Cinderella, or the Fairy-Queen and the Glass Slipper.: TEI editionLacy, Michael RophinoTEI conversionLou Burnard Privately distributed by the Digital Lacy ProjectL0262The Lacy Project waives all rights to the TEI encoding applied to this material, which is believed to be in the public domain. You may copy, modify, distribute and perform this work freely. Lacy, Michael RophinoCinderella; or the Fairy-Queen and the Glass SlipperA Comic Opera in three actsWritten, and the Music Adapted and Arranged, by Rophino Lacy61 pp (UM copy: 208 - 269) Lacy's Acting Edition, volume 18, No. 0262N02129UM from HTTEI Premiered at Theatre Royal, Covent Garden 13 April 1830 OPERA Felix Prince. Prince Baron Pumpolino Baron. Bar. Baron Alidoro Alidoro. Ali. Dandini Dandini. Dan. Pedro Ped. Pedro. Cinderella Cinderella Cin. Clorinda Clor. Clorinda. Thisbe This. Thisbe. Fairy Queen Fairy Queen. Sylphs, Fairies, &c., &c. Chorus of Fairies. Fairies. Chorus. Fairy. Fairy Q. 1st Sylph. Fair Q. Chorus of invisible fairies. FAIRY CHORUS. [Servants] Page. Guard. [Multiple speakers] Fairy Q. and Chorus. CHORUS. Prince., Alidoro. Together Clorinda and Thisbe Clor. and This. Clor. &This. Ali. and Chorus. Clor., This., Cin. Clorinda and Thisbe, Clor., This. Prince &Dan. Prince., Dan. Ali. Prince and Ali. Prince and Dan. Together. Both. Prince., Dan. Fair Q. and Chorus. All. Clor and This. Men. Women. Full Chorus Standardize header componentsMetadata refreshed from catalogue and Partix folderMetadata refreshed from catalogue and Partix folder Hand edit @who Metadata updated from new catalogue Header enriched Header confected Cinderella, or the Fairy-Queen and the Glass Slipper.A Comic Opera, In Three Acts. The Music By Rossini. Written, and the Music Adapted and Arranged By Rophino Lacy Author of The Maid of Judah, The girl in Italy, Fra Diavolo, Robert the Devil, Love and Reason, Love in Wrinkles, The Two Friends, Napoleon, The Israelites in Egypt, Jephtha's Vow, The Blind Girl, &c., &c.,&c.Thomas Hailes Lacy, 89 Strand, London. Felix (Prince of Salerno)Mr. WOOD. Baron Pumpolino (of Montefiesco)Mr. PENSON. Alidoro (the Prince's Tutor)Mr. STANSBURY Dandini (the Prince's Valet)Mr. MORLEY. Pedro (Servant to the Baron)Mr. KEELEY. Hunters, Attendants, Pages, Grandees, Visitors, &c. Tyrolese DancersMesdames VEDY and BEDFORD; Mr. ALBERT. Corps de Ballet &c., &c. (Daughters of the Baron) Cinderella Miss Paton Clorinda Miss Cawse Thisbe Miss Hughes Fairy QueenMiss H. Cawse Sylphs, Fairies, &c., &c.

Scene of Action —The Principality of Salerno.

Director of the Opera Mr. ROPHINO LACY.

Stage Director Mr. FARLEY.

Costumes. —1st Dress: Green hunting shirt; cloak with star, tights, high boots, cap and white feathers, gauntlets, short sword and boar spear. 2nd Dress: White satin shirt, white tights, ancle shoes embroidered, short arm-hole robe of crimson, or purple velvet; jewelled cap with white plumes. —1st Dress: Velvet doublet and full trunks, dressing gown and cap, slippers. 2nd Dress: Arm-hole velvet cloak, hat and feathers, shoes and rosettes. —Black velvet shape and cloak. —Neat yellow shirt, boots, &c. Pedro—Red short shirt, red tights. Cinderella—1st Dress: Rich double dress, embroidered veil. 2nd Dress: Plain dark wrapper. —Handsome dresses of the time. —Fanciful and light dresses, wands, flowers, &c.
ACT. I.
Scene I. —The Fairies' haunt—A romantic scene, surrounded by bowers of roses, in the midst of which rises a sparkling fountain. A broad lake in the distance, shut in by mountains, which stretch to the horizon; the sun is just seen rising over them. During the symphony numerous Sylphs and Fairies enter, forming a dance around the fountain to the following chorus:— Chorus of Fairies.    While sunbeams are glancing O'er meadow and mountain, By grot and cool fountain       Our revels we keep;—    Thus lightly still dancing Our own magic measure, Tho' sweeter our pleasure       When mortals do sleep! Enter Fairy Queen. Fairies. Our mistress! Hail! AIR.— Fairy Queen. From distant regions flying, I come to claim your duty, For innocence and beauty Now let your spells be wove. In grief a maid is sighing Whose heart must cease to sorrow; Who shall, before to-morrow, Rejoice in happy love! Chorus. We're here to yield our duty; We're here our faith to prove; She shall, before to morrow, Rejoice in happy love! Fairy Queen. Obedient to my wishes ye have been, And soon your Queen will recompense your faith. Go ye and look adown the distant vale, And give us warning when a mortal's near, While to the rest I tell our cause of union. Two of the Fairies ascend a point U. E. R. H., the rest surround the Queen. Fairy. Speak, mistress, we give ear. Fairy Q.  To all unknown, I've been the guardian spirit of a maid Whose happiness I vow'd, if she prov'd worthy, E'en from the time when, at her mother's pray'r, I held the new born infant at the font. The goodness of her nature hath been try'd By much of ill; yet hath she borne long years Of undeserved grief with sweetest patience! A cruel father and two heartless sisters Have still embitter'd all her youthful days; But now, the period of her bliss is nigh, And, with your aid, full happiness shall crown her. 1st Sylph. Command, bright mistress, we will all obey. As they all incline themselves in token of submissive obedience, the distant sounds of the chace are heard; U. E. R. H. and all, assuming different attitudes, listen till the horn has ceased. Fair Q. Ye hear the music of yon distant sounds Now wafted hither by the morning breeze? The youthful Prince, from distant lands return'd, Pursues the chace along the diamond forest. A parent's will (besides his subjects' good), Binds him to choose a partner of his throne Before to-morrow's sun crimsons the west. As yet unscathed by love, heart-whole and free, He reunites the beauties of his Court At this night's entertainment; and his choice He leaves to chance,—a seeming chance alone, For I have fix'd on her whom he must wed, The mortal daughter whom your Queen befriends. The horns are heard again. 1st Sylph. (from the rock) The chace comes nigh— Fairy Q.   Let two of lightest wing, Like floating gossamer that sports in air, Fly swift, invisible to earthly eyes, Withdraw the Prince from all, and guide him here,— Two little Sylphs ascend (L. H. 3. E.) and fly off (R. H. 2 E.) Where to his sight her image shall be shewn Who shall to-morrow share his heart and throne. 1st Sylph. (from rock) A mortal's heavy step doth shake the ground. Fairy Q. Then, like your Queen, be all invisible, Although your agile forms may frolic round him,— And charm his senses with harmonious spell. The Fairies retire a little back; when the two little Sylphs are seen still flying, conducting the Prince, unconscious of the guidance, each holding the end of a chain of flowers, which they presently unloose, leaving him at liberty, and rejoining their companions. SONG.— Prince. Morning its sweets is flinging    Over each bower and spray, Flowers to life are springing,    To greet the op'ning day! Soft floats around The water's murm'ring sound; Zephyr is gently winging    Round his sportive way; Birds on each branch are singing,    While echo repeats their lay! 'Tis an enchanted grove, Sacred to peace and love! Prince.

Throughout my pilgrimage of foreign travel, ne'er did I see a spot of more romantic beauty! and yet my steed refused to enter it; but rearing back, with ears erect and eyes of fire, he seemed as if some fearful sight had crossed him! If ever there was charmed spot of Fairy haunt, this is one. The air is perfume; fountains, sparkling with the rainbow's hue, leap from every rock; and, as my willing steps advanced, a strain of melody sighed on my ear and drew me on to follow. The ardour of the chace has robbed me of my companions. If they be not too distant, this will call them to my side.

(he sounds his hunting horn, and, as the call dies away, a strain of music rises near him. Fairies enter R. and L.)
CONCERTED PIECE. Prince (with surprise) Music floats in the air! What spell hath bound me? In a spot so fair, Can ill surround me? Chorus of invisible fairies. Hail to thee, stranger! Seek not to fly; Here, fear and danger Ne'er can come nigh. Kind friends shall greet thee; True love reward thee; And scenes of pleasure Banish each sigh! Fairy Q. and Chorus. Bliss now attends thee; Fortune befriends thee; Earth's fairest treasure Here waits thine eye. Prince. Hark! Around—above— Throughout the grove, In harmonious measure Voices float by! “Kind friends!”—“True love,” What magic's nigh? What fate attends me? What pow'r befriends me? With fear and pleasure My heart now beats high! Prince.

Am I truly on enchanted ground? Or does my imagination, slave to my delight, lose itself in wild delusions? The cool waters of that flowing fountain will dissipate the vapours of my brain, and cool my excited fancy.

Music.—As he advances to the water, the Fairy Queen (still invisible to him) extends her wand, and the jet of the fountain rises bubbling to a great height, whilst a light mist envelopes it.—Gradually dissipating, it leaves to view the form of Cinderella, splendidly attired, and her features half shaded by a thin veil. As the Prince perceives the image, he starts back amazed R. C. Prince.

Ha! what beautiful vision enchants my sight? Mortal, or Goddess, (falling on his knees) receive my homage! Let me but know that thou art reality! (rising with fervor) Let me for ever gaze on those celestial features, and with my daring hand remove the mist (advancing towards her)

Fairy Q. (appearing visibly before him L. H. U. E.) Hold! Prince.

(recoiling) What being art thou breaking thus suddenly upon my sight?

Fairy Q. (advances a little L. H.)   One that will prove thy friend, if thou deserve it. For her whom thou wouldst now approach, go seek her Where thou may'st do so openly and free! If thou preferrest virtue unto wealth, Goodness and modesty to heartless grandeur, Thou may'st e'en this day find her; till then, lose her, (she touches the figure and it sinks.) But bear her features living in thy heart. (music) (the horn is heard nearer. All turn and listen) Thy friends now seek thee and approach this spot; Their eyes must not behold it—Prince, farewell! As thus I touch thee with my rod of might, Let thine eyes close awhile upon the light! Let all that's past to thy remembrance seem, On thy awaking, as thy fancy's dream! She touches the Prince with her wand. He reclines to sleep upon a bank of flowers, L. H. The Fairies retire R. and L. U. entrances. The scene behind the Prince closes, leaving him in view.
SCENE II. A forest-glade. The music of the hunters grows louder till they enter. During the symphony, from R. H. 2 E., a party of the hunters' attendants, armed with spears, crosses from R. H. to L. H., bearing a dead wild boar, suspended from a pole; others with a variety of game. Enter Alidoro and Dandini, with numerous hunters. Chorus. What wild sounds, the hunters attending, With the notes of the horn are blending! Hark! the chamois' dying call, Mixing with the torrent's fall! While echo, the sound back sending, Delights to repeat it all. Loudly now thro' copse and dell Let our woodland music swell! Till our noble Prince be found, Glade and wood be searched around— (Suddenly they perceive the Prince asleep upon the bank, and cautiously approach him) Soft! Behold!—o'ercome by sleep, He tranquil rests in slumber deep! Prince. (awaking)

Ha! Alidoro! Friends! (he starts wildly up) Was it then but a dream? (looking around him)

Alidoro.

Seized with terror at your absence, we turned on our steps and—

Prince.

(unheeding him) Tell me, friends, (crossing to centre) as you came on, saw you none leave this place?

Dandini.

(R. H.)Nothing has crossed our path this morning, save alone beasts of prey.

Prince.

(aside)Then farewell happines!

Ali.

(L. H.)What thus disturbs you, Prince? If we have rudely broken your repose—

Prince.

Ah! that repose may prove my curse for ever!   Come hither, Alidoro—fall back, friends! (hunters retire back C.) Alidoro, my future peace is all destroyed, and I almost shame to tell it by a dream!

Ali.

Of horror?

Prince.

