Fog (or mist as it's called in Blender) adds atmospheric haze to a scene, providing mystique and softening pop-ins (geometry suddenly entering into the camera's frustum).
To calculate the fog, you'll need its color, near distance, and far distance.
// ...
uniform sampler2D positionTexture;
// ...
vec2 texSize = textureSize(positionTexture, 0).xy;
vec2 texCoord = gl_FragCoord.xy / texSize;
vec4 position = texture(positionTexture, texCoord);
// ...
In addition to the fog's attributes, you'll also need the fragment's vertex position
.
fogMax
controls how much of the scene is still visible when the fog is most intense. fogMin
controls how much of the fog is still visible when the fog is least intense.
// ...
float near = nearFar.x;
float far = nearFar.y;
float intensity =
clamp
( (position.y - near)
/ (far - near)
, fogMin
, fogMax
);
// ...
The example code uses a linear model for calculating the fog's intensity. There's also an exponential model you could use.
The fog's intensity is fogMin
before or at the start of the fog's near
distance. As the vertex position
gets closer to the end of the fog's far
distance, the intensity
moves closer to fogMax
. For any vertexes after the end of the fog, the intensity
is clamped to fogMax
.
Set the fragment's color to the fog color
and the fragment's alpha channel to the intensity
. As intensity
gets closer to one, you'll have less of the scene's color and more of the fog color. When intensity
reaches one, you'll have all fog color and nothing else.
// ...
uniform sampler2D baseTexture;
uniform sampler2D fogTexture;
// ...
vec2 texSize = textureSize(baseTexture, 0).xy;
vec2 texCoord = gl_FragCoord.xy / texSize;
vec4 baseColor = texture(baseTexture, texCoord);
vec4 fogColor = texture(fogTexture, texCoord);
fragColor = baseColor;
// ...
fragColor = mix(fragColor, fogColor, min(fogColor.a, 1));
// ...
Normally you calculate the fog in the same shader that does the lighting calculations. However, you can also break it out into its own framebuffer texture. Here you see the fog color being applied to the rest of the scene much like you would apply a layer in GIMP. This allows you to calculate the fog once instead calculating it in every shader that eventually needs it.
(C) 2019 David Lettier
lettier.com