is the clear sign of the man, but follow the counsels of the voiceless informer. For as a dog chases the wounded hind, we trace out him by bloody drops2. But with many deadly toils my bowels pant; for every place of earth has been traversed, and over the sea by wingless flight have I come, pursuing, no way inferior to a ship. And now he is crouching somewhere here: the smell of human blood delights me. Look, look again by all means; observe all things; lest the matricide unpunished escape your notice, having gone in flight. He here again, having protection, twined around the image of the immortal goddess, wishes to undergo trial for his deed3. But this may not be; his mother's blood on the ground, cannot be recalled, alas! the life's blood, poured on the plain, is gone. But you needs must suffer punishment in your turn, so that I suck from you alive the red gore from your limbs; and may I bear from you the taste of a draught dire to quaff; and having wasted you away I will lead you alive below, that1 you may suffer a return for the matricidal woe. But you shall behold2, if any other too of mortals has sinned, acting impiously either towards a god, or any guest, or dear parents, each having things worthy of justice. For mighty Pluto is the judge of mortals below the earth, and he looks upon all things with recording mind.

ORESTES

I, taught in evils, know many ablutions; and to speak, when it is proper, and to be silent in like manner: but in this thing I was enjoined to speak by a wise teacher: for the blood sleeps and fades from my hand, and the matricidal pollution is washed out. For being fresh, at the hearth of the god Phœbus it was banished by ablations from the sacrifice of swine3. But it would be a long tale to me from the beginning [to tell] how many I approached with harmless intercourse. Time removes4 all things growing old at the same time. And now from pure mouth piously I call on Minerva, queen of this region, to come to me an assistant; and she shall possess without the spear both me myself, and my land, and the Argive people, justly faithful, and an ally for ever. But whether in the places of the Lybian region around the wave of Triton, her native stream, she sets her foot upright or covered1, aiding her friends, or surveys the Phlegraean plain, like a bold leader, let her come, (and she hears even afar, being a goddess,) that she may be a deliverer to me from these things.

CHORUS

By no means shall Apollo, or the might of Minerva set you free, so as not to perish neglected, not having learnt where in your mind to rejoice, the bloodless food of demons, a shadow. Dost thou not reply, but dost thou disdain my words, thou who art both nourished for, and devoted to me2. And alive you shall feed me, not slain at the altar, and you shall hear this hymn that charms you. Come then, let us also join the dance, since it has seemed good to us to pour forth the hated song, and to declare how our band distributes its lots among men; and we delight in being upright [ministers] of justice. On him indeed who possesses pure hands no wrath from us steals, but free from harm he passes his life: but whoever, committing crime, like this man, conceals his bloody hands, close at hand as true witnesses to the dead, we appear effectually as avengers of blood to him. Mother, O mother Night! thou who brought me forth a punishment3 to the dead and the living, hear! for the son of Latona makes me disho­ noured, taking away this timid animal, our own victim to expiate a mother's murder4. But over the victim [be this the strain, one fraught with distracting, mind-destroying, the hymn of the Furies, that charms the mind, without the lyre, that causes shrivelling to mortals. For prevailing fate has destined to us firmly to hold this office, to pursue those of mortals by whom wicked murders are committed, until [the murderer] hath gone below the earth; and when dead he is not quite free. But over the victim [be this the] song, fraught with madness, distracting, mind-destroying, the hymn of the Furies, that charms minds, without the lyre, that causes shrivelling to mortals. This lot was assigned to us at our birth: to keep our hands from the immortals, nor is there any common feeder with us; and of white garments am I ever destitute and devoid. For I take upon myself the overthrow of houses. when Mars, being kindred, has slain a friend. Him intently pursuing, oh! strong though he be, we destroy, because of newly-shed blood. And earnestly striving to take away from another this care, and to effect an exemption for the gods in regard to prayers offered to me, and not to come into question of arbitration1: for Jove deems unworthy of his converse this blood-dripping justly-hated band. For suddenly leaping from above, I bring down the strength of my foot with heavy fall, limbs that cause the swift2 to trip, an intolerable calamity. And the thoughts of men even when very lofty beneath the sky, waste away, and decrease down to earth unhonoured, at our approach clad in our black garments, and at the hated dances of our feet. But falling he knows not this, through his foolish -distraction: such darkness hovers upon the man on account of his crime, and rumour with many groans proclaims3 the murky cloud against regard to the house. For 'tis fixed4. But we5 both quick of contrivance and persevering in accomplishing it, and awfully mindful of evil deeds, and impla­ cable to mortals, executing an office ignoble and unhonoured. apart from gods with a sunless torch, in a way alike difficult to be trodden by those who see and by the blind6. Who then of mortals dreads not and fears these, hearing my office con­ firmed by fate, given perfect from the gods: but my ancient honour remains to me, nor do I meet with ignominy, though possessing a station beneath the earth and sunless darkness.

MINERVA

From afar I heard the sound of a voice from Scamander, where I occupy1, a land which in truth the leaders and chiefs of the Greeks, a great portion of the captured posses­ sions, assigned for ever to me, root and branch, a chosen gift to the children of Theseus. From thence I have come, plying an unwearied foot, without wings with rustling noise bran­ dishing my hollow aegis2, having yoked this car to vigorous steeds. But beholding this strange company, I am by no means afraid, but a wonder is before my eyes. Who, pray, are you? I speak to all in common: both to this stranger seated at my image, and to you resembling no race of beings produced, nor beheld among goddesses by gods, nor yet like to mortal forms; but for neighbours to speak ill of one deformed is far from proper, and justice is absent from it.

CHORUS

You shall hear all things briefly, daughter of Jove; for we are the children of dark night, and we are called Furies in the abodes beneath the earth.

MINERVA

I know indeed your race, and fame according with your name.

CHORUS

You shall quickly for certain now hear my honours.

MINERVA

I would learn them, if some one would give a plain account.

CHORUS

We drive man-slayers from their homes.

MINERVA

And where is the end of flight to him who has slain?

CHORUS

Where to rejoice is by no means usual.

MINERVA

Do you proclaim such flight for this man too?

CHORUS

[Yes.] For he has thought proper to be the murderer of his mother.

MINERVA

Not dreading the wrath of any other necessity?

CHORUS

For where is such an incentive as to slay a mother?

MINERVA

Two parties being present, half the tale is present1.

CHORUS

But he would not receive an oath, nor is willing to give one2.

MINERVA

You wish rather to have the fame of justice than to act according to it.

CHORUS

How so? declare; for you are not deficient in wise words3.

MINERVA

I say, that by oaths, unjust things do not conquer.

CHORUS

But inquire, and adjudge an upright judgment.

MINERVA

Would you commit even to me the decision of the cause?

CHORUS

And how not? as we reverence you worthy of worthy things1.

MINERVA

What do you wish, O stranger, to answer in your turn to these things? But having told your country and race and your misfortunes, after that repel this charge; if, trusting to justice, you sit keeping station at this image beside my shrine, a venerated suppliant after the fashion of Ixion2. To all these answer something easily understood by me.