No, of rapture—while it lasted—though, like the bright sun of nature, it hath left on its departure nought but clouds and darkness. Oh! I have seen in the mirror of my fancy a creature of such surpassing loveliness, that nothing of earthly mould may equal her.

Ali.

May not this fair vision, dear Prince, be only the resemblance, in sleep, of a waking admiration? Have you not somewhere seen features that, tho' forgotten for a time—

Prince.

None like to her's; the eye that saw them once would stamp them on the heart for ever. Oh! if I thought such a being existed, I would search the world, and give up my throne to obtain her.

Ali.

(smiling at his enthusiasm)Nay, Prince, that were more like to mar your chance than mend it. But why should it be impossible that this seeming paragon of fancy prove yet a living treasure? Your Grace's vision now recalls to my remembrance a dream that hath some touch of coincidence with your present situation, tho' I had nigh forgotten it.

Prince.

Tell me of it. I'll snatch at every hope, however   wild, that will soothe my present torture.

Ali.

On the first night of our return from Padua—(I must have lain in sleep, yet it seemed a rare mockery of reality)—methought a female form of fairy mould and dazzling brightness (in her small hand a rod of snowy white gemmed with the semblance of a blazing star), appeared before me—

Prince.

(impetuously)I saw her in my dream—go on!

Ali.

And commanded me, as I valued the happiness of this realm, to guide my sovereign to the old castle of the Baron of Montefiesco, where virtue, youth, and beauty awaited him, worthy of a throne.

Prince.

The Baron's family is one of those invited to the palace to-night; and his daughters, whom, however, I never saw, are reported fair and accomplished, tho' he himself, they say, is but a pompous fool.

Ali.

I would suggest to you, gracious Prince, to call at the castle on our way homeward; and, as a cover to the real cause of visit, let the ladies of Montefiesco be invited to the tourney that precedes the evening's feast, and we will conduct them to the palace as we return.

Prince.

Tis well—be it so.

Ali.

(to the hunters) Go on, friends, towards that castle yonder, (points L. H.) and announce the Prince's approach. (the hunters bow)

Prince.   Dandini, stay you with me and Alidoro. Go, friends! CHORUS. Our noble Prince is found, Let the wood with joy resound! (the hunters bow to the Prince, and exeunt L. H. The sound of the horn dies away in the distance) Prince. (who has been lost in thought)

I would observe, yet be myself unnoticed; and I have bethought me of a way to escape the importunities of folly, and avoid the fatigue of ceremony. I will divest myself of my pomp awhile and lay the dull weight of royalty—even on thee, Dandini.

Dan.

On me, Prince!

Prince.

On thy very self. I've been told thou hast often aped the manners of the great for others' entertainment; thou shalt do so again for mine, and be as ridiculous as it may please thee.

Dan.

Nay, sweet Prince, the moment I'm thought great in earnest, none will think me ridiculous. Only let me be a Prince for a week, and you will see my very faults will be deemed virtues, my awkwardness will pass for grace, my natural defects be imitated as beauties; the learned will wonder at my knowledge, the fashion-mongers will extol my manners, and the women will swear I'm a most ravishing creature!

Prince.

Here, take my insignia. (gives Dandini his plumes and jewelled hat, and cloak with star on it, receiving back Dandini's cloak and hat) It is to these baubles and not to myself that the world's honor is shown. 'Tis but   for a time thou shalt possess them; I will become the wearer again shortly, and nothing will have been lost. Come, let us haste. (crosses L. H.)

Dan. Here, Master Alidoro, be pleased to help me with my new toilet!—I'm a great man now, and must do nothing. Prince.

(smiles) What, Sirrah! is that one of our privileges?

(Alidoro assists him.)
Dan.

Certainly! what have the great to do but live by the labours of the little? If we great ones were obliged to work for ourselves, some of us would grow little enough.

Prince.

Come, let us on towards this same castle. You, Alidoro, shall join the train gone forward, and announce the approach of (bowing to Dandini) your new Prince. Come on.

Dan.

Stay; by your leaves—If I'm to be a Prince, you know, my dignity must not be offended. I must go first (crossing L. H.) and you must follow—ahem!

Prince., Alidoro. Ha! ha! ha!                                         Exeunt L. H.
SCENE III. A Gothic room in the Baron's Castle, opening into a Garden A door leading to the inner apartments, 2 E. L. H. On L. side a full-length swing mirror (or cheval glass), an antique high fire-place, R. H. U. E. Cinderella is discovered seated by the fire-place on a low stool R. H. Clorinda and Thisbe stand before the mirror L. H. Clorinda practising a dancing step, Thisbe trying a flower on her head and breast. TRIO. Clor. No, no, no, no,—with step so light, With such grace and easy air, None will dance this joyful night! This. Yes, yes, yes,—this flow'r I'll wear: Better here?—no,—better there— Fasten'd thus within my hair! Together With such beauty and such skill, Every heart we'll gain at will! BALLAD.— Cinderella (not attending to them) “Once a King there chanced to be, “Who to marry had a mind; “So, he sought a wife to find, “And he'd his choice of Fair-ones three. “Thus 'tis said:— “Scorning wealth and charms alone, “Virtue's call his heart obey'd, “And he chose a lowly maid “To share his love and throne!”     Fal lal lal la! Clorinda and Thisbe (angrily).Cinderella, pray how long Must that ditty be repeated? Cin. In my chimney corner seated, Let me sing my own old song— “Once a King there chanced to be.”— Clorinda and Thisbe (mockingly)“Once a King!”—did ever one see? Wilt give over?—yes or no? Or I'll make thee with a blow— (turning away to the glass with smiles) With such beauty and such skill, Ev'ry heart we'll gain at will! Cin. (aside)“Once a King there chanced to be, “Who to marry had a mind,” &c. Clor.

(L. H. C.)And so, Madam Cinderella, after having done nothing but dress our heads for us, you think you may sit there singing your old melancholy ballad, as if you were in your kitchen, do you?

This.

I never saw such an idle creature in my life! It's quite a mercy to give her something to do. (crosses R. H.)

Cin. (coming forward to centre)

I am ready to assist you in whatever you wish.

Clor.

Oh! Yes; you are ready enough to assist when there's nothing to be done.

Cin.

Nay, I have done cheerfully all you ordered me, sister.

Clor.

Sister, indeed! How dare you take such a liberty with me, you little hearth-sweeper? Sister, indeed!

This.

Dare ever to call me so, and notwithstanding the mildness of my disposition (violently) , I'll make you repent it. Have you done the work we ordered you last night?

Cin.

(humbly) All is finished; I didn't get to bed till two this morning.

Clor.

(L.) Dear me! great cause of complaint, to be sure! What should we say who danced the other night till three o'clock, and yet were up before twelve?

Cin.

Nay, dancing doesn't tire.

This.

You think so?

Cin.

I'm sure of it. Oh! I could dance twenty-four hours running.

Clor.

What a pity you're not invited to the Prince's ball! You'd like to go, I dare say?

Cin.

Oh! that I should!

Clor.

Ha! ha! ha! you'd be a pretty figure at a ball.

This.

(laughing) Especially in that tasty dress!

Clor.

Go and put such idle thoughts out of your head, and be grateful to us for keeping you employed; for, depend upon it, my dear, work is pleasure.

Cin.

Is it? I'm very sorry to hear it.

Clor. and This.

Why?

Cin.

Because then you never have any pleasure.

Clor.

Get you gone into the kitchen again till we call you. (as Cinderella is going a knock is heard at C. D.) Stay! some one knocks, see who it is. (Cinderella opens the door. The Fairy Queen, disguised as a beggar, enters a few steps)

QUARTETT. Fairy Q. Grant me charity, I pray! Clor. and This. Idle crone, hence away! Cin. (bringing her to her own seat and supplying her with food) Do not go away in sorrow! This your hunger will allay! Fairy Q. (aside to her) Happiness, before to-morrow, May thy charity repay! Clor. and This. Every art and grace I'll borrow, My attractions to display! Cin. May I still relieve the sorrow Of the needy on their way! Clor. (turning round)

What! that ragged pauper still here? What insolence! Hence, or we'll have you dragged through the horse pond; and as for you, you little slut—

(going towards Cinderella, who shrinks behind Fairy)
Fairy Q. (interposing)

Hold! harm her not for having been charitable. I am going; your unfeeling hearts will yet be punished. As for you, gentle maid, fear them not; their power to hurt you is past, and your humanity will, ere long, meet reward.

                                        Exit through centre door.
Clor.

What impudence! I would have punished her myself, but for a dreadful pain that just then came into my arm. I declare, owing to this girl's folly, ours is become a regular house of call for all the vagabonds in the county.

This.

We shall be robbed some day or other.

Cin.

Alas! there are so many unfortunate wretches in the world.

Clor.

Well, and what's that to us? we are not unfortunate wretches.

This.

Go back to your kitchen!

(retires up with Clorinda)
Cin. (aside, going)

  Well, no matter; I have relieved the distressed, and shall eat my dry crust with more satisfaction.

                                        Exit R.H.
Clor.

Oh, how I shall be envied at the ball! The Prince shan't look at anybody but me. (aside) I know she's fretting with jealousy.

This. (aside)

How vexed she'll be when I'm dressed!

Clor.

But where can that lazy fellow, Pedro, be delaying all this while? It's more than two hours since he went to town for our new dresses. I hope mine will be well made; it's to be all trimmed with gold.

This.

And mine is to be all trimmed with silver.

Clor.

Yes; but I'm to wear—because I'm the eldest— a beautiful Spanish hat and feathers; I hope Pedro will take every care of it—I wouldn't have it spoiled for the world!

Enter Pedro, C.D., with a large band-box, containing the dresses, hat, and feathers; two small flat boxes under his arms, and in his pockets several paper parcels.
Ped.

Here I am at last—ugh! What a trot I've had of it, to be sure!

Clor. and This. (jumping, delighted)

Now for it! Now for it!

Clor.

Have you brought everything?

Ped.

Yes, Miss, everything I was told, except—I forgot something.

Clor.

Well, Pedro, but where have you been all this while?

Ped.

Been! bless you! I've been everywhere—first to   the mantua-makers, then to the stay-makers, then to the shoe-makers, then to the wig-makers, then to the flower-makers, and, in short, to all manner of makers. (gives various parcels as he speaks) There are the gloves, there are the stays, there are the shoes, there are the wigs—I mean the curls; the hair-dresser says there won't be such fronts as yours at the ball—there are the flowers, and there is the rouge.

Clor.

And have you brought my beautiful Spanish hat and feathers?

Ped.

Yes, Miss; it's in the band-box.

Clor.

Oh! I must try it on directly; but first, Pedro, run and call Cinderella to take the things out of the band-box for us; do you hear?

Ped.

Yes, Miss.

(running off, R.H.)
This.

No, Pedro; come here and help us yourself.

Ped.

Yes, Miss.

(running back)
Clor.

Listen to me, Sir.

(drawing him to her)
Ped.

Yes, Miss.

This.

To me first!

Pedro pulled to one side and the other falls right into the band-box, crushing it in; Clorinda and Thisbe scream; they hastily raise him, and beat him off, C.D.; Clorinda takes out a Spanish hat and feathers all flattened and broken. Clor.

Here's a head-dress for a ball! Oh, my beautiful hat—I must now go without it! I'll have that wretch turned away, I'm determined; he does nothing but mischief!

Enter Cinderella, R.H. Cin.

Do you want me, sisters? I mean—

Clor.

Why didn't you come sooner?

Cin.

I didn't know that you—

Clor.

Silence! Remove those things directly, and— (horn without) Eh! what's that? Cinderella, run to the front window, and—

Enter Pedro, hastily, C. door. Ped.

Where's my master? Where's the Baron? Here's a grand to do!—here's a—

Clor. &This.

What's the matter?

Ped.

Oh, such a boar!

Clor.

(alarmed) A boar?

Ped.

Yes; a wild boar!

Clor. &This.

(scream) Ah!

Ped.

But he's dead though; I had just gone to the gate, when a great cavalcade of hunters, carrying dead game enough to stock our pantry a twelvemonth, came up; and one of them, thrusting the tusks of a great ugly boar right in my face, so as to upset me with the fright, asked to be conducted to the ladies of the house, and here they come!

