Through Fire & Water.: TEI edition Gordon, Walter TEI conversion Lou Burnard Privately distributed by the Digital Lacy Project L1287 The Lacy Project waives all rights to the TEI encoding applied to this material, which it believes to be in the public domain. You may copy, modify, distribute, or perform this work freely. Gordon, Walter Through Fire and Water An Original Comic Drama 35 pp (UM copy: 406 - 441) Lacy's Acting Edition, volume 86, No. 1287N12852 UM from HT Premiered at Royal Adelphi Theatre 29 June 1865 DRAMA Joe Bright Joe Bright. Joe. Mike Biddles Mike. Kit Coventry Kit. Philip Dashwood Philip. Ruth Ruth. Honor Bright Honor. [Multiple speakers] All. Honor.|Ruth. Add wikidata link to titleStmt where possible Checked against UM PDF TEI autotagging by Gemini Pro 2.5 Through Fire & Water. An Original Comic Drama. In Two Acts. By Walter Gordon, (Member of the Dramatic Authors' Society). Author Of Dearest Mamma, Duchess or Nothing, Home for a Holiday, Old Trusty, An Odd Lot, My Wife's Relations, Pay to the Bearer, &c., &c. Thomas Hailes Lacy, Theatrical Publisher, London. Through Fire And Water.

First produced at the Theatre Royal Adelphi (under the management of Mr. Benjamin Webster), June 29th, 1865.

Characters. Joe Bright (a Fireman) Mr. J. L. Toole. Mike Biddles Mr. R. Phillips. Kit Coventry Mr. Billington. Philip Dashwood Mr. Ashlby. Ruth Miss Henrietta Simms. Honor Bright (Joe's Sister) Mrs. Alfred Mellon.

Time—Present Day.

Act I.
Scene. – Room on ground floor of a small house in the suburbs of London; a window in back flat, L. C.; entrance door, R. C., with small garden beyond, door, R.; cupboard; plain solid furniture; various accessories belonging to the occupation of a fireman disposed about the walls; bonnet and shawl, belonging to Honor, hang on a peg; window open. Honor Bright discovered sitting at a table sewing some plain work. Honor.

Stitch, stitch, stitch! Work, work, work! That's all a woman's fit for; and if I didn't do all the housework, who is I should like to know? Brother Joe's duties as fireman leave him neither time nor strength, poor fellow; and Ruth always seems to me as if she were born to better things than roughing her pretty little hands. No, slave away, Honor, my girl, slave away. That's your lot in life. (lets fall her work on her lap) Now, there I am, at it again–thinking of that good- for nothing Kit Coventry (works–a voice heard singing "I'd be a butterfly.") Now, there he is, daring to come here again. The impudence! after my last snubbing.

Kit Coventry appears at the open window. Kit.

(singing) "Twas she the fairest flower."

Honor.

(pretending anger) Well, I never!–what are you doing there, sir?

Kit.

"I've been roaming–I've been roaming."

Honor.

Then go and roam again, I'm very busy–I can't afford to be idle.

Kit.

(sitting on window sill outside) Only one word, Miss Honor.

Honor.

Why, if he isn't actually sitting on the window! Get up, sir.

Kit.

I'm so dead beat, I can't stir.

Honor.

Well then, sit as long as you like, I shan't take the slightest notice of you. (turns her back)

Kit.

You won't? Thank ye–that's just what I wanted. (puts one leg over the window sill)

Honor.

What are you doing now ?

Kit.

Pray don't take the slightest notice of me.

Honor.

(getting up) Mr. Coventry! Sir, I really cannot allow this! The neighbours might see you, and make disagreeable remarks about me.

Kit.

Of course they might: so I'll get out of their sight. (springs in) There! they won't be able to see me now.

Honor.

Was there ever such a tiresome, persevering, never-to-be-put downer? Once for all–Mr. Coventry–it's no use your coming a-courting me; making me lose my time all day long in this way.

Kit.

(R. of table L.) Then don't lose any more time; say you'll marry me, Miss Honor, and there'll be an end of it. (sits on table)

Honor.

(L. of table) Why, that would be the beginning of it; once for all, Mr. Coventry, it won't do, you are a good-for- nothing fellow.

Kit.

So much the better. You are an angel, and love always goes by contraries.

Honor.

Secondly: who, and what are you?

Kit.

An artist.

Honor.

Yes, a fiddler at a theatre !

Kit.

And a music copyist. One of these days I mean to be a composer!

Honor.

Thirdly: because I can't leave my brother Joe's house. Ruth, you know, is no relation of ours, only brought up as a child in the house, promiscuous–as I may say, and if I go away, what's to become of the poor girl?

Kit.

Then let's live all together; a band of brothers–and sisters too.

Honor.

Plague take the man–he has an answer for everything. Well, then, fourthly and lastly, because I won't– there then.

Kit.

Miss Honor: I am an honest fellow, although I may appear a careless good-for-naught, and all your snubbing will never put down my love, now it has fixed itself on a good honest worthy girl like you.

Honor.

Well, certainly, I do believe you are sincere, Mr. Coventry.

Kit.

Call me "Kit."

Honor.

Such a familiarity–never! Christopher.

Kit.

My name isn't Christopher–

Honor.

Then how comes it to be Kit?

Kit.

Oh! that's a funny story. Don't you know? I was found, when quite a little fellow, sitting at early dawn, on the pavement in Coventry Street, with the broken bits of a little toy fiddle by my side. As I could give no account of myself, or my belongings, the good people who found me called me, partly after the fiddle, Kit–and partly after the Street Coventry.

Honor.

Bless me! Why then you are nothing at all, you see?

Kit.

Something very like nothing. However, my good foster parents soon found out my taste for music, and got me a good schooling in that line, and I've kept the little broken fiddle to this very day, along with another relic.

Honor.

What is that?

Kit.

The half of a child's picture book–'twas found in the pocket of my little coatee, which was all I had on over my night––

Honor.

(interrupting) Hold your tongue, sir.

Kit.

Well, you know, I still keep it. I fancy it may bring me good luck. Sometimes it reminds me of another little child, a struggle for possession of the book, which was torn in half; a good cry–and then–

Honor.

Upon my word, I'm ashamed of myself listening to all your chatterations. What are you to me? Or your childhood–or your what-you-may-call-'ems–relics?

Kit.

I only wish you would come and see them and me.

Honor.

(rises) Come and see you! A likely story indeed. Why I should lose my character, and be obliged to marry you at once.

Kit.

I may take you at your word one of these days.

Honor.

Never! You monster–and you, too, housing that horrible Mike Biddles, my brother Joe's old comrade in the fire brigade–a sneaking fellow whom I can't abide.

Kit.

Justice! Miss Honor Bright; he mayn't have done much good for himself, but I never heard that he did any harm to others. And when he came back from Australia, with never a sixpence in his pocket (although he seems to have picked up a little money, somehow, lately), I thought, in giving him a hole to sleep in, I was doing you a service.

Honor.

Me! indeed!

Kit.

Why, he's your brother's friend.

Honor.

Friend, indeed! A Brumagem friend, that rings like a bad shilling!

Kit.

Well, I thought to do for the best.

Honor.

Well, the best thing you can do is to be off at once!

Enter Ruth, R. Honor.

Now, here's Ruth. What will she say?

Ruth.

(R.) She will say that good friends are too scarce to be flung out of doors in that fashion. (shakes hands with Kit)

Honor.

(L.) Now, how can you encourage him, Ruth? an abominable, wicked fellow!

Ruth.

Never mind her, Mr. Kit, she'd never think of plaguing you if she didn't care for you.

Honor.

You are as bad as he is, every bit. (to Kit) She doesn't know what she's talking about; a silly child. Go away, I tell you!

Kit.

(C.) I'm going. Thank you, Miss Ruth; if Honor won't hear me I shall come back and plead my cause to you. (to Honor) "Good-bye, sweetheart, good-bye!"

Exit, door R. C. Ruth.

(getting stool and sitting on it) I'm afraid you treat that young man very cruelly. Yet I'm sure, in your heart of hearts, you are fond of him.

Honor.

(seated R. of table) What do you know of my heart of hearts? Where does it grow? What sort of vegetable is it? I know nothing of it myself.

Ruth.

At all events, true love ought to meet with a better reward. I'm sure I shouldn't do as you do, if anybody loved me; or–or–I loved anybody; except, of course, you and–– and Joe.

Honor.

(turning and looking sharply at her) And Joe?

Ruth.

Yes, Joe, of course: has he not been all the world to me? He saved my life–protected me–gave me a home– brought me up. I shall always love Joe, (hurriedly) as a father.

Honor.

He's rather young for that! As a dutiful child– then I wish you would tell him a piece of my mind. I know no good will ever come.of his fresh intimacy with that Mike Biddles.

Ruth.

An old comrade!

Honor.

Yes, who led him into a pack of troubles formerly. Ah, there was a time when Joe was very different from what he is now!

Ruth.

Not for evil, Honor.

Honor.

Well–never mind–we won't talk about that now. A good riddance, I thought, when Mike went away to Australia. And now, when I see him come back again, always after Joe. I can't help feeling–

Ruth.

What? (a knock at the door, C.)

Honor.

Nervous for that knock at the door has given me quite a turn–Come in.

Enter Mike Biddles, R. C.; he is dressed half as a workman, half in vulgar finery; he has a short pipe in his mouth, and his hat set jauntily on his head. Mike.

I will. The fair sex commands, and Mike Biddles obeys.