ORESTES

Queen Minerva, first will I remove the great care, [evident] from your last words. I am not contaminated, nor does pollution adhere to my hand that clasps3 your image. And I will tell you a great proof of these things. It is the law that one whose hands are stained with murder be silent, until by a man who cleanses from the impurity of blood, the slaughter of a young victim have sprinkled him with gore. Long since I have been thus purified at other abodes, both with animals, and flowing streams: therefore, indeed. I dismiss this your care. But what my race is, you shall quickly hear. I am an Argive, and well do you know my father, Agamemnon4, leader of naval heroes; with whom you made the Trojan city of Ilion no city. He perished not gloriously, having come to his home: for my dark-souled mother slew him, having wrapt him in artful toils, [and she herself] bore wit­ ness to the murder of the bath. And I returning home, having been an exile the time before this, slew her who gave me birth, I will not deny it, with the vengeance of retributory slaughter, on account of my dearest father. And of these things Apollo is in common guilty, declaring sting-like woes to my heart if I should not do some of these things to the murderers. But do you, whether justly, or not, decide the cause; for however I shall have fared with you, I shall assent to your decision.

MINERVA

The thing is too great, if any mortal thinks to judge it; nor yet is it lawful for me to determine a cause of slaughter quick to wrath, and especially if1 you indeed having prepared at the same time, have come a suppliant pure and guiltless to my abodes. But nevertheless I receive you being blameless in my city. But these possess an office not easily set aside2, and not having obtained victory: poison from their minds having fallen hereafter upon the plain [will be] an intolerable dire disease. These things, indeed, are so: that both remain, but to dismiss both, without injury is impossible for me3. But since this thing has come hither, choosing4 sworn judges of murder I will make a law for ever. But do you call as evidence and proofs, oaths to aid your cause. But I having selected the best of my citizens will come, to determine this matter rightly, those who give no unjust oath in their minds5.

CHORUS

Now [will] there be a revolution of6 new laws, if the cause and guilt of this matricide shall prevail. This deed now by its facility7 will prompt all mortals to [the same] and many certain sufferings from wounds inflicted by children, await parents in time hereafter. For neither will any wrath of us men-regarding Maenads creep on because of evil deeds: I will leave1 all death unpunished, and one will ask from another, declaring the evil deeds of his kindred a cessation, and remission from ills no longer certain2: but the wretch in vain will console himself. Nor let any one struck by misfor­ tune invoke us, pouring forth these words, O Justice, and O thrones of the Furies! With such expressions some father perhaps, or mother newly afflicted, may wail a wailing: since the house of Justice falls. Some times fear, sitting in the right place, and controlling the soul, will terrify it. It is good to grow wise under sorrow. But who keeping no fear in his blithesome heart, either city or mortal alike, would any longer reverence justice? Praise neither a life free from rule, nor lorded over; to every mean the god affords power, but other things he differently regards. But I speak a fitting word; insolence is the child of impiety, most assuredly; but from sanity of mind tomes prosperity dear to all and much sought. But altogether I say to you, revere the altar of Justice, nor, looking to gain, dishonour it by trampling on it with godless foot. For punishment will follow: a deci­ sive end awaits. Therefore let every one honour duly the sanctity of parents, and reverence the intercourse of hos­ pitable abodes. He who is willingly just without neces­ sity shall not be unhappy; utterly destroyed, at least, he can never be. But I declare that the transgressor who dares things contrary, will throw all things into confusion without justice, land shall perish] by violence in time, when trouble has seized his sails, the sail-yard being broken. And he invokes those who listen not, in the midst of an uncon- qucrable whirlpool; but the deity laughs at the bold man, beholding him, no longer boasting, bound in calamity from which is no escape, nor surmounting the summit: but having dashed his former prosperity on the rock of Justice, unwept, unknown, he is for ever lost.

MINERVA

Proclaim, herald1, and keep back the people: and let the piercing Tuscan trumpet, filled with mortal breath, pour forth its thrilling voice to the multitude. For this assembly being filled, it is fitting to be silent, and that even all the city for ever learn my laws, and this man, that the cause may be duly determined2.

CHORUS

King Apollo, rule the things that belong to you. What have you to do with this matter, say.

APOLLO

Both to give evidence have I come (for this man is a suppliant of my dwelling3 and a guest of my abodes; and I am the cleanser of this murder) and [I have come] myself to plead the cause4 with him; but I bear the blame of the slaughter of this man's mother. But do thou [Minerva]. open, as you know how, this cause, with a view to deciding it.

MINERVA

It is with you to speak, but I open the cause1: for the accuser, speaking first from the beginning, should be rightly the explainer of the matter.

CHORUS

We are many, indeed, but we will speak briefly: and do you answer word for word, giving it in your turn: say first if you slew your mother.

ORESTES

I slew her: of this there is no denial.

CHORUS

This now, indeed, is one of the three wrestlings2.

ORESTES

You speak these boasting words on me not yet prostrate.

CHORUS

Nevertheless it behoves you to declare how you slew her.

ORESTES

I will tell; with sword-drawing hand having cut her on the neck

CHORUS

But by whom were you persuaded, and by whose counsels?

ORESTES

By the oracles of this god; and he bears witness to me.

CHORUS

Did the prophet advise you to slay your mother?

ORESTES

And so far ever I blame not Fortune.

CHORUS

But if the condemning vote shall seize you, perhaps you will say other things.

ORESTES

I am confident, and my father will send aid from the tomb3.

CHORUS

Put trust now in the dead, having slain your mother!

ORESTES

For she had the concurrence of two pollutions.

CHORUS

How so? inform the judges of these things.

ORESTES

Having slain her husband she murdered my father.

CHORUS

Therefore you, indeed, live, but she is free [from the punishment] of slaughter.

ORESTES

But why did you not drive her out by exile when alive1 ?

CHORUS

She was not the kindred of the man whom she slew.

ORESTES

But am I allied by blood to my mother?

CHORUS

Yes, for did she not nourish you within her zone, O blood-stained? do you disown the most dear blood of your mother?

ORESTES

Now do you give testimony. But declare for me. Apollo, if I slew her with justice: for we do not deny that we have done it, as it is done: but if this blood seem to your mind justly or unjustly shed, judge, that I may speak to these.

APOLLO

I will speak justly to you, this great council of Mi­ nerva, and being a prophet I will not lie. Never at any time have I spoken in my prophetic shrine either concerning man, woman, or city, what Jove father of the Olympians has not commanded. Learn, with respect to this justice, of how great power it is; but I bid you obey the counsel of my father, for an oath by no means is more powerful than Jove.

CHORUS

Jove, as you say, gave this oracle2, that you should tell this Orestes, having avenged the murder of his father by no means to regard the reverence due to his mother.

APOLLO

[Yes.] For it is not the same thing that a noble hero should die, honoured with Jove-given sceptres, and that, too, by a woman, not by impetuous far-darting bows, like an Amazon, but as Pallas shall hear, and they who sit to decide by vote concerning this matter. For having received him on his re­ turn from the expedition, where he had gained the greatest honours in the best manner according to the opinion of those well-inclined to him3, in the washing-place as he was passing through the bath, and at the end covered him with a robe, and having entangled her husband in an artfully-woven circular garment she struck him. This fate, indeed, of the hero all-venerable, the commander of ships, has been told to you: this woman have I described as such, that the assembly may be stung with indignation, which has been appointed to determine this cause.

