Twenty Minutes With A Tiger.: TEI edition [Anonymous]Q4233718 TEI conversion Lou Burnard Privately distributed by the Digital Lacy Project L0351 The Lacy Project waives all rights to the TEI encoding applied to this material, which it believes to be in the public domain. You may copy, modify, distribute, or perform this work freely. [Anon.] Twenty Minutes with a Tiger A Farce in one act Adapted from the French 23 pp (UM copy: 220 - 243) Lacy's Acting Edition, volume 24, No. 0351N25650 UM from HT Premiered at Theatre Royal, Drury Lane 29 Oct. 1855 FARCE Charles Beeswing Bees. Beeswing. Mr. Chili Chutnee Chut. Chutnee. Jacob Mutter Jacob. Arabella Arabel. Dolly Mutter Dolly. Add wikidata link to titleStmt where possible TEI autotagging by Gemini Pro 2.5 Twenty Minutes With A Tiger. A Farce In One Act Adapted From The French. Thomas Hailes Lacy, 89, Strand, London. Twenty Minutes With A Tiger.

First performed at the Theatre Royal Drury Lane, on Monday, October 29th, 1855,

Characters. Charles Beeswing, traveller in wines. Mr. Charles Mathews. Mr. Chili Chutnee, a retired Bengal Merchant. Mr. A. Young. Jacob Mutter, his servant. Mr. Swan. Arabella, daughter of Chutnee. Miss Devere. Dolly Mutter, housemaid. Miss Wadham.
Costume. .-Dark shooting coat, black trowsers and vest, white hat. Second Dress.--Shiney coat, with patches of green worsted, to imitate weeds, &c.; to represent the first saturated with water. .-Nankeen dressing gown, trousers and cap, white vest, &c. .-Nankeen short-tailed coat, white vest, black trousers. .—White muslin dress. .-Coloured muslin dress, cap, &c,

Time in representation thirty-five minutes.

Applications as to the Performance of this Farce must be made to T. H. Lacy, 89, Strand. Twenty Minutes With A Tiger.
SCENE An apartment in the house of Mr. Chutnee, doors R. and L. 2 E., door C.; window C. L., to open, overlooking a garden with gate C. Tables R. and L.; on table R. H., a gun, shot-belt, powder horn, &c. Writing materials, cheque book, &c. The furniture good but old-fashioned. Dolly discovered dusting, &c., humming an air, “La, la, la,” &c. Jacob enters at back D. F. A loud laugh heard by workmen at back. Jacob.

Dolly!

Dolly. (frightened.)

Eh! what-

Jacob. (laughing.)

It is only your husband, stupid.

Dolly.

Good gracious, Jacob, how you frighten one. I thought it was master.

Jacob.

There's little danger of being troubled with him before nine o'clock. He's fast asleep.

Dolly.

Yes, with one eye open, like all wild beasts.

Jacob.

He certainly belongs to that class of animals, and no mistake.

Dolly.

He's a brute, a perfect tiger.

Jacob.

So he is; but that's not very surprising, when we recollect that he was born, bred, and brought up in Bengal; which country, I've heard say, produces the finest tigers in the world.

Dolly.

But what can make him so savage?

Jacob.

I don't know. His love of solitude, perhaps.

Dolly.

I declare it's horrid to see a person shunning all mankind in such a way.

Jacob.

Ah! you don't shun mankind, my dear.

Dolly.

What do you mean by that?

Jacob.

Oh, nothing-nothing! only that you don't like to be boxed up any more than I do; and when I reflect that we've been here for six months, in this animal's cage-

Dolly.

Yes, Jacob, but its a cage in which we get some nice pickings.

Jacob.

That may be; but still I'm tired of it.

Dolly.

Not more than I am. Only allowed out once a fortnight.

Jacob.

And then, without your husband.

Dolly.

And all the rest of the time cooped up within four walls.

Jacob.

Yes, but that's with your husband.

Dolly.

It's horrible!

Jacob.

Eh!–

Dolly.

Nonsense! a husband is all very well, but one likes a change.

Jacob.

What–

Dolly.

Of air.

Jacob.

Oh!

Dolly.

And scene.

Jacob.

Oh, yes, of course!

Dolly.

Let's leave him!–let's give him warning!

Jacob.

With all my heart. I'll do it, the very first time I catch him in a good humour.

Dolly.

Why not at once.

Jacob.

I don't see why we shouldn't.

Dolly.

As the place don't suit us.

Jacob.

And as we want to go.

Dolly.

I'll speak to him. I'm not afraid of him.

Chutnee. (calling without R. D.)

Jacob!

Dolly. (trembling.)

Eh!–here he comes.

Jacob. (trembling.)

Now for it! pluck up a spirit; don't tremble! I'll support you–I'll back you up!

(places himself back to back with her, his face turned L.)
Enter Chutnee R. H., door. Chut. (always brusquely and sharply.)