Honor.

(to Ruth) There! talk of the you know–there he is (aloud) And what, may I ask, may you be wanting here, Mr. Mike Biddles?

Mike.

Gallantry to the sex might lead me to say–it's only for the pleasure of seeing you, Miss Honor Bright. But truth afore all–so it isn't that, ma'am?

Honor.

Then what may it be? If I'm not too presumptive.

Mike.

Well, I want's to see Joe. (sits, R.)

Honor.

(rises) Then you may make up your mind to a disappointment. Joe is off on duty at a fire.

Mike.

My time's my own. I'll wait till he comes back.

Honor.

Not with a dirty pipe in your mouth, and your hat on your head, I should hope!

Mike.

We diggers ain't used to much ceremony, my gal. But (putting aside his pipe and hat) we'll do the genteel thing for once, to please the ladies. (whistles)

Honor.

Mr. Biddles! Sir, may I ask what you want always to be confabulating with my brother about?

Mike.

Certainly, ma'am, you may ask, but I ain't obliged to tell you.

Honor.

(crosses to him, R., getting angry) But as Joe's sister, I believe, I'm mistress of the house when he's not at home, sir, and –– (a peculiar cry or whistle heard without)

Mike.

And you ain't any longer, for here comes the master. That's his hannouncement.

Ruth.

(runs to the window) It's Joe's call. He is safe; I'm so glad! (she is going to meet him, but checks herself) Do you go to him, Honor.

Exit Honor for a moment, C. Mike.

(aside, looking at Ruth) That girl's in a flustration– 'tis as I suspected.

Joe Bright.

(without) Yes, yes, all right, safe as the bank, my girl.

Enter Joe Bright, R. C., followed by Honor he is dressed in his fireman's dress, helmet, &c., dirty from a fire, and somewhat exhausted. Joe.

We've had a tough job of it, I can tell you. Five hours' hard work–a regular roaster–but no lives lost, thank Heaven; but a narrow escape for them. However, here I am. (sits R. of table)

Honor.

(R. of Joe) Yes, you haven't spared yourself, I can see. Always first where the fire is fiercest.

Joe.

Well, I do feel sometimes as if I was a frizzling all over, like a rasher on a gridiron.

Ruth.

(L. of Joe) Always endangering your life,–little thinking of the anxious hearts at home.

Joe.

(tenderly) Ruth! (suddenly changing his tone) Why, you don't want to make an old woman of me, do you? Duty my gal! Duty is what a fireman has to think of first, and every man too, for the matter of that. Ah! Mike, old fellow, is that you?

Mike.

I want a word or two with you in private, Joe.

Joe.

All right, my boy, but you must let a fellow get a mouthful of breath first. (sits)

Honor.

(to Mike) Haven't you got eyes to see how tired my poor brother is?

Joe.

Stuff and nonsense! Tired? I'm never tired.

Ruth.

Yes, and in such a heat, too. (goes to wipe his forehead)

Joe.

My good little Ruth. (quailing beneath her touch) Never you mind me, that sort of work ain't your duty. (takes away the cloth or handkerchief–Ruth turns away with a sigh, L.) Honor will give me a rub down, she's used to the scouring work. (while Honor wipes his forehead, he makes a noise as of a person rubbing down his horse) Now just a mouthful of table beer, and I'm all right. (Honor and Ruth fetch a jug and glass from cupboard)

Mike.

(rises) A mouthful of table beer, ha, ha, ha! There's stuff for a full grown man. Come along with me, and liquor up with a good rasper.

Joe.

No, Mike, my boy, no! None of that sort of thing for me now.

Mike.

Ah! you were a jolly fellow once.

Joe.

I was a confounded hass once–that's what I was once. I've learned to be ashamed of those days now. How you look, Ruth! Well, I can confess now, there was a time when I used to take a glass too much–that is, occasionally.

Honor.

(R. of Joe, shaking her head) Occasionally!

Joe.

(Ruth sits on stool L. of Joe) Well, very often, if you like. Oh, you needn't be wiggle-waggling your head at me, old gal. If you can recollect them days, Ruth can't. Besides, it's all over now. When I found myself the father of a family, (looking at Ruth) and the nat'ral guardian of this growing-up gal, too (takes Honor's hand), when poor old mother left us, bless her! the thought of my adopted little one, and this good gal, my sister, whom, in my blind passion of drink, I once struck–Heaven help me!–

Honor.

Come, don't talk of that now.

Joe.

Well, I was a ruffianly brute; I was! Now it's out. But, somehow, the thought gave me a turn one fine day– and–I didn't take the pledge–No–I didn't want that; but I took a "davy" to myself, all alone, that I'd never touch a drop of strong drink again. Yes; and for all these years I've kept my word–my word to Joe Bright, as a father, a brother, and a Briton.

Mike.

(aside) Don't holloa till you're out of the wood, old boy.

Honor.

Well, at all events, brother Joe always did his duty as a fireman; look at his wellum testimonials, and his medals, and–

Joe.

Gewgaws! my gal, gewgaws!

Ruth.

I'm sure Joe was always the best of men. Didn't he save my life, I may say, through fire and water?

Joe.

Well, you mustn't think too much of that. I was a youngster then–a mere slip of a chap; and, as a young hand, I wanted to show off a bit. All vanity, you see..

Ruth.

All vanity! Don't say so, Joe, –your courage on that occasion, I've been told, was the talk of all London.

Joe.

(seated R. of table) Then all London was a chattering old fool, and precious hard up for summut to talk about. Bless you! I never thought of what I was a-doing. I heard 'em cry, "Save the lodgers in the upper story!" Somehow or other–dash me if I can tell how –I was on the roof in a jiffy–scrambled through a tidy lot of smoke and flame into a window, making no more of it than if it was my nat'ral element. First thing I stumbled on was a woman on the ground; 'twas all over with her, poor thing–suffocated with the smoke. Then I heard a little peaking cry, like; and there, in a bed, in a corner of the room, I see a poor little mite of a child. So I up in my arms with her, just as she was, (and you wasn't dressed for a ball just then, Miss Ruth) and high time it was, too, for the bed clothes had catched in the flames, the staircase had fell in, so there was nothing for it but to make for the window, all along the floor, 'cause of the smoke. I thought it was all up with us once or twice–I did; but, bless 'em, they had the escape up, and down we came both together; and here we are not much the worse for it, are we, Ruth?

Ruth.

My good–kind Joe. (takes his hand–he flinches and turns away uneasily)

Honor.

(L. of table) I wish I could get you to tell the story like a man, Joe. You are always a depreciating yourself.

Joe.

Then let Mike tell it, he was my mate then, and with me at that very fire. You recollect, don't you, Mike?

Mike.

(R., embarrassed) Me?–Can't say as I do.

Joe.

Why, old boy, have you been and gone and buried all your brains in the diggings? I'm talking of the fire, when I saved this identical blessed little gal. You were in the brigade then; before you went out. You must recollect!

Mike.

(as before) Can't say I do. With so many fires in the Metrolopus, how's a fellow to recollect any one in perticler?

Joe.

(rises) Well, you are a rum un', (to the Women) There you see there warn't nothing out of the common about the affair, cause Mike, here, can't recollect nothing about it.

Ruth.

(rises) But there are others who never can forget, my good–kind Joe, my–my–

Joe.

Out with it–your father–that's what I am.

Ruth.

You have indeed been a father to me.

Joe.

No such great merit in that. I couldn't help it. What was to be done? You had arrived, with the poor woman who perished, in that lodging house, in Soho, only the night before. Nobody could tell nothing about you. The poor soul couldn't say nothing, you know, because she was dead, and at that time you wasn't so forward in your edication as we could expect to get much out of you. Howsomedever you did make a sort of a sound, as sounded like (imitating a child) "Donny," "Donny," and what Donny meant we none of us could make out. And so–old mother, she was alive then, bless her, said, " Let's take her home to us, till we can find out her parents." Honor was a little thing then, and she took to you mightily, just like all little gals–always wanting to play mothers afore they are out of their pinafores, and so we kept you just because we couldn't get rid of you.

Ruth.

And a happy home it has been to me.

Joe.

Oh! We took no end of trouble to find out your belongings, I can tell you; but it was all no go, and we was forced to keep you, willy–nilly. I've kept all the little thingumonies that may lead to your iddenti-ti-ittity–confound the word!–––carefully locked up in my drawer here. (pointing to table under clock)

Mike.

(aside) That's as well to know.

Joe.

I never let anybody touch 'em or look at 'em, not even Honor–so I may contrive to get rid of you one of these fine days–eh! Ruth.

Ruth.

I never wish to leave you, Joe–(confused) I mean you and Honor; that is, if I am not a burden to you.

Joe.

A burden! You're a blessing. (about to take her hand, pauses, turns away and whistles, C.)

Mike.

(observing them, aside,) I see how the wind blows. (aloud) Well, bide your time, friend Joe; Miss Ruth will be sure to pick up a husband, whenever she likes.

Joe.

(turning sharply, C.) A husband!

Mike.

Yes, to be sure. What are gals made for, but to pick up sweethearts? I don't want to tell tales, but I've seen a likely young fellow, of my acquaintance, hanging about the house lately.

Joe.

A young fellow hanging about the house. What does this mean, Ruth?

Ruth.

Mr. Mike is mistaken, if he is alluding to me.

Honor. (up stage L., aside)

It's that rascal Kit. Won't I trounce him for making mischief in this manner!

Joe. (C.)