CHORUS

Jove by your account respects the death of a father; but he himself bound his aged father Saturn1. How do you say that these things are not contrary to those ? But I call you as witnesses to hear these things.

APOLLO

O all-hated monsters, abhorred by the gods, from fetters, indeed, (there is a cure for this) even many a liberating device might have released him2. But when the dust has drunk up the blood of a man once dead, there is no raising it up. For these things my father has not made a charm; but he appoints all other things turning them up and down, in no wise panting in his strength.

CHORUS

But see how you [defend] this man contrary to justice, that he may escape. Having poured out on the plain the kindred blood of his mother, shall he then inhabit the house of his father in Argos? using which of the public altars? and what layer of his tribe shall receive him?

APOLLO

This, too, will I declare, and learn how rightly I speak. She is not the mother who is called the parent of the child, but nurse of the newly-sown offspring3. But the male is the generative source, and she like a stranger preserves the plant for a stranger, for those whom the god may not have injured. But I will shew you a proof of these words: a father might be without a mother; the daughter of Olympian Jove is close at hand as a witness, not1 nourished in the darkness of the womb, but such a plant as no goddess could have produced. But I, Pallas, both in other things, as far as I am able, will make your state and people great, and I sent this man as an inmate of your abodes, that he might be faithful for ever. And may you possess him as an ally, O goddess, and his descendants; and may these things remain eternally, that posterity observe the covenant of these.

MINERVA

Now I bid these according to their opinion pass a just sentence, as enough has been said.

CHORUS

By us now, indeed, every shaft has been shot; and I wait to hear how the contest will be determined.

MINERVA

For why? how giving sentence shall I be unblamed by you?

CHORUS

You have heard what you have heard, but passing a vote with your heart, revere, O strangers, your oath.

MINERVA

You Attic people now hear the law, judging the first cause of the shedding of blood and moreover this court of judges shall remain hereafter for ever to the people of Ægeus. But for2 this hill of Mars, the seat and tents of the Amazons, when they came waging war through hatred of Theseus, and then built towers opposite to this new lofty-towered city3; and they sacrificed to Mars, whence the rock derives its name, and the hill of Mars—in this [hill], then, the reverence of the citizens, and its ally, fear shall restrain them from acting unjustly, both by day and by night alike, if the citizens themselves do not tamper with4 the laws. But by an evil influx and by mild polluting the clear water, never wilt thou find a draught. I counsel my citizens with regard1 to venerate neither anarchy nor tyranny; and not to cast all fear out of the city. For who of mortals, that fears nothing, is just? Awed justly therefore by such an object of reverence, you would have both a defence of your country and safeguard of your city, such as no men possess. Neither among the Scythians nor in the realms of Pelops have I appointed this court. Untouched2 by gain, venerable, quick to vengeance, a watchful guard over those who sleep3. This exhortation, in­ deed, I have extended for my citizens in regard to the future. But it behoves you to rise, and give your votes, and determine the cause reverencing the oath. My say is said.

CHORUS

And yet I counsel you by no means to dishonour this dire band of [the infernal] region.

APOLLO

And I, for my part, bid you fear both my oracles and those of Jove, nor to render them fruitless.

CHORUS

But you regard matters of bloodshed, not having been allotted such office; and no longer remaining here will you utter pure oracles.

APOLLO

Was my father, too, in any way mistaken in his counsels in the supplication of Ixion, for the first slaughter?

CHORUS

Say on: but I, not having obtained my justice, will heavily again haunt this land.

APOLLO

But both among the young and the old gods you are unhonoured: but I shall prevail.

CHORUS

Such things you did also in the house of Pheres4, and persuaded the Fates to make mortals free from death.

APOLLO

Is it not just to do good to him who reveres you, especially when he may chance to be in need of it?

CHORUS

You indeed having overcome the old deities, deceived with wine, the ancient goddesses.

APOLLO

You indeed presently, not having the end of your cause, shall vomit your poison, by no means hurtful to your enemies.

CHORUS

Since you, a youth, are riding down me in years, I will remain auditor of this cause, as being doubtful whether I should be enraged at the city.

MINERVA

This is my business, that I last determine the cause; but I will add this1, my vote, in favour of Orestes: for there is no mother who produced me. But I praise the male in all things, save in obtaining marriage, with all my soul; and I am entirely on my father's side. Thus I will not set higher price on the fate of a woman who slew her husband, the lord of the house. But Orestes prevails, even if he be judged with equal votes. Cast out the lots from the vessel as quickly as possible, you to whom of the judges this office has been assigned.

ORESTES

O Phœbus Apollo, how will the contest be determined?

CHORUS

O black Night, mother, dost thou behold these things?

ORESTES

Now is it for me the moment of the noose, or to see the light.

CHORUS

But for us to perish, or to extend our honours rather.

APOLLO

Count rightly the casting out of the votes, strangers, reverencing justice in the division; for from one suffrage being absent arises great calamity, and one vote cast in, raises up an house.

MINERVA

This man has escaped the doom of blood: for the number of the votes is equal.

ORESTES

O Pallas, O thou who hast preserved my house, and me deprived of my native land, you in truth have restored me to my home; and one of the Greeks will say the man again is2 an Argive, and dwells among his paternal possessions," by the will of Pallas and of Loxias and of the third preserver Jove who rules all things, who paying respect to my father's fate preserves me beholding these defenders of the cause of my mother. But I to this country and to your people hereafter, for all time however long having made an oath, now depart home, that no helmsman of the land having come hither shall bear against you the well-prepared spear. For we ourselves being then in the tomb, to those who violate my present oaths, will, by calamities not to be avoided, render­ ing their march full of dismay and evil omens, cause them to repent of their toil. But to those who assist and honour ever this city of Pallas with confederate spear, to them we will be kindly disposed. And farewell both thou [O goddess], and the people who inhabit the city, may you possess a contest not to be avoided by your enemies, both the source of safety and of victory with the spear.

CHORUS

1 O youthful gods, you have ridden down the ancient laws, and have snatched [him] from my hands. But I dis­ honoured, miserable, inflamed with rage, in this land, ah, ah! will pour forth, in return for my sorrow, a drop from my heart on the ground causing sterility, and from it a venom destroying leaves and children (O Justice!) rushing on the plain, shall cast mortal-destroying stains in the country. Shall I groan? what shall I do? what will become of me? I have suffered things intolerable to the citizens2. Ah! most wretched in truth3 are the daughters of Night grieving for their disgrace.

MINERVA

Be persuaded by me, so as not to bear it hardly: for you have not been conquered, but the cause in truth fell out with equal votes, not for your disgrace. Besides clear testi­ monies from Jove were present, and he who gave the oracle, he himself bore witness, that Orestes having done these things should not suffer ill. But do not you let fall your heavy wrath on this land, be not enraged, nor cause sterility, sending forth drops from your lungs, dire darts consuming the seed. For I most justly promise to you, that you, seated at the shining hearths, shall possess temples and shrines in a just land, honoured by these citizens.

