# Faded Balancer DCTL - Presets Companion
--- ### About Presets The presets included with Faded Balancer DCTL are designed to be **non-destructive starting points**. They do not move the UI sliders. When you select a preset, the correction is applied internally. If you switch back to `None`, your original image and UI settings are instantly restored. This workflow allows you to: 1. Quickly test a corrective strategy. 2. Refine the result using the main UI controls. 3. Toggle between the preset and your manual grade without losing any work. --- ### Corrective Presets Guide These presets are designed to address common film fading scenarios, particularly the characteristic magenta cast caused by cyan dye failure. #### **Mild Corrective** > - **Goal:** A gentle starting point for slightly faded prints. > - **Action:** Applies a small amount of fade correction and subtly boosts the blue channel. | Before | After | | :---: | :---: | |  |  | --- #### **Balanced Aggregate** > - **Goal:** A generalized correction for moderately faded footage with a strong magenta cast. > - **Action:** Averages multiple corrective strategies for a robust, balanced result. | Before | After | | :---: | :---: | |  |  | --- #### **Strong Red Compress** > - **Goal:** Tame a dominant or clipped red channel. > - **Action:** Aggressively compresses the red channel's highlights and midtones. | Before | After | | :---: | :---: | |  |  | --- #### **Red Compress Mid** > - **Goal:** Address red channel dominance, focusing only on the midtones. > - **Action:** Compresses red midtones, which is useful when highlights are less of a problem. | Before | After | | :---: | :---: | |  |  | --- #### **Red Compress Hi Lift** > - **Goal:** Correct clipped red highlights while simultaneously lifting shadow detail. > - **Action:** Compresses red highlights and applies a lift to the red shadows. | Before | After | | :---: | :---: | |  |  | --- #### **Heavy Red Crush** > - **Goal:** An aggressive solution for extreme red channel dominance. > - **Action:** Severely darkens the red channel across its entire range. Use with caution. | Before | After | | :---: | :---: | |  |  | --- #### **Highlight Lift Blue Shadow** > - **Goal:** Correct a yellow or green cast by reintroducing blue into the image. > - **Action:** Lifts the global highlights while pushing blue into the shadows. | Before | After | | :---: | :---: | |  |  | --- #### **Red Comp Blue Tweak** > - **Goal:** A nuanced correction for common magenta casts. > - **Action:** Compresses the red channel while subtly boosting blue midtones for a natural rebalance. | Before | After | | :---: | :---: | |  |  | --- #### **Neg Offset Blue Cut** > - **Goal:** Counteract a blue or cyan cast in the shadows, often seen in negative scans. > - **Action:** Lifts the overall image (negative offset) and cuts the blue channel's shadows. | Before | After | | :---: | :---: | |  |  | --- #### **Neutral Red Mid Tweak** > - **Goal:** A very subtle correction for minor red imbalances in otherwise good footage. > - **Action:** Slightly nudges the red midtones down to achieve a more perfect neutral. | Before | After | | :---: | :---: | |  |  | ---