Ruth, you're my child, and I feels towards you as a father—as a father, you understand, and as a parent. When I think of you marrying, and going away, and leaving us—why, as a parent, of course, I–I–can't bear to think of it. It would break my heart. (breaking down, and then recovering) I don't quite know how other parents feels when they gets rid of their daughters, but them's my sentiments. (blows his nose)

Ruth.

My dear Joe, I'm sure I don't want to marry. No, never!

Mike. (R.)

But you wouldn't stand in the way of a gal's settling in life, if so be as she had a good chance?

Honor.

Of course he wouldn't.

Joe. (pettishly to Honor)

Now, what do you want, ma'am, putting your finger in the pie? You've had a good many tries, you know. Settling in life, indeed! that's all you women seem to think about. You're a set of selfish creatures!

Honor.

And pray who is selfish now—standing in the way of a girl's happiness?

Joe. (looking at Ruth)

I stand in the way of her happiness! Never!

Ruth.

But all my happiness is here.

Joe.

No! I'm a selfish brute to think of tying you down here for ever, along with us. Beat me, Ruth, you ought to beat me!

Honor.

I should like to do it. (laughing)

Joe.

I dare say you would; but you won't; that's quite another pair of scissors!

Mike. (rising)

I say, Joe, old fellow (nudging him), I want to have a palaver with you; but (looking at the Women) without a council of squaws.

Joe.

All right! Come, gals, haven't you got any household duties to look after ?

Honor.

That's as much as to say you want to get rid of us.

Joe.

Don't huff yourself, my lambkin, but just go and see if the Lord Mayor's a-doing his duty.

Honor. (crossing to C., for shawl, &c.)

Well, talk of women and their mysteriousness, you men beat us hollow. Why can't you speak out honestly before us?

Joe. (crossing to L.)

We will one of these days, when you've learned to hold your tongue—but that won't be yet awhile. (Mike goes to fireplace)

Honor.

Well, I'm going; don't suppose that I'm turned out. No, I happen to have a lot of shopping to do. (puts on bonnet and shawl at the glass, then gets basket)

Ruth.

And I've got sewing to do. Good bye, Joe, good bye, Mr. Mike.

Exit, R. Honor.

Well, now you've got rid of us, I hope you'll be happy, you two.

Exit, R. C. (Joe remains looking at R.—Mike observes him—pause) Mike. (sitting on table, L., shaking his head)

Poor fellow, poor fellow!

Joe. (R., starting round)

Who's a poor fellow ?

Mike.

Well, never mind, it slipped out. Let's drop the subject. Good bye, Joe. (going)

Joe. (stops him)

Good bye! Why, didn't you say you wanted to speak to me particular?

Mike. (R.)

I've changed my mind. (going)

Joe. (L. C., stopping him)

Stop! What is it you mean?—for you do mean something, I see it in your looks. Speak out like an honest man, come!

Mike.

Well, if you will have it, Joe, my old boy, you can't deceive an old friend—you're unhappy.

Joe.

Me?

Mike.

You've something sticking in your gizzard.

Joe.

Well, it ain't from over-eating anyhow, for I happen to be off my feed.

Mike.

Yes, that's it.

Joe.

What's it?

Mike.

Joe, you're in love.

Joe.

Me in love? Nonsense!

Mike.

Yes, you love that girl of yours—Ruth.

Joe.

Ruth? Don't tell me so. Ruth, my own child! No, it can't be, Mike, you insult me to suppose that I–I–(sits L. of table)

Mike.

Well, if the truth insults you, I'm sorry for it. You see I did wrong to speak out. Good bye! (going)

Joe. (calling after him)

Mike! Mike! I fear you've told the truth. I feel I know it's the truth. I wouldn't own it, even to myself, when the thought came across me. I called myself a fool, and I'd a mind to give myself a deuced good thrashing; but, though I tried to blind myself, I couldn't blind you. It's true, Mike, it's true.

Mike.

Well, old fellow, it's a misfortune, (sits R. C.) and I can't say otherwise.

Joe.

A misfortune! it's a crime. To love my own child, as it were, whom I've reared since she was ever so little, and to whom I ought to feel as a father. (thumping his head) Oh! you old fool! you old fool! How can you expect her to love you? You, so old to her, with such an ugly phiz, too, so vulgar like, and uneducated, by her side!

Mike.

I must say there's a vast difference between you, though "twas your own fault for bringing her up so.

Joe.

And I'd do it again. I'd do all for her—all—and a deuced sight more, too, though it might make her far away more and more my superior. Look at her! Why, she's fit to be a queen or a hempress, and who knows but what she may be? Oh lor! oh lor! to think, if it were possible, which it ain't, that I ever could have married her, and she should have turned out to be a duchess! There's a pretty mess I should have made of it. Married to a duchess! only look at me—fancy me a duke!

Mike.

Well! you ain't got the cut of one exactly. But it ain't no use to gainsay you, Joe. It's in human natur that the girl should love a likelier–younger fellow.

Joe. (springing up)

Love another? another! and yet, why not? She might love another—does love another—perhaps. (suddenly) What's that you were saying just now about a young fellow dodging after her?

Mike. (R. C.)

I don't want to make mischief, it ain't in my natur, so never mind what I said just now.

Joe. (sits)

Speak out, Mike, speak out! I can bear all now. Speak out.

Mike.

Well, I may be wrong, you know: but I fancied that young fellow, who has given me a shakedown in his rooms—that Kit Coventry–

Joe. (getting to L.)

The fiddler! Shouldn't I like to smash his fiddle about his head, to a tune of my own. No—no, why shouldn't she love him? He's a young fellow—and a proper fellow—not that I ever saw any good looks in him, a whipper-snapper—catgut scraper. But it's the way of the women! And haven't I sworn to do everything to make her happy, and I will too, if I break my heart in the doing it. (crosses to R.—sits on chair)

Mike. (L. C.)

Come!—what's the use of worriting yourself? Cheer up, old fellow; you'll get over it.

Joe. (earnestly)

Never, Mike, never. It's all over with me. I can never look her in the face again with any comfort.

Mike.

Then why not go away from her for a time? You know you had thoughts of giving up the brigade. Why not go to Australia for a year or two? You'd fill your pockets with gold in no time; and then—won't the gal be glad to jump at you!

Joe.

What, and buy her heart like a huckster? No! no! I'm not such a villain as that. My love hasn't crushed all proper pride out of me, and what's more it never shall.

Mike. (R. C.)

Well then, we won't talk about that. If I was you I'd turn my back on all this sorry business, and see if salt water wouldn't wash my love out of me.

Joe. (rising)

Leave my home, and all that's dear to me!—all the things that have grown up, and grown old with me– all that takes one back to the recollection of happy days and hours! Oh! Mike, you don't know what a pang shoots through me when you say "Leave your home."You drive me mad.

Enter Ruth, R. Ruth.

What's the matter, dear Joe? I heard your voice so loud, and now you look so strange. Oh! what is the matter?

Joe. (crossing to door, C., and taking cap from peg)

Nothing. Don't touch me, girl, don't come near me. (Mike goes to the fireplace)

Ruth.

Joe, something does ail you. I never saw you thus.

Joe. (roughly)

Don't, I tell you it's nothing. (changing his tone) No, my dear, you see– a little over tired. A hard night's work.

Ruth.

What can I get you?

Joe.

Nothing. Don't stir! I wouldn't have you put yourself out of the way for such a chap as me on no account. 'Tain't worth your while. You've other things to think of.

Ruth.

Joe!

Joe. (getting away from her up to door)

No! No! It's nothing—nothing! I shall be better soon; all I want is air. (about to exit—pauses) Ruth! (checks himself—aside) I–I can't speak to her now—I cannot look at her. (to Ruth) Another time—another time! (aside, going) Oh! I'm choking!

Exit hastily, door, R. C. Ruth. (R. C.)

Joe! Joe! What can be the matter with him? Have I vexed him? I'm sure I didn't mean it. I would ask his pardon, though I don't know what for. (cries)

Mike. (coming down, L.)

Joe's a queer chap, you know, and has his little queer tempers sometimes.

Ruth.

No such thing. I have never seen him like this before.

Mike.

No man's a hangel, my gal; and 'tain't right he should be; wings is hillconvenient.

Ruth.

Joe has always been the best, the kindest of men, and I never will believe–– (sobbing)

Mike. (aside)

Hollo! This 'ere wein of tenderness won't do for my diggings. I must break the ground on t'other start at once. (aloud) Come, don't spoil them pretty little sparklers, Miss Ruth; that would be a pity, for they've made a precious hole in the heart of a young friend of mine, I can tell you!

Ruth.

If you again allude to Mr. Kit, you are mistaken; between him and me there is nothing.

Mike.

I know there isn't. That was my joke, you see. No; there's a fine young gentleman—a real one! with all this 'ere sort of face toggery, (indicating whiskers, &c.) just what a woman takes a fancy to! He's seen my pretty friend Ruth, and gone heels over head in love with her; and if she would but see him just for a moment—

Ruth.

What do you mean? Make the acquaintance of a stranger?

Mike.

Oh! he means all fair; marriage—parson—clerk, and all that. You can't refuse to hear what he has got to say!

Ruth.

Impossible! Mr. Mike—that is—I beg your pardon, but this must be another of your jokes. We'll laugh about it another time. Good bye!

Exit, door R. Mike.