CHORUS

O youthful gods, you have trampled on the ancient laws, and have snatched [him] from my hands. But I dis­ honoured, miserable, inflamed with rage, in this land, ah, ah will pour forth, in return for my sorrow, a drop from my heart on the ground causing sterility, and from it a venom destroy­ ing leaves and children (O Justice!) rushing on the plain, shall cast mortal-destroying stains in the country. Shall I groan? what shall I do? what will become of me? I have suffered things intolerable to the citizens. Ah! most wretched in truth are the daughters of Night grieving for their disgrace.

MINERVA

You are not dishonoured, nor, through your excessive wrath, do you goddesses make the land of mortals incurable. I too have trust in Jove,—and what need to say any thing of that? And I alone1 of gods know the keys of the abodes in which the thunder is sealed up: but there is no need of this. But persuaded by me, do not cast forth upon the ground the fruit of a froward tongue, causing all things to turn out ill. Lull the bitter rage of the black billow, as venerated and a dweller with me: and hereafter having for ever the first-fruits of the sacrifices of this ample realm, for children and the rites of marriage, you will praise these my words.

CHORUS

That I should have suffered these things! alas! that I wretched should dwell on earth! alas! a dishonourable pollu­ tion! Therefore I breathe forth my rage, and all my wrath. Oh! oh! Earth! alas! what anguish pierces my sides! hear my rage, mother Night! for the crafty wiles of the gods have deprived me of my public2 honours as if of no account.

MINERVA

I will bear with your passion; for you are older; and certainly indeed you are much more wise than I: but to me too Jove has given no small share of wisdom. But you having come into a land of strangers will be loved by this country: I foretell these things: for time as it rolls on will be more fraught with honour to these citizens. And you shall possess a seat at the abode of Erectheus, honoured by men and by the train of women, such as you never could obtain from other mortals. But do not you in my realms cast either bloody whetstones, a destruction to the entrails of youths, rendering them frantic with rage not excited by wine; nor rousing1 them like the heart of cocks, among my citizens plant Mars both civil and bold against each other. Let there be a foreign war, not a present broil with difficulty, in which there shall be a violent love of glory; but I mention not the fight of the domestic bird. It is allowed you to choose such things from me, doing well, receiving well, well honoured, to share this god-loved country.

CHORUS

That I should have suffered these things! alas! that I wretched should dwell on earth! alas! a dishonourable pollu­ tion! Therefore I breathe forth my rage, and all my wrath. Oh! oh! Earth! alas! what anguish pierces my sides! hear my rage, mother Night! for the crafty wiles of the gods have deprived me of my public honours as if of no account.

MINERVA

By no means shall I be tired of speaking what is good for you; that you may never say, that you an ancient goddess, did through me a younger, and through men that dwell in cities, depart dishonoured, inhospitably driven from this land. But if indeed the reverence of Persuasion is holy in your eyes, the soothing and winning power of my tongue, you then would remain: but if you are unwilling to remain, neither justly would you bring upon this city any vengeance or anger, or hurt upon the people. For it is in your ehoiee to be a sharer of this land with me at least, duly honoured for ever.

CHORUS

Queen Minerva, what seat do you say that I shall possess ?

MINERVA

One free from all misery: and do thou accept it.

CHORUS

Grant I accept it, but what honour then awaits me ?

MINERVA

That no house shall be prosperous without you.

CHORUS

Will you bring this to pass, so that I shall have so great power ?

MINERVA

[Yes.] For we will render events fortunate to him that reveres you.

CHORUS

And will you warrant this to me for all time ?

MINERVA

Yes; for it is unlawful for me to say, what I will not perform.

CHORUS

You seem to soothe me, and I depart from my rage.

MINERVA

Therefore being in this land you shall possess friends.

CHORUS

What then do you bid me wish to this land?

MINERVA

Such things as regard good victory1, and these from the earth, and from the dews of the sea, and from heaven, and the gales of the winds blowing with elear sunshine to come upon this land; and that the fruit of the earth and of flocks flowing plenteously abounding to the citizens fail not with time, and that there be safety of mortal seed. But may you be more inclined to root out the impious: for I cherish free from calamity, like a gardener, this race of just men here. Such be thy care. But with respect to illustrious warlike contests, I will not endure not to honour this city with vic­ tory among mortals.

CHORUS

I will accept the fellowship of Pallas, nor will I despise a city whieli even all-powerful Jove and Mars regard as the defence of the gods, the delight of the deities of Greece, protecting their altars. For which I pray, prophesying benevolently, that the bright ray of the sun cause to spring1 from the earth goods useful for life in abundance.

MINERVA

I willingly do these things for these my citizens, having settled in this place these mighty deities, and hard to be appeased: for they have obtained by lot to administer all things regarding men. But he who has not found them gentle, knows not whence come the ills of life: for the sins of his forefathers lead him away to these, and silent destruction with hostile wrath lays him low even while talking big.

CHORUS

And let not the tree-destroying blight breathe—I speak my kindness—and let [not there be] the scorching heat that blasts the buds of plants, preventing them from passing the bounds of their places; nor let the fruit-spoiling black disease creep on; and may this country rear at the appointed time flocks very plenteous with double increase: let the race of men that enjoys the riches of the earth, adore the gainful gift of the deities.

MINERVA

Do you hear these things, guardians of the city, what she accomplishes? for the awful Erinnys has great power both with the immortals, and with those beneath the earth, and with respect to men they manifestly and powerfully bring about to some indeed the song, but to others on the contrary affording a life dimmed with tears.

CHORUS

And I deprecate youth-destroying untimely events; and do ye2 grant wedded lives to lovely maids, ye supreme ruling goddesses, and fates, sisters born of the same mother as we, deities of strict laws, common to every house, and in all time heavy in your just visitations in all things the most honoured of the gods.

MINERVA

I rejoice therefore, [these goddesses] willingly accom­ plishing these things to my country; but I love the eyes of Persuasion, because she has watched over my tongue and mouth against these fiercely refusing. But Jove of the forum has conquered, and our strife to do good3 prevails for ever.

CHORUS

And I pray that sedition, insatiate of ills, may never roar in this city: nor that the dust having drunk the black blood of the citizens, bear away from the city the curse of slaughter for slaughter, through the rage for vengeance1. But may they render to each other in turn joyful offices with thoughts for common weal, and hate with one mind: for this is a remedy for many things among mortals.

MINERVA

Do you then, returning2 to right thoughts, find the way of a good tongue? From these dread faces I see great gain to these citizens. For you ever benevolent greatly honouring these benevolent, with respect to your rightly-just land and city shall all be illustrious while you live3.

CHORUS

Farewell, in the prosperity of wealth, farewell people of the city, sitting near to Jove, dear to the dear virgin, wise in time: and you being under the wings of Pallas does father Jove regard.