Jacob! Dolly!

Dolly.

Here, sir.

(turning so that Jacob faces him.)
Jacob.

Here we are, sir!

(he does the same.)
Chut.

What does all this singing and laughing mean?

Dolly. (inquiringly.)

Laughing, sir!

Jacob. (seriously.)

There's nobody laughing here, sir.

Chut.

Where then? (loud laughing and singing heard at a short distance.) Do you hear that?

Dolly.

Oh, I see! Don't you know, sir?

Chut.

Know what?

Dolly.

Old Mr. Tomkins, your landlord, has sent a lot of men to whitewash the ceilings.

Chut.

What?

Dolly.

And new paper the rooms.

Chut.

What?

Dolly.

And repair the roof.

Chut.

What?

Dolly.

And paint the house.

Chut.

What!–whitewash, paint, paper! I won't have it. I didn't ask him to do it. It shan't be done! I'll remain as I am!

Jacob.

But, sir, for all the nine years you have been here it has never been touched, and—

Chut.

Hold your tongue.

(crosses to L.)

The animal! to dare to whitewash, paper, and paint me! Suppose the rooms are a little brown, I like 'em! Go to old Tomkins, tell him to take all his workmen away, instantly. I give him till ten o'clock, if they are not gone by that time, I'll pitch the first one I meet into the fish pond that stands at the bottom of my garden! Well, why don't you go?

Jacob.

Hem!–the fact is, sir, I only wanted to say–

Chut.

What?

Dolly.

Pray don't be angry, sir, we only wish–

Chut.

What?

Jacob.

To–to–

Dolly.

To quit your service, sir.

Chut.

Quit my service?

Jacob.

And if you will have the kindness to discharge us, and get rid of us as soon as possible—

Dolly.

We should for ever be obliged to you, sir.

Chut.

Quit my service? Never! (crossing to C., between them.) Never! not that I can possibly be worse off; for a more idle brace of vagabonds never existed, and I've a horror of both of you, but still greater horror of fresh faces. I hate 'em, as cordially as I hate fresh paint, fresh paper, fresh whitewash! so you will live and die in my service!

Jacob.

Well, sir, I've no fault to find, I'm sure, only, you make a regular jail of the house.

Chut. (aside; taking him to R.)

And you want to change it to another jail.

Jacob. (astonished.)

Eh?

Chut.

Close by the Town Hall there's one, where they receive, and provide board and lodging for servants who steal their master's wine.

Jacob. (aside.)

How the devil did he know that?

Chut.

If you prefer it, I'll have a room prepared for you, there.

Jacob.

Oh, lord! No, no, sir.

(goes up.)
Dolly. (advances L. H)

After all, sir, I suppose we are not slaves—and I like a taste of fresh air, and a walk now and then.

Chut. (aside to her.)

In the evening with a policeman, down Love Lane.

Dolly. (astonished.)

Mercy on me, whoever told him that?

Chut.

You think once a fortnight too seldom, but your husband, if he knew it, might think it too often.

Dolly. (imploringly.)

Oh, sir!

(Jacob comes down R. H.)
Chut.

Well, well, say no more about it. (looking at Jacob.) You are both sorry for what you've said, so there let the matter end. (going up; looks out of window.) By Heaven, those rascally painters are at work already, and they have got the garden gate wide open, so that any body can come in. Run with my message to old Tomkins, instantly.

Jacob.

Yes, sir! Yes, sir!

(going.)

But suppose he refuses, sir?

Chut.

Refuses?

Jacob.

Am I to give him notice that you'll quit?

Chut.

Quit? Never! I'll strangle him first!

(seizing Jacob.)
Jacob.

Oh! I'll tell him, sir! I'll tell him!

Exit hastily D. F. Chut. (walking up and down furiously.)

Quit! Never! (stops to Dolly.) Is my daughter awake?

Dolly.

Yes, sir, Miss Arabella is in the drawing room.

Chut. (aside; His whole manner changing to one of affection.)

Bless her dear heart, I'll go, and give her a kiss. (gruffly to Dolly.) Dolly, mind, I'm at home to nobody.

(going R. H.)
Dolly.

I know, sir! I'll take care.

Chut.

What! whether I will or not! Paper, paint, whitewash me!

thrusting open R. H. door; exits grumbling Dolly.

As the garden gate is open, I'll lock this door to make all sure. (locks door in flat.) there, that'll do. (a knock at the door C.) Eh? some one knocks (knock again.) Who can it be? (knock again.) One of the workmen, perhaps. (knock again–approaching door.) Who's there?

Beeswing. (outside.)

This is Mr. Chutnee's?

Dolly.

He's not at home!

Beeswing. (outside.)

I know it.

Dolly.

He never is!

Beeswing. (outside.)

I know it; I wish to speak to his wife.

Dolly.

He's a widower!

Beeswing.

To his mother.

Dolly.

She's dead, too!

Beeswing.

