# Digital Synth PRA32-U Parameter Guide v3.3.2 - 2026-03-14 ISGK Instruments - ## Control Change Parameters - Notes - $1 : Disabled in Paraphonic Mode - $2 : Disabled if Osc 1 Wave is not Sin or Pls - Osc 1 Wave [Saw|Sin|-|Tri|-|Pls] - 0, 6-12: Saw Wave - 1, 25 (13-38): Sine Wave (Shape adjustable) - 2, 50 (39-63): Triangle Wave - 3, 75 (64-88): Triangle Wave - 4, 100 (89-114): Pulse Wave (Shape adjustable) - 5, 127 (115-127): Pulse Wave (Shape adjustable) - Osc 1 Shape $2 - Sine Wave (Phase Modulation): Modulation Depth - Pulse Wave (= 1st Saw + Phase Shifted 2nd Saw) - 0: Pulse Width 50%, or 2nd Saw Phase 50% (min) - 64: Pulse Width 25%, or 2nd Saw Phase 75% - 96: Pulse Width 12.5%, or 2nd Saw Phase 87.5% - 127: Pulse Width 0.4%, or 2nd Saw Phase 99.6% (max) - Osc 1 Morph $2 - Sine Wave (Phase Modulation): Frequency Ratio of Modulator - 0 (0-1): Ratio 0.5 (min) - 4 (2-5): Ratio 1.0 - 8 (6-9): Ratio 1.5 - 12 (10-13): Ratio 2.0 - 20 (18-21): Ratio 3.0 - 28 (26-29): Ratio 3.5 - 108 (106-109): Ratio 14.0 - 124 (122-125): Ratio 16.0 - 127 (126-127): Ratio 16.5 (max) - Pulse Wave - 0: Pulse 100% = Saw 100% + Reverse Saw 100% (min) - 32: Pulse 50% + Saw 50% = Saw 100% + Reverse Saw 50% - 64: Saw 100% - 96: Saw 100% + Saw 50% - 127: Saw 100% + Saw 100% (max) - Mixer Noise/Sub Osc [N|S] - -64 (0): Noise 100% - -63 (1), -62 (2): Noise 96.9% - -3 (61), -2 (62): Noise 3.1% - -1 (63): Noise 0% - +0 (64): Sub 0% - +1 (65), +2 (66): Sub Osc 3.1% - +61 (125), +62 (126): Sub Osc 96.9% - +63 (127): Sub Osc 100% - Osc 2 Wave [Saw|Sin|-|Tri|Nos|Sqr] - 0, 6-12: Saw Wave - 1, 25 (13-38): Sine Wave - 2, 50 (39-63): Triangle Wave - 3, 75 (64-88): Triangle Wave - 4, 100 (89-114): White Noise - 5, 127 (115-127): Square Wave - Osc 2 Coarse [-|+] - -60 (4): -60 semitone (min) - +60 (124): +60 semitone (max) - Osc 2 Pitch [-|+] - -55 (9): -12 semitone (min) - -41 (23): -5 semitone - -33 (31): -1 semitone - -32 (32): -50 cent - +0 (64): +0 cent - +32 (96): +50 cent - +33 (97): +1 semitone - +45 (109): +7 semitone - +55 (119): +12 semitone (max) - Mixer Osc Mix [1|2] - Filter Cutoff - 0: f = 13.0 Hz (min) - 61: f = 440 Hz - 64: f = 523.3 Hz - 121: f = 14080 kHz - 127: f = 19912.1 Hz (max) - Filter Resonance - 8 (0-11): Q = 0.7 (min) - 16 (12-19): Q = 0.8 - 24 (20-27): Q = 1.0 - 32 (28-35): Q = 1.2 - 40 (36-43): Q = 1.4 - 48 (44-51): Q = 1.7 - 56 (52-59): Q = 2.0 - 64 (60-67): Q = 2.4 - 72 (68-75): Q = 2.8 - 80 (76-83): Q = 3.4 - 88 (84-91): Q = 4.0 - 96 (92-99): Q = 4.8 - 104 (100-107): Q = 5.6 - 112 (108-115): Q = 6.7 - 120 (116-127): Q = 8.0 (max) - Filter EG Amt [-|+], LFO Filter Amt [-|+] - -60 (4): -60 (min) - +60 (124): +60 (max) - Filter Key Track [0.0|0.5|1.0] $1 - 0 (0-31): 0.0 - 64 (32-95): 0.5 - 127 (96-127): 1.0 - EG Attack, Amp Attack - 0: 0.7 ms - 64: 63.2 ms - 127: 5.9 s - EG Decay, Amp Decay - 0: 2 ms - 64: 200 ms - 126: 17.3 s - 127: No Decay - EG Release, Amp Release - 0: 2 ms - 64: 200 ms - 127: 18.6 s - EG Osc Amt [-|+], LFO Osc Amt [-|+] - Pitch - -61 (3): -30 semitone (min) - -55 (9): -24 semitone - -43 (21): -12 semitone - -33 (31): -2 semitone - -32 (32): -100 cent - +0 (64): +0 cent - +32 (96): +100 cent - +33 (97): +2 semitone - +43 (107): +12 semitone - +55 (119): +24 semitone - +61 (125): +30 semitone (max) - Shape - -63 (1): Shape -252 (min) - +63 (127): Shape +252 (max) - EG Osc Dst [P|2P|1S], LFO Osc Dst [P|2P|1S] - 0, 3-31: Osc 1 & 2 Pitch - 1, 64 (32-95): Osc 2 Pitch - 2, 127 (96-127): Osc 1 Shape - Voice Mode [Pol|Par|-|Mon|LP|Lgt] - 0, 6-12: Polyphonic (LFO Single Trigger) - 1, 25 (13-38): Paraphonic (LFO Single Trigger) - 2, 50 (39-63): Monophonic (EG & LFO Multi Trigger) - 3, 75 (64-88): Monophonic (EG & LFO Multi Trigger) - 4, 100 (89-114): Legato Portamento (Monophonic, EG & LFO Single Trigger, Auto Portamento) - 5, 127 (115-127): Legato (Monophonic, EG & LFO Single Trigger) - Portamento - 0: Portamento Time 0 ms - 1: Portamento Time 1.1 ms - 64: Portamento Time 100 ms - 127: Portamento Time 9.3 s - LFO Wave [Tri|Sin|-|Saw|SH|Sqr] - 0, 6-12: Triangle Wave (Key Trigger Off, -0.5 to +0.5) - 1, 25 (13-38): Sine Wave (Key Trigger Off, -0.5 to +0.5) - 2, 50 (39-63): Saw Wave (Key Trigger On, -0.5 to +0.5) - 3, 75 (64-88): Saw Wave (Key Trigger On, -0.5 to +0.5) - 4, 100 (89-114): Sample & Hold (Key Trigger On, -0.5 to +0.5) - 5, 127 (115-127): Square Wave (Key Trigger On, 0.0 to 1.0) - LFO Rate - 0: 0.068 Hz (min) - 64: 2.7 Hz - 80: 6.9 Hz - 127: 103.8Hz (max) - LFO Depth - The actual LFO depth is the "LFO Depth" value plus the "Modulation" value - LFO Fade Time - 0: 0 ms (min) - 1: 9.6 ms - 64: 1.0 s - 127: 9.6 s (max) - Filter Mode [LP|HP] - 0, 2-63: Low Pass - 1, 127 (64-127): High Pass - EG Amp Mod [Off|On] - 0, 2-63: Off - 1, 127 (64-127): On, Amp ADSR = EG ADSR - Release = Decay [Off|On] - 0, 2-63: Off - 1, 127 (64-127): On, EG Release = EG Decay and Amp Release = Amp Decay - **NOTE**: EG Velocity Sensitivity and Amp Velocity Sensitivity works independently - Pitch Bend Range - 0: 0 semitone (min) - 60: 60 semitone (max) - Breath Filter Amt [-|+] - -60 (4): -60 (min) - +60 (124): +60 (max) - Breath Amp Mod [Off|Qad|Lin] - 0, 3-31: Off - 1, 64 (32-95): Quadratic Curve - 2, 127 (96-127): Liniear Curve - Voice Assign Mode [1|2] - 0, 2-63: Mode 1, Free voice with next number has priority in Polyphonic/Paraphonic Mode, Release is effective - 1, 127 (64-127): Mode 2, Free voice with small number has priority in Polyphonic/Paraphonic Mode, Portamento is effective - Chorus Rate - 0: LFO Frequency 0.012 Hz (min) - 64: LFO Frequency 0.48 Hz - 127: LFO Frequency 18.4 Hz (max) - Chorus Depth - 0: Delay Time +/- 0 ms (min) - 32: Delay Time +/- 1.3 ms - 64: Delay Time +/- 2.7 ms - 126: Delay Time +/- 5.3 ms (max) - Delay Feedback - 0: Feedback 0% (min) - 64: Feedback 25% - 127: Feedback 49.6% (max) - Delay Time - 0: 1 ms (min) - 5: 6 ms - 6: 8 ms - 7: 10 ms - 12: 20 ms - 27: 50 ms - 42: 100 ms = eighth note time at 300 BPM - 57: 150 ms = eighth note time at 200 BPM - 62: 166.7 ms = eighth note time at 180 BPM - 64: 173.3 ms - 72: 200 ms = eighth note time at 150 BPM - 87: 250 ms = eighth note time at 120 BPM - 93: 270 ms - 102: 300 ms = eighth note time at 100 BPM - 112: 333.3 ms (max) - Delay Mode [S|P] - 0, 2-63: Stereo Delay - 1, 127 (64-127): Ping Pong Delay