MINERVA

Farewell you too: but it behoves me first to go to assign your abodes. To the sacred light of these conductors go, and while these dread victims are sacrificed to you, rush­ ing beneath the earth, keep back from the country what is hurtful, but send what is advantageous for the victory of the city. And do you sons of Cranaus inhabiting the city, con­ duct these new settlers. And may the good recollection of benefits remain to the citizens.

CHORUS

Farewell, farewell again, I repeat it, all you in the city, deities and mortals, inhabiting the city of Pallas. But honouring duly my settling among you, in no respect shall you blame the events of life.

MINERVA

I approve the words of these your vows, and I will send the light of blazing torches to the infernal and nether regions, with ministers who guard my image justly. For let the eye of all the land of Theseus come forth, an illustrious band of youths, women, and a train of aged women; and clothed in purple-dyed garments honour4 [these deities,] and let the light of the torches flash forth: that new fellowship received into your land hereafter, may show their good will by events that prosper men.

PROPOMPOΙ

Depart home, ye mighty honoured virgin daughters of Night, with a friendly escort. (But do you speak well- omened words, inhabitants), in the ancient caves beneath the earth highly honoured with honours and burnt victims, and in your happy lot. But applaud all ye people ! And propi­ tious and benevolent to this land come hither, ye dread powers, and delighted with the blazing torch: and on the way now break forth into songs. But libations shall be ever in your temples accompanied by torches: to the citizens of Pallas all-seeing Jove and the favouring Fate descend together. Break forth now into sougs.