(hastily collects the things, assisted by Cinderella, and takes them off, R.H.)
Enter Alidoro with Hunters and the Prince's Attendants, C.D. CONCERTED PIECE AND CHORUS. Ali. and Chorus. Back from his morning chace our noble Prince doth ride, And to this mansion now he bends his way; Unto his palace your steps to guide, Where joy will reign this happy day!    Where soon some envied bride,    Of this whole realm the pride, By our lov'd Prince's side    Our hearts will sway. Clor. and This. (eagerly) The Prince himself, you say— Chorus.                                         Now comes this way. Clor., This., Cin. And soon some envied bride— Chorus.    We'll all obey. Clorinda and Thisbe, pulling Cinderella one from the other) Cinderella, quick come here,    Bring my things into my room, Cinderella, do you hear?    Get my necklace and my plume. What confusion's in my brain,    Now my triumph is at hand! Who knows yet but I may reign    Chosen Queen o'er all the land? Cin. (aside)Cinderella, now run here, Cinderella, now run there, Cinderella, come this way, Cinderella, night and day! 'Tis enough to rive one's brain,    Thus to slave at their command, Treated ever with disdain,    And abused on every hand! Ali. and Chorus. (laughing aside) What confusion's in their brain, Now the contest is at hand!    Each is hoping yet to reign   Chosen Queen o'er all the land. Clor.

Here, Cinderella, lead the Prince's attendants to get refreshment. Thanks, good friends, we feel honoured by the Prince's condescension, and deem his princely visit a most signal favour.

Exeunt Alidoro, following Cinderella and Pedro, C.D.

(embracing Thisbe) Oh, my dear Thisbe, what happiness! we shall see the Prince!

This.

He will hand us out!

Clor.

How we shall be stared at; what an honour!

This.

How mad all the women will be; what a pleasure!

Clor.

But bless me! the Prince coming, and our father not yet up! I must go and inform him. (going L.H.)

This.

No; I must be first to tell him the news.

Clor.

Indeed you shan't, though; I am the eldest, and must be the principal agent in all family matters.

This.

Well, then, I'll go with you. Father!—Father! oh, such news!—such an honour!—such—

They run off, 2 E.L.H., calling loudly all the way, and immediately re-enter, pulling in the Baron in his morning gown and cap; he casts them off with anger, when they affect contrition for their rudeness. SONG.— Baron. Ye tormentors! wherefore came ye? I disown ye! I disclaim ye! Such a glorious dream just dreaming, And to wake me with your screaming!— (aside with complacency) See with sorrow how they are swelling! Pretty creatures! how they fear me!— (taking them kindly, one on each arm) Come then—silence now, and hear me, While my wondrous dream I'm telling:— To the garden as I hied me, Methought a Jack-ass rose beside me! Yes, a Jack-ass,—but such a love! When of a sudden—portentous wonder!— From his shoulders, broad asunder, Two large wings shot out above, And in the air—up he flew! And a'top of a neighb'ring belfry Fast he stuck before my view! Then the Bells began a-sounding Right from under where he sat; When “chi-chi,” “chu-chu,” in bounding, You awoke me with your chat. Of this dream now, so astounding, Hear me thus the sense expounding: Bells on festivals are sounded— That means joy to us unbounded! Then the Wings, too—they mean you! And the Flight—“Plebeians adieu!” Now the Ass remains, and he, Rest assured, means plainly me! Whoe'er beholds ye, at once may gather That the Jack-ass is your father! You are fated each, believe me, To become a fruitful Queen; And Grandchildren, by the dozen, Soon around me will be seen! A young King in embryo here, (bowing) “Servant, Servant,” mighty Poppett! A young Queen about me there, (bowing) “Servant, Servant,” royal Moppett! And as I'm the parent vine, All the glory will be mine! Baron.

Yes, my wonderful dream portends something; and if your tongues hadn't drown'd the bells, there's no knowing what I should have made of it.

Clor. &This. (having been impatient to speak)

Oh, father!

Clor.

I've such news to tell you!

This.

Do you know that—

Bar.

What, I suppose your dresses are come home?

Clor.

Oh, as to that—yes, and beautiful too they are.

This.

Mine is trimmed with silver.

Clor.

And mine with gold.

Baron.

Yes, and all the silver and gold “trimmed” out of my pockets. But no matter, so long as we support the dignity of our house! No later than yesterday I fell asleep, with the family tree in my hand, tracing our noble line. There have been Princes among the blood of the Pumpolinos. And I find that we descend perpendicularly in the male line from Peter the Foolish, and horizontally in the female   line from Barbara the Cruel, and

(proudly)

neither males nor females have degenerated.

Clor.

(stamping aside) He'll never stop! (to the Baron) Didn't you hear the horns sound a little while back?

Baron.

The horns! what then?—Are horns a novelty to the house of Pumpolino? No!

This.

But the Prince has been hunting in the forest, and—

Baron.

Hunting!—ha! ha! ha! By my ancestors, but he's a rare Prince! Scarcely returned a week from his travels, he hunts in the morning, gives a ball at night, and gets married next day.

Clor., This. Married! Baron.

Yes, he's bound by a special clause in his father's will to marry in a month after its date, and to-morrow the fatal period arrives. That's the reason why he this night gives a grand entertainment, and has invited all the noble families of his principality—us of course.

Clor.

Well, then, he's now coming here.

Baron.

Eh! what! coming here?

Clor.

Yes, in a few minutes—

                                        (speaking quickly one after the other— Baron turning to each alternately.
This.

He has sent to say—

Clor.

Attended by his followers—

This.

We're to be conducted to the Pal—

Baron.

Zounds! One at a time, or I can hear neither.

Clor., This.

(together, quickly)   Well, then, the prince who has been hunting in the forest the whole morning—

Baron. (suddenly putting his hand to Clorinda's mouth, and turning to Thisbe)

Now, my dear, while she's silent do you go on.

This.

Well, then, in one word, the Prince is coming here himself to conduct us, with all honour, to his palace.

Baron.

The Prince coming here! I'm all amazement and stupefaction! Oh, my daughters, what an honour for the Pumpolinos! (crosses R. H.) One of ye is certainly destined! Remember the feathers— (crosses to C.) —the flight—the ass! It's all coming true! Take care how you speak, look, and move. Now is the time for you to display all the natural graces you inherit from your father.

This.

But I musn't be seen in this horrible dishabille.

Clor.

Oh, if the Prince catches me undressed I shall faint!

Baron.

Zounds! and I too, in this old gown and night cap. Cinderella, fetch my wig! (calls off R. H.)

This.

Cinderella, come and lace me! (calls off R. H.)

Clor.

Cinderella, bring my new sash! (calls off R. H.)

Baron.

Come along, girls, let's make haste. (going, he suddenly stops) Hold! you'll soon be Princesses! (bows ceremoniously, taking off his night cap, and showing his bald head) Please to lead the way, noble ladies!

Clor. (hastens forward)

I shall be Princess, I must go   first.

This. (pulls her back, and passes her)

No, miss, I shall be Princess, and go first.

Clor.

An't I the eldest? (quarrelling)

This.

An't I the prettiest? (quarrelling)

Clor.

How dare you—

Baron.

(impatiently) Zounds! get in both of ye. (he pushes them off before him, and exeunt L. H. door)

Enter Prince, disguised as Dandini, through C. D. during symphony. RECITATIVE. Prince. All round is silent!—This mansion a desert seems! I know not wherefore thus I've consented To yield me the sport of chance.— Where be these fair ones? The words my friend imparted Were, that within this mansion Reside virtue, youth, and beauty, Worthy to grace a throne and make me happy. To marry—yet not to love!—Oh, law tyrannic! That, in youth's blooming season, Harshly my heart to barter, thus condemns me! Enter Cinderella, R. H. with sash, wig, &c., towards door, L. H. Cin. “Once a King there chanc'd to”—ah!—oh, mercy! Prince. What is't?                                         (she runs against the Prince) Cin.

(panting) You alarm'd me so, Sir!

Prince.

Did you think me some monster?

Cin.

Yes,—I mean,—no, Sir!

DUET. Prince. (aside) Whence this soft and pleasing flame, That within my breast hath past? Cin. (aside) Wherefore thus within my frame, Does my heart now beat so fast? Prince. (aside) What resemblance her features bear! Cin. (aside)I would speak—yet I scarcely dare! Together (aside) Mildly beaming, brightly gleaming, In those eyes beauty sits smiling, And, my heart e'en now beguiling, O'er me throws it's magic snare. DIALOGUED DUET. Prince (addressing Cinderella) Of the Baron, the lovely daughters I fain would see, if here they dwell? Cin. They are yonder in their chambers; Soon they'll come;— (aside) then hope, farewell! Prince. Who are you, then, may I know? Cin. That, alas! I scarce can tell! Prince. How! not tell? Cin.  Truly, no. By my father disregarded, From my family discarded, Having early lost my mother— Without sister, without brother, Speaking rapidly, and becoming confused. Then my father—in conclusion— Nay, I'm lost in strange confusion! I scarce know what I have said; Oh! forgive and judge with mildness, Of a poor and simple maid. Prince (aside) How enchanting is her wildness, Thus with innocence array'd! Clorinda and Thisbe calling within. Cinderella! come here to me! Prince. What can all that outcry be? Cin. (going L.H.) Farewell, Sir stranger! my duties call me. (aside) Ah! whate'er may now befall me, This poor heart no more is mine! Prince. (aside) To my reason, pride recall me! Though her beauty may inthrall me, Thoughts so wild I must resign!                                         Exit Cinderella into room, L.H. Prince.

What innocence! What simplicity! And her features so resembling—yet her mean attire! my thoughts seem to wander strangely! Is she a dependant? Some humble friend of the family, perhaps. I would give much that her station were such as would allow her being invited to the feast.

Enter Alidoro, C.D., comes down on R.H.

Well, Alidoro, are all my train instructed to treat Dandini as my representative?

Ali.

All, Prince; though his ridiculous airs somewhat discompose the necessary gravity of his companions. Has your Highness yet beheld the daughters of the Baron?

Prince.

No, I have hitherto seen none but a young girl in poor attire, whose beauty, however, would attract admiration even in a court.

Ali.

(L.H.) See, here comes the Baron with his   daughters; observe all, and be careful not to betray yourself.

Enter Baron in an old-fashioned Court suit; Clorinda, and Thisbe richly habited. Ali. Have we the honor of seeing the Baron Pumpolino? Baron.

Yes, gentlemen, you have; may I know in return who you are?

Ali.

My name, Sir, is Alidoro.

Baron.

Alidoro! How! are you that wise and illustrious sage whose learning—whose flaming lights, whose— I have the honor to present my daughters to you. (the Prince and Alidoro bow; Clorinda and Thisbe endeavour to attract the Prince's notice)

Baron

(to Alidoro) It delights me, sapient Sir, to behold the man to whose instructions we owe the lustre of an accomplished Prince. And, with you, I have the honour, no doubt, of seeing one of the principal Lords of his Court? (crosses, and bows respectfully to Prince)

Ali. No, Baron, only a simple squire of the Prince. Baron. (changing to condescending familiarity)

How d'ye do, friend?

(crosses back to C.)
Clor. (having hitherto been looking graciously at the Prince, but now turning away disdainfully)

Only a Squire! I guessed he was something of the kind. (to Thisbe)

This.

Yes, he has the air of a commoner.

Prince. (aside to Alidoro)

If these be his only daughters—

Ali. (aside to Prince)

Patience, and decide not hastily!

Baron. (to Alidoro)

Learned Sir, may I enquire to what I owe the flattering honour of your visit?

Ali.

The prince is in your neighbourhood. Having heard a fair report of your daughters, he is desirous of beholding   them.

Baron.

(bows) I am crushed with honour! (aside to Clorinda and Thisbe exultingly) Did you hear?

Ali.

'Tis his intention to stop here on his return, and to offer these fair damsels his royal escort to the Palace to witness the various pleasures preceding the evening ball.

This. (aside to Clorinda)

A royal escort, sister! Do you mark?

Clor.

(aside)I'm joy all over!

Baron.

The Prince's princely condescension quite overwhelms me.

Ali.

We must leave you to rejoin his Highness.

Baron.

With your permission I will accompany you. (pompously) I'll go and receive the august personage upon the borders of my territory.

Ali.

There's no occasion for you, Baron, to take the trouble of going such a distance.

Baron.

Distance! Bless you, it's only half a dozen yards. Come, let us lose no time. (horns without) But hold! the Prince's royal horns announce his arrival! (aside to Clorinda and Thisbe) Call up your sweetest smiles, the Pumpolino graces!

