This keyboarded and encoded edition of the work described above is co-owned by the institutions providing financial support to the Early English Books Online Text Creation Partnership. This Phase I text is available for reuse, according to the terms of Creative Commons 0 1.0 Universal. The text can be copied, modified, distributed and performed, even for commercial purposes, all without asking permission.
Created by converting TCP files to TEI P5 using tcp2tei.xsl, TEI @ Oxford.
EEBO-TCP is a partnership between the Universities of Michigan and Oxford and the publisher ProQuest to create accurately transcribed and encoded texts based on the image sets published by ProQuest via their Early English Books Online (EEBO) database (http://eebo.chadwyck.com). The general aim of EEBO-TCP is to encode one copy (usually the first edition) of every monographic English-language title published between 1473 and 1700 available in EEBO.
EEBO-TCP aimed to produce large quantities of textual data within the usual project restraints of time and funding, and therefore chose to create diplomatic transcriptions (as opposed to critical editions) with light-touch, mainly structural encoding based on the Text Encoding Initiative (http://www.tei-c.org).
The EEBO-TCP project was divided into two phases. The 25,363 texts created during Phase 1 of the project have been released into the public domain as of 1 January 2015. Anyone can now take and use these texts for their own purposes, but we respectfully request that due credit and attribution is given to their original source.
Users should be aware of the process of creating the TCP texts, and therefore of any assumptions that can be made about the data.
Text selection was based on the New Cambridge Bibliography of English Literature (NCBEL). If an author (or for an anonymous work, the title) appears in NCBEL, then their works are eligible for inclusion. Selection was intended to range over a wide variety of subject areas, to reflect the true nature of the print record of the period. In general, first editions of a works in English were prioritized, although there are a number of works in other languages, notably Latin and Welsh, included and sometimes a second or later edition of a work was chosen if there was a compelling reason to do so.
Image sets were sent to external keying companies for transcription and basic encoding. Quality assurance was then carried out by editorial teams in Oxford and Michigan. 5% (or 5 pages, whichever is the greater) of each text was proofread for accuracy and those which did not meet QA standards were returned to the keyers to be redone. After proofreading, the encoding was enhanced and/or corrected and characters marked as illegible were corrected where possible up to a limit of 100 instances per text. Any remaining illegibles were encoded as <gap>s. Understanding these processes should make clear that, while the overall quality of TCP data is very good, some errors will remain and some readable characters will be marked as illegible. Users should bear in mind that in all likelihood such instances will never have been looked at by a TCP editor.
The texts were encoded and linked to page images in accordance with level 4 of the TEI in Libraries guidelines.
Copies of the texts have been issued variously as SGML (TCP schema; ASCII text with mnemonic sdata character entities); displayable XML (TCP schema; characters represented either as UTF-8 Unicode or text strings within braces); or lossless XML (TEI P5, characters represented either as UTF-8 Unicode or TEI g elements).
Keying and markup guidelines are available at the Text Creation Partnership web site.
A new Enterlude, neuer before this tyme imprinted, entreating of the Life and Repentaunce of Marie Magdalene: not only godlie, learned and fruitefull, but also well furnished with pleaLewis Wager.
The names of the Players.
Foure may easely play this Enterlude.
Imprinted at London, by Iohn Charlevvood, dwelling in Barbican, at the signe of the halfe Eagle and the Key. Anno. 1566.
Nulla tam modesta felicitas est Quae malignantis dentes vitare possit.
To see thee mery Infidelitie I am right glad.
When Infidelitie is in health, I can not be sad.
Infidelitie may not be called infidelitie.
For our honor I pray thee heartily doe it weare.
What else? it is an honest maner of greetyng.
Pleaseth it you to byd these gentlemen welcome?
How say you M. Mary do we not gree all in one?
Surely M. Mary we will make you a Goddesse anone.
How thinke you by this maner of countenance?
Conuenie
M. Mary, had you neuer ye smal por in your youth?
You are a mad fellow Prudence, of a truth.
I pray you M. Prudence
It is l
Alas good gentlewoman, she blushes like coles.
Mistresse Mary there is not a fayrer in this town.
Yea by saint Anne she is louely in color, but brown.
Use will make the thyng easy there is no doubt.
Yea pardie gentlewomen vse it now all about.
It skilleth not though in the buttocks you be great
No for there she is like many tymes to be beate.
Well wantons well, are ye not ashamed?
Forsoth swete heart. I loue him beyond al measure.
Which of you I should loue best truly I can not se.
Ha, ha, ha, you are a fond body pleasure verily.
Forma bona fragilis est, quantum acce t ad anno •• • ▪ t minor, & spacio carpitur illa suo, •• Nec semper viola, nec semper lilia florent, Et riget amissa spina relicta rosa.
Mistresse Mary can you not play on ye virginals?
How say you mistresse Mary, are you content?
Looke what you will do, I will therto assent.
Mistresse Mary will you helpe to syng a part?
I must kisse to, if I tary styll.
You shall haue kisses inough, euen when you will.
Alas why do they suche great cost on me bestow?