Buckley's notes1 There seems something very strange and abrupt in the article τῆς. Burges would read γῆς. On the mythology of this passage see the notes of Stanley and Blomfield (in Linwood's edition), and Müller, Eumenides, § 91, p. 213, who remarks that δὴ in v. 3, must be taken in close con­nection with Τὸ μητρός, "the primeval Prophetess Earth being succeeded in the possession of the sacred seat by her daughter Themis, by a kind of hereditary right; the latter transferred it with good will to her sister Phœbe," etc.2 "This denotes the Athenians as descended from Erichthonius. Cf. Hesych. s. v. ‛Ηφαιστιάδαι." Müller, note, p. 214. Cf. Orac. Sibyll. Vet. p. 56. ὦ ζαθέης γεγαῶτες Ἐριχθονίοιο γενέθλης.3 Or "escort in pomp." See my note on Soph. Ant. 1133. On the early formed road here mentioned, cf. Müller, Dorians, II. § 14.1 Cf. Sept. c. Th. 2, 3, with the commentators.2 Compare Rabelais, Bk. III. ch. 19. "For many times, in the interpretation of oracles, right witty, learned and ingenious men have been deceived through amphibologies, equivoques, and obscurity of words, no less than by the brevity of their sentences. For which cause Apollo, the god of vaticination, was surnamed Λοξίας."3 Cf. intpp. on Aristoph. Pluto 39; Callim. Hymn. Apoll. I; Orac. Sybill. 1. c. Κλῦτε δαΦνηρεΦέων χυμάτων ἀποθέσκελ ὀμΦήν.4 "In the time of Æschylus this Omphalus was situated in the Adytum of the Temple... in vase-paintings Orestes is exhibited as a suppliant for protection and expiation, sitting on the Omphalus in the temple, exactly as described by Æschylus." Müller, Eum. p. 89, 90. See the whole passage. It must be observed that Orestes could not have flown to the temple of Apollo for refuge, unless he had previously undergone purification. See below, 280, sqq. Thus the Sybarites were driven from the temple by Pythia on account of the murder of a cithera-player, as yet unexpiated; see Ælian, Var. Hist. V. 45, and compare Simplicius on Epict. § 39, p. 259, ed. Salmas. Aristot. Pol, II. 2.5 See Linwood's Lexicon.1 Burges reads νεοσταγές. The common reading is certainly awk­ ward.2 The wool used for this purpose, was of a great length. See Dindorf, Still, μεγίστῳ is but a graceless epithet, and the repetition ἀργῆτι μαλλῶ, far from pleasing. I can not help thinking that the passage is interpolated, and that we should simply read, ἀργῆτι μαλλῷ σωφρόνως ἐστεμμένον. 3 See by all means Müller, § 93, p. 215. sqq.4 But Burges' emendation, λίβα, is unanimously adopted by Dindorf, Linwood, and Paley. Render it "rheum," "venom."5 τοι̃σιν ἄλλοις has always displeased me. In the first place the ter­ mination of the article seems to make an unnecessary emphasis, and there is no subject mentioned, to which ἄλλοις can be opposed. The Scholiast says: πόσῳ μα̃λλον τῶν ἰδίων; which is followed by Schutz, Paley, and Linwood. I have little doubt that Æschylus wrote: και τοῖς ἀλήταις δωμάτων καθάρσιος The very word, and with the same construction, is used of Orestes in Agam. 1282. Φυγὰς δ' ἀλήτης τῆσδε γῆς ἀπόξενος Κάτεισιν; and in Choeph. 1042. Ἐγὼ δ' ἀλήτης τῆσδε γῆς ἀπόξενος; Cf. Soph. Œd. Col. 746. 948. ὃς οὐκ ἐᾷ Τοιούσδ' ἀλήτας τῇδ' ὁμοῦ ναίειν πόλει; Eur. Hcracl. 51. Πάσης ἀλῆται γῆς ἀπεστερημένοι; 224. ἱκέτας ἀλήτας συγγενεῖς. Such an ἀλήτης was Adrastus, in Herodot. I. 35. ¹ In the stage directions in this play, I have followed Müller. Com- pare Eumenides, p. 91-4.² There is much awkwardness in the change of construction. Καὶ νῦν points to the fact of the Furies being overcome, as an instance of Apol- lo's previous assertion. πεσοῦσαι must, I think, be taken as a nomina- tive absolute. Verses 71, 2, seem to me out of place.³ See Paley.⁴ This is Wakefield's interpretation, approved by Wieseler and Lin- wood. Paley prefers, "brooding over."⁵ Cf. Jelf, Gk. Gr. § 646, obs.⁶ Ekvóμws, Hermann's emendation, is approved by Dindorf. Perhaps ἔννομον σέβας would be better. Το δαῖτες ἔννομοι, Choeph. 483, δίκας ἐν- νόμov, Suppl. 384.¹ Burges remarks that Æschylus was the first who introduced appari- tions upon the stage, quoting the Greek life of Æschylus, πρῶτος... τὴν σκηνὴν ἐκόσμησε καὶ τὴν ὄψιν τῶν θεαμάτων κατέψυξε τῇ λαμπρότητι, γραφαῖς καὶ μηχαναῖς βωμοῖς τε καὶ τάφοις σάλπιγξιν εἰδώλοις ἐριννύσι. For the spectre costume of Clytemnestra see Müller, p. 103.² See Paley.³ This is Porson's emendation. The common reading is καρδίας. Hermann, ὅρα δὲ πληγὰς τάσδε καρδίας ὅθεν, which Dindorf prefers.⁴ Stanley appositely quotes Cicero de Dio. I. 30, cum et somno revo- catus a societate et contagione corporis, tum meminit præteritorum, præ- sentia cernit, futura providet.⁵ μοῖρ᾽ ἀπρόσκοπος, Turnebus and Dindorf. Hermann reads φρενῶν for βροτῶν.⁶ Burges' note contains some learned illustrations of persons re- proaching the gods for the sacrifices they had received.⁷ So Schutz. Cf. Ag. 82.⁸ poí. But see Dindorf.1 See Müller, p. 6, and on the metrical arrangements, p. 60, sqq.2 I have followed Wakefield in reading θρόμβον for θρόνον, with Din­ dorf, Linwood, and Paley, to whom I am indebted for the explanation on the passage.3 Cf. Prom. 30. Βροτοῖσι τιμὰς ὤπασας πέρα δίκης.4 Pearson reads κὰμοί γε. There is much awkwardness in δὲ.... .. καὶ .... καὶ .... τε in these lines. Dindorf says, "notandus transitus ab secunda ad tertiam personam." (Compare my note on Apul. de Deo Socr. § 22. p. 75, note G.) But such a change could not be made with such a clumsiness in the connecting particles. I think we should read: κἀμοί τε λυπρὸς τοῦτον οὐκ ἐκλυσεται1 ἐκείνου must be incorrect. Dindorf reads ἐκ κείνου, "post illud, quod ante passus est."2 i. e. arrow.3 This agreeable catalogue of human tortures so learnedly illustrated by Stanley, vs. 188 is thoroughly corrupt. Burges' emendation, παίδων τε χλοῦνις καὶ κακῶν ἀκρωνία, seems the best yet proposed.4 Perhaps it is better to take these words to signify ἐντρίβεσθαι χρ. μύσος, with Schutz.5 i. e. so as to tell me your meaning.6 δέκτωρ is a forensic word.1 See Paley.2 Paley thus explains μὴ γενέσθαι μηδ’ ἐποπτεύειν. Jelf. § 670, classes the passage among the instances of the infinitive with the article being put for the infinitive without it. Dindorf prefers Meineke's emen­ dation, τίνεσθαι.3 "The scene is shifted to Athens, and the temple of Apollo trans­formed into the temple of Minerva Polias. A considerable interval of time must be supposed to have elapsed between the foregoing and follow­ ing portion of the drama." Muller, p. 9, "a disregard of the extrinsic unities quite in character with the Æschylean poetry," id. p. 96. Com­ pare Schlegel, XVII. p. 247, sqq. where the subject of the unity of time is admirably discussed; also Twining, Poetics, vol. I. p. 337, note 43.1 On the previous purifications of Orestes see my note on v. 40. The principal one took place at Troezene. See Pausan. II. 31, who relates that he was compelled to dwell in a small hut, until his purification in the waters of Hippocrene. varro apud Probum in Virg. Ecl. I. p. 4, ed. Keil. mentions another purgation which he underwent in seven streams near Rhegium, where he is said to have built a temple. Libanius.t. II. p. 366. D. mentions another purification which he received from the inhabitants of Antioch. Lampridius, in his life of Heliogabalus, § 7, p. 809, says that he also underwent lustration at three streams near the Hebrus.2 Compare the speech of the-First Fury, in Shelley's Prometheus Un­ bound, act i.