--- name: designwright-video-direction description: Turn approved research into a provider-agnostic video production contract. license: MIT --- # Designwright Video Direction Use this skill after research and factual/source evidence are ready and a human has explicitly approved video production. It converts that approval into a bounded, reviewable production contract without selecting a permanent vendor or performing rendering. ## Boundary This skill may define what production capabilities are needed. It must not: - render or edit media; - install production tools; - create or use credentials; - invoke a paid provider merely because it is configured; - upload media; - authorize public or unlisted publishing; - treat a reference video as permission to clone it. Production approval and publishing approval are separate human decisions. ## Procedure 1. Confirm approval. Record the approved topic, audience, thesis, hook, claims/sources, requested formats, privacy constraints, cost ceiling, and unresolved questions. If production approval is absent, stop. 2. Read channel/project memory. Apply current human decisions, `VIDEO.md` or equivalent channel guidance when present, pronunciation records, visual-source policy, accessibility/caption rules, anti-patterns, and prior accepted evidence. 3. Define the narrative contract. Specify hook, sections, payoff, required factual evidence, call to action if any, and the distinct Short/Reel thesis. Do not pad runtime with filler. 4. Build the scene and shot plan. Every material segment needs a purpose, transcript span, intended visual, duration range, motion/text requirements, evidence/provenance expectation, and fallback path. 5. Apply visual-source precedence: `real evidence/source -> real screen/product capture -> deterministic/programmatic graphics -> licensed stock/archive -> generated still -> generated video`. A lower tier cannot replace a qualified higher tier only because it is easier. 6. Define voice requirements as qualities, not vendor names: character, energy, pace, pause behavior, pronunciation, emotion, and realism gate. Long-form narration should remain segment-addressable for targeted repair. 7. Request capabilities through the tool policy. For each need, state capability, quality gate, privacy class, acceptable formats, budget, and fallback. Routing follows `approved local/free -> approved free-tier external -> approved paid specialist`. 8. Record paid-escalation conditions. A paid capability is allowed only if lower-cost approved options fail or cannot satisfy a named gate. Production direction never silently spends. 9. Define acceptance evidence. Name required render(s), transcript reconciliation, audio review, visual review, synchronized audiovisual review when available, factual/source audit, format-specific checks, and independent verification. 10. Return the production contract for execution by external adapters. Do not imply that a named tool has been run. ## Required output The production contract must contain: - production ID or proposed stable identifier; - approved research/source revision; - channel/project memory revision; - long-form and Short/Reel goals; - narrative/section structure; - scene/shot contracts; - voice contract; - visual-source precedence decisions; - capability requests; - cost/privacy constraints; - generated-media disclosure requirements; - realism and QA gates; - unresolved decisions and risks; - publishing boundary; - approver and approval status. Use the reference contracts in `references/`. ## Hard failures Reject or stop when: - production approval is missing; - a material factual claim has no evidence plan; - a reference would require copying protected identity/assets/composition; - a paid provider is mandated without evidence-based escalation; - private/sensitive media would be routed to an unapproved remote tool; - the Short is specified only as a crop of the long-form video; - public publishing is treated as implicitly authorized. ## Verification Another agent should be able to execute the contract using different approved tools without inventing the creative direction, evidence requirements, spend authority, or publishing permission.