Ali.

The Prince is here.

(the horns sound a loud flourish)
Enter Dandini, C.D., pompously, with the Prince's attendants, who range themselves on each side) Dan. (with extravagant airs)

By all our Princely ancestors, but we've had noble sport. Baron, you may kiss our   hand. We are informed that fate has made you the father of fascinating daughters.

Baron.

Fate has smiled on me, and aided my paternal exertions to continue the line of my noble house. The fruit, noble Prince, is before you.

(Presents Clorinda and Thisbe.)
Dan.

It will be a treat to our Royal lips. Gentle virgins, permit us.

(Kisses Clorinda.)
Clor.

What touching goodness!

(Dandini kisses Thisbe)
This.

What considerate attentions!

Dan.

(smiling aside) It's very pleasant to be a Prince, I declare—ahem. We do congratulate you, Baron, (crossing to Baron) they are a pair of fascinating Venuses.

Clor.

Oh! Prince.

This.

Oh! Sire!

Dan.

They are exactly their Papa all over.

Baron.

Oh! my royal lord, do not flatter them so; they are all confused by the confusing confusion which now confuses— (aside) Confound it, I am confused myself!

Dan.

I guess all that your confounded confusion could possibly say.

Baron. (aside)

He's caught! the decendants of Peter the Foolish will still be mixed with Royal Blood.

Dan.

Twin stars of beauty, the Trumpet of Fame has long blown your full-blown charms into my Royal ears; and anxious, ere my lawful espousals, to determine your   just claims, I have sought the sunshine of your eyes to cool the burning ardour of my flaming curiosity.

Clor.

What eloquence!

This.

What Princely language!

Baron.

'Tis enough to hear him speak to pronounce him Royal. (to Dandini) your Highness, then, does incontinently marry to-morrow.

Dan.

Most incontinently. I'm tired of pleasure, and as a change I'll marry. And now, fair ladies, if you will honour our learned Tutor, the wise Alidoro, with your delicate hands, he will prepare all for your departure.

Baron.

And we'll follow you directly.

Exeunt Clorinda, Thisbe, Alidoro and Attendants bowing to Dandini, centre door.
Baron.

Noble Prince, I'll but get my cane, and tread upon your royal heels in a moment.                                         Exit L.H. 2 E.

Dan.

(L.) Ha! ha! ha! Now Prince, have I not done it bravely?

Prince.

(R.) Out upon thee! Thou hast libelled gentility most grossly!

Dan.

Consider the short notice!

Prince.

What made thee speak such big words?

Dan.

Tis fitting, Prince, since I am great myself that my words should be so too.

Baron. (without, L. H.)

Leave me, I say, this moment, or else—

Cin. (without, L. H.)

Only one word, Sir!

Baron. (without)

Begone, I tell you!

Prince.

Hark! What noise?

Cin.

(without) Do but hear me, Sir.

Enter Baron in anger, followed by Cinderella, L.H. Baron.

I won't—I've no time. Now, Prince, I attend you.

Prince. (aside)

'Tis she again.

(as they are going, Cinderella pulls the skirt of Baron's coat)
Baron. (turning round angrily)

How now! What want you?

CONCERTED PIECE.—(Finale to Act I.) Cin. (to the Baron imploringly) My lord, deign but to hear me; To ask a favour may I dare? To dance but one hour, Oh! let me To this grand ball repair! Baron. (with derision) Hi! hi! a pretty Venus I must say! A charming exhibition! (harshly) To thy cinders hence away! Stop me not—I must not stay. Dan. (aside to the Prince) My Prince, with your permission— Prince (aside, observing the Baron) Hush! be silent! What is he saying? Dan. (aloud) Well, but go we? Why are we staying? Prince. (aside) My doubts I must allay! Cin. (entreatingly) But one half hour! Do, pray! Baron (enraged) Hence, to thy work betake thee; Begone! or this shall make thee!                                         (he lifts his cane against her) Prince &Dan. (interposing) Forbear, Sir! Enter Alidoro, C.D., he goes to the Prince's side. Baron (bowing to Dan.)   Please your Eminence— (aside to Cin.) Begone, I say! (to Dan.) Royal Excellence! 'Tis this vile servant's insolence. Prince., Dan. Ali. Servant! Cin. Nay, sure— Baron.                                         Hence, Impudence! Behave with proper reverence. (threatening her) Begone from here; Again appear, I'll punish thee, I swear! Prince and Ali. (aside)What feelings rise (I|You) must disguise; (I|You) still the mask must wear. Dan. Good Baron! nay! Your wrath allay; I must protect the Fair. Cin. (aside, with grief) A slave, alas, My life to pass! Hard fate beyond compare! (to Dan. &Prin.) Persuade him, kind sirs, to let me To this grand Ball repair. Enter Fairy Queen still disguised as before, C.D. She approaches Alidoro, who is R.H. Unobserved by the rest, she puts a small open book into his hand, and with an injunction to silence, hastily goes off R. H. Alidoro reads with amazement, and advances to Baron. Ali. (holding the book out to him) Here 'tis set down, my Lord,— Behold and see!— (points with finger)   That you're the Parent Of Daughters three. (looks at book) Ay—Daughters three. Now, 'ere the Prince bestows his hand I your third Daughter hereby demand! Baron. (alarmed and confused) I a third Daughter? you've been misled:— Ali. (reads) Her name's Angelina. Baron. (trembling) She, Sir, is dead. Ali. (incredulously) Yet in this book 'tis not so said! Cin. (L. aside) Sure 'tis of me they speak! (advancing)                                         No, she's not dead! Baron. (driving her into the corner L. H., apart to her with suppressed violence) Another word, my fury dread! That you are dead but dare deny, And, by my life, e'en here you die! Prince and Dan. Dead, Sir, you said? Baron. Your highness,—quite dead! (a general silence) QUINTETT. Together. (aside) 'Midst doubts confusing, Uncertain musing, Their mind's commotion, My mind's commotion, Like waves of the Ocean, Still rolling wide, Will not subside! STRETTO FINALE. Baron. (aside to Cinderella) Dare but to breathe again One single syllable,   And on this very spot You surely die! Cin. (flying for protection to the Prince and Alidoro) Oh, Sirs, protect me! Do not forsake me! Your kind assistance Do not deny! Ali. End this dissension! Longer delay not; For our departure The hour is nigh. Prince. (interfering) No more of violence! Nay, maiden, fear not; On our protection You may rely. Dan. (pompously) Shall my authority Be disregarded? Be silent all of ye! Oh fie! oh fie! Hunters and Prince's train entering C. door. All now is ready Time quick doth fly; Over the mountains The Sun is high! Dandini draws away the Baron, and exit with him, followed by Prince, Alidoro, and Attendants. Cinderella retires disconsolately, L.H. END OF ACT I.
ACT II.
Scene I. —A Chamber in the Palace. Enter the Prince with Dandini, R. H. looking cautiously around. DIALOGUE QUARTETT. Prince (to Dandini) Softly, softly—in a whisper— So that none may overhear us, Now, that nobody is near us, Say what you think of the Fair? Dan. Why then, softly and in a whisper— Without any hesitation— Of caprice and affectation They're a compound, I declare! Prince. And yet Alidoro told me That the Baron had a treasure! Dan. Ah! he's learned beyond measure, But knows not what women are! Prince. Without any more debating. Neither shall be mine, I swear! Dan. Ever flirting, ever prating; They're, in truth, a precious pair! Enter Clorinda, L. H. Clor. (running to Dandini) Tell me why, Prince, you're so cruel? Enter Thisbe R. This. (running to Dandini also) Why, alas, Prince! do you fly me? Both. I must have you ever nigh me, Or you'll drive me to despair! Clor. Leave me not, then! This. Leave me not, then! (the Prince laughs aside) Dan. Softly, ladies! soft, and hear me: Wed two sisters!—that, I fear me,   Would all proper bounds outgo! One I'll marry. Clor., This. (eagerly)                                         And the other? Dan. The other—the other— (pointing to the Prince) On my 'Squire here I'll bestow. Clor., This. (with disdain) No, no, no, no, no, no! Wed a 'Squire? not so, not so. (Dandini laughs aside) Prince. (with an air of humility, going to Clorinda) Lovely fair, do not refuse me! (turning to Thisbe) You'll repent not, if you choose me! Clor., This. Wed a 'Squire?—Good, Sir, excuse me! No, no, no! it will not do. (turning from him contemptuously) Wed a lowly born creature, Coarse in manner and in feature! (with great affectation) Oh! the idea is so horrid, It is more than I can bear! Prince., Dan. (laughing aside) So much candour in a woman Is a virtue somewhat rare! Prince. (crossing to Clorinda)

May I not then aspire to the honour, fair lady, with which his highness the Prince has flattered my hopes?

Clor.

(L. C.) I think, Sir, you might know the proper distance between us better than to elevate your eyes quite so high. You may address my sister, if you like; but for a 'Squire like you to dare to think hymeneally of a woman like me—Incredible presumption! (turns up the stage)

Prince. (to Thisbe)

  I must then turn my fond hopes to you, sweet lady.

This.

Then you're a very bold man, Sir! Bless us! some people's ignorance and insolence is quite laughable—Ha, ha, ha!

(she turns up the stage to her sister)
Dan. (laughing aside)

The Prince's hat and cloak carry it all hollow.

(goes to the sisters)
Prince. (laughing aside)

Well, certainly, never was Prince so candidly treated!—Yet, hold! 'tis not the Prince but the 'Squire that they repulse. Vain triflers! ambition and pride are their only rulers! But, now that my unfavourable opinion of them is confirmed, their arrogance shall be fitly mortified. (calling loudly) Dandini! (Dandini looks round alarmed, and with a loud “Hem”! makes signs to the Prince) (laughing aside) I forgot myself— (approaching courteously) May I entreat your highness's ear! (Dandini with a condescending smile advances to Prince, R. H. C.) Hark thee, Dandini! the frolic must now end. I must strip thee of thy peacock feathers, and leave thee the jay thou wert before.

Dan.

What! must I abdicate so soon?

Prince.

Ay, and thou must not only descend from thy throne, but even disclose thyself to their father!

Dan.

He'll break my head!

Prince.

'Tis of little consequence; I care nothing for his anger; but however he may vent it, see that he quits not the palace, for his folly is so amusing, I should miss him   in our evening revels.

                                        Exit Prince R. H.
Dan. (aside, crest fallen)

And so ends all Dandini's greatness! Well, I've had but a short reign certainly, yet I may say what few monarchs can, I've done no harm. Stay, though, who knows but my personal attractions may have had some tender effect upon these fair ones? Before I descend into private life, I'll see if I can't play the politician, and retire with a little advantage. (going to the Sisters) Roseate beauties, I am, you must know, rather a romantic kind of monarch, and weak enough to desire being loved for my own identical self—that is, my own mental and bodily qualities. Tell me, then, frankly, is it not rather my throne and my crown that—

Clor.

(R.)How, Prince! Can you entertain such a vile opinion of me?

This. (L.)

Or of me? Would you wound our delicacy?

Clor.

Would you attack our punctilious honour?

Dan.

Not even in my dreams.

This.

As for me, were your highness the lowest of your subjects, I would still prefer you to all others.

Dan.

You enchant me!

Clor. (amiably)

A cottage and your heart is all I desire!

Dan.

Is it possible? Come, now, they're not so bad neither. Here comes the Baron. (aloud to the Sisters) Your noble father approaches, and I have a confidential communication   to make to him; so, sweetest charmers, deign to retire for a few minutes, when I will again seek your delightful company. (leading them to the L. side, he kisses their hands, and they Exeunt L.) Well, now, (with self-conceit) there must be something attractive about me, or they wouldn't both be so fond of me! I shall be puzzled which to take. But now for the poor Baron! I'm going to give his pride a terrible tumble. Well, I've had a terrible tumble myself; but I don't regret my deposition after all, for really, if there be one bore greater than another, it certainly is—

Enter Baron, L. H. Baron.

Your humble servant, Prince! Excuse my intrusion, your Highness! Pardon a father's eagerness, but my poor girls are in a perfect fever. Oh, if I could but once know which is like to be your honoured choice!

Dan.

Be satisfied, Baron, my honoured choice is already made.

Baron.

Already made? I shall faint with ecstacy! Oh, luminous Prince! take pity on me, and tell me— (falling on his knees) Already made! Then one of my tender saplings will take root and flourish in the royal soil.

