First performed at the Royal Princess's Theatre, on Wednesday, May 14, 1851.
Time in representation - 35 minutes
Coming! Now then, be quiet, can't you? Drat the Exhibition, I say, and the
visitors too
Oh! master, is it you ? I am so glad to see you home again. I thought you
were never —
Don't, Clementina, don't raise your voice in that absurd way—here, help me off with my coat.
Yes, sir.
Yes, mum.
Yes, monsieur.
Why, what the deuce is all this bustle about. Oh, the lodgers I suppose. To
think of Mrs. Tippity's turning the house into a lodging house for the visitors
to the Exhibition—giving up a millinery business that brought her in £200 a year
too. But, as she says, no one thinks of trade in Exhibition time. Her letters
assure me she's making money like dirt. I do so long to see her. It's so nice to
get home again after the weary wanderings of a commercial traveller, in the lace
and trimming line, and after a long night's journey on the Great Western line,
to settle calmly down and enjoy the sweets of home with all its quiet —
Mrs. T.
My Tippy.
My angel.
Not for one word of pure affection ?
No time for pure affection in Exhibition time.
Not for one embrace to welcome me from my weary pilgrimage ?
Well, after I've taken clean tumblers and hot water to the gentlemen in the coal cellar——
Then when you return——
The Spanish Count in the clock case wants a chop.
But after that——
We'll see.
Oh, mum, if you please, the gent with the long beard, him as is going to sleep under the kitchen dresser, says have you such a thing as a corkscrew you can lend him ?
Oh, he be hanged, let him wait. Who's he ? I might have had three times as much for that dresser as his paltry £3.
Three pounds for a dresser ?
Yes, sir, please everything's uncommon dear now—they make you pay fourpence for a threepenny 'bus.
But, my dear——
Tippy, mind your own business, if you please.
But my sweetest——
May I request, sir, you will not interfere ?
My love, really, I only——
Don't be a brute, sir.
A brute! I a brute, now ? I who never ——
If you were not a brute, sir, would you have been enjoying yourself the whole night in a nice second-class carriage and leaving your poor wife slaving at home ?
But it's always the way with you men.
Now my angel——
Don't angel me, sir,
No, mum, I was a thinking.
What?
That Britons never should be slaves.
Now, my angel.
There, sir, do you hear that ? Did you ever see angels running to Italian
noblemen with boot-jacks.
It strikes me somewhat forcibly that the Grand Industrial Exhibition of all
Nations has not improved Mrs. Tippity's usually sweet temper. Well, I'll get out
of the way. I'm very sleepy
Pray, may I inquire where you are going to, Mr. Tippity?
Going, my love, to bed.
Lor! only to think—how stupid of me—I quite forgot it, but now you mention
it, I
Supper, sir!
Yes, just a little snack—cold fowl, a chop, or anything—I don't care.
That I should live to see this day—a man I thought I could place implicit faith in, asking for supper in Exhibition time!
But, my sweet, now really—
Oh, Mr. Tippity ! Mr. Tippity ! and cold fowls selling at a guinea a piece, and chops absolutely worth their weight in half-crowns.
Good gracious! Is there a famine come to town ? or what has thus converted
our domestic poultry into
What? Isn't the Exhibition open ? Ain't we eaten out of house and home by foreigners ?
Foreigners !—from
Well, that's not bad for you, Tippy ; but wherever they come from, London can't find victuals for them. There's that poor dear Mr. Cantelo, in Leicester-square, has been hatching away by steam for the last fortnight, but it's no use, you can't supply them.
Good gracious ! And yet there are political economists who say that the steam
power of England could supply the world. Well, it doesn't signify about supper.
I'll be off to bed.
And may I ask, where in the name of all that's extravagant you intend to sleep ?
I presume, in the mahogany four post of my happier days. You shake your head. Well then, in the humble turn-up in the attic of my bachelorhood—
You really are the most provoking man in the world— didn't I write you word that I've let our best bedroom to five ladies of quality, and fitted up a chest of drawers for the babies?
Lor! But the humble turn-up of my bachelorhood—
Contains at this moment the distinguished correspondent of the "Cannibal Islands, Advertiser," three distressed Poles, and a Hungarian member of the Peace Congress.
Then where am I to sleep ?
Where? Anywhere—or nowhere. Nobody sleeps in Exhibition time, except the visitors.
Here, I'm wasting my time, while that poor young man from Quashee Bungo
Help ! Yes, I will help. There's no help for it—no bed- no supper—no comfort.
Wait on my lodgers—make money— that's the plan.
Supper, for the French gent, sir.
Oh, sir!
