** Cottage **
`>`you are standing in a small cottage. There is a **fishing pole** here.
Exits are: OUT
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Yes Keanu. Woah indeed.
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# Bash
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_or_
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## Why I Stopped Assigning Essays and Started Making and Breaking Things
Follow along at [j.mp/sg-bash](http://j.mp/sg-bash)
Dr. Shawn Graham, Dept of History, Carleton [@electricarchaeo](http://twitter.com/electricarchaeo)
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I'd prefer if someone called 'bullshit'.
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...instrumentalization of learning is part of it.

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...surveillance masking as 'Engagement Analytics'
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This isn't a new thing, of course.
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via [Audrey Watters, whom you must read](http://hackeducation.com/2014/06/22/ed-tech-patents)
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1866
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[Click Here to Save Education](http://hackeducation.com/2013/03/26/ed-tech-solutionism-morozov)
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But when I hear 'Digital Natives'
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Or when I hear 'gamify!'
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The Argument So Far:
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+ Concerns for form over content kill love
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+ Atomization & measurement kill joy
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+ Both lead to surveillance and the casual acceptance of the same
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+ Resulting in what we see in our classrooms.
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...and the 'essay' is the prime vector.
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After a statement like that, I'd better have something good, right?
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No more essays.
Let us `essayer` something else.
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Metaphors Matter.
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The Trousers of Time
-T. Pratchett
Note:
trousers of time lampoons complexity and all the rest of it
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Weirdness of 'seeing the past'
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Note:
We've always been augmenting reality. But maybe we could make things a bit more... awesome. image: http://www.dayofarchaeology.com/cakes-cottages-and-manky-bones/
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Acknowledge the weird.
Note:
this is where I talk about unessays, about bashing stuff together to see what happens. If we recognize that 'visualizing' and 'essays' are just metaphors, then that makes us see they have a grammar, a form; and if we break away from that we have to establish a new form, a new grammar, and in this, we see things new.
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"How do we write good history?"
...we bash it into a different form.
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Some focus on place.
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Some focus on pushing the physical into the digital and back to the physical world.
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Some tell algorithmic stories.
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Some build worlds
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[RideauCraft](https://docs.google.com/presentation/d/1GYZKKFpatf0fYf71akcSvDu4Qtb1RA9fCPhcdtajaS4/edit?pli=1#slide=id.p)

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[VimyCraft](https://dl.dropboxusercontent.com/u/37716296/vimyparadata.html)

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The Medic's War

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The only thing worse than writing a 5 pg essay is **not** writing a 5 pg essay.
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Bashing history upsets the game.
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This is good.
Lack of grammar for the other modalities is an opportunity to figure out new ways of knowing, to 'see' things afresh.
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Note:
photobashing ... occupies a liminal position in archae because it puts 'something captured through a mechanical process through a subjective one'
Value in it- because it 'sit[s] at an intersection of subjective processes and mechanical capture, allows for some interesting interactions and reflexivity between both sides of this discussion'. Photobashing is deformation.
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## Soundbashing

Topic model viz is [here](http://bl.ocks.org/shawngraham/raw/b7a0ce3eb646158439f0/#topic=20&lambda=1&term=)
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## The result:
_Songs of Jesuits_
[Listen to the recording](https://soundcloud.com/shawn-graham-60451318/jesuits-groove)
Live-coding with [sonic pi](http://sonic-pi.net)
Note:
Try to live-code the performance; play notes.tick plays the data straight up, etc
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You don't have to buy what I'm selling. But...
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#?

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Yes Keanu. Woah indeed.
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Forget about essays.
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Ask 'how this form enables/constrains different modes of knowing'.
Bash stuff together.
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**Classroom**
`>`you are standing in a small classroom. There is a **computer** here. Students are staring at you.
Exits are: OUT
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[Link to Sources for Images; all CC.](https://github.com/shawngraham/presentations/blob/master/bash-images.md)