Dan. (raising the Baron)

Rise, my dear Baron, rise!

Baron.

But which—which of 'em—which of the tender lambs is it to be? My sweet Clory, or my darling little Tizzy—oh, which?

Dan.

But you must be silent.

Baron.

I'll be dumb!

Dan.

You'll be sure not to blab?

Baron.

Not even the first letter of her name!

Dan.

Well, then, the secret which I'm now going to impart to you—Does nobody hear us?

(going to look)
Baron.

There isn't a fly in the room!

Dan.

(R.) It's all in confidence, mind!

Baron. (with increasing impatience)

I'm upon thorns!

Dan.

Well, then, take a seat, Baron.

Baron.

Oh, dear! Oh, dear! (bringing forward two chairs) Be charitable, Prince, and end my agony.

Dan. (sitting down)

Now, let what you hear from my mouth remain under lock and key in your bosom!

Baron.

I'll get a padlock and put it on my lips.

DUETT. Dan. (confidentially) Sir, a secret most important, Most peculiar—nay, most confounding—    You must hear me now declare! 'Tis a matter so astounding,    It may chance to make you stare! Baron. (all eagerness) Without blinking—without winking. Without breathing—without action,       For this secret I prepare;    Like a perfect petrifaction       I'll remain upon this chair. Dan. From the lips of men of wisdom,  Counsel, Sir, comes ever wiser, How to treat her be my adviser,    If I wed your daughter fair. Baron. (exultingly aside) I'm Lord Chancellor already. (to Dandini) Since your royal condescension Such a matter deigns to mention, My advice to give I'll dare. Ever ready in the hall, Be twenty servants at her call, A hundred horses in her stable, Fifty covers at her table: Choicest fruit and rarest wine Whene'er her Majesty shall dine, And when to ride she hath a mind, A guard of honour march behind. Dan. (shrugging up his shoulders) Then, 'tis time to tell you plainly, For all this she must hope vainly. Horses, wines, and sumptuous table To afford her I'm not able. To great folks, Sir, I've no call, But keep with servants in the hall, I always walk, and never ride, Except behind, or else outside. Baron. (who has been listening to him with astonishment, starts back with dismay) Are you serious? Dan.     The farce is o'er, Sir. Baron. (rising) All has been, then,— Dan.   (rising also)                                        A jest, no more, Sir. All my grandeur's but a joke, And my Princedom ends in smoke; For the real Prince arriving, Of the mask my face depriving, Lays me under the obligation To resume my situation. I'm a valet, Sir, by station, Brushing clothes my occupation; Of the wardrobe I take care, Shave my master, and dress his hair. Baron. (thunderstruck) Shave his master, and dress his hair! (after an effort to speak, breaking forth into a violent rage)    Thus to deride me!    Thus to misguide me!    I'll make the Prince himself       Yet do me right! Dan.   (gaily)   Banish your sorrow    Until to-morrow;    Pleasure invites us all       Gaily to-night. Baron.          I'll go away. Dan. (detaining him)          You'd better stay— Baron.          Thus to ill-use me! Dan.          Wherefore accuse me? Baron.            I will resent it. Dan.          Then you'll repent it. Baron.          You shall regret it. Dan.          Better forget it. Baron.          'Tis not yet ended. Dan.          If you're offended— Baron.          Vengeance I swear. Dan.          No one will care. Baron (aside) Rage and confusion My senses appal; While disappointment Fills me with gall. Mortification, Shame and vexation, My mind enslaving, Will set me raving! “There he goes!—look at him!” Will be the cry now. I shall be laughed at By great and small. Dan. (laughing aside) Truly, poor Baron, This must be to all His projects and castles A terrible fall! Nay, no more vexation; Take consolation, Useless 'tis raving, If you want shaving, Dressing or powdering, Here am I by now. (aside) How he'll be laughed at, Henceforth, by all. Exeunt, the Baron in great anger, R.H., Dandini, laughing, L.H.
SCENE II. The kitchen in the Baron's house, with dresser, table, and chair, broom and washing tubs, spinning wheel, and flax, mousetrap, &c. Cinderella is discovered seated by the table, on which are a small lamp and an open book, L. 2 E. Cin.

The image of that stranger seems to be always before me! How kind his looks! How sweet his smiles! (rises) I'm sure the Prince that I saw afterwards was nothing to compare to him. Ah, me! I wish I could but see him again. My sisters are by this time enjoying themselves in all manner of happiness. Fortunate beings! Their life is a ring of joy, whilst poor I am not allowed to participate even in their smallest pleasures, but am left, after toiling hard every day, to pass my nights in solitude and sorrow. Ah! when my poor widowed mother married the Baron, she little thought her offspring would be so despised by him, and so ill-used by his first daughters.

Enter Pedro singing.—“Once a King,” &c, Ped.

Well, Miss Cinderella, you are as solitary as an old hermit. Poor soul! you've no delight whatever in this house except my company! I've done all my own work, Miss, and now if you'll give me leave I'll do yours also.

Cin.

I thank you, Pedro, you are ever good natured; but I will finish my task myself.

Ped.

Why, you're scarcely able. Here have you been on your legs now ever since five o'clock this morning!

Cin.

I am accustomed to that every morning!

Ped.

Whilst your lady sisters never get up before eleven or twelve.

Cin.

My father says that sleep is necessary to their   health.

Ped.

And isn't your health quite as valuable as theirs?

Cin.

Seemingly not.

Ped.

It's barbarous usage, I say; though you do bear it like a holy mortar. While your sisters are idle, you do the meanest work of the house; while they're tricked out like duchesses, you've never a gown but one, (and that's shabby enough); then you sleep on a wretched straw bed in a sorry garret, while my ladies lie in fine rooms; and lastly, while you are left moping here in a kitchen, away they are gone to jig it at the Prince's ball. Oh, I wish they may both of them get the cramp in their legs the very first dance.

Cin.

That is a wicked wish, Pedro!

Ped.

I can't help it. I love your little finger better than their two bodies; though they do take such precious care of them, and break so many dozen of laces to have a fine slender shape.

(mimicking)
Cin.

Do not speak against them, Pedro; they are my sisters, and my sorrow is that they do not love me.

Ped.

Oh! I don't wonder at all at their not loving you, but I don't understand why your father

Cin.

My sisters have often told me that my father conceived a dislike against me in my childhood for my ugliness!

Ped.

Ugliness? Come, I like that. But even suppose it was true, though I believe it's a flam of their own, doesn't   every body know that the uglier you are when young, the prettier you are when you grow up! Why, no one would believe it, but, at two years old I was quite a fright! Look at me now! I'm sure your sisters must have been born preciously handsome.

Cin.

That I do not deserve their ill-treatment is my only consolation.

Ped.

They're a couple of Algerine barbarians. Didn't they, to mortify you, change your own pretty name of Angelina into Cinderella, after being themselves the cause of keeping you among the cinders. Cinder-“ella”—'Gad, I wish I had the christening of them! I would round them off with an “ella” a piece as good as yours, for I'd call one of 'em Vixen-“ella!” and the other Spiteful-“ella!”

Cin.

Have done, Pedro, you distress me!

Ped.

Well, I'll say no more, only that your father's no angel, whatever you are. He's as unchristian and barbarous as an old blackamoor; not content this morning to disown you, but he must go and kill you, kill his own child! it's a most abominable suicide!

Cin.

Let us change the subject. Pray, Pedro, did you hear who that was that came here before the Prince?

Ped.

No, but I believe he was somebody, for he certainly didn't much look like nobody.

Cin.

Can you keep a secret, Pedro?

Ped.

Not if you tell it me; I'm like a woman, I only conceal what I don't know; and the only secret I should care to know is, when we shall be better off.

(at this moment a transparent label becomes visible over the door, another over the chimney, and another on the side scene (L. H.), bearing the words—“THY WOES WILL SOON END.”)
Cin.

(perceiving the first inscription, L. H., with amazement) Ha! (reads aloud) “Thy woes will soon end.”

Ped. (not aware of the labels)

Will they?

Cin. (reading the second label)

“Thy woes will soon end.”

Ped.

I wish they would.

Cin. (reading the third label)

“Thy woes will soon end.”

Ped.

Well, you seem very positive of it, at all events; but I should like to see your's end at the same time! I don't know but I may do something desperate for us both yet, and if I get hanged for it—

(the labels are rapidly followed by the additional inscription—“THOU'LT MEET THY JUST REWARD.”)
Cin. (reading)

“Thou'lt meet thy just reward!”

Ped.

Thank you; much obliged to you for your good opinion. It's certainly very kind of you, Miss Cinderella, to be so candid with your friends.

Cin.

Am I awake?

Ped.

I should think not!

Cin.

Pedro, do you see anything there?

(pointing to the label, L. H.)
Ped. (frightened, but without turning)

Come, now, no tricks, Miss Cinderella; you want to frighten me, but it won't do! It's not the first time I've been alone with a woman. (turning round by degrees, he sees the letters, and begins to tremble more violently) Oh, what's that? Don't be frightened, Miss! Take example by me. I know what it is, it's only a moptical deception—it's caused by the light of the fire—I'll just poke it up a little, and you'll see it will absolve the whole mystery.

(he takes the poker in his hand, when, as he goes to stir the fire, the fire-place becomes suddenly changed into a large rose-bush; Pedro drops the poker, and, retreating a couple of paces, stands motionless, with staring looks; Cinderella does not remove her eyes from the letters all this time. The Fairies are heard singing without) FAIRY CHORUS. Cease, Cinderella, Cease to grieve thee, For, come to relieve thee, Thy friends are nigh! (at the end of the chorus the Fairy Queen, disguised as Cinderella's Godmother, enters through the rose-bush; at which unexpected sight Pedro runs and hides his face in the L. H. corner. Cinderella rubs her eyes, as doubting the reality of what she has seen) Fairy Q. (R. H., touching Cinderella on the shoulder) Bless thee, my godchild! Cin. (turning round) Ah, godmother! or is this but fancy, too? Ped. (aside) What brings her here now? Everybody suspects the old woman is a witch, and I'm now sure of it myself! Cin. How did you come in, godmother? Ped. (aside) By a door of her own making—I wish the thorns had pricked her. Fairy Q. It is but seldom, child, that I have visited thee, for I live far away. Ped. (aside) In the other world, I dare say. Fairy Q. But the time is come when thou shalt have much of my company. Ped. (aside) Pretty company you are! Fairy Q. Pedro, is this the welcome you give your favourite's godmother? Ped. (approaching a step towards her with a forced smile)

I'm very glad to see you, old granny!

(aside)

I wonder if she knows it's a lie!

Fairy Q.

Cinderella, my dear, dost remember relieving a poor tattered beggar this morning that sought charity here? That pauper was myself, disguised to try thy humanity, and I have the power as well as the will to reward thee. Thou art good besides being pretty. Thou remindest me of myself at thy age, for I, too, have been young and pretty.

Ped.

Dear me, granny, how times are changed with you!

Fairy Q.

Pert boy, what's old is not to be despised! But, godchild, thine eyes look red, as though thou hadst been weeping! Come, what is thy sorrow?

Ped.

It's my belief, granny, you know it well enough without asking—if all's true that's said of you—ahem!

Fairy Q.

Thou hast a wish agitating thy little heart!

Cin.

True, godmother, I won't hide it from you—I'm very miserable!

(bursting into tears and sobbing)

I wish I could—I wish I could—

Fairy Q.

Thou wishest thou could'st go to the Prince's ball—is it not so?

Cin. (sighing)

Y—es.

Ped. (aside)

There now, I knew she could tell.

Fairy Q.

Well, well! be still a good girl, and I will contrive that thou shalt go.

Cin.

How?

Ped.

Eh!

Cin.

It is to-night, godmother!

Fairy Q.

I know it, child; and thou shalt be there presently!

Ped. (aside)

I hope she is not going to play off any of her devil's tricks.

Cin.

Nay, godmother, even if you could take me there, I dare not go; for if my sisters saw me—

Fairy Q.

Thy sisters and thy father shall see thee, yet only wonder at thy likeness, without recognizing thee!

Cin.

How, godmother? if you can do that, you must surely be a witch.

Ped. (aside)

That's a plumper!

Fairy Q.

My child, that is an uncouth word, and it befits not me; I am somewhat more of a fairy.