To his housekeeper, then.

Dolly.

His housekeeper! What the deuce can he want with me?

Beeswing.

Open the door, it is of great consequence.

Dolly.

He seems a civil spoken person, I'll risk it, for once.

(opens door.)
Enter Beeswing. Bees. (gaily.)

So here I am, then, in the Tiger's lair. This is his den.

Dolly. (R. H.)

Why, bless me, if it isn't Mr. Beeswing.

Bees.

Eh? what, Dolly?

Dolly.

The wine merchant's traveller!

Bees.

The pretty chambermaid of the commercial at Cheltenham.

(aside.)

This is lucky! I knew I had something to say to you my darling.

(kissing her.)
Dolly.

Good gracious, Mr. Beeswing, what on earth brings you here?

Bees.

Business, Dolly! I have come to tickle your master's liquid sensibilities! Do you take?

Dolly.

Oh, yes! But do you know him?

Bees.

By reputation only; a queer fish they say.

Dolly.

Fish! He's a beast. Mr. Beeswing, a regular ferocious wild beast!

Bees.

Never mind, I'll stir him up with a long pole.

Dolly.

If you'll take my advice, you will make your way out of his house as soon as possible.

Bees.

Never! my honour's engaged in the affair!

Dolly.

How?

Bees.

Well, a party of sixteen of us, all good men, and true, some of the choicest spirits on the road, were dining together yesterday, at the Lamb! I needn't tell you we were all well primed.

Dolly.

No, you needn't tell me that.

Bees.

And when Aurora with her rosy fingers was opening her shutters—

Dolly. (with naivete, interrupting.)

Aurora! Have they got a new chambermaid, then–has Betty left?

Bees.

Bless your unsophisticated innocence! you are not mythological, Dolly.

Dolly.

No, sir, but you said Aurora–so I thought.—

Bees.

Of course you did. But Aurora, at this period of the year, means half past three o'clock in the morning, Dolly.

Dolly. (trying to comprehend, in vain.)

Oh! Ah! Yes!

Bees.

Well, about half past three this morning, while we were mutually recounting our exploits and successes, some, while confessing their defeats, mentioned a certain Mr. Chili Chutnee, to whom no one has ever been able to make a sale, and, from whom, more than one has had some difficulty in escaping with a whole skin. (imitating.) "And I'll bet a case of champagne," said old Jack Barker–you recollect old Jack, with his mulberry cheeks, and his raspberry nose, and his gooseberry eyes, his comedy face, and his tragedy voice?

Dolly. (laughing.)

Oh, don't I! (seriously, with naivete.) Do you know that even in the middle of summer he always would insist on my warming his bed.

Bees. (laughing.)

Ah! he was a good judge. (continuing his imitation.) "I'll bet a case of champagne,' said old Jack, 'that even Charley Beeswing, clever as he is the flower of the vast flock of commercial travellers, as we all allow him to be–I'll bet a case of champagne that even he makes a failure with old Chutnee; and if anybody will bet me two cases to one, I'll take it, that he gets his bones broken into the bargain.' 'Done," said I, “on both events,”—and the wager was noted down amid hurrahs of enthusiasm–and here I am."

Dolly.

I shouldn't like to be in your place. I tell you he is a perfect wild beast.

Bees.

I've travelled all over the world in my time, and cut wild beasts' claws of all sorts and sizes. I'll tame him.

Dolly.

I don't think it.

Bees.

We shall see. After all, what do I risk? My corpus–my edifice. Well, it is mine! I don't hire it; I hold the fee simple of it; I have a right to dispose of it as I please. I have relations, it is true, scattered here and there about the world, like dandelions in a hay–field; but there isn't one of 'em, if my nose was bleeding, would lend me a key to put down my back to stop it. I have a rich old bachelor uncle in this very town, yet the animal would never even give me an order for a dozen of port, although he drinks three bottles every day of his life; so if I choose to run a hazard, what is it to anybody?

Dolly.

Oh, if you don't care about it.

Bees.

You are wrong, I do care–to a certain extent. But what I care for infinitely more is to preserve my reputation as the first man–the cleverest fellow in my profession. Where is this Bengal Tiger?

Dolly.

With his daughter in the next room.

Bees.

Oh, he has a daughter, has he? The Mohican! Well, I'll wait here till he comes.

(sits R. H., table.)

Dolly, you haven't got a long pole, have you?

Dolly.

No, sir, but here's this morning's paper.

Chutnee. (without.)

Where's to–day's Times, Dolly?

Dolly.

Oh, mercy, there he is!

Bees.

Bravo! the overture has struck up–the opera is about to begin. It opens with a duet between the trombone and the first fiddle, so you may take your flute out of the orchestra, Dolly.

Dolly.

I will.

Exit Dolly, L. D. Chutnee enters, angrily, R. D. Chut. (R. H.)

Don't you hear me, you lazy minx? where's my to–day's Times?