Stay! Miss Ruth. A stuck-up little fool! But most women gives in at last! My man will be loafing about, as I told him. (goes to window) Yes; there he is. Hollo! (makes signs) He twigs the telegraph. Here he comes. (opens door c.) Come in, Mr. Philip Dashwood. Sir, the coast is clear.

Enter Philip Dashwood, rather overdressed as a fashionable gentleman of the day. Mike.

All right, sir; nobody at home but the gal.

Philip.

Let me see her at once, then.

Mike.

All in good time. (Philip sits L. C., Mike brings a chair, and sits R. C.) I know a dodge to draw her from her hiding place at any moment. You won't say now you doubt the gal's identity, I fancy.

Philip.

Well, I admit, up to a certain point your story is credible enough. I was a youngster when my uncle and aunt, the John Dashwoods, went off to Australia to seek their fortunes. I have no doubt the Dashwoods you met were the same, only they had made money then, lucky people!

Mike.

Lucky, but not happy. They were always a snivelling after their two lost children, whom they had left, almost infants, to the care of Mrs. John Dashwood's mother, and sent for them when they got themselves a comfortable home out there.

Philip.

So far –so true.

Mike.

Well, Mrs. John Dashwood's mother being then defunct, the nurse took charge of the two children, and on her way to embark with them for Australia, lodged one night in London, in a house, where a fire broke out.

Philip.

And nurse and children perished.

Mike.

The boy was lost, but the other child was saved, the youngest, a little girl.

Philip.

That's the hazy part of the story, my good fellow.

Mike.

Not a bit of it, my good fellow. I was in the Fire Brigade then. I saw Joe Bright save the child. I recollect it well, though a shaky memory may be convenient on occasions. Besides, haven't I got a copy of the will that John Dashwood made, before I started back to England, when both the old folks was carried off by a fever.

Philip.

Yes, my uncle leaves all his property to this girl when found—if she be still living.

Mike.

And the property will come to you, Mr. John Dashwood's next of kin, if she be dead, —only she ain't.

Philip.

That remains to be proved.

Mike.

You wasn't so cranky and suspicious at first, when, before visiting my old friend Joe, on my return, I was civil enough to call on you first.

Philip.

In order to sell your information in the best market.

Mike.

Well, wasn't that nat'ral; only you wasn't sharp enough to take my offer.

Philip.

Suppress all knowledge of the girl, and claim the property myself? No, no, my friend; I don't want to shave the Old Bailey so close as that.

Mike.

So you find it better to look after the girl on the sly, and see whether you can't marry your cousin ?

Philip.

At any rate, one clause in the will places her within my power.

Mike.

Which came about through me; 'cos, I insinivated the gal had fallen into low hands. Good; now, I dare say, you think such a slap-up young party as yourself is to walk over the course; but there's another 'oss to be scratched first.

Philip.

What do you mean?

Mike.

Why, when I offered to get Joe out of the way–

Philip.

As the only evidence of the girl's identity. Yes.

Mike.

I didn't then see the value of my advice. Master Joe may put quite another spoke in your wheel. He's in love with the gal. Then this nasty job of driving Joe out of the country don't come into our bargain. I must have a round hundred for that.

Philip. (rising)

Leech! Cormorant!

Mike.

Don't worrit yourself. I've got those letters you writ me securely stowed away in a locker, under a stout padlock. They'd tell a pretty tale, and you might find yourself nearer the Old Bailey shaving operation than you thought for, if I was to produce these and blow up the whole affair.

Philip. (aside)

The rascal is right. (aloud) Well, you shall have your hundred, as soon as this Joe is fairly out of the country. But now let me see the girl.

Mike.

I'll give her a call. (puts his hand to his mouth and imitates the cry given by Joe on his first entrance)

Enter Ruth hastily, door, R. Ruth.

Joe returned! I'm so glad! (seeing Mike and Philip) Ah! I was mistaken. I thought Joe had come back.

Mike. (getting between Ruth and door)

Stop a bit, my gal, here's a gentleman wishing to speak to you, very pertickler.

Ruth.

Pardon me. I cannot receive strangers in Joe's absence!

Philip. (L.)

Allow me a few words, my dear young lady. My name is Dashwood! I have an independent fortune—I have seen you by chance—your charms have made a deep impression on my heart and —

Ruth. (C.)

Indeed, sir, I cannot listen to this. Allow me to pass, my good Mr. Mike. (Mike puts his back against the door)

Philip.

Don't be alarmed! I mean you well. Let us at least make acquaintance.

Ruth. (agitated)

I entreat you again to leave me, or let me retire. If Joe, my foster father, were here, you would not dare do this. But you think that I am without defence.

Enter Kit Coventry, door, C. Kit.

Without defence? No, you're not, Miss Ruth. What's the matter, Mike?

Philip. (to Mike)

Who is this fellow?

Mike. (R., to Kit)

There's no occasion for bluster, my lad. This 'ere gentleman—and he is a gentleman—every inch of him—wanted to say a kind word to Miss Ruth, only she's so deuced squeamish.

Kit. (L. C.)

You're a good fellow, I believe, Mike; but I won't stand any nonsense to little Ruth, so sheer off,

Philip. (R. C.)

And who are you, sir, to dare to interfere?

Kit. (crosses to him)

And who are you, sir, if it comes to that? A very fine gentleman you think yourself, I dare say. But that doesn't give you the privilege to insult a woman! (takes Ruth to R.)

Ruth.

Be calm, Mr. Kit, perhaps I was foolishly alarmed.

Mike. (aside to Philip)

You'd better not play any more of your cards now, you'd only spoil your game: but I can see how to win the odd trick. Come away. (goes up)

Philip. (to Ruth)

You seem to have wholly misunderstood me. Au revoir.

Exit door R. C. with Mike, who pulls him away. Kit.

Au fiddlesticks! What did all this mean, Miss Ruth?

Ruth. (R. C.)

Oh, don't let's talk more of it—let's talk of Honor; I think, nay, I'm sure she loves you. Why not speak to Joe?

Kit.

Well, somehow, I feel delicate; but I shall never forget your kindness, never! (takes Ruth's hand)

Enter Joe, R. C., brought in by Mike, who calls his attention to Ruth and Kit. Mike. (aside)

Just in the nick of time. (aside to Joe) What did I tell you?

Ruth. (C., going to Joe)

Joe, are you better?

Joe. (R. C., affecting jollity)

Nothing's the matter with me. How should I be better? I'm all right—jolly as a sandboy, only I don't know why sand boys ought to be particularly jolly—ha, ha, ha!

Ruth.

But just now—

Joe.

Just now, I was a hass. Never you mind me—you've got company, I see. Don't let me be a hinterference — Mike and me'll be off again.

Kit.

By no means, Mr. Bright, I only called in to thank Miss Ruth for her good will towards me; and, if you'll allow me to say–

Joe.

Spare your breath, my lad, I don't want to hear anything—make yourself at home with Miss Ruth, I beg of you, humbly hoping as I'm not in the way. Pray do me the honour to take a chair—don't let me keep so distinguished a artist on his legs. Like a little vittles, or a drop of drink? Don't be shy—pray speak your mind! (bitterly) I've no doubt you know how to speak to perfection. No ceremony with me, I beg. You ought to feel yourself quite at home here, oughtn't he, Ruth?

Kit.

But, Mr. Bright—

Ruth. (low to Kit)

Go now, Mr. Kit, please, he isn't well.

Joe.

Oh! whisper away, don't mind me. It ain't manners, perhaps, but what's manners to the likes of us!

Kit.

My dear sir, we've nothing to say –good bye for the present. (crosses to door, C.)

Joe. (following him up)

Oh, pray don't go! your society is such a pleasure here. There'll be no jollity without you, and we mean to be so jolly—ha, ha, ha!

Kit. (at door)

Another time, —I must be off now. (aside) Queer fellow! but he's Honor's brother. (aloud) Good bye, Miss Ruth! (singing) "As I was going down the street, down the street," &c.

Exit, door, R. C. Joe. (at window, mimicking)

"As you was going down the street." You may as well stop when you get there. (aside) Curses on him.

Ruth. (L. C.)

Joe, I fear you don't like Mr. Coventry?

Joe.

Not like him? Why what makes you think that? Wasn't I civil to him? Didn't I treat him like a lord? Didn't I do the honours in prime style? What more do you want?

Ruth.

Still you seemed vexed at his presence here?

Joe.

Oh! You've a right to see whom you like. You're your own missus, you know. Nobody never attempts to circumvent you, I'm sure. (goes to the window)

Mike. (R., to Ruth, who is about to speak)

Don't say a word. You'll only make matters worse; He ain't in the humour, you see.

Ruth. (sitting L. of table)

Well, Joe, I am sorry if I have offended you. (weeps)

Joe. (coming down, c.)

Offended! Nonsense! Ha! ha! (softening) Ruth, Ruth, what are you crying for?

Enter Honor, R. C., with basket on her arm. Honor.

Who's crying? (down, L. C.) You! Ruth! Why what's the matter, my dear child?

Ruth. (drying her tears)

Nothing! Nothing!

Honor.

Don't tell me. You are not one of the sort that cries for nothing. (putting away her bonnet and shawl) What does all this mean, Joe?

Joe.

How should I know? Don't you come any of your worritings, if you please, my lady. I feel uncommon jolly just now–and I don't want none of your hinterference.

Honor. (turning)

Hollo! Our Tommy has got his back up. (seeing Mike) Oh! ha! yes! Mr. Mike, –I guessed I might have to look out for squalls, when the wind was blowing from that quarter.