Ped. (chuckling aside)

Fairy with an old crutch! I wonder where she has left her broomstick?—Top of the chimney, I dare say.

Fairy Q.

But come, let us haste! Time is flying fast, and the ball will soon begin—Pedro—

Ped.

Eh!

Fairy Q.

Run into the garden and bring me a pumpkin.

(walking up to Pedro)
Ped.

A what?

Fairy Q.

A pumpkin.

Ped.

Eh?

Fairy Q. (lifting up her crutch)

Away, or I'll turn thee into one.

Ped.

Oh, la! I'm gone!

                                        Exit Pedro, L. 2 E.
Fairy Q.

Thou wilt wonder at thy godmother's power, Cinderella; but it is only on rare occasions, and for the good, that I display my magic skill.

Enter Pedro with a large pumpkin, L. 2 E.
Ped.

Well, I wonder what a pumpkin has to do with making her go to the ball—Ha! ha! ha!

Fairy Q.

Lay it on the dresser;—I'll make room for thee to sit in it, Cinderella.

Ped. (laughing heartily)

Ha! ha! ha! She's going to roll to the ball inside a pumpkin. Ha! ha! ha!

Fairy Q.

Yes, Pedro, this pumpkin shall become a coach for thy mistress.

Ped.

What if it does? what is a coach without horses?

Fairy Q.

Horses shall not be wanting; the tiny prisoners in yonder mouse trap will form noble steeds, and be glad of their freedom in any shape.

Ped.

What? make horses of the mice? Ha! ha! ha what an elegant turn out it will be! (aside) She wants to make game of us; I'll humour her.

Cin.

But, godmother,—horses can't go by themselves; what must we do for a coachman?

Ped.

  I have it—Since you are going to transmogrify the mice into horses,—I'll go and see if there's a rat in the rat trap; you may make a coachman of him.

Fairy Q.

Thou art in the right; go and look.

Ped. (fetches a rat trap from L. H. 1 U.)

Here's a rat! with a beard like a Turk! he'll make a jolly coachman; he'll have the smartest whiskers eyes ever beheld;—never shaved since he was born.

(he places the rat trap over trap in the centre)
Fairy Q.

And hark thee,—fetch hither the three garden pots, wherein there are just now three lizards,—they shall serve for footmen.

Ped.

In a nice green livery. Ha! ha! ha! what fun!

                                        Exit Pedro R.
Fairy Q. (to Cinderella)

Thou shalt this night repay all thy sisters' ill to thee.

Cin.

Nay, god-mother,—I don't wish that; I should be sorry to see them grieved.

Fairy Q.

What? canst thou forgive them? Excellent heart! Thou art goodness itself, and I serve thee with real pleasure.

Re-enter Pedro, with garden pots, R. H.
Ped.

Here are the garden pots with the lizards; and perhaps, with your help, Granny, they'll make smart lacqueys.

Fairy Q.

Thou art a good judge, Pedro!

(with her crutch she touches the rat trap, which gradually enlarges and spreads open, giving passage to a portly Coachman (represented by a child) with immense whiskers, a large wig, and a three corner cocked hat. Music.)
Ped. (laughing immoderately)

Ha! ha! ha! what a deal of pudding and cheese he must have stolen!

Music.—The Fairy Queen next touches the garden pots, R. H., out of which three more children, richly dressed as lacqueys, come forth, bowing politely.
Ped.

(bowing in return) Your most humble servant, gentlemen. You won't turn me out of my place, I hope? 'Ecod, I'd better keep out of the reach of her crutch; since she can change a lizard into a footman, she may transmogrify a respectable serving man into a frog. (Footmen and Coachman get behind to L. H.)

Fairy Q.

Well, Cinderella, are not these servants fit to attend thee to the ball? Are you not pleased with them?

Cin.

Oh, nothing can be better! But ah! godmother, must I go thither as I am, in these shabby old clothes?

Fairy Q.

That, too, shall be remedied. Disappear, and appear!

(chord. She touches Cinderella with her crutch, when her habiliments are changed to the same dress in which she appeared in the fountain. The Coachman advances to the Fairy, and gives her a pair of glass slippers)
Ped.

(seeing change) Eh! What!—Is it? No—yes, it is! (to Cinderella) Oh, beautiful mistress! (to Fairy Queen) Oh, you good old soul!—la! I wish I had such a grandmother or such a crutch—it should never be idle!

Fairy Q.

(crosses C.) Thou shalt not be forgotten, faithful Pedro. First, with these magic glass slippers adorn thy lady's feet.

Ped.

(hastily obeying) Magic slippers! Oh you enchanting old creature! There! And now, dear lady, you'll travel like a Princess and have grand servants to attend you. (crossing to L.) Look you here at these lizard gentlemen! Here are fine liveries for you! Yet, with all their grandeur, there's one thing certain, which is—they none of 'em can love you half so well as poor humble Pedro.

Fairy Q.

Thy honesty and goodness shall win thee a pleasing office; the attendant and protector of thy beloved mistress do thou go with her, and, in befitting garments, appear a lofty lord!

(his dress suddenly changing to a gorgeous suit—he takes a wand from one of the Footmen L.
Ped.

I feel a lord all over! (struts about)

Fairy Q.

But now to complete my work, and fulfil my promise.—Pedro, look into the mouse trap and see if you find not two mice.

Ped.

(behind to R. H.) Here it is, granny, and sure enough two little mice are in it—pretty creatures!

Fairy Q.

Let them run out.

Ped.

What!

Fairy Q.

Obey me.

Ped.

Here goes! take care of your legs! (opens trap, mice run from it under dresser. The dresser instantly becomes a splendid chariot with two white ponies, and the Coachman and Lacqueys immediately take their places. At the same time the scene draws and discovers all the Sylphs and Fairies of the first act, holding flambeaus in their hands— some surround the chariot, while others form divers groups, and fill the stage. The outside of the Baron's old castle is seen nigh, and at a great distance the Prince's Palace brilliantly illuminated. The moon and torches alone light the scene)

Ped.

Oh, wonderful godmother! wonderful mice! and wonderful pumpkin!

(Fairy Queen's dress changes)

Now, Cinderella, know me for my true self, not alone thy god-mother, but also the Queen of the Fairies!

Cin.

My generous protectress!—Ha! what a change pervades my frame! (raising her head gracefully, and changing her entire manner) I feel a new existence—I am no longer the same—Hence to my chariot!

Fairy Q.

Stay, one last injunction to thee, and no more; but observe it well, or beware the consequence! Pedro,   attend thou likewise to my words, as thou art her guardian knight. (impressively and distinctly) Before the midnight hour shall strike, Cinderella, be sure thou art returned, as thou dost value my future friendship!

Cin.

Before midnight?

Fairy Q.

Aye, before midnight! Forget my commands, and the hour once struck, thy finery shall change to thine old rags again, thy rich attendants vanish, and thy chariot, coachman, and footmen retake their original forms.

Ped.

What a sight we should be then!

Fairy Q.

Remember!

Cin.

(exultingly) Oh fear me not! Though every temptation surround my delighted steps, I will not forget thy words. Oh! I am wild with joy!

FINALE. Cin. Delightful hour of rapture! With wildest joy this bounding heart Now is beating fast! Oh, happy Cinderella! Let fear and doubt depart! Thy woes are now all past! Fair Q. and Chorus. Go then, and joy reward thee! Thy friends, we still will guard thee; But, mark! our will obey, Or the forfeit thou shalt pay. Cinderella, twelve's the hour!   Mock not thou the Fairies' power! Cin. Your will I'll still obey; Your words shall guide my way; I'll not forget the hour, Nor mock the Fairies' pow'r. Chorus. Good night! Pedro hands Cinderella into the chariot, which instantly drives off with Pedro at the head of the horses, some of the Sylphs and Fairies preceding it with torches, others following. Two light Sylphs, as guides, floating in the air, wave their torches, and the rest remain with the Queen. END OF SECOND ACT.
ACT III.
Scene I. —A richly-decorated ball-room in the Prince's palace, opening by glass doors in the centre, into a colonnade; festoons of flowers, variegated lamps, chandeliers, &c., ornament the room; on R.H. is a canopied chair of state, standing on a small platform of two or three steps. On the rising of the curtain, the dance is seen going forward during the chorus, while the Prince is discovered seated with a melancholy air upon his throne, the two sisters seated on his R.H., and Alidoro, Dandini, &c., on foot upon his L.H., two young Pages, richly dressed, stand on each side. Ladies and Gentlemen in profusion fill up the scene: from time to time during the Chorus various visitors are pompously ushered in by the Baron (with his wand, as Master of the Ceremonies) through the glass doors: they are courteously received by the Prince, who, without, however, descending, peers anxiously in the face of every new female comer, then, with a visible air of disappointment, resumes his pensive posture: the visitors either take seats or mingle with others whom they appear to recognise. A large clock is over the arch. CHORUS. In light tripping measure, Surrounded by pleasure, We court the gay hours That too hastily fly. Hence care and sorrow Dare not come nigh. Prince.

(rising and coming forward) I look in every face in vain! Though many are fair, and many are beautiful, alas! the bright semblance of the loveliest vision mortal e'er was blessed with meets not my anxious eyes! The hated period my soul shrinks from in disgust is fast approaching, yet, cannot I behold the woman that my heart can incline to! All are panting for the Prince's crown, they seek not a husband's heart!

Baron.

(advancing to the Prince) Noble Prince, shall the dance proceed?

Prince.

Ay, good Baron. (retires to his throne with Alidoro)

Baron.

(aside) His Highness looks melancholy; one of my daughters is certainly in his head. I'll call them both out presently, and make them exhibit their fascinating graces. Ho, on with the dance! (a fancy dance; at the end of it a trumpet is heard to sound, and a Page, entering by the glass folding doors, approaches the throne and kneels)

Page.

Gracious Prince, a beauteous Princess, whose name we know not, is just arrived.

Prince.

(rising) My Lord Baron, marshal the royal   stranger to our presence.

Clor.

(to Thisbe) A Princess! without a name? Who can she be?

This.

Another rival!—I hope she's ugly!

Music. The Prince has descended and advanced a little towards the R.H.C., when, hearing a few bars of the well-remembered strain, he starts, and exclaims with emotion, “Those sounds! those magic sounds!” The car of Cinderella has advanced till it has come fully under the portico; her face is half veiled. The Baron has helped her to descend, and has come forward with her but a step or two, when the Prince turns round, and with an exclamation of delight, rushes to her, and falls at her feet. The music ceases, and general surprise and curiosity are displayed by the company; the Prince, instantly rising, seizes Cinderella's hand and brings her forward. Prince.

Oh, rapture! Fate has now blessed me, and my contented soul images no greater bliss!

Cin.

(aside) He the Prince? Delightful moment!

Ali.

(coming forward, L.H.) How beautiful a form!

Baron.

Do you think so? Well, I really don't see anything so particular in it.

Prince.

Will not that envious veil fully removed permit my eyes to feast upon your beauty? (attempting to lift her veil, which she refuses to remove)

Clor.

(to Thisbe) Her face can't be any great things, or she wouldn't hide it!

Prince.

(with tender entreaty) Oh, disperse that shady cloud, that seems jealous of my happiness!

DUET. Prince. Let thine eyes on mine mildly beaming,    With soft bliss this bosom swell! Cin. (aside) 'Midst flatt'ring hopes now sweetly dreaming,    I fear to wake and break the spell. Together. When Love's magic light is beaming,       Its bright rays all clouds dispel. Prince.

Ah, I have never loved till now!

Cin. (aside)

Dear confession! My heart is so agitated, I cannot speak to him!

Baron.

(aside to Clorinda and Thisbe) Don't be uneasy, my dears; she's not at all like you.

Prince.

(to Cinderella) Will you permit me, lovely Princess—

Cin.

(aside) Princess!

Prince.

To ask your name?

Cin.

(aside) Oh, dear! I forgot to ask the Fairy my name!

Prince.

Silent! Oh, say what nation is so blessed as to receive your laws; tell me but in what kingdom stands your throne?

Cin.

(aside) If he but knew what an humble throne mine is!

Prince.

Still dumb? Incomparable woman! your matchless qualities enhance your charms! Oh, let my daring hand thus remove the darkness that wrongs your beauty? (he withdraws her veil and seems enraptured with her countenance)

Clor.

(aside to Thisbe) Why, bless my heart! Did you ever see—

This.

(to Clorinda) What a likeness!

Baron.