Bees. (C. presenting it.)

There it is.

Chut. (astounded.)

A stranger here?

Bees. (calmly.)

Some very interesting news this morning.

(introducing a line or two about whatever happens to be the news of the day.)
Chut. (always brusquely.)

Where do you come from? Who do you want?

Bees.

I want Mr. Chili Chutnee.

Chut.

Well my name is Chutnee–well?

Bees.

I come to propose a matter of business to you.

Chut.

I have left off business these ten years.

Bees.

I'll smooth the animal down a little. (aside.) I am perfectly well aware of that, sir, so brilliant a star as the house of Chutnee and Co. could not disappear from the commercial firmament without its being remarked at the observatory.

Chut. (aside.)

That's flattery! This fellow is a humbug.

Bees. (aside.)

He don't bite–he looks as if he could.

Chut.

I'm not easily deceived—I'm up to snuff, sir.

Bees. (producing snuff box.)

Try that, you'll find it good.

Chut. (pushing it away.)

No. thank you; be so good as to let me know, plainly, what you want?

Bees. (aside.)

Don't like flattery, eh? (aloud.) Well, then, I'll tell you plainly, I want to make a plant on you,

Chut.

What?

Bees.

You asked me to speak plainly–I want to sell you six dozen of champagne, which a customer has returned on my hands, because he says it is manufactured from gooseberries.

Chut.

What! Another of these infernal travelling wine merchants. Hark ye, you're a new hand I fancy, or you must have heard of the sort of treatment you gentry usually meet with from me.

Bees.

May I inquire its nature?

Chut.

I'll set my dogs at you.

Bees. (coolly.)

Oh, indeed! Have you any good ones? I should like to see them. I have dealt in dogs; in fact, I have dealt in almost everything in my time. What breed are they?

Chut.

Bull dogs, sir!

Bees.

And I'm sure well–bred with so well–bred a master.

Chut.

Death, and the devil!

Bees.

The bull dog is a most interesting animal; what a mouth he has–what a jaw–what strength! I knew one, sir, who would have lifted you off the ground by the hair of your head, in this way.

(extends his arm as if to catch Chutnee by the hair, he retreats to R. H. corner.)
Chut.

Hands off, if you expect to leave this room alive.

Bees.

Leave this room alive! of course I do.

Chut.

You had better make haste, then.

Bees.

Why so? do you suppose I credit all the queer stories they tell about you? I don't believe you're a bit more ferocious than other people; they were afraid of you–I'm not; that's all the difference.

Chut.

In a word, sir, I believe I'm master in my own house; you have thrust yourself in, unasked, and I have a perfect right to–

Bees.

Tell me to leave it; so you have, with politeness.

Chut.

Politeness to a–. But so be it. Sir, I have not the honour to know you–I have no wish to make your acquaintance. You come to offer to sell me bad champagne; I don't want any champagne. I hope that is polite? so, now be kind enough to quit my premises.

Bees.

Sir, I can refuse nothing to so well–bred a bull–dog–gentleman, I mean–and have the honour to wish you a very good morning.

Chut. (aside.)

A good riddance. The impudent villain!

Bees. (aside, as he goes.)

If you think you have got rid of me, you old rhinoceros, you are vastly mistaken. Good morning, Chutnee; pray don't trouble yourself to come to the door. You are a good hearted fellow, I'm sure, Chili! only a little too warm, Chili,–Ta, ta! ta, ta!

Exit Beeswing, D. in F. Chut.

That is certainly the most impudent fellow I ever met with. I could scarcely keep myself from—

Enter Arabella, R. D. Arabel. (as she enters)

May I come in, papa?

Chut. (his whole manner altering to one of affection.)

Yes, my darling; always when I am alone. Come here, my darling. (he places chairs, she sits by him.)

Arabel.

You are vexed about something.

Chut.

I–no!

Arabel.

Ah, now, you can't deceive me. I can see a little ugly wrinkle here (touching his forehead.) that tells me a different story.

Chut.

Well, yes; just now, a–no matter, you are; by my side, and all is forgotten.

Arabel.

Ah, that's right!

Chut.

I love you so dearly; you are the only one I love in the world.

Arabel.

Oh yes! my sister, too?

Chut.

I don't! she left me.

Arabel.

To go with her husband!

Chut.

A pretty reason, truly! a father is nothing, of course! I detest her husband! He promised to remain here with his wife; and, after they were married,–

Arabel.

But his business obliged him to go and settle in Edinburgh.

Chut.

I don't believe it; let us drop the subject, it irritates me; give me a kiss, darling! You won't leave me; you will love me always, won't you? I will do everything I can to render your life happy. Have you seen the new tulip bed I have made for you? I have not forgotten how fond you are of them; and, look here! (taking out a small jewel case.) when I was out yesterday I bought this.

(showing pearl necklace.)
Arabel.

Oh! what a beautiful necklace!

Chut.

It is yours.

