Welcome to the Artistic Director's Guide

The Artistic Director's Guide is our way of taking you "beyond the bio". Here you'll find audio and video clips, and I'll describe what I like about each artist and suggest why he or she is important to the scene. So dive in—use the menu options above to find an artist, and let's seek to answer "What's so good about...?"

Josh Grossman, Artistic Director
Toronto Downtown Jazz

What's so good about Oliver Jones?

Submitted by Josh Grossman on Thu Sep 9 1:31pm

It shouldn't be a surprise that Oliver Jones - who grew up only a few blocks away from Oscar Peterson, used to hang out on the Peterson stoop listening to Oscar practice, and took lessons from Oscar's sister Daisy - swings so hard. But Oliver Jones is more than just an Oscar Peterson contemporary - over a career spanning more than six decades Oliver has developed a well-deserved reputation as one of Canada's jazz treasures.

What's so good about Stanley Clarke?

Submitted by Josh Grossman on Wed Jun 23 2:11pm

How's this for an achievement list: 1 Grammy Award, 7 Grammy Nominations, 3 Emmy Nominations, Rolling Stone’s first “Jazz Man of the Year”, Playboy Music Award “Best Bassist” for 10 straight years, Bass Player Magazine’s 2006 Lifetime Achievement Award honoree. Stanley Clarke is, without a doubt, one of the most exciting bass players. Ever.

What's so good about Christian Scott?

Submitted by Josh Grossman on Tue Jun 22 5:07pm

I first heard Christian Scott on the radio about three years ago. The track being played - from his Anthem CD - caught my attention right away: here was a new, young trumpeter playing very cool, very funky music. So when I had the opportunity to see him in Toronto as part of the IAJE Conference in January, 2008, I jumped. It was a great show - his quintet (featuring Toronto native Matt Stevens on guitar) grooved for the duration of the hour-long set.

What's so good about Barry Romberg's Random Access?

Submitted by Josh Grossman on Sun Jun 20 10:51am

Barry Romberg is, quite simply, one of the most exciting drummers on the local jazz scene. He plays with an energy and intensity that is hard to ignore regardless of whether he's playing in a traditional jazz quartet, in a tribute to the music of Bruce Cockburn, or in his own contemporary jazz ensembles. He always seems to be having a great time on the bandstand - fully interacting with the other musicians in the group, and being ever so devious...playing with the time feel just enough to keep everyone on their toes.

What's so good about Billy's Band?

Submitted by Josh Grossman on Thu Jun 17 4:13pm
Artist: 
Billy's Band

I can sum up why I like Billy's Band in two words: musical mayhem.

Every once in a while, it's fun to just let loose: ignore the rules, pay no attention to how we're supposed to act on stage, forgot what we were taught about musical technique...and it's amazing how good the music can be when that happens. Billy's Band is a great example.

What's so good about Emir Kusturica and The No Smoking Orchestra?

Submitted by Josh Grossman on Wed Jun 16 11:29am

The No Smoking Orchestra (TNSO) has been called "a Gypsy techno-rock band" and I think that's a great label: imagine combining all of the best, most exciting parts of the gypsy music tradition (Django Reinhardt, Stephane Grappelli and their contemporaries) with the energy and spectacle of techno and rock music, and you'll begin to understand what it's like to experience a TSNO show. And what exactly does "Gypsy techno-rock" sound like? Check this out:

What's so good about Tony Monaco?

Submitted by Josh Grossman on Tue Jun 15 3:34pm

I can't remember exactly when I first heard jazz organ. I do know it was Jimmy Smith, and I do remember exactly how I reacted. I remember thinking: "Are you kidding? Can music feel this good? Can it groove this hard?" The answer, of course, is yes...and Tony Monaco is bringing that groove to the TD Toronto Jazz Festival.

What's so good about Dave Douglas?

Submitted by Josh Grossman on Mon Jun 14 12:46pm

I think the most exciting thing about Dave Douglas is that he is impossible to pin down - just when I catch up to his most recent project, he's on to something new and, invariably, different. But whether he's playing in a jazz trio or a brass quintet, or performing a live soundtrack to a silent film, Dave Douglas is at the upper echelon of international jazz performance, pushing boundaries with his writing and playing, and always sounding great.

What's so good about Miguel Zenon?

Submitted by Josh Grossman on Fri Jun 11 4:31pm

I've seen Miguel Zenon live in concert only once but that was all I needed to be convinced of his outstanding talent. It was a few years ago and I was stuffed into the 55 Bar in New York with forty or fifty other jazz lovers. It's a great spot to see a show - the cover is reasonable (as is the drink minimum), and there is no option but to be really close to the musicians. On the "bandstand" (floor, really) with Miguel that night were Antonio Sanchez on drums, Chris Potter on tenor and Ben Street on bass. It was an amazing night of music.

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