Joe.

Mike Biddles is my friend, Honor, and I don't want any of your insinivations. You are a well-meaning gal, I know–but–

Honor. (up, R. C.)

Never mind about me! I can take care of myself, but I won't have my little Ruth fretted. (coming down to Ruth)

Joe. (C., angry)

And who frets Ruth?–don't go and say I do. I wouldn't fret her for the world! So none of that nonsense.

Honor. (leading Ruth to R.)

Ruth, dear, look up! As the gentlemen don't seem inclined to be mighty pleasant, suppose you and I go and amuse ourselves? (low, to Ruth) You'll tell me what this means? (aloud, at door R.) Now, pray enjoy yourselves, gentlemen.

Exit, door R., with Ruth. Joe. (sitting L. of table)

Ruth! she's gone, and thinks I've ill-treated her! Oh! what a miserable brute I am–and what a fool, too–eating my heart out for a girl that doesn't care for me! (springing up) I can't bear this life any longer–better be in my grave!

Mike.

No, no!–better take my advice and go away at once.

Joe. (sitting down again, weary)

Go away–go away!

Mike. (R. C.)

I've friends in the shipping business. Your passage shall cost you nothing; there's a vessel ready to sail, I know. Say "yes," and it's done.

Joe. (looks up, struggles with himself, then resolutely)

Yes!

Mike.

Spoken like a man of spirit! I'll manage to keep you out of the way until you can sail; then, hurrah for the new country! You'll see how soon you'll forget!

Joe. (springing up)

Forget! aye, that's what I want. Why, have I any brains? – I should like to drown them all.

Mike.

Come along with me, my hearty, and we'll soon drown them for you.

Joe.

You mean drink! Curse you!

Mike.

Only just enough to make you the jolly fellow you used to be once more.

Joe.

Yes, yes; I'll be jolly–we'll have a drain. Come! drink, drink!

Mike. (aside)

Bravo! the trick's done. In his present state of mind a drop of brandy will soon turn him up. (sings) "Then let the world jog along as it will," &c.

Joe.

"We'll be free," ee." &c. (starts on seeing Honor enter, door, R.)

Honor.

You seem in a better temper now, Joe. I want a word with you, alone.

Joe.

Then you'll please to wait; I've business–glorious business. Ha! ha! ha!

Honor.

But I must speak with you.

Joe.

Must is for a Queen, and you haven't arrived at that elevation in society yet, Miss Honor. Come. (singing with Mike) "Then let the world, &c., &c."

Exit, door, R. C., with Mike. Ruth.

Gone!

Enter Ruth, door, R. Honor. (going, L.)

Yes, carried off neck and crop by that Mike. There's evidently something wrong going on. But what?

Ruth.

Can we not discover?

Honor.

What's a woman to do? She can't go running after those animals of men. Oh! why was I born to wear petticoats? I might put that Kit Coventry on the track, he's always coming here jabbering about his wish to serve me; and, when he might make himself useful, of course he's out of the way. (Kit peeps in door, R. C., and cries "Cuckoo !") Now, what are you doing there, sir? as if anybody wanted you.

Ruth. (to Honor)

But you said just now––

Honor. (low to Ruth)

Hush !

Kit. (humbly at the door)

I saw your brother go out with Mike, Miss Honor, and I thought I might venture for the last time.

Honor.

What are you standing there for–keeping the door open?

Kit. (slyly)

On which side am I to be when I shut it?

Honor.

Why, on this to be sure! Mr. Kit, you have said you'd do anything to serve me–

Kit. (R.)

Send me to the world's end.

Honor. (C.)

Nonsense! There's something going on here, nearer home:–some harm, I'll take my oath, is meant Joe, by that fellow Mike. Find out what it is, and–and–

Kit.

And what?

Honor.

Never mind now.

Kit.

I'll do all this for the love of you, Honor.

Honor.

Well then, go about it at once! (pushes him towards, c.,– at that moment the door is burst open, and Joe appears–drunk)

Honor.|Ruth.

Joe!

Joe. (leaning against doorway, seeing Kit)

Oh! there he is again–he's a fixture now–goes at a valuation, and is valued very high here, very. He's a pretty sort of fellow–he's not a bit like me–he's the sort of man for the gals to love. I wish you joy of him, ha, ha!

Ruth. (L.)

Oh, heaven! in this state!

Honor.

Just what I might have expected.

Kit. (R., aside)

By Jove! he's screwed to a pretty peg.

Joe. (C.)

'Tain't nothing to me I'm jolly now–We'll all be jolly! Give us a buss, Honor.

Honor. (pushing him into chair, L. c.)

Go along, do! Ain't you ashamed of yourself?

Joe.

No, I'm proud of myself. I'm proud of my re-so-lu-tion. I've drunk three glasses of brandy right off, and I've made myself jolly. Ruth won't say I fret her now, will you, my lass?

Ruth.

Oh! Joe, Joe!

Joe.

What's the matter? Can't I please you no how?–that's hard, that's hard. (snivelling–then hits himself a blow) Come out of that, you blockhead, ain't you jolly? (to Honor) What are you nidder-noddering your head at me for? What's the odds, as long as you are 'appy?

Honor. (C.)

Happy! you miserable fellow, you ought to go down on your knees and ask pardon!

Joe.

Pardon! What for, my beauty?

Honor.

Why, for getting so dreadfully drunk,

Enter Mike, door, C. Mike.

Drunk! Lor', you don't say so!

Honor.

No, I don't no one's drunk here, sir. (pushing Joe back into chair, L. of table, and giving Ruth a sign, she stands before him)

Joe. (as he falls back)

Manners, miss–manners! You are rude.

Honor.

Or if anybody is tipsy, it's only this young profligate of a fellow. (pushing Kit, who staggers) There, you see.

Kit. (aside)

But, Miss Honor, now, upon my word––

Honor. (low to him)

Hold your tongue. (aloud) Yes, sir, you're tipsy. (pushing him again–he staggers) Look what a state you're in! (aside to him) Find out what's going on–make all smooth–and I'll love you, there, by my name–Honor Bright!

Kit.

You will? (about to take her hand)

Honor.

Go away directly, sir! (pushes him–aside) Stagger! Why don't you stagger?

Kit. (affecting drunkeness)

Good day, company assembled–all so jolly, oh!

Reels to door, R. C.–makes a sign to Honor, and exit, C. Mike. (aside)

He, too!

Honor. (to Mike)

Now, sir, if you'll have the kindness to leave us––you can't speak to Joe now, he's busy.

Joe. (looking up)

Busy?–Who says I'm busy? Hang business! I'm jolly, my boy Mike–let's have another drain. (getting up to go)

Honor.

You shan't go, Joe, if it's only for the credit of the family.

Ruth.

As you love me, Joe–my friend.

Joe.

What do I know about love? What's family to me? I've no family! What's friends? I've no friends–yes, I've one friend–only one–only one–and here he is! (staggers to Mike) He's my true friend–" For he's a jolly good fellow," &c.

Honor.

He your friend! Come away, Joe–come away! (holding his arm)

Joe. (pushing Honor violently aside, wild with passion)

Let go! Honor. Don't hexasperate me, Honor. The devil is in me again–and–and–let go! I say. You won't? then–(about to strike her–she gives him a look–he recoils and falls into Mike's arms–Ruth sinks into chair, L., covering her face with her hands–Honor folds her arms and looks defiantly at Mike.

End of the first act
Act II,
An Attic Room, with partially sloping roof behind; in the slope of the ceiling, C., a trap, leading on to the roof, practicable; door in flat, L. C., leading upon landing and staircase; door, L., leading to Kit's bedroom; an open kind of cupboard, containing a bed, R. C.; a locker or strong box, C., under trap in ceiling, it is fastened with a padlock; table, R., inkstand, pen, paper, blotting paper, and a quantity of music paper; chair at table; fire-place, R.; a small broken glass over it; a broken toy fiddle hanging on the wall. Philip Dashwood discovered at door, L. C., in flat. Philip.

(in a low voice) Mike! Mike Biddles! (advancing) Not here. Mike Biddles! No answer. (opening door, L.) No one there. A bed chamber; probably the young fiddler's. (crossing to R. C.) What have we here? (going to sleeping closet in flat) A mere closet, with just space enough for a bed; Mike's, I presume. (looking round, and going to table) No note left for me. And this must be the locker of which he spoke, containing those letters. (trying to open it) Yes; fast! a stout padlock. But, regain them I must, before, I go further in the matter. The fellow doesn't come; I had better leave a note for him. (sits at table, R., and writes) "It is folly your telling me you cannot give up the letters in the locker. Name your price for the treasures, but be not too dear." (he blots the note on the blotting paper, and then searches on the table while speaking) If the rascal be too exorbitant in his demands, I must find other means of getting possession of the letters. No taper! No wax! Is there a wafer? I cannot leave such a document about open. (door L. C. opens–he starts) Who's there?

Enter Mike Biddles at door, L. C. Philip.

So, here you are last, Mr. Biddles!

Mike.

I'm not so much behind time; I've been to see after Joe's passage. All right! (goes to lockers and examines padlock) Yes, all right.

Philip.

I feared you wouldn't come, I had written to you, but the scrawl is useless now. (tears letter and throws the pieces on the floor, crosses to L.)

Mike.

(picking up the pieces) You don't want to litter my beautiful Kidderminster in this way.

Philip.

Pshaw!

Mike.