(giving it.)
Arabel.

My dear father, you are too kind to me.

Chut.

You think me kind, do you?

Arabel.

Yes, indeed!

Chut.

Ah! to you I am; to everybody else I am a brute–a savage, as they call me. No matter, let them call me what they please. Why don't you put on your necklace?

Arabel.

It is more fitted for a ball room, papa; one only wears these things, you know, when one wants to look handsome.

Chut. (rather testily.)

So you don't want to look handsome for me, then?

Arabel.

Oh yes, I do, papa!

(goes to glass over chimney piece and puts them on.)
Chut.

That's a good girl.

Arabel.

I only meant that, when one is at home–

Chut.

Yes –yes, I know.

Arabel.

What a pity that I had not this necklace when you let me go to Eastborne to stay a fortnight with my aunt. But, next time I visit her, I'll take it with me.

Chut. (testily.)

You won't visit her any more.

Arabel.

Indeed!

Chut.

No; it was all very well for once, because you were ill. But I shan't consent to it again.

Arabel.

As you please, papa.

Chut.

I was wretched all the time you were away. I fancied you were surrounded by a thousand dangers; and so you were. A stupid old fool of a woman to allow you to go and bathe in the sea–all alone!

Arabel.

Poor aunty! I'm sure she was frightened enough, when she suddenly saw me disappear beneath the waves, and I should assuredly have been drowned, but for that young stranger, who happened to be passing, and rescued me.

Chut.

You have never seen him since, have you?

Arabel.

Never! No sooner had he brought me safely to the shore than he ran off, as if ashamed of the service he had rendered me.

Chut.

Ah, good!

Arabel.

But I am sure I should know him again if ever we chance to meet.

Chut.

Humph! You are never likely to meet. a knock at door C. Eh! Who is that? One of those confounded workmen, I suppose. knock again. Go to your room, my darling, and don't come out till I ring, to let you know when I am alone.

Arabel.

Very well, papa!

Exit R. H. D. knock again much louder Chut. brusquely.

Coming–coming!

opens the door, C. Beeswing enters rapidly. Bees.

Ten thousand apologies for disturbing you!

Chut.

What! you again?

Bees.

Don't get out of temper. I was wrong, I confess it. I own it, and I have come to make the amende honourable.

Chut.

Make the devil!

Bees.

It was an insult to offer you champagne, and more especially such champagne as that. You were very right to have nothing to do with it.

Chut.

And I was very right also to show you the door

Bees.

Perfectly! Unquestionably!

Chut.

Then why have you come back again?

Bees.

Champagne for you!–a woman's wine. No! The stuff to suit you, my dear Chutnee, is a very fine, dry old Madeira, and as I have some magnificent–

Chut.

Sir! This time I shan't show you out at the door–I shall throw you out.

Bees. coolly.

What! you, yourself?

Chut.

Why not?

Bees.

With those two little thin arms?

Chut.

Yes, sir!

Bees.

Well, you may be strong, I don't say you are not–you are wiry, perhaps, but I haven't fed lately with a pap–spoon. I'm firmly–built–healthy biceps!

Chut.

Do you threaten me? Ten thousand devils! will you get out?

Bees.

Immediately, if you'll prove to me that you have in your wine cellar any Madeira as good as mine.

Chut.

What are you doing, there?

rings a bell Bees.

Ringing for a bottle of yours. takes a small table, and places in centre of stage. It is a tournament—a passage of arms between your cellar and my pocket. I open the lists. he takes a pint bottle of Madeira from his pocket, puts it on table, C. And there's my champion!

Chut. seizing the bottle, and about to strike Beeswing on the head with it.

Villain!

Bees. seizing, and elevating the table, with which he menaces Chutnee.

Ah!

Arabel. without.

Papa! papa!

Chut.

My daughter!

Enter Arabella, R. H. D. Arabel.

Did you ring, papa ?

Chut.

No! go to your room, I'm busy.

Bees.

Not at all! not at all! recognising her. Eh! by Jove!

Arabel. recognising him.

Is it possible? was it not you, sir, who–

Chut.

Who–what?

Arabel.

A month ago, at Eastborne–

Bees. with gallantry.

Yes–yes? but I knew which way the current ran; there was no great merit in it. aside. She's a charming little creature!

Chut.

Was it this person, who—

Arabel.

Saved my life? Yes, father, it was, indeed!

Chut. to her.

Enough! going to Beeswing. Sir! Beeswing seeing Chutnee approach, raises table as if to defend himself.

Chut.

You have saved my daughter's life, it appears!

Bees. aside.

The devil's in it, if I haven't got him safe now.

Chut.

If I had been there such an accident would never have happened? but no matter for that.

Bees.

Turn me out of the house, now, do?

Arabel. aside to Chutnee.

Is that the way in which you thank him, papa?

Chut. to her.

Silence! to him. Pray, sir, what commission do you get on your sales?

Bees.

