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Potter's English wording, long-s typography, page breaks, speeches, lyric divisions, and notes are preserved. English verse units receive sequential CTS citations. Translation groups point explicitly to passages of the Smyth/Perseus Greek edition; individual English lines are not assigned unsupported one-to-one alignments. Catchwords are encoded as fw and explanatory notes as EpiDoc apparatus entries.
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CTS edition: urn:cts:greekLit:tlg0085.tlg007.potter1779-eng2.
IT is pleaſant enough to obſerve with what
heat the critics riſe againſt this tragedy.
C'eſt ſi bizarre. L'unité de lieu n'eſt pas
gardée dans cette piéce: mais ce n'eſt pas-la
qui choque le plus. -Tota economia dramatis impia eſt et inepta.-Hic uno momento
tota ſcenæ facies mutatur, et pro Delphis ac
templo Apollinis Delphici habemus Athenas
et templum Minervæ Athenis. Nihil ineptius aut inconcinnius excogitari poſſet.
The
hinc
illæ lachrymæ. Æſchylus in all his other
pieces that remain to us, has paid the ſtricteſt
attention to theſe favourite unities; and
with reaſon; he was their father, and knew
their merit as well as any man: Even here,
where his management of the ſubject led
him to treat them with leſs reſpect, he has
ſoftened the violation by a kind of magic
power: Apollo and the Furies muſt be allowed the liberty to tranſport themſelves whither
and when they pleaſe; and Mercury has the
charge of conducting Oreſtes; ſo that had
Horace wrote,
Ille per extentum Funem mihi poſſe videtur
Ire poeta, meum qui pectus inaniter angit,
Inritat,
The alluſion would have added a wonderful
propriety to the expreſſion, and the lines
have conveyed a juſt character of this tragedy.
However a French or a Dutch critic may be
ſlocked at this change of ſcene, to an Athenian nothing could be more agreeable than to
ſee a conteſt, which Apollo could not compoſe at Delphos, brought before the great
council of his own city, the God in perſon
attending and pleading in the cauſe. That
reſpect to his country, which diſtinguiſhes
our noble poet above all the writers of antiquity, has an irreſiſtible charm. "Rules,
art, decorum, all fall before it. It goes
directly to the heart, and gains all purpoſes at once.
" The Engliſh reader feels
this in its full force, and Æſchylus is acquitted of the charge of having violated
an
" On ſent aſſez que les traits rude et un
peu groſſiers de cette piéce ſont fort oppoſés à notre goût, et au vray goût du
théâtre. Mais il ne faut pas confondre
parmi ces traits, ce qui regarde uniquement les mœurs et les idées des Grecs.
Le ronſlement des Furies, et ce ſpectacle
des monſtres difformes, ne vaut du tout
rien. Cependant, comme c'etoient des
Divinités reſpectable pour les Grecs, ils
les
" les voyoient avec d'autre yeux que nous.
A plus forte raiſon devoient-ils être moins
choqués de voir Apollon plaider pour
Oreſte, et Minerve jouer le rôle qu'elle
joue. Tout cela étoit dans leur genie;
et il est néceſſaire qu'on s'en rapproche
autant qu'il eſt poſſible, pour ne pas trouver ridicule une tragédie qui ne l'étoit certainement pas au goût du peuple LE
PLUS POLI DE L'UNIVERS."
Had theſe critics explained the motives,
which induced this venerable court to acquit Oreſtes, from the laws and uſages of
ancient times, they would have been better
employed: but not a word of this. This
curious enquiry was reſerved for a writer of a very different genius; and the
reader will thank me for referring him
to the notes on the Epiſtle to the Piſos,
V. 127.
This
et les femmes enceintes, that
the ſtate by an expreſs law reduced the number of the Chorus to fifteen, and afterwards
to twelve. But the tranſlator dares aſſure
the Engliſh ladies, for whom he has too
great a reſpect to offer them any thing
that can have the leaſt tendency to hurt
them, that they may read this play with
the utmoſt ſafety. Theſe ancient virgins are, to be ſure, at firſt a little wayward, and rather outrageous; but they
ſoften by degrees, till they become perfectly good-humoured, and the beſt company
in the world. He flatters himſelf that he
needs not make any apology for paſſing ſo
ſlightly over ces ronflements redoublés des
Furies, which are marked with great exactneſs
The cuſtom of making preſents at the birth of a child is of high antiquity: a paſſage from the Phormio of Terence is alleged to prove, that the eighth day after the birth, on which the name was given, was eſteemed the dies natalis, and that the preſents were then offered; but that paſſage clearly proves, that these gifts were preſented on each day,
At the birth only ſome female relations attended as aſſiſtants to Lucina, and these came not empty-handed; on the other, the parents entertained their friends at a feaſt, the sacra repotia patrum, and the guests were liberal in their preſents to the mother: in this ſenſe probably we are to underſtand Homer, who ſays, that Delos upon the birth of Apollo was loaded with gold,
By the ſons of Vulcan the Scholiaſt underſtands the Athenians, and tells us, that Theseus cleared the way of robbers: for which he is juſtly reproved by Pauw; for how came the Athenians to be ſons of Vulcan? he then recommends it to us to look in ſome dark corner, if haply ſomething may there lie hid which may give light to this paſſage. Apollo found the country around Parnaffus rocky and barren,
It appears from Callimachus and Pausanias, that Minerva had a ſhrine before the temple at Delphos: hence her title Pronaia. - STANLEY.