(R. C., looking at pieces) It ain't no pshaw! Them scraps is not much value to me, certainly; but I don't want others to pick 'em up and read 'em. (puts pieces in his pocket) You see I prizes your little billy-doozes awful.

Philip.

(L. C.) It's about those very letters that I want to speak. I'm not easy so long as they are in your hands.

Mike.

Don't fret yourself–they are all safe enough here– (putting his hand on locker) The dear little pets.

Philip.

Now, what's your price for them? Of course you have a price?

Mike.

I don't want to sell my fruit till it's ripe, and it ain't ripe yet. Shares may rise in value by-and-bye, and then's my time to say, "Here's my goods! What will you give for 'em now?"

Philip.

Don't think I'm to be ridden over, now! I must find other means.

Mike.

No you won't!

Philip.

(getting more angry and speaking louder) Ruth and her fortune once in my possession.

Mike.

They never will be but for me; I alone can drive Joe from his home, and–hush! Didn't I hear a noise? (opens door, L. and looks in) No, all's safe, Kit not within.

Philip.

I had assured myself already of his absence; but, now, do you consent to my proposal?

Mike.

We'll see about it–Do you go now. I'll meet you at the Chequers in half-an-hour. I must look after Joe.

Philip.

(going towards door, L. C.) In half-an-hour then at the Chequers.

Exit, door, L. C. Mike.

What a pleasure it is, to be sure, to bully that young spark; but pleasures is transient, so I'd better give it up and take a good round sum down at once. (taking out a key and going to locker) Now my jewels, let me stow you about my person. I had better find some safer place for you than this ere locker. In the first place it isn't mine, and in the next, my fine gentleman knows where they are, and he's a dodgy fellow; he might find means to–(kneels down and unlocks the padlock. A cry of "Cuckoo" is heard from the roof, which startles Mike) What was that? (the trap in the roof is lifted up, and discovers Kit sitting and leaning against the parapet, smoking a cigar)

Mike.

Kit! What the dickens are you doing there?

Kit.

(dangling his legs through the trap) "Coming through the rye.

Mike.

Coming through the roof, you mean. (laughing–aside) The thought that he may have heard us has bowled me clean over. (Kit continues humming and singing) True, I saw him, not long ago, in Joe Bright's house, drunk. Perhaps I'm flustering myself all for nothing. I'll try him. Why, Kit, my boy, you'll break your neck up there; you're as drunk as a lord.

Kit.

(singing) "I am a king–Ha! ha!"

Mike.

All right! He's still in liquor. (affecting indifference) Why didn't you come down before? You must have heard me come in.

Kit.

Not I; there was too much noise in the streets for that. (lets himself down from trap–stands on the locker) Oh, Mike, Mike! "'tis woman that seduces all mankind." (sits on the locker)

Mike.

(aside) Plague take him! What does he want there? And it is unlocked, too!

Kit.

(singing "In this old chair my father sat." (pulls the lid up and down while sitting on it)

Mike.

I'll take my oath he never did! Come away, you'll break the lock.

Kit.

No, I shan't, for it's open! (lifts the lid–Mike shuts it again–hastily) Oh, I forgot! that's your property now. (moving away) Got any nuggets there?

Mike.

Not I! I was thinking I might incommode you, keeping this lock-up all to myself.

Kit.

Incommode me? Bless you! I've no treasures to stow away; none at all–except my little godfather here–my kit, (pointing to toy fiddle on the wall) and this torn picture book, (going to table drawer and taking out the torn cover of a child's picture book) all that's left of days that are like a dream to me now. (kisses book, and puts it back)

Mike.

Well, if I'm not in your way, I'll use your locker as long as I'm here. (re-locks padlock, and puts the key in his pocket)

Kit.

Just as you please. (flings himself on table)

Mike.

(aside) He is still muddled. (aloud) I'm going out, old boy. I dare say I shan't be home till night–so good bye. (aside, going) Safe as the bank.

Exit door, L. C. Kit.

(looking round as Mike goes out, then springing up) Done the digger! Honor's right! She's always right. That fellow's an infernal scoundrel. I couldn't hear much up there, but quite enough to convince me that there's some conspiracy going on against Ruth and Joe. "Ruth," "her fortune," "Joe driven from the country," those were the words. They meet again at the Chequers, I heard that, too. There I might get some clue. I've sworn to Honor to discover the secret, and I'll do it, too. Mike was uneasy when I touched that locker. There must be something concealed there that he's afraid I should see. What can it be? (tries the lock) It is securely locked.

Enter Joe Bright, door L. C., with traces of his recent intoxication. Joe.

Mike!

Kit.

(turning) Joe Bright!

Joe.

(seeing him) He, here! What does he want here? Always in my way. I forgot though, it's with him Mike lodges. My place isn't here–(going)

Kit.

Don't go, Mr. Bright. You're the very person I wished most to see.

Joe.

You wished to see me? You? I'm a beautiful object to look at, certainly. Well! What do you want? To jeer me? To snap your fingers in my face? To crow over me? (with rage) But I'm not to be trifled with, let me tell you–(aside) No, she would hate me if I was to harm him–(aloud) I'm in a hurry. Good day. (going)

Kit.

Only a few words, Mr. Bright.

Joe.

(turning at the door) Don't tempt me, lad, don't tempt me. There's a devil kicking here within that ain't over given to patience. I can't stand it now. I can't stand it.

Kit.

What do you mean? What cause have you for anger?

Joe.

(laughing wildly) What cause, ha! ha!

Kit.

Oh! perhaps you know and disapprove my affection.

Joe.

Disapprove! Hark at him. What mighty pretty words. Disapprove! ha! ha!

Kit.

But, for heaven's sake, let us waive all consideration of such feelings now.

Joe.

Mighty fine! A man is to have his heart torn out and trampled on; and then to waive all–all, curse the words. You're a beauty–you are.

Kit.

For the life of me, I can't understand you, (Joe laughs) what I have to say concerns your own happiness. (Joe laughs) The future lot, it appears, of your foster daughter, Ruth.

Joe.

Not that name, not that name. I can't bear it now, all –all but that. (crosses to R.)

Kit.

But listen to reason.

Joe.

Reason! ha! ha! ha! I'm to be talked over by you, am I? By you, the cause of all my misery.

Kit.

I? You must be mad.

Joe.

Mad! yes, just what I am. (wildly) Don't stand staring at me in that way. Don't, I say, or I'll teach you such a lesson as (advancing on him) you'll never forget to your dying day. Coward! (seizes him)

Kit.

Joe Bright! for your own sake, for that of Ruth.

Joe.

(in a fierce passion) Ah! you will have it. (about to strike him–Honor, who has entered by door, L. C., rushes down between them. Joe's arm is raised, and is about to fall on Honor, she catches it)

Honor.

No, you don't, Joe.

Joe.

(staggering back) Honor!

Honor.

Yes. Honor, your own sister, whom in your blind rage, you would have struck again, as once before, in years gone by, you struck her when the devil of drink was in you. You call yourself a man?

Joe.

No! no! I'm a brute. (staggers to table R., sinks in a chair, and flinging himself on the table, hides his face in his hands)

Honor.

You may thank your stars I found out where you were, and came in time.

Kit.

Oh! Miss Honor, you don't know how grateful I am for this proof of your affection. (draws Honor aside)

Honor.

My affection for you, nonsense. Knock that idea out of your head. What I did was solely to serve my brother –who thought of you? Now you just leave us together, that's the best thing you can do.

Kit.

But, Miss Honor. I must just speak a word or two to you before I'm warned off my own premises. It's not about my love that I–

Honor.

I should think not, indeed.

Kit.

It concerns a discovery of importance.

Honor.

The cause of all this to do?

Kit.

Your brother won't hear a word, but to make all sure, come in here, and let me speak to you. (opens door, L.)

Honor.

(with dignity) Your bed-room! Mr. Coventry. I'm astonished at you.

Kit.

Oh! I forgot! well, then here on the landing, come.

Honor.

I must know all, but if this should be a trick, Mr. Kit, I'll never forgive you, never. Exit, with Kit by door, L.C.

Joe.

(lifting up his head, and looking round) She's gone, and left me. She despises me too–hates me. Well, well, that's just as it should be. It's all right! I am alone again. Where am I? In his room, he, who has stolen Ruth's heart away. There he has sat (putting his hand on back of chair) and dreamed of his love for Ruth–his love–his, as if he could love half as well as I! (sits in chair) Here's his music paper–a hartist he calls himself. A catgut-scraping humbug. And here, perhaps, he has sat, and written love letters to her, all about hearts and darts, and all such wishy washy tomfoolery! But that pleases the women, shallow brained idiots. (puts his hands on blotting paper) Blotting paper, too! My fine gentleman can't do without them luxuries. (snatches up the piece of blotting-paper) Perhaps upon this very piece of paper he has blotted his last letter to Ruth. (about to crumple up the piece of paper, pauses, spreads it out, and looks at it) Yes, there's words on it here, fresh from the wet ink, (passionately) and I can't read them–they're all the wrong way! (turns over the paper) No! they ain't clear enough on this side. There! there they are! Words! words that he has written; and I can't read them! (suddenly) That glass–that will serve me. (staggers to the glass, and holds the blotting paper before it) I can't see–I can't read! there's a mist before my eyes! (presses his hand to his eyes) Come, Joe! steady old boy––steady! (looks again at reflection of paper in the glass) Yes, there they are! I can make out some of them! (reads) "Cannot give up the letters –in the locker–treasures too dear!" Oh! it's as clear as the sun at noonday! She has written letters to him; she wants them back again, and he refuses to give them up–the cowardly rascal! Let me think he was there (pointing to the locker) when I came in; the letters must be in that locker–yes, that's the place! If I could only see them! I don't doubt–I can't doubt! But yet they would tell me the whole accursed truth. (tries the locker) Oh! he keeps them safe enough, "they are too dear!" But I will see them–I must see them! (shakes lock) It won't give way! (looks round) Ah! (gets poker–rushes to the locker, and is about to force the lock, but recoils–hesitating) What am I going to do? Oh! Joe, Joe, would you be a thief? (throws down poker and hides his face in his hands) No, no! let me go away, I must not think of it! (going to door, L. C.–pauses) But why should he keep them?–they're not his, they're her letters, and he won't give them up, the scoundrel! But she shall have them. (snatches up the poker) No, no, 'tis no theft–'tis a good deed! (working at padlock and hasp with poker) I'm no burglar –I'm no thief–I only give back her own to the poor girl. Go it again, Joe–go it again, it gives–it bends! Ah, it gives way at last–it's open! (throws down poker, and opens lid of box) Yes, here they are, letters tied in a bundle!