Five per cent. net.

Chut.

You will be so good as to send me in five and twenty pounds worth of Madeira.

Bees.

Certainly! Allow me to make a memorandum of the order.

Chut.

That will be five and twenty shillings for your–self, which, I believe, is a half–a–crown more than the cost of the Humane Society's gold medal. goes to R. table.

Bees. astounded.

Eh?

Chut.

I'll give you my cheque for the amount at once. writes cheque.

Bees. aside.

What a queer old crocodile! I hardly expected that.

Arabel. taking off her necklace.

Take this in re–membrance of me, sir. slips necklace into his hand, and goes towards table.

Bees.

No!no! really–I–offering it back.

Arabel.

I beg–I insist! retires.

Chut. comes down.

There, sir, is a checque for the twenty–five pounds, and now we are quits.

Arabel. coming down.

Oh! father–

Chut.

Bid the gentleman good day, and go to your room.

Arabel. curtseying.

Sir–I—

Bees. aside.

How the deuce shall I give her back the necklace!

Arabel. with emotion.

Good day, sir! and, I feel myself still your debtor, believe me. Beeswing bows to her.

Exit Arabella, R. D. Bees. aside.

You haven't seen the last of me yet, old fellow. aloud. Well, thank you for your order, Chutnee. going. The last time I said "Good bye, Chili," I thought you were confoundedly warm, but now I think you are un-naturally cold, Chili. Ta, ta! Ta, ta!

Exit Beeswing, D. F., Chutnee bolts it. Chut. solus.

I was very right to get rid of him as I did! There always are crowds of young humbugs saving young girls' lives, just to gain a footing in their father's houses. knocking at D. F., seizing gun, rushes to the table B. H. Who's there?

Jacob. without.

It's I, master, Jacob.

Chutnee opens the door, and pulls Jacob in–again fastening the door. Jacob. R. H.

I have been to the landlord, sir.

Chut.

Well?

Jacob.

And it is impossible to have an answer, sir.

Chut.

Ah! He does that on purpose to put me in a rage, and drive me to extremities

Jacob.

No, sir, nothing of the sort. The poor man is dead.

Chut.

Dead!

Jacob.

Yes, sir, of a perplexity, in the middle of the night–last night. He had a very short neck, just like yours, sir!

Chut.

I'll–restraining himself. But no matter–The point is, how to get rid of these workmen.

Jacob.

You can't sir! They musn't go!

Chut.

What!

Jacob.

I've seen the lawyer, who has charge of every–thing; he says that the house is being put in order, because the very last instructions he received from Mr. Tompkins were, that it was to be sold; and he can't stop the repairs without the permission of the heir–at–law.

Chut.

Who is the heir–at–law?

Jacob. giving a card.

That's his address, sir.

Chut. snatching it.

Give it to me, fool! Donkey, get out–leave me. kicks him off, exit Jacob, L. H. D.

(Beeswing appears at window in flat, with a carpenter's rule in his hand, measuring. Bees.

Three, six, seven feet nine. takes long strides across the stage.

Chut. aghast.

Here again?

Bees.

Ah! excuse me, don't disturb yourself, merely taking some measures. coming down. Have you lived in this house long?

Chut. furious.

Sir! this–

Bees.

I'm rather afraid it's dam –eh?

Chut. restraining himself.

Sir! you have saved my daughter's life, it is true, but that is no reason why—

Bees.

That I should come into your house through the window, I confess it !–but I felt that you had most probably locked all the doors. Now tell me, upon your honour!–Is it damp?

Chut. bawling.

Is what, damp?

Bees. bawling.

This house!

Chut. calling off.

Jacob! go and fetch the police.

Bees. calling.

Jacob! Your man seems to have got a fit of the sloes.

Chut.

What do you mean by that?

Bees.

What, don't you know what sloes are! Ah, you are no wine merchant.

Chut.

Jacob! Jacob! calling.

Bees.

Why, what's the matter? When a house is for sale, I believe people have a right to look through it? I'm looking through this.

Chut.

What?

Bees. taking a printed bill out of his pocket.

Here's the printed bill, "This House to be Sold," and I think I shall buy it.

Chut.

I shall murder this man, I know I shall calling. Jacob!

Enter Jacob, L. H. D. Bees.

Bring coals and wood, Jacob!

Jacob. astonished.

Coals and wood!

Bees.

And light a fire; I want to see if the chimneys smoke.

Chut. is furious; Jacob laughs, Chutnee pushes him off, L. H. D.

Get out–get out of my sight; I shall kill somebody, shortly.

Bees.

Oh! I forgot the doors! are they in good order? how do they hang? swinging C. door, backwards and forwards.

Chut.

I should like to see you hang.

Bees.

Pretty well–pretty well! that will do. Now let's try this. crossing to R. H. door, Chutnee rushes up to seize the gun from the table.

Chut.

The villain! That's my daughter's room!

Bees. as he crosses.