— We are the ministers of pains and fear, And disappointment, and mistrust, and hate, And clinging crime; and as lean dogs pursue, Through wood and lake, some struck and sobbing fawn, We track all things that weep, and bleed, and live.3 I cannot see any occasion for altering χερῶν to χρεῶν with Scaliger, Wakefield, and Linwood. The best interpretation is perhaps that of Paley, who translates, by clasping the statue of the goddess divine, is willing to place himself in our power. But I cannot help thinking that Stanley's interpretation, vult esse reus manuum, i. e. caedis peractae, is right, and that the expression is a forensic one. Hesychius interprets ὑπόδικος, ὑπεύθυνος, χρεώστης, ἔνοχος δίκης. Pollux, VIII. 5, p. 382, ed. Seber. makes it equivalent to κατάδικος. It probably is best understood as I have translated it.1 Dindorf reads ἀνίποιν’ ώς, with Schutz.2 Cf. Aristoph. Ran. 146, sqq. ; Virg. Æn. VI. 543 ; Tibull. I. 3, 67. For the general sense compare Æschin. Socrat. Axioch. § 21, ὅσοις δὲ τὸ ζῇν διὰ κακουργημάτων ἄγονται πρὸς Ἐριννύων ἐπ’ ῎Ερεβος καὶ Χάος, διὰ Ταρτάρου· ἔνθα χῶρος ἀσεβῶν. For the Platonic de­ scriptions see Wyttenb. on Pluto fragm. p. 137, sq. at the end of his edition of the De Sera Num. Vindicta.3 See the notes of Stanley.4 But καθαίρει should be read, with Stanley. Hermann would erase the line. Surges transposes it ingeniously, but with too much alteration of the text. I think its proper place is before v. 276, at the beginning of Orestes' speech, which I would read thus: Χρόνος καθαίρει πάντα γηράσκων ὁμου. κἀγὼ διδαχθεὶς ἐν κακοῖς ἐπίσταμαι πολλοὺς καθαρμούς, κ. τ. λ. The enunciation of a proverb could find no fitter place, and the πολλοὶ καθαρμοὶ would be the natural result of Orestes' experience in the puri­ fying effects of time.¹ i. e. whether she stands or sits. Burges reads kатwoɛр. But see Müller, p. 103, note 7.² I have added a note of interrogation with Schutz and Paley.³ Read Towùv with Aldus.⁴ Compare the incantations in Macbeth, iv. 1, and Kirke White's Gondoline.1 See Paley. We must read ὄντα περ, with Hermann., and σπευδο­ μένα with Burges. See Dindorf.2 Linwood prefers σφαλερά περ τανυδρόμοις, referring to Musgr. on Soph. Ant. 779 ; Blomf. on Prom. 939. The common reading he would translate, "exerting in running their stumbling limbs."3 Paley prefers taking αὐδα̃ται passively, and ὰχλὺν as an accusative of consequence, “ quae et ipsa sit caligo tenebrosa.” Jelf, § 556 (as would appear from the Index), follows the usual interpretation.4 Hermann compares Agam. 1563.5 The scholiast rightly supplies ἐσμὲν. Cf. Jelf, § 376, a.6 i. e. the living or the dead.1 But compare Müller, p. 123. "Minerva says she heard the voice of Orestes from afar at the banks of the Scamander, where she had fore­ stalled foreign usurpation by taking possession of the country assigned as a meed of honour to the Athenians and to herself by the Allied Greeks before Troy. This is obviously the meaning of καταφθατουμένη, not simply = κατακτωμένη, as Hesychius explains it, but = φθάνουσα κατακτωμένη. It is well known, that from the time of Phryno and Pittacus the Athenians were engaged in a dispute with the Lesbians respecting the coast of Troas round Sigeium." See the erudite note of Stanley.2 Bothe's conjecture, Αἰγέως, is very elegant, signifying the Ægean Sea. But see Müller, p. 103. I can not very clearly understand Minerva's mode of conveyance. It was doubtless something very clever.1 i. e. I have only heard one side of the question.2 "These words cannot be understood without first of all bearing in mind the original signification of ὅρκος; namely, the object whereby one takes oath and binding on the conscience of the party taking oath. This object is named to the challenged by the challenging party ; for instance, the head of his child, or such and such gods. This is called giving an ὅρκος. In the next place it must be kept in view, that an oath of this kind, demanded of, or tendered to one party by the other, forms part of the evidence. For that evidence required a challenge (πρόκλησις) and the acceptation of it: both parties must be agreed to rest the decision of the suit on the oath of one of the two parties, before the oath could be admitted and stand as substantive evidenceThe meaning then of what the Erinnys say is this: ‘Orestes will scarcely allow us to name the oath which he shall take to attest his innocence, nor will he readily consent to let the verdict depend upon our swearing to his guilt by what­ ever oath he shall please to propose to us;’ and they are perfectly right in their opinion. But Minerva very properly refuses to admit such a mode of decision in this case, as being a mere show of the right, by which she will not allow the wrong to gain the day." Muller, p. 177, sq. The same elegant critic observes that Æschylus does not allude to the customary oath used in the Court of Areopagus,—(on which the student may compare the following passages of the Greek Orators : Demosth. in Aristocr. p. 642; Antiphon de caede Herod. p. 716 ; Lysias in Thcomn. p. 352, 3 ; Dinarchus in Demosth. p. 35, ed. Reiske)—“because it has no specific significance in this particular case; just as the oath of the Areopagites to do strict justice is frequently referred to in the course of the play, but is not actually administered in the theatre."3 But MS. Neap. πέλει, whence Linwood would read οὖν πέλει.1 I should prefer ἀξίαν ἐπαξίως (Cf. Soph. Œd. Tyi. 133) to any of the conjectures yet proposed.2 An etymological allusion. See Müller, p. 144.3 Dindorf prefers ἐφημένου, with Burges.4 This passage seems to have been in the mind of Libanius, in his de­ fence of Orestes, t. 1. p. 283.1 κεὶ, i. e. καὶ εἰ, Paley’s conjecture, seems correct. See his note, and Spitzner's first Excursus on the Iliad.2 i. e. but the nature of these is such, that they cannot be easily dis­ missed. The construction is very irregular. τυχοῦσαι the scholiast con­ siders as put for τυχουσῶν. With the following words we must understand ἔσται . There is the same want of a finite verb in Sept. c. Th. 189. Κρατοῦσα μὲν γὰρ οὐχ, ὁμιλητὸν θράσος Δείσασα δ', οἴκῳ καὶ πόλει πλέον κακόνπλέον κακόν. This is not the case in the examples in Jelf’s Gk. Gr. § 707.3 This is clearly absurd. νέμειν is the conjecture of Paley; μ’ ἑλει̃ν of Linwood. Dindorf distinguishes and reads thus: Τοιαῦτα μὲν τάδ’ ἐστιν αμφότερα, μένειν,Πέμπειν τε δυσπήμαντ᾽ ἀμηνίτως ἐμοί i. e. "whether they stay, or I send them away." But in such opposed phrases the verbs generally refer to the same person. Perhaps Æschylus wrote, τοιαῦτα μὲν τάδ' ἐστὶν ἀμφότερα νοεῖν· πέμπειν δὲ δυσπήμαντ᾽ ἀμηνίτως ἐμοί. The reading ἀμηνίτως is preserved by the scholiast.4 Read ὁρκίους αἱρουμένη with Pearson and Dindorf. Hence arises the tradition that the Areopagus was founded by Minerva. See the note above.5 Read ὅρκον πόροντας with Hermann, and φράσειν with Markland. See Dindorf and Paley. On τὰ βέλτιστα see Müller, p. 179.6 i. e. brought about in such a manner as to break up the old institutes, and introduce new ones.7 Compare the Cenci, act. v. 4. I urged him still; Pleading, as I could guess, the devilish wrong, Which prompted your unnatural parent's death. And he replied: " Paolo Santa Croce Murdered his mother yester evening, And he is fled. Parricide grows so rife That soon, for some just cause no doubt, the young Will strangle us all dozing in our chairs." 