Enter Honor, hastily, by door, L. C., and rushes down to Joe–Ruth appears at door behind. Joe.

Now, then, I will know all! (staggers to the table with the letters–Honor snatches them from him the bundle comes untied, and some of the letters fall on the ground)

Honor.

Madman! What are you doing there?

Joe.

Give me back those letters.

Honor.

I shall not! You're doing something you'll be ashamed of when you're in your better senses. You shall not have those letters.

Joe.

(R.) Honor! Honor! Don't you see I'm well nigh mad?

Honor.

(L.) See it? Of course I do, and I'm ashamed of you.

Joe.

(softening down) Honor, give me those letters; they're Ruth's

Honor.

Ruth's! My poor Joe, you're worse in the head than I thought for. Letters from Ruth! folly. Who to?

Joe.

To that fiddling chap, who's been sneaking about the house.

Honor.

To Kit Coventry? A pack of nonsense.

Joe.

She loves him.

Honor.

Joe, you're a fool, a perfect idiot.

Joe.

I am, I am! for I– I love her. (sits at table, R.) Don't look at me, Honor,

Honor.

(going to him) Look up, Joe, look up, I'm sure I don't know whether I'm going to laugh or cry. I think I shall do both at once. Come, look up! Why, my poor dunder-headed old Joe

Joe.

Don't jeer me, Honor, don't, don't!

Honor.

As if I could help it, you blessed ignoramus. Yes, Ruth does love somebody–and with all her heart, too. She has told me all in her trouble. (Ruth starts forward as if to prevent Honor speaking–Honor makes a gesture to her to remain at the back)

Joe.

I knew it, I knew it!

Honor.

No you didn't. But she ought to be ashamed of herself, for the man she loves is a wicked good–for-nothing fellow, who doesn't deserve anybody's love–though I love him, too.

Joe.

Honor!

Honor.

Yes, and the naughty fellow's name is Joe Bright, That's who she loves.

Joe.

(starting up) What's that you said? I can't take in the words, they sound so strange. Me! She loves me? Oh! no, it can't be! (bursting into tears) Oh! don't trifle with me, Honor.

Honor.

Trifle with you! It's you've been trifling with yourself, and the happiness of us all. (brings Ruth down) Does this look like a trifle?

Joe.

(springing up and crossing to Ruth–Honor picks up the letters, then takes them to the table to arrange them) What! Ruth, you love me–me, an ugly, awkward chap like me, not as a father, but as a man you would marry and be happy with?

Ruth.

(L.) As the only man I can ever love, and, if you will have me for a wife

Joe.

(C.) If? Why I'd marry you twice over, 'though I was to be had up for bigamy. Oh, lor!–oh, lor!–I'm going mad again; but it's with joy this time. Ruth, Mrs. Joseph Bright as is to be. (with pride) Mrs. Joseph Bright, may I be allowed the honor? (he approaches to kiss Ruth)

Honor.

Oh! fire away, I'm not looking! (Joe kisses Ruth) And now, we'll put these letters away. Oh, Joe, Joe! what-ever could have induced you to think that Ruth (as she folds up letters, her eye falls on writing) Why here's her name, Yes! (reads) When I am assured of the possession of the girl Ruth's fortune.

Joe.

Holloa!

Ruth.

My fortune? (they go to the table and look over Honor's shoulder at letters)

Honor.

Stop a bit. (reads again) "I shall not fear the disclosure of her birth and parentage."

Joe.

Birth and parentage–what are you a-talking about?

Honor.

Oh, yes! we are on the clue at last. That Kit Coventry told me he had found out there was a plot, or a conspiration, or something bad of the kind, against our Ruth, about some fortune left her by her parents. Oh, dear! here we are again!

Ruth.

My parents?

Joe.

Then why didn't you say so at once, you stupid girl?

Honor.

As if I could when you was a-raving, and a-tearing, and a-going on so–a pretty time to think of sense or reason. But now it seems Kit's suspicions were right after all. They are addressed to Mr. Biddles.

Joe.

What, Mike? (all leaning over table, R.)

Honor.

Now do be quiet!–and signed Philip Dashwood.

Ruth.

Dashwood? the gentleman who came this morning.

Joe.

A gentleman came to see you, Ruth?

Honor.

There don't bother about that now. But look here, look here! Mike knows who are Ruth's parents–he has told the writer–he has bargained for money. Oh! it's quite clear–they want to swindle the girl out of the money that's been left her.

Ruth.

(L.) Left me! then my parents are dead!

Joe.

(coming down, L. C.) Don't cry, Ruth. You know that I am a father to you–Well, no! I can't very well be that now. I can't exactly be father to my own daughter. No! I mean I can't be husband to my own wife. No, I mean–you know what I mean. But, Ruth, when we've trounced the villains, and we will trounce them, that Mike, 'specially–who has gammoned me so infernally. Suppose you get your money, (piteously) you'll have a fortune then. What should you have to say to the likes of me, then?

Ruth.

Say? That I love you more than ever.

Joe.

Did you ever see such a gal?

Honor.

(at table) These letters make all clear. Here, take and read 'em, Joe. If you've eyes for anything but Ruth's pretty face. (gives letters to Joe)

Enter Kit Coventry, hurriedly, door L. C. Kit.

Ah! Still here? (comes down R. C.) May I speak out, Miss Honor? (in a low aside to her)

Honor.

Speak out! of course you may. You don't want to be earwigging me in that fashion.

Joe. (L. C.)

Mr. Kit Coventry, –sir, I behaved very ill to you, just now. I humbly axes your pardon.

Kit.

Oh, that's all forgot. Never mind me.

Honor.

No, never mind him. (to Kit) Now, what have you got to say, a-coming, a-rampaging here, intruding on a family circle?

Kit. (aside)

Intruding in my own room. (aloud) Well, I watched those two fellows at the "Chequers," and heard them say, they were all square about some letters, and were coming here to settle about their destruction.

Joe.

Let 'em come. We're ready for 'em. Here's the letters. They tell all about Ruth, and her parents and her fortune.

Kit. You know all, then? Honor.

Yes, we know all; so, you see, we don't want you––you're no good!

Joe.

We'll be down on them now! (to Honor) I must stop here and tackle these fellows. Just you run and get those thingummy's, you know, I took along with Ruth when I saved her–a baby–the night of the fire. They're in my drawer–here's the key. (gives it)

Honor.

There's no trusting you alone, Joe–you'll get into another fit of violence. I don't intend to leave you; you want a governess, my child! Here! Mr. Kit shall go; he's fit for nothing else but to fetch and carry.

Joe.

Oh! very well, then; do you run to our house, open the drawer under the clock, and bring here all you find in it.

Kit runs to door L. C. Honor.

Here's the key! Bless the man, he's going without the key! (gives it)

Kit.

Anything to do you service, Miss Honor. But, Mr. Joe, you said just now you saved Miss Ruth, as a baby, from a fire.

Joe. Yes, eighteen years ago. Kit. A fire! eighteen years ago. But– Honor.

For further particulars inquire another time. Now do make haste! They may come before we are fully prepared for them.

Kit.

But, Miss Honor (all hustle him up)

Honor.

Go along with you. (opening door L. C.)

Kit.

Hark! I hear steps on the stairs below! I know Mike's tread! They're coming!

Joe.

Now for it! I say, you gals must get out of the way, but be within ear-shot–if you like. Here! here! (going to door L. to Kit) You won't mind?

Kit. (laughing) Deuce a bit ! Honor. But I really can't–I can't go there. Joe.

Gammon! I'm master now for once in a way. (pushes Honor and Ruth into room L.) I'll go in here. (goes to cupboard R. C. in flat and conceals himself. Door L. C. is opened)

Kit.

Only just in time! (sits on table R., puts on his hat carelessly and sings)

Enter Mike Biddles and Philip Dashwood, door L. C. Mike. (seeing Kit–annoyed) Kit here! Kit.

What, home again, Mike? Ah! you've business, I see. Well, don't mind me. I was just going out.

Mike. (C.) We don't intrude, I hope? Kit.

Not in the least–you couldn't have looked in at a better moment. You'll excuse me, I've got business to attend to. (sings) "There's a good time coming, boys–wait a little longer.'

Exit, L. C. Mike. (R.C.)