It is as well to make certain.

Chut. presenting gun.

One step further and you are dead man.

Bees. coolly.

Very well, fire away! Commit murder; but recollect, all I want to know from you is, how they hang.

Chut.

sinks into chair B. H., This is some horrid dream, it cannot be reality; such prodigious audacity. jumps up. That's my daughter's chamber, sir.

Bees.

Is it, though. I have something to say to her. trying to pass him.

Chut.

What about?

Bees.

A private matter; nothing that concerns you.

Chut.

But, sir–

Bees.

Well, well, I've no particular objection to tell you. I'm in love with your daughter.

Chut. aside, in despair.

I knew it–I was sure of it.

Bees.

And I even venture to flatter myself that she–

Chut. interrupting.

She–

Bees.

Do you know this necklace?

Chut. astonished.

The one I gave her.

Bees.

Ah, she is not quite so unmindful of what is due to the man who saved her life, as her father. She thought that five–and–twenty shillings was hardly enough, so she added this to it. But take it back, gives necklace. and keep it till we are married; for you are going to marry us.

Chut.

Marry you?

Bees.

Why not? I'm poor, I confess, but–

Chut.

It makes no difference with me, if you were as rich as Croesus. Moreover, there is a singular, dare–devil, coolness about you, which I can't help admiring. But I have made up my mind, that as long as I live, my daughter shall remain single.

Bees.

Then you must be killed.

Chut.

What!

Bees.

I shan't like the task, for to say the truth, there's a strange oddity about you which I cannot help liking. You're not an every day father–in–law; you are not a common–place, tasteless, boiled veal sort of a father–in–law. I should have liked you amazingly. But no matter, you must quit this world, Chili.

Chut. ironically.

Must I, indeed!

Bees.

Yes, I have made up my mind, and when Charley Beeswing makes up his mind–

Chut. eagerly interrupting.

What did you say, Charles Beeswing. takes card from his pocket Jacob gave him.

Bees.

Yes, that is my name.

Chut.

Then you are the nephew of Mr. Peter Tomkins?

Bees.

Inasmuch as he is my uncle, I believe I am.

Chut.

My landlord!

Bees.

Eh?

Chut.

I'm delighted. His agent has just referred me to you.

Bees.

What about?

Chut.

About the purchase of this house. I have lived in it nine years, sir, and I am so attached to the old place, that it would break my heart to part with it. The dearest wish I have on earth is, to spend the rest of my days and die beneath this roof. It is folly, perhaps, it is a mania you will say, still—

Bees.

But why do you address yourself to me? Go to my uncle.

Chut.

Your uncle is dead.

Bees.

Dead!

Chut.

Last night–did you not know it?

Bees.

Not I.

Chut.

And as you are his heir–at–law—

Bees. aside.

Oho! I'm your landlord, am I?

Chut.

What is your price for it, sir. I pay down on the nail.

Bees. walking up and down, and echoing Chutnee's former speech.

It makes no difference with me.

Chut. following him.

A cheque for the whole amount before you leave the–

Bees. as before.

If you were as rich as Croesus–

Chut. as before.

I don't want to haggle about terms.

Bees. as before.

It makes no difference with me.

Chut.

But, sir–

Bees. stopping suddenly.

Sir, I adore this house. Like you, I am so attached to the old place, that it will break my heart to part with it; and I said to myself, long ago, whenever I came into possession of it, I'll give my tenant notice to quit, and take up my abode within its venerable walls.

Chut.

What?

Bees.

Sir, the dearest wish I have on earth is to spend the rest of my days and die beneath this roof. It is a folly, perhaps it is a mania, you will say ; but mania's are respectable things, when indulged in by respectable people, so I give you notice to quit.

Chut.

Notice to quit!—to me, a tenant of nine years' standing! after I have made such improvements–rebuilt the stables, laid down fresh drains, made a beautiful new kitchen garden–

Bees. interrupting.

And I am so doatingly fond of vegetables. Thank you! shaking him warmly by the hand thank you! I declare I am very sorry to turn you out; but I have made up my mind, my determination is irrevocable, that as long as I live–

Chut. enraged.

Then you shan't live long.

Bees.

We shall see. going. I'm off to my lawyer, to tell him to give you notice.

Chut. bawling.

I won't take notice; you shan't go! seizing Beeswing, who is close to the door. I won't go.

Bees.

Let go; this is a go.

Chut.

Villain! I'll strangle you!

Bees.

You are not strong enough in the biceps!

Chut.

I'll kill you–I'll–

During the foregoing they have disappeared through door in flat into garden, Beeswing striving to get away, Chutnee vainly endeavouring to detain him. Voices still heard disputing in the distance, as Dolly enters hastily, L. H. D. Dolly.

Good gracious me, how dreadfully they are quarrelling. I knew how it would end–I told him so. calling at door R. H. Miss–Miss–Miss Arabella!