(aside) Well, if I wasn't sure that it isn't, I should think that it was, Cinderella—the likeness is so striking, it almost knocks me down! (goes a little up)

Cin.

(aside, beholding her sisters) There they are, but they cannot recognize me. Let me resume my confidence.   (to the Prince) Noble Prince, who are those amiable ladies?

Baron.

(advancing) My amiable daughters.

Cin.

Goodness and beauty embellish their features! May I be permitted to embrace them? (passing between her sisters)

Baron.

Oh, Princess, you do them honour!

Cin.

(to her sisters) I feel my heart would willingly gain your affection.

Clor.

Your Highness's kind favour to us, strangers as we are—

Cin.

Nay, I have known you long—by report. Will you accept of my friendship? (the Prince communes with Alidoro)

Clor.

We shall esteem ourselves but too happy—

This.

Delighted!

Cin.

(approaching her father) My Lord Baron, have you other children?

Baron.

No, your Highness. Fate has only allowed me two.

Cin.

(with feeling) May constant happiness be their portion and yours. (the two sisters go up R. H.)

Baron.

Ah, lady! what a noble heart is yours! How proud must be the father who has the honour to call you his.

Cin.

You are mistaken. (with melancholy) Alas! My father disowns me!

Baron.

Disowns you? What a brute! (goes up)

Prince.

(advancing to Cinderella) Princess, permit me thus to offer my homage, and attend you. On with the feast.

A Page brings a seat, which is placed next to the throne, on its R., Cinderella occupies it, the sisters sit on her R. H., and the fête continues. A fanciful dance by appropriate characters, followed by a party of Tyrolese singers and dancers, who enter dressed in the costume of their nation. While some dance, the others accompany them by their voices alone. TYROLIENNE. Men. Whilst to joy we sing inviting, With our strains thy steps uniting With thy smiles our pains requiting Lovely maid, our eyes delight. Women. Swift as the flash That mocks the sight Thou seem'st a bird In airy flight. Together. When, home returning,    We leave these cool fountains,    In our native mountains Thy praise we'll recite. Men. Fresh flowers Washed by showers In Love's bowers, Are less fair and bright. Women. Thy steps so light, Our songs invite; Come, fairy sprite, Our eyes delight. Together. When, home returning, We leave these cool fountains, In our native mountains Thy praise we'll recite. After this, a “Pas de Soldats.” The Pages bring different refreshments and fruits, which the Prince himself offers to Cinderella, and which she attentively shares with her sisters. The hands of the clock are seen approaching twelve. Enter Pedro, L. H. unremarked. Ped.

(aside, observing the clock with signs of uneasiness) It's running on towards twelve! I wish I could get near her. I have been so agreeably employed among the eatables and drinkables, that I had no idea of the time's passing so fast. (making signs to Cinderella, which she does not observe) Oh, dear! oh, dear! If she should have forgotten, there'll be a pretty exposure for both of us!—Pumpkins—rat—lizards—rags! I must make her see me. Ahem! hem! (he bows conspicuously to attract Cinderella's attention)

Prince.

(noticing him to Cinderella) What nobleman is that?

Cin.

(seeing Pedro and rising) Ha!

Ped.

(aside) Nobleman! What a sensible prince!

Cin.

'Tis one of my suite, Prince, a worthy friend, deserving of my trust. (advancing to him and apart) What would you, Pedro?

Ped.

(whispering cautiously) The pumpkin—the rats— the lizards—

Cin.

My good fellow, only a minute or two longer, and I'll depart. I do not forget.

Ped.

I hope you don't; for if you should, they'll never forget us.

Prince.

Seeks he aught of importance?

Cin.

Only—a partner in the dance.

Prince.

I will provide him. Gentle Clorinda (bringing forward the Baron's daughter) , accept this noble stranger from our hand, a partner in the dance. Come! another mazy round, then for the banquet!

Clorinda, with a profusion of smiles, gives Pedro her hand, which he receives with a profusion of bows, and they retire. Among the rest, Cinderella and the Prince retake their seats. A general waltz now commences, which (after it has sometime begun) the Prince prevails on Cinderella to join in. As they gain the front of the stage, and part in the figure, the clock over the centre door suddenly becomes brightly illuminated, and strikes twelve! Cinderella, preserving the motion of the dance, anxiously counts the hour, and finding it's twelve, with an exclamation of fear, rushes through the dancers to gain the door. The Prince (though not immediately), misses her, and by that time she is seen in her old habiliments, serpenting through the ranks, till she finally goes off by the centre doors. The Prince, impeded in his progress, impatiently pursues her and disappears also. During this time, Pedro, who seems to have forgotten all in the spirit of the dance, has changed partners and is pompously setting to a superbly dressed female in front of the stage, when suddenly his fine clothes fly up in the air, and leave him in his old dress. The lady screams and indignantly retires, leaving him dancing by himself. Some of the pages hastily advance, and forcibly expel him out of the room. The dance, however, still continues, when the Prince returns in much agitation, bearing in his hand one of Cinderella's glass slippers. Prince.

(loudly and with much agitation) Break up the dance! Half the wealth of my kingdom shall be his who finds the owner of this glassy slipper. The characters cease dancing, and group themselves around the Prince, with looks of amazement and curiosity. Speak! Do any of you know her? Saw you how she disappeared?—where she went to? All silent!

Baron.

Gracious Prince, I believe—

Prince.

(impetuously) Ah! speak; tell me, and be my friend for ever!

Baron.

I believe, then, my gracious Prince—nay, I am almost sure—or, rather, I have strong reasons to suspect— that nobody here knows anything about her.

Prince.

(furiously) Prating fool! away! Oh, I shall go distracted!

AIR AND CHORUS. What demon's opposing malice    Doth ever my peace annoy? And from my lips still dashes    The tempting cup of joy? Cruel Fate! wilt thou ever pursue me? Must thy anger relentless assail me? Ah! if one sweetest hope must fail me, Joy farewell, and welcome despair! Full Chorus (aside). Love and rage, all control disobeying, With fierce pangs now his heart are assailing! His ill fortune in anguish bewailing, What emotions his breast now tear!                                         Exeunt omnes.
SCENE II. The Kitchen in the Baron's Castle. The rat-trap and mouse-trap again in their places. Enter Pedro, running after the pumpkin, which rolls on before him. Ped.

Hollo! Stop! stop! (he picks up the pumpkin and puts it under his arm) So! Here we are again, and a pretty business we've made of it.

Enter Cinderella, R. H., panting.

Well, Miss Cinderella, 'gad, but the Fairy kept her word with us, though we weren't so particular with her. Our companions, too, were more punctual; for I see coachee and ponies are all snugly at home again before us. Well, one good turn deserves another. I ran before the coach all the way there, and the coach has run before me all the way back.

Cin.

My happiness made me forget my duty.

Ped.

It can't be helped now; we shall remember twelve o'clock, when it strikes again. I'll take every care of the carriage, however; and I only hope we shan't be out of rats against the next ball.

Cin.

'Tis well that our misfortune has not been greater.

Ped.

Why, I don't know how it could have been greater, except we had been turned into a couple of rabbits and caught for supper. I have been very nicely handled, for my part! Whilst I had a fine outside every one was civil; but the moment I lost that, they treated me with no more ceremony than you would treat a fox in a henroost. There's your great people for you! Bless their manners! Then,   —like master, like man,—when the servants got me, they made a foot-ball of me for half an hour; when they sent me bounding out of doors in such style, that I don't think I should have stopped till now, if I hadn't fallen over our carriage here. And have you lost all your finery too, Miss Cinderella? Eh! why, I declare (seeing on her foot one of the glass slippers) No! one of your little glass slippers has stuck to you.

Cin.

(looking down with surprise) Is it possible?

Ped.

How comes the other to be gone?

Cin.

Now I remember, I tripped in my haste, and it fell off in the ball-room.

Ped.

Dear, dear! How unfortunate! It's plain that the Fairy Queen must have made you a present of them, and to go and spoil the pair by losing one! We shall never get a match to it now. I defy all the glass-blowers in the world to make its fellow.

Cin.

Oh! all my good fortune is for ever lost!

Ped.

No! no! dear lady! It's only the slipper that's lost. I wish the Fairy would turn me into one for your pretty foot! However, I advise you to take that one off before your father and sisters come home; though I suppose they intend to make a night of it all day; for 'tis morning already! Pray, Miss Cinderella, how did you find your way home?

Cin.

I scarcely know. The way seemed to me as though it never would end.

Ped.

That's exactly what it seemed to me, though I'm sure I ran as fast as any rat of 'em all. I got out just in time to see the pumpkin turning a corner, and after it I ran like mad! Oh, if the dear good Fairy would only patronize us once more! I'll just blow-in the fire a little, perhaps she may favour us again by dropping down the chimney. (blowing the fire and singing) “Morning is dawning brightly, love,” “Then prithee, come down, come down!” (shaking his head) No, she won't come down.

Baron

(without L.H.) Pedro!

Clorinda.

(without L.) Pedro! Cinderella!

Thisbe.

(without L.) Cinderella!

Ped.

There they are;—Let me run up stairs first to them, I dare say we shall hear a fine account of ourselves.                                         Exeunt, L.

SCENE III. An apartment in the Baron's house. Enter Baron, Clorinda, and Thisbe, L.H., followed by Pedro. Baron.

What's the reason, sirrah, you were not at the door to receive us? 'Tis not so early but you might have risen three hours ago, and watched for us.

Ped.

I have not risen at all to day, Master, for I never lay down, neither I nor Miss Cinderella.

Clor.

Miss, indeed!

Ped.

I'm sure I never call her anything else, Miss.

Clor.

Go and call Miss here, then.

Ped.

Poor soul! she hasn't stirred from the chimney corner all night, no! no more than myself. I hope you enjoyed yourself at the ball, Baron?

Baron

(ill temperedly) What's that to you, you inquisitive rascal?

Ped.

I should have thought it likely from all the capers you practised yesterday.

Baron.

Begone, you impudent dog, or my cane shall practise a caper upon your head! Get out, you ugly varlet, or I shall lose my patience!

Ped.

Don't do that, Sir, you've so little, it would be a pity to part with it.

Clor.

The Baron shall part with you though, and a good riddance we shall all have of you. Begone! and call Cinderella. Oh, here she comes.

Enter Cinderella, L.H. Ped.

(aside to Cinderella) My dear young lady, find   out if they smoked the rats and the pumpkin.                                         Exit L.H.

Clor.

So you're there! I think you might have kept awake, forsooth, till our return!

Cin.

It's no wonder I should tire, considering how long you have staid.

This.

Ah! if you had been at the ball, you would have been as little tired as we are. Oh! we had a gay time of it, and there came thither the finest Princess, the most beautiful ever seen with mortal eyes!

Cin.

(crosses to Thisbe) A Princess!

This.

Yes, and she was so taken with us that she shewed us a thousand civilities.

Cin.

And pray, what was the name of this Princess, sister,—I mean—Miss Thisbe?

This.

That nobody knows; and what's more, she left the palace immediately the clock struck twelve, in such a singular way, that nobody can tell what became of her.

Cin.

Indeed!

Baron.

And what is quite as singular, my dears, it seems that the guards at the palace gates said nobody had gone out, but a young girl, who looked more like a poor country wench than a gentlewoman.

Clor.

The only trace they found of her was a little glass slipper, which she let fall as she hastened away.

Cin.

(anxiously) A glass—slipper!

Clor.

It is to be sure the prettiest little thing.—one would suppose it had been worked by the hand of fairies.

Enter Pedro in flurried haste with a paper, L. Ped.

Oh! such news! such news! such wonderful news!

Clor.

(hastily) Is the Prince come again?—

Ped.

No—not the Prince exactly, but a royal post! and he has brought us this copy of a proclamation which he says is now being proclaimed through the city by sound of trumpet and drum.

All.

A proclamation?

Ped.

Yes; the post ran away the moment he left it, because he had more to deliver, and when I opened it I found—

Clor and This.

What?

Ped.

I could make nothing of it.

Baron.

Why?

Ped.

Because I can't read.

Baron.

Let me see it. (takes paper)

This.

No, papa, let me. (snatching it)

Clor.

I'm the eldest, Miss, and must see it first. (snatches it away)

This.

Not before me. (snatches again at it, and tears the paper in half.)

Clor. &This.

(each holding up a piece reproachfully) There!

Ped.