Now, Mr. Philip Dashwood, since we've come to an understanding, let's play out our game fair and honourable, like gentlemen. As you gives me the notes with one hand, I hands you the letters with another. 'T'ain't as I mistrusts you, in course, but fair play's a jewel. Well, is the notes ready? Here, you have the letters. (goes to locker and finds it open) What's this? the locker open! the padlock forced! the letters (searching) gone, gone!

Philip. (L. C.)

The letters gone? This is some subterfuge.

Mike. You villain, 'tis you have set some one on to do this! Philip. As I live! Good heavens! My letter's gone! Mike. Stolen! – carried off! Joe Bright appears at back of table, R. Joe.

Begging you pardon, Mr. Mike Biddles, Esquire, that's a lie, for here they are! (shows letters)

Mike. Joe! Joe. (R.)

Yes, Joe, the fireman–with hose in hand, ready to extinguish you, Mr. Mike Biddles, Esquire, and t'other chap too, whoever he may be with curly plantations. (to Mike) Oh, you snake in the grass–Oh, you jolly scoundrel! But I won't be violent–I'll mind my manners, and not call you names, you blackguard!

Mike.

Joe, you know your'e drunk; give up the letters and I'll forgive you.

Joe.

I'm as sober as a judge. I shan't give up the letters, and as to your forgiveness, that be– No, I won't be violent.

Mike. What are those letters to you? Joe.

Not much to me, as Joe Bright, the fireman, but a good deal to me as Ruth's foster father.

Mike. He knows all. Joe.

Yes, I know all; I know that she's a heiress to property. I know that you would sell her birthright–I know that you are a couple of swindlers and thieves! It ain't polite, perhaps, to say so; but as you are fond of smoking, Mr. Mike Biddles, Esquire, you may put that in your pipe and smoke it!

Mike. (raising his fist) Joe! Joe. (catching his arm) Come out o' that! Two can play at that game, my fine fellow. Mike.

The game is up! (goes up stage and comes down, R.)

Philip. (L., aside)

There is but one chance left. (aloud) Mr. Joe Bright, you have indirectly become possessed of some letters from me to your friend Mr. Biddles.

Joe. (C.) No friend of mine–I disowns him. Philip.

You have evidently obtained those letters in a way which I will not attempt to qualify.

Joe. (crossing to L. C.)

Qualify away, guv'nor. (laying his hand on his heart) There's a something thumping here which seems to give me my qualification.

Philip.

You have misjudged me; and only on the faintest evidence.

Joe.

Pretty strong evidence, Plantations. (tapping letters)

Philip.

I own that I have discovered, in the young lady you call Ruth, a relation–my own lost cousin, Mary Dashwood!

Joe. More's the pity, if she's a relation to you. Philip.

I have always intended to deal with her honourably and honestly.

Joe. Then you used a deuced queer way to show your intention. Philip.

If you could make an appeal to her own right feeling, I'm sure she would appreciate my motives. Let me but see her, and–

Joe.

Oh, you don't want to be kept long a-waiting for that. (goes to door L., and opens it) Walk into court, ladies. (Philip gets R. C.)

Enter Honor and Ruth, L. Joe.

And you, Ruth, fix your eye on the prisoner at the bar, him with the curlies, I mean. He says he is your cousin, and wants to speak a word with you. Now then, Plantations, fire away!

Ruth. (crosses to L. C.) My cousin ! Philip.

Yes, your cousin Philip Dashwood, your only surviving male relation. It is but lately I made the discovery of your birth. I sought you out, and saw you at first unknown. The tenderness of a kindred tie was soon augmented by my admiration, my respect, my love. I love you, cousin! Will you accept my hand and fortune? Will you be my wife?

Ruth.

Cousin, since such you are, I will strive to give you that friendship due to our position–but my heart is not mine to give. My hand is promised to another–(takes Joe's hand) my good kind preserver.

Joe. (L. C.)

Did you ever see such a gal? (to Philip) Where are you now, Plantations?

Philip.

I admit that you, madam, are entitled to property left by the will of your late father, my uncle, Mr. John Dashwood; but, by that will, the property comes to you hampered with one condition

Mike. (R., aside) Brayvo! My pet clause. He'll do 'em now. Philip.

The express condition that you marry only with the consent of your next of kin, who happens to be myself, Philip Dashwood. Your parents feared you might have fallen into low hands, and they were right. (Joe makes a movement, but is restrained by Honor) Can you think I should ever consent to your union with that low fellow?

Joe. (L. C.)

You hear him, Ruth? "low fellow!" But he's right–he's –he's right!

Ruth. (c.)

Yes, I hear him! And were my fortune millions, I would joyfully sacrifice all–that's to say, if you will take me penniless, Joe.

Joe.

Take you? Why, wouldn't I think myself prouder than a king, if you were only to come to me as you did on the night of the fire, with nothing on but –(Honor checks him)

Philip. (R. C.)

Well and good, madam! The property, then– Kit Coventry enters with a coral necklace, a pair of child's socks, and the half of a child's picture book, by door, L. C. reverts to me. Once for all, I repeat–never will I consent to your union with Joe, the fireman. I, your next of kin–

Kit. (coming down, c.) Stop a bit! You next of kin–nothing of the kind. All. Kit! Honor. (L.) What do you mean, sir? Kit.

That Ruth's next of kin gives his free consent to the young woman marrying whom she pleases.

Ruth. Explain. Joe. What is your little game? Philip.

What is the meaning of this impertinent inter-ference? What do you want here, sir?

Kit.

That's a funny question to put to a man in his own room! Miss Ruth–Mary, or whatever your name may be–for the first time I've learned, just now, that eighteen years ago this staunch, plucky fellow – (slapping Joe on the shoulders)

Joe. (L.) I say, my lad, draw it mild!–I blushes easy. Kit.

Saved you from a fire! These things belong to you. (to Joe) So you say.

Joe.

And so I'll swear! I kept them as proof of her iden-ti-ti-ittity–confound the word! That's her little coral necklace, and them's her little socks

Kit.

Marked "M. D." On this little toy of my childhood (going to kit on the wall) are rudely traced the words "J. D., his fiddle."

Mike. (aside, R.) What the deuce is coming now ? Philip. Well, sir, what then? Kit.

Wait a bit. My earliest recollections of just eighteen years ago are of a fire, too. The night before it happened–it has often come before me like a dream–I remember a struggle with a little child, almost an infant then for the possession of a picture book she had clutched in her little hands: one half of such a picture book I found among the treasured relics in Joe's drawer, the other half I have preserved through all these years. See, here it is! (takes it out of drawer) See, see ! they match! (crossing to Honor) That child then, was Ruth. Didn't I always say, Honor, it would bring me good luck? Ruth, have you no memory of the past, to help me?

Joe.

Bless the boy, how should she? She could only lisp one word.

Kit.

One word. Yes, yes, it comes back to me now. The child I fondled–yes, it lisped to me, "Donny," " Donny."

Joe.

That's it! he's got it all right, "Donny." I'll be blessed if you won't turn out to be "Donny" yourself! (to Honor) Hang me, if she didn't mean Johnny–lor' how came we never to think of that!

Philip. But can you suppose I shall allow myself to be duped by this concerted plot? Joe.

Concerted plot! That's very kind of you, very flattering. But our heads are not clear enough for that line of business. We leaves plots and swindles for the likes of you, and him there, to think of.

Philip.

But the law will require clearer proofs (crosses to door, L. C.) but whatever the law may decide, I shall only be too happy to rid myself of a pack of low creatures, who call themselves my relations.

Exit, door L. C. Joe. (following him up)

Don't you be too sure that they would be proud of the relationship. Take care of them curly whiskers, as you go down stairs.

Mike. (crossing to door, L. C.)

Though I'm a 'cute player at most games, I own I've lost the trick. But I don't bear malice.

Joe. Don't you? – now that's really affecting! Mike. I salute the fair sex. Honor. The least dirty way of doing it is by showing a clean pair of heels. Mike. I only wish I had you out at the diggings, my gal! Exit angrily, door L. C. Joe. (calling after him) I say, leave us a lock of your hair. Kit. (who has been putting Mike's things into a bundle, now flings it after him)

And you'd better take all your valuable property with you, for you won't have a chance of coming here to fetch it, I can tell you.

Joe.

How I wish I'd had hose and pumps in good working order. I'd have helped those chaps down stairs, rather. St. Swithin would have been a joke compared to me.

Kit. (L.)

And now, Miss Honor, with Joe's permission, I'll claim your promise. (Joe looks surprised–Ruth explains matters to him)

Honor. (L. C.) Promise! What have you done? Nothing at all. Kit.

Little enough, I know. But I have found you here in my room, and you know what you once said. So now I claim the forfeit.

Honor. Oh! the monster! I never came, 'twas Joe, and– Kit.

Well then (putting his hands before his eyes) I don't see you. I only dreamed it with my eyes open, take back your word.

Honor.

I do, but to give it back again for life, and of my own free will.

Joe. (C.)

Come that's jolly! Shan't we make a lively family party for a dance? Giving hands across and back again, no not back again. What a proud chap I do feel to be sure. The public have given me medals and testimonials, and all sorts of praise for one deed or another. And I'm sure you, Ruth, and you Honor, and you master Kit, as well as many friends around me, know that it is only to say the word to Joe Bright, and to serve one and all he is always ready to go "Through Fire And Water."

Ruth. R. Joe Bright. R. C. Honor. L. C. Kit. L. Curtain.
Printed by Thomas Scott, 1, Warwick Court, Holborn.