1 There are some doubt about the right meaning of ἐφήσω. Paley thinks there may possibly be an allusion to ἔφεσις. But ἔφεσις; can only mean an appeal from one tribunal to another, or from the senate to the people (see Pollux, VIII. 6, p. 390). I think ἀφήσω must be the cor­rect reading.2 See Paley and Liuwood.1 Schol. Hermogenis apud Meurs. Areopag. p. 45. ἐπὶ τοῦ ἐν Ἀρείῳ πάγῳ δικαστηρίου, χρῆσις προοιμίων οὐκ ἦν, κῆρυξ γὰρ προσεφώνει τῷ εἰσιόντι, μήτε προοιμάζου, μήτε ἐπίλεγε εἰσιόντι, μήτε προοιμάζου, μήτε ἐπίλεγε. Cf. Themist. Or. XXVI. p. 311. Hard. The κῆρυξ probably was originally only employed to call the attention of the people, but afterwards to declare such restraint as the court thought fit to set upon the pleaders. Following the example of Müller, I shall attempt to draw some comparison between the regular process of the Areopagus and the process here described by Æschylus. On the duties of the κῆρυξ, compare Pollux, IV. 12. According to custom, he would here have summoned the accuser. Of. Apul. Met. III. p. 130. "preeconis ample boatu citatus accusator—exsurgit.” X. p. 241. "jussus praeco pronuntiat: PATRES IN CURIAM CONVENIRENT. Qui­ bus protinus dignitatis jure consueta loca residentibus, rursum praeconis vocatu, primus accusator incidit. Tune demum clamatus inducitur etiam reus: et exemplo legis Atticae, Martiique judicii, causae patronus de­ nuntiat praeco, neque principia dicere, neque miserationem commovere."2 So Dindorf's text. But Müller, p. 109. and Paley retain τῶνδε, understanding it of Orestes and the Furies: "et in omne tempus civi. tatem, et nunc ut horum lis dijudicetur."3 Dindorf rightly receives Burges' emendation, νόμῳ.4 Σύνδικος, συνδίκη. συνδικάζειν, are generally used of the advocate on the side of the accused. Cf. Pollux, VII. 5, p. 382. Andocides do myst. p. 74. ed. Reiske. But in v. 361, the Eumenides are styled the σύνδικοι of Clytaemnestra.1 Compare the passage of Apuleius just quoted. Minerva acts as εἰσα­ γωγεύς, as president of the court. (But see Pollux, VIII. 8, p. 398.) "the parties plead against each other in short and plain sentences; long speeches being against the usage of the Areopagus as well as contrary to the taste of our poet. The only one who speaks at all at length is Apollo, and in his case it is very allowable, since he is not only advocate for Orestes, but also Exegetes .... as such, he expounds the nature of justi­ fiable homicide as well as the other exculpatory circumstances to the clear comprehension of the judges.” Muller, p. 179, sq.2 i. e. this is one great point gained on our side. In wrestling, the third throw determined the victory. See the learned note of Blomfied (apud Linwood).3 Compare my note on Soph. Œd. Col. 998.1 See Muller, § 48, p. 135. who fully illustrates the difficulty under which Orestes laboured in this respect.2 Burges, λέγεις σοι τόνδε, which Dindorf seems to approve. On Apollo's duty as ἐξηγητὴς, see Muller, § 74.3 The passage is confessedly unintelligible. Bothe reads ἢ φράσαι for εὔφροσιν, which Linwood, in his Lexicon, approves, reading ἄμεινον (with Aldus), and joining ἄμεινον ἢ φράσαι δεδεγμένη. He renders the whole passage thus: “receiving him with a bath, more courteously than can be expressed, upon his return from the expedition, where he had gained the ulmost honours—as he was passing through the water and had reached the end (of the vessel, or, when he had ended his ablutions), she threw over him a cloak," etc. But see the notes of the same scholar in his edition. There is doubtless a lacuna.1 The same argument is facetiously abused by Aristoph. Nub. 904. Πῶς δῆτα δίκης οὔσης ὁ Ζεὺς Οὐκ ἀπόλωλεν τὸν πατέρ' αὐτοῦ Δῆσας; this fable gave great offence to Plato. See Rep. p. 429. G. sq. imitated by Dionys. Hal. Ant. Rom. II. 39. Cf. Sallust. de Diis § 3, p. 246. ed. Gale. Numenius apud Euseb. Praep. Ev. XIII. 5; Clem. Alexandr. Apol. p. 8, 25; Sylburg. Minutius Felix Oct. § 22.2 So Linwood, taking ἔστι τοῦδ’ ἄκος parenthetically. This seem: better than supplying τις with λύσειεν.3 Cf. Eurip. Orest. 552 sqq. and fragm. xxxv. Dind.1 Schutz read ούκ. Dindorf thinks something has been lost.2 See Schutz and Paley. The simple expression would have been, ἐν δὲ πάγῳ Ἀρείῳ τῷδε—ἐν δὲ τῷ σέβας. 3 Müller, p. 98, note. "The only way in which I can understand this passage is, that the Amazons assail the new fortress (i. e. the town and citadel built by Theseus) by means of a counter-fortress of the Areopagus (like the Persians in Herodot. VIII. 52); and in support of this sense of ἀντιπυργοῦν πόλιν, I instance the expression ἀντιάζειν τινά, to assail a person.4 Dindorf and Paley read μὴ ’πιχραινόντων with Wakefield. With the sense compare Isocrates Orat. Areop. p. 120, ed. Auger. ἴδοιμεν ἂν τοὺς ἐν τοῖς ἄλλοις πράγμασιν οὐκ ἀνεκτοὺς ὄντας, ἔπειδαν εἰς Ἄρειον πάγον ἀναβῶσιν, ὀκνοῦντας τῇ φύσει χρῆσθαι, καὶ μᾶλλον τοῖς ἐκεῖ νομίμοις, ἢ ταῖς αὑτῶν κακίαις ἐμμένοντας. Τοσοῦτον ἐκεῖνοι φόβον τοῖς πονηροῖς ἐναπειργάσαντο, καὶ τοσοῦτον μνημεῖον ἐν τῷ τόπῳ τῆς ἑαυτῶν ἀρετῆς καὶ σωφροσύνης ἐγκατέλιπον. 1 The old reading περιοτέλλουσι is preferred by Dindorf in his notes. The other is due to Porson.2 But it is better to read κερδῶν δ’ with Schwenk.3 Hermann's νέμων is preferred by Dindorf.4 Cf. Eurip. Alcest. 28, sqq.1 See the elaborate notes of Stanley and Dindorf, also Meurs. de Areop § 10, p. 88, sqq.; and Müller, p. 243, sqq.; and p. 180, sqq. It is of no use to enter further into a question so admirably treated already.2 i. e. again received among his fellow-citizens. On the previous posi­ tion of Orestes, see Müller, § 50, p. 137, sqq.1 The taste for "encores " must have been as great in the Athenian theatres, as in the English, if the hearers found much beauty in the repe­ tition of these long dirges. It is but fair to say, that neither manuscripts nor editors are unanimous in retaining them.2 i. e. things, the consequences of which shall fall heavily upon the citizens.3 Read μεγάλα τοι.1 Cf. Servius on Virg. Æn. I. 46, quoted by Stanley. For the enter­ tainment of the reader, I will quote a few verses of Martianus Capella, Praef. VI. Hinc nam tergeminae rutilant de vertice cristae, Quod dux sanguines praesulque corusca duello : Vel tibi quod fulget rapiturque triangulus ignis.2 Dindorf prefers δηναια̃ν, comparing γέρας παλαιὸν vs 394.1 Burges reads ἐξάγουσ', which is better. But see Dindorf. Paley puts a stop after μηδ', observing : "ιδρύης αύτήν, causam belli intes­ tini. Id vero non potuit facere, nisi ex ipsis avibus prius exsecuisset." Linwood seems to prefer ἐκζέουσ', Musgrave's conjecture. Paley well remarks that allusion is made to cockfighting, a favourite pastime with the Athenian youth. On the yearly ἀλεκρυόνων ἀγὼν, see Potter, p. 340, ed. Boyd. The beauty of the following verses will perhaps excuse their being somewhat irrelevant. Non ea pullastros pax et concordia Gallos Colligat: aeternas exercent unguibus iras; Atque ubi rivales inter majore moventur Pro gregis imperio, duloi pro conjuge bella; Nec dominum nec habere parem cristata volucris Jam patitur; fixumque manet vel sanguine regnum Quaerere, vel claro vitam committere fato; Non sylvas non autra petunt secreta, sed ipsas Inter chortis aves, quarum praesentia vires Extimulat, placet ancipiti contendere bello. Colla rigent hirsuta jubis, palearia mento Dira rubent: pugnae praeludia nulla, sed ambo Partibus adversis facto simul impete duris Pectora pectoribus quatiunt, hostilia rostris Rostra petunt, strictosque repulsant unguibus urgue. Avulsae volitant plumae: cruor irrigat artus; Necdum odiis, iraeque datum satis horrida ; necdum Bella cadunt, domitum victor dum straverit hostem, Ductaque pulset ovans plaudentibus ilia pennis, Et sublime caput circumferat, atque triumphans Occinat, et vacua solus jam regnet in aula. Vanier, Praedium Rusticum, XII. p. 233, This Vanier was the original author of the " Gradus ad Parnassum!"1 Paley considers, this as an euphemism against defeat. See his note.1 I cannot make up my mind respecting the reading. See Dindorf and Paley.2 See Paley. I should prefer νεανίδων δ' έπ.3 i. e. which shall benefit the city most.1 Dindorf and Linwood read ποινα̃ς with Pauw. Paley defends the common reading.2 Read φρονοῦσα with Herm. Dind. Paley.3 See Paley. Dindorf approves of Hermann's conjecture γῆ καὶ πόλις ὀρθοδίκαίκαιοι-πάντως.4 Hermann thinks there is a lacuna. On the conclusion of this play, cf. Muller, p. 191, sqq., 205, sqq. But the whole work is essential to a complete undertaking of this most religious of Athenian dramas.