There! There's a proclamation a piece now.

Baron.

How now, girls! what's the meaning of this—   vivacity? By the beards of my ancestors, I've a great mind to grow into a passion.

Clor.

Well, there, papa, you shall read it first. (gives Baron her piece)

This.

Yes, there, Sir. (gives Baron the other piece)

Baron.

Read it first? How the devil am I to read it at all now? (puts papers together) Stay—that's it.

Ped.

Now for it.

Baron.

Silence! (reads) “Proclamation by Supreme Command”—

Ped.

Just what the royal post said!

Baron.

Hold your peace, sirrah! (reads) —“We, Felix the First, ruler of this Principality, do hereby make known that we will take to wife, and share our heart and throne with her whom the glassy slipper found at our last night's ball shall fit”—

Ped. (looking at Cinderella)

Eh!

Baron.

(reading) “Felix, Princeps—Given under our Royal Seal at our Palace this”—

Clor.

(interrupting) Marry her whom the slipper shall fit! (looks at her foot) Let's go back directly, Sir.

This.

Oh! yes, yes! let's make haste, papa!

Cin.

(aside with emotion) Have I heard rightly!

Clor.

I'm perfectly sure it will fit me, if a pretty foot is to carry it.

Ped.

(aside) There must be nice paring down of nails if   it does!

Clor.

Which is my smallest foot, Pedro?

Ped.

Why, that's rather a puzzling question, Miss; for I don't think one's smaller than the other—they're both a nice size.

Clor.

You think, then, I shall get the slipper on?

Ped.

I think, Miss, that if you try, you'll be very likely to put your foot in it.

Cin.

(to Baron) Oh, Sir, may I not be permitted to go with you this time?

Baron.

You? The girl is mad!

Clor.

You? ha! ha! ha! What insolence! Perhaps you would like to try the slipper too?

This.

Ha! ha! ha! that would be a sight! The Princess Cinderella! ha! ha! ha! I wonder what people would think if they were to see such a creature as you with us!

Cin.

I would tell them that I was your servant, and it would be but the truth.

Baron.

I am thinking, though, what in the name of wonder the Prince will do, if this curious trial should prove of no avail.

Ped.

Perhaps, in that case, he'll marry the slipper!

Baron.

Come, let us make haste back to the Palace. I'm quite certain one of ye will be a Queen yet—yes, yes,   I didn't dream I was an ass for nothing.

Clor.

Good bye, Princess Cinderella! Ha, ha, ha!

This.

Adieu your Highness! Ha, ha, ha!

Exeunt Baron, Clorinda, and Thisbe laughing, L.H. Ped.

(mocking their laughing) Hish! hish! hish! Devil take your sniggering!

Cin.

(dejectedly) Well, Pedro, must I stay behind them?

Ped.

Stay behind them? not a minute. If you stay behind any one it shall be behind me, for I'll put a pillion on the blind mare, and we'll trot away after them.

Cin.

Ah! but Pedro—this mean dress, this wretched appearance—

Ped.

It doesn't matter for your dress, all that's wanted is the length of your foot.

Cin.

But I shall be refused a trial.

Ped.

Not when they look in your face. Only give them a smile, and point out your toe, and you're sure to kick down all objections. Besides, I'll announce you myself to the Prince—that I will. He thought me a nobleman, you know, the last time he saw my figure; now that it's less covered with finery, he'll see it plainer, and I've no doubt he'll think me an ambassador in disguise.

Cin.

Well, Pedro, I will venture, and if the Fairy disappoints my hopes, I can but die.

Ped.

Die! If ever I saw you do such a foolish thing, I'd never forgive you. Die, indeed! Mind my prophetic   words:—You'll live yet to be a Princess renowned in universal history books! Such a Princess as there never was before, and never will be again! And, Miss Cinderella, when you have changed your chimney stool for a princely throne, and have learned the hocus pocus of making lords and such kind of gentry, don't neglect to give poor Pedro a turn, and my arms, and those of my noble family, shall be ever after a pumpkin supported by two rats! Come along, put your shoe in your pocket, and hey for the pillion and the blind mare!

                                        Exeunt L.H.
SCENE IV. A Hall in the Prince's Palace. In the centre of the room, a square pedestal by which, on a golden cushion, lies the glass slipper. Two female attendants near it. A lady is discovered making the trial, which is unsuccessful; she descends to make way for another, joining a numerous group of disappointed candidates. (Music) The Prince is discovered seated on R.H., Alidoro, Dandini, and Two Pages standing by him, anxiously watching the trial. Prince.

(relieved by the unsuccessful attempt) My heart is lightened of its fears. Though I have ta'en this way to discover, if possible, the lovely owner of this curious toy, it were a cruel torture to my heart, if chance destroyed my hopes!

Enter Page L. H. Page.

The Baron and the Ladies of Pumpolino are in the ante-chamber.

Prince.

(coldly) Admit them. (Exit Page, L.H.) I dread the trial, (to Alidoro) lest vanity and insolence should claim my hand.

Enter Baron, Clorinda, and Thisbe, L.H.

Baron, and gentle ladies, well are ye come. The trial you are apprised of is in our presence, and you, Baron, may superintend your daughters' essay with our free leave.

Baron.

Gracious Prince, that is assuredly to me and to my daughters, as well as to my daughters and to me, a most flattering and considerate indulgence.

This.

(simpering) Sweet Prince, if fated by Fortune my foot should fit—

Clor.

Your foot, sister!—your foot's like a— (passes Thisbe and curtseys to Prince) 'Tis for me I've no doubt, Prince, the honour is reserved.

Prince.

(coldly) The event, Madam, will show.

Baron.

Now, daughters (takes slipper and kneels on cushion)

This.

I'm quite ready, Sir. (runs before Clorinda to pedestal)

Clor.

Forward little minx! She's always the first!

This.

(looks at the slipper) Bless me, what a little thing it is!

Baron.

(trying to force on the slipper, aside to her) Make your foot small!

This.

(shrinking) Oh dear me! it will never go on!

Clor.

(exulting) I thought so!

Baron.

What the plague have you got in your stocking?

This.

My foot is too long, Pa!

Baron.

Where the deuce is your heel? (the Baron forces the slipper violently; Thisbe screams, and comes down disappointed and limping)

Clor.

(triumphantly) I knew how it would be, sister. simpering and curtseying to Prince) I'm convinced by the size it's just my measure. (ascends the pedestal) Now, Sir! The Baron, with the slipper, makes an effort evidently painful to Clorinda. Oh! gently, Papa! La! you're so awkward!

Baron.

Awkward, indeed! (pushes slipper again)

Clor.

(making a grimace) Oh! do you want to cripple me, Sir?

Baron.

Never mind, child: the honour of being a Princess is well worth a lame foot. (aloud suddenly) There! it's on!

Prince.

(starts up) How!

Baron.

All but the heel! (the Prince sits down) Courage, my dear. (pushing slipper again)

Clor.

(screams) Oh! I can't bear it any more—the slipper's too short.

Baron.

No, my dear—it's your foot that's too long— (with a violent and final push)

Clor.

Ah! (screams loudly and descends enraged)

This.

(trimphantly) I knew how it would be, sister. (laughs)

Baron.

(aside) If I could only have foreseen this thirty years ago, they should both have had Chinese treatment.

Prince.

(aside) Fortune! again I thank thee!

Guard.

(without L.H.) You must not advance.

Pedro.

(without L.H.) Nonsense, I will advance.

Guard.

Stand back, I say!

Ped.

I won't go back!

Prince.

What noise is that?

Ped.

I'll have my say out, if I die for it. Enter Pedro, L.H. Noble Prince!

Ali.

What insolence is this? Hence, fellow, or—

Prince.

Stay! What seek you in this place, friend?

Ped. (falls on his knees)

Most magnificent, extravagant, and dreadful Prince, whose countenance is shocking to your subjects, and frightful to all the world beside, you'll do right to hear me first, and turn me out afterwards.

Baron.

(aside to Clorinda and Thisbe) May I become a commoner if it isn't that villain, Pedro! What wants he here?

Prince. Rise! and speak thy errand. Ped.

(rises) The business that brings me here is, to try   the slipper— (all laugh) —not myself; but I ask the trial for one whose ambassador I come. She waits your Highness's tremendous permission to be allowed to—to show her foot here, and—and that's all.

Ali.

Simple fool! Darest thou imagine—

Ped.

Noble gentleman, I don't address myself to you, nor to any creature here. I speak only to the throne.

Prince.

(laughs) Noble ambassador, conduct thy fair mistress before us.

Ped.

Great Prince, I will.                                         Exit pompously L.

Ali.

My honoured Prince, your good nature serves but to encourage annoyance.

Prince.

Nay, Alidoro, hinder me not because I am a Prince, from acting sometimes like a man. Condescension and humanity to our inferiors become all ranks.

Music the same as ushered Cinderella to the ball heard. The Prince recognises it, starts with an exclamation of pleasure, and hastens towards entrance as Cinderella is led on by Pedro. Seeing her, he turns away disappointed) Prince.

(retiring to his seat) Bitter disappointment!

Cin.

(aside to Pedro) I tremble, Pedro! Did you see his looks?

Ped.

(aside to her) Don't mind his looks. Consider he's a Prince, and has a right to look as he likes.

Clor.

(aside) My eyes surely must be enchanted! 'tis Cinderella!

Baron.

(aside) What assurance!

This.

(aside) She shall starve a whole week for this insolence!

Ped.

(aside to Cinderella) Come, now, keep your little   heart up. I'll introduce you to him. Ahem! (to Prince) Most extensive Prince! Ahem! I am—I am—nobody— (becoming nervous) —and all that I can presume to say is— nothing! Speak, lady, and don't be afraid. (passes her over to R.)

Cin.

(aside) Alas! he has forgotten my features, or his affection has turned to dislike. Gracious Prince, I humbly venture into your presence to—to—

Ped.

(prompting her) Try on—

Cin.

Try on—

Ped.

The slip— (loudly) —slipper, your Princely Highness.

Prince.

Thou—ah! now I observe thy face— (rises) Thou art—thou art— (aloud, hastily) Baron!

Baron.

(runs forward) My Prince!

Prince.

You know this female?

Baron.

(vexed and confused) I know—that is, I have seen — (aside to Cinderella) I'll make you pay for this!

Prince.

Is she not your pretty servant?

Baron.

Noble Prince, I—I can scarcely say what she is.

Ped.

No, it's I that am his pretty servant, my Lord; but as for this sweet young—

Baron.

(hastily aside to him) Speak, and I'll murder you!

Prince.

Alidoro! (the Prince converses apart with Alidoro respecting Cinderella's features)

Baron.

(apart to Pedro) Be silent, and you shall be rewarded.

Ped.

(to Baron) I won't be silent, and I won't be rewarded. You killed the dear creature once already yesterday,   and I won't be a participator in such suicide. (the Baron drives Pedro up the stage threatening him with his cane)

Prince.

(mildly to Cinderella) Thou hast a face of beauty, fair maiden, like to her that—We'll not deny thee thy boon. Ascend the pedestal and try thy fortune— though heaven forefend thy triumph! (half aside)

Ped.

(aside rubbing his hands) Now for it! Oh, princely Fairy, no tricks.

Music.—Cinderella with emotion hastens to the pedestal. Baron and all the Ladies view her with contempt. She takes from the attendant the slipper which immediately goes on. All are amazed. Cinderella draws the other slippers from her bosom; Pedro runs to her and puts it on the other foot; jumping about delighted, he runs against the Baron, who angrily strikes him with his cane. The Fairy Queen now appears, and, with her wand, touches Cinderella, who is still on pedestal, when her dress is again changed to the identical one which she appeared in at the ball. At the same time the scene changes, showing A fantastically Gorgeous Hall. The Fairies appear at the back. Fairy Q.

(leads Cinderella to the Prince) Prince, let thy constancy now receive its full recompence.

Prince.

Wonder and delight enwrap my soul!

Fairy Q.

My pleasing task is done. Sweet Cinderella, thou hast been humble in adversity: be modest now in greatness!

Cin.

Oh! happy Cinderella!—How has my fate changed from what I once deemed lasting misery to transporting bliss!

FINALE Now with grief no longer bending Shall my heart neglected sigh! Like the lightning, swiftly ending, Sorrow's clouds for ever fly! CHORUS. Like the lightning, swiftly ending, May our griefs for ever fly!
End of the Opera