Here, give me the tray.
Couldn't, sir, missus has got it all locked up.
A crust of bread and cheese?
None to be had, sir, never sees none now, sir.
And you ? what do you live on ?
Nothing in particular, sir—anything I can find.
Good gracious ! and this in my house! And where do you sleep?
Lor, bless you, sir, servants in lodging houses never sleep at all.
Oh, this must be altered.
Yes, sir.
The lodgers get supper—the lodgers get beds—lodgers get everything. Damme, I'll be a lodger ! I'll not be treated as one of the. family any longer. Clementina, you shall be a lodger; come sit down and have some supper.
But the French gent, sir—
Hang the French, sir.
But missus—
Hang missus—hang everything. An Englishman's house is his castle, and I will be master. I will have supper—I will have a bed. Clementina, go and turn those five ladies of quality out of my room, and tell them to take their babies out of the drawers. Stop, send your mistress here.
Yes, sir.
No, I won't put up with it—rather welcome poverty and commercial
travelling—pecuniary difficulties and millinery and dressmaking.
Transatlantic individual, I'm doing nothing of the kind. The article of household furniture upon which I am sitting is a chair—emphatically a chair.
Well, you'll just have the kindness to abdicate, if you please. I've engaged that location for the night, and the sooner you move to some other diggings, the better.
Motion that the speaker do leave the chair. Motion negatived without a division. " In this old chair my father sat."
Well, I calculate, you see this here persuader.
Murder !—thieves!
Who's there? If it's the French invasion I'm not at home !
Vere is my supper ? Sacre chien! Vat for you eat dis ven I have pay for him.
Police!
A bas! vid your dam perfide Albion appetite—
Murder!—thieves!—police !
His white brother did nothing of the kind.
And the red skin has sworn to be revenged.
Now then, my friend, this place is taken for the night- ye can't come in here.
Can't come in! No Scotchman shall oppose my right of way.
I beg your pardon.
Let me get at him.
Chien ! Cochon! I will.
HOO—o—o—o !
Oh, Clementina, protect your lord and master!
What are you a doing of to my little master ?
Clementina, don't let the red-skin have anything of the kind.
Oh, who are you?—you hit one of your size.
Yes, sir, hit one of your size.
Diable! I vill.
No you won't. The best thing you can all do is to go back to your own countries again.
I for one decidedly object to that. It's a practice my countrymen here have never been in the habit of pursuing.
Now then, may I ask the meaning of all this ?
Mrs. T., I request you will instantly order these people out of my house.
Oh, mum, they'll be the death of master.
Serve master right, what mad tricks is he after now?
Madam, I'd feel rather grateful if you'd inform me as to whether or not I've paid for this chair for the night ?
Certainly.
Decidedly.
The red skin has the receipt for the money.
And have I no paid for the lum ?
Unquestionably.
And pray, madam, have not I paid something too ? don't I pay the rent of the whole house ?
Yes, sir.
Clementina, stay where you are ?
Yes mum.
And now gentlemen, if, you will leave it to me, I'll make it all right. Clementina shew the red gentleman to his kennel.
Yes, mum. Come along Mr. Hoo-o-o-o, here take your chopper.
With pleasure, madam.
And for you, Mounseer, I will see another supper cooked at once.
Vive la belle miladi. A bas ze ugly little husband.
The
Exactly.
Don't cry, you know I can't bear to see you cry, now don't there's a dear.
Oh how could you, after all I've done for you, oh, Tippy,
{I didn't think you could—
I couldn't!
You've been so cruel.
I have!
Behaving like a brute.
A perfect hippopotamus !
And I who have tried to be so kind.
An angel!
And slaved as I have.
A very nigger in fact.
To make such lots of money for you !
California's nothing to you.
And you to insult my lodgers.
I beg their pardon.
To have ill feelings towards them.
No ! I love them, I perfectly doat on them, the red gentleman especially.
You won't do it again, Tippy, will you? You wont mind a little inconvenience, think of the money we shall make, and it's only for a few months.
A few months, without eating or sleeping.
No, don't say that, you
Oh lor! where ? the house is already as full of beds as a flower garden.
Here, come along.
Who for, mum?
For master, to be sure.
Master! oh my—this will do for a pillow.
That a pillow! then I suppose this is to be my bed.
Yes, and a very comfortable one too as times go.
Lor, what a woman it is.
Now just lie down, and see how snug I'll make you.
It can't be helped, so here goes, as a commercial traveller I'm always
provided for a snooze,
There, isn't that nice ?
Very. Precious hard though. Oh, for my own four-poster.
You shall have it, Clementina, help me with this table.