The poet could not with propriety omit the mention of this remarkable cave in the Delphian rock: it was ſacred to Pan and the Corycian Nymphs, the daughters of the river Pliſtus.— STANLEY.
This ſhows, that the country was now cultivated. The ſtory of Pentheus is the ſubject of the Bacchae of Euripides.
Neptune is here invoked, as having formerly been the lord of this country, till he exchanged it for Calauria.- SCHOLIAST.
Phineus was king of Pæonia: being old and blind, and having loſt his ſons, his daughters, Pyria and Eraſia, waſted his wealth in wanton riot: hence the fable, that the Harpyes ſnatched the viands from his table. - PALÆPHATUS. It is obſervable, that the ancients in general, and particularly the elegant Athenians, moſt commonly repreſented the vices under the moſt diſguſtful forms, and gave the perſonified virtues the most beautiful and amiable figures.
The ancients took every method reaſon and religion could ſuggeſt to impreſs an horror of ſhedding human blood: Hector could not even make a libation of wine, becauſe his hands were defiled with blood, though it was the blood of enemies, whom he had ſlain in the noblest of all cauſes, the defence of his country,
Minerva is here apprehenſive of this pollution to her temple; this indeed is but hinted, and that with much tenderneſs, by the bare mention of Ixion. The famous Alexander Roſs tells us, that "Ixion was the ſon of Plegias, who having murder- ed his father-in-law, went up and down the earth as a vaga- bond, at laſt Jupiter did pity him, and expiating his crime, re- ceived him into Heaven." The concern of Oreſtes to remove this ſuggeſtion ſhows, that he clearly understood the Goddeſs; and her anſwer expreſſes her ſatisfaction as to this point.
y In the Lucta, the victory was adjudged to him who gave his antagoniſt three falls: this is ſufficiently atteſted by the epigram upon Milo, who, having challenged the whole af- ſembly, and finding none that durſt encounter him, claimed the the crown; but, as he was going to receive it, unfortunately fell down; whereat the people cried out, that he had forfeit- ed the prize; then Milo
Ἄνσιὰς δ᾽ ἐν μέσσοισιν ἀνέκραγεν, Οὐχὶ τρῖ᾽ ἐστιν; Ἓν κεῖμαι, λοιπὸν τ᾽ ἄλλὰ με τὶς βαλέτω.
Aroſe, and ſtanding in the midſt thus cry'd, One ſingle fall cannot the prize decide, And who is here can throw me th' other two?
The Prieſteſs of the temple of Delphos had before inform- ed us, that Jupiter himſelf had inſpired Apollo with his pro- phetic ſkill; and this God afterwards demands reverence to his oracles as the voice of Jupiter. Virgil was too well verſed in antiquity to omit ſuch a circumſtance; hence his ill-omened propheteſs, to give the greater dread to her prediction, ſays, Quæ Phœbo pater omnipotens, mihi Phœbus Apollo Prædixit. Virgil might poſſibly take this from Æſchylus, as Macrobius affirms; or both might draw it from the everlaſting fountain of Homer, who makes Apollo ſay at his birth,
Χρήσω τ᾿ ἀνθρώποισὶ Διὸς νημερτέα βουλὴν.
The righteous Pauw is highly offended at the impiety of this tragedy: one cannot but ſmile to ſee with what zeal he enters into the intereſts of theſe hideous ſiſters, as if he were enamoured of them. This paſſage gives him great offence: Ad hæc ego nauſeo hic: Nexum conſidera: Siç ineptias inep- tiflimas tibi deprehendes ſtatim: hæc tamen philoſophica vide- bantur Stanleio. Stanley had too juſt a taſte to judge of ancient ſentiment by modern manners, or more enlightened know- ledge. Wretched as this ſophiſtry is, it certainly was at that time held as deep philoſophy; otherwiſe the learned Euri- pides, who was not generous towards Æſchylus, would not have put this ſentiment into the mouth of Oreſtes in his plea to the father of Clytemneſtra,
My father was the author of my being; Thy daughter brought me forth: he gave me life, Which ſhe but foſter'd: to the higher cauſe An higher reverence then I deem'd was due.
This is a very curious paſſage, as it informs us that Minerva alone, of all the Gods, had the command of the thunder of Jupiter: hence the learned Virgil,
As this ſoul ſiſterhood was driven from the ſociety of the Gods, admitted to no feaſt, nor ſuffered to abide in any temple, this offer of Minerva was very advantageous to them, and did them the greateſt honour; and as it was urged with the gentleſt, and moſt inſinuating courteſy, it is no wonder, that they ſuffered themſelves to be prevailed upon to accept it. From their conſent to abide here as friends, their harſh name of Erinnyes was changed to Eumenides.