Enter Arabella, R. H. D. Arabel.

What is the matter?

Dolly.

Oh, frightful! murder is the matter, perhaps !

Arabel.

Great Heaven!

Dolly.

They've just left the room.

Arabel.

They–who?

Dolly.

That young man and your father!

Arabel.

Quarrelling!

Dolly.

Oh, shocking! and bawling and pitching into one another, terrible.

Arabel.

Merciful powers!

Dolly.

I'm sure something horrible will come of it.

Arabel.

What is to be done.

Enter Jacob, C. F. in a great fright–hurriedly. Jacob.

Oh, Miss!–Oh, Dolly! O—h!

Arabel.

Speak!

Jacob.

Such an event!

Arabel.

What has happened?

Jacob.

Master and that other gent–

Dolly.

Well!

Jacob.

Having a desperate row, at the bottom of the garden.

Dolly.

Yes!

Jacob.

The gent trying to get away.

Dolly.

Go on!

Jacob.

And master trying to hold him fast.

Arabel.

Well!

Jacob.

The gent's coat-tail came slap off in master's hand, and bang he fell into the fish–pond!

Arabel.

Who fell?

Jacob.

The gent! and it's sixteen feet deep.

Arabel.

Merciful heaven! Drowned!

Jacob.

I don't know–I didn't stop to see I ran here to tell you.

Enter Chutnee with coat–tail in his hand, door C. Chut. to himself.

This is a dreadful affair! He went down like a stone, and never rose again. What is to be done?

Arabel.

Oh papa! surely–surely–

Chut.

It was pure accident, my darling. He was obstinate–I was obstinate–

Arabel. weeping.

Oh! To think that, after saving my life, he should perish thus!

Chut.

And, worse than all, I fear you loved him!

Arabel.

I did!–I did! weeping.

Chut.

I declare I would have sacrificed all I possess, in the world, and give him your hand into the bargain, rather than this should have happened. But, when we quarrelled, he didn't give way—I didn't give way–but his coat–tail did give way.

Beeswing advances from door C. dripping wet, minus one coat–tail. Chut.

Why, how did you come here?

Bees. shaking his hat.

By water!

Chut.

Alive!

Bees.

And merry! after the sweet confession I have heard from these dear lips; and your own declaration that you would have consented to our union. So, I suppose, you are hardly going to have another quarrel on the subject, my dear papa?

Chut.

Ah! but I said that when I thought you were dead.

Bees.

So I was; you don't want to kill me again—twice in one day; you don't want to pull my other coat–tail off, turning round. after the divers feats I have performed for her?

Chut.

Why, you only jumped into a fish–pond!

Bees.

Well, wasn't that a diver's feat? But come, you'll consent to our union; I know you will, for, bless you, you can't deceive me. I've seen through you all along.

Chut.

Seen through me?

Bees.

Yes, as clear as a claret glass. I said to myself "'there's a world of good in that dry old husk;" but the difficulty was to crack you to get at the kernel. Why, bless you! kind feelings, like champagne, no matter how you cork, tie, wire it to keep it down, it will come up–it will effervesce. Now, you effervesced!

Chut. softened.

Did I? Did I effervesce?

Bees.

Of course you did; didn't you pull my coat–tail off? what was that? why, kind feeling to be sure. I cut the string, and pop–you effervesced.

Chut.

Well, I believe I did; and if I thought you wouldn't turn me out of the old house.

Bees.

Turn out! not exactly; we all mean to turn in to Arabella. don't we? I'll marry you directly, going to embrace her. that is, when I'm dry.

Chut.

But have a care, if ever you take her away from this house while I live–

Bees.

I'll give you leave to burn it down to the ground. aside. I'll have it insured to morrow.

Chut.

But how and when did you get out of the water? I saw nothing of you after you disappeared.

Bees.

I never intended you should. I dived down under the boat, on the opposite side, among the weeds, and squatted down behind it, till I saw you enter the house.

Arabel.

For shame, to frighten us so.

Bees.

All is fair in love.

Dolly.

You must be a famous swimmer, sir?

Bees.

It's only a mere wet before dinner. Well, after all, I have made a tolerable good day's work. I think, even old Jack Barber will confess, I haven't done badly. I've won a wager and a wife; found a house and a home; dropped into a fortune and a fish–pond; bought a two–foot rule and tamed a tiger, and all within the short space of twenty minutes, by the best stop watch! And now, ladies and gentlemen, if any of you have at home, a tiger or a tartar, bring 'em here, and I'll cut their claws–you have seen my method. brings Chutnee forward. Here's my specimen card! You all know how savage he was, look at him now! why, he'll hop upon my finger, follow me about like a dog, and all by the force of kind feeling. And, if at any time you feel uncomfortable, and want a little relaxation, I hope you'll come here and spend— Twenty Minutes With A Tiger.

Jacob, Arabella, Beeswing. Chutnee., Dolly. B. H. L. H. Curtain.