There you are, sir, there's your four-poster.
There, good night, go to sleep like a good boy, and now I think we are pretty
full.
Upon my life this is pleasant. If they were to send one of the census papers
in to night, I wonder how I should describe myself, not as the head of the
family. Oh dear ! a bed as soft as a brickbat. The song says, " there's no place
like home," and for the sake of human nature in general, I sincerely hope there
is not However as she says it's only for the Exhibition time, and I dare say
after all my fatigue I shall sleep soundly.
What a tarnation tall walk I have had this day surely.
Now then!
Go further.
You havn't paid for this bed too have you ?
There then,
Good night, sir.
I say, stranger.
Go to sleep do.
What's your candid opinion of the Exhibition ?
Don't like it, good night.
You'll excuse me, but I should like to discuss that topic with you, don't you think it calculated to improve the good feeling between different nations.
Certainly not, if one nation won't let another nation go to sleep, how can it ? good night.
But don't you consider——
No!
That the fact is——
Not a bit of it, good night.
Well of all the uncommunicative cretters that ever I saw,
Very well.
I should like to discuss
Hang your discussion, faugh ! what a smother, I that can't bear to be in the same street with tobacco smoke. Will you put out that cigar, sir?
Certainly not.
Then I shall be obliged to put you out.
Eh!
No, I don't mean that. Your smoke's bad enough, but don't fire,
Now then, what do you want now ?
A glass of clean water.
There's none in London - go to sleep.
I tell you I must have some water.
Then go and fetch it, there's a capital pump in the yard.
Then show the way.
I shan't. Eh! stop, a good idea,
Yes.
Down the steps.
Down the steps.
Turn to the right.
To the right.
Then to the left.
Yes, to the left.
Past the kennel.
The kennel.
'Till you come to a pump,
Tippy, my own Tippy, I am ruined—swindled—robbed.
No!
That young man I told you of from Quashee Bungo—
What has the miscreant been guilty of ?
Run up a bill of £19 17s. 4½d.
And run himself—the fiend.
No, but he insists on paying it in glass beads and bits of broken looking glass.
The smasher!
Yes, he will have it that such is the current coin of Quashee Bungo, and he has no other.
But that's not all, my best drawing room, that vile young German philosopher,
if he hasn't made it smell of smoke so that it won't be sweet this twelvemonth,
and oh Tippy, this room, my own work-room,
Now did you ever see me smoke? No ! it was that d— well I won't swear, 'twas the American gent.
Oh, why did I take to letting lodgings ?
Why indeed.
We had a comfortable home—
A domestic garden of Eden—
Oh, if we could once more—
Oh !
What's that?
Oh, I knew it—my poor aunt's best china service. Clementina, what's that ?
It's no use, our lodgers are rapidly breaking up our whole establishment.
Oh, if you please, mum, oh!—
What new horrors? Speak, maiden.
Poor little Fido.
My pet! my own sweet poodle ! What ?
Oh, mum, the Chinese gent has caught him.
Yes—
And please, sir, he's skinned him ; and when I went in, he was stuffing him with bird's nests for to-morrow's dinner.
Oh, Tippy, Tippy, my poor dear little Fido!—shall we submit to this ?
Never.
But what shall we do—and how shall we do it?
Turn them out.
But they won't go—you've tried that before.
Then call in the police; we can do that, I suppose.
You can
Please, sir, the police don't come here now, the areas are full of lodgers.
Oh that I were once more a happy milliner.
And I a contented commercial traveller.
And, oh, I wish I was in bed.
Stop—I have it.
We swear.
And will you promise to aid me in banishing the foe ?
We will.
Then listen. You, Clementina, run down to the kitchen, pile up all the old rags, old clothes, kitchen stuff, anything you can find, on the fire, make as much smoke as possible—you, my love, cry that the house is in flames—I'll set all the doors wide open, and then trust to fate for the result. Now, run—look sharp.
Now then, what's the row ?
Water—fetch some water.
Then I guess I'm off.
Huzza! Victory ! The foe has abandoned the field.
Oh! but the money we might have made—
Money be——never mind——What's money compared to the comforts of home ? Come, we'll begin a new system, and by way of commencing the reform Clementina go to bed directly— you're tired.
Yes, sir.
How long have you been without sleep ?
Ever since the night afore last, sir.
Then don't get up till the day after to-morrow.
Don't want any—call to-morrow.
Isn't there a fire ?
No, who sent for you ?
A French gent.
Then go and pump on the French gent.
Oh dear, I hope not.
Don't misunderstand me—present company of course always excepted. We shall
always be glad to see
Coming!